PLEASE SEND US YOUR CINEMA GEAR TO SELL.
WE NEED | SONY VENICE 2'S URGENTLY
WE NEED | ARRI 416
WE NEED | ARRI SR2
WE NEED | ARRI SR3
WE NEED | ARRI 35'S
WE NEED | ARRICAM LT
WE NEED | ARRI ALEXA MINI'S
WE NEED | ARRI ULTRA 16 SET
WE NEED | CINEVISION ANAMORPHIC SET
WE NEED | SIGNATURE PRIME SETS
WE NEED | CRANE (JUST CRANE AND NO FEET)
WE NEED | COOKE TLS SPEED PANCHRO
processed-5973F195-351F-458D-9AAB-5B038A6DA9B6

ARRI MASTER ANAMORPHIC SET OF 9 WITH FLARE

Metric
Used Arri Master Anamorphic Set of 9: 28, 35, 40, 50, 60, 75, 100, 135, 180mm with Flare for Sale

The ARRI Master Anamorphic series, developed in collaboration with ZEISS, represents a pinnacle in cinematic optics. While the standard Master Anamorphics are known for being “perfect”—boasting near-zero distortion and no breathing—the Flare Sets were introduced to provide cinematographers with more organic, artistic character without sacrificing the lens’s technical excellence.

Key Features:

Interchangeable Front and Rear Elements: The “Flare” aspect comes from specialized lens coatings on replaceable glass elements, allowing you to swap between “neutral” and “flare” looks.
Consistent T1.9 Aperture: Fast and consistent across the entire focal range, enabling shallow depth of field and superior low-light performance.
Zero Lens Breathing: Focus pulls remain completely stable with no noticeable change in image magnification.
True Anamorphic Look: Delivers the classic 2x squeeze and oval bokeh without the technical artifacts like “mumps” (distorted faces) or heavy edge softness.
Compact & Lightweight: Despite their complex internals, they are optimized for handheld and gimbal use compared to vintage anamorphic glass.
Creative Versatility: You get two lenses in one. You can use the standard coatings for a clean, modern look or the Flare Sets for classic blue streaks and “veiling” glare.
Technical Perfection: Even with the flares engaged, the lenses maintain incredible sharpness, contrast, and resolution from corner to corner.
Seamless Matching: All lenses in the series are color-matched, making it easy to swap focal lengths during a shoot without needing heavy color grading adjustments.
Modern Reliability: Unlike vintage anamorphic lenses, these have standardized gear positions and modern housings, ensuring they work flawlessly with follow-focus systems and motors.

Price: USD $199,000 FOB

“Feel free to call or email and make your best offer.”

Cost: $185k
Malte Udsen
malte@dk.storylinestudios.com
12-22-2025

Price: 0
Min Price: 0
Max Price: 0

“Feel free to call or email and make your best offer.”

FJS International
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.