The ARRI Ultra Prime 50mm lens is a high-performance PL-mount cinema prime designed for Super 35 film and digital cinema cameras. Renowned for its exceptional sharpness, consistent color reproduction, and low distortion, it features advanced optical engineering that delivers a clean, natural image with smooth focus falloff. The lens offers a fast T1.9 aperture, enabling excellent low-light performance and precise depth-of-field control. This package typically includes the 50mm lens, front and rear caps, and a protective transport case. Compact and lightweight for professional cinema optics, the Ultra Prime 50mm is ideal for narrative filmmaking, commercials, television production, documentaries, and high-end corporate video applications.
Key Features
Delivers exceptional sharpness with consistent color across entire image.
Features fast T1.9 aperture for low-light shooting flexibility.
Provides minimal distortion and natural cinematic image rendering characteristics.
Compact housing supports efficient handheld and stabilized camera operation.
Compatible with professional PL-mount cinema camera systems worldwide.
Includes:
Cooke SP3 25mm
Cooke SP3 32mm
Cooke SP3 50mm
Cooke SP3 75mm
Cooke SP3 100mm
Shipping Case
This complete Cooke SP3 Full Frame 5-Lens Prime Set represents a groundbreaking evolution in cinema optics, directly mapping the legendary Speed Panchro optical DNA onto a lightweight, mirrorless architecture. The set provides comprehensive focal coverage from wide-angle to telephoto (25mm, 32mm, 50mm, 75mm, and 100mm), all featuring a fast T2.4 aperture. Each lens is structurally optimized with consistent, matched focus and iris gear placement to ensure lightning-fast lens changes on set. Equipped with dual Imperial and Metric focus scales, this highly versatile kit includes interchangeable mount options and a custom-cut hard shipping case, making it instantly production-ready for global deployment on gimbals, drones, or standard studio configurations.
Key Features:
The Iconic Cooke Look: Delivers classic Speed Panchro-inspired optical performance with beautiful center sharpness, controlled flare characteristics, and a smooth, cinematic roll-off.
Full Frame Coverage: Engineered to cleanly cover large-format full-frame sensors across all five focal lengths.
Dual Focus Scales: Features highly visible, precise focus markings in both feet (Imperial) and meters (Metric) for seamless international production use.
Ultra-Lightweight & Compact: Small, modular chassis ideal for use on compact gimbals, drones, and run-and-gun mirrorless cinema rigs without sacrificing professional mechanics.
User-Interchangeable Mounts: Adapts easily to varying camera ecosystems with swappable mounts (Sony E and Canon RF options included) to future-proof your optical investment.
Matched Mechanics: Consistent gear positioning for focus and iris across the entire set allows for swift lens changes without adjusting follow-focus or wireless motor positions.
Pristine Glass: Front and rear elements feature advanced optical coatings, maintaining flawless optical clarity and vintage-style rendering.
COST: USD $17,000 FOB
(t)
Kaela Nielsen
kaela@moonrock.camera
+1 801 821 4554
6-3-2026
The OpTex Ultra Wide Super Cine 4mm T2 f/1.8 is a legendary, specialized ultra-wide-angle prime lens designed for Super 16mm cinematography. Renowned for its dramatic, expansive field of view and unique rectilinear perspective, this lens allows filmmakers to capture incredibly wide shots with minimal fish-eye distortion. Its fast f/1.8 maximum aperture ensures exceptional performance in low-light environments and provides creative flexibility over depth of field. Built with a robust, professional cine housing featuring integrated gears, it integrates seamlessly into industry-standard follow-focus systems, making it a prized asset for stylized narratives, music videos, and architectural filmmaking.
Key Features:
Ultra-Wide 4mm Focal Length: Delivers a sweeping, immersive field of view perfectly optimized for Super 16mm format sensors and film gates.
Fast f/1.8 Maximum Aperture: Provides outstanding low-light capabilities, allowing for clean exposures in challenging lighting conditions.
Rectilinear Optical Design: Minimizes the extreme barrel distortion typically associated with lenses this wide, keeping straight lines relatively straight.
Professional Cine Mechanics: Features smooth, geared iris and focus rings for precise, repeatable adjustments via follow-focus motors.
Compact & Lightweight Form Factor: Ideal for specialized camera rigs, tight spaces, hand-held operation, or gimbal setups.
Vintage Optical Character: Offers a distinct, classic rendering, pleasing contrast, and unique flare characteristics that modern lenses often lack.
Cost: 8500 EUR
(t)
jorn/The Rentals Group
+31-20-8118881
info@therentalsgroup.com
5-28-2026
Includes:
Cooke S4/i 21mm T2.0
Cooke S4/i 27mm T2.0
Cooke S4/i 40mm T2.0
Cooke S4/i 65mm T2.0
The Cooke S4/i series represents an industry-standard benchmark for professional cinema optics. Engineered to deliver exceptional mechanical performance and the legendary, highly coveted “Cooke Look,” these true cine primes offer filmmakers a balance of smooth, organic warmth, high contrast, and gentle roll-off. This specific 4-lens focal length selection provides a versatile range of wide-angle to short-telephoto perspectives optimized for Super35 sensor cinematography. Each lens incorporates Cooke’s intelligent /i Technology to seamlessly capture vital lens metadata for modern VFX workflows and post-production.
Key Features:
The Legendary “Cooke Look”: Provides unmatched optical warmth, flattering skin tones, exceptional dimensionality, and a smooth, organic contrast that reduces the digital edge of modern sensors.
Integrated /i Technology: Ambient metadata protocols automatically record critical frame-by-frame lens data—including focus distance, aperture settings, and depth of field—saving significant time and cost in VFX post-production.
Fast and Consistent T2.0 Aperture: Every lens in the set features a fast T2.0 maximum aperture, allowing for superb low-light performance and consistent exposure tracking across focal lengths.
Standardized Mechanical Design: Geared focus and iris rings are identically positioned across the set, allowing camera assistants to swap lenses rapidly without moving follow-focus units or lens motors.
Superb Flare and Aberration Control: Meticulously engineered to control stray light, chromatic aberrations, and ghosting, while still retaining beautiful, artistic flare characteristics when pushed.
Smooth Cam-Style Focus Mechanism: Features an award-winning mechanical construction that guarantees silky, precise focus pulls with zero backlash or image shift.
Robust PL Mount: Designed with durable, industry-standard Arri PL mounts featuring built-in electronic contacts for direct data transmission to compatible cameras.
Cost: USD $25,000 (ok with seller)
(t)
Neel Kumar
+971508785953
neel@akelafilms.com
Dubai, UEA
5-27-2026
Includes:
Zeiss Oberkochen Opton B-Speed Mk. I 25mm Distagon f/1.2 (Serial No. 6151189)
Zeiss Oberkochen Opton B-Speed Mk. I 35mm Distagon f/1.3 (Serial No. 2597570)
Zeiss Oberkochen Opton B-Speed Mk. I 50mm Planar f/1.3 (Serial No. 2597556)
Zeiss Oberkochen Opton B-Speed Mk. I 85mm Planar f/1.4 (Serial No. 6233126)
The Zeiss Oberkochen Opton B-Speed Mk. I Set of 4 lenses delivers iconic vintage character utilizing legendary German optical technology. Centered around early T1.4 high-speed core mechanics, this rare set includes the 25mm, 35mm, 50mm, and 85mm focal lengths. The comprehensive package features four fully serviced prime lenses, front and rear caps, and a custom-fitted, impact-resistant flight case. Famous for their unique triangular iris flare pattern when stopped down, these compact, lightweight primes are ideal for cinematographers seeking a soft, organic look with striking flares and beautiful low-light contrast, fitting perfectly onto modern digital camera sensors via PL mount conversions.
Key Features:
– Fast T1.4 aperture performance excels during challenging low-light cinematography.
– Triangular iris design generates unique and highly artistic vintage flares.
– The vintage German glass provides beautifully organic and soft rendering.
– A lightweight form factor ensures easy integration with modern gimbals.
– Complete four lens package covers essential focal lengths for narrative.
Cost: EUR €18,000
Sell price: EUR €20,200 FOB
Andrei-Constantin Paterău
andrei.constantin_paterau@yahoo.com
Bucarest, Romania
May 20th 2026
(N)
No exact matches in the market
Includes:
LOMO Standard Speed 18mm T3.1 — OKC5-18-1 — s/n 870037 (1987)
LOMO Standard Speed 22mm T2.3 — OKC3-22-1 — s/n not visible
LOMO Standard Speed 28mm T2.2 — OKC7-28-1 — s/n 830264 (1983)
LOMO Standard Speed 35mm T2.3 — OKC11-35-1 — s/n 810084 (1981)
LOMO Standard Speed 50mm T2.0 — OKC1-50-6 — s/n 790098 (1979) — clear Cyrillic markings
LOMO Standard Speed 75mm T2.2 — OKC6-75-1 — s/n 890176 (1989)
– Lenses have PL mount conversion (custom adapter, secure lock)
– 0.8 mod follow focus gears on all 6 lenses
– Unified front diameter via Kood adapter rings (matte box compatible)
– Original Peli 1500 hard case with custom-cut foam
This used set of six LOMO Standard Speed prime lenses delivers classic Soviet-era cinematic character with robust rehoused functionality for modern productions. The package includes 18mm T3.1, 22mm T2.3, 28mm T2.2, 35mm T2.3, 50mm T2.0, and 75mm T2.2 focal lengths, each featuring PL mount conversion with secure custom adapters for compatibility with contemporary cinema cameras. All lenses include 0.8 mod focus gears for seamless wireless or manual follow focus integration, plus unified front diameters using Kood adapter rings for efficient matte box workflows. Housed in an original Peli 1500 hard case with custom-cut foam, this versatile vintage lens set is ideal for narrative filmmaking, commercials, music videos, and productions seeking organic contrast, distinctive flare characteristics, and cinematic texture.
Key Features
Vintage LOMO optics deliver cinematic character with organic contrast and smooth rendering.
PL mount conversions ensure compatibility with modern professional cinema camera systems.
Unified front diameters simplify matte box setups and accessory compatibility workflows.
Integrated 0.8 mod gears support precise follow focus operation during productions.
Original Peli hard case securely protects lenses during transport and storage.
Cost: TBD (asked for pricing)
Sell price: research JCG, NLC
May 21, 2026
(M)
Stephane Marino
steph.marino@gmail.com
Nice, France
owner is TBC on lens housing so we can research pricing.
Includes:
1x ARRI/Zeiss Master Prime 16mm / T1.3 NEW
1x ARRI/Zeiss Master Prime 21mm / T1.3
1x ARRI/Zeiss Master Prime 27mm / T1.3
1x ARRI/Zeiss Master Prime 32mm / T1.3 NEW
1x ARRI/Zeiss Master Prime 40mm / T1.3
1x ARRI/Zeiss Master Prime 50mm / T1.3
1x ARRI/Zeiss Master Prime 75mm / T1.3
1x ARRI/Zeiss Master Prime 100mm / T1.3
1x ARRI/Zeiss Master Prime 150mm / T1.3 NEW
2x Eisele Case for 4x Master Prime (0000921)
1x Eisele Case for Master Prime 150mm T1.3
This premium 9-lens set of ARRI/Zeiss Master Primes represents the pinnacle of modern digital and film cinematography. Covering focal lengths from 16mm to 150mm, this cohesive set features a uniform, ultra-fast aperture of T1.3 across the entire range, delivering unparalleled low-light performance and precise depth of field control. Engineered with advanced optical technologies, Master Primes eliminate breathing and distortion while maintaining exceptional contrast, resolution, and color matching. This high-value package includes a mix of pristine and factory-new lenses, safely housed in premium Eisele flight cases.
Key Features:
Uniform T1.3 Maximum Aperture: Enables extraordinary low-light shooting and absolute consistency across focal lengths without requiring lighting adjustments during lens changes.
Zero Lens Breathing: Incorporates Dual Floating Elements mechanism to ensure that the image scale remains completely stable when shifting focus.
No Optical Distortion: Delivers straight, mathematically correct lines even at the widest focal lengths (16mm and 21mm).
Built-in LDS (Lens Data System): Electronically transmits precise lens settings, iris position, and focus distance to the camera for streamlined VFX workflows and focus pulling.
Advanced Anti-Reflex Coating: Uses specialized Carl Zeiss T* XP coating to minimize internal reflections, maximize contrast, and efficiently control flares.
Consistent Form Factor: Standardized focus and iris gear positions allow swift lens swaps without relocating follow focus motors or matte boxes.
Cost: € 89.000,00 excl. VAT
(t)
Matthias Blum
m.plum@avpro.at
+436649682790
VAT-ID: ATU15062704
Vienna, Austria
5-20-2016
Includes:
Serial No 0924
Cooke S4/i 180mm T2.0
Original Caps
Flight Case
The Cooke S4/i 180mm T2.0 is a premium, high-performance telephoto prime cinema lens designed for professional filmmaking. Engineered for Super35/APS-C format sensors, it delivers the globally acclaimed “Cooke Look”—characterized by sharp yet organic images, smooth contrast, and warm, pleasing skin tones. It incorporates advanced mechanical designs and metadata technology, making it a staple for narrative feature films, television dramas, and high-end commercial productions.
Key Features:
Fast T2.0 Maximum Aperture: Enables exceptional performance in low-light environments and delivers a highly controllable, shallow depth of field for dramatic subject separation.
Integrated/i Technology: Built-in electronic contacts continuously stream real-time lens metadata (such as exact focus distance, aperture value, and depth of field) directly to compatible cameras and accessories. This is critical for post-production workflow accuracy and modern VFX/virtual production.
Advanced Optical Engineering: Specifically designed to suppress flare, distortion, veiling glare, and spherical aberrations, ensuring image clarity even when shooting completely wide open.
Award-Winning Cam-Style Focus Mechanism: Features a large-diameter lens barrel providing a generous 320^ of smooth, backlash-free manual focus rotation. This allows focus pullers a dense layout of precise markings, especially at close distances.
Color-Matched Across the Series: Meticulously calibrated to perfectly match the color balance of all modern Cooke cinema lenses, ensuring seamless consistency across multi-camera setups or focal length changes.
Robust Cinema Architecture: Built with standard 0.8 MOD focus and iris gears alongside a scratch-resistant, hard-anodized PTFE finish to withstand rigorous on-set environmental demands.
cost: tbd
Price: 9,000 to 10k per research
(t)
Jordan Harmon
Syracuse Camera
jordan@syracusecamera.com
+13152544962
United States/Syracuse
5-20-2026
Includes:
Carl Zeiss Distagon Arriflex Standard 16mm T2.2
Carl Zeiss Distagon Arriflex Standard 24mm T2.2
Carl Zeiss Planar Arriflex Standard 32mm T2.2
Carl Zeiss Planar Arriflex Standard 50mm T2.2
Carl Zeiss Sonnar Arriflex Standard 135mm T4
Duclos Adapter Arriflex Standard to PL Mount
Pelican Case 1500
The Zeiss Arriflex Standard S35 Lens Set of 5 includes 16mm, 24mm, 32mm, 50mm, and 135mm prime lenses engineered for Super 35 film and digital cinema applications. Renowned for classic Zeiss optical rendering, these lenses deliver sharp imagery, smooth focus falloff, accurate color reproduction, and cinematic contrast across multiple focal lengths. Built with durable all-metal housings and professional cine mechanics, the set offers reliable focus and aperture control for demanding productions. This package provides versatile wide, standard, portrait, and telephoto coverage suitable for narrative filmmaking, commercials, music videos, and vintage-inspired cinematography. Compact yet production-ready, the lenses integrate seamlessly with Arriflex-compatible cinema camera systems and professional support accessories.
Key Features
Delivers classic Zeiss cinematic rendering with smooth contrast and exceptional sharpness.
Includes versatile focal lengths covering wide, standard, portrait, and telephoto cinematic applications.
Features durable all-metal housings designed for professional filmmaking production environments.
Provides consistent color reproduction across every included prime lens focal length.
Compatible with Arriflex cinema camera systems and professional production accessories seamlessly.
Cost: USD $12,000
Sell Price: USD $13,500 FOB
May 13, 2026
(M)
Javier Borrayo
javier@piafp.com
Includes:
Ultra Prime T2.0 LDS 12mm S/n: 1028
Ultra Prime T1.9 LDS 20mm S/n: 1088
Ultra Prime T1.9 LDS 24mm S/n: 1089
Ultra Prime T1.9 LDS 32mm S/n: 1087
Ultra Prime T1.9 LDS 40mm S/n: 1085
Ultra Prime T1.9 LDS 65mm S/n: 1040
Ultra Prime T1.9 LDS 85mm S/n: 1091
Ultra Prime T1.9 LDS 135mm S/n: 1086
Ultra Prime T1.9 LDS 180mm S/n: 1027
4x Fitting Cases
The Zeiss Ultra Prime LDS set is a pinnacle of cinematic optics, engineered through the legendary collaboration between ARRI and Zeiss. This comprehensive 9-lens kit—ranging from the ultra-wide 12mm to the telephoto 180mm—is renowned for its technical “perfection,” offering high contrast and exceptional sharpness across the entire frame. The integration of the Lens Data System (LDS) allows for real-time communication of lens settings to the camera, streamlining post-production and VFX workflows.
Key Features:
Lens Data System (LDS): Automatically transmits iris and focus metadata to the camera, significantly reducing the time required for lens mapping in visual effects.
Optically Matched: The entire set is color-matched and shares consistent contrast characteristics, ensuring seamless intercutting between different focal lengths.
Fast Aperture: Most lenses in the set, including the wide angles, feature a fast T1.9 maximum aperture, allowing for shallow depth of field and superior performance in low-light environments.
Robust Mechanics: Designed for professional use, these lenses feature rugged construction and standardized gear positions for quick lens changes on set.
Superior Image Control: Engineered to minimize distortion and chromatic aberration even at wide-open apertures.
cost: 50 000 USD
(t)
Yura Shafer
shafer.yuri@gmail.com
5-12-2026
