Includes:
Cooke Anamorphic/i Special Flare 25mm
Cooke Anamorphic/i Special Flare 32mm
Cooke Anamorphic/i Special Flare 50mm
Cooke Anamorphic/i Special Flare 75mm
Cooke Anamorphic/i Special Flare 100mm
Cooke Anamorphic/i Special Flare 135mm
The Cooke Anamorphic/i Special Flare set offers 2x squeeze optics with signature blue-toned flares and gentle oval bokeh for classic cinematic character. Spanning 25mm to 135mm, all six lenses share matched color, front diameter, and iris mechanics, complete with protective caps and dedicated transport cases. Built into rugged, /i-enabled barrels, they suit narrative features, commercials, and large-format digital cinema productions requiring distinctive, repeatable anamorphic imagery.
Key Features:
Delivers signature oval bokeh and organic lens flares.
Full-frame coverage supports large-format anamorphic cinema productions today.
Consistent color and mechanics across all focal lengths.
Rugged housings withstand demanding professional production environments worldwide.
Standardized front diameter simplifies matte box and accessories.
Includes:
ZEISS Supreme Prime 25mm T1.5
ZEISS Supreme Prime 29mm T1.5
ZEISS Supreme Prime 35mm T1.5
ZEISS Supreme Prime 50mm T1.5
ZEISS Supreme Prime 85mm T1.5
ZEISS Supreme Prime 100mm T1.5
The ZEISS Supreme Prime Set of 6 (25mm, 29mm, 35mm, 50mm, 85mm, and 100mm) represents a premium, high-speed cinema lens kit designed specifically for large-format sensor coverage (such as VistaVision, Full Frame, and Super 35). Featuring an incredibly fast maximum aperture of T1.5 across all six lenses, this set is engineered to provide an organic, versatile look with gentle sharpness, exceptional low-light performance, and smooth, elegant bokeh. The lenses feature standard ARRI PL mounts equipped with electronic contacts to support ZEISS eXtended Data (XD) technology, passing frame-accurate metadata (distortion, shading, focus, and iris values) directly to compatible cameras and post-production workflows.
Key Features:
Cinematic Large-Format Coverage: Fully covers full-frame and VistaVision sensors with an expansive 46.3 mm image circle.
Ultra-Fast T1.5 Aperture: Offers consistent high speed across the entire focal range, allowing for outstanding shallow depth-of-field and peak performance in demanding low-light environments.
Organic “Gentle Sharpness” Look: Strikes a perfect balance between crisp, modern contrast and a gentle, pleasing softness that flatters skin tones beautifully.
Unmatched Mechanical Consistency: Features a uniform front diameter of 95 mm and standardized positioning for the focus and iris gear rings (0.8 MOD), enabling rapid lens swaps without adjusting follow-focus or matte box setups.
Advanced Lens Metadata (eXtended Data): Combines standard Cooke /i technology with ZEISS-specific shading and distortion data, drastically simplifying visual effects (VFX) alignment and post-production compositing.
Minimized Lens Breathing: Excellent optical design controls focus breathing and minimizes distortion, ensuring stable framing during focus pulls.
Interchangeable Mount System: Features a robust user-interchangeable mount system allowing technicians to swap between PL, LPL, and EF mounts on the fly.
Includes:
TLS Canon FD FF 17mm T4.1
TLS Canon FD FF 20mm T2.9
TLS Canon FD FF 24mm T1.5
TLS Canon FD FF 28mm T2.9
TLS Canon FD FF 35mm T2.1
TLS Canon FD FF 50mm T1.3
TLS Canon FD FF 85mm T1.3
TLS Canon FD FF 100mm T2.1
TLS Canon FD FF 135mm T2.1
TLS Canon FD FF 200mm T2.9
The TLS rehoused Canon FD Full Frame 10-Lens Set is an extraordinary vintage cine-lens package that brings together legendary 1970s and 80s Canon optics and modern, industry-standard cinema mechanics. Expertly converted by True Lens Services (TLS), these lenses are highly regarded as the “sister optics” to the prestigious Canon K-35 series, offering a matching warm, organic look with lower contrast and smooth skin tones. This 10-lens set—comprising 17mm, 20mm, 24mm, 28mm, 35mm, 50mm, 85mm, 100mm (listed as 10), 135mm, and 200mm focal lengths—delivers complete focal coverage from ultra-wide to telephoto for large-format sensor cinema cameras.
Key Features:
Full Frame & Large Format Coverage: Designed to fully cover modern high-resolution full-frame and large-format sensors (such as the ARRI Alexa Mini LF, RED V-Raptor, and Sony Venice).
Legendary “K-35” Optical DNA: Inherits the iconic, character-rich vintage rendering, organic contrast, beautiful halation, and gorgeous flare performance of the classic Canon FD line.
Upgraded Circular Iris: Original apertures are replaced by custom 14-to-16-blade iris systems, maintaining a perfectly circular and silky-smooth bokeh across all focal lengths even when stopped down.
Cam-Driven Focus System: Utilizes TLS’s signature non-linear cam focus mechanism, providing zero backlash, eliminated image shift, and extremely smooth, consistent focus rotation (nearly 300°).
Unified Cinema Housing: Features robust, professional housings with standardized gear positions, consistent front diameters (110mm), and clear dual-focus scales, ensuring hassle-free lens swaps on set.
Chassis-Style Construction: Allows clip-on matte boxes and heavy accessories to be attached directly to the front of the lens without impacting the focus motors or barrel movement.
The COOKE S4/i CXX 15-40mm is a premium cinema zoom lens engineered to deliver the renowned Cooke Look, featuring accurate color rendition, smooth contrast, and pleasing skin tones. Built with Cooke’s /i Technology, it transmits lens metadata, including focus, iris, zoom, and depth information, to compatible camera systems for streamlined post-production and visual effects workflows. The package includes the Cooke S4/i CXX 15-40mm lens with front and rear caps, protective flight case, and standard lens support accessories, depending on configuration. Its compact yet robust form factor makes it ideal for feature films, television productions, commercials, documentaries, and high-end digital cinematography requiring exceptional optical consistency and reliable on-set performance.
Key Features
Delivers renowned Cooke Look with exceptional color and pleasing skin tones.
Features Cooke /i Technology for accurate real-time lens metadata transmission.
Covers versatile 15-40mm focal range for diverse cinematic shooting applications.
Compact professional housing ensures reliable performance during demanding production environments.
Compatible with modern digital cinema cameras requiring premium optical quality.
Includes:
ARRI Supreme Prime 18mm T1.5
ARRI Supreme Prime 21mm T1.5
ARRI Supreme Prime 25mm T1.5
ARRI Supreme Prime 29mm T1.5
ARRI Supreme Prime 35mm T1.5
ARRI Supreme Prime 50mm T1.5
ARRI Supreme Prime 65mm T1.5
ARRI Supreme Prime 85mm T1.5
ARRI Supreme Prime 100mm T1.5
Jason Hard Case
The ZEISS Supreme Prime 9-Lens Set (often paired with ARRI systems and featuring advanced metadata integration) represents a pinnacle of modern cinematic glass. This high-end, high-speed large-format prime set includes focal lengths of 18mm, 21mm, 25mm, 29mm, 35mm, 50mm, 65mm, 85mm, and 100mm, all featuring an ultra-fast T1.5 maximum aperture. Designed to comfortably cover full-frame (FF+) and Super 35 sensors, these lenses blend cutting-edge optical performance with a lightweight, compact form factor designed for demanding professional workflows.
Key Features:
Ultra-Fast T1.5 Aperture: Delivers exceptional performance and clean image capture in tricky low-light environments across almost the entire focal range.
Cinematic Large-Format Coverage: Designed to easily cover standard full-frame, FF+, and Super 35 digital cinema camera sensors.
Aesthetic Focus Fall-off & Elegant Bokeh: Built with a 16-blade iris, creating a uniquely smooth transition between sharp elements and out-of-focus areas for richer image depth.
Gentle Sharpness & Organic Look: Renders skin tones and crisp textures with a versatile, organic character rather than a clinical sharpness.
ZEISS eXtended Data (XD) Technology: Combines standard Cooke /i technology metadata with ZEISS-specific lens distortion and shading data to significantly streamline VFX and virtual production workflows.
Rigorous Consistency: Standardized 95mm front diameters (on almost all focal lengths) and matching gear placements allow for rapid, hassle-free lens changes without moving follow-focus motors.
Includes:
18mm Cooke Panchro/i Classic Prime Lens T2.2 PL Mount
25mm Cooke Panchro/i Classic Prime Lens T2.2 PL Mount
32mm Cooke Panchro/i Classic Prime Lens T2.2 PL Mount
50mm Cooke Panchro/i Classic Prime Lens T2.2 PL Mount
4× Front Lens Caps (Cooke branded)
4× Rear PL Mount Caps
Custom Hard Flight Case
The Cooke Panchro/i Classic prime lens set is a modern reimagining of the legendary vintage Speed Panchro lenses. Designed to meet the demands of modern digital sensors while preserving the classic, sought-after cinematic look, this 4-lens core set provides a versatile range of focal lengths for high-end narrative film, commercial, and television production.
Key Features:
The Iconic “Cooke Look”: Delivers a warm, organic, and highly cinematic aesthetic with beautiful, gentle roll-off, pleasing skin tones, and rich contrast.
Vintage Character with Modern Housing: True to the original optical design but enclosed in modern, robust, and ergonomically precise cinema housings featuring unified focus and iris gear positioning.
Advanced /i Technology Data Capture: Equipped with electronic metadata capability to seamlessly record lens settings, focus distance, and aperture data—crucial for modern visual effects (VFX) workflows and post-production.
Super35 Sensor Coverage: Optimized for Super35 digital camera formats, offering consistent color matching across all focal lengths in the set.
Linear Focus and Iris Drives: Precision mechanics with clear, dual-sided focus markings ensure smooth, reliable operation for camera assistants and follow-focus systems.
Includes:
ARRI Ultra Prime 12mm Single Lens
Flight Case
Developed in a historic partnership between ARRI and ZEISS, the Ultra Prime lineup is legendary in Hollywood and high-end commercial production for delivering unmatched clarity, crispness, and color accuracy across the frame. This specific listing is a production-ready package. It includes the highly sought-after ARRI Ultra Prime 12mm Single Lens, paired with its robust, foam-lined Flight Case to ensure safe transport on and off the set.
Key Features:
Super35 Format Coverage: Perfectly optimized for industry-standard Super35 film and digital cinema camera sensors. Ultra-Wide Perspective: The 12mm focal length yields an expansive, immersive field of view without heavy geometric distortion.
Fast T2.0 Aperture: Provides exceptional low-light flexibility and beautiful, shallow depth-of-field imagery.
ZEISS T XP Coating:* Advanced anti-reflex multilayer coating actively minimizes flares, ghosting, and internal reflections.
Superior Close Focus: Offers an impressive close-focusing distance of just 12 inches (0.3 meters), letting you capture macro-style wide shots.
No Focus Breathing: Designed mechanically so the focal length remains constant during focus pulls, preserving a clean cinematic experience.
Standardized Mechanics: Features industry-standard 0.8 MOD geared focus and iris rings for seamless integration with wireless motors and follow-focus units.
Includes:
1x ARRI Carl Zeiss Ultra Prime 24mm T1.9
2x ARRI Carl Zeiss Ultra Prime 100mm T1.9
1x Nanuk 918 Hard Case
Co-developed by ARRI and ZEISS, Ultra Prime lenses are industry-standard, lightweight, standard-speed cinema optics engineered for Super 35mm formats. Noted for their exceptional mechanical reliability and pristine optical performance, they maintain high contrast and uniform resolution across the entire frame, even when shooting wide open or at close-focus limits. This specific 3-lens production configuration consists of one wide-angle 24mm T1.9 Distagon and two short-telephoto 100mm T1.9 Sonnar primes, all sharing a uniform compact housing, imperial focus scales, and matching gear positions for efficient on-set handling.
Key Features:
Fast T1.9 Maximum Aperture: Delivers consistent brightness across all lenses in the set, enabling excellent low-light performance and tight control over shallow depth of field.
ZEISS T XP Coating:* Advanced multi-layer anti-reflex coating minimizes internal reflections, flares, and ghosting while maximizing color saturation.
Super Color Matched: Specially selected optical glass ensures tightly unified color characteristics, facilitating seamless intercutting between focal lengths and pairing perfectly with Master Primes or Alura Zooms.
Floating Element Design: Employs an internal focus mechanism that reduces field curvature and aberrations, maintaining superior image crispness down to the close-focus limit (1′ for the 24mm; 3’3″ for the 100mm).
Unified Mechanical Form Factor: Features a standardized 95mm front barrel diameter and consistent, fixed axial positions for focus and iris gears, ensuring rapid lens swaps without moving follow focus motors or matte box setups.
Zero Focus Breathing & Backlash: The robust, sealed internal housing isolates the optics, ensuring smooth focus pulls with zero image shift and no axial extension.
The ZEISS Supreme Prime 135mm T1.5 is a high-end telephoto cinema lens engineered for modern large-format digital cinematography. Balancing crisp clarity with an organic aesthetic, it fully covers full-frame and VistaVision sensors with its 46.3mm image circle. Built with a robust, compact form factor, it is designed to seamlessly integrate into demanding professional workflows.
Key Features:
Ultra-Fast T1.5 Aperture: Delivers exceptional low-light performance and precise depth-of-field control.
Cinematic Focus Fall-Off: Features an 18-blade iris creating a smooth transition between in-focus and out-of-focus areas for an elegant, creamy bokeh.
Minimal Focus Breathing: Features an advanced internal focus design to eliminate distracting framing shifts during critical focus pulls.
ZEISS eXtended Data (XD): Features electronic communication via the rear data pins or external LEMO port, providing real-time lens metadata for post-production and VFX workflows.
Production Consistency: Shares unified ergonomics, standardized 0.8 MOD gearing, and consistent color-matching with the entire Supreme Prime lineup.
Professional Hard Case: Includes a specialized, protective custom-molded flight case for safe transit and logistics.
Includes:
ZEISS Supreme Radiance 18mm T1.5 (PL Mount)
ZEISS Supreme Radiance 25mm T1.5 (PL Mount)
ZEISS Supreme Radiance 35mm T1.5 (PL Mount)
ZEISS Supreme Radiance 50mm T1.5 (PL Mount)
ZEISS Supreme Radiance 85mm T1.5 (PL Mount)
ZEISS Supreme Radiance 135mm T1.5 (PL Mount)
2x Hard Case
This complete, premium 6-lens cinema set offers large-format sensor coverage with a striking vintage character and state-of-the-art optical performance. Unlike standard un-coated lenses, the Radiance series utilizes a specialized T blue coating* that yields breathtaking, reproducible blue flares while preserving contrast and avoiding transmission loss. This high-speed kit is uniformly fast at T1.5, lightweight, robust, and expertly matched for seamless lens shifts on high-end cinematic productions.
Key Features:
Controlled Flaring: Reworked T blue coating* allows operators to plan and reproduce stylized blue flares purposefully under strategic lighting without losing image contrast.
Cinematic Full-Frame Coverage: Generous 46.3mm image circle effortlessly covers large-format sensors like the ARRI Alexa LF/Mini LF, SONY VENICE, and RED systems.
High-Speed T1.5 Aperture: Brilliant performance across the entire 6-lens set ensures consistent exposure and exceptional handling in challenging low-light setups.
Organic Vintage Look: Delivers a subtly warmer color palette paired with gentle sharpness, rendering natural skin tones and smooth, artistic focus roll-off.
Pleasing Bokeh: Engineered with a 16-blade iris to maintain flawlessly round out-of-focus highlights even when stepped down.
Production Efficiency: Features consistent gear positioning for focus and iris rings across the set, alongside a unified front diameter (95mm for most focal lengths, 114mm for 18mm and 135mm) to accelerate matte box and follow-focus changes.
Advanced Data Tracking: Built-in ZEISS eXtended Data technology streams real-time lens vignetting and distortion information to optimize post-production and complex VFX workflows.
