The Angénieux Optimo 15-40mm is a high-performance wide-angle cine zoom designed for professional film and television production. Known for its outstanding optical clarity, minimal distortion, and consistent color rendering, it delivers exceptional image quality across its zoom range. Its compact, lightweight design makes it ideal for handheld, Steadicam, and gimbal work, while precision mechanics ensure smooth focus, zoom, and iris control. Built to meet the demands of modern cinematography, this lens combines versatility with the signature Angénieux cinematic look.
Key features:
Wide 15-40mm focal range for dynamic framing
Excellent sharpness and contrast throughout
Minimal distortion and controlled breathing
Consistent T-stop across zoom range
Compact, lightweight design for mobile setups
Smooth, precise cine-style controls
Reliable build quality for professional use
Cost to be determined
April 22, 2026
(M)
Simon Ozolins
simonozolins@gmail.com
The Angénieux Optimo 45-120mm is a renowned cine zoom lens celebrated for its exceptional optical performance and versatility. Covering a highly practical focal range, it delivers consistent image quality with excellent sharpness, contrast, and color fidelity across the zoom. Built with precision engineering, it features smooth focus, iris, and zoom controls, making it ideal for demanding professional productions. Widely used in film, television, and commercial work, this lens offers the reliability and cinematic quality that cinematographers expect from Angénieux.
Key features:
Versatile 45-120mm focal range for mid to telephoto coverage
Exceptional sharpness and contrast throughout zoom range
Consistent T-stop across all focal lengths
Smooth, precise focus, zoom, and iris control
Robust cine housing for professional production use
Minimal breathing and distortion
Industry-standard gearing and ergonomics
Cost: To be Determined
April 21, 2026
(M)
Simon Ozolins
simonozolins@gmail.com
The Angénieux Optimo 17-80mm is a legendary wide-to-mid range cinema zoom lens that has long been considered the industry standard for Super 35mm film and digital production. Renowned for its ability to match the optical quality of prime lenses, it is a staple on high-end film sets worldwide.
Key Features and Benefits
Extremely Fast Aperture: Features a constant T2.2 maximum aperture across the entire zoom range, providing exceptional low-light performance and shallow depth of field
Zero Ramping & Breathing: Engineered to eliminate “ramping” (loss of light when zooming) and “breathing” (change in focal length when focusing), ensuring a consistent image during technical shots
Prime-Quality Optics: Delivers superior contrast, resolution, and color reproduction that rivals top-tier prime lenses, allowing it to be used alongside them seamlessly.
Precision Ergonomics: Boasts a 329° focus rotation with over 50 precise witness marks, offering focus pullers incredible accuracy.
Impressive Close Focus: A Minimum Object Distance (MOD) of 2 feet (0.6m) allows for tight, intimate shots even at wider focal lengths.
Versatile Build: Standardized 136mm front diameter for easy matte box compatibility and a robust mechanical design built for the rigors of professional sets.
COST: TBD
Price Investigation:No one has it & JustCinemaGear has
Angénieux Optimo 16-40mm Zoom (Fallback:Closest range) x $12,650.00
Siew Moi
Cine Equipment Pte Ltd
49 Jalan Pemimpin,
#05-06 APS Industrial Building
Singapore 577203
Office Tel: +65 62525089
Office Fax: +65 62551981
R-4-14-2026
The Angenieux Optimo DP 16-42mm is a high-performance cinema zoom lens designed for Super 35 digital cameras, delivering exceptional image quality and versatility. Built with Angenieux’s renowned optical technology, it offers excellent sharpness, consistent color rendition, and minimal distortion across the zoom range. With a constant T2.8 aperture, this lens ensures reliable low-light performance and precise depth of field control. The 16-42mm focal range makes it ideal for wide-angle to standard framing, perfect for narrative filmmaking, commercials, and documentaries. Its compact, lightweight design supports handheld, gimbal, and studio setups, and the package typically includes standard cine gears, lens support compatibility, and a protective case.
Key Features:
Constant T2.8 aperture enables consistent exposure throughout entire zoom range.
Designed for Super 35 sensors delivering optimized cinematic image performance.
Compact and lightweight construction supports handheld and gimbal shooting setups.
Minimal distortion and breathing ensure professional-grade cinematic image consistency always.
Industry-standard gear placement allows seamless integration with cinema accessories systems.
Cost: USD $6,000
Sell Price: USD $6,750 FOB
Siew Moi
Cine Equipment Pte Ltd
smoitng@singnet.com.sg
+65 62525089
Singapore
April 14th 2026
(J)
ABOUT PRICING:
Sell price averaged from listings in NLC and JCG, range goes from USD 5K to USD $8,500.
The Angenieux Optimo 12x 24-290mm is a legendary cinema zoom lens renowned for its unmatched versatility and optical excellence. Featuring a 12x zoom ratio, this lens covers a broad focal range from wide-angle to extreme telephoto, making it ideal for feature films, commercials, and live production environments. Engineered with advanced optical design, it delivers consistent color rendition, high contrast, and minimal distortion across the zoom range. With a fast T2.8 aperture up to 200mm, it ensures excellent low-light performance and cinematic depth control. The robust yet balanced construction supports studio and handheld configurations, typically including support brackets, lens motors compatibility, and protective flight case for professional workflows.
Key Features:
The 12x zoom range covers wide to extreme telephoto perspectives.
Fast T2.8 aperture ensures strong low-light performance and depth control.
Exceptional optical quality delivers sharp images with minimal distortion artifacts.
Robust construction supports demanding professional production and rental environments reliably.
Compatible with industry-standard accessories including motors, supports, and matte boxes.
Cost: USD 22,000
Sell Price: USD $25,000 FOB
Siew Moi
Cine Equipment Pte Ltd
smoitng@singnet.com.sg
+65 62525089
Singapore
April 14th 2026
(J)
ABOUT PRICING:
Sell price averaged from listings in NLC and JCG, range goes from USD $20,500 to USD $29,500.
The Angenieux Optimo 15-40mm T2.6 is a lightweight, high-performance wide-angle zoom lens that has become a staple in professional cinematography. Renowned for its “Angenieux look”—a signature blend of sharpness and organic texture—it provides the versatility of a zoom with the optical quality typically reserved for prime lenses.
Key Features:
Exceptional Optical Quality: Delivers consistent colorimetry and contrast across the entire zoom range, matching perfectly with the rest of the Optimo series.
Fast Aperture: A constant T2.6 maximum aperture throughout the focal range allows for excellent performance in low-light environments and shallow depth-of-field control.
Compact and Lightweight: Weighing only 4.2 lbs (1.9 kg), it is ideal for handheld, Steadicam, and gimbal work where agility is crucial.
No Breathing: Advanced internal focus design minimizes “lens breathing” (the shifting of focal length when adjusting focus), ensuring a cinematic feel during rack focuses.
Short Minimum Focus: With a close-focus distance of 2 feet (0.6 meters), it excels at capturing intimate, wide-angle detail shots.
Interchangeable Mounts: Native PL mount with options for EF or Panavision compatibility, making it adaptable to various camera systems.
cost: TBD
(t)
Siew Moi
smoitng@singnet.com.sg
4-14-2026
The Angénieux Optimo DP 16-42mm T2.8 is a professional-grade cinema zoom lens specifically engineered for digital production (DP). It is part of the “Rouge” series, designed to deliver the legendary Angénieux “look” at a more accessible price point than the standard Optimo line. This lens is optimized for Super 35mm digital sensors and is a favorite for handheld, Steadicam, and drone work due to its remarkably lightweight and compact form factor (approx. 4.2 lbs). Unlike traditional cine zooms, the DP series was built specifically for digital cameras and features an extended rear element.
Key Features:
Constant Aperture: Maintains a fast T2.8 throughout the entire zoom range, ensuring consistent exposure.
Zero Breathing & Ramping: Engineered to eliminate focus breathing (image shift when focusing) and ramping (focal loss when zooming).
Lightweight Design: Weighing only 1.9kg (4.2 lbs), it is ideal for fast-paced, mobile cinematography.
Precise Mechanics: Features a high-precision focus ring with 320° of rotation and over 20 calibrated witness marks for accurate focus pulling.
Optical Excellence: Optimized for 4K and higher resolutions, providing a cinematic texture with natural skin tones.
Standardized Front Diameter: A 114mm front diameter makes it compatible with most professional matte boxes and accessories.
cost: TBD
(t)
Siew Moi
smoitng@singnet.com.sg
4-14-2026
The Angenieux 30-76mm is a legendary cinema zoom lens known for its vintage character, smooth mechanics, and beautiful optical rendering. Widely used in film and television production, it delivers a classic look with pleasing contrast, gentle falloff, and organic color reproduction. A used copy often shows minor cosmetic wear but retains its renowned performance, making it a sought-after choice for cinematographers chasing a timeless, filmic aesthetic.
Key features:
Classic vintage cinema zoom look
Smooth, precise focus and zoom control
Solid all-metal construction
Pleasing color rendition and contrast
জনপ্র cinematic history and proven reliability
Compatible with various mounts (depending on conversion)
Code:
Cost To be determined
April 13, 2026
(M)
Siew Moi
smoitng@singnet.com.sg
Includes:
Arriflex 16 SR3 Advanced (Serial No. 4356).
Video Assist: Integrated Video System (IVS) included.
Magazines: 2 x 400ft Advanced Timecode Magazines.
Original ARRI silver hard case with original manual.
Canon 11.5-138mm T2.5 Super 16 Zoom with original matching case.
The ARRI Arriflex SR3 is a professional Super 16 film camera designed for high-end cinematic production. Featuring a precision mechanical film transport system and crystal-sync motor, it delivers exceptionally stable image capture and quiet operation for sync sound recording. This package typically includes the SR3 body, multiple 400ft magazines, video assist system, batteries, charger, baseplate, rods, and support accessories. Its ergonomic shoulder-mount form factor makes it ideal for handheld and documentary-style shooting. Renowned for reliability and image quality, the SR3 is widely used in commercials, independent films, and television production requiring the distinct aesthetic of 16mm film.
Key Features:
The ARRI SR3 features a crystal-sync motor enabling precise frame rates and reliable sync sound recording.
It supports Super 16 format natively, maximizing image area and cinematic aspect ratios.
The included 400ft magazines allow for extended shooting durations with quick reload capability.
A built-in or upgraded video assist system enables real-time monitoring during production.
Its compact, ergonomic design supports handheld operation while maintaining professional stability and durability.
Cost: TBD
Sell Price: MAKE AN OFFER
Serrina Angel Bean
angel.bean@mail.com
1-306-500-4671
Saskatoon, Canada
April 7th 2026
Offered 17K to seller, standing by for confirmation, listed as MAO in the meantime.
(J)
The Canon C35 45-200mm f/2.8 is an exceptionally rare, vintage cinema-style zoom lens originally developed as a prototype in 1959. Initially intended for the Canonflex R-mount system, it is often cited as one of the rarest lenses in existence, with only a handful of units believed to have been produced for professional testing. While it never saw a full commercial release it has gained legendary status among collectors. Many surviving units have since been serviced and converted to PL mount for use on modern cinema cameras, offering a unique, vintage optical character.
Key Features:
Constant f/2.8 Aperture: Offers impressive light gathering and consistent exposure throughout the entire 4.4x zoom range.
Vintage Optical Aesthetic: Delivers a classic “golden era” look with unique flare characteristics and a gentle roll-off that modern lenses often lack.
Historical Rarity: With only approximately 4 to 5 units reportedly produced, it is a flagship piece for high-end equipment archives and specialized cinematography.
Robust Mechanical Build: Features an all-metal construction, weighing approximately 3kg, reflecting the heavy-duty engineering standards of late 1950s Japanese optics.
Modern Versatility: Though vintage, many units are now fitted with PL mounts and standard 0.8 pitch gearing for compatibility with modern follow-focus systems and cinema rigs.
cost: TBD sales: 20,000 usd
(t)
Rodrigo Iturralde
rodrigo@off-hollywoodfilms.com
+1(818)445-49-86
4-6-2026
The ZEISS Compact Zoom CZ.2 15-30mm T2.9 is a high-performance wide-angle cinema zoom designed to meet the demands of modern digital cinematography. Known for its versatility and optical precision, it is the widest member of the ZEISS Compact Zoom family, offering full-frame coverage and a look that seamlessly matches ZEISS cinema primes.
+1
Key Features and Benefits
Full-Frame Coverage: Specifically designed for 36×24 mm sensors, making it future-proof for high-resolution 4K and 8K cameras.
Interchangeable Mount System (IMS): Offers unparalleled flexibility with user-swappable mounts, including PL, EF, F, MFT, and E, allowing the lens to adapt to various camera platforms.
Zero Focus Shift: Features a parfocal design that maintains sharp focus throughout the entire 2x zoom range.
Cinema-Standard Housing: Equipped with 0.8 MOD geared rings for focus, iris, and zoom, and a nearly 300° focus rotation for surgical precision.
Consistent T2.9 Aperture: Provides a constant fast aperture across the focal range, ensuring consistent exposure while zooming.
Color Matching: Engineered to intercut perfectly with ZEISS Master Primes, Ultra Primes, and Compact Primes for a unified visual aesthetic.
Robust & Weatherproof: Built with a durable cine-style housing and special protection against dust and spray for reliable use in harsh environments.
Cost TBD
Kyle Irwin
irwindale95@gmail.com
Bokeh Rentals
w: www.bokehrentals.com
661-497-6682
p: (213) 212-8403
—
No individual 15-30mm lenses were found in stock at this time on the specified sites.
New Life Cine, priced at $38,000.00. This listing is for a complete 3-lens set (15-30mm, 28-80mm, and 70-200mm)
12,667 eachin average…. We van sell ours in 14,500 and deicde the cost with the owner
R-3/24/2026
The Zeiss Compact Zoom CZ.2 28-80mm T2.9 is a high-performance standard zoom designed to cover full-frame sensors without compromise. Engineered with the legendary T∗ anti-reflex coating, it delivers exceptional contrast, color rendition, and flare suppression that seamlessly matches the Zeiss CP.2 and CP.3 prime series. Its parfocal design ensures that focus remains locked throughout the 2.8x zoom range, while the robust cine-style housing and industry-standard gearing make it a reliable partner for handheld, Steadicam, or gimbal applications.
Key Features:
Full-Frame Coverage: Specifically designed to cover 36×24mm sensors, making it compatible with VistaVision and large-format cameras.
Parfocal Optical Design: Exhibits zero focus shift while zooming, allowing for precise focal length adjustments during a shot.
Interchangeable Lens Mounts: Offers a “future-proof” system with user-interchangeable mounts for PL, EF, E, MFT, and F systems.
Cinematic Mechanics: Features nearly 300° of focus rotation and 11 iris blades for a smooth, circular bokeh.
Compact and Lightweight: Weighing only 2.5 kg, it is significantly more manageable than traditional heavy cinema zooms.
Cost: USD $13,500
Sell Price: USD $15,500 FOB
Kyle Irwin
Bokeh Rentals
irwindale95@gmail.com
kyle@bokehrentals.com
+1 661-497-6682
USA
(J)
The ZEISS Compact Zoom CZ.2 70-200mm T2.9 is a high-performance cinema telephoto lens designed for professional motion picture production. It bridges the gap between high-end cinema glass and the flexibility required by owner-operators, offering full-frame sensor coverage (36×24 mm) and consistent performance across its entire focal range. Known for its “future-proof” design, it is 4K-ready (and beyond) and features an interchangeable mount system (IMS) that allows it to be used across various camera platforms, from PL and EF to E and MFT.
Key Features:
Full-Frame Coverage: Specifically engineered to cover the full 36 x 24mm image circle, making it compatible with modern large-format sensors and traditional Super 35 cameras.
Constant T2.9 Aperture: Maintains a consistent maximum aperture throughout the zoom range, ensuring exposure remains stable without the “ramping” effect common in still photography lenses.
No Focus Shift (Parfocal): Unlike standard photo zooms, this lens is designed to maintain sharp focus while zooming in or out, a critical requirement for narrative filmmaking.
Interchangeable Mount System (IMS): Offers maximum flexibility with user-swappable mounts, protecting your investment as you switch between different camera systems.
Cine-Style Build: Features industry-standard 0.8 MOD gearing on focus, iris, and zoom rings, alongside a 300-degree focus rotation for precise pulls.
Advanced Optics: Utilizes ZEISS T* anti-reflex coating and internal light traps to suppress flare and ghosting, delivering high contrast and natural color rendition.
Compact & Lightweight: At approximately 2.8 kg (6.2 lbs), it is optimized for handheld, Steadicam, and gimbal work where larger cine zooms would be impractical.
cost: 13,500 usd
(t)
Kyle Irwin
irwindale95@gmail.com
3-24-2026
The Angenieux EZ1 & EZ2 Zoom Lens Kit with Interchangeable Full Frame and S35 Optical Blocks is the most complete and versatile configuration of the acclaimed Angenieux EZ system, combining the EZ1 30-90mm and EZ2 15-40mm zoom lenses with dedicated interchangeable optical blocks for both full-frame and Super 35 formats — giving cinematographers an unmatched ability to switch between sensor formats without changing lenses mid-production. Engineered by the legendary French optics house Angenieux, both zooms share a common rear optical group ensuring perfectly matched color rendition and optical character across the entire kit, while the interchangeable front optical blocks unlock the full creative and technical potential of the system across today’s widest range of professional cinema cameras. This comprehensive kit is the definitive choice for feature films, prestige television, and high-end commercial productions demanding maximum operational flexibility, optical excellence, and seamless compatibility across full-frame and Super 35 camera platforms.
Key Features:
The inclusion of both full-frame and S35 interchangeable optical blocks for each zoom makes this the most versatile configuration of the EZ system, allowing cinematographers to adapt instantly to different camera formats without swapping lenses.
The EZ1 and EZ2 together cover a combined focal range from 15mm to 90mm, providing comprehensive wide-angle through telephoto zoom coverage that meets virtually every production requirement within a compact two-lens kit.
A shared rear optical group between the EZ1 and EZ2 ensures perfectly matched color rendition, contrast, and optical character across both zooms, delivering a visually cohesive and unified look throughout an entire production.
Full-frame and Super 35 sensor coverage ensures compatibility with today’s leading cinema platforms, including the ARRI LF, Sony VENICE 2, RED MONSTRO, and Canon EOS C700, all within a single kit.
A lightweight and compact form factor makes the EZ1 & EZ2 kit exceptionally well-suited for handheld, gimbal, drone, and Steadicam configurations where size and weight are critical operational considerations.
Industry-standard gear ring placement and consistent front diameters across both lenses allow seamless integration with professional lens control systems, matte boxes, and follow focus units.
Cost: USD $15,000
Sell Price: USD $17,000 FOB
Nicolas Cheron
(J) and (M)
nicolas@barbara.tv
Canada
March 24th 2026
The ARRI Alura 15-45mm Lens is a high-performance cinema zoom designed for professional film and television production. Built with precision engineering and premium optics, it offers consistent image quality across the zoom range, with excellent contrast, natural color reproduction, and minimal distortion. Its robust construction ensures reliability on demanding sets, while the smooth zoom and focus mechanics provide precise control for cinematographers seeking cinematic results.
Features:
High-quality cinema zoom with consistent optical performance
Smooth, precise zoom and focus control
Excellent contrast and natural color rendering
Minimal distortion and strong edge-to-edge sharpness
Durable, production-ready build quality
Compatible with professional cinema camera systems
COST: 10000 EUROS
MARCH 18, 2026
(M)
Waclaw Maczynski
waclaw@2k4k.pl
The Arriflex 16SR2 (SR2) is a legendary 16mm motion picture camera known for its compact, ergonomic design and exceptionally quiet operation, making it a staple for documentary and indie filmmaking. This package features the Angenieux 12-120mm zoom, a classic piece of glass that offers a versatile 10x zoom range and the signature organic, vintage texture that Angenieux is known for. The SR2’s symmetrical “coaxial” magazine system allows for quick film changes and excellent balance on the shoulder, while its robust German engineering ensures reliable performance in diverse shooting environments. When paired with the 12-120mm, this kit provides a complete, period-accurate 16mm production solution that bridges the gap between vintage aesthetics and professional mechanical reliability.
Key Features:
Compact Coaxial Magazines: Unique 400ft magazine design allows for rapid loading and maintains a balanced center of gravity for handheld work.
Angenieux 12-120mm Zoom: A versatile lens offering a wide 10x zoom range with a classic “vintage” rendering and soft, natural skin tones.
Ultra-Quiet Operation: Specifically engineered for sync-sound recording, making it ideal for dialogue-heavy scenes and documentary interviews.
Crystal-Controlled Speeds: Provides precise, reliable frame rates (typically 24/25 fps) for perfect synchronization with external audio recorders.
Rotating Mirror Shutter: Features a high-quality optical viewfinder that provides a bright, flicker-free image during filming.
Arri B or PL Mount: Often adapted to PL mount for compatibility with a vast range of modern and vintage cinema optics.
Cost: GBP 9,000
Sell Price: GBP 10,100 FOB
Craig Lees
cogartlit@yahoo.co.uk
+44 07891595912
United Kingdom
March 16th 2026
(J)
The ARRI Alura 30-80mm is a high-end cinema zoom lens designed for Super 35 sensors, delivering exceptional optical performance across its focal range. Known for its sharpness, minimal breathing, and consistent color rendition, it integrates seamlessly with professional film and digital cinema cameras. Built with precision engineering, it offers smooth focus, zoom, and iris control, making it a reliable choice for narrative filmmaking, commercials, and broadcast production.
Key features:
Constant T2.6 aperture throughout zoom range
Minimal focus breathing for cinematic consistency
Robust, industry-standard cine housing
Precise, smooth focus and zoom mechanics
Optimized for Super 35 digital sensors
Cost: 10000 EUROS FOB
March 17, 2026
(M)
Waclaw Maczynski
2K4K Film Rental
tel.: +48 789 076 844
mail: waclaw@2k4k.pl
The Angenieux Optimo DP 16-42mm and 30-80mm Zoom Lens Bundle is a matched pair of high-performance cinema lenses specifically engineered for digital cinematography. These “Digital Production” (DP) lenses deliver the legendary Angenieux look—characterized by natural skin tones and organic contrast—in a lightweight, compact form factor optimized for Super 35 sensors. Both lenses feature a fast, constant T2.8 aperture and consistent physical dimensions, making them an ideal choice for fast-paced productions, handheld shooting, and gimbal work where rebalancing time must be minimized.
Key Features:
Constant T2.8 Aperture: Ensures reliable exposure throughout the entire zoom range on both lenses with no light ramping.
Legendary Optical Quality: Delivers the renowned Optimo contrast, color, and resolution across the full Super 35 image circle (32mm diagonal).
Lightweight & Compact: Each lens weighs approximately 4.2 lbs, making the set perfect for Steadicam, handheld, or remote head operation.
Precision Mechanics: Features unique Optimo mechanical design for smooth, repeatable focus and zoom moves with zero breathing.
Standardized Front Diameters: Both lenses share a 114mm front diameter, allowing for rapid accessory swaps without adjusting matte box positions.
Calibrated Focus Marks: Clearly engraved focus scales available in feet or meters with 320° of rotation for high-precision focus pulling.
Cost: TBD
Sell Price: USD $17,900 FOB
The System
systemus10@gmail.com
USA
March 16th 2026
Sell Price reference for same set on New Life Cine: USD $17,900 FOB:
Angenieux Optimo DP Rouge 16-42mm & 30-80mm T2.8 Zoom Lenses
(J)
Includes
Arri Signature Zoom 24-75mm Lens
Case
The ARRI Signature Zoom 24–75mm T2.8 is a high-end full-frame cinema zoom designed to match the optical character of the ARRI Signature Prime series while providing the versatility of a zoom lens. Engineered for large-format sensors, it delivers exceptional sharpness, smooth falloff, and pleasing skin tones across the entire zoom range. The lens maintains a constant T2.8 aperture and features ARRI’s LPL mount system, enabling fast, secure mounting and compatibility with modern large-format cinema cameras. Built with ARRI’s renowned precision and durability, the 24–75mm Signature Zoom is ideal for narrative filmmaking, commercials, and high-end productions that demand prime-like image quality with the convenience of a zoom.
Key Features
24–75mm versatile large-format zoom range
Constant T2.8 aperture across the entire zoom range
Designed to match the look of ARRI Signature Prime lenses
LPL mount for modern large-format cinema cameras
Covers full-frame and large-format sensors
Smooth focus falloff and pleasing skin tone reproduction
Robust cinema housing with precise focus and zoom control
Minimal focus breathing and consistent optical performance
Update April 15th 2026:
Adam asked to raise Sell Price.
Sell Price updated from USD $36,000 FOB to USD $38,500 FOB.
(J)
Update April 8th 2026:
Seller Hans asked to lower Cost as follows:
Cost updated from USD $36,000 to USD $32,000.
Sell Price updated from USD $40,320 FOB to USD $36,000 FOB.
(J)
cost: USD 36,000
March 13, 2026
(m)
Hans/ Lab Equipment
hlab.equipment@gmail.com
3-12-2026
Includes:
45-135 / 1pcs Case
The ARRI Signature Zoom 45-135mm T2.8 is a high-performance cinema lens designed to provide a cohesive aesthetic that matches the ARRI Signature Prime series. It offers exceptional versatility by covering a wide range of sensor sizes, from Super 35 to full-frame large-format, making it suitable for high-end digital cinematography.
Key Features:
Constant T2.8 Aperture: Maintains a consistent T-stop throughout the 45-135mm focal range, ensuring reliable exposure control without ramping.
Large Format Coverage: Engineered to cover full-frame large-format sensors, ensuring high-quality performance even for 8K image capture.
Signature Aesthetic: Specifically designed to produce organic, cinematic images with controlled flaring and excellent shadow detail, ideal for HDR workflows.
Lightweight Design: Features a durable magnesium barrel, keeping the weight to approximately 8.3 pounds to facilitate easier handheld or gimbal operation.
Advanced Metadata: Fully compatible with the LDS-2 (Lens Data System), providing crucial lens data for complex VFX and post-production workflows.
Update April 8th 2026:
Seller Hans asked to lower Cost as follows:
Cost updated from USD $34,000 to USD $32,000.
Sell Price updated from USD $38,100 FOB to USD $36,000 FOB.
(J)
Cost: USD $34,000
Sell Price: USD $38,100 FOB
Hans
Lab Equipment
hlab.equipment@gmail.com
Korea
March 12th 2026
(J)
Includes:
LS-9
Clamp adapter
Flight case is available.
The ARRI Signature Zoom 16-32mm T2.8 is a premier large-format wide-angle zoom lens engineered by ARRI to complement the acclaimed Signature Prime series, delivering the same extraordinary optical performance, color science, and cinematic rendering of the Signature primes in a highly versatile wide-angle zoom format purpose-built for full-frame and large-format production. Featuring a fast and consistent T2.8 maximum aperture across the full 16-32mm zoom range, this lens provides cinematographers with exceptional low-light capability, a beautifully shallow depth of field, and the signature ARRI color rendition and contrast characteristic trusted on the world’s most demanding feature film and television productions. Built with ARRI’s LPL mount as standard — with LDS-2 metadata communication — and covering large-format sensors up to the full ARRI LF frame, this lens is the definitive wide-angle zoom choice for cinematographers shooting on ARRI LF, Sony VENICE 2, and other leading large-format cinema platforms.
Key Features:
A fast and consistent T2.8 maximum aperture across the full 16-32mm zoom range delivers outstanding low-light performance and a beautifully cinematic shallow depth of field without compromise at any focal length.
Engineered to optically match the ARRI Signature Prime series in color rendition, contrast, and overall cinematic character, ensuring seamless interchangeability between the Signature Zoom and Signature Primes throughout a production.
Full large-format sensor coverage up to the complete ARRI LF frame ensures compatibility with today’s leading large-format cinema platforms, including the ARRI ALEXA LF, ALEXA Mini LF, and Sony VENICE 2.
LPL mount with integrated LDS-2 lens metadata communication records critical lens data — including focus distance, zoom position, and aperture — directly into the camera for streamlined VFX and post-production workflows.
The 16-32mm wide-angle zoom range covers ultra-wide through moderate wide perspectives, providing exceptional versatility for establishing shots, immersive interior coverage, handheld work, and Steadicam operation.
Industry-standard gear ring placement on both focus and zoom barrels ensures seamless compatibility with professional lens control systems, remote follow focus units, and wireless zoom controllers.
ARRI’s proprietary optical coatings and precision manufacturing deliver exceptional flare resistance, color accuracy, and image consistency that meets the most exacting standards of high-end feature film and prestige television production.
Update April 8th 2026:
Seller Hans asked to lower Cost as follows:
Cost updated from USD $50,000 to USD $45,000.
Sell Price updated from USD $55,000 FOB to USD $50,500 FOB.
(J)
Update March 26th 2026:
Cost updated by seller, Sell price updated at Adam’s request.
Cost updated from USD 52,000 to USD 50,000.
Sell Price updated from USD $63,000 FOB to USD $55,000 FOB.
cost: USD 52,000
(r)
Hans/ Lab Equipment
hlab.equipment@gmail.com
3-12-2026
—
Price investigation ; Visual Products
ARRI Signature Zoom 16-32mm T2.8 (LPL Mount) $63,500.00 only…
Includes:
Arri Signature 65-300mm Zoom Lens T2.8
1x pcs Case
The ARRI Signature Zoom 65-300mm T2.8 is a high-performance, long-range telephoto lens designed to bring the “Signature” look to large-format cinematography. It bridges the gap between traditional zooms and the organic, natural aesthetic of the Signature Prime series. Built with a magnesium housing, it offers a versatile focal range that remains consistent in exposure, making it a go-to for high-end wildlife, sports, and dramatic close-up work.
Key Features:
ontinuous T2.8 Aperture: Maintains a fast, constant aperture across the entire 65-300mm range, eliminating the need for exposure ramping while zooming.
1.7x Extender Included: Bundled with a dedicated extender that transforms the lens into a 110.5-510mm T4.9, offering incredible telephoto reach without sacrificing image quality.
Universal Sensor Coverage: Specifically optimized for large-format (Full Frame) sensors but remains fully compatible with Super 35 formats.
Signature Aesthetics: Delivers the same warm skin tones, smooth focus fall-off, and rounded bokeh as the Signature Prime series for seamless intercutting.
HDR & 8K Ready: Advanced optical coatings and internal light traps minimize flare and maximize contrast, making it future-proof for 8K+ resolutions and High Dynamic Range (HDR) workflows.
Detachable Magnetic Rear Filter Holder: Allows cinematographers to use nets, glass filters, or custom diffusion directly at the rear of the lens for creative look-tuning.
LDS-2 Metadata System: Features ARRI’s second-generation Lens Data System for high-speed lens metadata transmission, essential for modern VFX and post-production.
Update April 8th 2026:
Seller Hans asked to lower Cost as follows:
Cost updated from USD $39,000 to USD $35,000.
Sell Price updated from USD $43,000 FOB to USD $39,200 FOB.
(J)
cost: USD 39,000
(t)
Hans/ Lab Equipment
hlab.equipment@gmail.com
3-12-2026
Includes Innerspace case.
The ARRI Signature 16-32mm T2.8 is a masterpiece of modern optical engineering, designed to complement the ARRI Signature Prime family by offering a wide-angle zoom solution without compromising on image quality. Covering a massive image circle that exceeds Large Format (LF) and VistaVision requirements, this zoom lens delivers a natural, “organic” look characterized by smooth skin tones and a delicate focus fall-off. Unlike traditional zooms that often struggle with distortion at the wide end, the 16-32mm maintains exceptional geometric linearity and consistent T2.8 speed throughout the range, making it an indispensable tool for immersive landscapes, tight architectural interiors, and high-end commercial cinematography.
Key Features:
Full-Frame / Large Format Coverage: Designed to cover the largest sensors available, including the Alexa 35, Alexa LF, and Sony VENICE 2.
Fast & Constant T2.8 Aperture: Ensures consistent exposure and depth of field across the entire 16mm to 32mm zoom range.
Signature Optical Character: Matches perfectly with Signature Primes, featuring warm skin tones and a soft, pleasing bokeh.
LPL Mount with LDS-2: Utilizes the Large Positive Lock mount and advanced metadata technology for precise lens data communication.
Minimal Aberration & Distortion: Engineered to virtually eliminate chromatic aberration and focus breathing for a stable, high-resolution image.
Magnesium Housing: Constructed with lightweight yet incredibly durable magnesium to reduce the overall weight of the camera rig.
Detachable Magnetic Rear Filter Holder: Allows for the easy addition of nets or specialized filters to further customize the look of the glass.
Update April 7th 2026:
Uploaded new pictures sent by Ben Strang.
(J)
Update March 25th 2026:
At Adam’s request, Cost and Sell price have been updated:
Cost updated from USD $52,000 to USD $45,000.
Sell Price updated from USD $58,500 FOB to USD $49,000 FOB.
(J)
Cost: USD $52,000
Sell Price: USD $58,500 FOB
Benjamin Strang
strang.benjamin@gmail.com
443-875-5896
Santa Monica, California
Feb 20th 2026
(J)
Included:
Front and rear caps
Flight case
This lens offers a massive 15x zoom range, covering everything from wide-angle to telephoto without a drop in light transmission (no ramping). It features a robust PL mount and is designed to cover the Super 16mm film format. In the digital age, it has found a second life on cameras like the ARRI Alexa Mini, Alexa 35, and Blackmagic Pocket Cinema Camera when used in “crop” or S16 sensor modes.
Key Features:
Constant T2.5 Aperture: Maintains a fast, consistent stop throughout the entire zoom range; ideal for low-light environments.
15x Zoom Ratio: Provides an incredible focal range (11mm to 165mm), reducing the need for frequent lens changes.
Zero Ramping: Unlike many photo zooms, the exposure remains perfectly consistent as you zoom in or out.
Vintage Aesthetic: Delivers a “cinematic” look with medium contrast and pleasing textures that modern, clinical lenses often lack.
Compact & Lightweight: At approximately 4 lbs (1.8kg), it is perfectly suited for handheld, gimbal, or shoulder-mounted “run-and-gun” shooting.
Cine-Ready Housing: Includes integrated gears for focus, iris, and zoom, with a standard 95mm front diameter for easy matte box compatibility.
Cost: 7k EURO
(t)
Mohd Rehan
theraeez786@gmail.com
+916361341783
India
2-19-2026
Includes:
Fitting Case
The ZEISS Compact Zoom CZ.2 70-200mm T2.9 is a high-performance telephoto cine lens engineered for professional cinematography. Designed to bridge the gap between heavy studio zooms and versatile primes, it offers full-frame coverage and a constant aperture, making it a “future-proof” investment for modern high-resolution sensors.
Key Features:
Parfocal Design: Maintains precise focus throughout the entire zoom range, eliminating the “focus shift” common in photography lenses.
Full-Frame Coverage: Specifically designed to cover 36 x 24 mm sensors (and larger like Vista Vision) without vignetting.
Interchangeable Mount System (IMS): Easily switch between PL, EF, F, MFT, and E mounts to stay compatible with various camera systems.
T2.9 Aperture: Provides a constant, fast aperture across the 70-200mm range for consistent exposure.
Cine-Style Build: Features standard 0.8 MOD gears, nearly 300° of focus rotation, and calibrated scales for accurate, repeatable pulls.
18-Blade Iris: Creates a perfectly circular aperture for natural, organic bokeh and smooth out-of-focus highlights.
Cost: £7k
(t)
Lee Patel
lee@lightningmedia.co.uk
+44 7966 100600
2-17-2026
Includes:
B&W Outdoor Case Type 3000 (Bright Green)
2x Lens Support Post (3/8”)
Specifications:
– Zoom Ratio2.5X
– Aperturef/2.6 – T2.8
– Close Focus2 ft – 0.6m
– Internal FocusYes
– Image CoverageS35+31.4mm diagonal
– Weight (approx.)4.2 lbs – 1.92 kg
– Length 186mm
– Front Diameter 114mm
The Angenieux Optimo Style 16-40mm T2.8 is a lightweight, compact zoom lens designed to bring the legendary “Angenieux look” to modern digital cinema. Part of the Style series, it offers a versatile wide-angle range and is engineered to cover Super 35mm sensors. Its portability makes it a favorite for handheld, gimbal, and drone work without sacrificing the creamy skin tones and organic texture the brand is known for.
Key Features:
Constant T2.8 Aperture: Maintains consistent exposure and depth-of-field control throughout the entire zoom range.
Optimo Image Quality: Delivers the classic “soulful” look—sharp enough for 4K+ resolutions but with a gentle contrast and natural color rendering.
Lightweight Design: Weighing only 1.92 kg (4.2 lbs), it is ideal for fast-paced productions and stabilizer setups.
Internal Focusing: Minimal lens breathing ensures that the frame stays stable while racking focus.
Interchangeable Mounts: Comes standard in PL mount but is easily adaptable to Canon EF or Panavision mounts.
Precise Mechanics: Features 320° focus rotation with industry-standard 0.8 MOD gears for smooth, repeatable pulls.
Cost: 10,000 USD
(t)
SAFE FOCUS Thailand
safefocus.official@gmail.com
+66 83 542 1482
2-11-2026
The Canon Zoom Cine Servo 17–120mm is a versatile, high-performance cinema zoom lens designed to bridge the gap between traditional broadcast lenses and high-end cine glass. Built for Super 35mm sensors, it delivers cinematic image quality while retaining the familiar servo-driven zoom control favored in documentary, live production, and run-and-gun filmmaking. Its wide focal range, robust build, and seamless integration with cinema cameras make it a go-to choice for productions that demand flexibility without compromising optical performance.
Key Features
17–120mm Wide Zoom Range – Covers wide-angle to telephoto in a single lens, reducing lens changes on set
Constant T2.95 Aperture – Maintains consistent exposure throughout the zoom range
Super 35mm Coverage – Optimized for modern digital cinema cameras
Built-In Servo Drive Unit – Enables smooth, precise zooming for broadcast and documentary workflows
Interchangeable Mounts – Available in EF and PL mounts for broad camera compatibility
High Optical Performance – Advanced coatings and lens elements minimize chromatic aberration, ghosting, and flare
Cinema-Style Focus, Iris, and Zoom Rings – Industry-standard gear positions for follow focus systems
Electronic Communication with Camera – Supports metadata transmission and camera-based lens control (with compatible systems)
Compact, All-in-One Design – Combines cine image quality with ENG-style usability
Robust Professional Build – Designed for demanding production environments
COST: 8900 EUROS
February 6, 2026
(M)
Matthieu Lalande
France
Includes:
Fitting Case
The ARRI Signature Zoom 65-300mm T2.8 is a high-performance cine lens designed to complement the ARRI Signature Prime family. It offers a “timeless” aesthetic characterized by natural skin tones, smooth bokeh, and exceptional highlight/shadow retention. Engineered for versatility, it covers sensor sizes from Super 35 to Large Format (full-frame) and is future-proofed for 8K production.
Key Features:
Consistent T2.8 Aperture: Maintains a fast T2.8 speed across the entire focal range, eliminating “ramping” (exposure loss) while zooming.
Signature Look: Perfectly matches the color and texture of Signature Primes, allowing for seamless intercutting between prime and zoom shots.
1.7x Extender Included: Often bundled with a dedicated extender that transforms the lens into a 110.5-510mm T4.95, providing one of the longest reach options in the industry.
Advanced Metadata (LDS-2): Features the Lens Data System-2 for high-speed delivery of lens settings to post-production and VFX teams.
HDR Compatibility: Specially coated to control flares and maintain lower contrast in shadows, making it ideal for High Dynamic Range capture.
Magnesium Construction: Utilizes a magnesium lens barrel to keep the weight relatively low (8.1 kg) despite its massive size and focal range.
Magnetic Rear Filter Holder: Compatible with the Signature Prime filter system, allowing cinematographers to use nets or custom glass for unique diffusion looks.
Cost: TBD
(t)
Adam Fox
2-3-2026
Includes:
Sony FS7
Fujinon 20-120mm Cabrio (XK6x20) with Servo Unit
Various adapters and related accessories included in the case.The Sony FS7 (Mark I or II) paired with the Fujinon XK6x20 (20-120mm T3.5) is a classic “Gold Standard” combo for run-and-gun shooters who need that ENG-style versatility with a “cinema” look.
Why This Package Hits the Sweet Spot
The FS7 and the Fujinon 20-120mm were practically made for each other. Here’s why this kit remains relevant in 2026:
The Lens: The Fujinon 20-120mm is a parfocal lens, meaning it stays in focus while zooming. It covers a huge range, effectively replacing a bag of primes for most daylight shoots.
The Servo: If the lens includes the detachable drive unit, it allows for smooth, broadcast-style power zooms controlled directly from the FS7 handgrip.
Internal NDs: The FS7’s built-in ND filter system is legendary for speed, especially when moving between indoor and outdoor locations.
XAVC Codec: It produces 10-bit 4:2:2 files that are robust enough for heavy color grading but light enough for standard laptop editing.
Cost: TBD
Josh Fluck
fluckj450@gmail.com / +1 610-850-1767
Price Investigation:
Justcinemagear : Does not have a combo
Newlifecine: does not have a combo
R-02-02-2026
AI Says : estimated value:
Sony FS7 Body (Mk I) $1,200 – $1,800
Sony FS7 II Body $2,200 – $3,000
Fujinon 20-120mm T3.5 $5,500 – $7,500
Full Package (with accessories) $7,500 – $11,000
The ZEISS 70-200mm T2.9 Compact Zoom (CZ.2) is a professional-grade cinema lens designed for high-end digital cinematography. It bridges the gap between traditional still lenses and high-end cinema glass, offering full-frame coverage and a robust, cine-style build in a relatively lightweight form factor.
Key Features and Benefits
Parfocal Design: Ensures the lens stays in focus throughout the entire zoom range, a critical requirement for professional filmmaking.
Full-Frame Coverage: Covers a large 36 x 24 mm image circle, making it compatible with Full Frame, VistaVision, and Super 35 sensors without vignetting.
Interchangeable Mount System: Features a versatile mount system (IMS) that allows users to switch between PL, EF, F, MFT, and E mounts to suit different camera bodies.
T2.9 Constant Aperture: Provides a consistent exposure and shallow depth of field across the entire focal range from 70mm to 200mm.
Cinema-Standard Housing: Equipped with 0.8 MOD geared rings for focus, iris, and zoom, allowing for seamless integration with follow-focus systems and motors.
ZEISS T Anti-Reflex Coating:* Minimizes flare and ghosting while ensuring high contrast and the iconic ZEISS “look” that matches other ZEISS cinema primes.
Precision Focus: Offers nearly 300 degrees of focus rotation for extremely accurate focus pulls and calibrated scales (available in feet or meters).
Update March 25th 2026:
Cost updated by Seller from USD $7,000 to USD $5,500.
Sell Price updated from USD $9,550 FOB to USD $7,000 FOB.
(J)
Cost: 7,000 $
Gaurav Gupta
gaurav.gupta@futureworks.in
R-01-20-2025
Price research:
Owner suggests : ZEISS 70-200mm T2.9 Compact Zoom CZ.2 Lens (PL Mount)-1-Sale $8,000-Cost 7,000
Justcinemagear : 9,650 / Newlifecine: 13,400
AI says:
In the current second-hand market for professional cinematography gear, the average price for a Used ZEISS 70-200mm T2.9 Compact Zoom (CZ.2) typically ranges between $12,500 and $15,500 USD.
While the original retail price was approximately $21,945, the resale value varies based on condition, mount type, and included accessories. Below is a breakdown of the current market landscape:
The ARRI Ultra Wide Zoom (UWZ) 9.5-18mm T2.9 is a precision-engineered lens designed to deliver prime-level optical performance across its entire wide-angle range. It is the first super-wide-angle zoom specifically built for the professional cinema market, designed to eliminate common wide-angle artifacts like distortion and “breathing,” making it an essential tool for high-end VFX and sweeping architectural cinematography.
Key Features and Benefits
Virtually Distortion-Free: Boasts less than 1% distortion at 9.5mm and less than 0.1% at 18mm, ensuring straight lines remain perfectly straight even at close focus.
Future-Proof Image Circle: Features a 34.5mm image circle that comfortably covers Super 35 and ARRI Open Gate formats, ensuring compatibility with next-generation large sensors.
Fixed Entrance Pupil: Maintains a consistent entrance pupil (nodal point) position throughout the zoom range, which is critical for seamless VFX plate shots and panoramic stitching.
Telecentric Optical Design: Provides highly uniform field illumination from the center to the corners, preventing the “vignetting” or shading typically seen in wide lenses.
Minimal Image Breathing: Engineered to maintain a consistent field of view during focus pulls, preserving the composition’s integrity.
Integrated Lens Data System (LDS): Automatically transmits lens metadata (focus, iris, and zoom settings) to the camera to streamline post-production and visual effects workflows.
Rugged Versatility: Replaces a full set of wide-angle primes with a constant T2.9 aperture and interchangeable matte box interfaces (134mm and 156mm).
Update March 25th 2026:
Cost updated by Seller from USD $17,000 to USD $15,000.
Sell Price updated from USD $21,950 FOB to USD $17,000 FOB.
(J)
Cost 17,000
Seller: Gaurav Gupta
Email: info@futureworks.in | Phone: +91 99308 00421
in the email owner siggests: 7 ARRI 9.5-18mm Ultra Wide Zoom Lens (PL, Feet) 1 $18,800 $18,800 17,000
R-01-29-2026
Prices investigation:
Justcienemagear: tehy don´t have it
Newlifecine; has two: 29,000 and 21,990
AI says:
Independent Cinema Brokers $15,500 – $19,000 Units
from FJS International, New Life Cine, or Visual Products. Often includes custom flight cases.
The ARRI/ZEISS Master Zoom 16.5-110mm T2.6 is widely considered one of the most sophisticated cine zoom lenses ever engineered. Developed as a companion to the Master Prime series, it was designed to eliminate the traditional compromises of zoom lenses—specifically “breathing” and “ramping”—while maintaining a sharpness that rivals high-end fixed focal length lenses.
It covers the Super 35 format and is an industry favorite for high-end feature films (notably used in Poor Things and Carol) due to its nearly perfect optical performance across its entire 6.6x zoom range.
Key Features:
Constant Aperture: Maintains a fast T2.6 throughout the entire zoom range with no exposure ramping.
Zero Breathing: Virtually eliminates image shift when racking focus, a rarity for zoom lenses.
Advanced Optics: Features a radical aspherical lens element and T XP* multi-layer anti-reflection coating to minimize flare and ghosting.
Geometric Precision: Designed to produce almost zero distortion, ensuring straight lines remain straight even at wide angles or close focus.
Lens Data System (LDS): Built-in encoders communicate focal length, iris, and focus data directly to the camera for VFX and on-set monitoring.
Active Temperature Compensation: Internal mechanics adjust for temperature fluctuations to maintain focus consistency in extreme environments.
Prime Quality in a Zoom: Replaces a full set of prime lenses (16mm to 110mm) without sacrificing resolution or contrast.
Perfect Color Matching: Seamlessly intercuts with ZEISS Master Primes and Ultra Primes, maintaining a consistent “look” across a production.
Versatile Range: The 16.5mm wide end is sufficient for establishing shots, while the 110mm telephoto is ideal for intimate portraits.
Production Speed: Reduces the need for frequent lens changes, saving critical time on set while maintaining a high-performance “A-camera” look.
Cost: 25,000
(t)
Jami Mahmood
azadfilm1@icloud.com
1-26-2026
The Angénieux Optimo 12x 24-290mm T2.8 Zoom is widely regarded as the gold standard of cinema zoom lenses, serving as a cornerstone for high-end feature films and commercial productions worldwide. This legendary “studio zoom” offers a massive 12x focal range that effectively replaces an entire set of prime lenses while maintaining the iconic “Angénieux look”—a delicate balance of high contrast, superb resolution, and organic, flattering skin tones. Engineered for Super 35mm formats, it provides a fast and constant T2.8 aperture throughout the entire zoom range, ensuring that cinematographers never have to compromise on light or depth of field, regardless of the focal length.
Key Features:
Massive 12x Zoom Range: Covers an incredible 24mm to 290mm range, providing ultimate flexibility for diverse shooting environments.
Fast and Constant T2.8 Aperture: Maintains exposure and depth of field throughout the entire zoom range without any iris ramping.
Legendary Optical Precision: Engineered to eliminate focus breathing and image shift, ensuring a stable and clean image during focus or zoom pulls.
Signature Angénieux Colorimetry: Meticulously calibrated to provide natural skin tones and a cinematic aesthetic that intercuts perfectly with other Optimo glass.
Robust Mechanical Construction: Built for the rigors of professional sets with smooth, reliable gear rings for focus, iris, and zoom motors.
Extender Compatibility: Fully compatible with Optimo 1.4x and 2x extenders for even greater reach, extending up to 580mm.
Large Image Circle: Designed to fully cover Super 35mm formats (30mm diagonal) with exceptional edge-to-edge sharpness.
Update 26th Feb 2026:
Corrected product name.
Updated gear model name, descriptions and SEO info.
(J)
Cost: TBD
(t)
Rupin Dang
rupindang@gmail.com
1-16-2026
The Angénieux Optimo DP 16-42mm T2.8 is a lightweight, high-performance wide-angle zoom lens specifically designed for the digital cinema era, providing the legendary “Angénieux look” in a compact form factor. Optimized for Super 35mm digital sensors, this lens delivers exceptional sharpness, high contrast, and a natural color palette that is perfectly matched to the rest of the Optimo series. Its constant T2.8 aperture and impressively low weight make it the ideal choice for handheld operating, Steadicam work, and gimbal stabilization, allowing cinematographers to maintain high-end optical standards without the bulk of traditional studio zooms.
Key Features:
Constant T2.8 Aperture: Ensures consistent exposure and depth-of-field control throughout the entire 16-42mm zoom range.
Lightweight and Compact Design: At only 4.2 lbs, it is engineered for maximum mobility on gimbals, drones, and handheld rigs.
No Breathing or Ramping: Internal mechanical design ensures that the framing remains stable during focus pulls and zoom adjustments.
Signature Angénieux Color: Meticulously calibrated to provide organic skin tones and a cinematic texture that intercuts with Optimo primes.
Short Minimum Focus: Offers a close-focusing distance of 2 feet, enabling intimate wide-angle close-ups with beautiful perspective.
Standardized Gear Positions: Features uniform 0.8 module gears for focus, iris, and zoom to ensure compatibility with all follow focus systems.
Digital Sensor Optimization: Specifically engineered to avoid the optical artifacts common when using film lenses on modern digital sensors.
Update 26th Feb 2026:
Lens was missing model name “DP”,
Updated gear model name, descriptions and SEO info.
(J)
Cost TBD – India
India – Rupin Dang – rupindang@gmail.com – +91 9810019704
R-01-16 -2026
Prices Research
Justcinemagear: 5,650 – 6,990
Newlifecine: 2X $ 16,900 both – 8,900 single, 8,000 single, 8,500 single
AI says :
Average Market Pricing (USD)
Condition Price Range Notes
Well-Used $5,400 – $6,000 May show cosmetic wear; often sold by individual owner-operators.
Excellent /
Refurbished $6,500 – $8,500 Typically serviced (e.g., by Duclos), includes warranty or original flight case.
Two-Lens Kit $12,500 – $16,500 Combined with the companion 30-80mm DP, often in a shared flight case.
Canon CN-E 30-300mm T2.95-3.7 L is a flagship telephoto cinema zoom lens engineered for professional cinematography. Designed for Super 35mm and APS-C sensors, it offers an expansive 10x zoom range and high-end optical performance suitable for 4K production.
Key Features and Benefits
10x Zoom Magnification: Provides an extensive focal range (30mm to 300mm), allowing for significant creative flexibility from medium shots to extreme telephoto.
4K Optical Performance: Utilizes fluorite and large aspherical lens elements to ensure sharp, high-contrast images that exceed 4K resolution requirements.
Consistent T-Stop: Features a fast maximum aperture of T2.95 (from 30-240mm) and T3.7 at 300mm, enabling excellent low-light performance and shallow depth of field.
11-Blade Iris: Produces a soft, circular, and aesthetically pleasing bokeh in out-of-focus areas.
Minimized Focus Breathing: Geared inner focusing reduces changes in the angle of view when adjusting focus.
Standardized Design: Shares gear positions, front diameters (136mm), and rotation angles with other lenses in the line, allowing for “hot-swapping” without repositioning matte boxes or follow-focus units.
Dual-Sided Markings: Focus, zoom, and iris scales are engraved on angled surfaces on both sides of the barrel for easy visibility from any angle
Cost: TBD
India – Rupin Dang – rupindang@gmail.com
R-01-15-26
Prices Analisis
Justcinemagear : one very nice in $ 15,650 // newcinelife : has one in $ 17,000
AI says:
In the current second-hand market for professional cinematography gear, the Canon CN-E 30-300mm T2.95-3.7 L remains a high-value asset, though prices have settled significantly from its original retail price of approximately $48,000–$50,000.
Condition Estimated Price Range (USD) Notes
Excellent / Mint $14,000 – $18,000 Often includes original flight cases and minimal cosmetic wear.
Very Good / Used $11,500 – $13,500 Common for well-maintained rental or production-owned units.
Ex-Demo / Service Stock $18,000 – $24,000 Rarer units with official manufacturer servicing or warranties.
—
The Canon K-35 25-120mm T2.8 is a legendary vintage macro zoom lens that debuted in the early 1970s. Renowned for its unique optical character, it was the world’s first 35mm motion picture zoom to feature a macro function. In 1973, it earned Canon an Academy Award for its contribution to cinematography. It is frequently used today to provide a “filmic” look that takes the digital edge off modern sensors, perfectly complementing the famous K-35 prime lens set.
Key Features:
Fast T2.8 Constant Aperture: Maintains a bright, consistent exposure across the entire 5x zoom range, making it highly versatile for low-light environments.
Integrated Macro Function: Features a dedicated macro ring that allows for extreme close-up photography (as close as a few inches from the front element) without the need for diopters.
Vintage Aesthetic: Delivers the “K-35 look,” characterized by slightly lower contrast, warm skin tones, and a gentle roll-off between focus and bokeh.
Signature Optical Flares: Known for producing dramatic, textured flares—often in magenta and amber—due to its classic multi-layer coatings.
15-Blade Iris: Ensures the bokeh remains soft and circular even when the lens is stopped down, providing a pleasing aesthetic for out-of-focus highlights.
Super 35mm Coverage: Primarily designed for Super 35mm formats, though it can be used on Full Frame cameras when paired with an optical expander.
Cost: TBD
(t)
Darryl Wood
darryl@spinningmirror.com
1-14-2026
Canon CN-E 30-105mm T2.8 L S/SP is a lightweight, compact cinema zoom lens part of Canon’s EF Cinema lens line. Engineered for professional 4K production, it bridges the gap between wide-angle and telephoto work, making it a versatile choice for handheld shooting, documentaries, and tight-space cinematography.
Key Features and Benefits
Fast T2.8 Aperture: Maintains a consistent maximum brightness throughout the entire zoom range, ideal for low-light environments and consistent exposure.
4K Optical Performance: Features fluorite and aspherical elements to provide high resolution and contrast that exceeds 4K production standards.
Minimal Focus Breathing: Designed with geared inner focusing to virtually eliminate the shift in angle of view when pulling focus.
11-Blade Iris: Produces smooth, circular bokeh and a natural depth-of-field fall-off.
Lightweight & Compact: Weighing approximately 2.2 kg (4.8 lbs), it is significantly lighter than traditional cinema zooms, perfect for gimbal or shoulder-mounted work.
Standardized Build: Shared 114mm front diameter and gear positions with other Canon cine zooms allow for quick lens swaps without adjusting matte boxes or follow-focus rigs.
Cost: TBD
India – Rupin Dang – rupindang@gmail.com
R-01-13 -2026
Price Investigation
justcinemagear has 2 units :7,500 and 7,300 dollars
newlifecine: has one $ 7,885
Based on current secondary market data from professional gear resellers and auction sites, the Canon CN-E 30-105mm T2.8 L S/SP maintains a significant resale value, typically ranging from $4,500 to $6,500 USD.
While the original retail price for this lens was approximately $10,900, the used market has stabilized as newer mirrorless cinema optics have entered the space.
The Zeiss Super Speed S16 MKII Set of 5 is a legendary collection of fast Super 16mm cinema primes representing the second and highly refined iteration of Zeiss’s iconic Super Speed lineage, delivering the exceptional T1.3 maximum aperture, outstanding optical sharpness, and consistent color matching that have made the Super Speed series one of the most trusted and celebrated lens sets in professional S16 filmmaking history. This complete five-lens set — covering focal lengths of 9.5mm, 12mm, 16mm, 25mm, and 50mm — provides cinematographers with a comprehensive range from ultra-wide through short telephoto, purpose-built for Super 16mm cameras and offering the refined optical performance and low-light capability that the MKII generation brought to the Super Speed series. Compact, lightweight, and built to ARRI PL mount standards, these lenses remain a definitive choice for documentary, independent film, and television productions demanding the classic Zeiss optical character, reliable performance, and the distinctive cinematic rendering of true Super 16mm glass.
Key Features:
Each lens in the set features a fast T1.3 maximum aperture, making them exceptionally well-suited for handheld and available-light shooting across the most demanding low-light production environments.
The MKII designation reflects a refined second-generation iteration of the Super Speed lineage, featuring improved optical coatings, enhanced contrast rendition, and reduced focus breathing compared to the original MKII predecessors.
The five focal lengths — 9.5mm, 12mm, 16mm, 25mm, and 50mm — provide a comprehensive range covering ultra-wide through short telephoto perspectives, purpose-built for Super 16mm format acquisition.
All five lenses share consistent color rendition, contrast, and optical character, ensuring seamless interchangeability and a unified cinematic look throughout an entire production.
Built with a robust metal barrel construction and PL mount compatibility, these lenses integrate reliably with a wide range of professional S16 cinema camera bodies including the ARRI SR3 and ARRI 416.
Minimal focus breathing and smooth, well-damped focus and aperture rings make them highly practical for focus pullers working in fast-paced, run-and-gun, and documentary production environments.
The compact and lightweight form factor of the MKII set makes these lenses ideally suited for handheld, Steadicam, and gimbal configurations where size and weight are critical operational considerations.
Update March 27th 2026:
Listing name updated to reflect lens S16 status and edition (Mk.1, 2 or 3)
Updated item descriptions, SEO info.
(J)
Update March 13th 2026:
Sell Price changed @ Adam’s request from USD $17,500 FOB to USD $20,000 FOB.
(J)
Cost: TBD / 15,000 USD
(t)
Harper Lai
shk99318@gmail.com
12-29-2025
The Arri Zeiss 11-110mm T2.2 Vario-Sonnar is a legendary 10x zoom lens engineered specifically for the Super 16mm format. Often considered the “gold standard” for S16 cinematography, it provides a versatile focal range that is equivalent to approximately 31.5mm in Full Frame terms. Known for its compact build and the classic “Zeiss Look,” it remains a staple for documentary and independent filmmakers seeking a vintage, organic aesthetic with professional mechanical precision.
Key Features:
Constant T2.2 Aperture: Maintains a fast and consistent exposure throughout the entire 10x zoom range, excelling in low-light conditions.
Super 16 Coverage: Designed specifically to cover the S16 image circle (14.5mm) without vignetting at any focal length.
Macro Functionality: Features a dedicated macro mode (primarily at the 11mm end) allowing for extreme close-ups right up to the front element.
Zeiss T Coating: Multi-layer coatings ensure rich color saturation, high contrast, and the classic punchy Zeiss flares while minimizing ghosting.
Cine-Standard Mechanics: Equipped with integrated 0.8 pitch gears for focus, iris, and zoom, making it compatible with modern follow-focus and motor systems.
Internal Focusing: The lens front does not rotate or change length during focusing, allowing for easy use of clip-on matte boxes and filters.
Cost: TBD / 7000 USD
(t)
Harper Lai
shk99318@gmail.com
12-29-2025
The ARRI Signature Zoom 65-300mm is a high-performance cine lens designed to bring the iconic “Signature Look” to long-focal-length cinematography. It is engineered for large-format sensors but remains fully compatible with Super 35, offering 8K resolving power and a consistent T2.8 aperture throughout its entire range.
Key Features:
The Signature Look: Delivers warm, natural skin tones and creamy, rounded bokeh that perfectly matches the ARRI Signature Prime series.
No Exposure Ramping: Maintains a constant T2.8 aperture across the entire zoom range, ensuring exposure stability during focal length adjustments.
Included 1.7x Extender: Comes with a dedicated extender that increases the reach to 510mm, providing extreme telephoto capabilities without sacrificing the lens’s character.
HDR and 8K Ready: Advanced optical coatings and internal light traps control flares and minimize contrast for high-dynamic-range (HDR) workflows and future-proof 8K resolution.
LDS-2 Metadata: Integrated Lens Data System (LDS-2) simplifies complex post-production and VFX tasks by communicating precise lens settings to the camera.
Versatile Sensor Coverage: Specifically designed for large-format sensors (up to 46mm image circle) while providing exceptional performance on Super 35 cameras.
Magnetic Rear Filter Holder: Compatible with Signature Prime rear filters, allowing cinematographers to add nets or specialty glass for unique, customized textures.
cost: $25,000
(t)
Sam Moriarty
moriarty1887@gmail.com
12-17-2025
SOLD
Price changed on website and social media from 28,000 USD to 39,000 USD at Adam’s request on 29th jan 2026
The Cooke Varotal/i FF 30-95mm T2.9 is a high-performance cine zoom lens designed to deliver the legendary “Cooke Look” for full-frame cinematography. Engineered to perform as a “zoomable prime,” it matches the optical characteristics, color palette, and resolution of Cooke’s renowned S7/i and S8/i prime series, making it an ideal companion for high-end digital cinema and film productions.
Key Features:
Full-Frame Coverage: Designed to cover large format sensors up to Vista Vision (46.31mm image circle).
Constant T2.9 Aperture: Provides a consistent exposure across the entire 30-95mm focal range.
Integrated /i Technology: Captures vital lens metadata (focus, iris, and zoom position) to streamline post-production and VFX workflows.
Precision Mechanics: Features a 280° focus rotation and industry-standard 0.8 MOD gearing for smooth, reliable operation with FIZ systems.
Standardized Design: A 114mm front diameter and consistent gear placement allow for quick lens changes without repositioning accessories.
Robust Build: Finished with a scratch-resistant PTFE hard-anodized coating for durability in harsh environments.
cost: 30,800 USD
(t)
Regina Kao
CHENG SENG GROUP
t00360@cs.chengseng.com.tw
+886 935 088753
Cooke Varotal/i FF 85-215mm T2.9 is a modern, high-performance telephoto zoom lens designed to bring the legendary “Cooke Look” to full-frame digital cinema. Released in 2021, it is engineered to function as a “zoomable prime,” offering optical quality that matches high-end prime sets while providing the flexibility of a variable focal range.
The Signature “Cooke Look”: Delivers the classic, warm, and natural skin tones with a smooth fall-off and organic texture that cinematographers favor for high-end drama and commercials.
Full Frame Coverage: Designed to cover large-format sensors (up to a 46.31mm image circle), making it compatible with 8K cameras like the Sony VENICE 2, ARRI ALEXA 35, and RED V-Raptor.
Constant T2.9 Aperture: Maintains a fast and consistent aperture throughout the entire zoom range, ensuring no light loss during focal length changes.
Optical Consistency: Color-matched to the Cooke S7/i and S8/i prime lens ranges, allowing for seamless intercutting between zooms and primes in the same production.
Intelligent /i Technology: Equipped with electronics to record vital metadata (focus, iris, zoom position, and shading/distortion maps) for streamlined post-production and VFX workflows.
Minimal Focus Breathing: Virtually eliminates image shift during focus pulls, providing a more immersive, cinematic experience.
Rugged Build Quality: Features a scratch-resistant PTFE hard anodized finish and industry-standard 0.8 MOD gearing for use with follow-focus and wireless FIZ systems.
The 85-215mm serves as the telephoto anchor of the Varotal/i FF trio (which includes the 19-40mm and 30-95mm). Despite its professional-grade zoom range, it remains relatively compact at 8.8 lbs (4 kg), making it viable for handheld and Steadicam work. Each focus mark is individually calibrated and engraved on both sides of the barrel to assist camera assistants in demanding environments.
Our cost : $32,480
Regina Kao
CHENG SENG GROUP
http://www.chengseng.com/eng/
TEL: +886-2-8511-1311 #308
WhatsApp: +886 935 08875
Price Investigacion:
Newlifecine: doesn´t have any
Justcinemagear : doesn´t have any
AI: Based on current listings from specialized cinema equipment brokers and global marketplaces, here is the price breakdown for the 85-215mm:
New / Special Order $49,995 – $54,900 Standard MSRP from dealers like B&H or Duclos.
Used (Excellent/Mint) $34,750 – $38,500 Recent listings from cinema brokers .
Used (Demo/Ex-Display) $25,000 – $30,000 Rare; often found at UK/EU retailers like CVP during clearance.
R-12-17-2025
The Angenieux 25-250mm lens is a renowned cine zoom celebrated for its exceptional versatility, clean optics, and signature Angenieux look. Ideal for documentary, commercial, and narrative production, it offers smooth mechanical operation, consistent sharpness throughout the zoom range, and dependable performance even in demanding shooting environments. As a used unit, it remains a powerful and cost-effective addition to any filmmaker’s kit.
Key Features
Wide 25–250mm zoom range
Signature Angenieux cinematic rendering
Smooth, precise focus and zoom mechanics
Reliable performance for professional productions
Clean optics with excellent contrast
Cost: To be Determined
December 8, 2025
(M)
Harper Lai
Hekuan Equipment Co Ltd.
shk99318@gmail.com
The Angénieux Optimo DP 16-42mm and 30-80mm T2.8 zoom duo represents a perfectly matched “Rouge” set, specifically optimized for digital cinema sensors and lightweight configurations. These lenses provide the legendary “Angénieux look”—characterized by organic skin tones and a delicate balance of contrast and resolution—across a comprehensive focal range that covers nearly every essential narrative perspective. Engineered for agility, this high-performance pair is the definitive choice for Steadicam, handheld, and gimbal-based cinematography, allowing DP’s to swap between wide-angle and telephoto setups without sacrificing the consistent T2.8 speed or the sophisticated optical character for which the Optimo series is world-renowned.
Key Features:
Consistent T2.8 Aperture: Maintains exposure and depth-of-field control across both lenses and their entire zoom ranges.
Matched Optical Character: Both lenses are color-calibrated to ensure seamless intercutting and a unified visual aesthetic.
Lightweight Precision Design: Optimized for mobile production, making them ideal for drones, gimbals, and handheld rigs.
Zero Breathing and Ramping: Sophisticated internal mechanics ensure framing remains stable during focus and zoom adjustments.
Standardized Gear Positions: Features uniform focus and iris gear placement for rapid lens changes with follow focus systems.
High Contrast and Resolution: Specifically engineered to maximize the performance of modern high-resolution digital cinema sensors.
Versatile Focal Coverage: The 16-42mm and 30-80mm combination provides a complete toolkit for varied storytelling needs.
Update 26th Feb 2026:
Lens was missing model name “DP”,
Updated gear model name, descriptions and SEO info.
(J)
Cost: TBD
India – Rupin Dang – Rupin Dang <rupindang@gmail.com>
justcinemagear: does not have such bundle
Newlifecine.com does not have such bundle
AI says : Average Used Price Range (Bundle)The typical asking price for a pair of Angenieux Optimo DP 16-42mm & 30-80mm T2.8 zoom lenses in good working condition with a flight case is generally found in the range of:$$\text{USD } \$18,000 – \$22,000$$Or roughly:$$\text{EUR } €17,000 – €20,500$$
R – 11-12-2025
The Canon EF-mount 17-120mm zoom lens is formally known as the Canon CINE-SERVO 17-120mm T2.95-3.9 (CN7x17 KAS S/E1).1 It’s a high-performance cinema/broadcast hybrid lens designed for professional shooting environments.
Versatile 17-120mm Focal RangeOffers a 7x zoom ratio, covering wide-angle to telephoto for diverse shooting needs (documentary, drama, broadcast, etc.).
High Optical Performance: Supports 4K resolution (and in newer versions, up to 8K) with high optical quality across the entire zoom range.
Fast Aperture: Features a maximum aperture of T2.95 (at 17-91mm) to T3.9 (at 120mm), offering good low-light performance and shallow depth of field control.
Detachable Servo Drive Unit: Includes an ENG-style servo drive unit for electronic control of zoom, focus, and iris (broadcast style). This unit is removable for manual, cinema-style shooting (using standard cine accessories).
Super 35mm Coverage: Designed to cover the Super 35mm sensor format, a common standard in digital cinema cameras.
Cinema Features: Includes an 11-blade iris for attractive bokeh, cine-standard gear pitches (0.8 and 0.5 MOD), and focus marks on both sides of the barrel
Metadata Output: Features a 16-bit encoder to output high-resolution metadata for use in virtual studio systems.
Rugged Design: Built to be durable, weatherproof, and shockproof for reliable use in challenging environments.
COST : 6,000
Owner: Kris Von Ahn
636-633-6079
Kris Von Ahn<vonahnkris@gmail.com>
Price Investigation:
IMPERIAL AND METRIC – Gives more value
AI Says : Good/Operational $8,000 – $11,500 Lenses with visible cosmetic wear or minor glass issues (e.g., coating scratches, no impact on quality).
Newlife cine has one 9,500 and a second one in 15,600
Justcinemagear has 3: 11,990 – 8,900 and 8,500
R-11-11-2025
The Fujinon 19-90mm T2.9 Cabrio Zoom Lens is a versatile, lightweight PL-mount zoom lens designed for Super 35mm digital cinema cameras. Its key feature is the exclusive detachable servo drive unit, earning it the “Cabrio” (convertible) name, allowing it to be used as a traditional cinema lens or as an ENG-style (Electronic News Gathering) lens. It’s known for covering a long focal range while remaining relatively lightweight.
key features:
Detachable Digital Servo Drive Unit: Flexibility to switch between traditional cinema-style control (with standard cine motors) and ENG-style operation (with servo handgrip for zoom/focus/iris).
Wide Focal Range (19-90mm): Offers a highly versatile zoom ratio in a single lightweight lens, reducing the need for lens changes.
T2.9 Maximum Aperture: Excellent light transmission and depth of field control for cinematic shallow focus and strong low-light performance.
LDS and /i Technology Compatibility: Provides accurate lens metadata (zoom, iris, focus position) to the camera for post-production (VFX, 3D modeling) and on-set displays.
Macro Focus Function: Allows for closer minimum focus distance, enabling extreme close-up shots without needing a separate macro prime lens.
9-Blade Iris: Creates a natural and pleasing bokeh (out-of-focus background blur).
Flange Focal Distance Adjustment: Allows for precise back focus adjustment in the field without shims, ensuring optimal sharpness.
cost $7000 USD
(T)
kris von ahn
vonahnkris@gmail.com
636-633-6079
28-10-2025
The Angenieux Optimo is a highly-regarded, compact and lightweight cine zoom lens, often referred to as a “variable prime” due to its exceptional optical performance. It’s designed to cover Super35 format sensors, making it an industry standard, particularly for applications requiring mobility, such as handheld or Steadicam work. It delivers superb image quality, consistent across its zoom range, and features robust mechanical design for professional use.
key features:
T2.6 Constant Aperture: Excellent low-light performance and shallow depth of field; matches the speed of many prime lenses.
Low Distortion & Minimal Breathing: Maintains image geometry and composition consistency across focal lengths and focus pulls.
“Angenieux Look”: Perfect homogeneity of color, contrast, and resolution, providing a highly sought-after cinematic aesthetic.
Compact & Lightweight (approx. 1.92 kg / 4.2 lbs): Ideal for Steadicam, drone, and handheld operation, reducing operator fatigue.
Internal Focus & Zoom: Maintains a constant lens length and center of gravity, crucial for stability rigs and quick lens changes.
Interchangeable Mount System (PL standard): Versatility with ability to swap to Panavision or Canon EF mounts.
Close Focus (2 ft / 0.6 m): Allows for extreme close-up shots.
Precise Focus Ring: 320° focus rotation with over 50 focus witness marks for highly accurate and repeatable focus pulls.
cost $9500 USD
(T)
Kris Von Ahn
vonahnkris@gmail.com
636-633-6079
28-10-2025
The Fujinon 18-85mm T2 is a professional cine zoom lens designed for high-end film and television production. Known for its precision optics, consistent T2 aperture, and minimal breathing, it delivers exceptional image quality across its versatile focal range. This lens is part of Fujifilm’s premier HK series, offering superior performance for 4K and beyond.
Key Features:
Wide to telephoto range (18–85mm): Covers a broad shooting spectrum without changing lenses.
Constant T2 aperture: Maintains exposure and depth of field consistency throughout the zoom range.
Cinematic optical quality: Delivers sharp, high-contrast images with natural color rendition.
Minimal breathing: Ensures stable framing during focus pulls.
Precision build: Rugged, all-metal housing for professional reliability.
Uniform gear positions: Matches other Fujinon HK lenses for efficient lens changes on set.
4K and beyond resolution: Supports modern high-resolution cinematography.
(T)
USD $20,000
Zachary Read
zachread22@gmail.com
Bandit Content
3525626105
United States
Gainesville, FL
27-10-2025
The Angenieux Optimo 15-40mm is a premium lightweight wide-angle zoom lens designed for high-end film and digital cinematography. Known for its outstanding optical performance, smooth mechanics, and compact build, it delivers sharp, consistent images with minimal distortion across the zoom range. It’s ideal for handheld, Steadicam, and gimbal work where flexibility and precision are essential.
Key Features
Wide-Angle Zoom Range: Offers a versatile focal range for wide establishing shots, dynamic close-ups, and handheld work, all in one lens.
Constant Maximum Aperture: Ensures consistent exposure across the entire zoom range (no ramping) and excellent low-light performance with a beautiful, shallow depth of field.
Compact and Lightweight: Ideal for agile shooting scenarios like handheld, Steadicam, gimbals, and drones, reducing operator fatigue and increasing versatility.
Superb Optical Quality: Delivers exceptional sharpness, perfect homogeneity of color, contrast, and resolution, often rivaling prime lenses.
Minimal Optical Imperfections: Virtually no focus breathing and very low distortion, crucial for professional cinematography.
Consistent Mechanics: Shares an identical center of gravity and consistent placement of focus, iris, and zoom gears with other lightweight Optimo zooms, enabling fast, simple lens changes on set.
Cinema Standard Design: Features independent, manual control rings with standard 0.8 MOD gear teeth and a focus rotation for precise focus pulling.
Temperature Stability: Designed with passive athermalization to compensate for temperature drifts, maintaining focus consistency across varying shooting environments.
USD $9,500
(T)
Kris Von Ahn
vonahnkris@gmail.com
636-633-6079
24-10-2025
The K35 Macro Zoom Lens K5x25 25–120mm T2.8 is a high-performance cine lens designed for professional filmmakers and photographers seeking exceptional image clarity and versatility. With a constant T2.8 aperture throughout its zoom range, this lens delivers consistent exposure and beautiful depth of field from wide to telephoto shots. Engineered for precision, it offers smooth focus and zoom control, making it ideal for both close-up macro work and dynamic cinematography in diverse shooting environments.
Features:
Focal length: 25–120mm zoom range
Constant T2.8 aperture for uniform exposure
Macro capability for detailed close-up shots
High-resolution optics with minimal distortion
Smooth manual focus and zoom control
Robust, weather-sealed construction for professional use
Compatible with full-frame and Super 35 sensors
Industry-standard gear rings for follow focus systems
Coated elements for superior contrast and reduced flare
Designed for cinematic and high-end video production
He has two available
25000 USD FOB
October 23, 2025
(M)
Darryl Wood
Mobile: +61 409 690 406
darryl@spinningmirror.com
