Includes:
Silent ARRIFLEX 535 B
Integrated Color Video Assist IVS PAL
Finder Extender
(2x) Magazines 400 FT
(2x) Magazines 1000 FT
Ground Glass
The Arriflex 535B is a renowned 35mm film camera, highly regarded for its reliability and versatility in professional filmmaking. Here’s a concise overview:
Key Features and Benefits:
Robust and Reliable: Designed for demanding production environments, ensuring consistent performance.
Versatile Application: Suitable for studio and location shooting, including feature films, commercials, and music videos.
Precise Film Movement: Offers accurate and stable film transport, crucial for high-quality images.
Adjustable Shutter: Allows for precise control over exposure and motion blur.
Wide Range of Accessories: Compatible with various lenses, magazines, and support systems.
Crystal Sync Speed: providing accurate frame rates.
Cost 20K
[email protected]
Chant Etyemezian
Tel. 9611491850 / +9613250641
Lebanon (r) 04/03/2025
t comes with the ground glass in it which appears to be standard 16:9.
And there’s a spare ground glass in an Arri case for TV crop frame lines from the gate.
GROUND GLASS is compatible with the 35mm ARRI 2C camera.
Stanley Kubrick not included.
The ARRI Director’s Viewfinder is a crucial tool for filmmakers, allowing directors and cinematographers to preview shots and lens choices without needing a full camera setup. Here’s a concise overview:
Key Features and Benefits:
Lens Preview:
Enables accurate framing and composition assessment using various lenses.
Allows for visualization of the shot before camera setup.
Ground Glass Viewing:
Provides a clear, direct view of what the lens sees.
Offers compatibility with numerous 35mm formats.
Portability:
Compact and handheld, facilitating on-location scouting and planning.
Allows for quick and easy shot composition checks.
Professional Standard:
It is a industry standard tool, used by many professional directors and D.O.P’s.
Flexibility:
Ground glass can be changed to match different camera aspect ratios.
PRICE: $1,500 OBO
Noah Elliott Morrison <[email protected]>
Including:
Aaton X camera body (3-75fps, adjustable mirror shutter, fibre optic viewfinder), fully serviced May 2024
Heated eyepiece
Zoom extension eyepiece
Original wooden handgrip, bracket, and cable
Port and gate caps
Viewfinder and shutter tools (in handle)
6x steel 15mm threaded rods (various lengths)
Fibre optic ground glasses:
Open gate 1.66 (1.66 Full + 1.66 Projection)
Open gate with 2.35 and 1.78 (2.35 Full + 1.78 Full)
1.78 with 4:3 “TV Safe” (1.78 Scan + TV Safe)
Magazines:
5x Aaton 400ft magazines (2 second-generation lightweight, 3 XTR), serviced with new cores and new laser-cut mag indicators
Batteries & Power:
4x Aaton NiMH batteries (freshly recelled)
Aaton charger (CHA-3)
More than 5 spare fuses (only ever blow when faulty accessories or heavy rain)
Charnwood Movements Modifications:
Front cage fitted
Camera cage module fitted
Grip attachment fitted
Monitors:
Transvideo 3.5” Starlight monitor with cable
Transvideo Rainbow II 5” monitor with Peli case and cable
Additional Accessories:
Heated eyepiece cable
Laser-cut Peli case (fits 5 primes, 1 zoom, 2 magazines, body, 4 batteries, charger, zoom eyepiece, mini monitor, accessories)
Steel case for 3 of the 400ft magazines
Aaton Lemo6 to 4-way D-Tap splitter
Cost: GBP 28K
‘Isaac Eastgate’ <[email protected]>
The camera has not been used, just tested.
It comes with 16 magazines and some other extras.
The ARRI 235 is a popular choice for filmmakers who need a compact and versatile 35mm film camera. Its small size and light weight make it perfect for handheld and Steadicam work, while its Super 35 format and multiple-perf options provide flexibility in shooting. The camera is also upgradeable, allowing filmmakers to add features like a V-Mount battery plate and HD Tap.
Compact and lightweight: The ARRI 235 is the smallest and lightest modern MOS 35mm film camera, making it ideal for handheld and Steadicam work.
Versatile: It offers Super 35 format and multiple-perf options (including 3-perf), allowing for flexibility in shooting.
High-quality: Despite its size, the 235 is a thoroughly modern motion picture camera with features like speed ramps.
Upgradeable: It can be upgraded with features like a V-Mount battery plate and HD Tap.
Cost 36,000 EUROS
Joao Botelho <[email protected]>
(+45) 26 24 0800
Copenhagen – Denmark
02-12-2025 (r)
Includes:
Arriflex 435 ES 35 mm film camera with PL mount
(4 perf / perforation)
With AVF-2 anamorphic viewfinder.
Comes with 2 magazines.
High-Speed Capability: Shoots up to 150 frames per second, ideal for slow-motion effects and high-action sequences.
Electronic Shutter: Offers precise and flexible exposure control with an adjustable shutter angle (11.2° to 180°), even while the camera is running.
Super 35mm Film Format: Captures high-quality images with excellent depth of field and dynamic range.
Versatile and Modular: Compatible with a wide range of lenses, accessories, and configurations for various shooting needs.
Industry Standard: A trusted and reliable workhorse used in countless feature films, commercials, and music videos.
The Arri 435 ES is a legendary film camera known for its robust design, exceptional image quality, and versatility. It’s a popular choice for productions demanding high-speed capabilities and precise exposure control. While digital cameras have become more prevalent, the 435 ES remains a sought-after camera for filmmakers who appreciate the unique aesthetic and workflow of film.
Cost 11,500 EUROS
Owner Rupin Dang
India 02-05-2025 (r)
Includes
Integrated Color Video Assist IVS PAL
Finder Extender
(2x) Magazines 400 FT
Ground Glass
Industry-standard 35mm film camera renowned for its reliability and versatility.
High-speed capability (up to 150 fps) for slow-motion effects.
Electronically adjustable shutter for precise exposure control.
Modular design for compatibility with various accessories.
Used in numerous acclaimed films and productions.
Cost : Dollars 9,000
Chant Etymezian-Líbanon
[email protected]
+961 3 250 641
(R) 01-29-2025
