The ARRI Ultra 16 series represents the pinnacle of optical engineering for the Super 16mm format. Developed in partnership between ARRI and Zeiss, these lenses were designed to provide the same high-end performance found in 35mm “Master Primes” but specifically optimized for the smaller S16 image circle.
They are the primary choice for filmmakers seeking a modern, sharp, and high-contrast look on 16mm film or digital sensors, effectively elevating the format to its highest possible image quality.
Key Features:
Super Fast T1.3 Aperture: All lenses in the set share a consistent, ultra-fast T1.3 stop, allowing for exceptional low-light performance and a shallow depth of field rarely seen in the 16mm format.
Complete Focal Range: The set typically includes nine focal lengths: 6mm, 8mm, 9.5mm, 12mm, 14mm, 18mm, 25mm, 35mm, and 50mm.
Precision Optics: Features T* XP anti-reflex coating for high contrast, minimal flare, and rich blacks.5 Aspherical elements are utilized to eliminate geometric distortion, even on the widest lenses.
Superior Ergonomics: Each lens features a uniform 95mm front diameter and identical gear positioning, allowing for rapid lens changes without moving matte boxes or follow-focus motors.
Super Color Matched: Their color profile is precisely calibrated to match ARRI Master Primes and Ultra Primes, making it easy to intercut 16mm footage with 35mm footage in the same production.
Minimal Focus Breathing: Optical design ensures that the frame size remains stable during focus pulls, preserving the cinematic feel of the shot.
Extreme Close Focus: Engineered to maintain sharpness and contrast at very close distances, with the 6mm lens reaching as close as 8 inches (0.2m).
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