GL OPTICS TOKINA 16-28 ZOOM

Rehoused by GL Optics:
(1) 6063 alumium Rehoused Lens body
(2) 95mm Diameter Lens front ring size
(3) Stainless Steel PL mount
(4) 0.8 module gears
(5) New-designed Focus/zoom/aperture system

The GL Optics Rehoused Tokina 16-28mm T2.8 is a professionally modernized cinema version of the acclaimed Tokina 16-28mm f/2.8 AT-X Pro, re-engineered by GL Optics into a full cinema-grade PL mount barrel that brings this optically impressive wide-angle zoom into professional film production workflows with precision and reliability. The rehousing features industry-standard focus and zoom gear rings, a consistent front diameter, and a robust metal construction, transforming the original still photography lens into a dependable, set-ready cinema tool built for the demands of professional production. With its fast T2.8 maximum aperture, full-frame coverage, and versatile wide-angle zoom range, this lens is an excellent choice for narrative, documentary, and commercial productions requiring expansive wide-angle perspectives, strong low-light performance, and reliable operation across handheld, gimbal, and Steadicam configurations.

Key Features:
A fast T2.8 maximum aperture across the full zoom range delivers strong low-light performance and a pleasing depth of field, making it a highly capable and versatile wide-angle cinema tool.
The 16-28mm focal range covers a broad wide-angle to moderate wide perspective, providing cinematographers with an exceptionally useful range for establishing shots, interiors, action sequences, and immersive environmental storytelling.
GL Optics’ precision rehousing adds industry-standard 0.8M gear rings to both the focus and zoom barrels, ensuring full compatibility with professional follow focus systems and wireless lens control units.
The Tokina AT-X Pro optical formula delivers sharp, high-contrast images with controlled distortion and minimal chromatic aberration across the full wide-angle zoom range.
Full-frame sensor coverage allows this lens to be used on large-format cinema cameras without vignetting, ensuring compatibility with platforms such as the ARRI LF, Sony VENICE 2, and RED MONSTRO.
The PL mount conversion makes this lens directly compatible with a wide range of professional cinema cameras, including ARRI, RED, and Sony VENICE platforms, without the need for additional adapters.
The robust, precision-machined metal barrel provides the durability and tactile reliability expected on professional sets, significantly improving on the handling of the original photographic housing.