Includes:
Hawk Vlite Anamorphic 28mm
Hawk Vlite Anamorphic 35mm
Hawk Vlite Anamorphic 45mm
Hawk Vlite Anamorphic 55mm
Hawk vlite Anamorphic 80mm
Hawk Vlite Anamorphic 110mm

Features:
2x Anamorphic Squeeze: Primarily known for their 2x squeeze factor, which produces the classic cinematic widescreen aspect ratio (e.g., 2.40:1 from a 16:9 sensor) with pronounced anamorphic characteristics.
Distinctive Cinematic Look: Deliver the sought-after “anamorphic look” with oval bokeh, streaky lens flares (often blue or amber), gentle barrel distortion, and a natural fall-off in sharpness towards the edges of the frame.
Compact & Lightweight Design: Designed to be smaller and lighter than many other anamorphic lenses, making them ideal for handheld, Steadicam, drone, and gimbal work.
High Contrast & Definition: While offering a vintage aesthetic, they maintain high contrast and increased definition across the image, preventing a muddy or overly soft look.
Robust Build Quality: Built with precision mechanics and durable housing, ensuring reliability and smooth operation on set.
Consistent T-Stops: Most prime lenses in the V-Lite series feature a fast and consistent T2.2 aperture, allowing for good low-light performance and consistent exposure across the set.
Wide Range of Focal Lengths: Available in a comprehensive set of primes, typically ranging from 28mm to 140mm, providing versatility for various shot types.
Macro Capability: Some sets include a 55mm macro lens, offering exceptional close-focusing capabilities for detailed shots.
PL Mount: Equipped with a standard PL mount for compatibility with professional cinema cameras.
Optimized for Digital Sensors: Designed with modern digital cinematography in mind, delivering their unique character while integrating well with high-resolution sensors.
“Vintage ’74” Versions: Some V-Lite lenses are designated “Vintage ’74,” indicating a specific tuning for an even more pronounced 1970s aesthetic, with more noticeable flares and lower contrast.
1.3x Squeeze Options: A V-Lite 1.3x anamorphic series also exists, designed to achieve a 2.40:1 aspect ratio when shooting with a 16:9 sensor, offering a more subtle anamorphic effect.