Hours – 2532
Includes:
1x Viewfinder Mounting Bracket for Venice
1x Sony DVF-EL200 Viewfinder
1x Sony Venice Viewfinder Cable – 50cm
1x Sony AXS-R7 Recorder
Serial No. 10878
The Sony Venice stands as a cornerstone of modern cinematography, celebrated for its “Large Format” look and its ability to capture stunningly natural skin tones. This professional package is centered around a modular design, featuring the AXS-R7 Recorder to support high-speed, high-resolution workflows. It is engineered for filmmakers who require peak color science and the versatility to adapt to any set environment.
Key Features:
Full-Frame 6K Sensor: Captures immersive imagery with a shallow depth of field and a wide dynamic range of 15+ stops.
Dual Base ISO (500/2500): Delivers clean, low-noise images whether shooting in bright daylight or low-light interiors.
AXS-R7 External Recorder: Allows for seamless recording of 16-bit X-OCN and 4K RAW formats, preserving maximum data for color grading.
Built-in 8-Step ND Filters: A world-class internal mechanical ND system ranging from 0.3 to 2.4, eliminating the need for external matte box filters in fast-paced shoots.
Advanced Color Science: Matches the legendary Sony S-Cinetone and S-Log3 curves for a cinematic aesthetic right out of the box.
High-Resolution Monitoring: The included DVF-EL200 OLED Viewfinder ensures the operator sees every detail with perfect clarity and contrast.
Cost: 12.500,00
(t)
David Wuest
d.wuest@cinevision-solutions.com
+49221630613882
3-18-2026
Hours – 3942
Includes:
1x Sony DVF-EL200 Viewfinder
1x Viewfinder Mounting Bracket for Venice
1x Sony AXS-R7 Recorder
1x Sony Venice Viewfinder Cable – 50cm
Serial No. 10596
The Sony Venice is a flagship cinema system designed to meet the highest demands of feature film and high-end television production. Built with a modular architecture, this camera is celebrated for its exceptional color science—matching the acclaimed look of film—and its unique ability to handle diverse lighting conditions. Paired with the AXS-R7 Recorder, this kit is fully equipped to capture 16-bit RAW and X-OCN formats, providing maximum flexibility for color grading and visual effects in post-production.
Key Features:
Full-Frame 36x24mm Sensor: Delivers the “large format” aesthetic with beautiful bokeh and wide-angle versatility.
Dual Base ISO (800/2500): Ensures incredibly low noise levels whether shooting in bright sun or minimal ambient light.
15+ Stops of Dynamic Range: Offers massive exposure latitude to preserve detail in the brightest highlights and deepest shadows.
8-Step Internal ND Filters: A world-class mechanical system (from 0.3 to 2.4) that allows for instant exposure control without swapping glass.
Phenomenal Color Science: Features a wide color gamut that exceeds Rec. 2020, capturing natural skin tones and vibrant textures.
PL & E-Mount Compatibility: Offers a versatile lens ecosystem, allowing for the use of vintage glass, modern cinema primes, or compact stills lenses.
Cost: 15.000,00
(t)
David Wuest
d.wuest@cinevision-solutions.com
+49221630613882
3-18-2026
Includes:
3 x EVF/LCD cable
1 x CTRL cable
2 x RED Mini Mag 240GB RED Station PL/EF mount
LCD/EVF adaptor A and B
cage + handheld + dovetail Smallrig
hard case
The RED EPIC-W GEMINI 5K S35 is a powerhouse in the DSMC2 lineup, specifically engineered to excel where other sensors struggle: the dark. Originally developed for low-light applications in outer space, the Gemini sensor features a unique dual-sensitivity design, allowing filmmakers to switch between a crisp Standard Mode and a high-ISO Low Light Mode without the typical noise penalties.
Key Features:
Dual Sensitivity Sensor: Seamlessly toggle between Standard (ISO 800) and Low Light (ISO 3200) modes. This allows for cleaner shadows and cinematic texture even in dimly lit environments.
5K Resolution & High Speed: Capture stunning 5K Full Format at up to 96 fps or reach 300 fps at 2K resolution for high-end slow motion.
Anamorphic Excellence: The sensor is physically taller (30.72mm – 18.0mm) than many of its peers, providing superior coverage and resolution for 2x anamorphic lenses.
REDCODE RAW & Workflow: Leverages the IPP2 color pipeline and records in R3D, Apple ProRes, or Avid DNxHR simultaneously for maximum post-production flexibility.
Compact Modularity: Part of the DSMC2 ecosystem, making it compatible with a vast array of “Obsolescence Obsolete” accessories and modules.
cost: 4 999 EUR / 5 800 USD
(t)
Wacław Mączyński
waclaw@2k4k.pl
+48 789 076 844
3-17-2026
Includes:
1900 Hours
1 x B-Mount ARRI Adapter (K2.0023751)
1 x BebobB-Mount Hot-Swap Adapter
1 x ARRI SAM-8 Stabilizer Adapter for ALEXA 35
1 x ARRI BalanceUtilityDovetailBUD-1 (K2.0034180)
1 x ARRI BottomDovetailPlate 300mm
1 x ARRI LPL Mount (LBUS) (K2.0018983)
1 x ARRI MVF-2 ViewfinderSet
1 x ARRI PL-to-LPL Lens Adapter (K2.0016936)
1 x ARRI Power Cable Straight2m/6.6in KC-50 (K2.75007.0)
1 x ARRI Power Distribution Module PDM-1 (K2.0024101)
1 x ARRI Production Support Set -Top (KK.0041533)
1 x ARRI UBS-3 HandgripSet (KK.0005675)
4 x ARRI CodexCompact Drive 2TB Memory Cards (K2.0023447)
1 x ARRI RMB-7 Mount
1 x USB C-A Adapter
2 x LEMO to Mini-Jack Cables
1 x USB C-C Cable
2 x LEMO to D-TapSplitters
4 x 15mm RigTubes
2 x 19mm RigTubes
6 x B-Mount Battery
2 x B-Mount Battery Charger
The ARRI ALEXA 35 Production Set is the flagship 4.6K Super 35 digital cinema camera system, engineered to deliver a revolutionary 17 stops of dynamic range and the advanced REVEAL Color Science. Designed for high-end narrative and commercial production, this set includes the native 4K ALEV 4 sensor, which provides 2.5 stops more latitude than previous models for unmatched detail in both extreme highlights and deep shadows. The Production Set is a complete, ruggedized solution featuring the MVF-2 HDR viewfinder, a comprehensive cage system with multiple mounting points, and the Power Distribution Module (PDM-1), all optimized for the new 24V B-Mount battery standard to support the camera and power-hungry accessories on professional sets.
Key Features:
ALEV 4 4.6K Sensor: Delivers 17 stops of dynamic range, providing industry-leading highlight roll-off and shadow detail.
REVEAL Color Science: An entirely new image processing pipeline offering improved color reproduction and cleaner edges for VFX.
High Frame Rate Capability: Records up to 120 fps in 4.6K ARRIRAW, perfect for high-quality slow-motion capture.
ARRI Textures: Allows cinematographers to select the “grain” and “contrast” character in-camera, similar to choosing a film stock.
Enhanced Sensitivity Mode: Provides exceptionally clean images at high ISO settings, ranging from EI 160 to EI 6400.
Modular Production Rigging: Includes the PDM-1 for expanded power distribution and a choice of 15mm or 19mm studio rod support.
Cost: EUR 55.000
Sell Price: EUR 62.000 FOB
Wacław Mączyński
2K4K film rental
mail: waclaw@2k4k.pl
+48 789 076 844
Poland
March 17th 2026
(J)
S/N: 31290
Includes:
(4) 1tb compact drive
Compact drive reader
LPL mount
PL to LPL adapter
Viewfinder
(2) VF cable
MAP2A
MVB1
MSB3
MSB2
RMB3
Center Handle
Compact Bridge plate
Rear accessory bracket
RAB1 Clamp 2
15mm reduction insert
Bottom plate 300mm 12”
Gold mount power splitting box MKII
Power cable
BP9
MAP1
MAP2
BPA-4 Bridgeplate adapter Centering Offset
Top handle extension
Innerspace Case
Arri ND 0.3 filter
Camera body has 1006 hours, but the sensor block with ND’s were replaced by Arri at 650 hours in 2023.
Current sensor inside the camera has 350 hours.
Mag labeled #3 has been installed with a new drive in 2024.
The ARRI ALEXA Mini LF Production Kit is a versatile, high-end cinema package that combines the compact, lightweight form factor of the original ALEXA Mini with a large-format ALEV 3 sensor. This system provides the iconic ARRI look—characterized by natural skin tones and smooth highlight roll-off—while offering the shallow depth of field and unique perspective associated with full-frame cinematography. The Production Kit is engineered for professional workflows, featuring a robust cage system, the MVF-2 HDR viewfinder, and the high-speed CODEX Compact Drive recording system, making it suitable for everything from handheld gimbal work to large-scale studio productions.
Key Features:
Large-Format ALEV 3 Sensor: Provides a native 4.5K resolution with 14+ stops of dynamic range and industry-standard color science.
Internal FSND Filters: Includes a motorized neutral density filter system (Clear, 0.6, 1.2, 1.8) for rapid exposure control without changing lenses.
High-Speed Recording: Supports internal ARRIRAW and Apple ProRes recording onto CODEX Compact Drives for maximum post-production flexibility.
Production Rigging: Features the specialized LPL lens mount with a PL adapter, along with a comprehensive cage and power distribution modules.
Sync and Connectivity: Built-in wireless lens control, extra power outputs for accessories, and robust sync options for multi-camera shoots.
Compact Ergonomics: Maintains a small footprint for ease of use on Steadicams, drones, and in tight spaces while providing full-scale production connectivity.
Cost: USD $35,000
Sell Price: USD $41,000 FOB
Kazu Okuda
info@kazuokuda.com
+1.917.683.6752
USA
March 17th 2026
(J)
INCLUDES:
Alexa Mini:
SN#: 25408
Hours: 3888:54
Speed Panchro Set of 5 focals:
Cooke Panchro/i 18mm T2.2
Cooke Panchro/i 25mm T2.2
Cooke Panchro/i 35mm T2.2
Cooke Panchro/i 50mm T2.2
Cooke Panchro/i 75mm T2.2
This ARRI ALEXA Mini and Cooke Speed Panchro Set of 5 bundle is a quintessential “character” kit, pairing one of the industry’s most versatile camera bodies with legendary vintage glass. The ALEXA Mini is renowned for its natural skin tones and high dynamic range, making it the benchmark for narrative and commercial production. When paired with the Cooke Speed Panchros, which have professional rehousings by Panchro/i and Les Bosher, you get the soul of 1950s cinema with the mechanical reliability required for modern sets. This 5-lens set (18mm to 75mm) offers a consistent T2.2 aperture and the famous “Cooke Look”—a warm, organic rendering with a gentle fall-off that beautifully complements the ARRI sensor’s color science.
Camera & Lens Package Key Features:
ARRI ALEXA Mini: A compact 35mm format digital camera featuring the ALEV III CMOS sensor, providing 14+ stops of dynamic range and recording up to 200fps in ProRes.
Panchro/i and Les Bosher Rehousings: Each lens in this set has been mechanically modernized with PL mounts, standardized 0.8 pitch gears, and improved focus scales while preserving the original vintage optics.
The “Cooke Look”: The lenses provide a warm, classic aesthetic with smooth bokeh and a unique flare character that adds a “dreamy” quality to digital footage.
Consistent T2.2 Aperture: Ensures uniform exposure and depth-of-field control across all five focal lengths (18, 25, 35, 50, and 75mm).
Super 35mm Coverage: Optimized for the Super 35 sensor of the ALEXA Mini, offering a field of view that has defined cinema for decades.
Production-Ready Mechanics: Modernized housings allow for easy use with wireless F/I/Z systems and standard 110mm matte boxes.
Cost: GBP £35,000
Sell Price: £GBP 39,500 FOB
Craig Lees
cogartlit@yahoo.co.uk
+44 7891595912
United Kingdom
March 17th 2026
Listing for Standalone Alexa Mini:
PENDING (03-17-26)
Listing for Standalone Cooke Panchro Set of 5:
(J)
Hours – 1300
Includes:
Arri Alexa Mini LF set
1 x ARRI CBP-1 19mm (K2.0014894)
1 x ARRI CCH-2 (K2.73002.0)
1 x ARRI MAP-2A (K2.0023839)
1 x ARRI MSB-2 (K2.0014957)
1 x ARRI MSB-3 (K2.0023546)
1 x ARRI MVB-1 (K2.0006140)
1 x ARRI MVF-2 Viewfinder Set
1 x ARRI PL-to-LPL Lens Adapter K2.00169361 x ARRI RAB-1 (K2.0013937)
1 x ARRI RMB-3 (K2.66255.0)
2 x arri viewfinder cable
1 x przewód timecode SDI ARRI Alexa
1 x przewód USB C-C
The ARRI ALEXA Mini LF combines the compact, lightweight body of the original Mini with the flagship ALEV 3 A2X Large Format sensor. This specific set includes the Compact Bridge Plate (CBP-1) for 19mm studio rods and a comprehensive rigging kit (MSB-2/3 side brackets and RAB-1 rear bracket) designed to handle the power and mounting demands of cinema environments. It utilizes the MVF-2 viewfinder, offering high-contrast OLED monitoring and a dedicated flip-out screen for menu control.
Key Features:
Large Format Cinematic Look: Features a 4.5K sensor that provides natural skin tones, shallow depth of field, and the legendary ARRI color science.
Versatile Mounting: The CBP-1 allows for quick-release transitions between tripod heads and shoulder rigs without tools.
LPL & PL Compatibility: Includes the PL-to-LPL adapter, allowing the use of both modern Large Format glass and classic Super 35 cinema lenses.
Robust Connectivity: Outfitted with MSB side brackets for protecting cable ports and mounting accessories like wireless transmitters or focus motors.
Ergonomic Handling: The CCH-2 handle and MVB-1 viewfinder bracket offer stable, adjustable points of contact for operators.
cost: 45 000 EUR / 52 000 USD
(t)
Wacław Mączyński
waclaw@2k4k.pl
+48 789 076 844
3-17-2026
Hours – 2300
Includes:
Sony Venice 1 Camera Body with full licenses
Sony AXS-R7 Recorder
Sony AXS-AR1 Reader
3x Sony 1TB Memory Card
Metal Flight Case
Cage
The VENICE 1 features a newly developed 36x24mm full-frame sensor capable of capturing images up to 6K resolution. It is celebrated for its 15+ stops of dynamic range and a unique Dual Base ISO (500/2500), which allows for clean, high-speed shooting in both bright and low-light environments. The inclusion of the AXS-R7 Recorder enables the highest quality 16-bit X-OCN and RAW recording, while the internal 8-stage mechanical ND filter system provides unparalleled exposure control on the fly.
Key Features:
Full-Frame 6K Sensor: Provides a classic “large format” look with shallow depth of field and wide lens compatibility (PL and E-mount).
16-Bit X-OCN Recording: Via the included AXS-R7, capture 16-bit “Original Camera Negative” files that offer massive latitude for color grading with manageable file sizes.
Dual Base ISO (500/2500): Ensures exceptional low-light performance and minimizes noise without sacrificing dynamic range.
Internal 8-Stage ND Filters: The world’s first 8-stage mechanical glass ND filter system (0.3 to 2.4) built into the camera body for rapid light adjustment.
Modular Design: Features a removable sensor block (enabling the Rialto extension system) and a rugged magnesium alloy chassis.
High-Speed Media: The 3x 1TB AXS memory cards support high-bandwidth recording for 4K and 6K workflows.
cost: TBD
(t)
Marco Turchi
marco@videolinea.eu
+39-055691371
3-13-2026
Hours – 2500
The Sony VENICE 1 is a flagship full-frame digital cinema camera that redefined Sony’s CineAlta line. It features a highly versatile 6K full-frame sensor that provides 15+ stops of dynamic range and a unique Dual Base ISO (500/2500), making it exceptional for both high-end studio productions and challenging low-light environments. Its modular design, including an interchangeable lens mount and the innovative Rialto Extension System, allows for maximum flexibility on set.
Key Features:
6K Full-Frame CMOS Sensor: Capable of capturing stunning high-resolution imagery with a wide color gamut and natural skin tones.
Dual Base ISO (500/2500): Provides clean images and exceptional low-light performance across a broad range of lighting conditions.
15+ Stops of Dynamic Range: Delivers incredible latitude for capturing detail in both highlights and shadows, perfect for HDR workflows.
Internal 8-Stage ND Filter System: Features a mechanical ND filter mechanism for rapid exposure adjustments without changing the depth of field.
Interchangeable Lens Mount: Supports both PL and E-mount lenses, offering compatibility with a vast array of cinema and still lenses.
X-OCN and RAW Recording: Records high-quality 16-bit metadata-rich files using the AXS-R7 external recorder for maximum flexibility in post-production.
Cost: TBD
Sell Price: USD $14,850 FOB***
Marco Turchi
VIDEOLINEA SYSTEM S.R.L.
marco@videolinea.eu
Tel. +39-055691371
Firenze, Italy
March 13th 2026
***Sell Price extracted from Just Cinema Gear listing for a Venice 1 with similar hours: https://www.justcinemagear.com/product-page/sony-venice-1-camera-package
(J)
Includes:
KOMODO-X (Runtime-606.1 Hours)
Tilta RF–PL Mount
Tilta CAGE (There is no right side grip.)
Tilta V-mount PLATE
Tilta 15mm BASE PLATE
The RED KOMODO 6K from RED Digital Cinema is a compact professional cinema camera designed for high-end filmmaking, commercial production, and content creation. Known for its powerful 6K sensor and lightweight cube design, the KOMODO delivers cinematic image quality in a small, versatile body that integrates easily with gimbals, drones, and handheld rigs. It records in RED’s renowned R3D RAW format, providing filmmakers with exceptional flexibility in color grading and post-production. With advanced connectivity, durable construction, and support for professional accessories like RF mounts, cages, and V-mount power systems, the KOMODO has become a popular choice for modern digital cinema workflows.
Key Features
6K Super 35 global shutter sensor
Records in REDCODE RAW (R3D) format
Compact cube-style cinema camera body
RF lens mount with adapter options (PL, EF, etc.)
High dynamic range and cinematic color science
Supports professional rigging systems and cages
Compatible with V-mount power solutions
Ideal for gimbals, drones, and handheld setups
Cost: $5,350 USD
March 12, 2026
(M)
Yunna
yjhan1@koil.co.kr
Hours – 229.7
Includes:
RED CAGE
V-LOCK MODULE
WOODEN 15mm BASE PLATE
The RED Komodo-X represents the next evolution in the Komodo line, bridging the gap between the compact form factor of the original Komodo and the high-end performance of the V-Raptor. This specific kit, featuring a RED Cage, V-Lock Module, and Wooden Camera 15mm Base Plate, transforms the “brain” into a production-ready workhorse. By integrating these accessories, the camera gains essential physical protection, industry-standard power compatibility, and the ability to mount professional rod-based matte boxes and follow-focus systems. It is the ideal choice for cinematographers who need a small-footprint camera that doesn’t sacrifice professional I/O or thermal management.
Key Features:
6K S35 Sensor: Delivers stunning image quality with improved dynamic range and color science compared to its predecessor.
Global Shutter: Eliminates rolling shutter artifacts (motion blur or “jello” effect), making it perfect for high-speed action and VFX plates.
High Frame Rates: Capable of shooting up to 6K at 80fps and 4K at 120fps, offering significantly more slow-motion flexibility.
Integrated V-Lock Module: Provides a secure, industry-standard power solution for long shoot days without the need for external battery plates.
Professional Rigging: The inclusion of the RED Cage and 15mm Base Plate allows for endless mounting points for monitors, handles, and wireless transmitters.
Locking RF Mount: Ensures a rock-solid connection for heavy lenses and adapters, preventing any “play” or shifting during focus pulls.
cost: 5,350.00 USD
(t)
Yunna Koil
yjhan1@koil.co.kr
3-12-2026
Hours – 2282
Includes:
Serial No# 24437
Anamorphic & open gate Licence
1x Arri Alexa Mini Camera Body
1x Arri Alexa Mini PL Mount W/ Lbus
1x Arri Alexa Mini Viewfinder MVF-1
1x Viewfinder Cable
1x Alexa Mini/Amira Antenna
1x Tilta 19mm Baseplate TT-C06
1X Tilta dove tail Plate TT-007
1x Tilta Long Top Plate ESR-TP01
1x Wooden Camera Top Handle
1x Tilta Side Arm ESR-SA01L
1x Tilta Side Arm ESR-SA01R
1X Tilta Top Rod Adapter ESR-TR01
1X Tilta LSW Plate ESR-BP01
1x Tilta Voltage Readout screen ESM-01
1x Tilta Top Plate power Module ESP-01
1X Tilta Gold Mount Battery Plate ESR-P02
1X Tilta Dual Tube Clamp ESR-EH02
1X Tilta Evf Bracket ESR-EH01
1X Tilta Battery Plate Rod Adapter ESR-BR01
2X Arri Alexa Mini Ext To Ext Cable
1X 4GB USB Drive For Arri Alexa Mini/Amira
1X Wooden Camera A-Box For Alexa Mini W/Spud
1X Lexar Cfast 2.0 Reader/Writer
4X 128GB Cfast 2.0 Card
2X 256GB Cfast 2.0 Card
1X Power supply
The ARRI ALEXA Mini is a compact, carbon-fiber masterpiece designed for high-end cinematic production where agility meets uncompromising image quality. This specific unit is fully unlocked with Anamorphic and Open Gate licenses, allowing cinematographers to utilize the full height of the ALEV III sensor for a truly organic, film-like aesthetic.
Key Features:
ALEV III Sensor: Delivers the industry-standard “ARRI Look” with natural skin tones and 14+ stops of dynamic range.
Unlocked Licenses: Includes Anamorphic and Open Gate, essential for 4:3 shooting and anamorphic de-squeeze.
Integrated Lens Control: The PL Mount with LBUS allows for direct daisy-chaining of cforce motors, reducing cable clutter.
Comprehensive Media: Includes 6x Cfast 2.0 cards (totaling over 1TB) and a high-speed reader for efficient data offloading.
Advanced Power Distribution: The Tilta Gold Mount system features a voltage readout screen for real-time battery monitoring.
Modular Rigging: Equipped with a 19mm baseplate, dovetail, and side arms for maximum mounting stability and accessories.
Cost: $15K USD
(t)
Aaron Fidan
rental@cptrental.com
+1 917 362 6840\
3-9-2026
Hours – 7011:30
Includes:
SN#: 22680
RAW, high speed and Anamorphic licence
2x MINI Adapter Plate MAP-1
2x MINI Baseplate MAP-2
2x MINI Side Bracket MSB-1
1x Rod Mounting Bracket RMB-3
1x ARRI 15mm Reduction Insert
1x MINI Viewfinder Bracket MVB-1
1x Camera Center Handle CCH-2
1x Bridge Plate Adapter BPA-4
1x Bridge Plate BP-8
1x Camera Shoulder Pad CSP-1
1x Alexa Mini MVF
1x MINI Viewfinder Cable
1x Dual Band Wireless Antenna
1x RS 3pin – EXT Adapter
1x MINI USB drive
1x Power Cable: KC50
1x Arri Bebob V-Mount Power Splitting Box
2x 120 GB Sandisk CFast cards
2x 256 GB Sandisk CFast cards
1x Lexar Pro Workflow CR2, Card reader (CF II), USB 3.0/Thunderbolt
The ARRI ALEXA Mini is a compact, versatile powerhouse that brings the industry-standard ALEXA image quality into a lightweight, carbon-fiber body. Designed to meet the demands of modern cinematography, it excels in specialized setups like gimbals, drones, and tight spaces where a full-sized ALEXA would be too’s cumbersome. It utilizes the same ALEV III sensor found in its larger siblings, ensuring that footage from the Mini integrates seamlessly with any ALEXA-based production.
Key Features:
ALEV III Sensor: Delivers the “ARRI Look” with natural skin tones and a film-like aesthetic.
Lightweight Carbon Body: Weighs approximately 2.3 kg (5 lbs), making it ideal for handheld and aerial rigs.
High Dynamic Range: Offers 14.5+ stops of exposure latitude for detail in highlights and shadows.
Internal ND Filters: Motorized FSND filters (0.6, 1.2, 2.1) allow for rapid exposure changes without external glass.
Interchangeable Mounts: Quickly switch between PL, EF, and B4 lens mounts.
Anamorphic Support: Features a 4:3 sensor mode and internal de-squeeze for anamorphic productions.
Built-in Lens Control: Integrated wireless radio and motor controllers eliminate the need for external “brain” boxes.
Cost: 12k USD
(t)
Stephen Baker
Office: +64 09 476 3466
Mobile: +64 021 774 301
stephen@imagezone.co.nz
3-6-2026
S/N #20618
6899.53 Hours
The ARRI ALEXA Mini is a compact, versatile powerhouse that brings the industry-standard ALEXA image quality to a lightweight carbon fiber housing designed for specialized rigs and high-agility filming. Featuring the celebrated ALEV III Super 35 sensor, it delivers 14+ stops of dynamic range, natural skin tones, and an organic cinematic texture that matches perfectly with the larger ALEXA SXT and AMIRA systems. Its symmetrical design and small footprint make it the premier choice for brushless gimbals, drones, and handheld operation without compromising on professional features like motorized internal ND filters, integrated lens motor control, and recording speeds up to 200 fps. Whether used as a high-mobility “B-camera” or a primary narrative tool, the ALEXA Mini offers uncompromised 4K UHD and ARRIRAW performance in a “go-anywhere” form factor.
Key Features:
ALEXA ALEV III Sensor: Provides the legendary ARRI look with 14+ stops of dynamic range and superior color science.
Lightweight Carbon Fiber Body: Rugged, symmetrical design weighing only 5 lbs (2.3 kg), ideal for gimbals and aerial rigs.
Internal Motorized ND Filters: Built-in motorized FSND filters (0.6, 1.2, 2.1) for rapid exposure control in changing light.
High-Speed Recording: Captures up to 200 fps in ProRes and 30 fps in ARRIRAW Open Gate for stunning slow-motion.
Integrated Lens Control: Built-in motor controller allows direct wireless FIZ control of PL-mount lenses via ARRI hand units.
Versatile Recording Formats: Supports in-camera recording of ProRes 4444 XQ, 4444, 422, and uncompressed MXF/ARRIRAW to CFast 2.0 cards.
Anamorphic Support: Includes a 4:3 sensor mode and automatic de-squeeze functions for professional anamorphic cinematography.
Cost: TBD
Sell Price: MAKE AN OFFER
Stephen Baker
Imagezone NZ Ltd.
Office: +64 09 476 3466
Mobile: +64 021 774 301
Auckland, New Zealand
stephen@imagezone.co.nz
March 6th 2026
(J)
Includes:
Arri Alexa Mini 7432 Hours
All Licenses
All Standard Accessories
Card
Reader
The ARRI ALEXA Mini is a compact, professional digital cinema camera developed by ARRI for high-end filmmaking and broadcast production. Despite its small and lightweight design, it delivers the same cinematic image quality and color science as the larger ALEXA cameras, making it a favorite for feature films, television, commercials, and aerial or gimbal work. The camera records high-resolution images with exceptional dynamic range, natural color reproduction, and strong low-light performance. Its modular build allows filmmakers to configure it for handheld shooting, drones, Steadicams, or studio rigs, providing versatility without sacrificing the renowned reliability and image quality of the ALEXA line.
Key Features
Super 35 ALEV III CMOS sensor
Up to 14+ stops of dynamic range
Recording resolutions up to 4.5K (Open Gate)
Supports ARRIRAW and ProRes recording formats
Compact and lightweight carbon fiber body
Native 800 ISO with excellent low-light performance
Wide dynamic range and natural ARRI color science
Multiple recording frame rates (up to 200 fps depending on mode)
Integrated ND filters (0.6, 1.2, 2.1)
Flexible mounting options for drones, gimbals, and rigs
Robust connectivity including SDI outputs and lens control
Compatible with ARRI’s ecosystem of accessories and workflows
Cost: 17,500 EUROS
March 6, 2026
(M)
Dobri Dobev
Pro Camera Rental Ltd.
Bulgaria
M 00359 879 291 110
rental@procamera.bg
Hours – 2719:33
Includes:
3.4k, Super 35mm, RAW Licence
SN#: 24841
1x ARRI Alexa Mini Camera Body PL Mount
1x Cable ALEXA Mini to MVF-1 0,75m
2x Mini Viewfinder Bracket MVB-1
1x ARRI Cneter Camera Handle CCH-2
2x ARRI Mini Side Bracket MSB-1
1x ARRI Bridge Plate Adapter BPA-4
1x ARRI Brisdge Plate BP-8
2x Aluminiom Rods 15mm 30cm Long
1x Battery Adapter Plate BAP-1
1x SanDick USB Stick for Alexa Mini
1x EXT-RS Adapter ALEXA Mini
1x Alexa Mini Audio 5pin Lemo to Stereo Jack Cable
1x ARRI Bottom Dovetail Plate 300mm
1x ALEXA MINI Viewfinder
1x Angelbird Cfast 2.0 Card Reader
2x SanDisk Cfast 2.0 Card 128GB
2x SanDisk Cfast 2.0 Card 256GB
The ARRI ALEXA Mini is the industry-standard compact powerhouse, designed to provide the legendary ALEXA sensor quality in a lightweight, carbon-fiber body. Perfectly balanced for gimbals, drones, and handheld rigs, this specific unit comes fully equipped with the 4:3 and RAW License, unlocking the camera’s maximum cinematic potential for anamorphic shooting and high-end post-production workflows.
Key Features:
Legendary ALEV III Sensor: Delivers the “ARRI look”—renowned for natural skin tones, organic film-like grain, and high dynamic range.
3.4K Open Gate & RAW: The included license allows for uncompressed ARRIRAW recording, providing ultimate flexibility in color grading.
Compact & Lightweight: The carbon-fiber housing makes it ideal for tight spaces and specialized movement rigs without sacrificing durability.
Integrated Lens Control: Features built-in motor controllers for focus, iris, and zoom, reducing the need for external brain boxes.
Versatile Mounting: Equipped with a PL mount and a comprehensive ARRI cage system (MSB-1, BPA-4) for professional studio or handheld setups.
Production-Ready Media: Includes 768GB of total CFast 2.0 storage and high-speed readers for efficient data management on set.
Cost: 15,500 euro
(t)
Dobri Dobev
rental@procamera.bg
+359 879 291 110
3-6-2026
Hours – 2700
Includes:
ARRI ALEXA Mini
Tilta cage
EF / PL MOUNT
6 cards – 4 x 256, 2 x 128Gb
Flight case
All licenses
The ARRI ALEXA Mini is a powerhouse of cinema technology, designed to provide the world-renowned ALEV III sensor in a lightweight, carbon-fiber body. This versatile kit is configured for high-end production, featuring a protective Tilta cage and the flexibility to switch between EF and PL mounts. Accompanied by a heavy-duty flight case and a comprehensive set of CFast cards, it is a turnkey solution for professional cinematographers.
Key Features:
The “ARRI Look”: Delivers the industry-standard color science and natural skin tones favored by top-tier filmmakers.
Dual Mount Capability: Includes both EF and PL mounts, allowing you to utilize everything from vintage cinema glass to modern stills lenses.
Full License Suite: Equipped with ARRIRAW and 4:3 licenses, enabling high-resolution workflows and anamorphic shooting.
Production Ready: The integrated Tilta cage provides numerous mounting points for accessories, while the internal ND filters simplify exposure control.
Extreme Portability: Its compact size makes it the ideal choice for gimbal work, handheld operation, and drone cinematography.
cost: 14k GBP
(t)
Attila Somos
attila@filmgears.co.uk
+44 7548410048
3-5-2026
Hours – 653
Includes:
SN# 1000065
1 CAMERA SONY BURANO W/ ROSETTE & 4X SCREWS
1 SONY PL MOUNT W/ PL CAP
1 MID49 ARCA TOP HANDLE
1 MID49 SINGLE 15MM ROD CLAMP W/ 2X SCREWS
1 AKS ROD 15MM 7” MID49 BLACK ALUMINIUM
2 AKS ROD 15MM 9” MID49 ACIER
2 AKS ROD 15MM 12”
1 MID49 ROD BRACKET 15MM LW W/ 2X SCREWS
2 MID49 CAGE NATO SIDE ARM W/ 2X SCREWS
1 SONY EVF NATO ARM W/ CABLE HOLDER
1 SONY EVF MOUNT ADAPTER
1 MID49 EVF PIVOT ADAPTOR
1 MID49 EVF/LCD EXTENSION CABLE W/ 2X SCREWS
1 SONY LCD MONITOR
1 MID49 LCD COVER
1 SONY VIEWFINDER LOUPE
1 BURANO VF COVER
1 MID49 GOLDMOUNT D-BOX W/ REMOTE CABLE
1 MID49 DEAD LOCK MOUNTING PLATE W/ 4X SCREWS (YC)
1 MID49 BASELINE ARCA DOVETAIL W/ 2X SCREWS
1 MID49 BASEPLATE 15MM LW
1 MID49 BASELINE ARRI DOVETAIL
1 MID49 BRIDGEPLATE 15MM STUDIO W/ 2X SCREWS
1 SONY CF EXPRESS TYPE B 1920GB W/ CASE
1 MEDIA CF EXPRESS TYPE B 1TB ANGELBIRD + CASE
1 SONY CF EXPRESS/ XQD READER W/ USB C CABLE
1 USB C TO USB A CABLE
1 DOVETAIL MID49
1 SONY GRIP REMOTE CONTROL W/ 2X CABLE HOLDER
1 SONY HAND STRAP
1 MID49 GIMBAL TOP ARCA ADAPTER
1 POUCH BURANO
1 E MOUNT FRONT CAP
1 SONY BURANO CASE NANUK 960
The Sony BURANO is the newest heavyweight in the CineAlta lineup, designed to bridge the gap between the high-end Venice and the agile FX series. This specific kit is a comprehensive, production-ready package outfitted with a premium Mid49 rigging system, providing everything from power distribution (Gold Mount) to versatile mounting options for handheld, tripod, or gimbal setups. It is a “ready-to-shoot” solution for cinematographers requiring elite image quality with a smaller footprint.
Key Features:
8.1K Full-Frame Sensor: Delivers stunning resolution with 16 stops of latitude and a wide color gamut inherited from the Venice 2.
World’s First PL-Mount IBIS: The first digital cinema camera to offer in-body image stabilization for both PL and E-mount lenses, ensuring smooth footage in handheld scenarios.
Fast Hybrid AF: Exceptional autofocus performance (available with E-mount lenses) for solo operators or fast-paced documentary work.
Variable ND Filter: An internal, electronically controlled variable ND (0.6 to 2.1) allows for precise exposure adjustments without swapping glass.
Flexible Rigging (Mid49): The included Mid49 AKS (Arca-Swiss and ARRI standard) ensures rapid transitions between studio bridgeplates, gimbals, and shoulder rigs.
Dual Base ISO: Optimized for low-light performance with minimal noise, making it adaptable to any lighting environment.
High-Speed Media: Includes nearly 3TB of CFexpress Type B storage to handle high-bitrate 8K internal recording.
Update March 17th 2026:
Changing Cost and Sell Price @ Adam’s request.
Updated Cost from USD $54,505 to USD $20,000
Updated Sell Price from USD $58,505 FOB to USD $25,000 FOB
(J)
Cost: 54,505
(t)
Yan Clement
yanclement@gmail.com
+1 514 796 6596
3-5-2026
Hours – 5112:35
Includes:
Camera & Essentials
(1x) ARRI Alexa Mini Body (Carbon Fiber)
(1x) 256GB Recording Card
(1x) MVF-1 Viewfinder (with connecting cable)
(1x) Power Cable
(1x) Custom Flight/Hard Case
Tilta Cage System (Structural)
Top Plates: (1) Long top plate with power pass-through & (1) Short top plate.
Side Arms: (1) Left side arm & (1) Right side arm (both with Arri Standard Rosettes).
Bottom Plates: (1) 15mm LWS baseplate & (1) Short bottom plate.
Bridge: (1) Top plate to battery bridge with power pass-through.
Handling & Monitoring Mounts
(1) Top Handle (with integrated power pass-through)
(1) EVF Holder (for viewfinder mounting)
(1) Cold Shoe Mount (for accessories)
(1) 19mm Rod Adapter (for LCD bracket)
(1) 15mm LWS to 19mm Rod Adapter (for LCD bracket)
Power & Rod Support
(1) Battery Plate: Gold Mount (specifically for Alexa Mini)
(1) Battery Plate Adapter: 15mm LWS rod adapter
(2) 15mm Top Rod Adapters
The ARRI Alexa Mini remains the industry standard for high-end cinematography, blending a compact, lightweight carbon fiber body with the legendary ALEV III sensor. This specific kit is optimized for professional production workflows, featuring a comprehensive Tilta Cage system that provides robust power distribution, versatile mounting points, and Gold Mount battery support.
Key Features:
Legendary Image Quality: Features the same sensor as the Alexa SXT, delivering unrivaled skin tones and a natural, film-like highlight roll-off.
Integrated Tilta Ecosystem: The included cage offers “power pass-through” technology, reducing cable clutter by powering accessories directly through the top plate and handle.
Versatile Rigging: Dual 15mm/19mm rod support and Arri Standard Rosettes allow for quick transitions between handheld, gimbal, and tripod setups.
Compact Durability: The carbon fiber housing makes it light enough for drones and gimbals while remaining rugged enough for harsh environments.
Efficient Workflow: Includes a 256GB card and a dedicated EVF holder, ensuring you are ready to monitor and record straight out of the case.
cost: 18k usd
(t)
Andy Rydzewski
filmandy@gmail.com
+1 707 616 0235
3-5-2026
Includes:
Hours: 21
Burano Body
Sony Monitor
Sony Viewfinder attachment
Sony Standard Monitor holder
Sony PL mount
(2) OWC Atlas Ultra 1.0 TB
OWC Card Reader with two USB cables and LowePro Zipper Sack
Wooden Camera Top Plate
Mi49 Power Distribution Box (hot swap capability)
Shape Top Handle
Shape Monitor Holder
Shape Sliding Baseplate with 15mm aluminum rods
Shape Arri Standard Sliding Dovetail 12″
Pelican 1610 Case with wheels and custom foam
The Sony BURANO is a groundbreaking addition to the CineAlta lineup, purposefully designed to bridge the gap between the high-end versatility of the VENICE 2 and the mobility required by solo operators and small crews. It features a stunning 8.6K full-frame sensor that shares the same celebrated color science as the VENICE 2, ensuring seamless visual integration on multi-camera sets. Distinguished as the world’s first PL-mount digital cinema camera with in-body image stabilization (IBIS), the BURANO combines this stabilization with an integrated electronic variable ND filter and high-speed AI-driven autofocus. Housed in a compact, rugged magnesium chassis that is significantly lighter than its predecessors, this camera is a versatile powerhouse capable of internal 16-bit X-OCN LT RAW recording, making it the definitive choice for high-end documentaries, commercials, and independent feature films.
Key Features:
8.6K Full-Frame Sensor: Delivers ultra-high-resolution imagery with 16 stops of dynamic range and the legendary VENICE color science.
World’s First PL-Mount IBIS: Features in-body image stabilization compatible with both PL and E-mount lenses for smooth handheld operation.
Dual Base ISO (800/3200): Provides exceptionally clean low-light performance, allowing for high-quality capture in challenging lighting environments.
Fast Hybrid & AI Autofocus: Utilizes an AI processing unit for sophisticated subject recognition and tracking (available with E-mount lenses).
Electronic Variable ND Filter: Offers a range from 0.6 to 2.1, allowing for precise exposure control without affecting depth of field.
X-OCN LT & XAVC Recording: Supports internal 16-bit RAW recording alongside efficient XAVC-H codecs for flexible post-production workflows.
Compact & Modular Design: Weighs approximately 3 lbs less than the VENICE 2, optimized for gimbal, drone, and shoulder-mount configurations.
Cost: USD $21,000
John Lipsz
jcefilm@gmail.com
+1 514-777-4591
104 ave Brunet, Pointe Claire, Québec. H9S 4T8
Canada
Feb 27th 2026
(J)
Hours – 840
Includes:
1x ALEXA Mini LF camera body (K1.0024074)
1x ARRI LPL Lens Mount ALEXA Mini/AMIRA (K2.0018983)
1x ARRI PL-to-LPL-Adapter (K2.0016936)
3x Codex Compact Drive 1TB CA08-1024 (K2.0024130)
1x ALEXA Mini LF Multi Viewfinder MVF-2 (K2.0020916)
1x Viewfinder Cable VF 1.15ft (0.35m) (K2.0023915)
1x Viewfinder Cable VF 1.5ft (0.5m) (K2.0023943)
1x Mini Adapter Plate MAP-2A (K2.0023839)
1x Mini Viewfinder Bracket MVB-1 (K2.0006140)
1x Center Camera Handle CCH-2 (K2.73002.0)
1x Mini Side Bracket MSB-3 (K2.0023546)
1x Mini Side Bracket MSB-2 (K2.0014957)
1x Compact Bridge Plate CBP-1 (K2.0014894)
1x Rear Accessory Bracket RAB-1 (K2.0013937)
1x RAB-1 Clamp 2 (K2.0023406)
1x Rod Mounting Bracket RMB-3 (K2.0006186)
1x 15mm Reduction Insert (K2.66255.0)
1x Gold Mount Power Splitting Box Mk II (K2.0014532)
1x Bottom Plate 12″ (300mm) (K2.0015896)
1x Power Cable Straight KC-50 2m (K2.75007.0)
The ARRI ALEXA Mini LF is the industry-standard bridge between high-end large-format cinematography and agile, compact production. By housing the acclaimed ALEXA LF sensor within the lightweight carbon fiber body of the original Mini, ARRI created a versatile powerhouse. It delivers the “ARRI Look”—renowned for its natural skin tones and film-like highlight roll-off—in a package optimized for gimbals, drones, and handheld work.
Key Features:
4.5K Large-Format Sensor: A 36.7mm x 25.54mm sensor (ALEV III A2X) offering native 4K resolution and 14+ stops of dynamic range.
Versatile Lens Compatibility: Includes the LPL Lens Mount and a PL-to-LPL Adapter, allowing the use of both cutting-edge large-format glass and classic cinema lenses.
High-Speed Media: Equipped with 3x 1TB Codex Compact Drives, supporting high-data-rate internal ARRIRAW and Apple ProRes recording.
Advanced Monitoring: Includes the MVF-2 HDR Viewfinder with dual cable lengths (0.35m and 0.5m) and a dedicated MVB-1 Bracket for ergonomic positioning.
Pro Rigging System: A robust mechanical suite featuring the CBP-1 Compact Bridge Plate, MSB-2/3 Side Brackets, CCH-2 Center Handle, and RAB-1 Rear Accessory Bracket for maximum modularity.
Power Management: Features the Gold Mount Power Splitting Box Mk II and heavy-duty KC-50 Power Cables for reliable studio and field power.
Internal NDs: Built-in motorized full-spectrum neutral density (FSND) filters (0.6, 1.2, 1.8).
Unmatched Aesthetic: Provides a shallower depth of field and wider field of view compared to Super 35, creating a truly immersive “large-format look.”
cost: TBD
(t)
Takeshi Pedraos
pedratown@gmail.com
+573114752110
2-26-2025
Hours – 3468
Includes:
Camera:
ARRI ALEXA Studio XR Plus Body K.171200.0
ARRI Centre Camera Handle CCH-1 K2.72007.0
ARRI BAB-G Gold Mount Back K2.72003.0
ARRI Leveling Block LB-1 K2.72017.0
ARRI Shoulder Pad SP-3. K2.72005.0
Extension for Handgrip K2.47136.0
ARRI Low Mode Plate LMS-3 K2.72023.0
ARRI LMS Standard Feet for EVF
ARRI LMS Studio Feet for OVF K2.72093.0
Antenna for Plus LCS
ARRI ALEXA Studio Camera Case. K2.72026.0
Optical Viewfinder:
ARRI OVF-1 K2.72048.0
ARRI 435 8x Eyepiece K2.47081.0
Ground Glass 16:9, Spherical, 800 K2.72088.0
Ground Glass 4:3, Spherical, 800 K2.72069.0
Frameglow Mask, 4:3 and 16:9 Spherical K2.72073.0
Ground Glass 4:3, Scope 2x Anamorphic, 800 K2.72070.0
Frameglow Mask 4:3, Scope 2x Anamorphic K2.72074.0
Electronic Viewfinder:
ARRI EVF-1 Electronic Viewfinder K2.72008.0
ARRI EVA-1 Electronic Viewfinder Adapter K2.7206.3.0
ARRI VMB-3 Viewfinder Mounting Bracket K2.74001.0
Media:
Codex Capture Drive XR – 256GB CDX-3730
Codex Capture Drive XR – 256GB CDX-3730
Codex Capture Drive XR – 256GB CDX-3730
Codex Capture Drive XR – 256GB CDX-3730
Codex Capture Drive Dock CDX-7510
Cables:
ARRI 24V Straight Power Cable K2.41966.0
ARRI ALEXA 12V Accessory Cable K2.72031.0
ARRI Medium EVF-1 Viewfinder Cable K2.72013.0
ARRI Short EVF-1 viewfinder cable K2.72012.0
ARRI ALEXA Ethernet/RJ45 Cable K2.72021.0
The ARRI ALEXA Studio XR is a high-end digital cinema camera that bridges the gap between traditional film aesthetics and modern digital workflows. Part of the “Extended Recording” (XR) lineup, it is specifically designed for cinematographers who demand the tactile experience of a film camera, featuring a rotating mirror shutter and an optical viewfinder. Equipped with the ALEV III Super 35 sensor, the Studio XR delivers the legendary “ARRI look”—characterized by natural skin tones, organic film-like grain, and a wide dynamic range. The “XR” designation refers to the integrated module that allows for in-camera ARRIRAW recording directly onto Codex Capture Drives, eliminating the need for bulky external recorders.
Key Features:
Optical Reflex Viewfinder: Provides a lag-free, high-contrast optical view of the scene, even when the camera is not powered.
Mechanical Shutter: Eliminates rolling shutter artifacts (skew/jello effect), making it ideal for fast-moving action and strobe lights.
4:3 Sensor: Optimized for anamorphic cinematography, utilizing the full sensor height to create a classic cinematic widescreen look.
Integrated XR Module: Enables internal ARRIRAW recording at up to 120 fps, streamlining the physical camera rig and simplifying the onset workflow.
Superior Dynamic Range: Offers 14+ stops of latitude, ensuring detail is preserved in both deep shadows and bright highlights.
Built-in Motorized ND Filter: Includes an internal Neutral Density (ND 1.3) filter, allowing for quick exposure adjustments without changing the lens depth of field.
Lens Data System (LDS): Automatically captures lens metadata (iris, focus, zoom), which is essential for accelerating visual effects (VFX) post-production.
Cost: 13k
(t)
Tristan C-M
tristan@tristancm.com
+1 519-572-0540
2-25-2026
915 Hours
The ARRI ALEXA SXT Studio stands as the most versatile and feature-rich evolution of the classic ALEXA line, distinguished by its integration of a rotating mirror shutter and an optical viewfinder. Designed for cinematographers who demand a traditional film-like operating experience alongside cutting-edge digital performance, the SXT Studio features a 4:3 Super 35 sensor ideal for anamorphic productions. Its advanced SXT (Super Xtended Technology) electronics enable internal 4K recording and high-speed capabilities, all while maintaining the industry-leading dynamic range and natural color science that have made ARRI the gold standard for global cinema and high-end television.
Key Features:
Rotating Mirror Shutter: Provides a natural film-style motion blur and eliminates electronic rolling shutter artifacts.
Optical Viewfinder: Offers a high-contrast, zero-delay real-time view through the lens, even when the camera is powered down.
4:3 Open Gate Sensor: Optimized for anamorphic lenses and providing maximum flexibility for VFX and reframing in post-production.
Internal 4K Recording: Supports ProRes 4K UHD and ProRes 4K Cine directly to high-speed storage.
14+ Stops of Dynamic Range: Delivers the legendary ALEXA highlight roll-off and exceptional detail in deep shadows.
Integrated Lens Control: Built-in wireless radio for ARRI lens motors and LDS (Lens Data System) for seamless metadata communication.
Fast Frame Rates: Capable of capturing up to 120 fps in certain modes for stunning slow-motion imagery.
Cost: USD $17,000
Sell Price: USD: $19,100
Jami Mahmood
AzadFilm
Pakistan
azadfilm1@icloud.com
Feb 23rd 2026
(J)
The Sony Rialto 2 (VENICE Extension System 2) is a sophisticated tethering solution that dramatically enhances the physical versatility of the VENICE 2 camera by allowing the sensor block to be detached from the main body. By extending the sensor up to 40 feet (12 meters) away from the camera chassis via a high-bandwidth cable, it enables cinematographers to capture high-resolution imagery in incredibly confined spaces where a full camera rig would never fit. This system maintains full compatibility with both the 6K and 8K sensor blocks, ensuring that image quality, dynamic range, and frame rates remain uncompromised while facilitating agile handheld work, complex gimbal movements, and specialized rigging for automotive or aerial cinematography.
Key Features:
Sensor Detachment: Separates the 6K or 8K sensor block from the camera body for ultra-compact, lightweight operation.
Extended Reach: Includes 9.8-foot (3m) and 39-foot (12m) cable options for maximum rigging flexibility on set.
No Image Degradation: Transmits full-bandwidth data with zero loss in image quality, maintaining the VENICE 2’s native 8.6K resolution.
Enhanced Control: Features a built-in tilt/roll sensor and four assignable buttons on the sensor block for streamlined remote operation.
Lightweight Rigging: Significantly reduces the weight held by the operator, making it ideal for long-duration handheld or jib work.
Tool-less Transition: Designed for quick setup changes, allowing crews to switch between standard and Rialto modes efficiently.
Accessory Support: Provides multiple 1/4″-20 and 3/8″-16 mounting points for monitors, handles, and lens motors.
Brian Burgoyne
brianburgoyne@me.com
+1 (646) 408-8188
Cost: USD $15,000
Feb 23rd 2026
(J)
Rialto 2 sent by Brian Burgoyne together with a Sony Venice 2 camera.
Brian Burgoyne’s Venice 2 standalone listing:
Brian Burgoyne’s Venice 2 + Rialto 2 listing:
Hours – 1259
Includes:
Licenses: High Speed. 3:4 – Premium – All Sony Licenses
1x sony venice 2 Camera, with anamorphic and full frame licenses.
1x sony venice viewfinder
1x ARRI EL-3 Eyepiece Leveler
1x Wooden Camera AIR EVF Extension Arm
1x ARRI BPA-5 Bridge Plate Adapter
1x ARRI HEX 1 (HEB-type) Handle Extension Block
1x ARRI BP-0 Bridgeplate set with 12″ Dovetail & 17.3: 19mm Rods
AR-K2.0001022- ARRI 19mm Support Rods – 17.3″ (440mm)
AR-K2.0015896- ARRI Bottom Dovetail Plate 300mm/12in
AR-K2.0031436- ARRI Bridge Plate BP-8
1x Wooden Camera A-box for sony venice
1 meanwell 280w 24vDC 3pXLR Power Supply w/ AC Cable
1 * Core 24V D-box Gold Mount f/ sony venice 1/2 (24V DC In f/ Hotswap) MKII
1x Sony 120cm VF Cable Assembly for Venice
2 Power Cable: 24v 3pXLRm to 3pXLRf 10′
1 case for Sony Venice 2, Venice2 (TT97-141)
The Sony VENICE 2 is a high-end digital cinema camera designed specifically for professional cinematography. Building on the success of the original VENICE, this successor introduces significant hardware upgrades—most notably a brand-new 8.6K full-frame sensor and the ability to record high-resolution RAW data internally, eliminating the need for bulky external recorders. It maintains the acclaimed “VENICE look” with its world-class color science, while its compact, modular chassis makes it a versatile tool for everything from handheld indie shoots to large-scale virtual production stages.
Key Features:
Dual-Resolution Sensor Options: Features a newly developed 8.6K full-frame CMOS sensor (8640 x 5760), with the ability to swap in the original 6K sensor block if needed.
Internal Recording: Records 16-bit X-OCN and 4K Apple ProRes (4444/422 HQ) directly to internal AXS memory cards, removing the need for the AXS-R7 external recorder.
16 Stops of Dynamic Range: Provides incredible latitude for capturing detail in searing highlights and deep shadows simultaneously.
Dual Base ISO: Optimized for clean images in any lighting with a base of 800/3200 for the 8.K sensor (and 500/2500 for the 6K sensor).
8-Step Mechanical ND Filters: A built-in, servo-controlled glass ND system ranging from 1 to 8 stops, allowing for instant exposure control.
Interchangeable Mounts: Native Lever-Lock E-mount for Sony lenses, which reveals a rugged PL mount (supporting Cooke /i and ZEISS eXtended Data) when the adapter is attached.
cost $50k – sales $58k
(t)
Brian Burgoyne
brianburgoyne@me.com
+1 (646) 408-8188
2-23-2026
RED DSMC2 HELIUM 8K S35 is a high-performance digital cinema camera that redefined resolution standards within the Super 35mm format. Known for its compact “BRAIN” design, it offers a blend of extreme detail and the classic S35 aesthetic, making it a staple for high-end feature films, commercials, and VFX-heavy productions.
Key Features and Benefits
8K Resolution Performance: Captures 35.4-megapixel motion and stills, providing unmatched flexibility for re-framing, stabilizing, and future-proofing content.
Super 35mm Sensor: Unlike many 8K sensors that require Large Format glass, the Helium sensor is optimized for the vast library of classic S35 cinema lenses.
16.5+ Stops of Dynamic Range: Delivers exceptional highlight protection and deep shadow detail, rivaling traditional film stock.
Advanced Modularity: The DSMC2 platform features a cable-free design, allowing users to swap lens mounts (PL, EF, Nikon) and OLPFs (Optical Low-Pass Filters) to suit specific creative needs.
High-Speed Capabilities: Records up to 60 fps at 8K Full Format and up to 300 fps at 2K, ideal for high-fidelity slow motion.
Versatile Post-Workflow: Supports simultaneous recording of REDCODE RAW and edit-ready proxies like Apple ProRes or Avid DNxHR.
COST : Helium kit £10k each
Based on the current exchange rate for February 17, 2026, £10,000 GBP is approximately:$13,557.90 USD(Rate: $1.35579$ USD per £1 GBP)
“Lee”
+44 (0)20 8998 99 77
https://lightningmedia.co.uk/ UK
R-2/17/2026
Price Investigation :
Justcinemagear $ 11,650
Newlifecine $ 12,000 -$ 15,500
AI Says:
As of early 2026, the second-hand market for the RED DSMC2 HELIUM 8K S35 has stabilized significantly, making it one of the most accessible entry points into high-resolution cinema. Because the DSMC2 system is modular, prices vary wildly depending on whether you are buying a “Brain” (body only) or a “Ready-to-Shoot” package.
Average Price Range
Configuration Price Range (USD) What’s Included
Brain Only $2,500 – $3,800 Just the camera body, often without a lens mount or power module.
Basic Kit $4,000 – $5,500 Brain + Lens Mount (EF/PL), Base Expander, and a Top Handle.
Production Pack $6,000 – $8,500 Brain, Monitor, Media (Mini-Mags), Battery Plate, and often a case.
1 White Focus Knob Marking Ring Installed on The Hand Unit
3 ARRI cforce mini / RF motor units (each with integrated gear drive)
3 motor gear wheels (attached to the motors)
4 hand unit batteries (Sony NP-F style)
1 single-bay battery charger
5 white focus marking rings (loose)
3 rod / clamp mounting brackets
3 LEMO cables (various lengths, including right-angle connectors)
This professional wireless lens control package centers around the ARRI Hi-5 hand unit with an installed white focus knob marking ring, delivering precise, reliable control for demanding film and television productions. Designed for seamless integration into modern camera workflows, the set includes three ARRI cforce mini RF motor units with integrated gear drives, along with attached motor gear wheels for accurate lens response. The kit is powered by four Sony NP-F style batteries with a single-bay charger, and comes complete with multiple white focus marking rings, rod/clamp mounting brackets, and LEMO cables in various lengths (including right-angle connectors), making it a versatile and production-ready solution for focus pulling, iris, and zoom control on set.
Key Features:
ARRI Hi-5 hand unit with installed white focus knob marking ring
Three ARRI cforce mini RF motors with integrated gear drives
Motor gear wheels attached and ready for use
Four Sony NP-F style batteries and single-bay charger
Five additional white focus marking rings
Three rod/clamp mounting brackets
Three LEMO cables in assorted lengths, including right-angle connectors
Update March 10th 2026:
Adam requested Sell price updated from USD $20,000 FOB to USD $21,000 FOB.
Cost wasn’t altered.
(J)
Cost: $15,000 USD FOB
February 16, 2026
Frank Shaw-China
+8615011304502
bbosasi.frank@gmail.com
Includes:
Sony Venice 2 – 10766
OLED Viewfinder – 10808
BP6 Plate – 8215
Bridge Plate Adapter – K2.0017138
Arri Plate for Sony Venice – K2.0017136
Alexa Shoulder Pad – ASP4-AV001
Arri Bridge Plate Bottom – ABP-AV001
Wooden Sony Venice D Box V Lock – WSVDB-AV001
Sachtler Quick Release Plate – SQR-AV001
Sony AXS Memory Card Reader – AXSAR3-AV100464
12V Power Supply – 12VPS-AV002
24V 4 pin to 4 pin power cable – CB366747
24V extension cable – CB314762
Sony 1TB Card – AXSA1S6-AV004
Sony 1TB Card – AXSA1S6-AV003
Sony 1TB Card – AXSA1S6-0101942
Sony 1TB Card – AXSA1S6-AV001
Sony Long Viewfinder Cable – CB604919
Sony Long Viewfinder Cable – CB407154
D Box cable – CB607305
USB C cable – CB36663
2 x Long 19mm rods
2 x medium 19mm rods
1 x short 15mm rod
The Sony VENICE 2 is a high-end digital cinema camera designed to meet the rigorous demands of top-tier film and television productions, featuring a choice between a stunning 8.6K or the original 6K full-frame sensor. Building on the success of the original VENICE, this second-generation flagship integrates internal X-OCN and ProRes recording into a more compact body, eliminating the need for external recorders and streamlining on-set workflows. Renowned for its exceptional color science, 16 stops of total dynamic range, and a unique dual-base ISO system, the VENICE 2 delivers natural skin tones and remarkable low-light performance, making it the premier choice for cinematographers seeking a versatile, “organic” digital canvas.
Key Features:
Interchangeable CMOS Sensors: Available in a high-resolution 8.6K sensor or a high-speed 6K sensor, both offering full-frame coverage and extraordinary detail.
Internal Recording: Supports internal 16-bit X-OCN and 4K ProRes recording directly to high-speed AXS cards.
Dual Base ISO: Features dual-base ISO (800/3200 for the 8.6K sensor) for incredibly clean images in both bright highlights and deep shadows.
8-Step Internal ND Filters: A built-in motorized optical ND filter mechanism ranging from 0.3 to 2.4 for precise exposure control.
Wide Color Gamut: Exceeds Rec. 2020 color space, ensuring rich color saturation and seamless matching with the original VENICE.
Compact & Modular Design: Smaller and lighter than the original model, with a design compatible with many existing VENICE accessories and the Rialto Extension System.
PL and E-Mount Versatility: Comes standard with a rugged PL mount that can be removed to utilize the native lever-lock E-mount for compact lens options.
Update Feb 16th 2026:
Cost: EUR 45.000
Price: EUR 49.000 FOB
(J)
Fabian Vettiger
South Africa
fabianvettiger@hotmail.com
https://www.fabianvettiger.com/
Includes:
• 1x Alexa Mini
– Licenses: None
– Hours: 4610
• 1x MVF-1 for Alexa Mini
• 1x LBUS LDS Mount
• 1x PL Port Cap
• 1x Alexa Mini to MVF-1 Cable (0.5m)
• 1x K2.0006140 MVB-1 Viewfinder Mounting Bracket
• 1x Viewfinder Cross Pipe (complete with MVB-1)
• 1x K2.73002.0 CCH-2 Center Camera Handle
• 2x K2.0006348 MSB-1 Side Bracket
• 2x K2.0023839MAP-2 Adapter Plate
• 2x 15mm x 1050mm Alloy rods black
• 2x 15mm x 340mm steel rods
• 1x Alexa Mini Hotswap Plate (VL-HS1)
• 2x K2.0006334 MAP-1 Adapter Plate
• 1x K2.0006807 CSP-1 Shoulder Pad Mount
• 1x K2.0006170 EXT to RS Cable 3pin Fischer fm to 7pin ODU RA
• 1x Alexa Mini to MVF-1 Cable (0.5m)
• 2x D-Tap to ARRI Lemo Power Cable
• 1x 271500 A-Box for Alexa Mini / Red V-Raptor
• 1x Moose Bar Rail Grip
• 2x Moose Bar Handle
• 2x 256GB CFast 2.0 Memory Card AV Pro certified for ARRI
• 1x CFast 2.0 Card Reader
• 1x 16GB USB card
• 1x Flightcase
• 1x Wetsuit for Arri Alexa Mini
• ARRI Alexa – Offers unparalled image quality thanks to its 35mm CMOS sensor
• Solid titanium PL mount
• 4K UHD ProRes images
• Super lightweight carbon body
• Frame rates up to 200fps
• Highly integrated and sealed electronics
The ARRI ALEXA Mini is a compact, versatile powerhouse that brings the legendary image quality of the ALEXA sensor into a lightweight carbon-fiber body designed for specialized cinematography. Engineered to bridge the gap between full-sized studio cameras and agile rigging needs, it is the industry standard for gimbal, handheld, and drone work, as well as tight filming environments like car interiors or underwater housings. Despite its small footprint, the Mini maintains ARRI’s hallmark ALEV III sensor, delivering the natural skin tones, breathtaking 14+ stops of dynamic range, and cinematic “organic” look that has made the ALEXA line the primary choice for Oscar-winning productions and high-end commercials worldwide.
Key Features:
Compact Carbon-Fiber Body: Ultra-lightweight design (approx. 5 lbs) optimized for brushless gimbals, aerial drones, and handheld rigs.
ALEV III Sensor: Same Academy Award-winning sensor as the larger ALEXA cameras, ensuring perfect color matching in multi-camera setups.
Internal Motorized ND Filters: Built-in FSND filters (0.6, 1.2, 2.1) allow for rapid exposure changes without adding external matte box weight.
High-Speed Recording: Capable of capturing up to 200 fps in ProRes for stunning slow-motion imagery.
Integrated Lens Control: Features a built-in lens motor controller for direct connection of active lens motors, eliminating the need for external brain boxes.
4:3 and ARRIRAW Support: Optional licenses unlock anamorphic de-squeeze and uncompressed 2.8K ARRIRAW recording for maximum post-production flexibility.
Rugged Reliability: Environmentally sealed electronics and a solid titanium PL mount for stable flange focal distance in extreme temperatures.
Cost: GBP 10,000
Price: GBP 11,500 FOB
February 13th 2026
(J)
Nic Tomkinson
Visual Impact UK
United Kingdom
nic@visuals.co.uk
+44 020 8977 1222
Includes:
Sony Venice 2 (4600 Hours)
(1) License
(1)s66
(2)s48
(1) 512GB
AR3
The Sony VENICE 2 is a full-frame digital cinema camera engineered for high-end film, television, and commercial production, building on the acclaimed VENICE line with enhanced imaging capabilities, modular design, and robust performance. It delivers exceptional dynamic range, rich color science, and flexible sensor options, making it a favorite among cinematographers who demand cinematic quality, reliability, and versatility on set. The camera’s user-centric build supports a variety of workflows and accessories, ensuring seamless integration into both large studio environments and nimble on-location shoots.
Key Features
Dual Native ISO and Low-Light Performance – Excellent noise handling for varied lighting conditions.
Interchangeable Sensor Blocks – Ability to switch between full-frame and Super 35 sensors.
8.6K and 6.8K Recording Options – High resolution capture for sharp, detailed imagery.
Wide Dynamic Range – Captures rich highlights and deep shadows with smooth tonal transitions.
Cine-Friendly Color Science – Natural skin tones and broad grading flexibility.
Robust Build & Modular Design – Durable for demanding shoots with customizable rigging.
Versatile Codec Support – Includes X-OCN, RAW, and other professional formats.
Update Feb 20th 2026:
Sell price raised to USD $39,500 @ Adam’s request
(J)
Cost: 29500 USD
February 10, 2026
(M)
Frank Shaw
bbosasi.frank@gmail.com
+8615011304502
Includes:
Sony Venice 2 (with 6000 Hours & Full licenses)
1x S66
2xS48 AR3
The Sony VENICE 2 is a flagship full-frame digital cinema camera designed for high-end narrative, commercial, and large-format productions that demand uncompromising image quality and on-set flexibility. Built around Sony’s advanced 8.6K full-frame sensor, VENICE 2 delivers exceptional dynamic range, natural color science, and impressive low-light performance, while supporting modern, efficient recording formats for streamlined post-production. Its modular design, robust build, and compatibility with the Rialto 2 extension system make it equally at home on studio rigs, handheld setups, gimbals, and remote camera configurations.
Key features:
8.6K full-frame CMOS sensor with up to 16 stops of dynamic range
Dual base ISO (800 / 3200) for clean images in varied lighting
Internal recording in X-OCN, ProRes, and other professional codecs
Interchangeable PL and E-mount lens support
Modular body design with Rialto 2 extension compatibility
Cost: 30000 USD FOB
February 10, 2026
(M)
Frank Shaw
bbosasi.frank@gmail.com
+8615011304502
Hours – 3084
Includes:
1 x ALEXA Mini Body (K1.0003873)
1 x PL-MOUNT-LDS-LB-TITAN-CPL (K2.0003216)
2 x MINI Adapter Plate MAP-1 CPL (K2.0006334)
2 x ALEXA Mini Baseplate MAP-2 CPL (K2.0006347)
2 x MINI Side Brackets MSB-1 (K2.0006348)
1 x Bridge Plate Adapter BPA-4 (K2.0006352)
2 x Rod Mounting Bracket RMB-3 (K2.0006186)
2 x 15mm Reduction Insert (K2.66255.0)
1 x Center Camera Handle CCH-2 (K2.73002.0)
1 x Cage Top Handle CTH-1 (K2.66227.0)
1 x Support Rods 340mm, 15mm (K2.66252.0)
1 x BAP-1 Battery Plate for ALEXA Mini (K2.0006471)
1 x Battery Adapter Plate BAP-2 (K2.0006990)
1 x Bebob V-Mount Battery Adapter for Mini (K2.0007091)
1 x Camera Shoulder Pad CSP-1 (K2.0006807)
1 x ALEXA Ethernet / RJ-45 Cable KC-153-S (K2.72021.0)
2 x AMIRA Power Cable Straight KC-50 (K2.75007.0)
2 x EXT-RS Adapter (K2.0006170)
1 x Bridge Plate BP-9 Set Short (15mm rods) (K2.47091.0)
1 x MVF-1 Arri Alexa Mini Viewfinder (K2.0005861)
2 x Viewfinder Cable 2.5 ft / 0.75 m (29”) (K2.0008135)
1 x MVB-1 Viewfinder Mounting Bracket (K2.0006140)
1 x VEB-3 Viewfinder Extension Bracket (K2.74000.0)
1 x EL-3 Eyepiece Leveller (K2.47767.0)
1 x ARRIRAW License Key (10.0008148)
1 x 4:3 License Key (10.0008147)
1 x Anton Bauer Gold Mount Battery Plate QRC-FLEX4K
2 x 256GB Extreme PRO Fast 2.0 Memory Cards
1 x Alexa Mini Custom Case
The ARRI ALEXA Mini is the compact, versatile powerhouse of the ALEXA family. Designed to deliver the same gold-standard image quality as its larger siblings, it features a lightweight carbon-fiber body and a symmetrical design optimized for gimbals, drones, and tight shooting spaces. Since its release in 2015, it has become a staple for professional cinematographers who need agility without sacrificing the iconic “ARRI look”—renowned for its natural skin tones and film-like highlight roll-off.
Key Features:
ALEV III Sensor: Provides legendary image quality with 14.5+ stops of dynamic range and industry-leading color science.
Compact & Lightweight: The carbon fiber housing weighs only 2.3kg (5 lbs), making it ideal for handheld work, multicopters, and stabilized rigs.
Built-in Motorized ND Filters: Includes internal FSND filters (0.6, 1.2, 2.1) for rapid exposure control without adding external bulk.
Versatile Recording: Supports in-camera recording of Apple ProRes and uncompressed ARRIRAW to CFast 2.0 cards at up to 200 fps.
Anamorphic Ready: Equipped with a 4:3 sensor and automatic de-squeeze features for professional anamorphic cinematography.
Interchangeable Mounts: Quickly switch between Titanium PL, LPL, EF, and B4 mounts to utilize a vast range of cinema and still lenses.
Rugged Reliability: Environmentally sealed electronics and a operating range from -20°C to +45°C, ensuring performance in extreme conditions.
Cost: 12,500
(t)
Arlene +1 (416) 823-1713
Daniel Vendramin
dvendramin@me.com
+14162600071
Canada
2-9-2026
SOLD
Hours: 3794
Includes:
1x Sony MPC-3610 Camera Body (SN: 10289 / Run Hours: 3794 / E-mount + PL mount)
1x Sony Portable Memory Recorder AXS-R7 (SN: 10781)
1x Sony DVF-EL200 EVF (SN: 10604)
1x EVF Bracket w/ 15mm rods
2x EVF Cable (50cm / 19.6”)
1x Wooden Camera D-Box V-mount to G-Mount
1x Wooden Camera D-Box Side Bracket
2x Shape Top Plate
2x Shape Center Top Handle
1x ARRI Plate For Sony Venice
1x ARRI BPA-5
1x ARRI BP-8
1x ARRI Dovetail
1x ARRI WA-2 Shoulder Plate
1x ARRI QRP-1 Plate
1x Sony Audio Cable 5-pin to phono
1x Hot Swap Cable
1x V-lock back plate for Venice body
1x V-lock back plate for Venice body w/ 4-pin XLR
1x Sony Memory Card Reader AXS-CR1 (SN: 104395)
1x Sony Memory Card Reader SBAC-US20 (SN: 0112912)
4X Sony AXS-A512S48 Cards 512GB
1x Sony SxS SBP-256E Card 256GB
1x Sony SxS SBP-128E Card 128GB
The Sony VENICE is a high-end digital cinema camera designed specifically for professional cinematography. It is the flagship of Sony’s CineAlta line, engineered to bridge the gap between traditional film aesthetics and modern digital flexibility. Whether used for big-budget features or high-end commercials, the VENICE is prized for its “film-like” skin tones and its modular, operator-friendly design.
Key Features:
6K Full-Frame Sensor:Delivers “large format” aesthetics, shallow depth of field, and multiple imager modes (Super35, Anamorphic).
Dual Base ISO (500/2500):Captures clean, noise-free images in both bright sunlight and extreme low-light environments.
15+ Stops Dynamic Range: Ensures smooth highlight roll-off and deep shadow detail for flexible HDR grading.
8-Step Internal NDs: World’s first mechanical 8-step glass ND system; allows instant exposure changes without external filters.
Rialto Extension System: Enables the sensor to be detached from the body for use in tight spaces, gimbals, or handheld rigs.
Dual-Sided Control: Intuitive menus on both sides of the camera for simultaneous operator and AC/DIT adjustments.
SOLD Cost: 12k – SOLD
(t)
Storyline Andreas H. Grimsø
andreas@storyline.no
Includes:
Sony FS7
Fujinon 20-120mm Cabrio (XK6x20) with Servo Unit
Various adapters and related accessories included in the case.The Sony FS7 (Mark I or II) paired with the Fujinon XK6x20 (20-120mm T3.5) is a classic “Gold Standard” combo for run-and-gun shooters who need that ENG-style versatility with a “cinema” look.
Why This Package Hits the Sweet Spot
The FS7 and the Fujinon 20-120mm were practically made for each other. Here’s why this kit remains relevant in 2026:
The Lens: The Fujinon 20-120mm is a parfocal lens, meaning it stays in focus while zooming. It covers a huge range, effectively replacing a bag of primes for most daylight shoots.
The Servo: If the lens includes the detachable drive unit, it allows for smooth, broadcast-style power zooms controlled directly from the FS7 handgrip.
Internal NDs: The FS7’s built-in ND filter system is legendary for speed, especially when moving between indoor and outdoor locations.
XAVC Codec: It produces 10-bit 4:2:2 files that are robust enough for heavy color grading but light enough for standard laptop editing.
Cost: TBD
Josh Fluck
fluckj450@gmail.com / +1 610-850-1767
Price Investigation:
Justcinemagear : Does not have a combo
Newlifecine: does not have a combo
R-02-02-2026
AI Says : estimated value:
Sony FS7 Body (Mk I) $1,200 – $1,800
Sony FS7 II Body $2,200 – $3,000
Fujinon 20-120mm T3.5 $5,500 – $7,500
Full Package (with accessories) $7,500 – $11,000
Hours – 4526:40
Includes:
Serial number is 30194.
Arri Alexa Mini LF SN K1.0024074-30194
Alexa Mini LF Viewfinder MVF-2 SN K2.0020916-01053
Viewfinder cable 50cm long
Arri LPL Lens Mount(fixed to camera) SN K2.0018983-1346
Arri PL to LPL Adapter
LPL Port & Back Cap
PL Port Cap
Short Aerial
Right Angle Aerial
MAP-1 Plates x 2
MAP-2A Plates x 2
MSB-2 Plate
MSB-3 Plate
BPA-4 Plate with 2 x 3/8” Screws
CSP-1 Shoulder Mount
Dovetail Plate
BP-8 Plate with 2 x 3/8” screws
Top Handle(CCH-2)
Viewfinder Bracket with 2 x short bars
RAB-1 Plate
BEBOB Battery Plate
Pair of Long 15mm Steel Bars
Pair of Short 15mm Bars
Pair of 19mm Bars
Sandisc USB Stick
Codex Reader SN 01051165 with USBC Cable
Allan Driver
24v Block Battery Power Cable
The ARRI ALEXA Mini LF is the large-format evolution of the industry-standard ALEXA Mini. It bridges the gap between the compact, lightweight body of the original Mini and the massive 4.5K sensor found in the larger ALEXA LF. Designed as a “go-anywhere” flagship, it is the primary choice for high-end feature films, premium TV series, and commercials that require a shallow depth of field and the legendary “ARRI Look.”
Key Features:
4.5K Large-Format Sensor: Features the ALEV III A2X sensor, providing a cinematic field of view and high-resolution imaging that meets 4K Netflix/streamer mandates.
Compact & Lightweight: At only 2.6 kg (5.7 lbs) for the body, it is optimized for gimbals, drones, and handheld operation.
Built-in Motorized ND Filters: Includes internal FSND filters (0.6, 1.2, 1.8) for rapid exposure control without changing external glass.
Advanced Recording: Supports internal MXF/ARRIRAW and MXF/Apple ProRes recording to high-speed Codex Compact Drives.
REVEAL Color Science: Features improved colorimetry for natural skin tones, smooth highlight roll-off, and easy color grading in post-production.
LPL Lens Mount: Optimized for large-format glass while remaining backwards compatible with PL-mount lenses via an adapter.
Cost: £31,500
(t)
Brian McCormick
brian@progressivebroadcast.com
+447846661345
The ARRI ALEXA SXT-W (Super Xtended Technology – Wireless) is a high-performance digital cinema camera that builds on the industry-standard ALEXA platform. The “W” stands for Wireless, as this model features an integrated HD video transmitter and WiFi radio, eliminating the need for bulky external transmitters and complex cabling.
It utilizes the same ALEV III sensor found in the ALEXA 65 and AMIRA, delivering the signature “organic” film-like look, 14+ stops of dynamic range, and exceptional color science that has made ARRI the choice for top-tier cinematographers.
Key Features:
Integrated Wireless Video: Built-in zero-delay (< 1ms) HD video transmitter with a range of up to 600m (2,000 ft).
Versatile Sensor Modes: Supports Open Gate, 4:3, 6:5, and 16:9 modes for anamorphic and spherical shooting.
Multiple Recording Formats: 14 in-camera recording formats, including ARRIRAW and various Apple ProRes flavors (4444 XQ, 4444, 422 HQ, etc.).
High Frame Rates: Capable of up to 120 fps in certain modes for high-quality slow motion.
Advanced Look Management: Features the same color management and noise reduction technology found in the ARRI AMIRA.
Media Compatibility: Records to SXR Capture Drives, XR Capture Drives, SxS PRO/PRO+ cards, and CFast 2.0 cards.
Streamlined Rigging: The integrated wireless system results in a smaller, lighter camera body with fewer cables, reducing the risk of technical failure on set.
Future-Proof Image Quality: Industry-leading 14+ stops of dynamic range and Rec 2020 support make it ideal for HDR (High Dynamic Range) mastering.
Interference-Free Operation: Seamlessly integrates video, WiFi, and ECS (Electronic Control System) radios without signal interference.
Efficiency on Set: Faster setup times and the ability to wirelessly manage looks and camera settings via the ALEXA Web Remote.
Rugged Reliability: Built to withstand extreme production environments, with an operating range of -20°C to +45°C.
Cost: 9,000 USD
(t)
Gaurav Gupta
gaurav.gupta@futureworks.in
+91 9819133323
1-30-2026
The ARRI ALEXA Mini LF is the industry-standard “large-format” evolution of the original ALEXA Mini. It integrates the flagship ALEV III (A2X) sensor into a compact carbon-fiber body, bridging the gap between high-end large-format aesthetics and the agility required for handheld or gimbal work.
Key Features & Benefits
Large-Format Aesthetic: Features a 4.5K sensor that provides a shallow depth of field and a wider field of view compared to Super 35, delivering an immersive, “filmic” look.
Renowned Color Science: Utilizes ARRI’s ALEV III sensor technology for natural skin tones, smooth highlight roll-off, and industry-leading colorimetry.
High Dynamic Range: Offers 14+ stops of dynamic range, making it highly versatile for HDR mastering and complex lighting scenarios.
Internal Motorized FSND Filters: Includes high-quality Full Spectrum Neutral Density filters (ND 0.6, 1.2, 1.8) for rapid exposure control without affecting color.
Versatile Recording: Supports MXF/ARRIRAW and MXF/Apple ProRes internal recording to fast, cost-efficient Codex Compact Drives.
Robust & Weatherproof: Built with a hard-wearing carbon body designed to operate in extreme temperatures ranging from -20°C to +45°C.
Enhanced Viewfinder: Pairs with the MVF-2 viewfinder, featuring a high-contrast OLED display and a 4-inch flip-out monitor for easy menu access.
The mini lf put up for $44k and make sure you put low hours and 1,100 hours
Owner
Nick Gall
R-01-30-2026
rentals@standardcamera.com
Standard Camera EMail Logo.png
(c) 310-919-6202
(o) 818-358-2842
www.standardcamera.com
12023 Vose St. Unit 23
North Hollywood, CA 91605
————-
Prices Research
Justcinemagear: 41,850 -46,750 – 42,850 – 45,850 – 41.950 – 42,500 – 45,850 – 42,750 – 45,500 – 36,750 – 37,500 – 45,950
Newlifecine: 53,500 – 52,550 – 56,900 – 44,000
Hours 1200
The RED V-RAPTOR [X] 8K VV represents the flagship of the DSMC3 generation, being the first large-format camera to feature a global shutter sensor. It merges the high frame rate and resolution of the V-RAPTOR line with the distortion-free motion capture technology originally pioneered in the KOMODO.
Key Features & Benefits
8K VV Global Shutter Sensor: Eliminates rolling shutter artifacts (jello effect) while maintaining a massive 35.4MP VistaVision canvas.
RED Global Vision: A new tool suite including Extended Highlights, which pushes dynamic range to 20+ stops for superior detail in extreme lighting.
Phantom Track: Simplifies virtual production by capturing two distinct R3D clips (e.g., green screen and background) simultaneously.
High Frame Rates: Captures up to 120 fps at 8K 17:9 and up to 600 fps at 2K 2.4:1 for extreme slow-motion versatility.
Advanced Connectivity: Features integrated 12G-SDI ports, USB-C, and support for RED Connect (8K live streaming over IP).
Compact DSMC3 Build: Weighing just over 4 lbs, it provides a portable, professional-grade body with a locking Canon RF mount.
Cost USD $ 29,000
Owner Gaurav Gupta
Gupta
FUTUREWORKS MEDIA LTD.
M :- +91 9819133323
R-01-28-26
Price investigation:
Justcinemagear: 24,850-26,750
Newlifecine: 32,400
AI says: While the original (rolling shutter) V-RAPTOR has seen a significant price drop, the [X] model remains a premium asset.
Average Used Market Pricing (USD)
Configuration Estimated Price Range
Brain Only (Body + standard accessories) $23,500 – $27,000
Starter / Essentials Pack (Monitor, media, power) $28,500 – $32,000
Full Production Kit (Cage, 2TB+ media, multiple batteries) $34,000 – $38,000+
Hours – 1259
Includes:
Licenses: High Speed. 3:4 – Premium – All Sony Licenses
1x sony venice 2 Camera, with anamorphic and full frame licenses.
1x sony venice viewfinder
1x ARRI EL-3 Eyepiece Leveler
1x Wooden Camera AIR EVF Extension Arm
1x ARRI BPA-5 Bridge Plate Adapter
1x ARRI HEX 1 (HEB-type) Handle Extension Block
1x ARRI BP-0 Bridgeplate set with 12″ Dovetail & 17.3: 19mm Rods
AR-K2.0001022- ARRI 19mm Support Rods – 17.3″ (440mm)
AR-K2.0015896- ARRI Bottom Dovetail Plate 300mm/12in
AR-K2.0031436- ARRI Bridge Plate BP-8
1x Wooden Camera A-box for sony venice
1 meanwell 280w 24vDC 3pXLR Power Supply w/ AC Cable
1 * Core 24V D-box Gold Mount f/ sony venice 1/2 (24V DC In f/ Hotswap) MKII
1x Sony 120cm VF Cable Assembly for Venice
2 Power Cable: 24v 3pXLRm to 3pXLRf 10′
1 case for Sony Venice 2, Venice2 (TT97-141)
1x Rialto 2 Extension System
1X ARRI venice rialto2 Extension Unit Basic set
6x Sony 1TB AXS S66 Memory Card
1x SanDisk Ultra SDHC-I Memory Card – 16GB
Custom Cut Camera Hard Case
TSony VENICE 2 combined with the Rialto 2 (Extension System 2) represents the pinnacle of modular cinema technology. This system allows the image sensor block to be physically detached from the camera body, enabling high-end 8.6K full-frame capture in confined spaces—like car interiors, cockpits, or tight handheld rigs—without sacrificing the camera’s industry-leading dynamic range or color science.
Key Features:
Detachable 8.6K/6K Sensor: Allows the lightweight sensor block to be separated from the main body while maintaining full image quality and frame rates.
Extended 12-Meter Range: The Rialto 2 transmits high-bandwidth data over a single cable up to 12 meters (39 feet) without the need for a repeater box.
Dual Base ISO (800/3200): Provides exceptional low-light performance and clean highlights, essential for the demanding lighting of modern sets.
Enhanced Mobility: Reduces the mounting footprint and weight of the “camera head” to just 4.6 lbs, making it ideal for gimbals, cranes, and drones.
Integrated Gyro Metadata: Built-in sensors record tilt and roll data directly into the metadata, a crucial feature for VFX-heavy productions and post-production stabilization.
Assignable Control Buttons: The extension head features four user-assignable buttons for immediate access to ND filters, Rec Start/Stop, and monitoring tools.
16 Stops of Latitude: Delivers massive dynamic range for preserving detail in extreme high-contrast lighting environments.
Cost: $65000
(r)
Brian Burgoyne
brianburgoyne@me.com
(646) 408-8188
R-01-07-2025
Hours: 2640:10
Includes:
4:3 open gate 3.4K RAW Full license
EVF with cable
Top Handle
MAP-2
BPA-4
MSB-1
BP-8
V-Lock Plate Babos
ARRI Bottom Dovetail Plate (12″ / 300mm)
15mm carbon Fiber rod 1set
TV Logic F/5A Monitor
D tap cable for monitor
Sound cable
Extreme PRO 256GB Card x 4Qty
Card Reader + Cable
External Battery cable
19mm steel rod 1set
Handheld kit with shoulder pad
Handheld fitting bracket
MAP 1 set 1
Red tool
Camera Case
The ARRI ALEXA Mini is a compact, lightweight digital cinema camera designed to complement the full-size ALEXA models, offering the same renowned image quality in a smaller, highly versatile form factor. It is particularly well-suited for specialized shots like those involving gimbals, drones, handheld rigs, and tight spaces.
Key Features:
Compact & Lightweight Design: Enables easy use on gimbals, drones, and handheld rigs, allowing for greater creative freedom and access to specialized shots.
ARRI ALEV III Sensor: Provides the same exceptional image quality as other ALEXA cameras, ensuring consistency in color science, natural skin tones, and low noise across multi-camera shoots.
14+ Stops Dynamic Range: Delivers excellent exposure latitude for outstanding detail capture in both highlights and shadows, making footage highly adaptable for HDR post-production.
In-Camera Recording: Records to CFast 2.0 cards in both Apple ProRes (up to 4K UHD) and uncompressed ARRIRAW (up to 2.8K), simplifying workflow.
Built-in Motorized ND Filters: Features internal FSND filters (0.6, 1.2, 2.1) for fast and convenient exposure control without adding bulky external filter systems.
4:3 Sensor Mode: Supports full use of anamorphic lenses with automatic de-squeeze for a cinematic widescreen look.
Integrated Lens Motor Control: Allows ARRI LBUS motors to connect directly to the lens mount, simplifying the rig and reducing the need for external control boxes.
High Frame Rate: Supports recording up to 200 fps in HD and 2K ProRes, ideal for slow-motion capture.
Cost: $20,000 USD
(t)
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Includes:
RED Komodo body (0 Hours)
2 vmount batteries
FD to RF Adapter
512GB Cfast Card
Tilta Cage
Top Handle
The RED Komodo is a compact, cinema-grade digital camera built around a 6K Super 35 global shutter sensor, delivering exceptional image quality with minimal rolling shutter artifacts. Designed for professional filmmakers who need high dynamic range, accurate color science, and a small, rugged form factor, the Komodo excels on gimbals, drones, handheld rigs, and studio productions alike while recording REDCODE RAW for maximum post-production flexibility.
Key Features
6K Super 35 Global Shutter Sensor
REDCODE RAW and ProRes recording
RF lens mount (adaptable to many mounts)
Compact, lightweight, and durable design
16+ stops of dynamic range
Built-in wireless control and monitoring
Code:
Cost $3000 USD
Date
(M)
Jimmy Tan
Company Name: NIL
Singapore
askjtp@gmail.com
+6598420411
The ARRI Alexa Plus is a production-proven digital cinema camera known for its outstanding dynamic range, natural color reproduction, and robust build. Designed for high-end filmmaking, it offers advanced features such as integrated wireless control, expanded lens metadata, and precise exposure handling. Its ergonomic design and dependable performance make it a favorite on feature films, commercials, and broadcast productions worldwide. With superior latitude and the signature ARRI image aesthetic, the Alexa Plus remains a top choice for professionals seeking cinematic quality and reliability.
Key Features
Exceptional dynamic range and color science
Integrated wireless camera and lens control
Robust, production-ready build
Comprehensive lens metadata support
Trusted ARRI workflow compatibility
Cost To Be Determined
Date: December 12, 2025
(M)
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
The RED DRAGON 6K is a professional digital cinema camera system, typically integrated into the RED EPIC or RED WEAPON camera bodies (Brains). It features a 19.4 Megapixel CMOS sensor and is highly regarded in high-end cinematic production for its massive resolution and exceptional dynamic range.
Key Features and Benefits6K Resolution & Detail: Captures motion and stills at a maximum resolution of 3$6144 \times 3160$ (19 megapixels), offering over 9 times the pixel count of 1080p HD.4
Benefit: Provides unprecedented image clarity, superior visual effects (VFX) plate quality, and extensive flexibility for reframing, cropping, or down-sampling to 4K/HD with a cleaner, sharper final image.
High Dynamic Range: Features 6$16.5+$ stops of dynamic range.7Benefit: Offers remarkable flexibility in post-production, preserving detail in both extreme highlights and deep shadows, and excelling in challenging, high-contrast lighting conditions.8
Advanced Color Science: Utilizes RED’s DRAGON color science.
Benefit: Delivers vibrant, true-to-life colors, smoother skin tones, and improved tonal variations, ensuring high-quality RAW images.
High Frame Rates: Capable of shooting up to 75 frames per second (fps) at 6K Full Format, or up to 100 fps at 6K 2.4:1.
Benefit: Allows for stunning high-resolution, high-speed, and slow-motion capture.
Modular and Compact Design: The camera body (BRAIN) is relatively compact and lightweight (around 3.3 to 5 lbs).
Benefit: Highly versatile for different setups, including gimbals, cranes, and Steadicam rigs, and compatible with RED’s Digital Stills and Motion Camera (DSMC) ecosystem of accessories.
Cost ; To Be Determined
Date: R- 12-10-2025
Owner: Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Price Research
Newlifecine.com : has one $ 5,415
Justcinemahear.com: does not have any
AI says: Estimated Average Price Range (USD)
The current average price for a used RED EPIC DRAGON 6K is generally in the range of:
$3,000 to $5,000 USD for a ready-to-shoot package in good condition.
ARRI ALEXA XT Plus (Xtended Technology Plus) is a versatile digital cinema camera, part of the widely acclaimed ALEXA family. It offers the best overall image quality known from the ALEXA line, combined with extended recording and control features. It is a highly flexible “all-rounder” camera designed for a variety of high-end productions like feature films and commercials.
Super 35 Sensor with 4:3 & Open Gate: Enables native capture for true anamorphic cinematography and provides maximum sensor area for VFX or post-production reframing/resizing.
In-Camera ARRIRAW Recording: Uses the XR Module (Xtended Recording) for recording ARRI’s highest quality, uncompressed raw format directly onto XR Capture Drives, streamlining the workflow.
High Frame Rate Capability: Records up to 120 fps in full image quality, ideal for slow-motion effects.
ProRes 4444 XQ and ProRes 3.2K: Offers the highest quality ProRes codec and a unique resolution for excellent 4K UHD up-sampling or additional post-production image manipulation.
Integrated Lens Data System (LDS): Automatically captures and stores lens metadata (focus, iris, zoom) for efficient on-set monitoring and VFX workflows.
Internal Filter Module (IFM-1): Accepts full-spectrum Neutral Density (ND) filters behind the lens, saving time, reducing weight, and maintaining neutral color balance.
Extended Electronics: Includes built-in wireless remote control for the camera and lens, tilt/roll sensors, and additional accessory ports (MON OUT, RS sockets) for increased versatility.
Cost : TBD
Date: 12/09/2025 – R
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Price Research:
Justcinemagear : 14,500
Newlifecine: 15,000 –
AI Says:
Low End (Body/Basic Kit): Listings for the ALEXA XT/XT Plus body or a very basic kit start around $4,750 – $6,000 USD (often with a high number of operating hours).
Mid-Range (XT Plus with Licenses): An ALEXA XT Plus with all licenses (4:3 Open Gate, High Speed, ARRIRAW) and some basic accessories (like an EVF) is frequently listed around $6,000 – $7,500 USD.
High End (Full Package/Low Hours): Comprehensive kits with low hours (e.g., < 1,000 hours), all licenses, multiple drives, and supporting gear (viewfinder, plates, etc.) can be listed from $10,000 – $12,000 USD or more
Includes:
Ready to shoot kit
Side bracket with wireless transmitter bracket
15mm LW rod bracket
3x 1tb cards
Roughly 1400 hrs on the clock
PL and EF mounts
Handle will be re annondised over the break.
Comes in a silver flight case.
The ARRI ALEXA Mini LF combines the compact, lightweight form factor of the ALEXA Mini with ARRI’s large-format (LF) 4.5K sensor technology. This makes it a versatile cinema camera delivering the signature ARRI image quality in a smaller, more flexible package for high-end productions
Large-Format Sensor: Features the ARRI ALEV III (A2X) sensor (slightly larger than full frame, 3$36.70 \times 25.54 \text{ mm}$) for a distinct, cinematic, large-format look with shallower depth of field and wider field of view.4
Superior Image Quality: Delivers native 5$4.5\text{K}$ resolution, exceptional natural skin tones, low noise, and an outstanding High Dynamic Range (HDR) of 14+ stops.
Compact & Robust Design: Shares the small, ergonomic, and sturdy body of the ALEXA Mini, making it ideal for gimbal, drone, handheld, and compact setups.7 It is built to operate in harsh environments (8$-20^\circ \text{C}$ to 9$+45^\circ \text{C}$).
Efficient Workflow: Records to cost-effective Codex Compact Drives in both uncompressed MXF/ARRIRAW and highly-efficient MXF/Apple ProRes formats. It supports Codex High-Density Encoding (HDE) for reduced ARRIRAW file sizes.
Integrated Features: Includes internal, motorized Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, 1.8) and the new high-contrast MVF-2 Multi Viewfinder with a flip-out monitor.
Versatile Lens Options: Comes with the ARRI LPL lens mount, compatible with the ARRI Signature Prime lenses, and can use PL-mount lenses via an adapter
COST: 69K AUD
Based on the current exchange rate, $69,000$ Australian Dollars (AUD) is approximately $45,643.50$ US Dollars (USD).
Mitch Ayers
mitch@mitch-ayers.com
12-4-2025 – R
Price Investigation : AI
Average Used Price: ARRI ALEXA Mini LF Based on worldwide listings on professional cinema equipment marketplaces and dealer sites, the average price for a Used ARRI ALEXA Mini LF Camera Package falls within the following range:Average Price RangeUSD $35,000 to $50,000 (approximately $\text{€}32,000$ to $\text{€}46,000$)
The price is highly dependent on what is included in the package, the camera’s operational hours, and its condition.
Newlifecine 53,500 – 52,550 – 56,900 – 44,000 – 52,200 – 44,000 – 49,900 – 51,000
Justcinemagear – 41,850 – 46,750 – 43,850 – 45,850 – 45,850 – 46,750 – 41.050 – 46, 650
Includes:
Arri Alexa Mini (4100 Hours)
Viewfinder
(4) 256 Cards
Card Reader
Wooden Camera Cage
The ARRI ALEXA Mini is a compact, lightweight digital cinema camera designed for high-end filmmaking, offering the renowned ARRI image quality in a versatile form factor ideal for gimbals, drones, handheld work, and tight shooting environments. Despite its small size, it delivers exceptional dynamic range, natural color reproduction, and robust build quality that make it a favorite among cinematographers for both feature films and commercial productions.
Key Features
35mm ARRI ALEV III CMOS sensor with wide dynamic range
Lightweight carbon-fiber body for flexible rigging
ProRes and ARRIRAW recording options
Interchangeable lens mounts (PL, EF, B4 options)
High-speed recording up to 200 fps
Built-in motorized ND filters
Integrated Wi-Fi for remote control and monitoring
Excellent low-light performance and color science
Cost: 10,000 EUROS
December 4, 2025
(M)
Nikolay Pavlov & Sofia
Bulgaria
+359888884276
office@infinityfilms.bg
— Adam in Whatsapp 3-4-2026:
4X 256 cards so update, cost 10k euros and sell price 14k euros
Includes:
Alexa Mini Body
Arri Raw, Look Library
MVF-1 Wiewfinder
Viewfinder Cable
Titanium PL-Mount
2x Memory Card 128GB
2x Memory Card 256GB
Side Bracket MSB-1
MAP-2
CCH-2 Handle
15mm Broadcast Plate
VLock Battery Adapter
SmallHD 701 Monitor
Monitor Cage
Sunhood
Teradek TX/RX Bolt 500
The ARRI ALEXA Mini is a compact, lightweight Super 35mm digital cinema camera. It is designed for drones, gimbals, and handheld use, built into a durable carbon-fiber body.
It features the same ALEV III sensor as the classic ALEXA, delivering industry-standard image quality (the “ARRI look”), natural skin tones, and over 14 stops of Dynamic Range.
The Mini is known for its versatility. It includes internal motorized ND filters and supports robust recording in ARRIRAW and ProRes at high frame rates (up to 200 fps). Its 4:3 sensor mode makes it perfect for anamorphic shooting.
COST : TBD Ownwer Patrick Degner
p.deg@me.com
R-11/28/25
Price Investigation:
Justcinemagear: 22,650 – 21,150 – 23,950 – 23,850 – 20,000 -18,750 – 19,990 – 21,850 – 21,500 – 25,650
Newlifecine: 24,000 – 20,000 – 25,000 – 23,500 – 30,000 – 22,000 – 20,250 – 19,000 – 19,900, etc
AI says:
Basic Kit $14,000 – $18,000 Camera Body, PL Mount, may require separate purchase of licenses (4:3, ARRIRAW) or be high-hour units (4,000+ hours).
Working Package $19,000 – $25,000 Camera Body, All Permanent Licenses (4:3, ARRIRAW, Look Library), ARRI Viewfinder (MVF-1/2), and a basic cage/rod system.
Premium Package $26,000 – $32,000+ Low-hour camera (< 1,000 hours), All Licenses, Viewfinder, Multiple CFast 2.0 Cards, Card Reader, and complete rigging (D-Box, V-mount plates, flight case).
ARRI Alexa Mini Digital Camera Set
Hours: 1,200
Includes:
Alexa Mini Camera Body
PL-Mount
ARRIRAW, 4:3 licenses
Viewfinder
Viewfinder Braket
Viewfinder Cable
Side Braket MSB-1
Side Braket MSB-2
MAP-2
CCH-2 Handle
2x Rod
Bebob V-Mount Adapter
Vocas Base Plate
2x SanDisk Memory Card 256GB
Angelbird Card Reader
The ARRI Alexa Mini is a compact, lightweight digital cinema camera built to deliver the signature ARRI image quality in a highly versatile form factor. Sharing the same ALEV III sensor as the larger Alexa models, it provides exceptional dynamic range, natural color reproduction, and reliable performance for gimbals, drones, handheld, and studio setups.
Key Features:
Compact carbon-fiber body ideal for tight spaces, drones, and gimbals
ALEV III sensor with over 14 stops of dynamic range for cinematic imaging
Records in ARRIRAW and ProRes, supporting up to 200 fps for slow motion
Motorized ND filters for fast exposure control
Interchangeable lens mounts (PL, EF, B4) for wide system compatibility
Strong metadata and wireless control support for efficient workflows
Robust, production-ready design trusted across high-end film and commercial work
EURO 21,900 FOB
MD
Patrick Degner
p.deg@me.com
11-28-2025
Includes:
ALEXA Mini Body
4:3, ARRIRAW Licenses
ALEXA Mini Viewfinder MVF-1
PL LDS Mount
EF LDS Mount
2x ALEXA Mini to MVF-1 0,75m/29in
Mini Adapter Plate MAP-1
Mini Adapter Plate MAP-2A
Mini Side Bracket MSB-1
Mini Side Bracket MSB-2
Side Accessory Bracket SAB-1
Bridge Plate Adapter
BPA-4 Rod Mounting Bracket
RMB-3 15mm Reduction Insert
Mini Viewfinder Bracket MVB-1
Center Camera Handle CCH-2
Handle Extension Block, HEB-1
Support Rods 340mm, Ø15mm
Power Extension Cable
V-Mount Battery Adapter Plate with Clip
Shoulder Pad CSP-1
Low Bracket for CSP-1
Audio Module
4x 256GB CFast Cards
CFast Reader
ARRI Handles
ARRI Extensions
ARRI ALEXA Mini is a compact, lightweight Super 35mm digital cinema camera that packs the industry-standard image quality of the larger ALEXA system into a carbon-fiber body small enough for drones, gimbals, and handheld work. Despite its small size, it features the exact same ALEV III sensor as the classic ALEXA, ensuring perfect color matching and the celebrated “ARRI look” with organic skin tones and exceptional dynamic range. It has become a staple on everything from feature films to high-end commercials due to its versatility and reliability.
ALEV III Super 35 CMOS Sensor: Utilizes the same acclaimed sensor as the larger ALEXA models, delivering natural color reproduction, low noise, and a film-like aesthetic.
Compact & Lightweight Design: Weighing roughly 5 lbs (2.3 kg), the carbon-fiber body is optimized for use on brushless gimbals, multicopters (drones), and tight shooting environments.
14+ Stops of Dynamic Range: Captures immense detail in both highlights and shadows, providing a high latitude for exposure and flexibility in color grading (Log C).
Integrated Motorized ND Filters: Features internal Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, and 2.1) that can be switched remotely, saving time on set.
Versatile Recording Formats: Supports robust recording options including ProRes 4444 XQ, and uncompressed unencrypted ARRIRAW (up to 30fps Open Gate or 48fps 2.8K) for maximum post-production control.
High Frame Rates: Capable of shooting up to 200 fps in 2K and HD ProRes for high-quality slow-motion capture.
4:3 Sensor Mode: Allows for true anamorphic shooting with dedicated de-squeeze monitoring, ideal for widescreen cinematic productions.
Interchangeable Lens Mounts: Ships typically with a titanium PL mount (with LDS support) but can be swapped for EF or B4 mounts to accommodate a wide variety of lenses.
Cost: TBD
Patrick Degner
p.deg@me.com
R-11/27/25
Prices Search
Justcinemagear: 22,650 – 21,150 – 23,950 – 23,850 – 20,000 -18,750 – 19,990 – 21,850 – 21,500 – 25,650
Newlifecine: 24,000 – 20,000 – 25,000 – 23,500 – 30,000 – 22,000 – 20,250 – 19,000 – 19,900, etc
Basic Kit $14,000 – $18,000 Camera Body, PL Mount, may require separate purchase of licenses (4:3, ARRIRAW) or be high-hour units (4,000+ hours).
Working Package $19,000 – $25,000 Camera Body, All Permanent Licenses (4:3, ARRIRAW, Look Library), ARRI Viewfinder (MVF-1/2), and a basic cage/rod system.
Premium Package $26,000 – $32,000+ Low-hour camera (< 1,000 hours), All Licenses, Viewfinder, Multiple CFast 2.0 Cards, Card Reader, and complete rigging (D-Box, V-mount plates, flight case).
Hours:
Camera (System) 3044, R7 (System) 1941
Camera (Reset) 3044, R7 (Resetable) 1941
It includes the following items:
-1x Sony Venice 1 camera (serial number 10933), PL Mount Wooden Camera.
-1x D-BOX Wooden Camera V-Lock.
-1x AXS-R7 Recorder (serial number 11265)
-1x Sony DVF-EL 200 Viewfinder (serial number 11960)
-2x cables: viewfinder + viewfinder mount + viewfinder extension for Wooden Camera
-4x AXS 512GB memory cards
-1x AXSM card reader (model AXS-AR3) + AC adapter + USB-C cable.
-1x Wooden Camera Base Plate (15mm)
-1x Wooden Camera Base Plate (19mm)
-1x Wooden Camera Handles (x4 pieces).
1x Sony Venice A-Box.
The Sony VENICE is a flagship full-frame digital cinema camera designed for high-end filmmaking, television production, and commercials. Part of Sony’s renowned CineAlta line, it bridges the gap between classic film aesthetics and modern digital workflow, offering a modular design that allows for significant customization on set. It is widely praised for its exceptional color science, skin tone rendition, and ability to handle extreme lighting conditions.
Full-Frame 6K Sensor: Captures stunning 6048 x 4032 resolution with a classic 36x24mm sensor, allowing for shallow depth of field, immersive large-format visuals, and flexibility to crop for Super35mm projects.
Dual Base ISO (500 & 2500): Provides exceptional low-light performance and clean images in diverse lighting environments without increasing noise, maximizing the 15+ stops of dynamic range.
Built-in 8-Step Mechanical ND Filters: Features a servo-controlled internal ND filter system (0.3 to 2.4) that allows cinematographers to quickly adjust exposure without changing external matte box filters, saving valuable time on set.
Interchangeable Lens Mounts: Comes with an industry-standard PL mount but offers a locking E-mount underneath, providing native compatibility with a massive range of cinema and still photography lenses.
Advanced Color Science: Exceeds the BT.2020 color space and DCI-P3 gamut, delivering natural skin tones and a soft, film-like highlight roll-off that simplifies color grading.
Multiple Recording Formats: Supports high-fidelity 16-bit X-OCN (Extended Tonal Range Original Camera Negative), RAW, XAVC, and ProRes, offering flexible workflow options from data-heavy VFX work to efficient broadcast turnarounds.
Cost: TBD
Isidro Parrondo
contacto@aksmedia.es
Mob: +34 627 115 765 / R-11/27/25
Price search:
Justcinemamgear: 24.990 – 15,650 – 19,850 – 19,000 – 19,500 – 16,850 – 21,750
Newlifecine : 24,000 – 22,000 – 18,000 – 39,000 -15,500 – 18,900 – 17,500 -15k -23k -24k
AI says:
As of late 2024 / early 2025, the average price for a used Sony VENICE 1 (6K) in the global second-hand market falls into two distinct categories:
Body Only / Basic Kit: $13,500 – $17,000 USD
Production Ready Package (with Recorder & Licenses): $22,000 – $28,000 USD
