LOMO ANAMORPHIC SET OF 5: 35,50,75,100,150

The LOMO Anamorphic Set of 5 is an exceptional and comprehensive collection of Soviet-era anamorphic cinema primes, celebrated worldwide for their distinctive optical character that delivers the classic anamorphic look — oval bokeh, sweeping horizontal lens flares, and a uniquely organic wide-aspect rendering — at a fraction of the cost of Western anamorphic alternatives. This five-lens set, spanning 35mm through 150mm, provides cinematographers with a complete anamorphic prime range covering wide-angle through medium telephoto perspectives, with the addition of the 150mm extending the set’s versatility into portraiture and telephoto territory that makes it a truly comprehensive production system. Originally manufactured for Soviet cinema productions and now widely rehoused and serviced for modern PL mount compatibility, these lenses are an outstanding choice for feature films, music videos, and commercial productions seeking authentic anamorphic character, distinctive visual storytelling, and an irreplaceable vintage optical identity on contemporary camera platforms.

Key Features:
Each lens in the set delivers the classic anamorphic look with distinctive oval bokeh, sweeping horizontal lens flares, and characteristic barrel distortion that creates an immediately cinematic and visually compelling wide-aspect image.
The five focal lengths — 35mm, 50mm, 75mm, 100mm, and 150mm — provide a comprehensive range covering wide-angle through medium telephoto perspectives, with the 150mm extending the set’s reach for portraiture, dialogue scenes, and telephoto isolation.
The anamorphic 2x squeeze factor delivers the classic 2.39:1 widescreen aspect ratio natively in-camera, providing the authentic scope look without the need for post-production desqueezing artifacts or cropping.
LOMO anamorphic lenses are renowned for their warm, organic color rendition and gentle contrast rendering, producing images with a timeless vintage cinematic quality that modern anamorphic designs struggle to replicate.
PL mount compatibility ensures seamless integration with a wide range of professional cinema cameras, including ARRI, RED, and Sony VENICE platforms, making them fully operational within modern professional production ecosystems.
All five lenses share consistent color rendition and anamorphic character, ensuring a visually cohesive and unified look when interchanging focal lengths throughout a production.
The robust Soviet-era metal barrel construction provides exceptional durability and longevity, with most sets having been professionally serviced and rehoused to meet the operational demands of contemporary professional production.