Includes:

ALEXA Mini Body
4:3, ARRIRAW Licenses
ALEXA Mini Viewfinder MVF-1
PL LDS Mount
EF LDS Mount
2x ALEXA Mini to MVF-1 0,75m/29in
Mini Adapter Plate MAP-1
Mini Adapter Plate MAP-2A
Mini Side Bracket MSB-1
Mini Side Bracket MSB-2
Side Accessory Bracket SAB-1
Bridge Plate Adapter
BPA-4 Rod Mounting Bracket
RMB-3 15mm Reduction Insert
Mini Viewfinder Bracket MVB-1
Center Camera Handle CCH-2
Handle Extension Block, HEB-1
Support Rods 340mm, Ø15mm
Power Extension Cable
V-Mount Battery Adapter Plate with Clip
Shoulder Pad CSP-1
Low Bracket for CSP-1
Audio Module
4x 256GB CFast Cards
CFast Reader
ARRI Handles
ARRI Extensions

ARRI ALEXA Mini is a compact, lightweight Super 35mm digital cinema camera that packs the industry-standard image quality of the larger ALEXA system into a carbon-fiber body small enough for drones, gimbals, and handheld work. Despite its small size, it features the exact same ALEV III sensor as the classic ALEXA, ensuring perfect color matching and the celebrated “ARRI look” with organic skin tones and exceptional dynamic range. It has become a staple on everything from feature films to high-end commercials due to its versatility and reliability.

ALEV III Super 35 CMOS Sensor: Utilizes the same acclaimed sensor as the larger ALEXA models, delivering natural color reproduction, low noise, and a film-like aesthetic.

Compact & Lightweight Design: Weighing roughly 5 lbs (2.3 kg), the carbon-fiber body is optimized for use on brushless gimbals, multicopters (drones), and tight shooting environments.

14+ Stops of Dynamic Range: Captures immense detail in both highlights and shadows, providing a high latitude for exposure and flexibility in color grading (Log C).

Integrated Motorized ND Filters: Features internal Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, and 2.1) that can be switched remotely, saving time on set.

Versatile Recording Formats: Supports robust recording options including ProRes 4444 XQ, and uncompressed unencrypted ARRIRAW (up to 30fps Open Gate or 48fps 2.8K) for maximum post-production control.

High Frame Rates: Capable of shooting up to 200 fps in 2K and HD ProRes for high-quality slow-motion capture.

4:3 Sensor Mode: Allows for true anamorphic shooting with dedicated de-squeeze monitoring, ideal for widescreen cinematic productions.

Interchangeable Lens Mounts: Ships typically with a titanium PL mount (with LDS support) but can be swapped for EF or B4 mounts to accommodate a wide variety of lenses.