The ARRI/ZEISS Master Zoom 16.5-110mm T2.6 is widely considered one of the most sophisticated cine zoom lenses ever engineered. Developed as a companion to the Master Prime series, it was designed to eliminate the traditional compromises of zoom lenses—specifically “breathing” and “ramping”—while maintaining a sharpness that rivals high-end fixed focal length lenses.
It covers the Super 35 format and is an industry favorite for high-end feature films (notably used in Poor Things and Carol) due to its nearly perfect optical performance across its entire 6.6x zoom range.
Key Features:
Constant Aperture: Maintains a fast T2.6 throughout the entire zoom range with no exposure ramping.
Zero Breathing: Virtually eliminates image shift when racking focus, a rarity for zoom lenses.
Advanced Optics: Features a radical aspherical lens element and T XP* multi-layer anti-reflection coating to minimize flare and ghosting.
Geometric Precision: Designed to produce almost zero distortion, ensuring straight lines remain straight even at wide angles or close focus.
Lens Data System (LDS): Built-in encoders communicate focal length, iris, and focus data directly to the camera for VFX and on-set monitoring.
Active Temperature Compensation: Internal mechanics adjust for temperature fluctuations to maintain focus consistency in extreme environments.
Prime Quality in a Zoom: Replaces a full set of prime lenses (16mm to 110mm) without sacrificing resolution or contrast.
Perfect Color Matching: Seamlessly intercuts with ZEISS Master Primes and Ultra Primes, maintaining a consistent “look” across a production.
Versatile Range: The 16.5mm wide end is sufficient for establishing shots, while the 110mm telephoto is ideal for intimate portraits.
Production Speed: Reduces the need for frequent lens changes, saving critical time on set while maintaining a high-performance “A-camera” look.
Cost: 25,000
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Jami Mahmood
azadfilm1@icloud.com
1-26-2026
“Feel free to call or email and make your best offer.”