RED Pro Primes (RPP) are professional-grade cinema lenses originally developed by RED Digital Cinema to meet the demands of high-resolution digital imaging. Known for their “clean” and “modern” look, they avoid the heavy character of vintage glass in favor of clinical sharpness and neutral color rendering.
The complete set typically includes focal lengths ranging from 14mm to 300mm, though the “core” set (18mm to 100mm) is most common. While they are famously heavy—often twice the weight of modern competitors—they remain a favorite in the used market for filmmakers who prioritize optical performance and mechanical reliability at an accessible second-hand price point.
Key Features and Benefits
High-Speed Uniformity: Most lenses in the series feature a fast, consistent T1.8 maximum aperture (excluding the 300mm), providing excellent low-light performance and shallow depth of field across the set.
Clinical Precision: Engineered specifically for high-resolution digital sensors (4K, 6K, and 8K), offering a sharp, high-contrast look that rivals the aesthetic of Arri/Zeiss Ultra Primes.
Minimal Breathing: Advanced optical design virtually eliminates “focus breathing,” ensuring the composition remains stable during significant focus pulls.
Standardized Mechanics: Uniform focus and iris gear positions, along with a consistent 110mm front diameter, allow for seamless lens swaps without moving follow-focus or matte box accessories.
Superior Close Focus: Designed with industry-leading minimum focus distances (as close as 4 inches for wider focal lengths), allowing for intimate, detailed shots.
Robust Build Quality: Features a professional, all-metal “tank-like” housing with 270° of focus rotation for high-precision manual control.
Full Coverage: Natively covers Super 35 formats and can cover many larger sensor formats (including up to 5.5K on certain RED sensors) with high edge-to-edge resolution.
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“Feel free to call or email and make your best offer.”
