K2.0049722 1x 360 EVO Stabilized Remote Head;
K2.0049724 1x RCP-2 EVO Remote Control Panel;
K2.0021422 1x 12 V Battery Power Cable, D-Tap, 4-pin XLR, 1.5 m/5ft;
K2.0024167 1x SRH-3 RCP Battery Mount V-Mount;
K2.0039880 1x Standard Joystick for SRH Remote Control Panel;
K0.0019595 1x Focus / Zoom Set for SRH Remote Control Panel;
KK.0039359 1x Vibration Isolator for SRH, Gen.2, Metric, Basic Set;
KK.0040049 1x ERM-2400 2.4 GHz RXD-TXD Pro Set, SRH;
K2.0033761 1x ERM Power Cable, ERM-2400 & ERM-900;
K2.0019300 1x SRH FS CAN Bus Coupler, 0.2 m/0.65ft;
K2.0019302 1x SRH FS CAN Bus Cable, 10m/32.8ft;
K2.0019301 1x SRH FS CAN Bus Cable, 25 m/82ft;
K2.0039443 1x Cam Pwr Gen.2, ALEXA 35, Mini, AMIRA, 24 V, 8-pin;
K2.0039451 1x Cam Pwr Gen.2, SONY Venice, 4-pin XLR, 24 V;
K2.0010546 1x Monitor Power, 12 V, Lemo 0B 2-pin;
K2.0019298 1x SRH Mitchell Mount, Metric;
K2.0019306 2x SRH High-Capacity Battery Power Cable, 12V/24V, 0.5m/1.64ft;
K2.0021427 1x SRH High-Capacity Battery Power Cable 24V, 3-pin XLR, 10m/33ft;
K2.0021428 1x SRH High-Capacity Battery Power Cable 12V, 4-pin XLR, 10m/33ft;
K2.0021429 1x SRH High-Capacity Battery Power Cable 24V, 3-pin XLR, 20m/33ft;
K2.0021430 1x SRH High-Capacity Battery Power Cable 12V, 4-pin XLR, 20m/33ft;
K0.0019478 1x ARRI SRH-3 Power Supply set, 600W;
K2.0019303 1x SRH Power Supply Power and Data Cable, 12 V/24 V, 20 m/65.6ft;
K2.0037205 1x Right-angled Hex Key 4mm;
K2.0037207 1x Zip bag for tools;
K2.0042681 2x TRH-2 Ring Main Cable, Long, 0,75m/29.5in;
K2.0049726 1x Case 360 EVO Stabilized Remote Head;
K2.0033400 1x DEH-1 Digital Encoder Head, Pro Set, Left Wheel, Right Rocker;
KK.0021212 1x ARRI DRW-1 Digital Remote Wheels, Two Wheels Set;
KK.0053982 1x ARRI DRW-1 Digital Remote Wheel, Single Wheel Set;
3x LBUS Cables;
K2.0049880 3x SSB-9, Counterweight Holder;
K2.0049835 1x TAB-1-Extension;
K2.0041117 1x Top Attachment Bracket TAB-1;
K2.0044225 1x SSB-4, Stabilizer Systems Bracket 4;
K2.0033574 1x Counterweight, CW-2, 300g;
K2.0033569 2x Counterweight, CW-1, 150g;
4x Counterweight 200g;
2x Counterweight 300g;
1x Counterweight Holder;
K2.0019295 1x Short QL Plate Gen2;
K2.0019294 1x Long QL Plate Gen2;
K2.0033425 1x Extra long QL Plate Gen2;
K2.0018851 1x Stabilizer Adapter Mount SAM-1 for ALEXA;
K2.0014215 1x Stabilizer Adapter Mount SAM-2 for ALEXA Mini;
K2.0038536 1x Stabilizer Plate for CBP 450mm/18in;
K2.0024508 1x Stabilizer Adapter Mount SAM-6;
K2.0039405 1x Stabilizer Adapter Mount SAM-6 450mm/18in;
K2.0039089 1x Compact Lens Support CLS-1;
K2.0038537 1x Stabilizer System Bracket SSB-2 19mm;
K2.0038618 1x Stabilizer System Bracket SSB-2 15mm;
K2.0019727 1x SRH Top Support Bracket;
K2.0019296 1x SRH Side Accessory Mounting Bracket;
K2.0033426 1x SRH Rod Support Set;
The ARRI 360 EVO Stabilized Remote Head is ARRI’s advanced, three-axis remote head designed for professional cinematography, enabling extremely dynamic and stable camera movement. It is an evolution of the SRH-360.
360° Full-Circle Roll Axis Rotation Allows for unprecedented creative shots and dynamic camera moves around the lens’s optical center.
Cross-Compatibility with TRINITY 2 Hardware Reduces investment in accessories (shares cables, brackets, SAM plates) and offers a seamless workflow and skill expansion for TRINITY 2 operators.
High Payload Capacity Supports camera packages up to 30 kg (66 lbs), accommodating a wide range of cameras, including cinematic setups with long zoom lenses.
Intuitive GUI 3.0 Runs on the same software platform as TRINITY 2, making for a fast learning curve, easy setup, and efficient on-set operation via its touchscreen remote control panel (RCP-2 EVO).
Versatile Integration and Connectivity Features LBUS connectivity for digital and metadata workflows and is focused on Unreal Engine integration to facilitate virtual production.
Robust and Flexible Design Can be mounted to various grip equipment like cranes, dollies, and vehicles, ensuring reliable performance in demanding applications.
Upgrade Path Available Allows existing SRH-360 owners to upgrade their systems to the full 360 EVO specifications.
Owner : Ricardo Esteves from IMAGEM
imagem@showreel.pt
Portugal
R-12/02/2025
Prices Investigation :
Newlifecine: does not have it
justcinemagear.com : does not have it
AI says :: Average Used Price of ARRI 360 EVO Stabilized Remote Head
Based on current listings and market information in the film and digital video gear industry, the ARRI 360 EVO Stabilized Remote Head is a very recent and high-end piece of equipment.
The average market price for a used ARRI 360 EVO Stabilized Remote Head package appears to fall within the approximate range of:
$55,000 to $116,000 USD
Key Market Observations:
New Price Benchmark: The new ARRI 360 EVO Basic Set (which typically does not include the mandatory joystick/controller set, but does include the head and RCP-2 EVO panel) is listed at a retail price of around $82,100 USD (or the Euro equivalent).
he ARRI M18 Hi-Speed Ballast is a key component of the ARRI M18 HMI lighting system, designed to power the lamphead with advanced features for professional film and video production. Here’s a general overview of its key information:
Primary Function
The ballast is an electronic power supply that operates with a variety of ARRI HMI lampheads, including the M18, M8, and True Blue D5 and D12. It’s specifically optimized for the 1800W HMI lamp used in the M18 fixture, but it can also power lamps ranging from 575W to 1800W.
Key Features
High-Speed Operation: The “Hi-Speed” designation refers to its ability to operate at high lamp frequencies (up to 1200 Hz). This is crucial for capturing flicker-free images, even with high-speed digital cameras shooting at frame rates of 1000 fps and beyond. This makes it ideal for special effects, commercials, sports, and other applications that require high frame rate photography.
AutoScan: This feature provides fully automatic control of the ballast’s frequency. It scans the lamp frequency to select and set the optimal frequency for stable, consistent light output, which is especially important for high-speed shooting.
Active Line Filter (ALF): ALF improves the ballast’s power factor, making it more efficient and less prone to fluctuations from the power supply. This ensures a consistent and stable light output.
Compensation of Cable Losses (CCL): This system automatically adjusts the power supplied to the lamp to compensate for electrical losses over long head-to-ballast cables. This ensures the lamp receives full power even when using cables up to 100 meters (328 ft) long.
DMX Control: The ballast supports DMX512, allowing for remote control of the fixture’s settings. Users can dim the light (50-100%), turn it on/off, and adjust the operating mode and frequency via a DMX system.
Multiple Operating Modes: The ballast offers various modes to suit different shooting scenarios, including:
High-Speed: For flicker-free high frame rate shooting.
Low Noise: For quiet operation in sound-sensitive environments.
Standard: A typical operating mode.
AutoScan: For automatic frequency optimization.
Automatic Lamp and Wattage Detection: The ballast can automatically detect the wattage and type of the connected lamphead, simplifying setup and ensuring proper operation.
General Specifications
Supported Wattages: 575W, 800W, 1200W, and 1800W.
Lamp Frequencies:
Low Noise: 50/60 Hz
Standard: 75 Hz
High Speed: 300 Hz (270-360 Hz range) and 1000 Hz (900-1200 Hz range)
Power Factor: cos φ 0.98
Dimming: 50-100%
DMX: 5-pin XLR input/output, 3 DMX channels.
Input Voltage: 90-130 VAC or 180-250 VAC.
The ARRI M18 Hi-Speed Ballast is a robust and sophisticated piece of equipment that provides filmmakers with a powerful and highly controllable lighting solution, particularly for scenarios that demand impeccable image quality at high frame rates.
Cost 7 000 EUR / 30 000 PLN
Pozdrawiam/Best Regards
Mr. Wacław Mączyński
2K4K film rental
tel.: +48 789 076 844
mail: waclaw@2k4k.pl
2k4k.eu | facebook
R- 08/07/2025
The O’Connor 2575D is a flagship fluid head renowned in the professional film and video industry for its robust build and exceptionally smooth, precise operation. It’s designed to handle heavy camera payloads, making it a go-to choice for cinema-style shooting.
Key Features and Benefits:
High Payload Capacity: Supports professional film and large digital cinema cameras up to 90 lbs (40.8 kg), with some configurations handling even more at closer centers of gravity.
Sinusoidal Counterbalance System: Offers true, accurate, and continuously variable counterbalance across the entire tilt range, ensuring perfect balance at any angle. This makes balancing heavy rigs effortless and precise.
Stepless Fluid Drag: Provides ultra-smooth, infinitely adjustable pan and tilt fluid drag, allowing for consistent and controlled camera movements essential for cinematic shots.
Ergonomic Design: Controls are intuitively placed on the operator’s side (left) for easy access and efficient workflow.
Versatile Mounting Options: Comes with or is compatible with Mitchell base and 150mm ball base adapters, offering flexibility for various tripods and dollys.
Quick Release Platform: Features a Euro-style quick release platform with a one-touch safety catch for rapid and secure mounting/dismounting of camera rigs.
Illuminated Bubble Level: Facilitates quick and accurate leveling, even in low-light conditions.
Durable Construction: Built to withstand the rigors of professional production environments, ensuring long-term reliability.
Roberto please work on gettin these posted and done
This is Ian – 718-755-5483
our cost $12k, post for $15k
06-26-2025
The ARRI SkyPanel X22 is a next-generation, all-weather LED panel system designed for professional lighting applications.
Key Features and Benefits:
Modular Design:
Offers native soft and hard light capabilities.
Scalable system for various configurations (X21, X22, X23).
All-Weather Durability:
IP66 rated for resistance to rain, storms, and high-pressure washing.
Superior Light Quality:
Exceptional color rendition and dimming performance.
RGBACL full-spectrum color engine.
Wide CCT range (1,500 K – 20,000 K).
High Output and Beam Control:
Powerful output for medium to long throws.
HyPer Optics for a brighter, rounded beam.
Advanced Control:
Multiple control options, including DMX, wireless CRMX, and Bluetooth.
integrated control panel.
Pixel control:
16 pixel zones.
Cost : To be determined with Adam and owner
Sell Price determined by Fred via Whasapp
Owner : John from Undercurrent – Adam Fox
Key features and benefits:
High payload capacity: Supports heavy cinema cameras and lenses.
Wireless operation: Eliminates the need for cables and power conditioners.
High-speed capability: Can reach speeds of up to 100 mph.
Stable shots: Advanced stabilization technology ensures smooth footage even in challenging environments.
Versatile mounting options: Can be mounted on a variety of platforms.
Owner : Avi Cohen – +1 (785) 313-0311
mravicohen@gmail.com
Cost: To be determined
(R) 02-17-2025
SOLD
Wireless control: Enables precise navigation from up to 200m outdoors and 20m indoors.
Removable column: Offers convenient transportation and versatile shooting options.
Multifunctional turnstile: Provides enhanced stability, flexibility, and range of motion.
Ergonomic seating: Ensures operator comfort with adjustable height and distance.
Leading driving stability: Delivers smooth camera movement for professional results.
Multiple wheel settings: Adapts to various terrains with different steering modes and wheel types.
Smart electronics: Features modes for ideal operation, including replay and target positions.
Telescopic steering: Allows ergonomic operation with backlash-free connection.
Our cost is $22k for this dolly located in our office in Hong Kong
R -02-03-2025
Includes:
P+S Technik Lens Projector
Stand
Power Cable
PL Mount
LPL Mount
Canon EF Mount
Leica M Mount
Key Features and Benefits:
Image Projection: Allows for the visualization of lens performance on a larger scale.
Lens Evaluation: Enables precise assessment of focus, sharpness, distortion, and other optical characteristics.
Quality Control: Aids in identifying and resolving lens issues before or during production.
Versatility: Compatible with a wide range of lenses, including cine, still, and vintage lenses.
Portability: Compact and easily transportable for on-location testing.
Words or the owner: “It works perfectly and is in excellent condition. I am the only owner and it was purchased new directly from P+S Tecnik.”
(r) Cost $4000 – 12-27-2024
Mark LaFleur- Mark OFG <mark@oldfastglass.com>
Sun Valley, CA 91352
Office: 747-223-2343
After Hours: 323-915-0144
The Ghost 2 is more than just an automotove camera crane; it’s a testament to our relentless pursuit of innovation and our unwavering commitment to empowering filmmakers. Building upon the groundbreaking success of its predecessor, the Ghost 2 redefines what’s possible in action cinematography, offering a unique blend of power, precision, and adaptability.
At its core, the Ghost 2 is a marvel of engineering. Its meticulously crafted turret, machined from a single block of aluminum, houses powerful custom-designed motors and robust gearboxes that drive its fluid movements. The crane’s innovative “broken tail” design, featuring a heavy-duty shock absorber, isolates the counterbalance from the boom, allowing for unparalleled stabilization and responsiveness.
This decoupled design empowers the Ghost 2’s dual gyro-driven motor feedback system to focus solely on stabilizing the boom and payload, effectively transforming the crane’s nose into a virtual gimbal. This results in exceptionally smooth footage, even during high-speed maneuvers and challenging off-road conditions.
The Ghost 2 is more than just a technical marvel; it’s a tool designed to adapt to your unique vision. Choose between the compact and agile Mini Tail, perfect for navigating tight spaces, or the robust Long Tail, engineered for heavier payloads and extended reach. Sculpting some finality into the Gost, the Carbon Turret and Carbon Tail, enhances both its visual impact and its resilience in demanding environments.
The key advantage of the Ghost 2 lies in its remarkable power-to-weight ratio. Weighing in at half the mass of its competitors, the Ghost 2 is a mini-crane that punches above its weight, delivering exceptional performance without sacrificing agility or maneuverability.
With it’s swappable control modules, services at your fingertips, the Ghost 2 minimizes downtime and ensures effortless maintenance. Should any issue arise, a replacement set can be shipped overnight, allowing you to get back to capturing those critical shots without delay.
The Ghost 2 isn’t just a crane; it’s an extension of your creativity, a tool that empowers you to push boundaries and achieve the impossible. It’s a testament to our belief that innovation should serve the art of filmmaking, enabling you to tell your stories with unparalleled freedom and precision.
sale price is $150K. Our commission is 15K (maybe 20K) for now put our cost at 135K / Avi Cohen / USA / (785) 313-0311
Note:With carbon fiber legs and hard case
Smooth and Precise Fluid Head: Enables effortless pan and tilt movements, ensuring smooth camera transitions.
Robust Carbon Fiber Tripod: Lightweight yet incredibly strong, providing stability for heavy camera setups.
Versatile Height Adjustment: Accommodates various shooting scenarios, from low-angle shots to high-angle perspectives.
Innovative Counterbalance System: Maintains perfect balance, even with heavy payloads, reducing operator fatigue.
Ergonomic Design: Comfortable and intuitive controls for efficient operation.
Cost $6500 USD
November 5, 2024
(R)
Vahid Emadzedeh
Canuck Camera Corp
Canada
Phone Number :+1 4164174363
Email :info@ccc.camera
Smooth and precise movements: O’Connor’s patented fluid drag system ensures effortless panning and tilting.
Accurate balancing: The sinusoidal counterbalance mechanism provides precise weight distribution for optimal control.
Durability and reliability: Built to withstand the rigors of professional use, O’Connor heads are known for their longevity.
Versatility: Compatible with a wide range of cameras and accessories, O’Connor heads can be adapted to various shooting scenarios.
Euros 6500 23sept24 R Deniz April R Austria ATU 808 98 646 produktion@april-april.com
