The Sachtler Studio II 7+7 is a legendary, heavy-duty fluid head designed for high-end cinema and broadcast applications. Renowned for its “rock-solid” build quality, it is a staple in the film industry for supporting large-scale camera packages, including the Arri Alexa, Sony Venice, and various RED systems. It utilizes a 150mm bowl base, providing a stable platform for heavy configurations while maintaining the smooth, precise movement Sachtler is known for.
Features:
7-Step Drag System: Features 7 repeatable levels of fluid drag for both pan and tilt, plus a “zero” setting for free movement.
High Payload Capacity: Supports equipment weighing up to 50kg (110 lbs), making it ideal for studio builds with long lenses and heavy accessories.
150mm Bowl Mount: Provides maximum stability and industry-standard compatibility with heavy-duty tripods and pedestals.
Tilt Range: Offers a generous tilt range of +90° to -60° (some variants up to ±75°), allowing for extreme vertical angles.
Touch & Go Quick Release: Employs Sachtler’s classic “Touch & Go” plate system for rapid, secure camera mounting and removal.
Integrated Leveling: Includes an illuminated spirit bubble for easy leveling in low-light environments.
cost: TBD
(J)
Marko Procházka
Slovakia
marko@filmsupport.sk
1-13-2026
Includes:
– Arri Lcube1
– Lcube bracket
– serial cable 40cm
ARRI LCUBE CUB-1 is a miniature, multi-purpose signal converter designed to bridge the gap between different communication standards in a cinema camera ecosystem. It primarily functions as a translator between LBUS (used by ARRI’s electronic control system) and serial protocols (RS232, RS422, RS485), making it an essential tool for integrating third-party accessories and rangefinders with ARRI and non-ARRI camera bodies.
Key Features and Benefits
Bidirectional Protocol Conversion: Seamlessly converts LBUS to serial and vice versa, allowing devices from different ecosystems to “talk” to one another.
Rangefinder Integration: Enables ultrasonic distance measures like the ARRI UDM-1 or Cine Tape to deliver real-time distance readouts directly to the Hi-5 or WCU-4 hand units.
Third-Party Camera Control: Allows ARRI Master Grips to trigger Start/Stop and control user buttons on cameras from RED, Sony, and others via specific adapter cables.
Compact & Lightweight: At only 47g, it adds negligible weight to the camera rig, making it ideal for gimbal or handheld configurations.
Daisy-Chainable: Features two LBUS connectors, allowing it to be easily integrated into an existing chain of cforce motors without requiring extra ports.
Integrated Mounting: Includes a built-in dovetail compatible with the LCUBE Bracket or standard 15mm/19mm rod clamps for secure attachment.
Status LED: A multi-colored LED provides instant visual feedback on the device’s setup and connection status.
Cost: 1150€
atelier cinéma
atelierducinemabxl@gmail.com
R-01-12-2026
Price Investigation:
Newlifecine : does not have one
Justcienamgear ; does not have one
AI says: Based on current listings in the global second-hand cinematography market, the ARRI LCUBE CUB-1 remains a high-demand accessory with a very stable resale value. Because it is a critical “bridge” component for ARRI ecosystems, it typically retains 70–85% of its original retail value.
The average price for a used ARRI LCUBE CUB-1 generally ranges between $750 and $1,000 USD.
The ARRI CLM-4 (Controlled Lens Motor) is a robust and versatile lens motor designed for professional cinematography. It serves as a middle-ground workhorse in ARRI’s Electronic Control System (ECS), offering a balance of high torque and quiet operation. Unlike the LBUS-based cforce motors, the CLM-4 uses a standard CLM connection, making it the primary choice for legacy systems like the ALEXA Plus and universal motor controllers.
Key Features and Benefits
Modular Design: The motor unit, gears, cables, and brackets are all independent, allowing for easy maintenance and flexible rigging.
Quiet & High Torque: Powerful enough to drive stiff vintage glass while remaining silent enough for dialogue-heavy scenes.
Flexible Gear Placement: Drive gears can be attached to either side of the motor, allowing it to be mounted above or below the lens in tight camera configurations.
Broad Compatibility: Works seamlessly with ARRI UMC-4, SMC-1, and WCU-4 controllers, as well as Alexa Plus and Studio camera bodies.
Interchangeable Gears: Supports multiple gear mods (0.8, 0.6, 0.5, and 0.4) to accommodate standard Cine lenses as well as ENG-style lenses.
Universal Mounting: Features a clamp that fits both 19mm and 15mm rods via an included insert.
cost: 1600 EURO
Marko Procházka
marko@filmsupport.sk
R-01-07-26
Price Investigation:
Newlifecine: WUC4 $ 9,000
Justcinemagear: Wireless kit 13,650 dollars – 7,250 dollars – 9,650 dollars
AI says:
In the global second-hand market for 2026, the ARRI CLM-4 Motor continues to hold significant value due to its durability and high-torque performance. While the newer cforce motors are more common for compact setups, the CLM-4 remains the standard for larger studio builds and legacy ARRI systems.
The average price for a used ARRI CLM-4 motor unit typically ranges from $900 to $1,800 USD (€850 to €1,700), depending on the included accessories (gears, cables, and brackets).
Average Used Market Pricing
Model / Condition Estimated Used Price Range (USD) Estimated Used Price Range (EUR)
Motor Unit Only $900 – $1,100 €850 – €1,050
Basic Set (1 Gear + Cable) $1,200 – $1,500 €1,150 – €1,400
Full Kit (4 Gears + Bracket + Case) $1,600 – $1,900 €1,500 – €1,800
ARRI Certified Pre-Owned (CPO) $2,000 – $2,300 €1,900 – €2,150
ARRI UMC-4 (Universal Motor Controller) is a sophisticated, three-channel motor controller designed to bridge the gap between various cameras and ARRI’s electronic control system (ECS). It provides complete remote control of focus, iris, and zoom on nearly any camera and lens combination.
Universal Compatibility: Works with ARRI, Sony, Canon, RED, and Panavision cameras, allowing for a standardized workflow across different platforms.
Three-Channel Control: Supports up to three lens motors (Focus, Iris, and Zoom) simultaneously.
LDS Integration: Equipped with Lens Data System (LDS) technology, which transmits lens metadata (focal length, T-stop, focus distance) to the viewfinder or recording media.
Wireless Reliability: Utilizes the white-coded radio module for high-speed, long-range wireless communication with ARRI hand units like the WCU-4 or Hi-5.
Internal Recording: Features an SD card slot for logging lens metadata, which is invaluable for high-end VFX and post-production tracking.
Timecode Support: Built-in timecode clock ensures frame-accurate synchronization between lens data and camera footage.
cost: 1700 euro
Marko Procházka
marko@filmsupport.sk
—
Price investigation :
newlifecine: 2 Motors : $ 15,200
justcinemagear: has three WCU-4 Wireless Kit: $ 13, 650 / 7,250 / 9,650
AI says :
Standalone Unit (Used)$2,400 – $3,500
ARRI Certified Pre-Owned (Unit Only)$4,500 – $5,000
Full Kit (Unit + Motors + WCU-4 Hand Unit)$12,000 – $19,000
R-12-30-25
K2.0049722 1x 360 EVO Stabilized Remote Head;
K2.0049724 1x RCP-2 EVO Remote Control Panel;
K2.0021422 1x 12 V Battery Power Cable, D-Tap, 4-pin XLR, 1.5 m/5ft;
K2.0024167 1x SRH-3 RCP Battery Mount V-Mount;
K2.0039880 1x Standard Joystick for SRH Remote Control Panel;
K0.0019595 1x Focus / Zoom Set for SRH Remote Control Panel;
KK.0039359 1x Vibration Isolator for SRH, Gen.2, Metric, Basic Set;
KK.0040049 1x ERM-2400 2.4 GHz RXD-TXD Pro Set, SRH;
K2.0033761 1x ERM Power Cable, ERM-2400 & ERM-900;
K2.0019300 1x SRH FS CAN Bus Coupler, 0.2 m/0.65ft;
K2.0019302 1x SRH FS CAN Bus Cable, 10m/32.8ft;
K2.0019301 1x SRH FS CAN Bus Cable, 25 m/82ft;
K2.0039443 1x Cam Pwr Gen.2, ALEXA 35, Mini, AMIRA, 24 V, 8-pin;
K2.0039451 1x Cam Pwr Gen.2, SONY Venice, 4-pin XLR, 24 V;
K2.0010546 1x Monitor Power, 12 V, Lemo 0B 2-pin;
K2.0019298 1x SRH Mitchell Mount, Metric;
K2.0019306 2x SRH High-Capacity Battery Power Cable, 12V/24V, 0.5m/1.64ft;
K2.0021427 1x SRH High-Capacity Battery Power Cable 24V, 3-pin XLR, 10m/33ft;
K2.0021428 1x SRH High-Capacity Battery Power Cable 12V, 4-pin XLR, 10m/33ft;
K2.0021429 1x SRH High-Capacity Battery Power Cable 24V, 3-pin XLR, 20m/33ft;
K2.0021430 1x SRH High-Capacity Battery Power Cable 12V, 4-pin XLR, 20m/33ft;
K0.0019478 1x ARRI SRH-3 Power Supply set, 600W;
K2.0019303 1x SRH Power Supply Power and Data Cable, 12 V/24 V, 20 m/65.6ft;
K2.0037205 1x Right-angled Hex Key 4mm;
K2.0037207 1x Zip bag for tools;
K2.0042681 2x TRH-2 Ring Main Cable, Long, 0,75m/29.5in;
K2.0049726 1x Case 360 EVO Stabilized Remote Head;
K2.0033400 1x DEH-1 Digital Encoder Head, Pro Set, Left Wheel, Right Rocker;
KK.0021212 1x ARRI DRW-1 Digital Remote Wheels, Two Wheels Set;
KK.0053982 1x ARRI DRW-1 Digital Remote Wheel, Single Wheel Set;
3x LBUS Cables;
K2.0049880 3x SSB-9, Counterweight Holder;
K2.0049835 1x TAB-1-Extension;
K2.0041117 1x Top Attachment Bracket TAB-1;
K2.0044225 1x SSB-4, Stabilizer Systems Bracket 4;
K2.0033574 1x Counterweight, CW-2, 300g;
K2.0033569 2x Counterweight, CW-1, 150g;
4x Counterweight 200g;
2x Counterweight 300g;
1x Counterweight Holder;
K2.0019295 1x Short QL Plate Gen2;
K2.0019294 1x Long QL Plate Gen2;
K2.0033425 1x Extra long QL Plate Gen2;
K2.0018851 1x Stabilizer Adapter Mount SAM-1 for ALEXA;
K2.0014215 1x Stabilizer Adapter Mount SAM-2 for ALEXA Mini;
K2.0038536 1x Stabilizer Plate for CBP 450mm/18in;
K2.0024508 1x Stabilizer Adapter Mount SAM-6;
K2.0039405 1x Stabilizer Adapter Mount SAM-6 450mm/18in;
K2.0039089 1x Compact Lens Support CLS-1;
K2.0038537 1x Stabilizer System Bracket SSB-2 19mm;
K2.0038618 1x Stabilizer System Bracket SSB-2 15mm;
K2.0019727 1x SRH Top Support Bracket;
K2.0019296 1x SRH Side Accessory Mounting Bracket;
K2.0033426 1x SRH Rod Support Set;
The ARRI 360 EVO Stabilized Remote Head is ARRI’s advanced, three-axis remote head designed for professional cinematography, enabling extremely dynamic and stable camera movement. It is an evolution of the SRH-360.
360° Full-Circle Roll Axis Rotation Allows for unprecedented creative shots and dynamic camera moves around the lens’s optical center.
Cross-Compatibility with TRINITY 2 Hardware Reduces investment in accessories (shares cables, brackets, SAM plates) and offers a seamless workflow and skill expansion for TRINITY 2 operators.
High Payload Capacity Supports camera packages up to 30 kg (66 lbs), accommodating a wide range of cameras, including cinematic setups with long zoom lenses.
Intuitive GUI 3.0 Runs on the same software platform as TRINITY 2, making for a fast learning curve, easy setup, and efficient on-set operation via its touchscreen remote control panel (RCP-2 EVO).
Versatile Integration and Connectivity Features LBUS connectivity for digital and metadata workflows and is focused on Unreal Engine integration to facilitate virtual production.
Robust and Flexible Design Can be mounted to various grip equipment like cranes, dollies, and vehicles, ensuring reliable performance in demanding applications.
Upgrade Path Available Allows existing SRH-360 owners to upgrade their systems to the full 360 EVO specifications.
Owner : Ricardo Esteves from IMAGEM
imagem@showreel.pt
Portugal
R-12/02/2025
Prices Investigation :
Newlifecine: does not have it
justcinemagear.com : does not have it
AI says :: Average Used Price of ARRI 360 EVO Stabilized Remote Head
Based on current listings and market information in the film and digital video gear industry, the ARRI 360 EVO Stabilized Remote Head is a very recent and high-end piece of equipment.
The average market price for a used ARRI 360 EVO Stabilized Remote Head package appears to fall within the approximate range of:
$55,000 to $116,000 USD
Key Market Observations:
New Price Benchmark: The new ARRI 360 EVO Basic Set (which typically does not include the mandatory joystick/controller set, but does include the head and RCP-2 EVO panel) is listed at a retail price of around $82,100 USD (or the Euro equivalent).
he ARRI M18 Hi-Speed Ballast is a key component of the ARRI M18 HMI lighting system, designed to power the lamphead with advanced features for professional film and video production. Here’s a general overview of its key information:
Primary Function
The ballast is an electronic power supply that operates with a variety of ARRI HMI lampheads, including the M18, M8, and True Blue D5 and D12. It’s specifically optimized for the 1800W HMI lamp used in the M18 fixture, but it can also power lamps ranging from 575W to 1800W.
Key Features
High-Speed Operation: The “Hi-Speed” designation refers to its ability to operate at high lamp frequencies (up to 1200 Hz). This is crucial for capturing flicker-free images, even with high-speed digital cameras shooting at frame rates of 1000 fps and beyond. This makes it ideal for special effects, commercials, sports, and other applications that require high frame rate photography.
AutoScan: This feature provides fully automatic control of the ballast’s frequency. It scans the lamp frequency to select and set the optimal frequency for stable, consistent light output, which is especially important for high-speed shooting.
Active Line Filter (ALF): ALF improves the ballast’s power factor, making it more efficient and less prone to fluctuations from the power supply. This ensures a consistent and stable light output.
Compensation of Cable Losses (CCL): This system automatically adjusts the power supplied to the lamp to compensate for electrical losses over long head-to-ballast cables. This ensures the lamp receives full power even when using cables up to 100 meters (328 ft) long.
DMX Control: The ballast supports DMX512, allowing for remote control of the fixture’s settings. Users can dim the light (50-100%), turn it on/off, and adjust the operating mode and frequency via a DMX system.
Multiple Operating Modes: The ballast offers various modes to suit different shooting scenarios, including:
High-Speed: For flicker-free high frame rate shooting.
Low Noise: For quiet operation in sound-sensitive environments.
Standard: A typical operating mode.
AutoScan: For automatic frequency optimization.
Automatic Lamp and Wattage Detection: The ballast can automatically detect the wattage and type of the connected lamphead, simplifying setup and ensuring proper operation.
General Specifications
Supported Wattages: 575W, 800W, 1200W, and 1800W.
Lamp Frequencies:
Low Noise: 50/60 Hz
Standard: 75 Hz
High Speed: 300 Hz (270-360 Hz range) and 1000 Hz (900-1200 Hz range)
Power Factor: cos φ 0.98
Dimming: 50-100%
DMX: 5-pin XLR input/output, 3 DMX channels.
Input Voltage: 90-130 VAC or 180-250 VAC.
The ARRI M18 Hi-Speed Ballast is a robust and sophisticated piece of equipment that provides filmmakers with a powerful and highly controllable lighting solution, particularly for scenarios that demand impeccable image quality at high frame rates.
Cost 7 000 EUR / 30 000 PLN
Pozdrawiam/Best Regards
Mr. Wacław Mączyński
2K4K film rental
tel.: +48 789 076 844
mail: waclaw@2k4k.pl
2k4k.eu | facebook
R- 08/07/2025
The O’Connor 2575D is a flagship fluid head renowned in the professional film and video industry for its robust build and exceptionally smooth, precise operation. It’s designed to handle heavy camera payloads, making it a go-to choice for cinema-style shooting.
Key Features and Benefits:
High Payload Capacity: Supports professional film and large digital cinema cameras up to 90 lbs (40.8 kg), with some configurations handling even more at closer centers of gravity.
Sinusoidal Counterbalance System: Offers true, accurate, and continuously variable counterbalance across the entire tilt range, ensuring perfect balance at any angle. This makes balancing heavy rigs effortless and precise.
Stepless Fluid Drag: Provides ultra-smooth, infinitely adjustable pan and tilt fluid drag, allowing for consistent and controlled camera movements essential for cinematic shots.
Ergonomic Design: Controls are intuitively placed on the operator’s side (left) for easy access and efficient workflow.
Versatile Mounting Options: Comes with or is compatible with Mitchell base and 150mm ball base adapters, offering flexibility for various tripods and dollys.
Quick Release Platform: Features a Euro-style quick release platform with a one-touch safety catch for rapid and secure mounting/dismounting of camera rigs.
Illuminated Bubble Level: Facilitates quick and accurate leveling, even in low-light conditions.
Durable Construction: Built to withstand the rigors of professional production environments, ensuring long-term reliability.
Roberto please work on gettin these posted and done
This is Ian – 718-755-5483
our cost $12k, post for $15k
06-26-2025
The ARRI SkyPanel X22 is a next-generation, all-weather LED panel system designed for professional lighting applications.
Key Features and Benefits:
Modular Design:
Offers native soft and hard light capabilities.
Scalable system for various configurations (X21, X22, X23).
All-Weather Durability:
IP66 rated for resistance to rain, storms, and high-pressure washing.
Superior Light Quality:
Exceptional color rendition and dimming performance.
RGBACL full-spectrum color engine.
Wide CCT range (1,500 K – 20,000 K).
High Output and Beam Control:
Powerful output for medium to long throws.
HyPer Optics for a brighter, rounded beam.
Advanced Control:
Multiple control options, including DMX, wireless CRMX, and Bluetooth.
integrated control panel.
Pixel control:
16 pixel zones.
Cost : To be determined with Adam and owner
Sell Price determined by Fred via Whasapp
Owner : John from Undercurrent – Adam Fox
Key features and benefits:
High payload capacity: Supports heavy cinema cameras and lenses.
Wireless operation: Eliminates the need for cables and power conditioners.
High-speed capability: Can reach speeds of up to 100 mph.
Stable shots: Advanced stabilization technology ensures smooth footage even in challenging environments.
Versatile mounting options: Can be mounted on a variety of platforms.
Owner : Avi Cohen – +1 (785) 313-0311
mravicohen@gmail.com
Cost: To be determined
(R) 02-17-2025
SOLD
Wireless control: Enables precise navigation from up to 200m outdoors and 20m indoors.
Removable column: Offers convenient transportation and versatile shooting options.
Multifunctional turnstile: Provides enhanced stability, flexibility, and range of motion.
Ergonomic seating: Ensures operator comfort with adjustable height and distance.
Leading driving stability: Delivers smooth camera movement for professional results.
Multiple wheel settings: Adapts to various terrains with different steering modes and wheel types.
Smart electronics: Features modes for ideal operation, including replay and target positions.
Telescopic steering: Allows ergonomic operation with backlash-free connection.
Our cost is $22k for this dolly located in our office in Hong Kong
R -02-03-2025
