F-stops

Used / Pre-owned / New Digital Cinema Marketplace

Main Office

FJS International
1830 Radius Drive # 1314
Hollywood, FL 33020 USA
Tel: +1-954-600-6659
[email protected]

Los Angeles office

4131 Vanowen St 1st Floor
Burbank, CA 91505
Tel: +1 954-600-6659 "text or call"
[email protected]

West Palm Beach office

6586 Hypoluxo Road
Lake Worth, FL., 33467
Tel: +1 954-600-6659 "text or call"
[email protected]

European Office Slovakia

Gorkeho 10
Bratislava 81101 Slovakia
Tel: +39 392 887 7764 [email protected]

European Office Italy

Piazza Primo Maggio 2
Pregnana Milanese (MI). Italy
Tel: +39 392 887 7764 [email protected]

London Office

13 Shield Dr,
Brentford TW8 9EX,
United Kingdom
Tel: +1-954-600-6659

SELL YOUR GEAR WITH US

CLICK ON SPECIFIC PRODUCT CATEGORY TO DOWNLOAD FORM

Latín América Office:

Jr. J. Ramón Pizarro
#112 Lima 21, Peru
Tel: +51 902381589
[email protected]

Marcelo Doblado: Digital Marketing and Communications Coordinator
[email protected]

FJS Asia Office:

DD102, LOT2588 KA LUNG ROAD SAN TIN YUEN LONG.N.T, Hongkong
Tel: +8615011304502
[email protected]

WHEN RESULTS SHOW, CLICK TITLE IN RED FOR COMPLETE INFO

OUR INVENTORY

A complete list of everything we have for sale.

Photo Lenses for Video: Can Your Camera Kit Do Both?

Yes, you can use photo lenses for video! Discover the pros, cons, and essential tips for seamless cinematic integration with your existing gear.

Cine vs. Photo: Lenses Optimized for Video

While all lenses capture light, some are purpose-built for filmmaking. Explore the features and benefits of lenses specifically designed for video.

Cinema vs. Photography Lenses: Decoding the Difference Between Masters of Still and Motion

Capturing a fleeting moment or weaving a captivating narrative – both photography and filmmaking rely on light and glass to translate reality into art.

New, Pre owned and used vintage lenses, spherical lenses, S35mm lenses, full frame lenses, anamorphic lenses, film cameras, video cameras, digital video cameras, Arri lenses, Zeiss lenses, Angenieux lenses, Illumina lenses, Lomo lenses, Super Baltar lenses, Cooke lenses, GL Optics lenses, Atlas lenses, Schneider lenses, Sigma lenses, Tokina lenses, Super speed lenses, Fujinon lenses,Canon lenses,Alura lenses, Master Prime lenses, Ultra Prime lenses, Elite lenses, Xenar lenses, Xenon lenses, Zeiss standard prime lenses, Canon K35 lenses, Arri Signature Prime lenses, Zeiss Supreme lenses, Thalia lenses, CNE lenses, Summicron lenses, Summilux lenses, Master Anamorphic lenses, Arri Alexa Mini cameras, Arri Alexa Mini LF cameras, Arri Alexa LF cameras, Alexa XT cameras, Alexa SXT cameras, Alexa classic cameras, Red cameras, Monstro cameras, Scarlet cameras, Red Epic cameras, SONY Venice cameras, SONY cameras, Cooke Speed Panchro lenses, Aaton cameras, Arri SR2 cameras, Arri SR3 cameras, Arricam LT cameras. Arricam ST lenses, Moviecam cameras, camera cranes, Masterbuilt lenses, zoom lenses, O’Connor tripods, Sachtler tripods, Laowa lenses, DZO lenses, Masterbuilt lenses, Soft flare lenses. Camera cranes, full frame lenses, Ultra Prime lenses, Master Prime lenses, Angenieux prime lenses. Angenieux 24-290 zooms.

Please note that all products listed on this website are sold, as is, without warranty (unless specified) and FOB from seller’s origination, regardless of country. Customs and duties required by authorities in the USA and international countries are the responsibility of the buyer. Please ask origination country if you have any questions. Do not confirm any rentals based on purchase from FJS International until you have received the gear ordered. We can not guarantee a specific date for delivery – we can only approximate. We can’t be responsible for delays caused by bank wire transfers or delays caused by courier services.We can’t be held liable for missed rental or work dates.

F-stops

Used / Pre-owned / New Digital Cinema Marketplace

WHEN RESULTS SHOW, CLICK TITLE IN RED FOR COMPLETE INFO

OUR INVENTORY

Tag: F-stops

Photo Lenses for Video: Can Your Camera Kit Do Both?

Cine vs. Photo: Lenses Optimized for Video

Cinema vs. Photography Lenses: Decoding the Difference Between Masters of Still and Motion