Includes:
Hours: 21
Burano Body
Sony Monitor
Sony Viewfinder attachment
Sony Standard Monitor holder
Sony PL mount
(2) OWC Atlas Ultra 1.0 TB
OWC Card Reader with two USB cables and LowePro Zipper Sack
Wooden Camera Top Plate
Mi49 Power Distribution Box (hot swap capability)
Shape Top Handle
Shape Monitor Holder
Shape Sliding Baseplate with 15mm aluminum rods
Shape Arri Standard Sliding Dovetail 12″
Pelican 1610 Case with wheels and custom foam
The Sony BURANO is a groundbreaking addition to the CineAlta lineup, purposefully designed to bridge the gap between the high-end versatility of the VENICE 2 and the mobility required by solo operators and small crews. It features a stunning 8.6K full-frame sensor that shares the same celebrated color science as the VENICE 2, ensuring seamless visual integration on multi-camera sets. Distinguished as the world’s first PL-mount digital cinema camera with in-body image stabilization (IBIS), the BURANO combines this stabilization with an integrated electronic variable ND filter and high-speed AI-driven autofocus. Housed in a compact, rugged magnesium chassis that is significantly lighter than its predecessors, this camera is a versatile powerhouse capable of internal 16-bit X-OCN LT RAW recording, making it the definitive choice for high-end documentaries, commercials, and independent feature films.
Key Features:
8.6K Full-Frame Sensor: Delivers ultra-high-resolution imagery with 16 stops of dynamic range and the legendary VENICE color science.
World’s First PL-Mount IBIS: Features in-body image stabilization compatible with both PL and E-mount lenses for smooth handheld operation.
Dual Base ISO (800/3200): Provides exceptionally clean low-light performance, allowing for high-quality capture in challenging lighting environments.
Fast Hybrid & AI Autofocus: Utilizes an AI processing unit for sophisticated subject recognition and tracking (available with E-mount lenses).
Electronic Variable ND Filter: Offers a range from 0.6 to 2.1, allowing for precise exposure control without affecting depth of field.
X-OCN LT & XAVC Recording: Supports internal 16-bit RAW recording alongside efficient XAVC-H codecs for flexible post-production workflows.
Compact & Modular Design: Weighs approximately 3 lbs less than the VENICE 2, optimized for gimbal, drone, and shoulder-mount configurations.
Cost: USD $21,000
John Lipsz
jcefilm@gmail.com
+1 514-777-4591
104 ave Brunet, Pointe Claire, Québec. H9S 4T8
Canada
Feb 27th 2026
(J)
Includes:
1x ALEXA Mini LF camera body (K1.0024074)
1x ARRI LPL Lens Mount ALEXA Mini/AMIRA (K2.0018983)
1x ARRI PL-to-LPL-Adapter (K2.0016936)
3x Codex Compact Drive 1TB CA08-1024 (K2.0024130)
1x ALEXA Mini LF Multi Viewfinder MVF-2 (K2.0020916)
1x Viewfinder Cable VF 1.15ft (0.35m) (K2.0023915)
1x Viewfinder Cable VF 1.5ft (0.5m) (K2.0023943)
1x Mini Adapter Plate MAP-2A (K2.0023839)
1x Mini Viewfinder Bracket MVB-1 (K2.0006140)
1x Center Camera Handle CCH-2 (K2.73002.0)
1x Mini Side Bracket MSB-3 (K2.0023546)
1x Mini Side Bracket MSB-2 (K2.0014957)
1x Compact Bridge Plate CBP-1 (K2.0014894)
1x Rear Accessory Bracket RAB-1 (K2.0013937)
1x RAB-1 Clamp 2 (K2.0023406)
1x Rod Mounting Bracket RMB-3 (K2.0006186)
1x 15mm Reduction Insert (K2.66255.0)
1x Gold Mount Power Splitting Box Mk II (K2.0014532)
1x Bottom Plate 12″ (300mm) (K2.0015896)
1x Power Cable Straight KC-50 2m (K2.75007.0)
The ARRI ALEXA Mini LF is the industry-standard bridge between high-end large-format cinematography and agile, compact production. By housing the acclaimed ALEXA LF sensor within the lightweight carbon fiber body of the original Mini, ARRI created a versatile powerhouse. It delivers the “ARRI Look”—renowned for its natural skin tones and film-like highlight roll-off—in a package optimized for gimbals, drones, and handheld work.
Key Features:
4.5K Large-Format Sensor: A 36.7mm x 25.54mm sensor (ALEV III A2X) offering native 4K resolution and 14+ stops of dynamic range.
Versatile Lens Compatibility: Includes the LPL Lens Mount and a PL-to-LPL Adapter, allowing the use of both cutting-edge large-format glass and classic cinema lenses.
High-Speed Media: Equipped with 3x 1TB Codex Compact Drives, supporting high-data-rate internal ARRIRAW and Apple ProRes recording.
Advanced Monitoring: Includes the MVF-2 HDR Viewfinder with dual cable lengths (0.35m and 0.5m) and a dedicated MVB-1 Bracket for ergonomic positioning.
Pro Rigging System: A robust mechanical suite featuring the CBP-1 Compact Bridge Plate, MSB-2/3 Side Brackets, CCH-2 Center Handle, and RAB-1 Rear Accessory Bracket for maximum modularity.
Power Management: Features the Gold Mount Power Splitting Box Mk II and heavy-duty KC-50 Power Cables for reliable studio and field power.
Internal NDs: Built-in motorized full-spectrum neutral density (FSND) filters (0.6, 1.2, 1.8).
Unmatched Aesthetic: Provides a shallower depth of field and wider field of view compared to Super 35, creating a truly immersive “large-format look.”
cost: TBD
(t)
Takeshi Pedraos
pedratown@gmail.com
+573114752110
2-26-2025
Hours – 3468
Includes:
Camera:
ARRI ALEXA Studio XR Plus Body K.171200.0
ARRI Centre Camera Handle CCH-1 K2.72007.0
ARRI BAB-G Gold Mount Back K2.72003.0
ARRI Leveling Block LB-1 K2.72017.0
ARRI Shoulder Pad SP-3. K2.72005.0
Extension for Handgrip K2.47136.0
ARRI Low Mode Plate LMS-3 K2.72023.0
ARRI LMS Standard Feet for EVF
ARRI LMS Studio Feet for OVF K2.72093.0
Antenna for Plus LCS
ARRI ALEXA Studio Camera Case. K2.72026.0
Optical Viewfinder:
ARRI OVF-1 K2.72048.0
ARRI 435 8x Eyepiece K2.47081.0
Ground Glass 16:9, Spherical, 800 K2.72088.0
Ground Glass 4:3, Spherical, 800 K2.72069.0
Frameglow Mask, 4:3 and 16:9 Spherical K2.72073.0
Ground Glass 4:3, Scope 2x Anamorphic, 800 K2.72070.0
Frameglow Mask 4:3, Scope 2x Anamorphic K2.72074.0
Electronic Viewfinder:
ARRI EVF-1 Electronic Viewfinder K2.72008.0
ARRI EVA-1 Electronic Viewfinder Adapter K2.7206.3.0
ARRI VMB-3 Viewfinder Mounting Bracket K2.74001.0
Media:
Codex Capture Drive XR – 256GB CDX-3730
Codex Capture Drive XR – 256GB CDX-3730
Codex Capture Drive XR – 256GB CDX-3730
Codex Capture Drive XR – 256GB CDX-3730
Codex Capture Drive Dock CDX-7510
Cables:
ARRI 24V Straight Power Cable K2.41966.0
ARRI ALEXA 12V Accessory Cable K2.72031.0
ARRI Medium EVF-1 Viewfinder Cable K2.72013.0
ARRI Short EVF-1 viewfinder cable K2.72012.0
ARRI ALEXA Ethernet/RJ45 Cable K2.72021.0
The ARRI ALEXA Studio XR is a high-end digital cinema camera that bridges the gap between traditional film aesthetics and modern digital workflows. Part of the “Extended Recording” (XR) lineup, it is specifically designed for cinematographers who demand the tactile experience of a film camera, featuring a rotating mirror shutter and an optical viewfinder. Equipped with the ALEV III Super 35 sensor, the Studio XR delivers the legendary “ARRI look”—characterized by natural skin tones, organic film-like grain, and a wide dynamic range. The “XR” designation refers to the integrated module that allows for in-camera ARRIRAW recording directly onto Codex Capture Drives, eliminating the need for bulky external recorders.
Key Features:
Optical Reflex Viewfinder: Provides a lag-free, high-contrast optical view of the scene, even when the camera is not powered.
Mechanical Shutter: Eliminates rolling shutter artifacts (skew/jello effect), making it ideal for fast-moving action and strobe lights.
4:3 Sensor: Optimized for anamorphic cinematography, utilizing the full sensor height to create a classic cinematic widescreen look.
Integrated XR Module: Enables internal ARRIRAW recording at up to 120 fps, streamlining the physical camera rig and simplifying the onset workflow.
Superior Dynamic Range: Offers 14+ stops of latitude, ensuring detail is preserved in both deep shadows and bright highlights.
Built-in Motorized ND Filter: Includes an internal Neutral Density (ND 1.3) filter, allowing for quick exposure adjustments without changing the lens depth of field.
Lens Data System (LDS): Automatically captures lens metadata (iris, focus, zoom), which is essential for accelerating visual effects (VFX) post-production.
Cost: 13k
(t)
Tristan C-M
tristan@tristancm.com
+1 519-572-0540
2-25-2026
915 Hours
The ARRI ALEXA SXT Studio stands as the most versatile and feature-rich evolution of the classic ALEXA line, distinguished by its integration of a rotating mirror shutter and an optical viewfinder. Designed for cinematographers who demand a traditional film-like operating experience alongside cutting-edge digital performance, the SXT Studio features a 4:3 Super 35 sensor ideal for anamorphic productions. Its advanced SXT (Super Xtended Technology) electronics enable internal 4K recording and high-speed capabilities, all while maintaining the industry-leading dynamic range and natural color science that have made ARRI the gold standard for global cinema and high-end television.
Key Features:
Rotating Mirror Shutter: Provides a natural film-style motion blur and eliminates electronic rolling shutter artifacts.
Optical Viewfinder: Offers a high-contrast, zero-delay real-time view through the lens, even when the camera is powered down.
4:3 Open Gate Sensor: Optimized for anamorphic lenses and providing maximum flexibility for VFX and reframing in post-production.
Internal 4K Recording: Supports ProRes 4K UHD and ProRes 4K Cine directly to high-speed storage.
14+ Stops of Dynamic Range: Delivers the legendary ALEXA highlight roll-off and exceptional detail in deep shadows.
Integrated Lens Control: Built-in wireless radio for ARRI lens motors and LDS (Lens Data System) for seamless metadata communication.
Fast Frame Rates: Capable of capturing up to 120 fps in certain modes for stunning slow-motion imagery.
Cost: USD $17,000
Sell Price: USD: $19,100
Jami Mahmood
AzadFilm
Pakistan
azadfilm1@icloud.com
Feb 23rd 2026
(J)
The Sony Rialto 2 (VENICE Extension System 2) is a sophisticated tethering solution that dramatically enhances the physical versatility of the VENICE 2 camera by allowing the sensor block to be detached from the main body. By extending the sensor up to 40 feet (12 meters) away from the camera chassis via a high-bandwidth cable, it enables cinematographers to capture high-resolution imagery in incredibly confined spaces where a full camera rig would never fit. This system maintains full compatibility with both the 6K and 8K sensor blocks, ensuring that image quality, dynamic range, and frame rates remain uncompromised while facilitating agile handheld work, complex gimbal movements, and specialized rigging for automotive or aerial cinematography.
Key Features:
Sensor Detachment: Separates the 6K or 8K sensor block from the camera body for ultra-compact, lightweight operation.
Extended Reach: Includes 9.8-foot (3m) and 39-foot (12m) cable options for maximum rigging flexibility on set.
No Image Degradation: Transmits full-bandwidth data with zero loss in image quality, maintaining the VENICE 2’s native 8.6K resolution.
Enhanced Control: Features a built-in tilt/roll sensor and four assignable buttons on the sensor block for streamlined remote operation.
Lightweight Rigging: Significantly reduces the weight held by the operator, making it ideal for long-duration handheld or jib work.
Tool-less Transition: Designed for quick setup changes, allowing crews to switch between standard and Rialto modes efficiently.
Accessory Support: Provides multiple 1/4″-20 and 3/8″-16 mounting points for monitors, handles, and lens motors.
Brian Burgoyne
brianburgoyne@me.com
+1 (646) 408-8188
Cost: USD $15,000
Feb 23rd 2026
(J)
Rialto 2 sent by Brian Burgoyne together with a Sony Venice 2 camera.
Brian Burgoyne’s Venice 2 standalone listing:
Brian Burgoyne’s Venice 2 + Rialto 2 listing:
Hours – 1259
Includes:
Licenses: High Speed. 3:4 – Premium – All Sony Licenses
1x sony venice 2 Camera, with anamorphic and full frame licenses.
1x sony venice viewfinder
1x ARRI EL-3 Eyepiece Leveler
1x Wooden Camera AIR EVF Extension Arm
1x ARRI BPA-5 Bridge Plate Adapter
1x ARRI HEX 1 (HEB-type) Handle Extension Block
1x ARRI BP-0 Bridgeplate set with 12″ Dovetail & 17.3: 19mm Rods
AR-K2.0001022- ARRI 19mm Support Rods – 17.3″ (440mm)
AR-K2.0015896- ARRI Bottom Dovetail Plate 300mm/12in
AR-K2.0031436- ARRI Bridge Plate BP-8
1x Wooden Camera A-box for sony venice
1 meanwell 280w 24vDC 3pXLR Power Supply w/ AC Cable
1 * Core 24V D-box Gold Mount f/ sony venice 1/2 (24V DC In f/ Hotswap) MKII
1x Sony 120cm VF Cable Assembly for Venice
2 Power Cable: 24v 3pXLRm to 3pXLRf 10′
1 case for Sony Venice 2, Venice2 (TT97-141)
The Sony VENICE 2 is a high-end digital cinema camera designed specifically for professional cinematography. Building on the success of the original VENICE, this successor introduces significant hardware upgrades—most notably a brand-new 8.6K full-frame sensor and the ability to record high-resolution RAW data internally, eliminating the need for bulky external recorders. It maintains the acclaimed “VENICE look” with its world-class color science, while its compact, modular chassis makes it a versatile tool for everything from handheld indie shoots to large-scale virtual production stages.
Key Features:
Dual-Resolution Sensor Options: Features a newly developed 8.6K full-frame CMOS sensor (8640 x 5760), with the ability to swap in the original 6K sensor block if needed.
Internal Recording: Records 16-bit X-OCN and 4K Apple ProRes (4444/422 HQ) directly to internal AXS memory cards, removing the need for the AXS-R7 external recorder.
16 Stops of Dynamic Range: Provides incredible latitude for capturing detail in searing highlights and deep shadows simultaneously.
Dual Base ISO: Optimized for clean images in any lighting with a base of 800/3200 for the 8.K sensor (and 500/2500 for the 6K sensor).
8-Step Mechanical ND Filters: A built-in, servo-controlled glass ND system ranging from 1 to 8 stops, allowing for instant exposure control.
Interchangeable Mounts: Native Lever-Lock E-mount for Sony lenses, which reveals a rugged PL mount (supporting Cooke /i and ZEISS eXtended Data) when the adapter is attached.
cost $50k – sales $58k
(t)
Brian Burgoyne
brianburgoyne@me.com
+1 (646) 408-8188
2-23-2026
RED DSMC2 HELIUM 8K S35 is a high-performance digital cinema camera that redefined resolution standards within the Super 35mm format. Known for its compact “BRAIN” design, it offers a blend of extreme detail and the classic S35 aesthetic, making it a staple for high-end feature films, commercials, and VFX-heavy productions.
Key Features and Benefits
8K Resolution Performance: Captures 35.4-megapixel motion and stills, providing unmatched flexibility for re-framing, stabilizing, and future-proofing content.
Super 35mm Sensor: Unlike many 8K sensors that require Large Format glass, the Helium sensor is optimized for the vast library of classic S35 cinema lenses.
16.5+ Stops of Dynamic Range: Delivers exceptional highlight protection and deep shadow detail, rivaling traditional film stock.
Advanced Modularity: The DSMC2 platform features a cable-free design, allowing users to swap lens mounts (PL, EF, Nikon) and OLPFs (Optical Low-Pass Filters) to suit specific creative needs.
High-Speed Capabilities: Records up to 60 fps at 8K Full Format and up to 300 fps at 2K, ideal for high-fidelity slow motion.
Versatile Post-Workflow: Supports simultaneous recording of REDCODE RAW and edit-ready proxies like Apple ProRes or Avid DNxHR.
COST : Helium kit £10k each
Based on the current exchange rate for February 17, 2026, £10,000 GBP is approximately:$13,557.90 USD(Rate: $1.35579$ USD per £1 GBP)
“Lee”
+44 (0)20 8998 99 77
https://lightningmedia.co.uk/ UK
R-2/17/2026
Price Investigation :
Justcinemagear $ 11,650
Newlifecine $ 12,000 -$ 15,500
AI Says:
As of early 2026, the second-hand market for the RED DSMC2 HELIUM 8K S35 has stabilized significantly, making it one of the most accessible entry points into high-resolution cinema. Because the DSMC2 system is modular, prices vary wildly depending on whether you are buying a “Brain” (body only) or a “Ready-to-Shoot” package.
Average Price Range
Configuration Price Range (USD) What’s Included
Brain Only $2,500 – $3,800 Just the camera body, often without a lens mount or power module.
Basic Kit $4,000 – $5,500 Brain + Lens Mount (EF/PL), Base Expander, and a Top Handle.
Production Pack $6,000 – $8,500 Brain, Monitor, Media (Mini-Mags), Battery Plate, and often a case.
1 White Focus Knob Marking Ring Installed on The Hand Unit
3 ARRI cforce mini / RF motor units (each with integrated gear drive)
3 motor gear wheels (attached to the motors)
4 hand unit batteries (Sony NP-F style)
1 single-bay battery charger
5 white focus marking rings (loose)
3 rod / clamp mounting brackets
3 LEMO cables (various lengths, including right-angle connectors)
This professional wireless lens control package centers around the ARRI Hi-5 hand unit with an installed white focus knob marking ring, delivering precise, reliable control for demanding film and television productions. Designed for seamless integration into modern camera workflows, the set includes three ARRI cforce mini RF motor units with integrated gear drives, along with attached motor gear wheels for accurate lens response. The kit is powered by four Sony NP-F style batteries with a single-bay charger, and comes complete with multiple white focus marking rings, rod/clamp mounting brackets, and LEMO cables in various lengths (including right-angle connectors), making it a versatile and production-ready solution for focus pulling, iris, and zoom control on set.
Key Features:
ARRI Hi-5 hand unit with installed white focus knob marking ring
Three ARRI cforce mini RF motors with integrated gear drives
Motor gear wheels attached and ready for use
Four Sony NP-F style batteries and single-bay charger
Five additional white focus marking rings
Three rod/clamp mounting brackets
Three LEMO cables in assorted lengths, including right-angle connectors
Cost: $15,000 USD FOB
February 16, 2026
Frank Shaw-China
+8615011304502
bbosasi.frank@gmail.com
Includes:
Sony Venice 2 – 10766
OLED Viewfinder – 10808
BP6 Plate – 8215
Bridge Plate Adapter – K2.0017138
Arri Plate for Sony Venice – K2.0017136
Alexa Shoulder Pad – ASP4-AV001
Arri Bridge Plate Bottom – ABP-AV001
Wooden Sony Venice D Box V Lock – WSVDB-AV001
Sachtler Quick Release Plate – SQR-AV001
Sony AXS Memory Card Reader – AXSAR3-AV100464
12V Power Supply – 12VPS-AV002
24V 4 pin to 4 pin power cable – CB366747
24V extension cable – CB314762
Sony 1TB Card – AXSA1S6-AV004
Sony 1TB Card – AXSA1S6-AV003
Sony 1TB Card – AXSA1S6-0101942
Sony 1TB Card – AXSA1S6-AV001
Sony Long Viewfinder Cable – CB604919
Sony Long Viewfinder Cable – CB407154
D Box cable – CB607305
USB C cable – CB36663
2 x Long 19mm rods
2 x medium 19mm rods
1 x short 15mm rod
The Sony VENICE 2 is a high-end digital cinema camera designed to meet the rigorous demands of top-tier film and television productions, featuring a choice between a stunning 8.6K or the original 6K full-frame sensor. Building on the success of the original VENICE, this second-generation flagship integrates internal X-OCN and ProRes recording into a more compact body, eliminating the need for external recorders and streamlining on-set workflows. Renowned for its exceptional color science, 16 stops of total dynamic range, and a unique dual-base ISO system, the VENICE 2 delivers natural skin tones and remarkable low-light performance, making it the premier choice for cinematographers seeking a versatile, “organic” digital canvas.
Key Features:
Interchangeable CMOS Sensors: Available in a high-resolution 8.6K sensor or a high-speed 6K sensor, both offering full-frame coverage and extraordinary detail.
Internal Recording: Supports internal 16-bit X-OCN and 4K ProRes recording directly to high-speed AXS cards.
Dual Base ISO: Features dual-base ISO (800/3200 for the 8.6K sensor) for incredibly clean images in both bright highlights and deep shadows.
8-Step Internal ND Filters: A built-in motorized optical ND filter mechanism ranging from 0.3 to 2.4 for precise exposure control.
Wide Color Gamut: Exceeds Rec. 2020 color space, ensuring rich color saturation and seamless matching with the original VENICE.
Compact & Modular Design: Smaller and lighter than the original model, with a design compatible with many existing VENICE accessories and the Rialto Extension System.
PL and E-Mount Versatility: Comes standard with a rugged PL mount that can be removed to utilize the native lever-lock E-mount for compact lens options.
Cost: EUR 45.000
Price: EUR 49.000 FOB
(J)
February 16th 2026
Fabian Vettiger
South Africa
fabianvettiger@hotmail.com
https://www.fabianvettiger.com/
Includes:
• 1x Alexa Mini
– Licenses: None
– Hours: 4610
• 1x MVF-1 for Alexa Mini
• 1x LBUS LDS Mount
• 1x PL Port Cap
• 1x Alexa Mini to MVF-1 Cable (0.5m)
• 1x K2.0006140 MVB-1 Viewfinder Mounting Bracket
• 1x Viewfinder Cross Pipe (complete with MVB-1)
• 1x K2.73002.0 CCH-2 Center Camera Handle
• 2x K2.0006348 MSB-1 Side Bracket
• 2x K2.0023839MAP-2 Adapter Plate
• 2x 15mm x 1050mm Alloy rods black
• 2x 15mm x 340mm steel rods
• 1x Alexa Mini Hotswap Plate (VL-HS1)
• 2x K2.0006334 MAP-1 Adapter Plate
• 1x K2.0006807 CSP-1 Shoulder Pad Mount
• 1x K2.0006170 EXT to RS Cable 3pin Fischer fm to 7pin ODU RA
• 1x Alexa Mini to MVF-1 Cable (0.5m)
• 2x D-Tap to ARRI Lemo Power Cable
• 1x 271500 A-Box for Alexa Mini / Red V-Raptor
• 1x Moose Bar Rail Grip
• 2x Moose Bar Handle
• 2x 256GB CFast 2.0 Memory Card AV Pro certified for ARRI
• 1x CFast 2.0 Card Reader
• 1x 16GB USB card
• 1x Flightcase
• 1x Wetsuit for Arri Alexa Mini
• ARRI Alexa – Offers unparalled image quality thanks to its 35mm CMOS sensor
• Solid titanium PL mount
• 4K UHD ProRes images
• Super lightweight carbon body
• Frame rates up to 200fps
• Highly integrated and sealed electronics
The ARRI ALEXA Mini is a compact, versatile powerhouse that brings the legendary image quality of the ALEXA sensor into a lightweight carbon-fiber body designed for specialized cinematography. Engineered to bridge the gap between full-sized studio cameras and agile rigging needs, it is the industry standard for gimbal, handheld, and drone work, as well as tight filming environments like car interiors or underwater housings. Despite its small footprint, the Mini maintains ARRI’s hallmark ALEV III sensor, delivering the natural skin tones, breathtaking 14+ stops of dynamic range, and cinematic “organic” look that has made the ALEXA line the primary choice for Oscar-winning productions and high-end commercials worldwide.
Key Features:
Compact Carbon-Fiber Body: Ultra-lightweight design (approx. 5 lbs) optimized for brushless gimbals, aerial drones, and handheld rigs.
ALEV III Sensor: Same Academy Award-winning sensor as the larger ALEXA cameras, ensuring perfect color matching in multi-camera setups.
Internal Motorized ND Filters: Built-in FSND filters (0.6, 1.2, 2.1) allow for rapid exposure changes without adding external matte box weight.
High-Speed Recording: Capable of capturing up to 200 fps in ProRes for stunning slow-motion imagery.
Integrated Lens Control: Features a built-in lens motor controller for direct connection of active lens motors, eliminating the need for external brain boxes.
4:3 and ARRIRAW Support: Optional licenses unlock anamorphic de-squeeze and uncompressed 2.8K ARRIRAW recording for maximum post-production flexibility.
Rugged Reliability: Environmentally sealed electronics and a solid titanium PL mount for stable flange focal distance in extreme temperatures.
Cost: GBP 10,000
Price: GBP 11,500 FOB
February 13th 2026
(J)
Nic Tomkinson
Visual Impact UK
United Kingdom
nic@visuals.co.uk
+44 020 8977 1222
Includes:
Sony Venice 2 (4600 Hours)
(1) License
(1)s66
(2)s48
(1) 512GB
AR3
The Sony VENICE 2 is a full-frame digital cinema camera engineered for high-end film, television, and commercial production, building on the acclaimed VENICE line with enhanced imaging capabilities, modular design, and robust performance. It delivers exceptional dynamic range, rich color science, and flexible sensor options, making it a favorite among cinematographers who demand cinematic quality, reliability, and versatility on set. The camera’s user-centric build supports a variety of workflows and accessories, ensuring seamless integration into both large studio environments and nimble on-location shoots.
Key Features
Dual Native ISO and Low-Light Performance – Excellent noise handling for varied lighting conditions.
Interchangeable Sensor Blocks – Ability to switch between full-frame and Super 35 sensors.
8.6K and 6.8K Recording Options – High resolution capture for sharp, detailed imagery.
Wide Dynamic Range – Captures rich highlights and deep shadows with smooth tonal transitions.
Cine-Friendly Color Science – Natural skin tones and broad grading flexibility.
Robust Build & Modular Design – Durable for demanding shoots with customizable rigging.
Versatile Codec Support – Includes X-OCN, RAW, and other professional formats.
Update Feb 20th 2026:
Sell price raised to USD $39,500 @ Adam’s request
(J)
Cost: 29500 USD
February 10, 2026
(M)
Frank Shaw
bbosasi.frank@gmail.com
+8615011304502
Includes:
Sony Venice 2 (with 6000 Hours & Full licenses)
1x S66
2xS48 AR3
The Sony VENICE 2 is a flagship full-frame digital cinema camera designed for high-end narrative, commercial, and large-format productions that demand uncompromising image quality and on-set flexibility. Built around Sony’s advanced 8.6K full-frame sensor, VENICE 2 delivers exceptional dynamic range, natural color science, and impressive low-light performance, while supporting modern, efficient recording formats for streamlined post-production. Its modular design, robust build, and compatibility with the Rialto 2 extension system make it equally at home on studio rigs, handheld setups, gimbals, and remote camera configurations.
Key features:
8.6K full-frame CMOS sensor with up to 16 stops of dynamic range
Dual base ISO (800 / 3200) for clean images in varied lighting
Internal recording in X-OCN, ProRes, and other professional codecs
Interchangeable PL and E-mount lens support
Modular body design with Rialto 2 extension compatibility
Cost: 30000 USD FOB
February 10, 2026
(M)
Frank Shaw
bbosasi.frank@gmail.com
+8615011304502
Hours – 3084
Includes:
1 x ALEXA Mini Body (K1.0003873)
1 x PL-MOUNT-LDS-LB-TITAN-CPL (K2.0003216)
2 x MINI Adapter Plate MAP-1 CPL (K2.0006334)
2 x ALEXA Mini Baseplate MAP-2 CPL (K2.0006347)
2 x MINI Side Brackets MSB-1 (K2.0006348)
1 x Bridge Plate Adapter BPA-4 (K2.0006352)
2 x Rod Mounting Bracket RMB-3 (K2.0006186)
2 x 15mm Reduction Insert (K2.66255.0)
1 x Center Camera Handle CCH-2 (K2.73002.0)
1 x Cage Top Handle CTH-1 (K2.66227.0)
1 x Support Rods 340mm, 15mm (K2.66252.0)
1 x BAP-1 Battery Plate for ALEXA Mini (K2.0006471)
1 x Battery Adapter Plate BAP-2 (K2.0006990)
1 x Bebob V-Mount Battery Adapter for Mini (K2.0007091)
1 x Camera Shoulder Pad CSP-1 (K2.0006807)
1 x ALEXA Ethernet / RJ-45 Cable KC-153-S (K2.72021.0)
2 x AMIRA Power Cable Straight KC-50 (K2.75007.0)
2 x EXT-RS Adapter (K2.0006170)
1 x Bridge Plate BP-9 Set Short (15mm rods) (K2.47091.0)
1 x MVF-1 Arri Alexa Mini Viewfinder (K2.0005861)
2 x Viewfinder Cable 2.5 ft / 0.75 m (29”) (K2.0008135)
1 x MVB-1 Viewfinder Mounting Bracket (K2.0006140)
1 x VEB-3 Viewfinder Extension Bracket (K2.74000.0)
1 x EL-3 Eyepiece Leveller (K2.47767.0)
1 x ARRIRAW License Key (10.0008148)
1 x 4:3 License Key (10.0008147)
1 x Anton Bauer Gold Mount Battery Plate QRC-FLEX4K
2 x 256GB Extreme PRO Fast 2.0 Memory Cards
1 x Alexa Mini Custom Case
The ARRI ALEXA Mini is the compact, versatile powerhouse of the ALEXA family. Designed to deliver the same gold-standard image quality as its larger siblings, it features a lightweight carbon-fiber body and a symmetrical design optimized for gimbals, drones, and tight shooting spaces. Since its release in 2015, it has become a staple for professional cinematographers who need agility without sacrificing the iconic “ARRI look”—renowned for its natural skin tones and film-like highlight roll-off.
Key Features:
ALEV III Sensor: Provides legendary image quality with 14.5+ stops of dynamic range and industry-leading color science.
Compact & Lightweight: The carbon fiber housing weighs only 2.3kg (5 lbs), making it ideal for handheld work, multicopters, and stabilized rigs.
Built-in Motorized ND Filters: Includes internal FSND filters (0.6, 1.2, 2.1) for rapid exposure control without adding external bulk.
Versatile Recording: Supports in-camera recording of Apple ProRes and uncompressed ARRIRAW to CFast 2.0 cards at up to 200 fps.
Anamorphic Ready: Equipped with a 4:3 sensor and automatic de-squeeze features for professional anamorphic cinematography.
Interchangeable Mounts: Quickly switch between Titanium PL, LPL, EF, and B4 mounts to utilize a vast range of cinema and still lenses.
Rugged Reliability: Environmentally sealed electronics and a operating range from -20°C to +45°C, ensuring performance in extreme conditions.
Cost: 12,500
(t)
Arlene +1 (416) 823-1713
Daniel Vendramin
dvendramin@me.com
+14162600071
Canada
2-9-2026
Hours: 3794
Includes:
1x Sony MPC-3610 Camera Body (SN: 10289 / Run Hours: 3794 / E-mount + PL mount)
1x Sony Portable Memory Recorder AXS-R7 (SN: 10781)
1x Sony DVF-EL200 EVF (SN: 10604)
1x EVF Bracket w/ 15mm rods
2x EVF Cable (50cm / 19.6”)
1x Wooden Camera D-Box V-mount to G-Mount
1x Wooden Camera D-Box Side Bracket
2x Shape Top Plate
2x Shape Center Top Handle
1x ARRI Plate For Sony Venice
1x ARRI BPA-5
1x ARRI BP-8
1x ARRI Dovetail
1x ARRI WA-2 Shoulder Plate
1x ARRI QRP-1 Plate
1x Sony Audio Cable 5-pin to phono
1x Hot Swap Cable
1x V-lock back plate for Venice body
1x V-lock back plate for Venice body w/ 4-pin XLR
1x Sony Memory Card Reader AXS-CR1 (SN: 104395)
1x Sony Memory Card Reader SBAC-US20 (SN: 0112912)
4X Sony AXS-A512S48 Cards 512GB
1x Sony SxS SBP-256E Card 256GB
1x Sony SxS SBP-128E Card 128GB
The Sony VENICE is a high-end digital cinema camera designed specifically for professional cinematography. It is the flagship of Sony’s CineAlta line, engineered to bridge the gap between traditional film aesthetics and modern digital flexibility. Whether used for big-budget features or high-end commercials, the VENICE is prized for its “film-like” skin tones and its modular, operator-friendly design.
Key Features:
6K Full-Frame Sensor:Delivers “large format” aesthetics, shallow depth of field, and multiple imager modes (Super35, Anamorphic).
Dual Base ISO (500/2500):Captures clean, noise-free images in both bright sunlight and extreme low-light environments.
15+ Stops Dynamic Range: Ensures smooth highlight roll-off and deep shadow detail for flexible HDR grading.
8-Step Internal NDs: World’s first mechanical 8-step glass ND system; allows instant exposure changes without external filters.
Rialto Extension System: Enables the sensor to be detached from the body for use in tight spaces, gimbals, or handheld rigs.
Dual-Sided Control: Intuitive menus on both sides of the camera for simultaneous operator and AC/DIT adjustments.
Cost: 12k
(t)
Storyline Andreas H. Grimsø
andreas@storyline.no
Includes:
Sony FS7
Fujinon 20-120mm Cabrio (XK6x20) with Servo Unit
Various adapters and related accessories included in the case.The Sony FS7 (Mark I or II) paired with the Fujinon XK6x20 (20-120mm T3.5) is a classic “Gold Standard” combo for run-and-gun shooters who need that ENG-style versatility with a “cinema” look.
Why This Package Hits the Sweet Spot
The FS7 and the Fujinon 20-120mm were practically made for each other. Here’s why this kit remains relevant in 2026:
The Lens: The Fujinon 20-120mm is a parfocal lens, meaning it stays in focus while zooming. It covers a huge range, effectively replacing a bag of primes for most daylight shoots.
The Servo: If the lens includes the detachable drive unit, it allows for smooth, broadcast-style power zooms controlled directly from the FS7 handgrip.
Internal NDs: The FS7’s built-in ND filter system is legendary for speed, especially when moving between indoor and outdoor locations.
XAVC Codec: It produces 10-bit 4:2:2 files that are robust enough for heavy color grading but light enough for standard laptop editing.
Cost: TBD
Josh Fluck
fluckj450@gmail.com / +1 610-850-1767
Price Investigation:
Justcinemagear : Does not have a combo
Newlifecine: does not have a combo
R-02-02-2026
AI Says : estimated value:
Sony FS7 Body (Mk I) $1,200 – $1,800
Sony FS7 II Body $2,200 – $3,000
Fujinon 20-120mm T3.5 $5,500 – $7,500
Full Package (with accessories) $7,500 – $11,000
Hours – 4526:40
Includes:
Serial number is 30194.
Arri Alexa Mini LF SN K1.0024074-30194
Alexa Mini LF Viewfinder MVF-2 SN K2.0020916-01053
Viewfinder cable 50cm long
Arri LPL Lens Mount(fixed to camera) SN K2.0018983-1346
Arri PL to LPL Adapter
LPL Port & Back Cap
PL Port Cap
Short Aerial
Right Angle Aerial
MAP-1 Plates x 2
MAP-2A Plates x 2
MSB-2 Plate
MSB-3 Plate
BPA-4 Plate with 2 x 3/8” Screws
CSP-1 Shoulder Mount
Dovetail Plate
BP-8 Plate with 2 x 3/8” screws
Top Handle(CCH-2)
Viewfinder Bracket with 2 x short bars
RAB-1 Plate
BEBOB Battery Plate
Pair of Long 15mm Steel Bars
Pair of Short 15mm Bars
Pair of 19mm Bars
Sandisc USB Stick
Codex Reader SN 01051165 with USBC Cable
Allan Driver
24v Block Battery Power Cable
The ARRI ALEXA Mini LF is the large-format evolution of the industry-standard ALEXA Mini. It bridges the gap between the compact, lightweight body of the original Mini and the massive 4.5K sensor found in the larger ALEXA LF. Designed as a “go-anywhere” flagship, it is the primary choice for high-end feature films, premium TV series, and commercials that require a shallow depth of field and the legendary “ARRI Look.”
Key Features:
4.5K Large-Format Sensor: Features the ALEV III A2X sensor, providing a cinematic field of view and high-resolution imaging that meets 4K Netflix/streamer mandates.
Compact & Lightweight: At only 2.6 kg (5.7 lbs) for the body, it is optimized for gimbals, drones, and handheld operation.
Built-in Motorized ND Filters: Includes internal FSND filters (0.6, 1.2, 1.8) for rapid exposure control without changing external glass.
Advanced Recording: Supports internal MXF/ARRIRAW and MXF/Apple ProRes recording to high-speed Codex Compact Drives.
REVEAL Color Science: Features improved colorimetry for natural skin tones, smooth highlight roll-off, and easy color grading in post-production.
LPL Lens Mount: Optimized for large-format glass while remaining backwards compatible with PL-mount lenses via an adapter.
Cost: £31,500
(t)
Brian McCormick
brian@progressivebroadcast.com
+447846661345
The ARRI ALEXA SXT-W (Super Xtended Technology – Wireless) is a high-performance digital cinema camera that builds on the industry-standard ALEXA platform. The “W” stands for Wireless, as this model features an integrated HD video transmitter and WiFi radio, eliminating the need for bulky external transmitters and complex cabling.
It utilizes the same ALEV III sensor found in the ALEXA 65 and AMIRA, delivering the signature “organic” film-like look, 14+ stops of dynamic range, and exceptional color science that has made ARRI the choice for top-tier cinematographers.
Key Features:
Integrated Wireless Video: Built-in zero-delay (< 1ms) HD video transmitter with a range of up to 600m (2,000 ft).
Versatile Sensor Modes: Supports Open Gate, 4:3, 6:5, and 16:9 modes for anamorphic and spherical shooting.
Multiple Recording Formats: 14 in-camera recording formats, including ARRIRAW and various Apple ProRes flavors (4444 XQ, 4444, 422 HQ, etc.).
High Frame Rates: Capable of up to 120 fps in certain modes for high-quality slow motion.
Advanced Look Management: Features the same color management and noise reduction technology found in the ARRI AMIRA.
Media Compatibility: Records to SXR Capture Drives, XR Capture Drives, SxS PRO/PRO+ cards, and CFast 2.0 cards.
Streamlined Rigging: The integrated wireless system results in a smaller, lighter camera body with fewer cables, reducing the risk of technical failure on set.
Future-Proof Image Quality: Industry-leading 14+ stops of dynamic range and Rec 2020 support make it ideal for HDR (High Dynamic Range) mastering.
Interference-Free Operation: Seamlessly integrates video, WiFi, and ECS (Electronic Control System) radios without signal interference.
Efficiency on Set: Faster setup times and the ability to wirelessly manage looks and camera settings via the ALEXA Web Remote.
Rugged Reliability: Built to withstand extreme production environments, with an operating range of -20°C to +45°C.
Cost: 9,000 USD
(t)
Gaurav Gupta
gaurav.gupta@futureworks.in
+91 9819133323
1-30-2026
The ARRI ALEXA Mini LF is the industry-standard “large-format” evolution of the original ALEXA Mini. It integrates the flagship ALEV III (A2X) sensor into a compact carbon-fiber body, bridging the gap between high-end large-format aesthetics and the agility required for handheld or gimbal work.
Key Features & Benefits
Large-Format Aesthetic: Features a 4.5K sensor that provides a shallow depth of field and a wider field of view compared to Super 35, delivering an immersive, “filmic” look.
Renowned Color Science: Utilizes ARRI’s ALEV III sensor technology for natural skin tones, smooth highlight roll-off, and industry-leading colorimetry.
High Dynamic Range: Offers 14+ stops of dynamic range, making it highly versatile for HDR mastering and complex lighting scenarios.
Internal Motorized FSND Filters: Includes high-quality Full Spectrum Neutral Density filters (ND 0.6, 1.2, 1.8) for rapid exposure control without affecting color.
Versatile Recording: Supports MXF/ARRIRAW and MXF/Apple ProRes internal recording to fast, cost-efficient Codex Compact Drives.
Robust & Weatherproof: Built with a hard-wearing carbon body designed to operate in extreme temperatures ranging from -20°C to +45°C.
Enhanced Viewfinder: Pairs with the MVF-2 viewfinder, featuring a high-contrast OLED display and a 4-inch flip-out monitor for easy menu access.
The mini lf put up for $44k and make sure you put low hours and 1,100 hours
Owner
Nick Gall
R-01-30-2026
rentals@standardcamera.com
Standard Camera EMail Logo.png
(c) 310-919-6202
(o) 818-358-2842
www.standardcamera.com
12023 Vose St. Unit 23
North Hollywood, CA 91605
————-
Prices Research
Justcinemagear: 41,850 -46,750 – 42,850 – 45,850 – 41.950 – 42,500 – 45,850 – 42,750 – 45,500 – 36,750 – 37,500 – 45,950
Newlifecine: 53,500 – 52,550 – 56,900 – 44,000
Hours 1200
The RED V-RAPTOR [X] 8K VV represents the flagship of the DSMC3 generation, being the first large-format camera to feature a global shutter sensor. It merges the high frame rate and resolution of the V-RAPTOR line with the distortion-free motion capture technology originally pioneered in the KOMODO.
Key Features & Benefits
8K VV Global Shutter Sensor: Eliminates rolling shutter artifacts (jello effect) while maintaining a massive 35.4MP VistaVision canvas.
RED Global Vision: A new tool suite including Extended Highlights, which pushes dynamic range to 20+ stops for superior detail in extreme lighting.
Phantom Track: Simplifies virtual production by capturing two distinct R3D clips (e.g., green screen and background) simultaneously.
High Frame Rates: Captures up to 120 fps at 8K 17:9 and up to 600 fps at 2K 2.4:1 for extreme slow-motion versatility.
Advanced Connectivity: Features integrated 12G-SDI ports, USB-C, and support for RED Connect (8K live streaming over IP).
Compact DSMC3 Build: Weighing just over 4 lbs, it provides a portable, professional-grade body with a locking Canon RF mount.
Cost USD $ 29,000
Owner Gaurav Gupta
Gupta
FUTUREWORKS MEDIA LTD.
M :- +91 9819133323
R-01-28-26
Price investigation:
Justcinemagear: 24,850-26,750
Newlifecine: 32,400
AI says: While the original (rolling shutter) V-RAPTOR has seen a significant price drop, the [X] model remains a premium asset.
Average Used Market Pricing (USD)
Configuration Estimated Price Range
Brain Only (Body + standard accessories) $23,500 – $27,000
Starter / Essentials Pack (Monitor, media, power) $28,500 – $32,000
Full Production Kit (Cage, 2TB+ media, multiple batteries) $34,000 – $38,000+
Hours – 1259
Includes:
Licenses: High Speed. 3:4 – Premium – All Sony Licenses
1x sony venice 2 Camera, with anamorphic and full frame licenses.
1x sony venice viewfinder
1x ARRI EL-3 Eyepiece Leveler
1x Wooden Camera AIR EVF Extension Arm
1x ARRI BPA-5 Bridge Plate Adapter
1x ARRI HEX 1 (HEB-type) Handle Extension Block
1x ARRI BP-0 Bridgeplate set with 12″ Dovetail & 17.3: 19mm Rods
AR-K2.0001022- ARRI 19mm Support Rods – 17.3″ (440mm)
AR-K2.0015896- ARRI Bottom Dovetail Plate 300mm/12in
AR-K2.0031436- ARRI Bridge Plate BP-8
1x Wooden Camera A-box for sony venice
1 meanwell 280w 24vDC 3pXLR Power Supply w/ AC Cable
1 * Core 24V D-box Gold Mount f/ sony venice 1/2 (24V DC In f/ Hotswap) MKII
1x Sony 120cm VF Cable Assembly for Venice
2 Power Cable: 24v 3pXLRm to 3pXLRf 10′
1 case for Sony Venice 2, Venice2 (TT97-141)
1x Rialto 2 Extension System
1X ARRI venice rialto2 Extension Unit Basic set
6x Sony 1TB AXS S66 Memory Card
1x SanDisk Ultra SDHC-I Memory Card – 16GB
Custom Cut Camera Hard Case
TSony VENICE 2 combined with the Rialto 2 (Extension System 2) represents the pinnacle of modular cinema technology. This system allows the image sensor block to be physically detached from the camera body, enabling high-end 8.6K full-frame capture in confined spaces—like car interiors, cockpits, or tight handheld rigs—without sacrificing the camera’s industry-leading dynamic range or color science.
Key Features:
Detachable 8.6K/6K Sensor: Allows the lightweight sensor block to be separated from the main body while maintaining full image quality and frame rates.
Extended 12-Meter Range: The Rialto 2 transmits high-bandwidth data over a single cable up to 12 meters (39 feet) without the need for a repeater box.
Dual Base ISO (800/3200): Provides exceptional low-light performance and clean highlights, essential for the demanding lighting of modern sets.
Enhanced Mobility: Reduces the mounting footprint and weight of the “camera head” to just 4.6 lbs, making it ideal for gimbals, cranes, and drones.
Integrated Gyro Metadata: Built-in sensors record tilt and roll data directly into the metadata, a crucial feature for VFX-heavy productions and post-production stabilization.
Assignable Control Buttons: The extension head features four user-assignable buttons for immediate access to ND filters, Rec Start/Stop, and monitoring tools.
16 Stops of Latitude: Delivers massive dynamic range for preserving detail in extreme high-contrast lighting environments.
Cost: $65000
(r)
Brian Burgoyne
brianburgoyne@me.com
(646) 408-8188
R-01-07-2025
Hours: 2640:10
Includes:
4:3 open gate 3.4K RAW Full license
EVF with cable
Top Handle
MAP-2
BPA-4
MSB-1
BP-8
V-Lock Plate Babos
ARRI Bottom Dovetail Plate (12″ / 300mm)
15mm carbon Fiber rod 1set
TV Logic F/5A Monitor
D tap cable for monitor
Sound cable
Extreme PRO 256GB Card x 4Qty
Card Reader + Cable
External Battery cable
19mm steel rod 1set
Handheld kit with shoulder pad
Handheld fitting bracket
MAP 1 set 1
Red tool
Camera Case
The ARRI ALEXA Mini is a compact, lightweight digital cinema camera designed to complement the full-size ALEXA models, offering the same renowned image quality in a smaller, highly versatile form factor. It is particularly well-suited for specialized shots like those involving gimbals, drones, handheld rigs, and tight spaces.
Key Features:
Compact & Lightweight Design: Enables easy use on gimbals, drones, and handheld rigs, allowing for greater creative freedom and access to specialized shots.
ARRI ALEV III Sensor: Provides the same exceptional image quality as other ALEXA cameras, ensuring consistency in color science, natural skin tones, and low noise across multi-camera shoots.
14+ Stops Dynamic Range: Delivers excellent exposure latitude for outstanding detail capture in both highlights and shadows, making footage highly adaptable for HDR post-production.
In-Camera Recording: Records to CFast 2.0 cards in both Apple ProRes (up to 4K UHD) and uncompressed ARRIRAW (up to 2.8K), simplifying workflow.
Built-in Motorized ND Filters: Features internal FSND filters (0.6, 1.2, 2.1) for fast and convenient exposure control without adding bulky external filter systems.
4:3 Sensor Mode: Supports full use of anamorphic lenses with automatic de-squeeze for a cinematic widescreen look.
Integrated Lens Motor Control: Allows ARRI LBUS motors to connect directly to the lens mount, simplifying the rig and reducing the need for external control boxes.
High Frame Rate: Supports recording up to 200 fps in HD and 2K ProRes, ideal for slow-motion capture.
Cost: $20,000 USD
(t)
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Includes:
RED Komodo body (0 Hours)
2 vmount batteries
FD to RF Adapter
512GB Cfast Card
Tilta Cage
Top Handle
The RED Komodo is a compact, cinema-grade digital camera built around a 6K Super 35 global shutter sensor, delivering exceptional image quality with minimal rolling shutter artifacts. Designed for professional filmmakers who need high dynamic range, accurate color science, and a small, rugged form factor, the Komodo excels on gimbals, drones, handheld rigs, and studio productions alike while recording REDCODE RAW for maximum post-production flexibility.
Key Features
6K Super 35 Global Shutter Sensor
REDCODE RAW and ProRes recording
RF lens mount (adaptable to many mounts)
Compact, lightweight, and durable design
16+ stops of dynamic range
Built-in wireless control and monitoring
Code:
Cost $3000 USD
Date
(M)
Jimmy Tan
Company Name: NIL
Singapore
askjtp@gmail.com
+6598420411
The ARRI Alexa Plus is a production-proven digital cinema camera known for its outstanding dynamic range, natural color reproduction, and robust build. Designed for high-end filmmaking, it offers advanced features such as integrated wireless control, expanded lens metadata, and precise exposure handling. Its ergonomic design and dependable performance make it a favorite on feature films, commercials, and broadcast productions worldwide. With superior latitude and the signature ARRI image aesthetic, the Alexa Plus remains a top choice for professionals seeking cinematic quality and reliability.
Key Features
Exceptional dynamic range and color science
Integrated wireless camera and lens control
Robust, production-ready build
Comprehensive lens metadata support
Trusted ARRI workflow compatibility
Cost To Be Determined
Date: December 12, 2025
(M)
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
The RED DRAGON 6K is a professional digital cinema camera system, typically integrated into the RED EPIC or RED WEAPON camera bodies (Brains). It features a 19.4 Megapixel CMOS sensor and is highly regarded in high-end cinematic production for its massive resolution and exceptional dynamic range.
Key Features and Benefits6K Resolution & Detail: Captures motion and stills at a maximum resolution of 3$6144 \times 3160$ (19 megapixels), offering over 9 times the pixel count of 1080p HD.4
Benefit: Provides unprecedented image clarity, superior visual effects (VFX) plate quality, and extensive flexibility for reframing, cropping, or down-sampling to 4K/HD with a cleaner, sharper final image.
High Dynamic Range: Features 6$16.5+$ stops of dynamic range.7Benefit: Offers remarkable flexibility in post-production, preserving detail in both extreme highlights and deep shadows, and excelling in challenging, high-contrast lighting conditions.8
Advanced Color Science: Utilizes RED’s DRAGON color science.
Benefit: Delivers vibrant, true-to-life colors, smoother skin tones, and improved tonal variations, ensuring high-quality RAW images.
High Frame Rates: Capable of shooting up to 75 frames per second (fps) at 6K Full Format, or up to 100 fps at 6K 2.4:1.
Benefit: Allows for stunning high-resolution, high-speed, and slow-motion capture.
Modular and Compact Design: The camera body (BRAIN) is relatively compact and lightweight (around 3.3 to 5 lbs).
Benefit: Highly versatile for different setups, including gimbals, cranes, and Steadicam rigs, and compatible with RED’s Digital Stills and Motion Camera (DSMC) ecosystem of accessories.
Cost ; To Be Determined
Date: R- 12-10-2025
Owner: Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Price Research
Newlifecine.com : has one $ 5,415
Justcinemahear.com: does not have any
AI says: Estimated Average Price Range (USD)
The current average price for a used RED EPIC DRAGON 6K is generally in the range of:
$3,000 to $5,000 USD for a ready-to-shoot package in good condition.
ARRI ALEXA XT Plus (Xtended Technology Plus) is a versatile digital cinema camera, part of the widely acclaimed ALEXA family. It offers the best overall image quality known from the ALEXA line, combined with extended recording and control features. It is a highly flexible “all-rounder” camera designed for a variety of high-end productions like feature films and commercials.
Super 35 Sensor with 4:3 & Open Gate: Enables native capture for true anamorphic cinematography and provides maximum sensor area for VFX or post-production reframing/resizing.
In-Camera ARRIRAW Recording: Uses the XR Module (Xtended Recording) for recording ARRI’s highest quality, uncompressed raw format directly onto XR Capture Drives, streamlining the workflow.
High Frame Rate Capability: Records up to 120 fps in full image quality, ideal for slow-motion effects.
ProRes 4444 XQ and ProRes 3.2K: Offers the highest quality ProRes codec and a unique resolution for excellent 4K UHD up-sampling or additional post-production image manipulation.
Integrated Lens Data System (LDS): Automatically captures and stores lens metadata (focus, iris, zoom) for efficient on-set monitoring and VFX workflows.
Internal Filter Module (IFM-1): Accepts full-spectrum Neutral Density (ND) filters behind the lens, saving time, reducing weight, and maintaining neutral color balance.
Extended Electronics: Includes built-in wireless remote control for the camera and lens, tilt/roll sensors, and additional accessory ports (MON OUT, RS sockets) for increased versatility.
Cost : TBD
Date: 12/09/2025 – R
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Price Research:
Justcinemagear : 14,500
Newlifecine: 15,000 –
AI Says:
Low End (Body/Basic Kit): Listings for the ALEXA XT/XT Plus body or a very basic kit start around $4,750 – $6,000 USD (often with a high number of operating hours).
Mid-Range (XT Plus with Licenses): An ALEXA XT Plus with all licenses (4:3 Open Gate, High Speed, ARRIRAW) and some basic accessories (like an EVF) is frequently listed around $6,000 – $7,500 USD.
High End (Full Package/Low Hours): Comprehensive kits with low hours (e.g., < 1,000 hours), all licenses, multiple drives, and supporting gear (viewfinder, plates, etc.) can be listed from $10,000 – $12,000 USD or more
Includes:
Ready to shoot kit
Side bracket with wireless transmitter bracket
15mm LW rod bracket
3x 1tb cards
Roughly 1400 hrs on the clock
PL and EF mounts
Handle will be re annondised over the break.
Comes in a silver flight case.
The ARRI ALEXA Mini LF combines the compact, lightweight form factor of the ALEXA Mini with ARRI’s large-format (LF) 4.5K sensor technology. This makes it a versatile cinema camera delivering the signature ARRI image quality in a smaller, more flexible package for high-end productions
Large-Format Sensor: Features the ARRI ALEV III (A2X) sensor (slightly larger than full frame, 3$36.70 \times 25.54 \text{ mm}$) for a distinct, cinematic, large-format look with shallower depth of field and wider field of view.4
Superior Image Quality: Delivers native 5$4.5\text{K}$ resolution, exceptional natural skin tones, low noise, and an outstanding High Dynamic Range (HDR) of 14+ stops.
Compact & Robust Design: Shares the small, ergonomic, and sturdy body of the ALEXA Mini, making it ideal for gimbal, drone, handheld, and compact setups.7 It is built to operate in harsh environments (8$-20^\circ \text{C}$ to 9$+45^\circ \text{C}$).
Efficient Workflow: Records to cost-effective Codex Compact Drives in both uncompressed MXF/ARRIRAW and highly-efficient MXF/Apple ProRes formats. It supports Codex High-Density Encoding (HDE) for reduced ARRIRAW file sizes.
Integrated Features: Includes internal, motorized Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, 1.8) and the new high-contrast MVF-2 Multi Viewfinder with a flip-out monitor.
Versatile Lens Options: Comes with the ARRI LPL lens mount, compatible with the ARRI Signature Prime lenses, and can use PL-mount lenses via an adapter
COST: 69K AUD
Based on the current exchange rate, $69,000$ Australian Dollars (AUD) is approximately $45,643.50$ US Dollars (USD).
Mitch Ayers
mitch@mitch-ayers.com
12-4-2025 – R
Price Investigation : AI
Average Used Price: ARRI ALEXA Mini LF Based on worldwide listings on professional cinema equipment marketplaces and dealer sites, the average price for a Used ARRI ALEXA Mini LF Camera Package falls within the following range:Average Price RangeUSD $35,000 to $50,000 (approximately $\text{€}32,000$ to $\text{€}46,000$)
The price is highly dependent on what is included in the package, the camera’s operational hours, and its condition.
Newlifecine 53,500 – 52,550 – 56,900 – 44,000 – 52,200 – 44,000 – 49,900 – 51,000
Justcinemagear – 41,850 – 46,750 – 43,850 – 45,850 – 45,850 – 46,750 – 41.050 – 46, 650
Includes:
Arri Alexa Mini (4100 Hours)
Viewfinder
(3) 256 Cards
Card Reader
Wooden Camera Cage
The ARRI ALEXA Mini is a compact, lightweight digital cinema camera designed for high-end filmmaking, offering the renowned ARRI image quality in a versatile form factor ideal for gimbals, drones, handheld work, and tight shooting environments. Despite its small size, it delivers exceptional dynamic range, natural color reproduction, and robust build quality that make it a favorite among cinematographers for both feature films and commercial productions.
Key Features
35mm ARRI ALEV III CMOS sensor with wide dynamic range
Lightweight carbon-fiber body for flexible rigging
ProRes and ARRIRAW recording options
Interchangeable lens mounts (PL, EF, B4 options)
High-speed recording up to 200 fps
Built-in motorized ND filters
Integrated Wi-Fi for remote control and monitoring
Excellent low-light performance and color science
Cost: 15000 EUROS
December 4, 2025
(M)
Nikolay Pavlov & Sofia
Bulgaria
+359888884276
office@infinityfilms.bg
Includes:
Alexa Mini Body
Arri Raw, Look Library
MVF-1 Wiewfinder
Viewfinder Cable
Titanium PL-Mount
2x Memory Card 128GB
2x Memory Card 256GB
Side Bracket MSB-1
MAP-2
CCH-2 Handle
15mm Broadcast Plate
VLock Battery Adapter
SmallHD 701 Monitor
Monitor Cage
Sunhood
Teradek TX/RX Bolt 500
The ARRI ALEXA Mini is a compact, lightweight Super 35mm digital cinema camera. It is designed for drones, gimbals, and handheld use, built into a durable carbon-fiber body.
It features the same ALEV III sensor as the classic ALEXA, delivering industry-standard image quality (the “ARRI look”), natural skin tones, and over 14 stops of Dynamic Range.
The Mini is known for its versatility. It includes internal motorized ND filters and supports robust recording in ARRIRAW and ProRes at high frame rates (up to 200 fps). Its 4:3 sensor mode makes it perfect for anamorphic shooting.
COST : TBD Ownwer Patrick Degner
p.deg@me.com
R-11/28/25
Price Investigation:
Justcinemagear: 22,650 – 21,150 – 23,950 – 23,850 – 20,000 -18,750 – 19,990 – 21,850 – 21,500 – 25,650
Newlifecine: 24,000 – 20,000 – 25,000 – 23,500 – 30,000 – 22,000 – 20,250 – 19,000 – 19,900, etc
AI says:
Basic Kit $14,000 – $18,000 Camera Body, PL Mount, may require separate purchase of licenses (4:3, ARRIRAW) or be high-hour units (4,000+ hours).
Working Package $19,000 – $25,000 Camera Body, All Permanent Licenses (4:3, ARRIRAW, Look Library), ARRI Viewfinder (MVF-1/2), and a basic cage/rod system.
Premium Package $26,000 – $32,000+ Low-hour camera (< 1,000 hours), All Licenses, Viewfinder, Multiple CFast 2.0 Cards, Card Reader, and complete rigging (D-Box, V-mount plates, flight case).
ARRI Alexa Mini Digital Camera Set
Hours: 1,200
Includes:
Alexa Mini Camera Body
PL-Mount
ARRIRAW, 4:3 licenses
Viewfinder
Viewfinder Braket
Viewfinder Cable
Side Braket MSB-1
Side Braket MSB-2
MAP-2
CCH-2 Handle
2x Rod
Bebob V-Mount Adapter
Vocas Base Plate
2x SanDisk Memory Card 256GB
Angelbird Card Reader
The ARRI Alexa Mini is a compact, lightweight digital cinema camera built to deliver the signature ARRI image quality in a highly versatile form factor. Sharing the same ALEV III sensor as the larger Alexa models, it provides exceptional dynamic range, natural color reproduction, and reliable performance for gimbals, drones, handheld, and studio setups.
Key Features:
Compact carbon-fiber body ideal for tight spaces, drones, and gimbals
ALEV III sensor with over 14 stops of dynamic range for cinematic imaging
Records in ARRIRAW and ProRes, supporting up to 200 fps for slow motion
Motorized ND filters for fast exposure control
Interchangeable lens mounts (PL, EF, B4) for wide system compatibility
Strong metadata and wireless control support for efficient workflows
Robust, production-ready design trusted across high-end film and commercial work
EURO 21,900 FOB
MD
Patrick Degner
p.deg@me.com
11-28-2025
Includes:
ALEXA Mini Body
4:3, ARRIRAW Licenses
ALEXA Mini Viewfinder MVF-1
PL LDS Mount
EF LDS Mount
2x ALEXA Mini to MVF-1 0,75m/29in
Mini Adapter Plate MAP-1
Mini Adapter Plate MAP-2A
Mini Side Bracket MSB-1
Mini Side Bracket MSB-2
Side Accessory Bracket SAB-1
Bridge Plate Adapter
BPA-4 Rod Mounting Bracket
RMB-3 15mm Reduction Insert
Mini Viewfinder Bracket MVB-1
Center Camera Handle CCH-2
Handle Extension Block, HEB-1
Support Rods 340mm, Ø15mm
Power Extension Cable
V-Mount Battery Adapter Plate with Clip
Shoulder Pad CSP-1
Low Bracket for CSP-1
Audio Module
4x 256GB CFast Cards
CFast Reader
ARRI Handles
ARRI Extensions
ARRI ALEXA Mini is a compact, lightweight Super 35mm digital cinema camera that packs the industry-standard image quality of the larger ALEXA system into a carbon-fiber body small enough for drones, gimbals, and handheld work. Despite its small size, it features the exact same ALEV III sensor as the classic ALEXA, ensuring perfect color matching and the celebrated “ARRI look” with organic skin tones and exceptional dynamic range. It has become a staple on everything from feature films to high-end commercials due to its versatility and reliability.
ALEV III Super 35 CMOS Sensor: Utilizes the same acclaimed sensor as the larger ALEXA models, delivering natural color reproduction, low noise, and a film-like aesthetic.
Compact & Lightweight Design: Weighing roughly 5 lbs (2.3 kg), the carbon-fiber body is optimized for use on brushless gimbals, multicopters (drones), and tight shooting environments.
14+ Stops of Dynamic Range: Captures immense detail in both highlights and shadows, providing a high latitude for exposure and flexibility in color grading (Log C).
Integrated Motorized ND Filters: Features internal Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, and 2.1) that can be switched remotely, saving time on set.
Versatile Recording Formats: Supports robust recording options including ProRes 4444 XQ, and uncompressed unencrypted ARRIRAW (up to 30fps Open Gate or 48fps 2.8K) for maximum post-production control.
High Frame Rates: Capable of shooting up to 200 fps in 2K and HD ProRes for high-quality slow-motion capture.
4:3 Sensor Mode: Allows for true anamorphic shooting with dedicated de-squeeze monitoring, ideal for widescreen cinematic productions.
Interchangeable Lens Mounts: Ships typically with a titanium PL mount (with LDS support) but can be swapped for EF or B4 mounts to accommodate a wide variety of lenses.
Cost: TBD
Patrick Degner
p.deg@me.com
R-11/27/25
Prices Search
Justcinemagear: 22,650 – 21,150 – 23,950 – 23,850 – 20,000 -18,750 – 19,990 – 21,850 – 21,500 – 25,650
Newlifecine: 24,000 – 20,000 – 25,000 – 23,500 – 30,000 – 22,000 – 20,250 – 19,000 – 19,900, etc
Basic Kit $14,000 – $18,000 Camera Body, PL Mount, may require separate purchase of licenses (4:3, ARRIRAW) or be high-hour units (4,000+ hours).
Working Package $19,000 – $25,000 Camera Body, All Permanent Licenses (4:3, ARRIRAW, Look Library), ARRI Viewfinder (MVF-1/2), and a basic cage/rod system.
Premium Package $26,000 – $32,000+ Low-hour camera (< 1,000 hours), All Licenses, Viewfinder, Multiple CFast 2.0 Cards, Card Reader, and complete rigging (D-Box, V-mount plates, flight case).
Hours:
Camera (System) 3044, R7 (System) 1941
Camera (Reset) 3044, R7 (Resetable) 1941
It includes the following items:
-1x Sony Venice 1 camera (serial number 10933), PL Mount Wooden Camera.
-1x D-BOX Wooden Camera V-Lock.
-1x AXS-R7 Recorder (serial number 11265)
-1x Sony DVF-EL 200 Viewfinder (serial number 11960)
-2x cables: viewfinder + viewfinder mount + viewfinder extension for Wooden Camera
-4x AXS 512GB memory cards
-1x AXSM card reader (model AXS-AR3) + AC adapter + USB-C cable.
-1x Wooden Camera Base Plate (15mm)
-1x Wooden Camera Base Plate (19mm)
-1x Wooden Camera Handles (x4 pieces).
1x Sony Venice A-Box.
The Sony VENICE is a flagship full-frame digital cinema camera designed for high-end filmmaking, television production, and commercials. Part of Sony’s renowned CineAlta line, it bridges the gap between classic film aesthetics and modern digital workflow, offering a modular design that allows for significant customization on set. It is widely praised for its exceptional color science, skin tone rendition, and ability to handle extreme lighting conditions.
Full-Frame 6K Sensor: Captures stunning 6048 x 4032 resolution with a classic 36x24mm sensor, allowing for shallow depth of field, immersive large-format visuals, and flexibility to crop for Super35mm projects.
Dual Base ISO (500 & 2500): Provides exceptional low-light performance and clean images in diverse lighting environments without increasing noise, maximizing the 15+ stops of dynamic range.
Built-in 8-Step Mechanical ND Filters: Features a servo-controlled internal ND filter system (0.3 to 2.4) that allows cinematographers to quickly adjust exposure without changing external matte box filters, saving valuable time on set.
Interchangeable Lens Mounts: Comes with an industry-standard PL mount but offers a locking E-mount underneath, providing native compatibility with a massive range of cinema and still photography lenses.
Advanced Color Science: Exceeds the BT.2020 color space and DCI-P3 gamut, delivering natural skin tones and a soft, film-like highlight roll-off that simplifies color grading.
Multiple Recording Formats: Supports high-fidelity 16-bit X-OCN (Extended Tonal Range Original Camera Negative), RAW, XAVC, and ProRes, offering flexible workflow options from data-heavy VFX work to efficient broadcast turnarounds.
Cost: TBD
Isidro Parrondo
contacto@aksmedia.es
Mob: +34 627 115 765 / R-11/27/25
Price search:
Justcinemamgear: 24.990 – 15,650 – 19,850 – 19,000 – 19,500 – 16,850 – 21,750
Newlifecine : 24,000 – 22,000 – 18,000 – 39,000 -15,500 – 18,900 – 17,500 -15k -23k -24k
AI says:
As of late 2024 / early 2025, the average price for a used Sony VENICE 1 (6K) in the global second-hand market falls into two distinct categories:
Body Only / Basic Kit: $13,500 – $17,000 USD
Production Ready Package (with Recorder & Licenses): $22,000 – $28,000 USD
Includes:
K1.0024074 1x ALEXA Mini LF camera body
K2.0018983 1x ARRI LPL Mount (LBUS)
K2.0016936 1x ARRI PL-to-LPL Adapter
K2.0024130 2x Codex Compact Drive 1TB (CA08-1024)
K2.0020916 1x Multi Viewfinder MVF-2
K2.0023915 1x Cable VF (0.35m/1.15ft)
K2.0023943 1x Cable VF (0.5m/1.5ft)
K2.0023839 1x Mini Adapter Plate MAP-2A
K2.0006140 1x Mini Viewfinder Bracket MVB-1
K2.73002.0 1x Center Camera Handle CCH-2
K2.0023546 1x Mini Side Bracket MSB-3
K2.0014957 1x Mini Side Bracket MSB-2
K2.0014894 1x Compact Bridge Plate CBP-1 19mm
K2.0013937 1x Rear Accessory Bracket RAB-1
K2.0023406 1x RAB-1 Clamp 2
K2.0006186 1x Rod Mounting Bracket RMB-3
K2.66255.0 1x 15mm Reduction Insert
K2.0014530 1x V-Mount Power Splitting Box MkII
K2.0015896 1x Bottom Dovetail Plate 300mm/12in
extra:
K2.0024130 2x Codex Compact Drive 1TB (CA08-1024)
K2.0024134 1x Codex Compact Drive Reader (USB-C)
The ARRI Alexa Mini LF combines the compact, lightweight form factor of the popular Alexa Mini with a large-format (LF) sensor. Designed for maximum versatility, it allows filmmakers to capture the coveted “large format look”—characterized by immersive depth of field and wider fields of view—without the bulk of a full-size studio camera. It is widely used in high-end feature films, commercials, and drama series, offering seamless integration into existing ARRI workflows while meeting strict 4K mandates (such as those from Netflix).
Large Format ALEV III (A2X) Sensor: Delivers ARRI’s signature natural skin tones, smooth colorimetry, and an immersive cinematic aesthetic with lower noise and higher usable sensitivity.
Exceptional Dynamic Range: Offers 14+ stops of exposure latitude, providing immense flexibility in post-production, especially for HDR (High Dynamic Range) workflows.
Compact & Lightweight Design: Weighing approximately 2.6 kg (5.7 lbs), it is optimized for handheld work, gimbals, drones, and tight shooting environments where larger cameras cannot fit.
True 4K Recording: Capable of recording up to 4.5K resolution, making it fully compliant with Netflix and other streaming platform production mandates.
Versatile Recording Formats: Supports internal recording of uncompressed ARRIRAW and versatile Apple ProRes onto robust Codex Compact Drives.
Integrated FSND Filters: Features three internal motorized Full Spectrum Neutral Density filters (ND 0.6, 1.2, and 1.8) for quick exposure control without color shifting.
LPL Lens Mount: Comes with the LPL mount optimized for large-format glass but remains compatible with Super 35 PL lenses via a PL-to-LPL adapter.
Robust Build Quality: Constructed with a splash and dust-proof carbon fiber body, sealed electronics, and a stable operation range from -20°C to +45°C.
Cost : TBD
Patrick Degner
p.deg@me.com
11-25-2025
Price Investigation / R- 11/25/25
Newlifecine: 53,500 – 52,550 (100 Hours) – 56,900 – two for 44,000 – 58,000 – 49,990 and more
Justcinemagear : 41,520, 45,850, 41,950 , 45,850 , 46,750 , 46,750 , 41,850 , 48,650 and more
AI says :
Ready-to-Shoot Kit$43,000 – $52,000Body, LPL Mount, MVF-2 Viewfinder, Cage, 3+ Codex Drives.
Premium / Low Hours$53,000 – $60,000+<500 Hours, Extended Warranty, Signature Primes, or Full Production sets (Bridge plates, multiple mounts).
Operating Hours: Low: < 1,000 hours (Commands premium pricing, closer to $50k).
Mid: 1,500 – 3,000 hours (Standard market price).
High: > 4,000 hours (Can be found for ~$40k – $42k, often ex-rental house gear).
Hours: 639
Includes:
– FF license
– Highspeed license
– 8x 512G Media Cards
– 2x AXSM Fast Readers
The Sony VENICE is a full-frame digital cinema camera engineered for high-end narrative, commercial, and feature production. It delivers exceptional image latitude, advanced color science, and a flexible sensor system that supports multiple aspect ratios and recording formats. Designed for professional workflows, it offers reliable operation in demanding shooting environments and seamless integration with industry-standard rigs and accessories.
Key Features
Full-Frame 6K Sensor capable of multiple aspect ratios and oversampled image quality, ideal for premium cinema productions.
Dual Native ISO (500 & 2500) providing excellent low-light performance while maintaining clean, detailed images.
Highly Flexible Color Science with wide color gamut and precise skin-tone rendition suited for HDR and ACES workflows.
Interchangeable Sensor Block allowing upgrades such as the VENICE 2 sensor or service-friendly component swaps.
Internal 16-bit RAW & X-OCN recording (with AXS-R7) delivering maximum image latitude for grading and VFX.
Robust Build & Modular Design optimized for studio, handheld, Steadicam, and gimbal operation.
Cost: $20,000
(t)
Luca Del Puppo
luca.delpuppo@gmail.com
11-21-2025
HOURS 2,678
The ARRI ALEXA Mini is a compact, lightweight digital cinema camera designed to complement the full ALEXA system, offering the same high-quality image sensor in a versatile form factor for specialized shots (gimbal, drone, handheld, etc.).
Superior Image Quality Features the same ALEV III Super 35 sensor as the larger ALEXA cameras, ensuring industry-standard dynamic range (14+ stops), excellent color rendition, and natural skin tones.
Compact & Lightweight ~2.3 kg / 5 lbs (body only), making it ideal for gimbals, drones, handheld, and other restricted or dynamic shooting environments.
Versatile Recording Records to CFast 2.0 cards in Apple ProRes formats (up to 4K UHD or 3.2K) or uncompressed ARRIRAW (up to 3.4K Open Gate).
Anamorphic Ready 4:3 sensor and Open Gate recording modes, along with a de-squeeze function, fully support anamorphic cinematography.
Integrated Functionality Built-in motorized FSND filters (0.6, 1.2, 2.1) and an integrated Lens Motor Controller reduce rig bulk and setup time.
Robust & Reliable Durable, splash- and dust-proof design with sealed electronics for stable operation in harsh environments (e.g., $-20^{\circ}$C to $+45^{\circ}$C).
Multiple Lens Options Interchangeable lens mounts (PL, EF, B4) expand lens compatibility beyond standard cine lenses.
Simplified Workflow Images match seamlessly with other ALEXA cameras in post-production, avoiding color grading issues typical of mixed-camera shoots.
Serial Number 21356
Cost PRICE: 21.000€
Adria [CLR] <adria@cameralensesrental.com>
Adrià Calvo @ adria@cameralensesrental.com
661 43 36 64
QUESTION : How much is a fair selling price in EUROS if the cost for us is 21,000 (24,442.95 Dollars)?
Price investigation: AI says :
based on recent second-hand film and video gear market listings globally, here is the approximate price range you can expect for a complete ARRI ALEXA Mini camera package with a relatively low to moderate operating hour count (2,000–3,000 hours falls into the lower end of the high-usage scale, but is generally considered moderate for a camera of this age):Estimated Price RangeBase Camera PackageComplete Kit Price RangeARRI ALEXA Mini Body (including basic licenses and accessories)USD $18,000 to $25,000
Newlifecine has : 19.000, 19,900, 20,000, 16,000, 22,000, 19,000, 22,000, 25,000, 20,000 , 19,990, 24,000 and more in dollars
Justcinemagear has several prices: 19,990, 25,650, 21,500 , 18,750, 23.850, 23,950 , 21,150 and 22,650 all in dollars
R-11/13/2025
Hours – 1738:03
The ARRI ALEXA Mini is a compact, lightweight digital cinema camera that brings the renowned image quality and color science of the ARRI ALEXA family into a smaller, versatile form factor. It is designed to be a perfect complement to a full-size ALEXA kit, excelling in specialized shots like those captured on gimbals, multicopters, or in tight spaces.
Key Features:
Compact, Lightweight Carbon Body: Ideal for specialized shooting (gimbals, drones, tight spaces) and easy transport.
35mm ALEV III CMOS Sensor: Delivers the “gold standard” ARRI image quality, natural skin tones, and excellent colorimetry.
High Dynamic Range (14+ Stops): Future-proofs footage for HDR displays and provides great flexibility in post-production.
4:3 Sensor with Licenses: Optimized for anamorphic productions and offers a wide array of widescreen recording options.
Internal Recording: Records ProRes (up to 4K UHD) or uncompressed ARRIRAW in-camera to CFast 2.0 cards.
Integrated Functions: Built-in motorized ND filters and a lens motor controller simplify the camera setup and reduce rig clutter.
Interchangeable Lens Mounts: Supports PL, EF, and other mounts, offering a huge variety of lens options.
High Frame Rate (HFR): Records up to 200 fps in ProRes HD/2K for high-quality slow-motion.
Seamless Integration: Images match perfectly with other ALEXA cameras, simplifying multi-camera workflows and color grading.
Serial number 22198
cost 22.000€
(T)
Adrià Calvo
adria@cameralensesrental.com
661 43 36 64
13-11-2025
The Sony Murano Camera is a cutting-edge mirrorless digital camera designed for professional photographers and filmmakers who demand exceptional image quality, advanced performance, and seamless usability. Crafted with precision and elegance, the Murano combines Sony’s industry-leading sensor technology with a sleek magnesium alloy body that’s both lightweight and durable. Its enhanced autofocus system locks onto subjects with remarkable speed and accuracy, while the high-resolution electronic viewfinder delivers a crystal-clear preview of every shot. Whether capturing cinematic 8K video or shooting ultra-detailed stills in low light, the Sony Murano pushes the boundaries of creativity, making it the ultimate tool for visual storytelling.
Key Features:
61MP full-frame Exmor R CMOS sensor for stunning detail and dynamic range
8K/60p video recording with advanced color grading options
AI-powered real-time eye autofocus for humans, animals, and vehicles
15-stop dynamic range for superior exposure control
Dual CFexpress Type A and SD card slots for high-speed storage flexibility
5-axis in-body image stabilization for crisp, handheld shots
Weather-sealed magnesium alloy body for durability in all conditions
600000 THB
October 29, 2025
(M)
Rob Erik Van Gelder
Thailand
steadirob@gmail.com
Includes:
2 x 128GB Cinemags
1 x Cinestation
1x Power Supply
1x Riser Plate
2 x Pelican Cases
The Phantom Flex 2K, by Vision Research, is a professional-grade high-speed digital cinema camera renowned for capturing stunning slow-motion footage. It features a Super 35mm CMOS sensor and is widely used in feature films, commercials, and big-budget music videos where extreme high frame rates and image quality are crucial. The camera offers exceptional flexibility in shooting modes and workflow options.
key features:
Ultra-High Frame Rates: Captures motion in extreme slow-motion (up to 2,570 fps at 1920×1080 resolution in Standard Mode), revealing details invisible to the naked eye.
High Resolution: Maximum resolution up to 2.5K ensures high-quality, detailed imagery.
Super 35mm CMOS Sensor: A large sensor format provides shallow depth of field and is compatible with a wide range of standard cinema lenses.
Global Electronic Shutter: Eliminates motion artifacts like “jello effect” or skew, essential for fast-moving subjects or strobe lighting.
User-Selectable Shooting Modes: Includes Standard Mode (maximum frame rates) and HQ Mode (ultimate image stability, lower noise, higher dynamic range), offering flexibility for different shooting conditions.
CineMag Compatibility: Supports CineMag II non-volatile memory devices for high-speed, fast data transfer, streamlining the on-set workflow.
Wide Dynamic Range: Offers up to 10 stops of latitude, allowing for rich color performance and excellent detail in both shadows and highlights.
TBD
(TH)
Adam Cohen
acohen@donatelloarm.com
United States
28-10-2025
772 hours
Includes:
Sony Venice 2 8K camera body (Anamorphic License / Full Frame License)
Venice PL Mount
DVF-EL Viewfinder + Lemo 26 DVF-EL Cable
Spare Lemo 26 DVF-EL2 Cable
2× AXS 1TB Cards
AXS-AR3 Card Reader + Power Supply + Schuko razor cable + 2× USB-C Thunderbolt 3 cables
ARRI CCH-4 Top Handle
Genuine Sony Top Handle
ARRI Top Plate for Sony Venice
Genuine EVF Bracket for Sony DVF-EL200 + 2 rods ø15mm × 10cm
ARRI Left Bracket for Venice
ARRI Right Bracket for Venice
ARRI Bottom Plate for Sony Venice
BPA-5 Adapter
USB Wi-Fi Adapter CBK-WA02
PL mount shim set
The Sony VENICE 2 8K is a full-frame digital cinema camera designed for high-end film and television production. It features a powerful 8.6K sensor that delivers exceptional image quality, color depth, and dynamic range, making it one of the most advanced tools for cinematographers seeking cinematic realism and flexibility in post-production.
Key Features and Benefits
8.6K Full-Frame Sensor (8640 × 5760): Delivers extraordinary detail and clarity for cinema-grade productions.
Dual Base ISO (800/3200): Provides excellent performance in both low-light and high-contrast environments.
Internal X-OCN & ProRes Recording: Enables efficient workflows without the need for an external recorder.
Interchangeable Sensor Block: Compatible with the original VENICE 6K sensor for flexible production needs.
Extensive Dynamic Range (over 15 stops): Ensures superior highlight and shadow detail.
Anamorphic & Full-Frame Licenses Included: Supports multiple aspect ratios and lens formats.
Compact and Lightweight Design: Easier rigging for handheld, drone, and gimbal use.
Professional Connectivity: Features multiple SDI outputs, genlock, timecode, and remote control options.
COST: EURO 42,340 FOB
Brice Tholozan
brice.tholozan@gmail.com
VS
10/24/2025
includes:
Sony DVF-EL200 0.7inch Full HD OLED Viewfinder
Sony Venice Long VF Cable – 120cm
ARRI EVF Bracket Set For Sony Viewfinder
ARRI Top Plate for Sony Venice 1/2
ARRI Camera Centre Top Handle
ARRI VENICE Camera Baseplate w/shoulder mount
ARRI Bridge Plate Adapter BPA-5
ARRI BP-8 Bridge Plate
ARRI Bottom Dovetail Plate – 300mm
Wooden Camera D-Box V-Lok/AB Multi Power Plate
D-Box Link Cable (5-Pin 0B RA Male to 5-Pin 0B Straight Male
Wooden Camera AIR EVF Extension Arm For Sony Venice
Arri WA-2 WEDGE-ADAPTER
4Pin 12V XLR Cables
Camera Flight Case
SONY AXS-R7 RAW / X-OCN Recorder
Sony AXS 512GB Memory A Series Card – 4.8Gbps – Pack Of 4
Sony AXS-AR1 Memory And SxS Memory Thunderbolt Card Reader
Sony Rialto 2 System
Wooden Camera Elite Accessory System For Sony Rialto/Rialto
Tilta ESR-T13-RB-V (ESRT13RBV) Sony Venice Backpack Module
Sony Rialto Case
The Sony VENICE 1 is a high-end, full-frame digital cinema camera designed for professional film and television production. Launched in 2017, it’s known for its exceptional image quality, color science, and flexibility in various shooting environments. It supports a wide range of resolutions and aspect ratios, offering filmmakers creative freedom and robust post-production capabilities.
Key Features:
Full-Frame 6K Sensor: Delivers rich detail and cinematic depth of field.
Interchangeable Sensor Block: Future-proof design allows sensor upgrades.
Dual Base ISO (500 & 2500): Exceptional low-light performance and dynamic range.
Internal 16-bit RAW/X-OCN Recording: High-quality capture for professional workflows.
Anamorphic and Spherical Lens Support: Versatile lens compatibility.
8-Stop Mechanical ND Filter System: Built-in, motorized ND filters for fast exposure control.
Color Science (S-Gamut3 & S-Log3): True-to-life skin tones and advanced grading flexibility.
Modular Design: Supports various rigging and production configurations.
PL and E-Mount Compatibility: Broad range of lens options for different needs.
TBD
(TH)
Kim Kookendoffer
Boardwalk Pictures
kim@boardwalkpics.com
859.229.2331 (m)
US
21-10-2025
Includes:
1x ARRI Ultra Prime 16mm
1x ARRI Ultra Prime 24mm
1x ARRI Ultra Prime 32mm
1x ARRI Ultra Prime 40mm
1x ARRI Ultra Prime 50mm
1x ARRI Ultra Prime 85mm
1x ARRI Ultra Prime 100mm
The ARRI Ultra Prime lenses, developed in collaboration with Zeiss, are industry-standard cinema lenses known for their exceptional optical performance, robust construction, and versatility. Covering a full range of focal lengths from 8mm to 180mm, they deliver consistent color, contrast, and sharpness across the entire set. Their lightweight and compact design makes them ideal for all types of productions, from feature films to commercials.
Key Features & Benefits
Wide Focal Range: 8mm to 180mm, covering virtually any shooting scenario.
Consistent T-Stop: Most lenses offer a fast T1.9 aperture, maintaining uniform exposure.
Exceptional Image Quality: High contrast, minimal distortion, and excellent color matching.
Cinematic Look: Natural skin tones and pleasing bokeh for a classic film aesthetic.
Reliable Mechanics: Durable build with precise focus and iris control, ideal for professional use.
Compact & Lightweight: Easier handling on gimbals, drones, and handheld setups.
PL Mount Compatibility: Works seamlessly with ARRI and most cinema cameras.
COST: USD $50,000 FOB
Andrey But
andrey.but@ozero.design
Zodiac Film
+380 (99) 100 45 45
Berlín
VS
10/21/2025
Includes:
PL mount
1x SONY Viewfinder DVF-EL200
2x rodes 15mm
3x Card AXS 512GB
1x AXS-AR1 Thunderbolt Card Reader
1x sound box XLR 5p -> 2x XLR 3p
1x cable XLR 5p -> XLR 3p
1x Dtap -> XLR 4p
1x Klinke -> XLR 5p
The Sony VENICE is a full-frame digital cinema camera designed for high-end film and television production. Known for its exceptional image quality, color science, and flexibility, it delivers cinematic visuals with extensive dynamic range and advanced workflow options. Its modular design and intuitive controls make it a top choice for professional cinematographers.
Full-Frame 6K Sensor: Captures stunning detail and cinematic depth.
Dual Base ISO (500 & 2500): Ensures excellent performance in both low-light and bright conditions.
Up to 16 Stops Dynamic Range: Offers exceptional latitude for grading and post-production.
8-Step ND Filter System: Built-in, motorized filters for fast exposure control.
Interchangeable Sensor Block: Modular design for future upgrades and flexibility.
Anamorphic & Full-Frame Modes: Supports various aspect ratios and lens options.
PL & E-Mount Compatibility: Works with a wide range of professional lenses.
Advanced Color Science: Delivers rich, natural skin tones and cinematic color reproduction.
User-Friendly Interface: Intuitive controls designed for on-set speed and efficiency.
COST: USD $20,000 FOB
Andrey But
andrey.but@ozero.design
Zodiac Film
+380 (99) 100 45 45
Berlín
VS
10/17/2025
SN21298, 5519 hours
PL mount
4x CFast 2.0 128GB card Sandisc
3x CFast 2.0 256GB card Sandisc
1x ARRI viewfinder MVF-1
2x SanDisc card reader
The ARRI ALEXA Mini is a compact, lightweight cinema camera designed for versatility in specialized shooting environments like gimbals, drones, handheld rigs, and tight spaces, while maintaining the renowned image quality of the ARRI ALEXA system.
Key Features and Benefits:
Compact and Lightweight Design: Durable carbon body (~2.3 kg / 5 lbs.) ideal for gimbals, multicopters, and specialized rigs.
ALEXA Image Quality: Features a Super 35 format ARRI ALEV III CMOS sensor, providing natural skin tones and up to 14+ stops of dynamic range.
High Frame Rate Capability: Records up to 200 fps (in 2K ProRes) for slow-motion capture.
Internal ND Filters: Built-in motorized Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, 2.1) simplify exposure adjustments on set.
Flexible Recording: Records in-camera to CFast 2.0 cards in various formats, including Apple ProRes and uncompressed
Integrated Lens Control: Built-in lens motor control for remote adjustment of focus, iris, and zoom, reducing rig size.
Interchangeable Lens Mounts: Supports PL, LPL, B4, and EF mounts for a wide range of lens options.
Update Feb 12th 2026:
Cost reduced from USD 20,000 to EUR 16.000
Price changed from MAKE AN OFFER to EUR 18.000
(J)
Cost EUR 16.000
Andrey But
andrey.but@ozero.design
Zodiac Film
+380 (99) 100 45 45
Berlín
Newlifecine has several in the following prices: 19,000 -19,900 – 20,000 dollars
Justcinemagear has: 21,150 -19,150 – 26,650 – 24,750 -21,500
PL mount
1x Dovetail
1x AXS-AR1 Thunderbolt Card Reader (SxS)
1x AXS-CR1 Card Reader (AXSM)
3x Card AXSM 512GB
1x Klinke -> XLR 5p
1x cable XLR 5p -> XLR 3p
1x Viewfinder DVF-EL200 cable
1x Dtap -> XLR 4p
Its full-frame 6K sensor, paired with an exceptional 15+ stops of dynamic range and Dual Base ISO, delivers breathtaking cinematic images with rich colors and superb low-light performance. Featuring a modular design and an 8-stage mechanical ND filter system built into the chassis, VENICE provides unparalleled on-set flexibility, ensuring you can capture any scene exactly as you imagine it.
Features
Full-Frame Sensor (36x24mm): Captures stunning, high-resolution images with shallow depth of field and wide dynamic range.
Up to 6K Resolution: Offers detailed imagery suitable for high-end cinema productions.
Dual Base ISO (500 & 2500): Excellent low-light performance and flexibility in different lighting environments.
16+ Stops of Dynamic Range: Delivers rich details in highlights and shadows, ideal for HDR workflows.
Interchangeable Sensor Block: Upgradeable design allows users to switch to different sensor blocks (e.g., VENICE Extension System).
Built-In 8-Stage ND Filter System: Internal motorized ND filters offer precise exposure control without affecting image quality.
Anamorphic and Spherical Lens Support: Supports various lens types and formats, enabling creative choices in production.
ACES & S-Gamut3 Color Science: Professional color grading support for cinematic color reproduction and workflow.
Compact and Modular Design: Adaptable for various rig setups and production needs, including handheld and gimbal use.
USD $23k
(TH)
Andrey But
andrey.but@ozero.design
+380 (99) 100 45 45
Features:
14+ Stops of Dynamic Range: Captures extreme highlight and shadow detail, offering massive flexibility in post-production and color grading.
Compact & Lightweight Design: Built with a sturdy, sealed carbon body, making it ideal for gimbals, drones, handheld rigs, and tight shooting spaces.
Interchangeable Lens Mounts: Supports PL, LPL, EF, and B4 mounts, allowing the use of a vast array of cinema and stills lenses.
Internal Motorized ND Filters: Features a set of Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, 2.1) built right into the body for fast exposure control on set.
High Frame Rates: Records up to 200fps in ProRes HD/2K, and up to 60fps in UHD/3.2K.
ARRIRAW and ProRes Recording: Captures in-camera to CFast 2.0 cards using industry-standard Apple ProRes codecs or uncompressed ARRIRAW (requires license).
4:3 Sensor Mode: Includes licenses for 4:3 and Open Gate recording (often standard in rental models) to support classic anamorphic cinematography.
Update Feb 12th 2026:
7,239:42 hours
Serial Number 22462
Cost changed from TBD to USD 12,000
Price changed from MAKE AN OFFER to USD 13,500 FOB
(J)
Cost: USD 12,000
9/25/25
(M)
Camila Guzman Urzua
camila.guz.ur@gmail.com
Features:
ARRI ALEXA Mini Key Features
Compact and Lightweight Design: Carbon fiber body, ideal for gimbals, drones, handheld, and specialized rigs.
Super 35 ALEV III Sensor: Same sensor technology as other ALEXA cameras for consistent, industry-standard image quality.
14+ Stops Dynamic Range: Exceptional exposure latitude for detail in highlights and shadows.
Native ISO 800: Optimized base sensitivity for clean images in various lighting conditions.
High Frame Rate Recording: Up to 200fps in ProRes 2K/HD resolutions.
Built-in Motorized ND Filters: Internal FSND filters (0.6,1.2,2.1) save time on set.
Versatile Recording Formats: Supports ProRes (up to 4K UHD up-sampled) and uncompressed MXF/ARRIRAW (up to 3.4K Open Gate).
CFast 2.0 Media: In-camera recording to readily available CFast 2.0 cards.
Interchangeable Lens Mounts: Supports PL, LPL, EF, and B4 mounts for a wide range of lens options.
4:3 Sensor Mode: Enabled by license for true anamorphic lens shooting.
Integrated Lens Motor Control: Built-in L-Bus for ARRI cforce motors, simplifying the camera package.
ARRI Look Library Support: Access to 87 predefined creative color grades on set.
Robust and Reliable: Sealed electronics for splash and dust resistance, stable in harsh environments.
SOLD (to third party)
6,247:35 hours
Serial Number 23100
(J)
Code
Cost: To be determined
9/25/25
(M)
Camila Guzman Urzua
camila.guz.ur@gmail.com
Includes:
Arri 435
Arri BP-9
AC Adapter
Two Film Magazines
Features:
High-Speed Filming: Capable of shooting at speeds ranging from 1 to 150 frames per second (fps), with some models like the Advanced and Xtreme able to go as slow as 0.1 fps for time-lapse effects.
Adjustable Shutter: The Arri 435 ES and later models feature an electronic mirror shutter that can be adjusted continuously from 11.2° to 180°, even while the camera is running, offering flexibility for exposure control.
Robust Construction: A “workhorse” camera, the 435 is built for reliability and high performance on a variety of sets, from commercials to special effects units on major feature films.
Versatile Viewfinder: The viewfinder can be rotated on two axes for comfortable viewing from different positions. It also accommodates different ground glasses and can be replaced with a 100% video tap for Steadicam or remote rigging.
Super 35mm Format: The camera is designed to shoot on Super 35mm film, an industry-standard format.
Dual-Pin Registration: It utilizes a precise 5-link movement with dual registration pins and pull-down claws to ensure rock-steady images at all speeds.
Modular Design: The camera is part of a larger system with a wide range of accessories, including different magazines (400 ft and 1000 ft), remote control units, and other electronic and mechanical add-ons.
MOS Operation: The camera is designed as an MOS (Mit Out Sound) camera, meaning it is not quiet enough for on-set dialogue recording. This makes it ideal for applications like visual effects, high-speed photography, and second-unit work.
Cost: $14,999 USD
September 15, 2025
James Shaughnessy
(M)
Email: james@wesellsaas.com
Telephone: 5168168983
Includes:
ARRI ALEXA SXT Plus Body – (all licenses included)
EVF-1
4 BATTERIES: Dynacore DM-155s
1 CHARGER: Dynacore 4 Bank V-Mount Charger D4s
1 Camera Body Hard Case
Miscellaneous cables
Features
Image Quality: Utilizes the proven ALEV III Super 35 sensor, offering a native ISO of 800 and more than 14 stops of dynamic range. Advanced image processing from the ALEXA 65 is integrated for improved pixel correction and optional noise reduction.
Recording Flexibility: Supports a wide range of recording formats and resolutions, including ProRes and ARRIRAW.
In-camera recording options include:
4K UHD (3840 x 2160)
4K Cine (4096 x 2636)
2K Anamorphic (2048 x 858)
Open Gate ProRes 3.4K (3424 x 2202)
ARRIRAW 3.2K (3168 x 1782) for high-speed
High-Speed Shooting: Can capture up to 120 fps in full-image quality, without needing a separate high-speed mode.
Wireless Control: The “Plus” model features built-in wireless camera and lens control, which works with the ARRI Electronic Control System (ECS) and other cmotion hand units. This eliminates the need for an external motor control box.
On-Set Monitoring: Offers four independent monitoring outputs, allowing different looks and information to be displayed on separate monitors (e.g., SDR, HDR, Rec. 709, Rec. 2020).
Lens Data System (LDS): Integrated support for ARRI’s Lens Data System for real-time lens metadata. Also includes a Lens Data Archive for use with non-LDS lenses.
Cost: USD $20,000
September 11, 2025
(M)
Valerie Martinez
vmartinez@filmindependent.org
Includes:
Red Gemini
2x 480 mini mag
2x hype core ne9 batteries
Red monitor
Small rig handle
25 compact prime lens cp.2
Features:
Dual-Sensitivity Sensor: The Gemini’s standout feature is its 5K S35 sensor, which has two separate sensitivity modes. This gives you a choice between a “Standard” mode for normal daylight shooting and a “Low Light” mode that is optimized for dark environments.
Low-Light Performance: The “Low Light” mode provides significantly cleaner images with less noise and better shadow detail. This was a major advancement for RED cameras, which had a reputation for being less sensitive in low light.
5K Resolution: It captures video at up to 5K resolution (5120 x 3000), offering a high-resolution canvas for reframing, VFX, and post-production stabilization.
High Frame Rates: The Gemini can shoot at up to 96 fps at 5K Full Format, and even higher frame rates at lower resolutions, such as 300 fps at 2K.
REDCODE RAW & ProRes: The camera records in RED’s proprietary, visually lossless REDCODE RAW format. It can also simultaneously record in Apple ProRes or Avid DNxHD/HR for an efficient proxy workflow.
Modular DSMC2 System: As part of the DSMC2 line, the Gemini is highly modular. You can easily swap out lens mounts (PL or EF) and add a variety of accessories and modules for different shooting needs.
Impressive Dynamic Range: The sensor offers over 16.5 stops of dynamic range, allowing it to capture a wide range of tones from deep shadows to bright highlights.
Anamorphic Ready: With a sensor that is 300 pixels taller than some of RED’s other 5K sensors, it’s particularly well-suited for anamorphic shooting and provides excellent lens coverage.
Cost: To be determined
September 9, 2025
(M)
Alex Roman
alex.roman28@me.com
264 HOURS
Includes
Codex Compact Drive Dock (Thunderbolt 3)
Thunderbolt 3 Cable
Power Supply
ALEXA Mini LF Body with LPL Lens Mount
PL-to-LPL Lens Adapter
MVF-2 Viewfinder
Two Viewfinder Cables
B-Mount Power Splitter Box
Power Cable
Side Brackets & Rear Bracket
Accessory Bracket(s)
Bridge Plate (19 mm rod-compatible)
CCH-2 Top Handle (Center Camera Handle)
Two 1 TB Codex Compact Drives
The ARRI ALEXA Mini LF is a compact large-format cinema camera that combines the acclaimed ALEXA image quality with a lightweight and versatile design. It’s widely used in high-end film, commercial, and streaming productions thanks to its balance of portability, reliability, and cinematic output.
Key Features & Benefits:
Large-Format Sensor (LF): Delivers natural depth of field and immersive large-format look.
ARRI Color Science: Renowned color rendition and high dynamic range (14+ stops).
Lightweight & Compact: Easy to rig on gimbals, drones, or handheld setups.
LPL Lens Mount: Optimized for large-format lenses, with backward compatibility via PL adapter.
ARRI Signature Look: Pairs with Signature Primes and Zooms for a cinematic aesthetic.
Robust Build: Durable body designed for demanding production environments.
Flexible Recording Options: ARRIRAW and ProRes support for different workflows.
Versatility: Suitable for feature films, commercials, documentaries, and streaming productions.
COST: USD $43,000
+1 (786) 663-9717
Info@greenvalleystudios.com
VS
09/01/2025
Includes:
Sony Burrano Camera (200 Hours)
Tilta Cage
Handle
Viewfinder Mount
4 x 1 TB Card
Card Reader With Cable
PL Mount
LPL Mount
Features:
Full-Frame 8.6K Sensor: Features a full-frame 8.6K CMOS sensor with 41.9 effective megapixels, capable of resolutions up to 8632 x 4856.
Dual Base ISO: Equipped with a dual base ISO of 800 and 3200, which helps in capturing clean, low-noise images in various lighting conditions.
16 Stops of Dynamic Range: Offers an exceptional 16 stops of latitude, providing great flexibility for color grading in post-production.
In-Body Image Stabilization (IBIS): It is the first digital cinema camera to have both a Variable ND filter and IBIS. It offers 3-axis stabilization for PL-mount lenses and 5-axis stabilization for E-mount lenses.
Electronic Variable ND Filter: Features an electronic variable neutral density (ND) filter that can smoothly and continuously change its density from 0.6 to 2.1. This removes the need for physical ND filters.
Interchangeable Lens Mounts: Comes with a detachable PL mount, which reveals a Sony E-mount underneath, allowing for a wide range of lens choices.
Fast Hybrid Autofocus: When using E-mount lenses, the camera supports Fast Hybrid AF (phase-detection and contrast-detection) and Human Eye AF, aided by an AI processing unit for subject recognition.
Multiple Recording Formats: Supports a variety of internal recording formats, including Sony’s compressed RAW format, X-OCN LT, as well as XAVC H, XAVC-I, and XAVC-L.
Lightweight and Compact Design: Designed to be highly mobile, weighing approximately 5.3 pounds, making it suitable for single-operator use, handheld shooting, or use on gimbals.
Versatile Frame Rates: Supports various resolutions and frame rates, including 8.6K at up to 30fps, 6K at up to 60fps, and 4K at up to 120fps.
Cost: $23,000 USD
August 27, 2025
(M)
Somboon Piryapakdeekul
Thailand
Email steadirob@gmail.com
Telephone +66825724441
