The ARRI Alexa Plus is a production-proven digital cinema camera known for its outstanding dynamic range, natural color reproduction, and robust build. Designed for high-end filmmaking, it offers advanced features such as integrated wireless control, expanded lens metadata, and precise exposure handling. Its ergonomic design and dependable performance make it a favorite on feature films, commercials, and broadcast productions worldwide. With superior latitude and the signature ARRI image aesthetic, the Alexa Plus remains a top choice for professionals seeking cinematic quality and reliability.
Key Features
Exceptional dynamic range and color science
Integrated wireless camera and lens control
Robust, production-ready build
Comprehensive lens metadata support
Trusted ARRI workflow compatibility
Cost To Be Determined
Date: December 12, 2025
(M)
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
The RED DRAGON 6K is a professional digital cinema camera system, typically integrated into the RED EPIC or RED WEAPON camera bodies (Brains). It features a 19.4 Megapixel CMOS sensor and is highly regarded in high-end cinematic production for its massive resolution and exceptional dynamic range.
Key Features and Benefits6K Resolution & Detail: Captures motion and stills at a maximum resolution of 3$6144 \times 3160$ (19 megapixels), offering over 9 times the pixel count of 1080p HD.4
Benefit: Provides unprecedented image clarity, superior visual effects (VFX) plate quality, and extensive flexibility for reframing, cropping, or down-sampling to 4K/HD with a cleaner, sharper final image.
High Dynamic Range: Features 6$16.5+$ stops of dynamic range.7Benefit: Offers remarkable flexibility in post-production, preserving detail in both extreme highlights and deep shadows, and excelling in challenging, high-contrast lighting conditions.8
Advanced Color Science: Utilizes RED’s DRAGON color science.
Benefit: Delivers vibrant, true-to-life colors, smoother skin tones, and improved tonal variations, ensuring high-quality RAW images.
High Frame Rates: Capable of shooting up to 75 frames per second (fps) at 6K Full Format, or up to 100 fps at 6K 2.4:1.
Benefit: Allows for stunning high-resolution, high-speed, and slow-motion capture.
Modular and Compact Design: The camera body (BRAIN) is relatively compact and lightweight (around 3.3 to 5 lbs).
Benefit: Highly versatile for different setups, including gimbals, cranes, and Steadicam rigs, and compatible with RED’s Digital Stills and Motion Camera (DSMC) ecosystem of accessories.
Cost ; To Be Determined
Date: R- 12-10-2025
Owner: Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Price Research
Newlifecine.com : has one $ 5,415
Justcinemahear.com: does not have any
AI says: Estimated Average Price Range (USD)
The current average price for a used RED EPIC DRAGON 6K is generally in the range of:
$3,000 to $5,000 USD for a ready-to-shoot package in good condition.
ARRI ALEXA XT Plus (Xtended Technology Plus) is a versatile digital cinema camera, part of the widely acclaimed ALEXA family. It offers the best overall image quality known from the ALEXA line, combined with extended recording and control features. It is a highly flexible “all-rounder” camera designed for a variety of high-end productions like feature films and commercials.
Super 35 Sensor with 4:3 & Open Gate: Enables native capture for true anamorphic cinematography and provides maximum sensor area for VFX or post-production reframing/resizing.
In-Camera ARRIRAW Recording: Uses the XR Module (Xtended Recording) for recording ARRI’s highest quality, uncompressed raw format directly onto XR Capture Drives, streamlining the workflow.
High Frame Rate Capability: Records up to 120 fps in full image quality, ideal for slow-motion effects.
ProRes 4444 XQ and ProRes 3.2K: Offers the highest quality ProRes codec and a unique resolution for excellent 4K UHD up-sampling or additional post-production image manipulation.
Integrated Lens Data System (LDS): Automatically captures and stores lens metadata (focus, iris, zoom) for efficient on-set monitoring and VFX workflows.
Internal Filter Module (IFM-1): Accepts full-spectrum Neutral Density (ND) filters behind the lens, saving time, reducing weight, and maintaining neutral color balance.
Extended Electronics: Includes built-in wireless remote control for the camera and lens, tilt/roll sensors, and additional accessory ports (MON OUT, RS sockets) for increased versatility.
Cost : TBD
Date: 12/09/2025 – R
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Price Research:
Justcinemagear : 14,500
Newlifecine: 15,000 –
AI Says:
Low End (Body/Basic Kit): Listings for the ALEXA XT/XT Plus body or a very basic kit start around $4,750 – $6,000 USD (often with a high number of operating hours).
Mid-Range (XT Plus with Licenses): An ALEXA XT Plus with all licenses (4:3 Open Gate, High Speed, ARRIRAW) and some basic accessories (like an EVF) is frequently listed around $6,000 – $7,500 USD.
High End (Full Package/Low Hours): Comprehensive kits with low hours (e.g., < 1,000 hours), all licenses, multiple drives, and supporting gear (viewfinder, plates, etc.) can be listed from $10,000 – $12,000 USD or more
Includes:
Ready to shoot kit
Side bracket with wireless transmitter bracket
15mm LW rod bracket
3x 1tb cards
Roughly 1400 hrs on the clock
PL and EF mounts
Handle will be re annondised over the break.
Comes in a silver flight case.
The ARRI ALEXA Mini LF combines the compact, lightweight form factor of the ALEXA Mini with ARRI’s large-format (LF) 4.5K sensor technology. This makes it a versatile cinema camera delivering the signature ARRI image quality in a smaller, more flexible package for high-end productions
Large-Format Sensor: Features the ARRI ALEV III (A2X) sensor (slightly larger than full frame, 3$36.70 \times 25.54 \text{ mm}$) for a distinct, cinematic, large-format look with shallower depth of field and wider field of view.4
Superior Image Quality: Delivers native 5$4.5\text{K}$ resolution, exceptional natural skin tones, low noise, and an outstanding High Dynamic Range (HDR) of 14+ stops.
Compact & Robust Design: Shares the small, ergonomic, and sturdy body of the ALEXA Mini, making it ideal for gimbal, drone, handheld, and compact setups.7 It is built to operate in harsh environments (8$-20^\circ \text{C}$ to 9$+45^\circ \text{C}$).
Efficient Workflow: Records to cost-effective Codex Compact Drives in both uncompressed MXF/ARRIRAW and highly-efficient MXF/Apple ProRes formats. It supports Codex High-Density Encoding (HDE) for reduced ARRIRAW file sizes.
Integrated Features: Includes internal, motorized Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, 1.8) and the new high-contrast MVF-2 Multi Viewfinder with a flip-out monitor.
Versatile Lens Options: Comes with the ARRI LPL lens mount, compatible with the ARRI Signature Prime lenses, and can use PL-mount lenses via an adapter
COST: 69K AUD
Based on the current exchange rate, $69,000$ Australian Dollars (AUD) is approximately $45,643.50$ US Dollars (USD).
Mitch Ayers
mitch@mitch-ayers.com
12-4-2025 – R
Price Investigation : AI
Average Used Price: ARRI ALEXA Mini LF Based on worldwide listings on professional cinema equipment marketplaces and dealer sites, the average price for a Used ARRI ALEXA Mini LF Camera Package falls within the following range:Average Price RangeUSD $35,000 to $50,000 (approximately $\text{€}32,000$ to $\text{€}46,000$)
The price is highly dependent on what is included in the package, the camera’s operational hours, and its condition.
Newlifecine 53,500 – 52,550 – 56,900 – 44,000 – 52,200 – 44,000 – 49,900 – 51,000
Justcinemagear – 41,850 – 46,750 – 43,850 – 45,850 – 45,850 – 46,750 – 41.050 – 46, 650
Includes:
Arri Alexa Mini (4100 Hours)
Viewfinder
(3) 256 Cards
Card Reader
Wooden Camera Cage
The ARRI ALEXA Mini is a compact, lightweight digital cinema camera designed for high-end filmmaking, offering the renowned ARRI image quality in a versatile form factor ideal for gimbals, drones, handheld work, and tight shooting environments. Despite its small size, it delivers exceptional dynamic range, natural color reproduction, and robust build quality that make it a favorite among cinematographers for both feature films and commercial productions.
Key Features
35mm ARRI ALEV III CMOS sensor with wide dynamic range
Lightweight carbon-fiber body for flexible rigging
ProRes and ARRIRAW recording options
Interchangeable lens mounts (PL, EF, B4 options)
High-speed recording up to 200 fps
Built-in motorized ND filters
Integrated Wi-Fi for remote control and monitoring
Excellent low-light performance and color science
Cost: 15000 EUROS
December 4, 2025
(M)
Nikolay Pavlov & Sofia
Bulgaria
+359888884276
office@infinityfilms.bg
Includes:
Alexa Mini Body
Arri Raw, Look Library
MVF-1 Wiewfinder
Viewfinder Cable
Titanium PL-Mount
2x Memory Card 128GB
2x Memory Card 256GB
Side Bracket MSB-1
MAP-2
CCH-2 Handle
15mm Broadcast Plate
VLock Battery Adapter
SmallHD 701 Monitor
Monitor Cage
Sunhood
Teradek TX/RX Bolt 500
The ARRI ALEXA Mini is a compact, lightweight Super 35mm digital cinema camera. It is designed for drones, gimbals, and handheld use, built into a durable carbon-fiber body.
It features the same ALEV III sensor as the classic ALEXA, delivering industry-standard image quality (the “ARRI look”), natural skin tones, and over 14 stops of Dynamic Range.
The Mini is known for its versatility. It includes internal motorized ND filters and supports robust recording in ARRIRAW and ProRes at high frame rates (up to 200 fps). Its 4:3 sensor mode makes it perfect for anamorphic shooting.
COST : TBD Ownwer Patrick Degner
p.deg@me.com
R-11/28/25
Price Investigation:
Justcinemagear: 22,650 – 21,150 – 23,950 – 23,850 – 20,000 -18,750 – 19,990 – 21,850 – 21,500 – 25,650
Newlifecine: 24,000 – 20,000 – 25,000 – 23,500 – 30,000 – 22,000 – 20,250 – 19,000 – 19,900, etc
AI says:
Basic Kit $14,000 – $18,000 Camera Body, PL Mount, may require separate purchase of licenses (4:3, ARRIRAW) or be high-hour units (4,000+ hours).
Working Package $19,000 – $25,000 Camera Body, All Permanent Licenses (4:3, ARRIRAW, Look Library), ARRI Viewfinder (MVF-1/2), and a basic cage/rod system.
Premium Package $26,000 – $32,000+ Low-hour camera (< 1,000 hours), All Licenses, Viewfinder, Multiple CFast 2.0 Cards, Card Reader, and complete rigging (D-Box, V-mount plates, flight case).
ARRI Alexa Mini Digital Camera Set
Hours: 1,200
Includes:
Alexa Mini Camera Body
PL-Mount
ARRIRAW, 4:3 licenses
Viewfinder
Viewfinder Braket
Viewfinder Cable
Side Braket MSB-1
Side Braket MSB-2
MAP-2
CCH-2 Handle
2x Rod
Bebob V-Mount Adapter
Vocas Base Plate
2x SanDisk Memory Card 256GB
Angelbird Card Reader
The ARRI Alexa Mini is a compact, lightweight digital cinema camera built to deliver the signature ARRI image quality in a highly versatile form factor. Sharing the same ALEV III sensor as the larger Alexa models, it provides exceptional dynamic range, natural color reproduction, and reliable performance for gimbals, drones, handheld, and studio setups.
Key Features:
Compact carbon-fiber body ideal for tight spaces, drones, and gimbals
ALEV III sensor with over 14 stops of dynamic range for cinematic imaging
Records in ARRIRAW and ProRes, supporting up to 200 fps for slow motion
Motorized ND filters for fast exposure control
Interchangeable lens mounts (PL, EF, B4) for wide system compatibility
Strong metadata and wireless control support for efficient workflows
Robust, production-ready design trusted across high-end film and commercial work
EURO 21,900 FOB
MD
Patrick Degner
p.deg@me.com
11-28-2025
Includes:
ALEXA Mini Body
4:3, ARRIRAW Licenses
ALEXA Mini Viewfinder MVF-1
PL LDS Mount
EF LDS Mount
2x ALEXA Mini to MVF-1 0,75m/29in
Mini Adapter Plate MAP-1
Mini Adapter Plate MAP-2A
Mini Side Bracket MSB-1
Mini Side Bracket MSB-2
Side Accessory Bracket SAB-1
Bridge Plate Adapter
BPA-4 Rod Mounting Bracket
RMB-3 15mm Reduction Insert
Mini Viewfinder Bracket MVB-1
Center Camera Handle CCH-2
Handle Extension Block, HEB-1
Support Rods 340mm, Ø15mm
Power Extension Cable
V-Mount Battery Adapter Plate with Clip
Shoulder Pad CSP-1
Low Bracket for CSP-1
Audio Module
4x 256GB CFast Cards
CFast Reader
ARRI Handles
ARRI Extensions
ARRI ALEXA Mini is a compact, lightweight Super 35mm digital cinema camera that packs the industry-standard image quality of the larger ALEXA system into a carbon-fiber body small enough for drones, gimbals, and handheld work. Despite its small size, it features the exact same ALEV III sensor as the classic ALEXA, ensuring perfect color matching and the celebrated “ARRI look” with organic skin tones and exceptional dynamic range. It has become a staple on everything from feature films to high-end commercials due to its versatility and reliability.
ALEV III Super 35 CMOS Sensor: Utilizes the same acclaimed sensor as the larger ALEXA models, delivering natural color reproduction, low noise, and a film-like aesthetic.
Compact & Lightweight Design: Weighing roughly 5 lbs (2.3 kg), the carbon-fiber body is optimized for use on brushless gimbals, multicopters (drones), and tight shooting environments.
14+ Stops of Dynamic Range: Captures immense detail in both highlights and shadows, providing a high latitude for exposure and flexibility in color grading (Log C).
Integrated Motorized ND Filters: Features internal Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, and 2.1) that can be switched remotely, saving time on set.
Versatile Recording Formats: Supports robust recording options including ProRes 4444 XQ, and uncompressed unencrypted ARRIRAW (up to 30fps Open Gate or 48fps 2.8K) for maximum post-production control.
High Frame Rates: Capable of shooting up to 200 fps in 2K and HD ProRes for high-quality slow-motion capture.
4:3 Sensor Mode: Allows for true anamorphic shooting with dedicated de-squeeze monitoring, ideal for widescreen cinematic productions.
Interchangeable Lens Mounts: Ships typically with a titanium PL mount (with LDS support) but can be swapped for EF or B4 mounts to accommodate a wide variety of lenses.
Cost: TBD
Patrick Degner
p.deg@me.com
R-11/27/25
Prices Search
Justcinemagear: 22,650 – 21,150 – 23,950 – 23,850 – 20,000 -18,750 – 19,990 – 21,850 – 21,500 – 25,650
Newlifecine: 24,000 – 20,000 – 25,000 – 23,500 – 30,000 – 22,000 – 20,250 – 19,000 – 19,900, etc
Basic Kit $14,000 – $18,000 Camera Body, PL Mount, may require separate purchase of licenses (4:3, ARRIRAW) or be high-hour units (4,000+ hours).
Working Package $19,000 – $25,000 Camera Body, All Permanent Licenses (4:3, ARRIRAW, Look Library), ARRI Viewfinder (MVF-1/2), and a basic cage/rod system.
Premium Package $26,000 – $32,000+ Low-hour camera (< 1,000 hours), All Licenses, Viewfinder, Multiple CFast 2.0 Cards, Card Reader, and complete rigging (D-Box, V-mount plates, flight case).
Hours:
Camera (System) 3044, R7 (System) 1941
Camera (Reset) 3044, R7 (Resetable) 1941
It includes the following items:
-1x Sony Venice 1 camera (serial number 10933), PL Mount Wooden Camera.
-1x D-BOX Wooden Camera V-Lock.
-1x AXS-R7 Recorder (serial number 11265)
-1x Sony DVF-EL 200 Viewfinder (serial number 11960)
-2x cables: viewfinder + viewfinder mount + viewfinder extension for Wooden Camera
-4x AXS 512GB memory cards
-1x AXSM card reader (model AXS-AR3) + AC adapter + USB-C cable.
-1x Wooden Camera Base Plate (15mm)
-1x Wooden Camera Base Plate (19mm)
-1x Wooden Camera Handles (x4 pieces).
1x Sony Venice A-Box.
The Sony VENICE is a flagship full-frame digital cinema camera designed for high-end filmmaking, television production, and commercials. Part of Sony’s renowned CineAlta line, it bridges the gap between classic film aesthetics and modern digital workflow, offering a modular design that allows for significant customization on set. It is widely praised for its exceptional color science, skin tone rendition, and ability to handle extreme lighting conditions.
Full-Frame 6K Sensor: Captures stunning 6048 x 4032 resolution with a classic 36x24mm sensor, allowing for shallow depth of field, immersive large-format visuals, and flexibility to crop for Super35mm projects.
Dual Base ISO (500 & 2500): Provides exceptional low-light performance and clean images in diverse lighting environments without increasing noise, maximizing the 15+ stops of dynamic range.
Built-in 8-Step Mechanical ND Filters: Features a servo-controlled internal ND filter system (0.3 to 2.4) that allows cinematographers to quickly adjust exposure without changing external matte box filters, saving valuable time on set.
Interchangeable Lens Mounts: Comes with an industry-standard PL mount but offers a locking E-mount underneath, providing native compatibility with a massive range of cinema and still photography lenses.
Advanced Color Science: Exceeds the BT.2020 color space and DCI-P3 gamut, delivering natural skin tones and a soft, film-like highlight roll-off that simplifies color grading.
Multiple Recording Formats: Supports high-fidelity 16-bit X-OCN (Extended Tonal Range Original Camera Negative), RAW, XAVC, and ProRes, offering flexible workflow options from data-heavy VFX work to efficient broadcast turnarounds.
Cost: TBD
Isidro Parrondo
contacto@aksmedia.es
Mob: +34 627 115 765 / R-11/27/25
Price search:
Justcinemamgear: 24.990 – 15,650 – 19,850 – 19,000 – 19,500 – 16,850 – 21,750
Newlifecine : 24,000 – 22,000 – 18,000 – 39,000 -15,500 – 18,900 – 17,500 -15k -23k -24k
AI says:
As of late 2024 / early 2025, the average price for a used Sony VENICE 1 (6K) in the global second-hand market falls into two distinct categories:
Body Only / Basic Kit: $13,500 – $17,000 USD
Production Ready Package (with Recorder & Licenses): $22,000 – $28,000 USD
Includes:
K1.0024074 1x ALEXA Mini LF camera body
K2.0018983 1x ARRI LPL Mount (LBUS)
K2.0016936 1x ARRI PL-to-LPL Adapter
K2.0024130 2x Codex Compact Drive 1TB (CA08-1024)
K2.0020916 1x Multi Viewfinder MVF-2
K2.0023915 1x Cable VF (0.35m/1.15ft)
K2.0023943 1x Cable VF (0.5m/1.5ft)
K2.0023839 1x Mini Adapter Plate MAP-2A
K2.0006140 1x Mini Viewfinder Bracket MVB-1
K2.73002.0 1x Center Camera Handle CCH-2
K2.0023546 1x Mini Side Bracket MSB-3
K2.0014957 1x Mini Side Bracket MSB-2
K2.0014894 1x Compact Bridge Plate CBP-1 19mm
K2.0013937 1x Rear Accessory Bracket RAB-1
K2.0023406 1x RAB-1 Clamp 2
K2.0006186 1x Rod Mounting Bracket RMB-3
K2.66255.0 1x 15mm Reduction Insert
K2.0014530 1x V-Mount Power Splitting Box MkII
K2.0015896 1x Bottom Dovetail Plate 300mm/12in
extra:
K2.0024130 2x Codex Compact Drive 1TB (CA08-1024)
K2.0024134 1x Codex Compact Drive Reader (USB-C)
The ARRI Alexa Mini LF combines the compact, lightweight form factor of the popular Alexa Mini with a large-format (LF) sensor. Designed for maximum versatility, it allows filmmakers to capture the coveted “large format look”—characterized by immersive depth of field and wider fields of view—without the bulk of a full-size studio camera. It is widely used in high-end feature films, commercials, and drama series, offering seamless integration into existing ARRI workflows while meeting strict 4K mandates (such as those from Netflix).
Large Format ALEV III (A2X) Sensor: Delivers ARRI’s signature natural skin tones, smooth colorimetry, and an immersive cinematic aesthetic with lower noise and higher usable sensitivity.
Exceptional Dynamic Range: Offers 14+ stops of exposure latitude, providing immense flexibility in post-production, especially for HDR (High Dynamic Range) workflows.
Compact & Lightweight Design: Weighing approximately 2.6 kg (5.7 lbs), it is optimized for handheld work, gimbals, drones, and tight shooting environments where larger cameras cannot fit.
True 4K Recording: Capable of recording up to 4.5K resolution, making it fully compliant with Netflix and other streaming platform production mandates.
Versatile Recording Formats: Supports internal recording of uncompressed ARRIRAW and versatile Apple ProRes onto robust Codex Compact Drives.
Integrated FSND Filters: Features three internal motorized Full Spectrum Neutral Density filters (ND 0.6, 1.2, and 1.8) for quick exposure control without color shifting.
LPL Lens Mount: Comes with the LPL mount optimized for large-format glass but remains compatible with Super 35 PL lenses via a PL-to-LPL adapter.
Robust Build Quality: Constructed with a splash and dust-proof carbon fiber body, sealed electronics, and a stable operation range from -20°C to +45°C.
Cost : TBD
Patrick Degner
p.deg@me.com
11-25-2025
Price Investigation / R- 11/25/25
Newlifecine: 53,500 – 52,550 (100 Hours) – 56,900 – two for 44,000 – 58,000 – 49,990 and more
Justcinemagear : 41,520, 45,850, 41,950 , 45,850 , 46,750 , 46,750 , 41,850 , 48,650 and more
AI says :
Ready-to-Shoot Kit$43,000 – $52,000Body, LPL Mount, MVF-2 Viewfinder, Cage, 3+ Codex Drives.
Premium / Low Hours$53,000 – $60,000+<500 Hours, Extended Warranty, Signature Primes, or Full Production sets (Bridge plates, multiple mounts).
Operating Hours: Low: < 1,000 hours (Commands premium pricing, closer to $50k).
Mid: 1,500 – 3,000 hours (Standard market price).
High: > 4,000 hours (Can be found for ~$40k – $42k, often ex-rental house gear).
Hours: 639
Includes:
– FF license
– Highspeed license
– 8x 512G Media Cards
– 2x AXSM Fast Readers
The Sony VENICE is a full-frame digital cinema camera engineered for high-end narrative, commercial, and feature production. It delivers exceptional image latitude, advanced color science, and a flexible sensor system that supports multiple aspect ratios and recording formats. Designed for professional workflows, it offers reliable operation in demanding shooting environments and seamless integration with industry-standard rigs and accessories.
Key Features
Full-Frame 6K Sensor capable of multiple aspect ratios and oversampled image quality, ideal for premium cinema productions.
Dual Native ISO (500 & 2500) providing excellent low-light performance while maintaining clean, detailed images.
Highly Flexible Color Science with wide color gamut and precise skin-tone rendition suited for HDR and ACES workflows.
Interchangeable Sensor Block allowing upgrades such as the VENICE 2 sensor or service-friendly component swaps.
Internal 16-bit RAW & X-OCN recording (with AXS-R7) delivering maximum image latitude for grading and VFX.
Robust Build & Modular Design optimized for studio, handheld, Steadicam, and gimbal operation.
Cost: $20,000
(t)
Luca Del Puppo
luca.delpuppo@gmail.com
11-21-2025
HOURS 2,678
The ARRI ALEXA Mini is a compact, lightweight digital cinema camera designed to complement the full ALEXA system, offering the same high-quality image sensor in a versatile form factor for specialized shots (gimbal, drone, handheld, etc.).
Superior Image Quality Features the same ALEV III Super 35 sensor as the larger ALEXA cameras, ensuring industry-standard dynamic range (14+ stops), excellent color rendition, and natural skin tones.
Compact & Lightweight ~2.3 kg / 5 lbs (body only), making it ideal for gimbals, drones, handheld, and other restricted or dynamic shooting environments.
Versatile Recording Records to CFast 2.0 cards in Apple ProRes formats (up to 4K UHD or 3.2K) or uncompressed ARRIRAW (up to 3.4K Open Gate).
Anamorphic Ready 4:3 sensor and Open Gate recording modes, along with a de-squeeze function, fully support anamorphic cinematography.
Integrated Functionality Built-in motorized FSND filters (0.6, 1.2, 2.1) and an integrated Lens Motor Controller reduce rig bulk and setup time.
Robust & Reliable Durable, splash- and dust-proof design with sealed electronics for stable operation in harsh environments (e.g., $-20^{\circ}$C to $+45^{\circ}$C).
Multiple Lens Options Interchangeable lens mounts (PL, EF, B4) expand lens compatibility beyond standard cine lenses.
Simplified Workflow Images match seamlessly with other ALEXA cameras in post-production, avoiding color grading issues typical of mixed-camera shoots.
Cost PRICE: 21.000€
Adria [CLR] <adria@cameralensesrental.com>
Adrià Calvo @ adria@cameralensesrental.com
661 43 36 64
QUESTION : How much is a fair selling price in EUROS if the cost for us is 21,000 (24,442.95 Dollars)?
Price investigation: AI says :
based on recent second-hand film and video gear market listings globally, here is the approximate price range you can expect for a complete ARRI ALEXA Mini camera package with a relatively low to moderate operating hour count (2,000–3,000 hours falls into the lower end of the high-usage scale, but is generally considered moderate for a camera of this age):Estimated Price RangeBase Camera PackageComplete Kit Price RangeARRI ALEXA Mini Body (including basic licenses and accessories)USD $18,000 to $25,000
Newlifecine has : 19.000, 19,900, 20,000, 16,000, 22,000, 19,000, 22,000, 25,000, 20,000 , 19,990, 24,000 and more in dollars
Justcinemagear has several prices: 19,990, 25,650, 21,500 , 18,750, 23.850, 23,950 , 21,150 and 22,650 all in dollars
R-11/13/2025
Hours – 1738:03
The ARRI ALEXA Mini is a compact, lightweight digital cinema camera that brings the renowned image quality and color science of the ARRI ALEXA family into a smaller, versatile form factor. It is designed to be a perfect complement to a full-size ALEXA kit, excelling in specialized shots like those captured on gimbals, multicopters, or in tight spaces.
Key Features:
Compact, Lightweight Carbon Body: Ideal for specialized shooting (gimbals, drones, tight spaces) and easy transport.
35mm ALEV III CMOS Sensor: Delivers the “gold standard” ARRI image quality, natural skin tones, and excellent colorimetry.
High Dynamic Range (14+ Stops): Future-proofs footage for HDR displays and provides great flexibility in post-production.
4:3 Sensor with Licenses: Optimized for anamorphic productions and offers a wide array of widescreen recording options.
Internal Recording: Records ProRes (up to 4K UHD) or uncompressed ARRIRAW in-camera to CFast 2.0 cards.
Integrated Functions: Built-in motorized ND filters and a lens motor controller simplify the camera setup and reduce rig clutter.
Interchangeable Lens Mounts: Supports PL, EF, and other mounts, offering a huge variety of lens options.
High Frame Rate (HFR): Records up to 200 fps in ProRes HD/2K for high-quality slow-motion.
Seamless Integration: Images match perfectly with other ALEXA cameras, simplifying multi-camera workflows and color grading.
cost 22.000€
(T)
Adrià Calvo
adria@cameralensesrental.com
661 43 36 64
13-11-2025
The Sony Murano Camera is a cutting-edge mirrorless digital camera designed for professional photographers and filmmakers who demand exceptional image quality, advanced performance, and seamless usability. Crafted with precision and elegance, the Murano combines Sony’s industry-leading sensor technology with a sleek magnesium alloy body that’s both lightweight and durable. Its enhanced autofocus system locks onto subjects with remarkable speed and accuracy, while the high-resolution electronic viewfinder delivers a crystal-clear preview of every shot. Whether capturing cinematic 8K video or shooting ultra-detailed stills in low light, the Sony Murano pushes the boundaries of creativity, making it the ultimate tool for visual storytelling.
Key Features:
61MP full-frame Exmor R CMOS sensor for stunning detail and dynamic range
8K/60p video recording with advanced color grading options
AI-powered real-time eye autofocus for humans, animals, and vehicles
15-stop dynamic range for superior exposure control
Dual CFexpress Type A and SD card slots for high-speed storage flexibility
5-axis in-body image stabilization for crisp, handheld shots
Weather-sealed magnesium alloy body for durability in all conditions
600000 THB
October 29, 2025
(M)
Rob Erik Van Gelder
Thailand
steadirob@gmail.com
Includes:
2 x 128GB Cinemags
1 x Cinestation
1x Power Supply
1x Riser Plate
2 x Pelican Cases
The Phantom Flex 2K, by Vision Research, is a professional-grade high-speed digital cinema camera renowned for capturing stunning slow-motion footage. It features a Super 35mm CMOS sensor and is widely used in feature films, commercials, and big-budget music videos where extreme high frame rates and image quality are crucial. The camera offers exceptional flexibility in shooting modes and workflow options.
key features:
Ultra-High Frame Rates: Captures motion in extreme slow-motion (up to 2,570 fps at 1920×1080 resolution in Standard Mode), revealing details invisible to the naked eye.
High Resolution: Maximum resolution up to 2.5K ensures high-quality, detailed imagery.
Super 35mm CMOS Sensor: A large sensor format provides shallow depth of field and is compatible with a wide range of standard cinema lenses.
Global Electronic Shutter: Eliminates motion artifacts like “jello effect” or skew, essential for fast-moving subjects or strobe lighting.
User-Selectable Shooting Modes: Includes Standard Mode (maximum frame rates) and HQ Mode (ultimate image stability, lower noise, higher dynamic range), offering flexibility for different shooting conditions.
CineMag Compatibility: Supports CineMag II non-volatile memory devices for high-speed, fast data transfer, streamlining the on-set workflow.
Wide Dynamic Range: Offers up to 10 stops of latitude, allowing for rich color performance and excellent detail in both shadows and highlights.
TBD
(TH)
Adam Cohen
acohen@donatelloarm.com
United States
28-10-2025
772 hours
Includes:
Sony Venice 2 8K camera body (Anamorphic License / Full Frame License)
Venice PL Mount
DVF-EL Viewfinder + Lemo 26 DVF-EL Cable
Spare Lemo 26 DVF-EL2 Cable
2× AXS 1TB Cards
AXS-AR3 Card Reader + Power Supply + Schuko razor cable + 2× USB-C Thunderbolt 3 cables
ARRI CCH-4 Top Handle
Genuine Sony Top Handle
ARRI Top Plate for Sony Venice
Genuine EVF Bracket for Sony DVF-EL200 + 2 rods ø15mm × 10cm
ARRI Left Bracket for Venice
ARRI Right Bracket for Venice
ARRI Bottom Plate for Sony Venice
BPA-5 Adapter
USB Wi-Fi Adapter CBK-WA02
PL mount shim set
The Sony VENICE 2 8K is a full-frame digital cinema camera designed for high-end film and television production. It features a powerful 8.6K sensor that delivers exceptional image quality, color depth, and dynamic range, making it one of the most advanced tools for cinematographers seeking cinematic realism and flexibility in post-production.
Key Features and Benefits
8.6K Full-Frame Sensor (8640 × 5760): Delivers extraordinary detail and clarity for cinema-grade productions.
Dual Base ISO (800/3200): Provides excellent performance in both low-light and high-contrast environments.
Internal X-OCN & ProRes Recording: Enables efficient workflows without the need for an external recorder.
Interchangeable Sensor Block: Compatible with the original VENICE 6K sensor for flexible production needs.
Extensive Dynamic Range (over 15 stops): Ensures superior highlight and shadow detail.
Anamorphic & Full-Frame Licenses Included: Supports multiple aspect ratios and lens formats.
Compact and Lightweight Design: Easier rigging for handheld, drone, and gimbal use.
Professional Connectivity: Features multiple SDI outputs, genlock, timecode, and remote control options.
COST: EURO 48,000 FOB
Brice Tholozan
brice.tholozan@gmail.com
VS
10/24/2025
includes:
Sony DVF-EL200 0.7inch Full HD OLED Viewfinder
Sony Venice Long VF Cable – 120cm
ARRI EVF Bracket Set For Sony Viewfinder
ARRI Top Plate for Sony Venice 1/2
ARRI Camera Centre Top Handle
ARRI VENICE Camera Baseplate w/shoulder mount
ARRI Bridge Plate Adapter BPA-5
ARRI BP-8 Bridge Plate
ARRI Bottom Dovetail Plate – 300mm
Wooden Camera D-Box V-Lok/AB Multi Power Plate
D-Box Link Cable (5-Pin 0B RA Male to 5-Pin 0B Straight Male
Wooden Camera AIR EVF Extension Arm For Sony Venice
Arri WA-2 WEDGE-ADAPTER
4Pin 12V XLR Cables
Camera Flight Case
SONY AXS-R7 RAW / X-OCN Recorder
Sony AXS 512GB Memory A Series Card – 4.8Gbps – Pack Of 4
Sony AXS-AR1 Memory And SxS Memory Thunderbolt Card Reader
Sony Rialto 2 System
Wooden Camera Elite Accessory System For Sony Rialto/Rialto
Tilta ESR-T13-RB-V (ESRT13RBV) Sony Venice Backpack Module
Sony Rialto Case
The Sony VENICE 1 is a high-end, full-frame digital cinema camera designed for professional film and television production. Launched in 2017, it’s known for its exceptional image quality, color science, and flexibility in various shooting environments. It supports a wide range of resolutions and aspect ratios, offering filmmakers creative freedom and robust post-production capabilities.
Key Features:
Full-Frame 6K Sensor: Delivers rich detail and cinematic depth of field.
Interchangeable Sensor Block: Future-proof design allows sensor upgrades.
Dual Base ISO (500 & 2500): Exceptional low-light performance and dynamic range.
Internal 16-bit RAW/X-OCN Recording: High-quality capture for professional workflows.
Anamorphic and Spherical Lens Support: Versatile lens compatibility.
8-Stop Mechanical ND Filter System: Built-in, motorized ND filters for fast exposure control.
Color Science (S-Gamut3 & S-Log3): True-to-life skin tones and advanced grading flexibility.
Modular Design: Supports various rigging and production configurations.
PL and E-Mount Compatibility: Broad range of lens options for different needs.
TBD
(TH)
Kim Kookendoffer
Boardwalk Pictures
kim@boardwalkpics.com
859.229.2331 (m)
US
21-10-2025
Includes:
1x ARRI Ultra Prime 16mm
1x ARRI Ultra Prime 24mm
1x ARRI Ultra Prime 32mm
1x ARRI Ultra Prime 40mm
1x ARRI Ultra Prime 50mm
1x ARRI Ultra Prime 85mm
1x ARRI Ultra Prime 100mm
The ARRI Ultra Prime lenses, developed in collaboration with Zeiss, are industry-standard cinema lenses known for their exceptional optical performance, robust construction, and versatility. Covering a full range of focal lengths from 8mm to 180mm, they deliver consistent color, contrast, and sharpness across the entire set. Their lightweight and compact design makes them ideal for all types of productions, from feature films to commercials.
Key Features & Benefits
Wide Focal Range: 8mm to 180mm, covering virtually any shooting scenario.
Consistent T-Stop: Most lenses offer a fast T1.9 aperture, maintaining uniform exposure.
Exceptional Image Quality: High contrast, minimal distortion, and excellent color matching.
Cinematic Look: Natural skin tones and pleasing bokeh for a classic film aesthetic.
Reliable Mechanics: Durable build with precise focus and iris control, ideal for professional use.
Compact & Lightweight: Easier handling on gimbals, drones, and handheld setups.
PL Mount Compatibility: Works seamlessly with ARRI and most cinema cameras.
COST: USD $50,000 FOB
Andrey But
andrey.but@ozero.design
Zodiac Film
+380 (99) 100 45 45
Berlín
VS
10/21/2025
Includes:
PL mount
1x SONY Viewfinder DVF-EL200
2x rodes 15mm
3x Card AXS 512GB
1x AXS-AR1 Thunderbolt Card Reader
1x sound box XLR 5p -> 2x XLR 3p
1x cable XLR 5p -> XLR 3p
1x Dtap -> XLR 4p
1x Klinke -> XLR 5p
The Sony VENICE is a full-frame digital cinema camera designed for high-end film and television production. Known for its exceptional image quality, color science, and flexibility, it delivers cinematic visuals with extensive dynamic range and advanced workflow options. Its modular design and intuitive controls make it a top choice for professional cinematographers.
Full-Frame 6K Sensor: Captures stunning detail and cinematic depth.
Dual Base ISO (500 & 2500): Ensures excellent performance in both low-light and bright conditions.
Up to 16 Stops Dynamic Range: Offers exceptional latitude for grading and post-production.
8-Step ND Filter System: Built-in, motorized filters for fast exposure control.
Interchangeable Sensor Block: Modular design for future upgrades and flexibility.
Anamorphic & Full-Frame Modes: Supports various aspect ratios and lens options.
PL & E-Mount Compatibility: Works with a wide range of professional lenses.
Advanced Color Science: Delivers rich, natural skin tones and cinematic color reproduction.
User-Friendly Interface: Intuitive controls designed for on-set speed and efficiency.
COST: USD $20,000 FOB
Andrey But
andrey.but@ozero.design
Zodiac Film
+380 (99) 100 45 45
Berlín
VS
10/17/2025
5519 hours
PL mount
4x CFast 2.0 128GB card Sandisc
3x CFast 2.0 256GB card Sandisc
1x ARRI viewfinder MVF-1
2x SanDisc card reader
The ARRI ALEXA Mini is a compact, lightweight cinema camera designed for versatility in specialized shooting environments like gimbals, drones, handheld rigs, and tight spaces, while maintaining the renowned image quality of the ARRI ALEXA system.
Key Features and Benefits:
Compact and Lightweight Design: Durable carbon body (~2.3 kg / 5 lbs.) ideal for gimbals, multicopters, and specialized rigs.
ALEXA Image Quality: Features a Super 35 format ARRI ALEV III CMOS sensor, providing natural skin tones and up to 14+ stops of dynamic range.
High Frame Rate Capability: Records up to 200 fps (in 2K ProRes) for slow-motion capture.
Internal ND Filters: Built-in motorized Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, 2.1) simplify exposure adjustments on set.
Flexible Recording: Records in-camera to CFast 2.0 cards in various formats, including Apple ProRes and uncompressed
Integrated Lens Control: Built-in lens motor control for remote adjustment of focus, iris, and zoom, reducing rig size.
Interchangeable Lens Mounts: Supports PL, LPL, B4, and EF mounts for a wide range of lens options.
Cost 20K Dollars
Hours and Serial Number Pending
Andrey But
andrey.but@ozero.design
Zodiac Film
+380 (99) 100 45 45
Berlín
Newlifecine has several in the following prices: 19,000 -19,900 – 20,000 dollars
Justcinemagear has: 21,150 -19,150 – 26,650 – 24,750 -21,500
Features:
14+ Stops of Dynamic Range: Captures extreme highlight and shadow detail, offering massive flexibility in post-production and color grading.
Compact & Lightweight Design: Built with a sturdy, sealed carbon body, making it ideal for gimbals, drones, handheld rigs, and tight shooting spaces.
Interchangeable Lens Mounts: Supports PL, LPL, EF, and B4 mounts, allowing the use of a vast array of cinema and stills lenses.
Internal Motorized ND Filters: Features a set of Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, 2.1) built right into the body for fast exposure control on set.
High Frame Rates: Records up to 200fps in ProRes HD/2K, and up to 60fps in UHD/3.2K.
ARRIRAW and ProRes Recording: Captures in-camera to CFast 2.0 cards using industry-standard Apple ProRes codecs or uncompressed ARRIRAW (requires license).
4:3 Sensor Mode: Includes licenses for 4:3 and Open Gate recording (often standard in rental models) to support classic anamorphic cinematography.
TBD
9/25/25
(M)
Camila Guzman Urzua
camila.guz.ur@gmail.com
Features:
ARRI ALEXA Mini Key Features
Compact and Lightweight Design: Carbon fiber body, ideal for gimbals, drones, handheld, and specialized rigs.
Super 35 ALEV III Sensor: Same sensor technology as other ALEXA cameras for consistent, industry-standard image quality.
14+ Stops Dynamic Range: Exceptional exposure latitude for detail in highlights and shadows.
Native ISO 800: Optimized base sensitivity for clean images in various lighting conditions.
High Frame Rate Recording: Up to 200fps in ProRes 2K/HD resolutions.
Built-in Motorized ND Filters: Internal FSND filters (0.6,1.2,2.1) save time on set.
Versatile Recording Formats: Supports ProRes (up to 4K UHD up-sampled) and uncompressed MXF/ARRIRAW (up to 3.4K Open Gate).
CFast 2.0 Media: In-camera recording to readily available CFast 2.0 cards.
Interchangeable Lens Mounts: Supports PL, LPL, EF, and B4 mounts for a wide range of lens options.
4:3 Sensor Mode: Enabled by license for true anamorphic lens shooting.
Integrated Lens Motor Control: Built-in L-Bus for ARRI cforce motors, simplifying the camera package.
ARRI Look Library Support: Access to 87 predefined creative color grades on set.
Robust and Reliable: Sealed electronics for splash and dust resistance, stable in harsh environments.
Code
Cost: To be determined
9/25/25
(M)
Camila Guzman Urzua
camila.guz.ur@gmail.com
Includes:
Arri 435
Arri BP-9
AC Adapter
Two Film Magazines
Features:
High-Speed Filming: Capable of shooting at speeds ranging from 1 to 150 frames per second (fps), with some models like the Advanced and Xtreme able to go as slow as 0.1 fps for time-lapse effects.
Adjustable Shutter: The Arri 435 ES and later models feature an electronic mirror shutter that can be adjusted continuously from 11.2° to 180°, even while the camera is running, offering flexibility for exposure control.
Robust Construction: A “workhorse” camera, the 435 is built for reliability and high performance on a variety of sets, from commercials to special effects units on major feature films.
Versatile Viewfinder: The viewfinder can be rotated on two axes for comfortable viewing from different positions. It also accommodates different ground glasses and can be replaced with a 100% video tap for Steadicam or remote rigging.
Super 35mm Format: The camera is designed to shoot on Super 35mm film, an industry-standard format.
Dual-Pin Registration: It utilizes a precise 5-link movement with dual registration pins and pull-down claws to ensure rock-steady images at all speeds.
Modular Design: The camera is part of a larger system with a wide range of accessories, including different magazines (400 ft and 1000 ft), remote control units, and other electronic and mechanical add-ons.
MOS Operation: The camera is designed as an MOS (Mit Out Sound) camera, meaning it is not quiet enough for on-set dialogue recording. This makes it ideal for applications like visual effects, high-speed photography, and second-unit work.
Cost: $14,999 USD
September 15, 2025
James Shaughnessy
(M)
Email: james@wesellsaas.com
Telephone: 5168168983
Includes:
ARRI ALEXA SXT Plus Body – (all licenses included)
EVF-1
4 BATTERIES: Dynacore DM-155s
1 CHARGER: Dynacore 4 Bank V-Mount Charger D4s
1 Camera Body Hard Case
Miscellaneous cables
Features
Image Quality: Utilizes the proven ALEV III Super 35 sensor, offering a native ISO of 800 and more than 14 stops of dynamic range. Advanced image processing from the ALEXA 65 is integrated for improved pixel correction and optional noise reduction.
Recording Flexibility: Supports a wide range of recording formats and resolutions, including ProRes and ARRIRAW.
In-camera recording options include:
4K UHD (3840 x 2160)
4K Cine (4096 x 2636)
2K Anamorphic (2048 x 858)
Open Gate ProRes 3.4K (3424 x 2202)
ARRIRAW 3.2K (3168 x 1782) for high-speed
High-Speed Shooting: Can capture up to 120 fps in full-image quality, without needing a separate high-speed mode.
Wireless Control: The “Plus” model features built-in wireless camera and lens control, which works with the ARRI Electronic Control System (ECS) and other cmotion hand units. This eliminates the need for an external motor control box.
On-Set Monitoring: Offers four independent monitoring outputs, allowing different looks and information to be displayed on separate monitors (e.g., SDR, HDR, Rec. 709, Rec. 2020).
Lens Data System (LDS): Integrated support for ARRI’s Lens Data System for real-time lens metadata. Also includes a Lens Data Archive for use with non-LDS lenses.
Cost: USD $20,000
September 11, 2025
(M)
Valerie Martinez
vmartinez@filmindependent.org
Includes:
Red Gemini
2x 480 mini mag
2x hype core ne9 batteries
Red monitor
Small rig handle
25 compact prime lens cp.2
Features:
Dual-Sensitivity Sensor: The Gemini’s standout feature is its 5K S35 sensor, which has two separate sensitivity modes. This gives you a choice between a “Standard” mode for normal daylight shooting and a “Low Light” mode that is optimized for dark environments.
Low-Light Performance: The “Low Light” mode provides significantly cleaner images with less noise and better shadow detail. This was a major advancement for RED cameras, which had a reputation for being less sensitive in low light.
5K Resolution: It captures video at up to 5K resolution (5120 x 3000), offering a high-resolution canvas for reframing, VFX, and post-production stabilization.
High Frame Rates: The Gemini can shoot at up to 96 fps at 5K Full Format, and even higher frame rates at lower resolutions, such as 300 fps at 2K.
REDCODE RAW & ProRes: The camera records in RED’s proprietary, visually lossless REDCODE RAW format. It can also simultaneously record in Apple ProRes or Avid DNxHD/HR for an efficient proxy workflow.
Modular DSMC2 System: As part of the DSMC2 line, the Gemini is highly modular. You can easily swap out lens mounts (PL or EF) and add a variety of accessories and modules for different shooting needs.
Impressive Dynamic Range: The sensor offers over 16.5 stops of dynamic range, allowing it to capture a wide range of tones from deep shadows to bright highlights.
Anamorphic Ready: With a sensor that is 300 pixels taller than some of RED’s other 5K sensors, it’s particularly well-suited for anamorphic shooting and provides excellent lens coverage.
Cost: To be determined
September 9, 2025
(M)
Alex Roman
alex.roman28@me.com
264 HOURS
Includes
Codex Compact Drive Dock (Thunderbolt 3)
Thunderbolt 3 Cable
Power Supply
ALEXA Mini LF Body with LPL Lens Mount
PL-to-LPL Lens Adapter
MVF-2 Viewfinder
Two Viewfinder Cables
B-Mount Power Splitter Box
Power Cable
Side Brackets & Rear Bracket
Accessory Bracket(s)
Bridge Plate (19 mm rod-compatible)
CCH-2 Top Handle (Center Camera Handle)
Two 1 TB Codex Compact Drives
The ARRI ALEXA Mini LF is a compact large-format cinema camera that combines the acclaimed ALEXA image quality with a lightweight and versatile design. It’s widely used in high-end film, commercial, and streaming productions thanks to its balance of portability, reliability, and cinematic output.
Key Features & Benefits:
Large-Format Sensor (LF): Delivers natural depth of field and immersive large-format look.
ARRI Color Science: Renowned color rendition and high dynamic range (14+ stops).
Lightweight & Compact: Easy to rig on gimbals, drones, or handheld setups.
LPL Lens Mount: Optimized for large-format lenses, with backward compatibility via PL adapter.
ARRI Signature Look: Pairs with Signature Primes and Zooms for a cinematic aesthetic.
Robust Build: Durable body designed for demanding production environments.
Flexible Recording Options: ARRIRAW and ProRes support for different workflows.
Versatility: Suitable for feature films, commercials, documentaries, and streaming productions.
COST: USD $43,000
+1 (786) 663-9717
Info@greenvalleystudios.com
VS
09/01/2025
Includes:
Sony Burrano Camera (200 Hours)
Tilta Cage
Handle
Viewfinder Mount
4 x 1 TB Card
Card Reader With Cable
PL Mount
LPL Mount
Features:
Full-Frame 8.6K Sensor: Features a full-frame 8.6K CMOS sensor with 41.9 effective megapixels, capable of resolutions up to 8632 x 4856.
Dual Base ISO: Equipped with a dual base ISO of 800 and 3200, which helps in capturing clean, low-noise images in various lighting conditions.
16 Stops of Dynamic Range: Offers an exceptional 16 stops of latitude, providing great flexibility for color grading in post-production.
In-Body Image Stabilization (IBIS): It is the first digital cinema camera to have both a Variable ND filter and IBIS. It offers 3-axis stabilization for PL-mount lenses and 5-axis stabilization for E-mount lenses.
Electronic Variable ND Filter: Features an electronic variable neutral density (ND) filter that can smoothly and continuously change its density from 0.6 to 2.1. This removes the need for physical ND filters.
Interchangeable Lens Mounts: Comes with a detachable PL mount, which reveals a Sony E-mount underneath, allowing for a wide range of lens choices.
Fast Hybrid Autofocus: When using E-mount lenses, the camera supports Fast Hybrid AF (phase-detection and contrast-detection) and Human Eye AF, aided by an AI processing unit for subject recognition.
Multiple Recording Formats: Supports a variety of internal recording formats, including Sony’s compressed RAW format, X-OCN LT, as well as XAVC H, XAVC-I, and XAVC-L.
Lightweight and Compact Design: Designed to be highly mobile, weighing approximately 5.3 pounds, making it suitable for single-operator use, handheld shooting, or use on gimbals.
Versatile Frame Rates: Supports various resolutions and frame rates, including 8.6K at up to 30fps, 6K at up to 60fps, and 4K at up to 120fps.
Cost: $23,000 USD
August 27, 2025
(M)
Somboon Piryapakdeekul
Thailand
Email steadirob@gmail.com
Telephone +66825724441
Includes:
RED GEMINI 5K S35 (315 Hours)
Mini Mag SSD Module
Wooden Camera Top Mounting Plate
DSMC2 Side Handle with Camera Control
DSMC2 7″ Touch Monitor
V-Mount Battery Plate Expander
Wooden Camera Top Handle with Record Button
480GB Mini Mag
Mini Mag USB Reader
Locking EF Mount
Nikon F Mount
Features:
Dual Sensitivity Sensor: The standout feature is its Gemini 5K S35 sensor with two native ISO modes: a standard 800 ISO for normal lighting and a high-sensitivity 3200 ISO for superior performance in low-light conditions, minimizing noise.
High Resolution: Records up to 5K resolution (5120 x 3000), providing a high level of detail for cropping and reframing in post-production.
High Frame Rates: Capable of shooting up to 96 fps at 5K Full Format and up to 300 fps at 2K, offering versatile slow-motion options.
Modular DSMC2 System: The camera is a part of RED’s modular DSMC2 ecosystem, allowing for easy customization with a wide range of accessories and modules for power, I/O, and monitoring.
Flexible Codecs: Records in RED’s proprietary REDCODE RAW for maximum flexibility, and also offers Apple ProRes and Avid DNx formats for a more streamlined, faster workflow.
Interchangeable Lens Mounts: The camera body does not have a fixed lens mount, allowing users to swap between popular mounts like PL and EF to use a variety of professional cinema and still lenses.
Cost: 5500 USD
(M)
August 26, 2025
Philip Gedarovich
US
Email philip.gedarovich@yahoo.com
Telephone +17742770544
Includes:
1x Cmotion Pro+ hand unit (SN: 5125)
1x Cmotion Pro+ neck strap
3x Batteries for hand unit
1x Charger
1x Antenna for hand unit
1x Focus ring
1x Motorized Polariser (SN: 7107)
1x Static Polariser
1x Cpro Camin (6038)
1x Antenna for Camin
1x Camin Bracket
1x ARRI Cforce Mini motor (SN: 3024)
1x 15mm insert for motor
2x LBUS Cables
1x CAM (7p) to EXT (6p) Cable
1x LBUS to D-tap Cable
A complete Cinefade system is a specialized piece of filmmaking equipment that allows a cinematographer to adjust the depth of field during a shot while maintaining a constant exposure. This is a unique creative effect that can be used to shift the audience’s focus within a single, continuous shot.
The system works by using two key motorized components that are slaved to each other: a motorized iris on the lens and a motorized variable neutral density (ND) filter inside the camera’s matte box.
How It Works ⚙️The core of the Cinefade system is a balancing act between the lens’s iris and the variable ND filter.
The iris motor adjusts the aperture of the lens. Changing the aperture directly controls the depth of field—a smaller aperture (higher T-stop) increases the depth of field (more of the scene is in focus), while a larger aperture (lower T-stop) decreases it (more of the scene is out of focus).
As the iris motor changes the aperture, it also changes the amount of light hitting the sensor, which would normally affect the exposure.
To counteract this, the motorized variable ND filter is slaved to the iris motor. As the iris opens, the ND filter simultaneously becomes more dense to block more light, and as the iris closes, the ND filter becomes less dense to let more light through. This synchronization ensures that the overall exposure of the shot remains constant, even as the depth of field changes.
The system is typically controlled remotely by a focus puller or camera operator using a hand unit that has a slider or knob to control the depth of field transition. A full Cinefade kit can also be used as a simple variable ND filter or a motorized circular polarizer (RotaPola) for other effects.
Cost to confirm with owner: 11,500 on 08-19-2025 – R
0047 91717366 or WhatsApp:) Andreas Grimso
Andreas H. Grimsø <andreas@storyline.no>
Market Investigation:
NewlifecineDoes not have
Justcinemagear does not have oneAI: The average price for a used Cmotion Pro+ Hand Unit Cinefade Complete System with Motor in the second-hand market is approximately $14,000 to $15,000 USD (or the equivalent in other currencies).
The ARRIFLEX 435 ES is a 35mm film camera known for its high-speed capabilities and electronic features, making it a versatile tool for professional filmmaking. It was introduced in 1995 as an upgrade to the standard 435 model, featuring a continuous electronic shutter.
Key Features and Benefits
High-Speed Filming: Records at a high frame rate of 1-150 fps, forward and reverse, allowing for impressive slow-motion effects and flexible shooting options.
Electronic Shutter: The “ES” stands for Electronic Shutter, which can be continuously adjusted from 11.2° to 180° while the camera is running. This provides precise exposure control and the ability to execute “in-shot” effects like speed and shutter ramps. 🎥
Precision and Stability: Features a dual-pin registration and multi-pulldown claw movement, ensuring exceptional image steadiness throughout the entire frame rate range.
Modular Design: The camera’s modular system is compatible with a wide range of accessories, including different magazines (400 ft and 1000 ft), viewfinders, and video assists.
Durability and Ergonomics: It’s known for its robust construction, making it reliable for demanding production environments. It also has an ergonomic design for ease of use on set.
ARRI 435 ES
COST : to be determined TBD with EGON
‘EJR’ cinevision@mindspring.com
1x ARRI Mini LF (Hours: 2336)
1x ARRI MVF-2
1x ARRI LPL Mount w/ LBUS Connection
1x ARRI LPL to PL Adapter
1x MVF-2 Cable
1x USB
1x Camera Antenna
1x Bebob V-lock plate
1x Dovetail
1x ARRI MSB-3
1x ARRI MSB-2
1x ARRI MAP-2
1x ARRI CCH-2
1x ARRI CBP-1
1x ARRI MVP-1
1x ARRI RAB-1
1x ARRI RMB-3
1x ARRI 15mm insert
2x 15mm rods
4x Codex Compact 1TB cards
4x Codex Compact Card Cases
1x Codex Compact Reader
1x USB-C to USB-C Cable
1x Transport Camera Case
ARRI ALEXA Mini LF is a professional digital cinema camera that merges the compact and lightweight design of the ALEXA Mini with the high-quality large-format sensor of the ALEXA LF. It is a popular choice for filmmakers who require a versatile camera that can be used in a variety of shooting scenarios, from handheld and gimbal work to traditional studio setups.Key Features and Benefits:
Large-Format Sensor: Features a 4.5K sensor for a cinematic look with shallow depth of field, stunning bokeh, and a high dynamic range of 14+ stops.
Compact and Robust Design: Ideal for a wide range of shooting conditions, including handheld, gimbal, and drone work, with sealed electronics for dust and splash resistance.
Versatile Recording Formats: Supports a variety of recording options including ARRIRAW and Apple ProRes to suit different post-production workflows.
Integrated Features: Includes built-in motorized FSND filters and a new MVF-2 high-contrast HD viewfinder with a flip-out monitor.
Flexible Lens Mount: Comes with an LPL mount and is compatible with a wide range of cine-style lenses, including those with PL mounts via an adapter.
Cost: USD $ 36,500
Andreas H. Grimsø
andreas@storyline.no
0047 91717366 or WhatsApp:)
R-08-15-2025
Used Arri Amira Package For Sale
Includes:
Arri Amira Camera S/N K1.1717000-18825
PL Mount
Battery Plate Golf Mount
Tilta Top Handle
Bridge Plate for 15mm Rods
ViewFinder S/N: K200058618900
Shoulder Pad
The ARRI AMIRA is a versatile digital cinema camera known for its ergonomic design, making it a popular choice for single-operator use in documentary, corporate, and live TV production. It uses the same Super 35 sensor as ARRI’s ALEXA cameras, delivering a similar image quality with a high dynamic range and natural color reproduction.
Key Features and Benefits
Exceptional Image Quality: The AMIRA utilizes the same ALEV III Super 35 sensor as the ALEXA, providing a dynamic range of over 14 stops, low noise, and excellent skin tones.
Ergonomic Design: Optimized for handheld and shoulder-mounted operation, the AMIRA is a run-and-gun camera that is well-balanced and comfortable for a single operator.
Affordable and Versatile Workflow: It records to CFast 2.0 cards, which are a cost-effective and reliable media format. It supports various ProRes codecs, including UHD 4K, 2K, and HD.
In-Camera Grading: The camera features in-camera grading with preloaded and custom 3D LUTs, allowing for on-set color control and a streamlined post-production workflow.
High Frame Rates: The AMIRA can record slow motion footage at up to 200 fps in HD and 2K resolutions.
Robust Build: The camera is built to be durable and reliable, with a solid internal skeleton and sealed electronics to protect against dust and humidity.
Multiple Lens Mounts: It offers interchangeable lens mounts (PL, B4, EF) to accommodate a wide range of cinema, broadcast, and stills photography lenses.
Cost : 6,000 – Confirm owner
David Garcia
david@gandhiequipos.com
Mi teléfono / whatsapp
5491137678825
OUT OF THE MARKET FOR NOW
Owner will advice when topost again
1x ALEXA Mini Body with 4:3 and ARRIAW
1x ALEXA Mini Viewfinder MVF-1 + cable x 1 Cage
2x Mini Adapter Plate MAP-2
2x Mini Side Bracket MSB-1 for ALEXA Mini
1x Bridge Plate Adapter BPA-4
1x “ARRI Style” BP8 + 240mm Dovetail
1x Cage Top Handle, CTH-1
1x Mini Viewfinder Bracket MVB-1
1x RMB-3
Power and Cables
1 x 24V 3pin to arri mini power cable
1x Hawk-Woods Arri Alexa Mini V-Lok Plate
Media
5 x CFast 2.0 Card 256 GB
3 x CFast 2.0 Card 128 GB
1 x 6 slot pelle C-fast card case
1 x Angelbird USB-C Angelbird Card reader
1x K2.0001242 Codex CFast2.0 card reader (USB)
Case
1x Lemsford coffin case
The Arri ALEXA Mini is a compact, lightweight digital cinema camera known for its robust design and exceptional image quality, making it a popular choice for professional film and television productions.
Key Features and Benefits:
Compact & Lightweight: Designed for versatility, its carbon body and small size make it ideal for gimbals, drones, handheld rigs, and tight spaces.
Superior Image Quality: Features the renowned Super 35 ARRI ALEV III CMOS sensor, providing natural skin tones, high dynamic range (14+ stops), and a “filmic” look that is highly regarded by cinematographers.
Flexible Recording: Offers a wide range of recording options, including various ProRes codecs (up to 4K UHD) and uncompressed ARRIRAW to CFast 2.0 cards. It supports a broad range of frame rates, up to 200 fps.
Anamorphic Capabilities: Features a 4:3 sensor and an automatic de-squeeze function, with optional licenses for anamorphic and Open Gate recording, making it perfect for widescreen cinematic productions.
Integrated Design: Includes built-in motorized Full Spectrum Neutral Density (FSND) filters and an integrated ARRI Lens Data System (LDS) for seamless control and on-set efficiency.
Interchangeable Lens Mounts: Supports various lens mounts (PL, EF, B4, LPL), providing extensive compatibility with a wide array of lenses.
our cost $15k, list price $19k
owner: Jermaine brown
Manemusic811@gmail.com
917-704-1356
Please post this mini,
R-08/07/2025
Sony FX9 is a professional full-frame 6K cinema camera designed for documentary, commercial, and event applications, building on the success of Sony’s FS7 line. It combines cinematic imaging with practical, on-the-go shooting features.
Key Features and Benefits:
6K Full-Frame Exmor R CMOS Sensor: Oversamples to produce stunning 4K imagery with shallow depth of field, wide-angle views, and beautiful bokeh, offering superior sensitivity and noise reduction.
15+ Stops of Dynamic Range: Captures exceptional detail from subtle shadows to bright highlights, providing extensive creative freedom in post-production and color grading.
Dual Base ISO (800/4000): Optimizes dynamic range for various lighting conditions, excelling in both bright exteriors (ISO 800) and low-light scenarios (ISO 4000) while maintaining image quality.
S-Cinetone Color Science: Delivers a vivid, cinematic look with rich mid-range colors and pleasing skin tones, inspired by the VENICE cinema camera, reducing the need for extensive post-production color correction.
Fast Hybrid AF with Face/Eye Detection: Provides incredibly fast, accurate, and smooth autofocus, effortlessly tracking fast-moving subjects with precise focus, even with shallow depth of field.
Electronic Variable ND Filter: The world’s first full-frame electronic variable ND filter allows for seamless exposure adjustments in changing light conditions without affecting depth of field.
Internal 4K (UHD/DCI) 10-bit 4:2:2 Recording: Records high-quality footage internally to XQD media cards, with various recording formats like XAVC-I and XAVC-Long.
High Frame Rates: Supports up to 120fps (and 180fps with future firmware updates) in Full HD for smooth slow-motion effects.
Ergonomic Design: Features a refined, lightweight, and sturdy body with adjustable controls, designed for comfortable handheld, waist-level, or shoulder-mounted shooting.
Professional Connectivity: Includes 12G-SDI, HDMI, Genlock, Timecode, 4-channel audio inputs, and Wi-Fi for advanced workflows and multi-camera setups.
Owner Brady Romberg / bradystunt@gmail.com / 503-888-7293
Assistnat ; Brisa
m: +1 818 430 0024
e: brisaromberg@gmail.com
R- 07/25/2025 – SN : 2004125 / 1 of 4 cameras from this owner
FX9 w / Arri Set & Innerspace Case – 4 – Our cost for each : $ 9,000
Lori has 8 cameras : 7,750 – 8,650 – 9,650 – 9,999 – 10,500 – 11,650 -and 2 for 12,950
Newlifecine has 2 : 6,950 – 8,500 –
What would be a good selling price for this camera ?
SENSOR WAS REPLACED IN 2023
Includes:
Arri Alexa Mini wih 4:3 and Arriraw Licenses
10 256 C fast cards Sandisk
4 x 128 GB sandisk C fast media
Tilta cage
AC power supply
Power cables
Extra evf cable
Extra power block (side mount)
Monster PTAP flexible camera power cable
2 x 3 pin power cable
Ethernet cable
3 pin power cable extender
2 x audio boxes
6 x 256 BG Sandisk Cfast media
3 128GB fast media
Features:
Compact & Lightweight: Designed for versatility, ideal for gimbals, drones, handheld, and tight spaces.
ALEV III Sensor: Features the same acclaimed Super 35mm sensor found in other ALEXA cameras, delivering the signature “ARRI look.”
High Dynamic Range: Offers 14+ stops of exposure latitude, capturing extensive detail in highlights and shadows.
Natural Skin Tones & Color Science: Renowned for its pleasing and accurate rendition of skin tones and overall natural color reproduction.
Flexible Recording Formats: Records in various flavors of Apple ProRes (including 4444 XQ) and uncompressed MXF/ARRIRAW to CFast 2.0 cards.
High Frame Rates: Capable of shooting up to 200 fps in ProRes, allowing for slow-motion capture.
Built-in ND Filters: Features internal motorized FSND filters (0.6, 1.2, 2.1) for quick adjustments to light conditions without adding external filters.
Interchangeable Lens Mounts: Supports a variety of lens mounts, including PL, LPL (with adapter), EF, and B4, offering broad lens compatibility.
Integrated Lens Motor Control: Allows for direct control of focus, iris, and zoom from ARRI hand units without needing an external motor box.
Anamorphic Capabilities: Features a 4:3 sensor and in-camera de-squeeze for anamorphic productions.
Robust & Reliable Build: Durable construction designed to withstand demanding professional environments.
Wireless Control: Integrated Wi-Fi for web-based remote control from various devices.
Cost: To be determined
July 18, 2025
(M)
John Tipton
john@johntipton.com
Hours:596.31
Features:
Large-Format Sensor: Features a 4.5K large-format sensor, delivering exceptional detail, dynamic range (14+ stops), and ARRI’s renowned natural color science for an immersive, cinematic look.
Compact & Lightweight: Designed for versatility, its robust yet small and light body is perfect for handheld, gimbal, and drone work, as well as traditional studio setups.
Flexible Recording Formats: Records internally in high-quality MXF/ARRIRAW or MXF/Apple ProRes in various resolutions and aspect ratios (e.g., 4.5K LF Open Gate, 4.3K 16:9, 4.5K 2.39:1).
Codex Compact Drives: Utilizes new, competitively priced 1TB Codex Compact Drives for efficient and reliable recording.
Integrated FSND Filters: Features three internal motorized Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, 1.8) for quick exposure control without color shifts.
Advanced MVF-2 Viewfinder: Comes with a high-contrast HD OLED viewfinder with a 4-inch flip-out monitor for flexible viewing and camera control, even with an eyepiece heater.
Extensive Lens Compatibility: Supports ARRI LPL mount (optimized for large format) and is compatible with existing PL-mount lenses via an adapter. Works seamlessly with ARRI Signature Primes.
Robust Build: Built for demanding professional environments with a carbon body and a wide operating temperature range (-20°C to +45°C).
Improved Connectivity: Offers extra regulated 12V and 24V accessory power outputs, a new 6-pin audio connector, built-in microphones, and enhanced WiFi.
User-Friendly Interface: Intuitive controls and menu navigation, along with six user-assignable buttons, ensure a smooth and efficient shooting experience.
Simplified Workflows: Supports industry-standard Apple ProRes and uncompressed ARRIRAW, with Codex High Density Encoding (HDE) for reduced ARRIRAW file sizes without compromising quality.
COST TO BE DETERMINED
July 4, 2025
(M)
Patrick Donnelly
pdonnelly555@mac.com
Patrick Donnelly
Includes:
RED Gemini DSMC2
(2) Red mags
EF Mount
(2) V mount batteries
Stock accessories
Features:
Dual Native ISO: Switch between 800 and 3200 ISO for optimized performance in both bright and extremely low-light conditions, minimizing noise without sacrificing dynamic range.
5K Super 35 Sensor: Captures high-resolution 5K footage (5120 x 3000) with a Super 35mm sized sensor, offering a cinematic field of view.
High Frame Rates: Record up to 75fps at 5K Full Height, 96fps at 5K Full Format, and an impressive 300fps at 2K for captivating slow-motion.
Exceptional Dynamic Range: Boasts 16.5+ stops of dynamic range, allowing for incredible detail in both highlights and shadows.
REDCODE RAW Recording: Utilizes RED’s highly efficient and flexible REDCODE RAW codec, offering extensive post-production latitude.
ProRes & DNx Recording: Simultaneously record Apple ProRes or Avid DNx formats for streamlined proxy workflows or quicker turnarounds.
Modular DSMC2 System: Built on the adaptable DSMC2 platform, allowing for various configurations with interchangeable OLPFs, lens mounts (PL, EF, etc.), and a wide range of RED and third-party accessories.
Compact & Durable: Features a lightweight aluminum alloy construction, making it suitable for diverse shooting environments.
Integrated Media Bay: Records to reliable RED MINI-MAG media.
Red Gemini DSMC 2 (Number 1)
Cost:12000 USD
(M)
July 7, 2025
Connor Buss
ForewardFilms
brothers@forewordfilms.com
Includes:
RED Gemini DSMC2
(2) Red mags
EF Mount
(2) V mount batteries
Stock accessories
Features:
5K Super 35 Sensor: Captures high-resolution footage up to 5120 x 3000, offering excellent detail and image quality.
Dual Native ISO: A standout feature, offering two base ISOs (800 and 3200) for exceptional performance in both bright and extremely low-light conditions, minimizing noise.
High Dynamic Range: Delivers 16.5+ stops of dynamic range, preserving details in both highlights and shadows.
Flexible Frame Rates: Shoots up to 75 fps at 5K Full Height, 96 fps at 5K Full Format, and an impressive 300 fps at 2K, enabling stunning slow-motion.
REDCODE RAW Recording: Utilizes RED’s efficient wavelet-compressed RAW format, providing immense flexibility in post-production.
Simultaneous ProRes/DNx Recording: Records REDCODE RAW alongside Apple ProRes or Avid DNx files (up to 4K), ideal for proxy workflows and faster editing.
Modular DSMC2 System: Built on RED’s modular DSMC2 platform, allowing for extensive customization with various accessories, expander modules, and interchangeable lens mounts (PL, EF).
Interchangeable OLPFs: Supports different Optical Low-Pass Filters (OLPFs) to optimize image rendering for specific shooting scenarios (e.g., standard, skin tone-highlight, low light).
Robust Construction: Features an aluminum alloy body for durability.
Integrated Media Bay: Records directly to RED MINI-MAG media.
Wireless Control: Offers integrated R.C.P. (RED Camera Protocol) WiFi antenna for wireless control.
Red Gemini DSMC 2 (Number 2/2 do not delete is not a duplicate)
Cost:12000 USD
July 7, 2025
(M)
Connor Buss
ForewardFilms
brothers@forewordfilms.com
Includes:
Phantom Flex
2x 2TB Phantom CineMagIV
-Phantom OLED HD Electronic Viewfinder
-Zacuto USA Viewfinder Bracket Mount
-Anton Bauer Gold Mount
-Phantom PCU Control Box
-12 pin Fischer to 6-BNC Capture Box
-Cine-Style Riser
-ARRI BP-8 Baseplate
-Phantom Flex PL Lens mount
-AbelCine 24v / 150w Power Supply
2x XLR3 M to F Power Cable
-24V Phantom Power Supply
2x 12 ” Coiled Hirose 4 EVF Power Cable W/SDI
-Lemo 2-pin to Mini XLR 4-pin 12v Cable
-12V Arri Alexa Cable
-Phantom Flex remote on/off Pickle Switch
-Fischer 3-pin Pigtail 12V Power
Cable
-Fischer 4-pin Pigtail 12V Power Cable
2x Fischer 8-pin to Ethernet Cable
-Phantom CineStationIV (w/AC Power)
-SANLink Thunderbolt 2 to Ethernet 10G -Base-T Adapter (w/AC Power)
-X2 Thunderbolt 2 Cable
-TB2 to TB3 Adapter
-Wireless Modem Camera Control
-X2 18′ Cat 6a 10GB Ethernet Cable
-Phantom Flex 4K Innerspace Case
-DIT Pelican Case
Features:
Ultra-High Frame Rates: Capable of incredibly fast frame rates, often reaching thousands of frames per second (fps) even at high resolutions, and tens of thousands at lower resolutions. This is their defining characteristic for extreme slow motion.
High Resolution: Offer resolutions up to 4K (4096×2304) or 2.5K (2560×1600), allowing for detailed and cinematic high-speed capture.
Large Internal RAM: Equipped with substantial internal RAM (e.g., 32GB, 64GB, or 128GB), providing a buffer for capturing extended high-speed bursts before offloading.
Global Shutter Option: Many Flex models feature a global shutter, eliminating rolling shutter artifacts (like “jello” effect) often seen with fast-moving subjects. Some models even allow switching between global and rolling shutter.
High Sensitivity (ISO): Designed to perform well in varying light conditions, with decent ISO ratings to support the increased light demands of high frame rate shooting.
Phantom CineMag Workflow: Utilize proprietary CineMag solid-state drives for fast and efficient offloading of large high-speed files, minimizing downtime between shots.
Versatile Lens Mounts: Support interchangeable lens mounts (commonly PL, with options for Canon EF, Nikon F, etc.) to integrate with professional cinema lenses.
Robust Connectivity: Feature multiple 3G HD-SDI outputs for monitoring, dual-link 4K video output, and Ethernet for camera control and data transfer.
On-Camera Controls: Include intuitive on-camera controls for settings, playback, and saving, enabling untethered operation in the field.
Cine Raw & ProRes Recording: Primarily record in Phantom’s uncompressed Cine Raw format for maximum quality and flexibility in post-production, with some later models offering in-camera Apple ProRes recording.
Cost: Ask Adam
June 26, 2025
Adam Fox
Includes:
ULTRA 16 8mm
ULTRA 16 9.5mm
ULTRA 16 12mm
ULTRA 16 14mm
ULTRA 16 18mm
ULTRA 16 25mm
ULTRA 16 35mm
ULTRA 16 50mm
The ARRI Ultra 16 Lens Set is a premium collection of 9 prime lenses engineered specifically for Super 16 format cameras. Developed by ARRI and Carl Zeiss, these lenses offer exceptional image quality, high speed, and robust construction, making them ideal for professional cinematography. Their compact and lightweight design makes them perfect for handheld and mobile shooting scenarios.
Key Features and Benefits:
Full Set Coverage: Includes 9 focal lengths – 6, 8, 9.5, 12, 14, 18, 25, 35, and 50mm.
Super 16 Optimized: Specifically designed for Super 16 film and digital sensors.
Consistent T1.3 Aperture: Fast aperture across all lenses for excellent low-light performance and shallow depth of field.
High Optical Precision: Minimal distortion, high contrast, and edge-to-edge sharpness.
Compact and Lightweight: Ideal for gimbals, drones, and handheld rigs.
Uniform Build: Common front diameter and similar size for quick lens changes on set.
SOLD – COST: GBP 47,000 – SOLD
Ian Forbes
i.w.l.forbes@gmail.com
London.
VS
06/03/2025
Includes:
Camera Body with PL mount
7″ LCD PRO Touch Screen
RED EVF OLED+mount
Base Expander
Mini SSD side modul
L- mount for EVF
9″ Red arm
RCAx3-Lemo sync cable
LCD/ EVF cable R-to-S 18″
LCD/ EVF cable R-to-R 18″
LCD/EVF cable R-to-R 12″
RED SIDEWINDER (tools)
V-lock Battery plate
RED Volt XL plate
RED Minimag Station USB 3.1
USB 3.1 cable
USB cable
2x 960 GB Red Monstro Drive
5x 480 GB Red Monstro Drive
LEMO adaptor B
LEMO adaptor A
Skin Tone Highlight OLPF
Low Light Optimized OLPF
Power Adaptor
Camera Case
The RED MONSTRO 8K VV is a high-end digital cinema camera known for its exceptional image quality and versatility.
Key Features and Benefits:
8K Full-Frame Sensor: Captures incredibly detailed footage and stills with a 35.4 Megapixel Vista Vision CMOS sensor (40.96 mm×21.60 mm), offering full-frame lens coverage.
High Dynamic Range: Boasts over 17 stops of dynamic range, preserving details in both deep shadows and bright highlights for a rich, cinematic look.
Flexible Frame Rates: Records up to 60 fps in 8K Full Format, and significantly higher frame rates (up to 300 fps in 2K) by windowing the sensor, ideal for slow-motion effects.
Efficient Workflow: Supports REDCODE RAW for maximum post-production flexibility with manageable file sizes, and can simultaneously record Apple ProRes or Avid DNxHR/HD for proxy workflows or quicker turnarounds.
Modular Design: Part of the DSMC2 ecosystem, allowing for extensive customization with various modules, accessories, interchangeable OLPFs, and lens mounts (PL and EF options available).
Integrated Features: Includes cable-free peripherals, an integrated media bay, wireless control, and improved thermal management (in some configurations like the Ranger).
Cost 15,000 Euros
Hungary
Owner: Ármin Bús
Company Name: Vantage Vision Kft.
Email: armin.bus@vantagevision.hu
Telephone: 36209657095
Newlifecine does not have any
Lori has several: 21,650 – 19,750 – 18,500 / Average 19,966.67
Adam said in the whastapp: Our this for sale for $12,000
Includes
1- RED DRAGON #01189 (PL Mount)
1- RED Universal Mount V2 Attachment 19mm
1- RED 19mm Top Rod Support Bracket
1- RED 5” LCD Touchscreen #7301027A5E36
1- REDMOTE #7701028BEA57
1- V-Lock Battery Mount
1- RED Station REDMAG 1.8” #RD1801480 with Cables & Power supply
1- RED MAG 128GB SSD #7501024E6BD82
1- RED MAG 128GB SSD #7501024E6C3F2
1- RED MAG 128GB SSD #7501024F6C5B2
1- RED MAG 128GB SSD #7501024E6C372
1- RED BOMB EVF #10248359C
1- LCD/EVF Cable
1- LCD/EVF Cable
1- Power Cable LCD Monitor to Camera
1- Power Cable
1- Shoulder Pad
1- Top Handle
1- Shoulder Set Handle (Right)
1- Shoulder Set Handle (Left)
The RED DRAGON is a professional digital cinema camera renowned for its high-resolution capabilities and modular design. Featuring a 19.4MP Super 35mm CMOS sensor, it captures 6K footage with exceptional dynamic range and detail. This kit includes essential accessories to support various production needs
Key Features and Benefits
High-Resolution Imaging: Captures 6K footage (6144 x 3160) with a 19.4MP Super 35mm CMOS sensor, ensuring detailed and vibrant visuals.
Exceptional Dynamic Range: Offers 16.5+ stops of dynamic range, preserving details in both shadows and highlights.
High Frame Rates: Supports up to 75 fps at 6K full format and up to 300 fps at 2K, ideal for slow-motion and high-speed captures.
Modular Design: Allows customization with various RED-approved accessories to suit different production requirements.
Advanced Audio Capabilities: Features integrated dual-channel digital stereo microphones with optional additional channels for high-quality audio capture.
Versatile Recording Formats: Supports REDCODE RAW and ProRes codecs, providing flexibility in post-production workflows.
Robust Build: Constructed with magnesium and aluminum alloy, ensuring durability in various shooting environments.
COST: Make an Offer
Chant Etyemezian
+961 1 491850 | +961 3 250641
chant@platformstudios.com
VS
5/23/2025
Includes:
1 ARRI ALEXA Mini CAMERA BODY ONLY #21118 (7575h)
1 4:3 option For Alexa Mini
1 RAW option For Alexa Mini
1 VIEWFINDER ARRI Alexa Mini #7734
1 ARRI Viewfinder Cable
1 BALANCING PLATE
1 BRIDGE PLATE BP8
4 CFAST 2.0 256Go MEMORY Support
1 CARD READER CFast 2.0
1 USB Nano Drive for Alexa or Hi-5
2 MAP-2
2 MSB-1
1 BPA-4
1 Top Handle
1 PL Cap
1 PAIR OF Black RODS 15mm Extra SHORT
1 15mm Rods Screw cap
1 MVB-1
1 VEB-3
1 ANTENNA FOR WIRELESS REMOTE
1 WOODEN CAMERA D-BOX
1 CSP-1 Shoulder
1 PAIR OF RODS 15mm MEDIUM
1 Mini XLR > XLR4 cable
1 19mm Rods Screw cap
1 PAIR OF RODS 15mm LONG
1 Caisse de transport grande
The ARRI ALEXA Mini is a compact, lightweight, and versatile cinema camera known for delivering exceptional image quality. Built around the same sensor as the larger ALEXA models, it offers cinematic 4K UHD resolution, outstanding dynamic range, and natural color reproduction. It’s widely used in high-end film, TV, and commercial production due to its durability and integration with professional workflows.
Key Features and Benefits:
4K UHD Resolution: Captures ultra-high-definition footage suitable for modern broadcast and cinema standards.
Super 35 ALEV III CMOS Sensor: Offers up to 14+ stops of dynamic range and ARRI’s signature color science.
Lightweight Carbon Body: Compact design ideal for gimbals, drones, handheld, and tight shooting environments.
ProRes & ARRIRAW Recording: Internal recording to CFast 2.0 cards in industry-standard codecs.
Interchangeable Lens Mounts: PL, EF, and B4 mount compatibility for a wide range of lenses.
Versatile Frame Rates: Up to 200 fps in 2K, making it suitable for slow-motion capture.
Built-in ND Filters: Quick access to exposure control without external filters.
Full Metadata Support: Enhances post-production efficiency and workflow integration.
15,500 €
Claude Esselen – BELGIUM
+32 495 23 43 48
Tél: +32 (0)2 702 16 24
Std: +32 (0)2 702 16 78
c.esselen@eye-lite.com
VS
5/22/2025
Super 35 ARRI ALEV III CMOS Sensor: Delivers stunning, film-like images with ARRI’s renowned color science, producing natural skin tones and rich cinematic color reproduction.
High Dynamic Range: Boasts 14+ stops of exposure latitude, capturing impressive detail in both highlights and shadows.
High Frame Rates: Capable of recording up to 200 fps (in some resolutions), enabling excellent slow-motion capabilities.
Versatile Recording Formats: Supports various ProRes codecs (up to 4444 XQ) and internal MXF/ARRIRAW recording for maximum post-production flexibility and uncompressed sensor data.
Interchangeable Lens Mounts: Offers compatibility with a wide array of lenses, including PL, EF, and B4 mounts, further expanding its versatility.
Built-in ND Filters: Features internal motorized ND filters (0.6, 1.2, 1.8) for convenient exposure control.
Robust Build: Designed for durability and reliability in various shooting conditions.
COST : 17,500.00 €
Claude Esselen
c.esselen@eye-lite.com
Mob: +32 495 23 43 48
Woluwelaan 141c
1831, Diegem
Tél: +32 (0)2 702 16 24
Std: +32 (0)2 702 16 78
(r) 05-21-2025
Has 4k and Premium Licenses
Includes:
Electronic Viewfinder
(1) Viewfinder Cable
(2) Rods 15mm – 440
(1) Card Reader with Cable
(1) Card 128GB
(1) Shoulder Pad
The ARRI AMIRA is a versatile digital cinema camera designed for single-operator use and demanding production environments, often referred to as a “documentary-style” camera. It shares the same Super 35mm ALEV III CMOS sensor as the acclaimed ARRI ALEXA, offering exceptional image quality in a more ergonomic and portable form factor.
Key Features and Benefits:
- Exceptional Image Quality: Utilizes the same Super 35mm ARRI ALEV III CMOS sensor as the ALEXA, delivering a dynamic range of 14+ stops, natural skin tones, and excellent color rendition. It records with low noise, even at higher ISOs (native 800 EI).
- High Frame Rates & Resolutions: Capable of recording up to 200 fps in ProRes HD/2K and up to 60 fps in 4K UHD (with license), making it suitable for slow-motion and high-resolution productions.
- Ergonomic Design for Single Operators: Optimized for shoulder-mounted operation, with a quick boot-up time, sliding dovetails for perfect balance, and readily accessible controls. Features an OLED eyepiece and fold-away LCD monitor.
- Efficient Workflow: Records to affordable CFast 2.0 cards in various ProRes formats (including 4444 and 4444 XQ), simplifying post-production. Optional ARRIRAW recording is also available.
- In-Camera Grading: Supports preloaded and custom-built 3D LUTs, allowing for on-set color control and reducing post-production costs. Includes support for the ARRI Look Library.
- Versatile Lens Mounts: Offers rapidly interchangeable lens mounts, including PL, LPL, B4, and EF, providing compatibility with a vast array of cine-style, broadcast, and still photography lenses.
- Robust and Reliable: Built to withstand harsh environmental conditions, with sealed electronics for splash and dust resistance.
- Integrated Features: Includes internal motorized ND filters (0.6, 1.2, 2.1), multi-channel audio recording with easy-access controls, and Wi-Fi/Ethernet remote control capabilities.
6140 Hours
Includes:
1 – MINI ALEXA MINI CAMERA BODY
1 – EVF-1
1 – EVF BRACKET
2 – MINI ADAPTER PLATE
1 – TOP HANDLE
1 – BRIDGE PLATE ADAPTER
1 – BRIDGE PLATE 19MM
2 – SIDE BRACKETS
1 – WOODEN CAMERA D-BOX
1 – ALEXA MINI VIEWFINDER CABLE
2 – 15MM RODS 40CM LENGTH
1 – WOODEN CAMERA AUDIO BOX
1 – SHOULDER PAD
The ARRI ALEXA Mini is a compact, lightweight digital cinema camera designed to deliver the same image quality as larger ALEXA models. It’s widely used in high-end film, commercial, and TV production due to its versatility, durability, and integration with ARRI’s ecosystem. Its small size makes it ideal for handheld, gimbal, drone, and tight-space shooting, without compromising on image quality.
Features:
Compact and Lightweight: Ideal for handheld, gimbal, and drone use.
Same Sensor as ALEXA: Maintains ARRI’s renowned image quality with wide dynamic range and natural color rendering.
4K UHD and 2K ProRes Recording: Suitable for professional workflows.
ARRIRAW and ProRes Support: High-quality, flexible post-production options.
Integrated Lens Motor Control: Compatible with ARRI ECS (Electronic Control System).
In-Camera Recording: Simplifies rigging and improves mobility.
Built-In WiFi and Lens Data System: Enhances efficiency on set.
Robust Build: Carbon fiber housing and solid internal structure ensure durability.
USD $9,000
Samer Dadanian
samer@finalcutlb.com
KSA: +966 50 3275 158
LEB: +961 3 275 158
FRA: +33 7 67 81 47
VS
5/20/2025
Includes:
1x ARRI Mini LF
1x ARRI MVF-2
1x ARRI LPL Mount w/ LBUS Connection
1x ARRI LPL to PL Adapter
1x MVF-2 Cable
1x USB
1x Camera Antenna
1x Bebob V-lock plate
1x Dovetail
1x ARRI MSB-3
1x ARRI MSB-2
1x ARRI MAP-2
1x ARRI CCH-2
1x ARRI CBP-1
1x ARRI MVP-1
1x ARRI RAB-1
1x ARRI RMB-3
1x ARRI 15mm insert
2x 15mm rods
4x Codex Compact 1TB cards
4x Codex Compact Card Cases
1x Codex Compact Reader (SN: 01053654)
1x USB-C to USB-C Cable
1x Transport Camera Case
Key features and benefits:
Large-Format Sensor: Provides an immersive look, shallower depth of field, and excellent image quality.
Compact and Lightweight: Offers flexibility for handheld, gimbal, and aerial cinematography.
High Dynamic Range: Captures a wide range of exposure with 14+ stops.
Low Noise: Delivers clean images with higher usable sensitivity.
ARRI Color Science: Ensures natural skin tones and easy color correction.
Multiple Recording Formats: Supports ARRIRAW and various ProRes codecs for flexibility in post-production.
Internal ND Filters: Features three built-in motorized full spectrum neutral density filters (ND 0.6, 1.2, 1.8).
Cost-Effective Media: Utilizes Codex Compact Drives for reliable and efficient recording.
Versatile Lens Mount: Native LPL mount with included PL adapter for wide lens compatibility.
MVF-2 Viewfinder: High-contrast HD OLED viewfinder for optimal focus and image evaluation.
Cost USD $ 31,025 (Following the rule of 6,000 profit )
Andreas Grimso
andreas@storyline.no
VS
5/14/2025
The SONY BURANO 8K CAMERA (MPC-2610) is a compact and versatile digital cinema camera designed for solo and small team productions, inheriting the superior image quality of the VENICE series. It offers a full-frame 8.6K sensor with 16 stops of dynamic range and dual base ISO (800/3200), ensuring exceptional low-light performance. Notably, it’s the world’s first digital cinema camera with in-body image stabilization (IBIS) for both PL and E-mount lenses, enhancing handheld shooting capabilities. The inclusion of a built-in electronic variable ND filter (0.6-2.1) allows for seamless exposure adjustments. The camera supports various internal recording formats, including X-OCN LT and XAVC H, offering flexibility in post-production workflows. Its lightweight and ergonomic design facilitates easy switching between different shooting styles, making it suitable for a wide range of applications.
Key Features and Benefits:
8.6K Full-Frame Sensor: Captures high-quality images with rich detail, wide latitude, and excellent color rendition.
Dual PL/E Mount: Offers compatibility with a vast selection of lenses.
In-Body Image Stabilization (IBIS): Provides 3-axis stabilization with PL lenses and 5-axis with E-mount lenses, reducing camera shake.
Electronic Variable ND Filter (0.6-2.1): Allows for smooth and continuous control over exposure.
Dual Base ISO (800/3200): Ensures clean images with minimal noise in various lighting conditions.
16 Stops Dynamic Range: Captures a wide range of tonal details from highlights to shadows.
Fast Hybrid Autofocus: (with E-mount lenses) Combines phase detection and contrast AF for quick and accurate subject tracking, including Face and Eye Detection.
Multiple Recording Formats: Supports X-OCN LT, XAVC H, XAVC Intra, and XAVC Long for flexible workflow options.
Compact and Lightweight Design: Enhances mobility and ease of use for solo operators.
Versatile Frame Rates: Records up to 8K at 30fps, 6K at 60fps (in FF crop), 5.8K at 60fps (S35), and 4K at 120fps (in S35 crop).
Seamless Integration with VENICE Series: Offers similar color science for consistent footage in multi-camera setups.
Adam said it was sold.
Sell it for 22,500
We offered a cost 19,500
His Original Cost 24,500
Owner : RANDY GOODMAN
act@actmachinery.com
Telephone: 7144411992
Wireless HD Video:
Transmits uncompressed 1080p60 video.
Up to 300 feet of transmission range.
Near-zero latency (<1ms).
Connectivity:
3G-SDI and HDMI inputs/outputs.
USB 3.0 GRAB Engine for direct computer ingest.
Reliability:
Operates on the license-free 5GHz frequency.
Robust wireless performance.
Multicast capable up to 4 receivers.
Professional Features:
Supports metadata and timecode.
Internal Antennas.
COST: We will offer him 400 Euros
Peeter Järvelaid <peeter@augustfilms.com>
producer
+372 5011711
augustfilms.com
Soo4, Tallinn, Estonia
(R) 03/28/2025
HOURS 1379
Licenses: Full-Frame, Anamorphic, High Frame Rate, Rialto
VENICE CAMERA BODY
AXS-R7 4K RAW RECORDER
SONY VENICE RIALTO EXTENSION UNIT + 9′ CABLE
PL MOUNT
OLED VIEWFINDER
A-BOX
ARRI VENICE CAGE with BPA-5, TOP HANDLE CCH-4, SIDE BRACKETS, BP-9
ARRI 12″ DOVETAIL
CORE SWX HLX-VAN-GP BATTERY PLATE FOR SONY VENICE
SONY DUAL AXSM AND SXS CARD READER (ASX-AR1)
SONY SXS USB CARD READER
SONY AXSM CARD READER
WOODEN CAMERA 15V POWER SUPPLY (4-PIN XLR FEMALE)
INNERSPACE CUSTOM HARD CASE
(5) 512GB SONY AXSM MEMORY CARDS
(4) 240GB SONY SXS PRO X CARDS
TILTA RIALTO BACKPACK CHEESEPLATE AND VEST
18″ 15MM METAL ROD
12″ 15MM METAL ROD
18″ 19MM METAL ROD
Full-Frame Sensor: Large 36x24mm sensor for cinematic imagery, shallow depth of field, and wide aspect ratio support.
High Resolution: Up to 6K resolution capture for detailed images.
Dual Base ISO: Excellent performance in various lighting conditions with ISO 500 and ISO 2500.
Wide Dynamic Range: Over 15 stops of latitude for capturing detail in highlights and shadows.
Flexible Lens Mounts: Supports both PL (industry standard) and E-mount lenses.
Built-in ND Filters: Servo-controlled 8-step mechanical ND filters (0.3 to 2.4) for quick and easy exposure control.
Rialto Extension: Detachable sensor block for enhanced shooting flexibility in challenging environments.
No Image Quality Loss with Rialto: Maintains the full 6K image quality and functionality when using the extension.
Enhanced Mobility: Ideal for gimbals, handheld, and specialized rigging.
Additional Outputs: Rialto adds HD-SDI and power outputs for accessories.
Multiple Recording Formats: Internal recording in XAVC, ProRes, and external RAW/X-OCN options.
Advanced Color Science: Accurate and pleasing color reproduction with S-Log3 gamma.
Intuitive Operation: User-friendly interface with displays on both sides for operator and assistant.
SOLD – Cost: 26,995.00 – SOLD
Nathan Thompson –
“Nathan Thompson” <nathan@contrast-visuals.com>
615-693-9917
Shipping from Nashville, TN
(R) 03-28-2025
