Cooke Full Frame Anamorphic 32mm
Cooke Full Frame Anamorphic 50mm
Cooke Full Frame Anamorphic 75mm
Cooke Full Frame Anamorphic 100mm
The Cooke Anamorphic/i Full Frame (FF) lenses are a premium line of anamorphic prime lenses designed to cover large-format/full-frame sensors. They are engineered to deliver the desirable “Cooke Look” with classic anamorphic characteristics.
Full Frame Coverage: Designed for large-format sensors (up to 36mm x 24mm image circle) on modern cinema cameras (e.g., ALEXA Mini LF, Sony VENICE).
1.8x Squeeze Factor: Offers a unique balance, providing a pronounced anamorphic look (e.g., flares, oval bokeh) while utilizing optimal sensor pixels (achieving a 2.40:1 aspect ratio with high resolution).
The Cooke Look: Known for a pleasing, organic, and cinematic aesthetic with warm color rendition, natural skin tones, and subtle aberrations.
i/ Technology: Integrated metadata system that records lens data (focus distance, aperture, depth-of-field, etc.) on a frame-by-frame basis, streamlining VFX and post-production workflows.
Standard & Special Flare (SF) Options: Available in a standard coating or an SF version with proprietary coating to enhance and exaggerate lens flares and other classic anamorphic aberrations.
Consistent Mechanics & Optics: All lenses are color-matched across the series and feature standardized 0.8 MOD gears, similar front diameters (mostly 110mm), and cam-style focus for smooth, precise pulls.
Fast Aperture: Most focal lengths offer a maximum aperture of T2.3.
Cost: TBD
Hernan Herrera
Lucerna Studios
917-468-3294
Prices reserach : AI: Average Used Price Range (Set of 4 Lenses)Lens TypeFocal LengthsApproximate Price Range (USD)Cooke FF Anamorphic/i 1.8x32mm, 50mm, 75mm, 100mm goes from $90,000 to $120,000 USD
Newlifecine: has one in 90,500 / Justcinemagear has one in 67,900
Includes:
Vlite 35mm 62,900.00 * within warranty
Vlite 55mm 59,900.00 * witihin warranty
Vlite 65mm 67,471.00 * within warranty
Vlite 80mm 59,900.00 * within warranty
A premium anamorphic prime set by Vantage, designed for high-end cinematic productions. These lenses deliver the signature Hawk anamorphic look with exceptional sharpness, smooth focus roll-off, and rich cinematic flares. Each focal length in this set (35 mm, 55 mm, 65 mm, 80 mm) is within warranty, ensuring reliability and professional support.
Key Features & Benefits
Compact Anamorphic Design: Lightweight build ideal for handheld, Steadicam, or drone work.
Cinematic Aesthetic: Classic 2× anamorphic squeeze producing beautiful oval bokeh and horizontal flares.
Consistency Across Focal Lengths: Matched color, contrast, and focus breathing characteristics.
Robust Build: Precision-engineered mechanics from Vantage for professional production durability.
Warranty Coverage: All lenses within warranty, ensuring ongoing technical support and value retention.
COST: USD $250,171
gabrielmensagem@gmail.com
VS
11/05/2025
40 mm T 2.4 / CF 3’
50 mm T 2.4 / CF 3’
75 mm T 2.5 / CF 3’
100 mm T 3.2 / CF 5’
Century W.A x 0.6 c41985
Century Tele Coverter x1.6
The Kowa Evolution 2X Anamorphic lenses by P+S Technik are a modern rehousing and update of the original vintage Kowa Anamorphic lenses from the 1970s. They retain the classic optical characteristics while incorporating modern, reliable mechanics suitable for contemporary cinema production. They are renowned for being among the most compact and lightweight anamorphic cine lenses available, making them ideal for various shooting platforms.
Classic Anamorphic Look: Delivers the highly sought-after vintage aesthetic of the original Kowas, featuring low contrast, warm color tones, organic flares, and beautiful oval bokeh.
2X Squeeze Factor: Provides a true, classic widescreen cinematic look for a highly immersive image.
Modern Mechanics: Feature a reliable 2-cam focus mechanical design with hard end stops, smoother focus, and consistent 0.8 MOD gear positions across the set for easy lens swaps and use with follow focus systems.
Compact & Lightweight: Their small form factor makes them ideal for handheld, Steadicam, gimbal, or drone camera work.
Versatile Design: They have an 80mm front diameter suitable for clip-on matte boxes and a 77mm filter thread for screw-in filters.
Expanded Focal Lengths: While based on the original 4-lens set (40mm, 50mm, 75mm, 100mm), the Evolution series has been expanded to six primes (32mm, 40mm, 50mm, 75mm, 100mm, 135mm).
High Compatibility: Standard PL mount with the added benefit of an IMS exchange lens mount system allowing for optional EF, E-mount, and MFT mounts.
Coverage: Performs magnificently on Super 35 (S35) sensors, with the longer focal lengths (75mm and up) capable of covering Full Format (36x24mm).
Cost USD $ 42,000 to be lowered by Adam
Leonardo Hermo
Buenos Aires Argentina
leonardo.hermo@gmail.com
+5491140240076
Sugested Price for Sale: 43,750
Price serach of AI:: Average Used Price Range (Set of 4 Lenses)The global second-hand price for a set of four P+S Technik Kowa Evolution 2X lenses in very good, serviced condition typically falls within the following range:Approximate Range: $\mathbf{\$45,000 \text{ to } \$55,000 \text{ USD}}$Or Equivalent: $\mathbf{42,000 \text{ to } 51,000 \text{ Euros } (\text{€})}$
Newlifecine does not have any
Justcinemagear
Has a Kowa Anamorphic Evolution set of 4 in 43,,950
Has a Kowa Anamorphic Evolution 4lens set in 45,500
R-11-03-2025
The Hawk V-Lite Anamorphic lenses, produced by Vantage Film, are a highly sought-after series of professional cine lenses that set an industry standard for anamorphic cinematography. They were groundbreaking for their time, challenging the notion that anamorphic lenses had to be bulky and optically compromised. These lenses are renowned for delivering the classic “Hawk Look,” which includes a high-quality, cinematic aesthetic with characteristic features like oval bokeh (out-of-focus highlights) and distinctive horizontal lens flares. They were engineered with an optical design focusing on minimizing distortion, achieving high definition, and providing consistent contrast across the image.
key features:
Compact and Lightweight Design: Enables greater versatility, especially for handheld or remote camera work, being smaller than many spherical primes.
High Image Quality: Offers high definition and contrast, with minimal distortion, maintaining clarity even on large screens.
Consistent Optical Design: Utilizes telecentric design principles and maintains a constant T-stop throughout the focusing range, meaning no light loss while focusing.
“Hawk Look”: Produces desired cinematic aesthetic with characteristic oval bokeh and controlled, distinctive horizontal flares.
User-Friendly Mechanics: Features smooth, precise focus mechanisms and clear, readable focus scales on both sides.
Wide Focal Length Range: Available in a comprehensive set, typically ranging from 28mm to 140mm, providing flexibility for storytelling.
Macro Capability (55mm): Includes a 55mm macro lens option for extreme close-focus capabilities.
cost €460,000
(T)
Anatolii Krapivin
uniquelenses.europe@gmail.com
+34681332299
The lenses are located in Barcelona, Spain
27-10-2025
The Angenieux Optimo is a highly-regarded, compact and lightweight cine zoom lens, often referred to as a “variable prime” due to its exceptional optical performance. It’s designed to cover Super35 format sensors, making it an industry standard, particularly for applications requiring mobility, such as handheld or Steadicam work. It delivers superb image quality, consistent across its zoom range, and features robust mechanical design for professional use.
key features:
T2.6 Constant Aperture: Excellent low-light performance and shallow depth of field; matches the speed of many prime lenses.
Low Distortion & Minimal Breathing: Maintains image geometry and composition consistency across focal lengths and focus pulls.
“Angenieux Look”: Perfect homogeneity of color, contrast, and resolution, providing a highly sought-after cinematic aesthetic.
Compact & Lightweight (approx. 1.92 kg / 4.2 lbs): Ideal for Steadicam, drone, and handheld operation, reducing operator fatigue.
Internal Focus & Zoom: Maintains a constant lens length and center of gravity, crucial for stability rigs and quick lens changes.
Interchangeable Mount System (PL standard): Versatility with ability to swap to Panavision or Canon EF mounts.
Close Focus (2 ft / 0.6 m): Allows for extreme close-up shots.
Precise Focus Ring: 320° focus rotation with over 50 focus witness marks for highly accurate and repeatable focus pulls.
cost $9500 USD
(T)
Kris Von Ahn
vonahnkris@gmail.com
636-633-6079
28-10-2025
The Kowa Spherical TLS Lenses are vintage Japanese cinema primes from the 1960s (originally Kowa Cine Prominar) that have been modernized by True Lens Services (TLS) with new mechanical housings. They are famous for their unique, classic aesthetic, often compared to Super Baltar lenses.
Key Features
Distinct Vintage Look: Sharp in the center, with medium-to-low contrast to preserve shadow and highlight detail, creating a flattering, cinematic image.
Signature Flares: Produce unmistakable gold and amber lens flares due to their single-layer coatings.
Modern Reliability: TLS rehousing adds durable, high-grade housing, a smooth cam-form focus drive, and industry-standard mechanics (like a 110mm front ring), making them ideal for modern cinema production.
Versatile Use: Popular for a wide range of projects, from commercials to feature films, with many focal lengths covering Full Frame (FF) sensors in addition to Super 35 (S35).
$80k USD
(TH)
Logan Schneider
Loganschneider@mac.com
tim@2020camera.com
(310) 745-4044
CA, US
Lomo Roundfront Anamorphic 35mm
Lomo Roundfront Anamorphic 50mm
Lomo Roundfront Anamorphic 75mm
Lomo Roundfront Anamorphic 100mm
Note: They are original, they only have one accessory (orbital cine gun which is quite expensive) that allows you to use clippon.
Lomo Round Front lenses are a type of vintage anamorphic lens, originally manufactured in Russia from the 1970s to the 1990s. They are highly sought after by filmmakers for their unique and distinctive “vintage” look.
Key Features and Benefits: Distinctive Aesthetic: Known for a combination of vintage characteristics and anamorphic qualities, including beautiful streaky lens flares, perfectly oval bokeh, and barrel distortion. They produce a lush, dreamy feel with a warmer tone.
Optical Performance: The lenses are sharp in the center with a pleasant fall-off towards the edges. When properly rehoused, they are as sharp as when they were first made. They also have minimal focus breathing.
Anamorphic Squeeze: They have a 2x anamorphic squeeze factor, a standard for cinematic widescreen images.
Rehoused for Modern Use: Due to their original, cumbersome mechanics (telescoping, rotating fronts), most sets available today have been rehoused by companies like True Lens Services (TLS). Rehousing improves the mechanics, making them easier to use with modern filmmaking equipment like matte boxes and follow focus systems.
LOMO (Leningrad Optical Mechanical Association) anamorphic lenses, produced primarily from the 1970s to the 1990s, hold a significant place in the history of cinema. During the Cold War era, these lenses served as the Soviet Union’s optical counterpart to the Panavision anamorphic lenses widely used in Hollywood productions. This historical context contributes to their unique appeal as vintage cinema tools.
These lenses are highly coveted by filmmakers for their distinctive vintage aesthetic, which imparts a “lush, dreamy vintage feel” to footage. Their optical characteristics include classic barrel distortion, a perfectly oval bokeh, and unique, aesthetically pleasing “blue streak” lens flares, all of which contribute to a highly sought-after cinematic look. Unlike modern, optically “clean” lenses that strive for technical perfection, Lomo Roundfronts embrace subtle imperfections. This results in a “dirty and gritty” yet “poetic” visual quality that is highly desirable for narrative and commercial projects aiming to achieve a nostalgic or filmic aesthetic, distinguishing them from contemporary digital imagery. The demand for such vintage glass stems from a desire to move beyond the “ultra-clean, digital-feeling quality” of current equipment, offering expressive features like pleasing falloff and dynamic handling of flares.
Cost USD $ 54,500
David Garcia – Argentina
david@gandhiequipos.com
Whatsapp
5491137678825
Includes:
Cooke Anamorphic/i 2x S35 T2.3 25mm
Cooke Anamorphic/i 2x S35 T2.3 32mm
Cooke Anamorphic/i 2x S35 T2.3 50mm
Cooke Anamorphic/i 2x S35 T2.3 75mm
Cooke Anamorphic/i 2x S35 T2.3 100mm
Features:
Classic “Cooke Look”: Delivers warm skin tones, smooth roll-off, and pleasing bokeh, a hallmark of Cooke optics.
2x Anamorphic Squeeze: Achieves the cinematic 2.39:1 widescreen aspect ratio with characteristic oval bokeh and horizontal flares.
Super 35 Coverage: Designed for Super 35 sensors, compatible with many professional cinema cameras.
Fast T2.3 Aperture: Provides excellent low-light performance and shallow depth of field.
/i Technology Integration: Transmits vital lens metadata to cameras, streamlining post-production.
Controlled Aberrations: Minimizes distortion and veiling glare for high image quality even wide open.
Standard & “SF” (Special Flare) Versions: Offers options for controlled or pronounced classic blue horizontal lens flares.
Robust Mechanical Design: Features smooth, precise focus mechanisms and clear markings.
Consistent Color Matching: Ensures seamless image consistency across focal lengths and sets.
PL Mount: Industry-standard hardened PL mount for broad camera compatibility.
11-Blade Iris: Contributes to the distinctive 2:1 oval anamorphic bokeh.
Cost: 105000
June 13, 2025
MG
Frank Shaw
bbosasi.frank@gmail.com
Cooke Anamprphic 25mm
Cooke Anamprphic 32mm
Cooke Anamprphic 40mm
Cooke Anamprphic 50mm
Cooke Anamprphic 75mm
Cooke Anamprphic 100mm
Cooke Anamprphic 135mm
Cooke Anamorphic lenses are renowned for their distinctive “Cooke Look” and exceptional cinematic qualities, making them a favorite among filmmakers for achieving a classic widescreen aesthetic.
The “Cooke Look”: Delivers a warm, organic, and slightly softer image with beautiful skin tones, high contrast, and pleasing focus fall-off, contributing to a truly cinematic feel.
Oval Bokeh: Produces characteristic elliptical out-of-focus highlights, a hallmark of anamorphic lenses, adding to the dreamy quality of backgrounds.
Excellent Aberration Control: Designed to control distortion, veiling glare, and spherical and chromatic aberrations exceptionally well across the entire image area and at all apertures.
/i Technology: Integrated technology transmits vital lens metadata (focus distance, aperture, depth-of-field, focal length, etc.) to compatible cameras, streamlining post-production workflows, especially for VFX.
Consistent Color Matching: All Cooke Anamorphic lenses are color-matched across the series and with other Cooke lens lines (like S4/i, 5/i), ensuring seamless intercutting of footage.
Smooth Focus Movement: Features an Academy Award-winning cam-style focus mechanism for precise and smooth focus adjustments.
“Special Flair” (SF) Options: Some series (like Anamorphic/i SF) offer a proprietary coating that enhances natural anamorphic flares, ghosting, and other aberrations for added artistic control.
Versatile Squeeze Factors: Available in common squeeze factors like 2x (for Super35) and 1.8x (for Full Frame), providing options for various sensor sizes and desired anamorphic characteristics.
Robust Build Quality: Constructed with durable materials and a scratch-resistant PTFE hard anodized finish for reliability in demanding production environments.
Comprehensive Focal Lengths: Offered in wide ranges of prime focal lengths, including macro options, to suit diverse shooting needs.
Cost $150,000
Newlifecine does not have one
Lori has Cooke Anamorphic 2x 7 lens set
$115,850.00Price
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505
(R) June 12th – 2025
Arri Master Anamorphic 28mm
Arri Master Anamorphic 35mm,
Arri Master Anamorphic 40mm
Arri Master Anamorphic 50mm
Arri Master Anamorphic 60mm
Arri Master Anamorphic 75mm
Arri Master Anamorphic 100mm
Arri Master Anamorphic 135mm
& Flare Kit
The ARRI Master Anamorphic lenses are a series of high-performance prime lenses designed for professional cinema production, known for their exceptional optical quality and characteristic anamorphic look.
Pristine Image Quality: Virtually no chromatic aberration, excellent contrast, and sharpness across the entire image, even wide open.
Minimal Breathing: Very little focus breathing, ensuring stable framing during focus pulls.
Controlled Flares and Bokehs: Designed to produce pleasing, controlled anamorphic flares and a smooth, oval bokeh, characteristic of the format.
Consistent T-stop: All lenses in the series share a fast T2.3 aperture, allowing for consistent exposure and shallow depth of field.
Robust Construction: Durable and reliable build quality, suitable for demanding professional use.
Uniform Size and Weight: Many lenses in the set share similar front diameters and gear positions, simplifying lens changes and accessory rigging on set.
Cinematic Aesthetic: Delivers a classic anamorphic widescreen look with precise optical performance, ideal for high-end film and TV production.
Cost $180,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505
NewlifeCine has one in 220,000
Lori does not have one
FJS has one for 255,000 euros, one for 196,000 with Flare set in 196,000 dollars
(R) 06-12-2025
