Lomo Roundfront Anamorphic 35mm
Lomo Roundfront Anamorphic 50mm
Lomo Roundfront Anamorphic 75mm
Lomo Roundfront Anamorphic 100mm
Note: They are original, they only have one accessory (orbital cine gun which is quite expensive) that allows you to use clippon.
Lomo Round Front lenses are a type of vintage anamorphic lens, originally manufactured in Russia from the 1970s to the 1990s. They are highly sought after by filmmakers for their unique and distinctive “vintage” look.
Key Features and Benefits: Distinctive Aesthetic: Known for a combination of vintage characteristics and anamorphic qualities, including beautiful streaky lens flares, perfectly oval bokeh, and barrel distortion. They produce a lush, dreamy feel with a warmer tone.
Optical Performance: The lenses are sharp in the center with a pleasant fall-off towards the edges. When properly rehoused, they are as sharp as when they were first made. They also have minimal focus breathing.
Anamorphic Squeeze: They have a 2x anamorphic squeeze factor, a standard for cinematic widescreen images.
Rehoused for Modern Use: Due to their original, cumbersome mechanics (telescoping, rotating fronts), most sets available today have been rehoused by companies like True Lens Services (TLS). Rehousing improves the mechanics, making them easier to use with modern filmmaking equipment like matte boxes and follow focus systems.
LOMO (Leningrad Optical Mechanical Association) anamorphic lenses, produced primarily from the 1970s to the 1990s, hold a significant place in the history of cinema. During the Cold War era, these lenses served as the Soviet Union’s optical counterpart to the Panavision anamorphic lenses widely used in Hollywood productions. This historical context contributes to their unique appeal as vintage cinema tools.
These lenses are highly coveted by filmmakers for their distinctive vintage aesthetic, which imparts a “lush, dreamy vintage feel” to footage. Their optical characteristics include classic barrel distortion, a perfectly oval bokeh, and unique, aesthetically pleasing “blue streak” lens flares, all of which contribute to a highly sought-after cinematic look. Unlike modern, optically “clean” lenses that strive for technical perfection, Lomo Roundfronts embrace subtle imperfections. This results in a “dirty and gritty” yet “poetic” visual quality that is highly desirable for narrative and commercial projects aiming to achieve a nostalgic or filmic aesthetic, distinguishing them from contemporary digital imagery. The demand for such vintage glass stems from a desire to move beyond the “ultra-clean, digital-feeling quality” of current equipment, offering expressive features like pleasing falloff and dynamic handling of flares.
Cost USD $ 54,500
David Garcia – Argentina
[email protected]
Whatsapp
5491137678825
Includes:
Cooke Anamorphic/i 2x S35 T2.3 25mm
Cooke Anamorphic/i 2x S35 T2.3 32mm
Cooke Anamorphic/i 2x S35 T2.3 50mm
Cooke Anamorphic/i 2x S35 T2.3 75mm
Cooke Anamorphic/i 2x S35 T2.3 100mm
Features:
Classic “Cooke Look”: Delivers warm skin tones, smooth roll-off, and pleasing bokeh, a hallmark of Cooke optics.
2x Anamorphic Squeeze: Achieves the cinematic 2.39:1 widescreen aspect ratio with characteristic oval bokeh and horizontal flares.
Super 35 Coverage: Designed for Super 35 sensors, compatible with many professional cinema cameras.
Fast T2.3 Aperture: Provides excellent low-light performance and shallow depth of field.
/i Technology Integration: Transmits vital lens metadata to cameras, streamlining post-production.
Controlled Aberrations: Minimizes distortion and veiling glare for high image quality even wide open.
Standard & “SF” (Special Flare) Versions: Offers options for controlled or pronounced classic blue horizontal lens flares.
Robust Mechanical Design: Features smooth, precise focus mechanisms and clear markings.
Consistent Color Matching: Ensures seamless image consistency across focal lengths and sets.
PL Mount: Industry-standard hardened PL mount for broad camera compatibility.
11-Blade Iris: Contributes to the distinctive 2:1 oval anamorphic bokeh.
Cost: 105000
June 13, 2025
MG
Frank Shaw
[email protected]
Cooke Anamprphic 25mm
Cooke Anamprphic 32mm
Cooke Anamprphic 40mm
Cooke Anamprphic 50mm
Cooke Anamprphic 75mm
Cooke Anamprphic 100mm
Cooke Anamprphic 135mm
Cooke Anamorphic lenses are renowned for their distinctive “Cooke Look” and exceptional cinematic qualities, making them a favorite among filmmakers for achieving a classic widescreen aesthetic.
The “Cooke Look”: Delivers a warm, organic, and slightly softer image with beautiful skin tones, high contrast, and pleasing focus fall-off, contributing to a truly cinematic feel.
Oval Bokeh: Produces characteristic elliptical out-of-focus highlights, a hallmark of anamorphic lenses, adding to the dreamy quality of backgrounds.
Excellent Aberration Control: Designed to control distortion, veiling glare, and spherical and chromatic aberrations exceptionally well across the entire image area and at all apertures.
/i Technology: Integrated technology transmits vital lens metadata (focus distance, aperture, depth-of-field, focal length, etc.) to compatible cameras, streamlining post-production workflows, especially for VFX.
Consistent Color Matching: All Cooke Anamorphic lenses are color-matched across the series and with other Cooke lens lines (like S4/i, 5/i), ensuring seamless intercutting of footage.
Smooth Focus Movement: Features an Academy Award-winning cam-style focus mechanism for precise and smooth focus adjustments.
“Special Flair” (SF) Options: Some series (like Anamorphic/i SF) offer a proprietary coating that enhances natural anamorphic flares, ghosting, and other aberrations for added artistic control.
Versatile Squeeze Factors: Available in common squeeze factors like 2x (for Super35) and 1.8x (for Full Frame), providing options for various sensor sizes and desired anamorphic characteristics.
Robust Build Quality: Constructed with durable materials and a scratch-resistant PTFE hard anodized finish for reliability in demanding production environments.
Comprehensive Focal Lengths: Offered in wide ranges of prime focal lengths, including macro options, to suit diverse shooting needs.
Cost $150,000
Newlifecine does not have one
Lori has Cooke Anamorphic 2x 7 lens set
$115,850.00Price
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
(R) June 12th – 2025
Arri Master Anamorphic 28mm
Arri Master Anamorphic 35mm,
Arri Master Anamorphic 40mm
Arri Master Anamorphic 50mm
Arri Master Anamorphic 60mm
Arri Master Anamorphic 75mm
Arri Master Anamorphic 100mm
Arri Master Anamorphic 135mm
& Flare Kit
The ARRI Master Anamorphic lenses are a series of high-performance prime lenses designed for professional cinema production, known for their exceptional optical quality and characteristic anamorphic look.
Pristine Image Quality: Virtually no chromatic aberration, excellent contrast, and sharpness across the entire image, even wide open.
Minimal Breathing: Very little focus breathing, ensuring stable framing during focus pulls.
Controlled Flares and Bokehs: Designed to produce pleasing, controlled anamorphic flares and a smooth, oval bokeh, characteristic of the format.
Consistent T-stop: All lenses in the series share a fast T2.3 aperture, allowing for consistent exposure and shallow depth of field.
Robust Construction: Durable and reliable build quality, suitable for demanding professional use.
Uniform Size and Weight: Many lenses in the set share similar front diameters and gear positions, simplifying lens changes and accessory rigging on set.
Cinematic Aesthetic: Delivers a classic anamorphic widescreen look with precise optical performance, ideal for high-end film and TV production.
Cost $180,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
NewlifeCine has one in 220,000
Lori does not have one
FJS has one for 255,000 euros, one for 196,000 with Flare set in 196,000 dollars
(R) 06-12-2025
Cinevision Anamorphic 24mm T1.6
Cinevision Anamorphic 35mm T1.4
Cinevision Anamorphic 40mm T1.4
Cinevision Anamorphic 50mm T1.4
Cinevision Anamorphic 85mm T1.4
Cinevision Anamorphic 100mm T2.0
Cineovision Anamorphic lenses are vintage-style lenses originally developed in Japan and later modified for professional cinematography. Known for their distinctive optical character, they are often chosen for their painterly flares, oval bokeh, and soft, cinematic rendering. These lenses have been rehoused and optimized for modern productions while retaining the analog warmth and imperfections that filmmakers value in anamorphic glass.
Features:
Cinematic Aesthetic: Classic anamorphic flares, oval bokeh, and gentle falloff for a rich, vintage look.
Full-Frame Coverage (in rehoused versions): Suitable for large-format sensors, depending on the model.
Unique Optical Personality: Slight distortion and softness enhance the emotional tone of the image.
Reliable Rehousing: Modern rehousing by companies like Zero Optik and Van Diemen makes them production-ready.
Rare and Collectible: Limited availability makes them desirable among cinematographers seeking a distinct visual identity.
EUROS 75.000
MD
Ármin Bús
Vantage Vision Kft
[email protected]
36209657095
Hungary
Cooke Anamorphic 1.8x FF+ Special Flare PL 180mm
Cooke Anamorphic 1.8x FF+ Special Flare PL 180mm
Cooke Anamorphic 1.8x FF+ Special Flare PL 180mm
Cooke Anamorphic 1.8x FF+ Special Flare PL 180mm
Cooke Anamorphic 1.8x FF+ Special Flare PL 180mm
Cooke Anamorphic 1.8x FF+ Special Flare PL 180mm
Cooke Anamorphic 1.8x FF+ Special Flare PL 180mm
Cooke Anamorphic 1.8x FF+ Special Flare PL 180mm
1.8x Anamorphic Squeeze: Offers a balance between optimal pixel capture and classic anamorphic aesthetics.
Full Frame Coverage: Designed for large format sensors, ensuring compatibility with modern cameras.
Special Flare Coating: Delivers exaggerated flares, oval bokeh, and unique optical aberrations for creative expression.
High-Speed Optics: T2.3 maximum aperture allows for shallow depth of field and low-light shooting.
Precise Engineering: Built with robust construction and meticulous craftsmanship for reliable performance.
Cost: $172,500 + 12 % (20,700)
owner:Hallie Liman (she/her)
O: 212-594-0086 | C: 516-384-9206
[email protected] | www.lvrusa.com
USA-(r)-01-22-2025
Cooke Anamorphic/i FF 32mm 1.8x
Cooke Anamorphic/i FF 40mm 1.8x
Cooke Anamorphic/i FF 50mm 1.8x
Cooke Anamorphic/i FF 85mm 1.8x
Cooke Anamorphic/i FF 135mm 1.8x
Regular Coating
2 cases
The Cooke Anamorphic/i FF 1.8x lenses are a set of high-quality anamorphic prime lenses designed for full-frame digital cinema cameras. They offer a unique 1.8x squeeze factor, resulting in a wider field of view and a distinctive anamorphic look with elliptical bokeh and smooth flares. These lenses are renowned for their exceptional image quality, including sharpness, contrast, and color rendition, making them a popular choice for filmmakers seeking a cinematic aesthetic.
Key Features and Benefits:
1.8x Squeeze Factor: Provides a wider field of view and a unique anamorphic look.
Full-Frame Coverage: Compatible with full-frame sensors, offering maximum image area utilization.
Exceptional Image Quality: Delivers sharp images with high contrast and accurate color reproduction.
Cinematic Look: Produces distinctive anamorphic bokeh and smooth flares for a cinematic aesthetic.
/i Technology: Enables metadata capture for advanced workflows and VFX integration.
03/26/2025 :
“Also, I still have my SET of COOKE ANAMORPHIC FF 1.8x – Regular Coating – 32, 40, 50, 85, 135mm
NOW PRICED AT 117K€
Mathieu”
The discount of 6k Euros will be aplied to the old sale price of 138,480 so the new selling price is : 132,480 and profit stays the same.(r)
(r) New reduced cost 123,000 Euros
New Sale Price: EUROS 138,480 FOB – 03/07/2025
—
Old Cost 129 000€ + 12% (15,480)
France
Mathieu Lalande
<[email protected]>
01-14-2025 (r)
Key Features and Benefits:
Versatile Zoom Range: Covers a wide range of focal lengths, from wide-angle to telephoto, offering flexibility for various shooting scenarios.
Anamorphic Lens: Creates a unique cinematic look with characteristic horizontal flares and a widescreen aspect ratio.
High Image Quality: Delivers sharp images with excellent contrast and minimal distortion.
Smooth Zoom Action: Allows for fluid and controlled zooming transitions.
Robust Construction: Built to withstand the demands of professional filmmaking.
COST 47,000 Dollars +12% is $ 5,640
albert rudnicki <[email protected]>
cell. 514 577 0849
www.albertrudnicki.com (r) 01-14-2025
Kowa Anamorphic 40mm
Kowa Anamorphic 50mm
Kowa Anamorphic 75mm
Kowa Anamorphic 100mm
With Case
Unique Aesthetic: Known for their distinctive “vintage” look, characterized by a softer image, lower contrast, and warmer color tones.
Characterful Bokeh: Creates a distinctive oval bokeh effect, adding a touch of classic cinema to your footage.
Affordable Option: Compared to many modern anamorphic lenses, Kowa lenses offer a more budget-friendly entry into the world of anamorphic filmmaking.
Wide Angle Adapter: Available to expand your shooting options.
New reduced Cost 37,500 Euros
New Sale: EUROS 42,240 FOB
(r) 03-07-25
***
Old cost 39,500 € Euros
Mathieu Lalande – [email protected]
France
01-10-2025 (r)
1st Generation – Refurbished by Duclos Lenses
Todd-AO35 Anamorphic Prime Lens 38mm T2.3,
Todd-AO35 Anamorphic Prime Lens 50mm T2.3,
Todd-AO35 Anamorphic Prime Lens 75mm T2.2,
Todd-AO35 Anamorphic Prime Lens 100mm T3.4,
Todd-AO35 Anamorphic Prime Lens 200mm MACRO T3.5
Set of 5 has mixed base glass of Cooke and Zeiss
Unique Anamorphic Look: Offers a distinctive, dreamy aesthetic with low contrast and warm tones.
Extreme Anamorphic Effect: Creates a strong horizontal stretch for a cinematic feel.
Fast Apertures: Allows for shallow depth of field and low-light shooting.
Classic Design: Retro-inspired design with modern functionality.
Cost USD $212,500 Ownerr Jeff Roberts USA
