Includes:
Cooke Anamorphic 25mm
Cooke Anamorphic 32mm
Cooke Anamorphic 40mm
Cooke Anamorphic 50mm
Cooke Anamorphic 65mm
Cooke Anamorphic 75mm
Cooke Anamorphic 100mm
Cooke Anamorphic 135mm
This used Cooke Anamorphic lens set offers a comprehensive range of focal lengths—25mm, 32mm, 40mm, 50mm, 65mm, 75mm, 100mm, and 135mm—delivering the iconic Cooke Look with true anamorphic character. Renowned for their warm color rendition, gentle contrast, and smooth, organic focus falloff, these lenses produce flattering images with beautiful oval bokeh and signature anamorphic flares. Ideal for high-end feature films, television, and premium commercial work, this set provides consistent optical performance and cinematic storytelling tools trusted by top cinematographers worldwide.
Features:
Anamorphic focal lengths: 25mm, 32mm, 40mm, 50mm, 65mm, 75mm, 100mm, 135mm
Classic Cooke Look with warm tones and smooth contrast
True anamorphic bokeh and horizontal flares
Consistent optical character across the focal range
Professional cinema housings with smooth focus and iris control
Designed for feature film and high-end production use
Cost: To be determined
January 16, 2026
(M)
Logan Schneider
loganschneider@mac.com
The Cooke Anamorphic/i S35 series is a hallmark of high-end cinematography, designed to provide the classic anamorphic aesthetic without the technical compromises often found in vintage glass. This set is engineered specifically for Super35 sensors, delivering the famous “Cooke Look”—a combination of warmth, dimensionality, and a smooth, organic fall-off.
Key Features:
The “Cooke Look”: Provides a “gentle” sharpness that is flattering to skin tones while maintaining high resolution and contrast.
2x Squeeze Factor: Delivers classic anamorphic characteristics, including vertical oval bokeh and unique depth-of-field qualities.
/i Technology: Embedded electronics provide frame-by-frame metadata (focal length, aperture, focus distance), which is critical for streamlining VFX and post-production workflows.
Optical Correction: Exceptional control over aberrations like astigmatism and longitudinal color, ensuring the image remains clean even when shooting wide open.
Standardized Mechanics: Most lenses share a 110mm front diameter and consistent gear positioning (0.8 MOD), allowing for rapid lens changes without reconfiguring follow-focus or matte box setups.
Cam-Style Focus: Features Cooke’s award-winning cam-style focus mechanism for smooth, precise pulls across a 300° rotation.
Macro Option: The 65mm Macro lens allows for extreme close-up anamorphic cinematography, a rarity in traditional anamorphic sets.
Cost: 79,800 USD
(t)
Yunna
yjhan1@koil.co.kr
Kowa Prominar 2x Anamorphic lenses are legendary Japanese cinema primes from the 1960s and 70s. Known for their distinct “vintage” personality, they balance a creamy sharpness with organic imperfections that “disarm” the clinical look of modern digital sensors. Their unique combination of 2x squeeze and ultra-compact housing has made them a staple for handheld, gimbal, and drone work in high-end productions like Moonlight and A Star Is Born.
Key Features and Benefits
Classic 2x Squeeze: Delivers a true widescreen cinematic ratio (2.39:1) with the iconic vertical stretching of out-of-focus elements.
Signature Oval Bokeh: Produces highly desirable, elongated bokeh highlights that are distinct to front-anamorphic designs.
Warm Vintage Flares: Features expressive horizontal streaks in warm amber and purple tones rather than the standard modern blue.
Ultra-Compact & Lightweight: Often weighing less than 3 lbs per lens, they are among the lightest 2x anamorphics ever made, ideal for Steadicam or gimbal use.
Unique Optical Character: Low contrast and a gentle “glow” when wide open, offering a romantic, filmic aesthetic that flatters skin tones.
Super 35 Coverage: Designed to cover S35 sensors, making them compatible with the majority of professional cinema cameras.
cost: TBD
Marko Procházka
marko@filmsupport.sk
R-01-06-2026
—
Price search
Justcinemagear: does not have any
Newlifecine: does not have any
AI Says:
Market for used Kowa Prominar 2x Anamorphic lenses is divided into two distinct tiers: Original Cine Lenses (rare and extremely expensive) and Anamorphic Adapters (widely available and affordable).
Because these lenses are vintage (1960s–70s), prices fluctuate based on mechanical condition and whether they have been “rehoused” with modern gears for digital cinema use.
Average Market Pricing (2025–2026)
Item Type Configuration Estimated Price Range (USD)
Full Cinema Set Set of 4 (40, 50, 75, 100mm) $45,000 – $75,000
Individual Cine Lens Single Prime (e.g., 40mm or 50mm) $10,000 – $15,000
Rehoused Sets P&S Technik or Mirror-Scope $30,000 – $50,000
Anamorphic Adapters 8-Z, 16-H, or B&H models $450 – $1,200
Cinema-Modded Adapter Adapter + Clamps + Focus Gear $1,500 – $3,500
Kowa 2x Anamorphic for Bell & Howell (often referred to as the Kowa B&H) is a legendary projection lens from the 1960s and 70s that has become one of the most sought-after adapters for budget-conscious but quality-driven anamorphic cinematography. While originally designed for 16mm projection, its high-quality Japanese glass makes it a favorite for “anamorphic-on-a-budget” setups when paired with a spherical taking lens.
Key Features and Benefits
Premium “Prominar” Glass: Widely regarded as containing the same high-quality optics as the more expensive Kowa Prominar series, offering superior sharpness compared to other projection adapters.
Classic 2x Squeeze: Provides the traditional “Hollywood” wide-screen look with significant horizontal compression, perfect for 4:3 and 3:2 sensors.
Distinctive Aesthetic: Famous for its warm, vintage flares and pronounced oval bokeh that “disarms” the clinical sharpness of modern digital sensors.
Compact Form Factor: Much smaller and lighter than dedicated cinema anamorphic primes, making it suitable for gimbal and handheld rigs.
Sharp Wide-Open: Unlike many vintage adapters, the Kowa B&H maintains impressive center sharpness even when the taking lens is set to a wide aperture (e.g., f/1.4 or f/1.8).
Low Contrast: Delivers a nostalgic, filmic image with soft highlights and a gentle roll-off that is highly desirable for narrative projects.
cost: TBD
Marko Procházka
marko@filmsupport.sk
R-01-02-2026
—
Price Search:
Newlifecine & Justcinegear don´t have it
AI Says:
In 2026, the Kowa 2x Anamorphic for Bell & Howell remains a high-demand vintage adapter. While it was originally a projection lens, its “cult status” in the cinematography world has stabilized its price well above typical vintage projection glass.The average market price for a used Kowa B&H adapter in 2026 generally falls between $450 and $1,200 USD, depending heavily on its condition and included accessories.
Price Breakdown by ConditionCondition / BundleEstimated Price (USD)Bare Lens (Average Condition)$450 – $650
Pristine/Mint Condition (Clean optics, smooth focus)$800 – $1,200
Full Cinema Kit (With Redstan/RafCamera clamps & diopters)- $1,300 – $1,800
Fully Rehoused (Professional mechanical housing)- $3,500+
Hawk V-Lite series by Vantage Film is considered the industry standard for modern anamorphic cinematography. These lenses are celebrated for delivering the “Hawk Look”—a blend of classic anamorphic aesthetics and modern optical precision—within a housing that is often smaller and lighter than standard spherical primes.
Key Features and Benefits
Compact & Lightweight: Their small footprint makes them ideal for handheld, Steadicam, and gimbal work without sacrificing optical performance.
Telecentric Optical Design: Specifically engineered to perform equally well on both digital sensors and film, ensuring light rays hit the sensor/film plane at an optimal angle.
Constant T-Stop: Features a constant aperture throughout the focus range; unlike many other lenses, there is no light loss when pulling focus to the minimum distance.
Minimal Distortion: Advanced manufacturing techniques significantly reduce the “mumps” and edge distortion typically found in vintage anamorphic glass.
The “Hawk Look”: Delivers signature cinematic characteristics including oval bokeh, horizontal lens flares, and high contrast.
Versatile Squeeze Options: Available in standard 2x squeeze for 4:3 sensors/film and a unique 1.3x squeeze for 16:9 digital sensors.
Comprehensive Focal Range: The set typically ranges from 28mm to 140mm, including a dedicated 55mm Macro lens for extreme close-up work.
Update March 25th 2026:
Seller says he no longer supplies these lenses. Marked as SOLD.
(J)
COST: TBD
Owner: Gaurav Gupta
M :- +91 9819133323
gaurav.gupta@futureworks.in
MUMBAI, India
R-01-02-2025
PRICE SEARCH:
newlifecine.com: Has two Sets of 7 lenses each in 449K & 425K
Justcinemagear.com: Does not have any
AI says:
Finding a used set of Hawk V-Lite lenses is a significant investment, as these are premium, “workhorse” anamorphic lenses that hold their value exceptionally well.
Based on current secondary market data for 2025/2026, a used set of 4 Hawk V-Lite lenses typically ranges in price from $220,000 to $275,000 USD.
Set of 4 Lenses (Typical: 35, 55, 65, 80mm) /$230,000 – $265,000
Individual V-Lite Lens / $55,000 – $68,000 per lens
The Zeiss Super Speed S16 MKII Set of 5 is a legendary collection of fast Super 16mm cinema primes representing the second and highly refined iteration of Zeiss’s iconic Super Speed lineage, delivering the exceptional T1.3 maximum aperture, outstanding optical sharpness, and consistent color matching that have made the Super Speed series one of the most trusted and celebrated lens sets in professional S16 filmmaking history. This complete five-lens set — covering focal lengths of 9.5mm, 12mm, 16mm, 25mm, and 50mm — provides cinematographers with a comprehensive range from ultra-wide through short telephoto, purpose-built for Super 16mm cameras and offering the refined optical performance and low-light capability that the MKII generation brought to the Super Speed series. Compact, lightweight, and built to ARRI PL mount standards, these lenses remain a definitive choice for documentary, independent film, and television productions demanding the classic Zeiss optical character, reliable performance, and the distinctive cinematic rendering of true Super 16mm glass.
Key Features:
Each lens in the set features a fast T1.3 maximum aperture, making them exceptionally well-suited for handheld and available-light shooting across the most demanding low-light production environments.
The MKII designation reflects a refined second-generation iteration of the Super Speed lineage, featuring improved optical coatings, enhanced contrast rendition, and reduced focus breathing compared to the original MKII predecessors.
The five focal lengths — 9.5mm, 12mm, 16mm, 25mm, and 50mm — provide a comprehensive range covering ultra-wide through short telephoto perspectives, purpose-built for Super 16mm format acquisition.
All five lenses share consistent color rendition, contrast, and optical character, ensuring seamless interchangeability and a unified cinematic look throughout an entire production.
Built with a robust metal barrel construction and PL mount compatibility, these lenses integrate reliably with a wide range of professional S16 cinema camera bodies including the ARRI SR3 and ARRI 416.
Minimal focus breathing and smooth, well-damped focus and aperture rings make them highly practical for focus pullers working in fast-paced, run-and-gun, and documentary production environments.
The compact and lightweight form factor of the MKII set makes these lenses ideally suited for handheld, Steadicam, and gimbal configurations where size and weight are critical operational considerations.
Update March 27th 2026:
Listing name updated to reflect lens S16 status and edition (Mk.1, 2 or 3)
Updated item descriptions, SEO info.
(J)
Update March 13th 2026:
Sell Price changed @ Adam’s request from USD $17,500 FOB to USD $20,000 FOB.
(J)
Cost: TBD / 15,000 USD
(t)
Harper Lai
shk99318@gmail.com
12-29-2025
Includes:
Arri Master Anamorphic 28mm T1.9
Arri Master Anamorphic 35mm T1.9
Arri Master Anamorphic 40mm T1.9
Arri Master Anamorphic 50mm T1.9
Arri Master Anamorphic 60mm T1.9
Arri Master Anamorphic 75mm T1.9
Arri Master Anamorphic 100mm T1.9
Arri Master Anamorphic 135mm T1.9
Arri Master Anamorphic 180mm T2.8
The ARRI Master Anamorphic series, developed in collaboration with ZEISS, represents a pinnacle in cinematic optics. While the standard Master Anamorphics are known for being “perfect”—boasting near-zero distortion and no breathing—the Flare Sets were introduced to provide cinematographers with more organic, artistic character without sacrificing the lens’s technical excellence.
Key Features:
Interchangeable Front and Rear Elements: The “Flare” aspect comes from specialized lens coatings on replaceable glass elements, allowing you to swap between “neutral” and “flare” looks.
Consistent T1.9 Aperture: Fast and consistent across the entire focal range, enabling shallow depth of field and superior low-light performance.
Zero Lens Breathing: Focus pulls remain completely stable with no noticeable change in image magnification.
True Anamorphic Look: Delivers the classic 2x squeeze and oval bokeh without the technical artifacts like “mumps” (distorted faces) or heavy edge softness.
Compact & Lightweight: Despite their complex internals, they are optimized for handheld and gimbal use compared to vintage anamorphic glass.
Creative Versatility: You get two lenses in one. You can use the standard coatings for a clean, modern look or the Flare Sets for classic blue streaks and “veiling” glare.
Technical Perfection: Even with the flares engaged, the lenses maintain incredible sharpness, contrast, and resolution from corner to corner.
Seamless Matching: All lenses in the series are color-matched, making it easy to swap focal lengths during a shoot without needing heavy color grading adjustments.
Modern Reliability: Unlike vintage anamorphic lenses, these have standardized gear positions and modern housings, ensuring they work flawlessly with follow-focus systems and motors.
Cost: $185k
Malte Udsen
malte@dk.storylinestudios.com
12-22-2025
Cooke Full Frame Anamorphic 32mm
Cooke Full Frame Anamorphic 50mm
Cooke Full Frame Anamorphic 75mm
Cooke Full Frame Anamorphic 100mm
The Cooke Anamorphic/i Full Frame (FF) lenses are a premium line of anamorphic prime lenses designed to cover large-format/full-frame sensors. They are engineered to deliver the desirable “Cooke Look” with classic anamorphic characteristics.
Full Frame Coverage: Designed for large-format sensors (up to 36mm x 24mm image circle) on modern cinema cameras (e.g., ALEXA Mini LF, Sony VENICE).
1.8x Squeeze Factor: Offers a unique balance, providing a pronounced anamorphic look (e.g., flares, oval bokeh) while utilizing optimal sensor pixels (achieving a 2.40:1 aspect ratio with high resolution).
The Cooke Look: Known for a pleasing, organic, and cinematic aesthetic with warm color rendition, natural skin tones, and subtle aberrations.
i/ Technology: Integrated metadata system that records lens data (focus distance, aperture, depth-of-field, etc.) on a frame-by-frame basis, streamlining VFX and post-production workflows.
Standard & Special Flare (SF) Options: Available in a standard coating or an SF version with proprietary coating to enhance and exaggerate lens flares and other classic anamorphic aberrations.
Consistent Mechanics & Optics: All lenses are color-matched across the series and feature standardized 0.8 MOD gears, similar front diameters (mostly 110mm), and cam-style focus for smooth, precise pulls.
Fast Aperture: Most focal lengths offer a maximum aperture of T2.3.
Cost: TBD
Hernan Herrera
Lucerna Studios
917-468-3294
Prices reserach : AI: Average Used Price Range (Set of 4 Lenses)Lens TypeFocal LengthsApproximate Price Range (USD)Cooke FF Anamorphic/i 1.8x32mm, 50mm, 75mm, 100mm goes from $90,000 to $120,000 USD
Newlifecine: has one in 90,500 / Justcinemagear has one in 67,900
Includes:
Vlite 35mm 62,900.00 * within warranty
Vlite 55mm 59,900.00 * witihin warranty
Vlite 65mm 67,471.00 * within warranty
Vlite 80mm 59,900.00 * within warranty
The Hawk V-Lite Set of 4 (35mm, 55mm, 65mm, 80mm) is a premium 2x anamorphic lens collection from Vantage Film, widely regarded as a gold standard for modern anamorphic cinematography. Known for delivering the iconic “Hawk Look”—a blend of organic contrast, signature horizontal flares, and oval bokeh—within an exceptionally small form factor, these lenses are often lighter than standard spherical primes. The V-Lite series is specifically engineered for Super 35mm formats, utilizing a telecentric design that ensures light rays hit digital sensors or film planes at an optimal angle to maintain high resolution and minimal distortion across the entire frame.
Key Features:
Compact & Lightweight Design: Averaging around 2kg (4.4 lbs) per lens, this set is ideal for handheld, Steadicam, drone, and gimbal work where weight and balance are critical.
Consistent T2.2 Aperture: All lenses in this four-piece set (35, 55, 65, and 80mm) feature a fast T2.2 maximum aperture for uniform exposure and depth-of-field control.
Constant T-Stop Technology: Engineered to prevent light loss (ramping) when pulling focus to the minimum object distance, ensuring consistent transmission throughout the shot.
Standardized Mechanics: Features uniform gear positions for focus and iris across the set and front diameters of 104mm (55, 65, 80mm) or 120mm (35mm) for rapid accessory swaps.
Telecentric Optical Path: Optimized for digital sensors to avoid internal reflections and ensure sharpness from the center to the edges of the 2.39:1 widescreen image.
Robust Build Quality: Precision-manufactured in Germany with reliable manual mechanics designed to withstand rigorous daily use on professional sets.
Update March 17th 2026:
Gabriel Bemergui
+5511940308100
Sao paulo – Brasil
Seller updated Cost and Sell price info:
Cost updated from USD $250,171 to USD $190,000
Sell Price updated from USD $260,000 FOB to USD $213,000 FOB
Updated item descriptions, SEO info, pricing and Sales code.
(J)
COST: USD $250,171
SALES: USD $260,000 FOB
gabrielmensagem@gmail.com
VS
11/05/2025
40 mm T 2.4 / CF 3’
50 mm T 2.4 / CF 3’
75 mm T 2.5 / CF 3’
100 mm T 3.2 / CF 5’
Century W.A x 0.6 c41985
Century Tele Coverter x1.6
The Kowa Evolution 2X Anamorphic lenses by P+S Technik are a modern rehousing and update of the original vintage Kowa Anamorphic lenses from the 1970s. They retain the classic optical characteristics while incorporating modern, reliable mechanics suitable for contemporary cinema production. They are renowned for being among the most compact and lightweight anamorphic cine lenses available, making them ideal for various shooting platforms.
Classic Anamorphic Look: Delivers the highly sought-after vintage aesthetic of the original Kowas, featuring low contrast, warm color tones, organic flares, and beautiful oval bokeh.
2X Squeeze Factor: Provides a true, classic widescreen cinematic look for a highly immersive image.
Modern Mechanics: Feature a reliable 2-cam focus mechanical design with hard end stops, smoother focus, and consistent 0.8 MOD gear positions across the set for easy lens swaps and use with follow focus systems.
Compact & Lightweight: Their small form factor makes them ideal for handheld, Steadicam, gimbal, or drone camera work.
Versatile Design: They have an 80mm front diameter suitable for clip-on matte boxes and a 77mm filter thread for screw-in filters.
Expanded Focal Lengths: While based on the original 4-lens set (40mm, 50mm, 75mm, 100mm), the Evolution series has been expanded to six primes (32mm, 40mm, 50mm, 75mm, 100mm, 135mm).
High Compatibility: Standard PL mount with the added benefit of an IMS exchange lens mount system allowing for optional EF, E-mount, and MFT mounts.
Coverage: Performs magnificently on Super 35 (S35) sensors, with the longer focal lengths (75mm and up) capable of covering Full Format (36x24mm).
Cost USD $ 42,000 to be lowered by Adam
Leonardo Hermo
Buenos Aires Argentina
leonardo.hermo@gmail.com
+5491140240076
Sugested Price for Sale: 43,750
Price serach of AI:: Average Used Price Range (Set of 4 Lenses)The global second-hand price for a set of four P+S Technik Kowa Evolution 2X lenses in very good, serviced condition typically falls within the following range:Approximate Range: $\mathbf{\$45,000 \text{ to } \$55,000 \text{ USD}}$Or Equivalent: $\mathbf{42,000 \text{ to } 51,000 \text{ Euros } (\text{€})}$
Newlifecine does not have any
Justcinemagear
Has a Kowa Anamorphic Evolution set of 4 in 43,,950
Has a Kowa Anamorphic Evolution 4lens set in 45,500
R-11-03-2025
