Hours 1164
ARRI LPL Mount + ARRI PL to LPL Adapter
MVF-2 + 1x Cable VF (0.35m) + 1x Cable VF (0.5m)
Alexa Mini Viewfinder Bracket MVB-1
Viewfinder Extension Bracket VEB-3
Arri V-mount Power Splitting Box MkII
Compact Bridge Plate CBP-1 19mm + Stabiliser Plate for CBP
MAP-2A + Alexa Mini Viewfinder Bracket MVB-1
RAB-1 + RAB-1 Clamp 2
Camera Center Handle CCH-2
MSB-3 + MSB-2
Rods 2x 15mm (0.15M)
Arri Power Cable Straight to XLR (2m)
Arri Power Cable Angled to D-Tap (0.55m)
Allen screwdriver 3mm
A-Box + support Kit
2x Sound Cable
4x Codex Compact Drive 1TB
Codex Compact Drive Reader + Cable USB-C
Pen Drive USB 16GB
Power Supply light 24V
Custom Flight Case
Zeiss Super Speed MK2 18mm
Zeiss Super Speed MK2 25mm
Zeiss Super Speed MK2 35mm
Zeiss Super Speed MK2 50mm
Zeiss Super Speed MK2 85mm
Notes:
18mm F2.8 — year of production 1966
22mm F2.4 — year of production 1972
28mm F2.0 — year of production 1976
35mm F2.0 — year of production 1974
50mm F2.0 — year of production 1975
75mm F2.0 — year of production 1977
100mm F2.0 – year of production 1973
150mm F2.8 – year of production 1976
Originally coming from Warsaw, these lenses have proven to be very well colour-matched and include
standard Arri pitch focus gears, stainless steel PL mounts and snap-on front caps so they are ready to work.
Includes:
-4x 400ft mags
– Aaton wooden start/stop grip
– 15mm Aaton threaded rods
– 3x swit batteries
– and original Abel cine battery charger with x4 Aaton batteries that I re celled last year
HD video tap installed
Includes:
1x Arriflex SR3 Advanced 16mm
1x ARRI SR3 CCD
1x Ground Glass
1x SR3 Ad Integrated Video System
1x ARRI SR3 CCD Cable
1x Arri Normal Eyepiece
1x SR3 Shutter Key
1x SR3 Camera Caps
1x SR3 Plug Battery Adapter
1x SR3 FE-2 Media Loupe + Caps
1x SR3 Short Loupe
1x BP-6 Sliding Optical Bench
1x Optical Bench Slide
1x Arri Start Grip
1x SR3 Plug Battery Adapter
2x SR3 24V Plug Batteries
1x SR3 24V Plug Battery Charger
3x SR3 Advanced 16mm 120m Magazine
3x SR3 16mm 120m Magazine Cap
1x 4X4 Clip-on Matte Box
1x Arri LMB3 to 80mm Ring
1x Cover for LMB3 Clip-on Matte Box
2x 4×4 Filter Frame
1x Zeiss 12-120 T2.4 Zoom Lens + caps
1x 4mm Zoom Rods
Elite Anamorphic MK4 25mm
Elite Anamorphic MK4 32mm
Elite Anamorphic MK4 40mm
Elite Anamorphic MK4 50mm
Elite Anamorphic MK4 75mm
Elite Anamorphic MK4 100mm
Elite Anamorphic MK4 135mm
Elite Anamorphic MK4 180mm
Elite Anamorphic MK4 250mm
Hawk C Series Anamorphic 35mm
Hawk C Series Anamorphic 50mm
Hawk C Series Anamorphic 75mm
Hawk C Series Anamorphic 100mm
Kowa Anamorphic 40mm
Kowa Anamorphic 50mm
Kowa Anamorphic 75mm
Kowa Anamorphic 100mm
Leitz Prime Cine Lens 18mm
Leitz Prime Cine Lens 25mm
Leitz Prime Cine Lens 35mm
Leitz Prime Cine Lens 50mm
Leitz Prime Cine Lens 75mm
Leitz Prime Cine Lens 100mm
Leitz Prime Cine Lens 135mm
Kowa Cine Prominar TLS Rehoused 20mm
Kowa Cine Prominar TLS Rehoused 25mm
Kowa Cine Prominar TLS Rehoused 32mm
Kowa Cine Prominar TLS Rehoused 40mm
Kowa Cine Prominar TLS Rehoused 50mm
Kowa Cine Prominar TLS Rehoused 75mm
Kowa Cine Prominar TLS Rehoused 100mm
New Elite Anamorphic S7 32mm
New Elite Anamorphic S7 40mm
New Elite Anamorphic S7 50mm
New Elite Anamorphic S7 75mm
New Elite Anamorphic S7 100mm
New Elite Anamorphic S7 135mm
TLS Rehoused Canon FD-X 18mm
TLS Rehoused Canon FD-X 24mm
TLS Rehoused Canon FD-X 35mm
TLS Rehoused Canon FD-X 55mm
TLS Rehoused Canon FD-X 85mm
TLS Rehoused Canon FD 14mm
TLS Rehoused Canon FD 20mm
TLS Rehoused Canon FD 24mm
TLS Rehoused Canon FD 28mm
TLS Rehoused Canon FD 35mm
TLS Rehoused Canon FD 45mm
TLS Rehoused Canon FD 55mm
TLS Rehoused Canon FD 85mm
TLS Rehoused Canon FD 100mm
TLS Rehoused Canon FD 135mm
TLS Rehoused Canon K35 18mm
TLS Rehoused Canon K35 24mm
TLS Rehoused Canon K35 35mm
TLS Rehoused Canon K35 55mm
TLS Rehoused Canon K35 85mm
Notes: High Speed 18mm
Cooke S7i 18 mm T.2 to T.22 – front Ø110mm – close focus 158mm
Cooke S7i 25 mm T.2 to T.22 – front Ø 110mm – close focus 109mm
Cooke S7i 32 mm T.2 to T.22 – front Ø 110mm – close focus 109mm
Cooke S7i 50 mm T.2 to T.22 – front Ø 110mm – close focus 259mm
Cooke S7i 75 mm T.2 to T.22 – front Ø 110mm – close focus 234mm
Cooke S7i 100 mm T.2 to T.22 – Ø frontal 110mm – close focus 459mm
Cooke S7i 135 mm T.2 to T.22 – Ø frontal 110mm – close focus 709mm
Full-frame coverage: Compatible with large format sensors for exceptional image quality.
Fast aperture: T2.0 maximum aperture for stunning low-light performance and shallow depth of field control.
Consistent look: Color-matched across the series for seamless integration into existing Cooke sets.
Durable build: Scratch-resistant and hard-wearing design for demanding productions.
Precise focus: Cam-style focus with 270° rotation for accurate and smooth pulls.
/i Technology: Integrates with compatible cameras for lens data recording and streamlined workflows.
Wide range: Available in focal lengths from 21mm to 135mm, catering to diverse shooting needs.
Lomo CKBK Ekran AO Optika JSC Optar Zeiss Super Speed 14mm Rehoused by GL Optics
Lomo CKBK Ekran AO Optika JSC Optar Zeiss Super Speed 18mm Rehoused by GL Optics
Lomo CKBK Ekran AO Optika JSC Optar Zeiss Super Speed 22mm Rehoused by GL Optics
Lomo CKBK Ekran AO Optika JSC Optar Zeiss Super Speed 28mm Rehoused by GL Optics
Lomo CKBK Ekran AO Optika JSC Optar Zeiss Super Speed 35mm Rehoused by GL Optics
Lomo CKBK Ekran AO Optika JSC Optar Zeiss Super Speed 50mm Rehoused by GL Optics
Lomo CKBK Ekran AO Optika JSC Optar Zeiss Super Speed 75mm Rehoused by GL Optics
Lomo CKBK Ekran AO Optika JSC Optar Zeiss Super Speed 100mm Rehoused by GL Optics
This is an extremely rare late production Russian Cinema prime lens set. AO Optika, Lomo CKBK, Ekran, and JSC Optika Optar are all names of the manufacturer or factory the lenses were made by in the late 1980’s and early 1990’s. Ekran later became AO Optika and then became JSC Optika Elite. A very limited number of super 35mm format sets branded JSC Optika Optar were produced in the 90’s for export.
-Super 16
-PL Mount
-3x 400´Mags
-Custom video tap on the handle…converted to HD by AZ Spectrum
-Aaton Wooden Hand Grip
-15mm Rods
-15mm Studio Base Plate
-Gold Mount Battery Adapter
https://elokuvakonepaja.com/product/aaton-power-adapter/
-Pelican Case
The XTR Plus is a constant choice for film makers who need a camera that can film in any location reliably and versatilely.
This XTR Plus has a mechanical shutter that increases speeds from one to 160 frames per second, a PL mount for professional lenses and a built-in film magazine. It also has an LCD screen that displays camera settings, status information, a time code generator, a film counter, all with electronic features.
INCLUDES BRAND NEW COMPONENTS-
K1.47002.0 Arriflex 16 SR3 HS Adv.
K2.45164.0 Magazine 120m HS (no TC)
K2.51101.0 Optik S16 IVS
K2.42572.0 BP-6 Bridge Plate
‘Kamera Doctor’ HD Video Tap Mark 3
SERVICED USED PARTS for Arri SR3 Advanced HS Package-
K1.47002.0 Arriflex 16 SR3 HS Adv. x2 (configured with HS pressure plate, no HS marking)
Super 16mm film format: Offers a balance between image quality and portability compared to full-frame 35mm.
High-speed capabilities: Shoots up to 150 fps for slow-motion effects.
Crystal speed shutter: Ensures precise and consistent frame rates.
Compact and lightweight: Makes it ideal for handheld and documentary work.
Durable construction: Built to withstand demanding production environments.
Extensive lens compatibility: Accepts PL mount lenses, offering a wide range of options.
O’Connor 2575D Tripod Head has heavy payload capacity: Supports up to 90 lbs (40.8 kg), ideal for professional cine cameras and lenses.
Smooth, controlled movement: Patented sinusoidal counterbalance system ensures perfect balance throughout the tilt range.
Precision fluid drag: Adjustable drag controls for silky smooth pans and tilts.
Ergonomic design: Comfortable handgrips and controls for easy operation.
Durable construction: Built to withstand demanding professional use.
Camera: 2457 Hours
R7 Recorder: 1703 Hours
SONY VENICE+ MPC-3610 6K CINE CAMERA
SONY AXS-R7+ 4K RAW RECORDER
SONY DVF-EL200 .7″ OLED VIEWFINDER
EVF MOUNT: SONY VENICE BRACKET
EVF MOUNT: SONY VENICE ARM
EVF CABLE: SONY DVF-EL200 2′
EVF CABLE: SONY DVF-EL200 2′
TOP PLATE: WOODEN CAMERA VENICE
BASE PLATE: WOODEN CAMERA SOLID F5/F55/VENICE
WOODEN CAMERA D-BOX – VENICE GOLD MOUNT
WOODEN CAMERA D-BOX – VENICE POWER STRIP
CABLE: WOODEN CAMERA VENICE D-BOX LEMO5M 3.5″
CABLE: WOODEN CAMERA VENICE D-BOX LEMO5M 5.5″
TOP HANDLE: WOODEN CAMERA MASTER
TOP HANDLE: WOODEN CAMERA MASTER BRACKET STRAIGHT
TOP HANDLE: WOODEN CAMERA MASTER BRACKET STRAIGHT
TOP HANDLE: WOODEN CAMERA MASTER BRACKET 15MM LWS
TOP HANDLE: WOODEN CAMERA MASTER EXTENSION SMALL 3.75″
TOP HANDLE: WOODEN CAMERA MASTER EXTENSION MEDIUM 4.75″
TOP HANDLE: WOODEN CAMERA MASTER EXTENSION LARGE 5.75″
TOP HANDLE: WOODEN CAMERA MASTER EXTENSION BEND
CASE: SONY VENICE (INNERSPACE)
LENS MOUNT: SONY VENICE PL MOUNT
SONY VENICE RUBBER BOTTOM PLATE
SONY VENICE RUBBER BOTTOM PLATE
—
Full-frame sensor: Captures stunning visuals with shallow depth-of-field and high dynamic range. Exceptional image quality: Delivers natural-looking colors, fine details, and low noise. 16-bit RAW recording: Offers maximum flexibility for color grading and post-production.
X-OCN: Proprietary format providing extended tonal range and color information. IMAX® Experience: Capture true IMAX quality in select configurations. Super 35 and anamorphic support: Adapts to various shooting styles and formats. PL mount: Compatible with a wide range of industry-standard lenses. Internal recording: Supports XAVC, ProRes, and MPEG HD formats. AXS-R7 recorder (optional): Enables 16-bit RAW and X-OCN recording for even greater creative control. Overall, the Sony Venice is a high-end, professional cinema camera designed for demanding productions that require exceptional image quality and flexibility.
Arri Zeiss Ultra Prime 16mm
Arri Zeiss Ultra Prime 24mm
Arri Zeiss Ultra Prime 32mm
Arri Zeiss Ultra Prime 50mm
Arri Zeiss Ultra Prime 85mm
Key Features and Benefits
Widest focal range: Offers exceptional flexibility, covering various cinematic needs.
Lightweight and standard speed: Enhances portability and affordability.
Optically matched to Master Prime Lenses: Ensures consistent image quality across the lens set.
Superior close focus: Enables capturing stunning close-up shots.
Well-controlled distortion and breathing: Minimizes unwanted image artifacts.
Key features and benefits :
Wide zoom range: Covers a versatile focal length range of 15mm to 40mm, making it suitable for various shooting scenarios like wide shots, landscapes, and portraits.
Fast aperture: Offers a constant maximum aperture of T2.6 throughout the zoom range, allowing for excellent low-light performance and shallow depth of field control.
Compact and lightweight: Weighs only 4.2 pounds, making it ideal for handheld and Steadicam use.
Superior image quality: Delivers exceptional image quality with sharp details, natural colors, and minimal distortion, rivaling prime lenses at equivalent focal lengths.
Durable construction: Built with a rugged and weather-sealed design for use in demanding environments.
Cooke S4 18mm
Cooke S4 25mm
Cooke S4 32mm
Cooke S4i 50mm
Cooke S4 75mm
Key Features and Benefits : Superb optical quality: Delivers sharp images with excellent control of flare, distortion, and aberrations.
Fast T2 aperture: Allows for shallow depth of field and low-light shooting.
Smooth, cam-based focus mechanism: Enables precise and consistent focusing.
Cooke /i Technology: Provides lens data for easier color correction and VFX work.
Rugged and reliable construction: Built to withstand the demands of professional filmmaking.
Cooke Speed Panchro Van Diemen 18mm
Cooke Speed Panchro Van Diemen 25mm
Cooke Speed Panchro Van Diemen 32mm
Cooke Speed Panchro Van Diemen 40mm
Cooke Speed Panchro Van Diemen 50mm
Cooke Speed Panchro Van Diemen 75mm
Cooke Speed Panchro Van Diemen 100mm
Key Features and Benefits:
Vintage design: These lenses originated in the 1920s, offering a distinct “film look” with pleasing flares and character.
Fast aperture: Ranging from T2.2 to T2.8, they excel in low-light situations and offer shallow depth of field.
Compact and lightweight: Their small size makes them ideal for handheld and Steadicam use.
Rehoused: Adapted by Van Diemen for modern cameras, they boast robust build quality and compatibility.
Zeiss Standard Speed 16mm
Zeiss Standard Speed 24mm
Zeiss Standard Speed 32mm
Zeiss Standard Speed 50mm
Zeiss Standard Speed 85mm
Classic Character for Modern Filmmaking
Key features and benefits:
Classic, smooth image: Renowned for their pleasing visuals with a cool color rendition and medium contrast.
Compact and lightweight: Among the smallest and lightest cinema lenses available, ideal for gimbal and drone use.
Distinct bokeh: Produces beautiful flares and a unique bokeh effect when stopped down.
Extensive focal length range: Available in various focal lengths, offering versatility for diverse shooting scenarios.
Features:
Versatile focal length: 17-80mm range, suitable for various shooting scenarios, from wide shots to close-ups.
Fast aperture: T2.0 maximum aperture for excellent low-light performance and shallow depth of field control.
Superb image quality: Aspherical lens elements minimize distortion and improve image clarity throughout the zoom range.
Smooth operation: Internal focusing design enables smooth and silent focus adjustments.
Close-up capabilities: 0.75-meter close focus distance allows capturing detailed close-up shots.
Durable build: Weather-sealed construction for reliable use in challenging environments.
Standar Speed Set 12mm
Standar Speed Set 14mm
Standar Speed Set 16mm
Standar Speed Set 24mm
Standar Speed Set 32mm
Standar Speed Set 50mm
Standar Speed Set 85mm
Timeless Appeal, Modern Performance
Legendary heritage: These coveted lenses have shaped the cinematic look for generations.
Distinctive character: Capture captivating flares and a smooth, buttery bokeh at wider apertures.
Highly portable: Ideal for handheld shooting, gimbals, and drones due to their compact size and lightweight design.
Exceptional clarity and depth: Deliver stunningly sharp images with a sought-after vintage feel.
Creative versatility: Offered in a variety of focal lengths to match your creative vision.
ARRI ALEXA MINI LF CINEMA PACKAGE – #A (IDK)
(1) ARRI ALEXA MINI LF CAMERA BODY ser#5227
VIEWFINDER:
(1) ALEXA MINI LF MULTI VIEWFINDER MVF-2 ser#04598
(1) CABLE VIEWFINDER(0.35m/1.15ft)
(1) CABLE VIEWFINDER(0.5m/1.5ft)
ACCESORIES:
(1) ARRI LPL MOUNT
(1) ARRI PL TO LPL ADAPTER
(1) PL MOUNT BODY CAP
(1) MINI ADAPTER PLATE MAP-2A
(1) MINI VIEWFINDER BRACKET MVB-1
(2) 4” RODS FOR MVB-1
(1) CENTER CAMERA HANDLE CCH-2
(1) MINI SIDE BRACKET MSB-3
(1) MINI SIDE BRACKET MSB-2 w/ 15MM REDUCTION INSERT
(1) REAR ACCESSORY BRACKET RAB-1
(1) RAB-1 CLAMP-2
(1) BOTTOM DOVETAIL PLATE 300MM/12IN
(1) COMPACT BRIDGE PLATE CBP-1 w/ SHOULDER PAD
(1) Arri 15mm LWS ROD ADAPTER FOR CBP #K2.0019773
(1) SMALL ANTENNA FOR BODY
(1) REGULAR ANTENNA
(1) W.C. A-BOX for Mini LF
(1) Set of 8″ 15mm Rods (EC)
(1) Set of 12″ 15mm Rods (EC)
MEDIA:
(1) CODEX COMPACT DRIVE READER w/usb-c
(3) 960GB CODEX MAG / MEDIA CARD w/ CASES
POWER:
(1) ARRI GOLD MOUNT BEBOB D-BOX
(1) ARRI 8-PIN TO 3-PIN XLR POWER CABLE
(1) MEAN WELL AC ADAPTER w/ OSHA CABLE
(1) INNERSPACE CASE
**** ADD ON: HAND GRIPS on Separately
**** ADD ON: BATTS / CHARGER
Powerhouse in Your Pocket
Unleash cinematic potential: Experience professional-grade image quality with a large format sensor packed into a portable design, making it easier to capture stunning visuals on the go.
Capture every detail: This camera boasts rich image texture and a wide dynamic range, ensuring you capture stunning visuals with incredible detail and smooth color transitions, even in challenging lighting conditions.
Editing freedom: Record internally in RAW and ProRes formats, giving you maximum flexibility and control during post-production for achieving your creative vision.
Shoot comfortably: Whether you’re filming for hours or capturing quick moments, the ergonomic design ensures a comfortable shooting experience.
Includes:
– 416 IVS NTSC
– 4x Arriflex 400’ 416 magazine
– Elokuvakonepaja – 416 Power adapter (gold mount) / converter (built in Wicam)
– Elokuvakonepaja side accessory plate for 416
– Arriflex BP-11 15MM Split Bridgeplate
– 416 Lightweight Support LWS-5
– Arri Dovetail Plate 12”
– 416 Long Eyepiece Extension
– Arriflex Heated Eyecup
– 416 Shoulder Pad SP-2
– 416 Pistol Grip
– PL cavity cap
– Arriflex 416 Mag Well cover
– 2 Pin Fischer to XLR3M 24V Arri Power Cable
– Fischer 3 Pin RS to XLR4F 24V Power Cable
– Arriflex 416 Heater Eyepiece Cable
– LRB-2 416 Bracket
– Arriflex 416 Camera Transport Cover
– Arriflex 416 IVS Protection Cover
– Antenna For Arriflex 416
– Arriflex 416 Shutter Tool
– 416 Rain Cover WP-416
– OBB-2 416 Li-ion charger
– Re-Celled Arriflex OBB-2 416 Li-Ion 26V Battery
– Re-Celled Arriflex OBB-2 416 Li-Ion 26V Battery
– As-Is Arriflex OBB-2 416 Li-Ion 26V Battery
– As-Is Arriflex OBB-2 416 Li-Ion 26V Battery
– Transvideo 6.5in LCD monitor
– 2x A&J N16-499 400’ 416 MAG CASE
– A&J N16-498 416 BODY CASE
Notes: Regularly serviced and maintained
The Arri 416 HS Plus is a professional 16mm film camera that stands out for its ability to capture slow-motion footage at high speeds, making it ideal for creative videography. Additionally, its lightweight and quiet design makes it well-suited for handheld shooting and documentary filmmaking, where mobility and discretion are essential. Despite its compact size, the camera still delivers sharp and colorful images in various lighting conditions, ensuring high-quality results for your projects.
• (1) ARRI AMIRA PREMIUM Camera (2830 Hours)
• (1) Electronic Viewfinder
• (2) Rods 15mm (440mm)
• (5) Viewfinder Cables
• (1) Card Reader with Cable
• (1) Card 128GB
• (1) Shoulder Pad
ARRI Amira Premium Camera:
Exceptional image quality: Delivers ALEXA-like image quality up to 200 frames per second (fps), offering stunning visuals with high dynamic range (14+ stops), low noise, and natural skin tones.
4K UHD recording: Captures high-resolution footage in 4K resolution (3840 x 2160 pixels), perfect for professional productions.
Versatile recording options: Supports various recording formats, including Apple ProRes for efficient editing workflows, and the optional ARRIRAW license for maximum color grading flexibility.
Compact and ergonomic design: Designed for single-operator use and extended handheld operation, making it suitable for various shooting scenarios.
Built-in ND filters: Features three built-in neutral density (ND) filters (0.6, 1.2, and 2.1) for precise control over exposure in various lighting conditions.
Features:
High resolution for 2K to 4K+ camera outputs: This lens is well-suited for use with modern high-resolution cameras.
High contrast through minimized flares and veiling glare: The lens produces sharp, clear images with minimal unwanted light artifacts.
Greatly reduced chromatic aberration: This ensures that colors are reproduced accurately without fringing.
Large image circle of 31.5 mm covers all current digital cameras: This lens can be used with a wide variety of camera models.
Low geometric distortion and even field illumination: This results in straight lines being reproduced accurately and consistent brightness across the entire image frame.
Minimized breathing: This means that the image size changes very little when focusing, which is important for videography.
Nine iris leaves for round, out-of-focus highlights and a pleasing, organic bokeh: This creates a smooth and attractive background blur.
Consistent contrast, resolution and field illumination across the whole focus and zoom range: You can expect high-quality images throughout the entire zoom range.
Matched to all other ARRI zoom and prime lenses: This lens will produce images that match seamlessly with other ARRI lenses.
A versatile workhorse for professional filmmakers:
Broad zoom range (17-120mm): Capture everything from wide landscapes to telephoto close-ups with a single lens.
Cinematic look and feel: Achieve smooth, precise focus and iris adjustments with the motorized controls.
PL mount compatibility: Works seamlessly with professional cinema cameras.
Beautiful bokeh: The 11-blade iris diaphragm creates a pleasing blurred background effect.
Close focus capability (0.8 meters): Frame your shots creatively, even with close-up subjects.
With an image circle of 46.31 diagonal, it covers Super 35mm, Full Frame and even RED 8 K Vista Vision.
It consists of 7 fixed lenses in PL mount and is composed of the following values:
- Cooke S7i 18 mm T.2 to T.22 – front Ø110mm – close focus 158mm
- Cooke S7i 25 mm T.2 to T.22 – front Ø 110mm – close focus 109mm
- Cooke S7i 32 mm T.2 to T.22 – front Ø 110mm – close focus 109mm
- Cooke S7i 50 mm T.2 to T.22 – front Ø 110mm – close focus 259mm
- Cooke S7i 75 mm T.2 to T.22 – front Ø 110mm – close focus 234mm
- Cooke S7i 100 mm T.2 to T.22 – Ø frontal 110mm – close focus 459mm
- Cooke S7i 135 mm T.2 to T.22 – Ø frontal 110mm – close focus 709mm
Supplied in boxes: One case of 5 and one case of 2.Cooke S7i Lens: Key Capabilities: Works with full-frame cameras: Designed for full-frame cinema cameras, delivering exceptional image quality across the entire sensor.
Fast aperture for creative control: Delivers beautiful shallow depth-of-field and superior low-light performance with its T2.0 maximum aperture.
Consistent color across Cooke lenses: Matches other Cooke lenses, enabling seamless integration into existing setups for a unified look.
Sharp and accurate images: Minimal distortion and aberrations ensure sharp, accurate images with minimal visual artifacts.
Advanced post-production support: /i Technology provides frame-by-frame lens data for advanced post-production workflows.
TLS Canon N FD 20mm T2.9
TLS Canon N FD 28mm T2.1
TLS Canon FD X 35mm T1.5 (Minolta)
TLS Canon FD L 50mm T1.3
TLS Canon FD L 85mm T1.3
Top-tier performance: FD L lenses represented the highest optical quality within the Canon FD mount system, known for their sharpness, speed, and durability.
Professional-grade construction: L lenses were built for demanding use featuring robust metal bodies and weather sealing on some models.
Advanced optics: Utilizing high-quality glass elements and multi-coatings, these lenses delivered minimal distortion, flare, and exceptional color fidelity.
PL mount cine lens
45-250mm zoom range
Fast T2.6 maximum aperture throughout the zoom range
Covers Super 35 format sensor
Minimized breathing for steady image quality
Multi-layer EBC coating to minimize ghosting and flaring
Extraordinary dispersion glass to reduce chromatic aberration
Cooke Anamorphic FF 32mm
Cooke Anamorphic FF 40mm
Cooke Anamorphic FF 50mm
Cooke Anamorphic FF 85mm
Cooke Anamorphic FF 135mm
Highlights & Advantages
Full-Frame Powerhouse: Engineered for full-frame digital cinema cameras, unlocking the sensor’s full potential for stunning image quality.
Legendary Cooke Look: Renowned for its natural skin tones and pleasing sharpness, these lenses capture the signature “Cooke Look” for timeless visuals.
Anamorphic Magic: Embrace the cinematic widescreen experience with the iconic anamorphic format, featuring oval bokeh and distinctive horizontal lens flares.
Seamless Workflow: Standardized focus and iris gears ensure smooth operation and efficient lens changes when working on a fast-paced set.
Style Options: Choose between the standard version for a classic look or the Special Flare (SF) for a more artistic approach with emphasized flares and bokeh.
Cooke S7i 21mm
Cooke S7i 27mm
Cooke S7i 32mm
Cooke S7i 50mm
Cooke S7i 75mm
Cooke S7i 100mm
Cooke S7i Lens: Powerful Performance for Professionals
Unrestricted Image Capture: The S7i boasts full-frame coverage, ensuring your cinema camera’s sensor is fully utilized for stunning visuals. Mastering Low Light: With a speedy T2.0 aperture, this lens excels in low-light conditions, delivering exceptional image quality and allowing for beautiful shallow depth of field effects. Seamless Color Consistency: The S7i maintains the renowned Cooke color signature, guaranteeing a cohesive look across various projects, even when using different S7i lenses. Exceptional Clarity: Engineered for superior optical performance, the S7i minimizes chromatic aberration, distortion, and flaring, resulting in crisp, detailed images. Built to Endure: Constructed with rugged materials, the S7i is built to thrive in challenging filmmaking environments, ensuring reliability for any production.
Fujinon Cabrio 19-90mm Lens Key Features and Benefits
Versatile Zoom Range: Offers a wide zoom range from 19mm to 90mm, making it suitable for various shooting scenarios, from wide landscapes to telephoto close-ups.
Bright Maximum Aperture: A fast T2.9 maximum aperture allows for shooting in low-light conditions and achieving a shallow depth of field for creative bokeh effects.
Detachable Servo Drive: This unique feature allows the lens to be used in two configurations: as a standard PL mount cine lens or with a removable ENG-style servo drive unit for motorized zoom control.
High-Quality Optics: Fujinon’s renowned optics deliver sharp and clear images with minimized chromatic aberration.
Sony VCINEPAC1 VENICE V4.0 Camera Package w/ DVF-EL200 Viewfinder
AXS-R7
Anamorphic & Full Frame Licenses
SO-CBKZ-3610H (High Frame Rate License)
(2) AXSM 512 GB cards
AXS-CR1 Card Reader
Top Handle
Hard Case
Cables
Sony Venice 1 S/N 10756
Key Features and Benefits
Full-frame sensor: Offers a wider field of view, shallower depth of field, and superior low-light performance compared to Super 35 sensors.
High image quality: Delivers exceptional detail, color accuracy, and dynamic range.
Dual Base ISO: Provides switchable ISO settings of 500 and 2500 for excellent performance in various lighting conditions.
Flexible recording formats: Supports XAVC, ProRes, RAW, and X-OCN for a variety of workflow options.
Compact and lightweight design: More portable than previous high-end Sony Cine cameras.
Mamiya 645 Speed Booster by TLS 17 mm Fisheye T3.3
Mamiya 645 Speed Booster by TLS 25 mm T2.8
Mamiya 645 Speed Booster by TLS 32 mm T2.3
Mamiya 645 Speed Booster by TLS 39 mm T2.3
Mamiya 645 Speed Booster by TLS 57 mm T1.6
Mamiya 645 Speed Booster by TLS 78 mm T2.2
Mamiya 645 Speed Booster by TLS 107 mm T2.2
Key Features & Benefits
Rehoused Mamiya 645 lenses: These lenses were originally made for the Mamiya 645 medium format film camera system. TLS adapts them for use on modern cinematography cameras.
Elegant, softer optical style: Offers a unique aesthetic quality to your footage.
Cam-driven focus system: Provides smooth and precise focusing for professional shooting.
Cinema lens housing: Allows for professional accessories like matte boxes and follow focuses.
Durable build: Constructed with high-quality materials for long-lasting use.
Key features and benefits:
Manual focus: Allows for precise control over image sharpness. Fast T1.4 maximum aperture: Enables excellent performance in low-light conditions and offers significant control over depth of field for isolating subjects with a pleasing blurred background (bokeh). High-quality optics: Designed to deliver sharp images.
Cooke S4i 18mm
Cooke S4i 25mm
Cooke S4i 32mm
Cooke S4i 50mm
Cooke S4i 75mm
Cooke S4i 100mm
Key Features and Benefits
Excellent optical performance: Delivers sharp images with minimal flare, distortion, and aberrations even at wide apertures.
Smooth focus control: Leva-based focus mechanism allows for precise and silky smooth focus adjustments.
Durable and reliable: Built for professional use with a modular construction for easy maintenance.
Consistent Cooke Look: Matches the color signature of other Cooke lenses for a unified aesthetic across projects.
/i Technology: Provides valuable lens metadata for post-production, simplifying VFX work and color correction.
BRAND NEW COMPONENTS-
K2.54190.0 Studio Universal Viewfinder (excl. Eyepiece)
K1.54001.3 ARRICAM ST 3 Perf
K2.54004.0 ARRICAM Studio Viewfinder Zoom Extension 1
K2.54011.0 Power Bridge Plate ARRICAM
K2.54017.0 ST Mask frameglow cpl.
K2.54033.0 ST 100 % Video top
K2.54041.0 Video assist ST PAL
K2.54047.0 Back load adapter ARRICAM ST
K2.54068.0 ST Magazine case 120m/400ft
K2.54097.0 LT Shoulder magazine LT SH x2
K2.54127.0 ST Magazine adapter
K2.54139.0 Dual Port Adapter
K2.54163.0 Lens Data Display – Focus Puller LDD-FP
K2.54166.0 MB Bracket for LDD-FP 1
K2.54167.0 MB Bracket for LDD-FP 2
K2.54168.0 MB Bracket for LDD-FP 3
K2.54171.0 Time shift box
K2.54178.0 ST Universal Viewfinder Support Bracket
K2.54194.0 Lens Data Box ST2
SERVICED USED PARTS
K2.54049.0 Lite Viewfinder (compatible with Indie Assist LT)
K2.54046.0 Lite Eyepiece
K2.54050.0 Lite Extension
Key Features and Benefits
Super quiet operation: Ideal for capturing dialogue and sound effects without needing excessive soundproofing.
Modular design: Allows customization with various accessories like magazines and viewfinders for specific shooting needs.
Electronic mirror shutter: Contributes to image steadiness and eliminates flicker.
Bright optical viewfinder: Ensures clear and accurate image framing.
5-link movement: Provides exceptional image stability.
Cooke S4 14mm
Cooke S4 18mm
Cooke S4 21mm
Cooke S4 25mm
Cooke S4 32mm
Cooke S4 40mm
Cooke S4 50mm
Cooke S4 75mm
Cooke S4 100mm
Cooke S4 135mm
Cook S4 Lenses: Key Features and Benefits
Superb image quality: S4 lenses deliver exceptional control of flare, distortion, and aberrations, even at wide apertures. This translates to sharp, detailed images with a pleasing, natural look.
Fast aperture (T2): These lenses allow you to shoot in low-light conditions without needing to crank up ISO and introduce noise. The fast aperture also provides for shallower depth of field, allowing you to isolate your subject from the background.
Standardized design: All S4 lenses share a common size and focus throw, making it easy to quickly switch between lenses on set.
Color matching: S4 lenses are color-matched to other Cooke lenses, ensuring consistency across your entire production.
Master Prime 18mm
Master Prime 27mm
Master Prime 35mm
Master Prime 40mm
Master Prime 50mm
Master Prime 75mm
Master Prime 100mm
Unveiling Exceptional Low-Light Performance: The wide T1.3 aperture captures stunning visuals in low-light environments or with natural light, resulting in a more natural aesthetic and potentially reducing the need for additional lighting setups.
Unmatched Image Quality: Delivering exceptional resolution and superior clarity, these lenses produce unparalleled image fidelity.
Creative Freedom: Master Prime lenses empower filmmakers to achieve unique and artistic shots that are impossible to achieve with standard lenses, expanding their creative possibilities.
Canon FD 14mm T2.8
Canon FD 24 mm T1.5
Canon FD 35 mm T2.1
Canon FD 55 mm 11.3
Canon FD 85 mm T1.3
Canon FD 100 mm T2.1
Canon FD 135 mm T2.1
Key Features and Benefits
FD Mount: Compatible with a wide range of Canon FD SLR cameras launched between 1971 and 1987.
Manual Focus: Offers creative control over image sharpness.
Varied Focal Lengths: Available in wide-angle, standard, telephoto, and zoom options for diverse shooting styles.
High Optical Quality: Many FD lenses are renowned for their excellent image resolution and clarity.
Cooke S5i 18mm
Cooke S5i 25mm
Cooke S5i 32mm
Cooke S5i 40mm
Cooke S5i 50mm
Cooke S5i 65mm
Cooke S5i 75mm
Cooke S5i 100mm
Key Features and Benefits
Superb optical performance: Delivers exceptional image quality even at wide-open aperture (T1.4)
Exceptional control: Minimizes flare, distortion, and aberrations for clean, sharp footage
Standardized design: Consistent look across all focal lengths for seamless editing
Smooth focus control: Cam-type focus mechanism for precise adjustments
Durable construction: Built to withstand demanding filmmaking environments
Ekkran High Speed 14mm
Ekkran High Speed 18mm
Ekkran High Speed 22mm
Ekkran High Speed 28mm
Ekkran High Speed 35mm
Ekkran High Speed 50mm
Ekkran High Speed 75mm
Light Like Never Before: Shoot incredible footage in low-light situations with these super fast lenses.
Razor Sharp: Capture stunning detail and clarity for professional-grade productions.
Beautiful Blur: Achieve stunning bokeh effects and isolate your subject with the shallow depth of field.
Built to Endure: Engineered for durability to handle the rigors of professional use.
Frame Your Vision: Available in multiple focal lengths (optional) to suit various shooting needs (availability may vary).
Manual Mastery: The manual focus design provides precise creative control over focus for filmmakers.
