adapters

Used / Pre-owned / New Digital Cinema Marketplace

Main Office

FJS International
1830 Radius Drive # 1314
Hollywood, FL 33020 USA
Tel: +1-954-600-6659
[email protected]

West Palm Beach office

FJS Group Palm Beach
6586 Hypoluxo Road
Lake Worth, FL., 33467
Tel: +1-954-600-6659 "text or call"
[email protected]

Latín América Office:

Jr. J. Ramón Pizarro
#112 Lima 21, Peru
Tel: +51 902381589
[email protected]

European Office

FJS Group Europe
Gorkeho 10
Bratislava 81101 Slovakia
Tel: +39 392 887 7764
call if no answer on first number
+1 954-600-6659 "text or call" [email protected]
[email protected]

FJS Asia Office:

DD102, LOT2588 KA LUNG ROAD SAN TIN YUEN LONG.N.T, Hongkong
Tel: +8615011304502
[email protected]

After Hours Telephone:

+1 954-600-6659 "text or call"

Mary Ginny

Digital Marketing [email protected]

Marcelo Doblado

Digital Marketing and Communications Coordinator [email protected]

SELL YOUR GEAR WITH US

CLICK ON SPECIFIC PRODUCT CATEGORY TO DOWNLOAD FORM

WHEN RESULTS SHOW, CLICK TITLE IN RED FOR COMPLETE INFO

OUR STOCK STREAM

A complete list of everything we have for sale.

Using Third-Party Lenses with the ARRI Alexa Mini LF

The ARRI Alexa Mini LF offers a high degree of flexibility and customization, allowing cinematographers to choose lenses that best suit their creative vision and project requirements.

Master Prime and the Anamorphic Dream: Adapter Alchemy or Creative Compromise?

While the ARRI Master Prime lenses are cinematic powerhouses renowned for their sharpness and speed, they weren’t designed for the unique world of anamorphic filmmaking.

Conquering the Full Frame Frontier: Can Master Anamorphic Lenses Handle It?

The ARRI Master Anamorphic lenses are renowned for their ability to capture stunningly wide vistas and unique bokeh shapes, adding a distinctive touch to your anamorphic filmmaking.

New, Pre owned and used vintage lenses, spherical lenses, S35mm lenses, full frame lenses, anamorphic lenses, film cameras, video cameras, digital video cameras, Arri lenses, Zeiss lenses, Angenieux lenses, Illumina lenses, Lomo lenses, Super Baltar lenses, Cooke lenses, GL Optics lenses, Atlas lenses, Schneider lenses, Sigma lenses, Tokina lenses, Super speed lenses, Fujinon lenses,Canon lenses,Alura lenses, Master Prime lenses, Ultra Prime lenses, Elite lenses, Xenar lenses, Xenon lenses, Zeiss standard prime lenses, Canon K35 lenses, Arri Signature Prime lenses, Zeiss Supreme lenses, Thalia lenses, CNE lenses, Summicron lenses, Summilux lenses, Master Anamorphic lenses, Arri Alexa Mini cameras, Arri Alexa Mini LF cameras, Arri Alexa LF cameras, Alexa XT cameras, Alexa SXT cameras, Alexa classic cameras, Red cameras, Monstro cameras, Scarlet cameras, Red Epic cameras, SONY Venice cameras, SONY cameras, Cooke Speed Panchro lenses, Aaton cameras, Arri SR2 cameras, Arri SR3 cameras, Arricam LT cameras. Arricam ST lenses, Moviecam cameras, camera cranes, Masterbuilt lenses, zoom lenses, O’Connor tripods, Sachtler tripods, Laowa lenses, DZO lenses, Masterbuilt lenses, Soft flare lenses. Camera cranes, full frame lenses, Ultra Prime lenses, Master Prime lenses, Angenieux prime lenses. Angenieux 24-290 zooms.

Please note that all products listed on this website are sold, as is, without warranty (unless specified) and FOB from seller’s origination, regardless of country. Customs and duties required by authorities in the USA and international countries are the responsibility of the buyer. Please ask origination country if you have any questions. Do not confirm any rentals based on purchase from FJS International until you have received the gear ordered. We can not guarantee a specific date for delivery – we can only approximate. We can’t be responsible for delays caused by bank wire transfers or delays caused by courier services.We can’t be held liable for missed rental or work dates.

adapters

Used / Pre-owned / New Digital Cinema Marketplace

WHEN RESULTS SHOW, CLICK TITLE IN RED FOR COMPLETE INFO

OUR STOCK STREAM

Tag: adapters

Using Third-Party Lenses with the ARRI Alexa Mini LF

Master Prime and the Anamorphic Dream: Adapter Alchemy or Creative Compromise?

Conquering the Full Frame Frontier: Can Master Anamorphic Lenses Handle It?