Converting ARRI RAW to ProRes: A Guide for Video Editors
ARRI RAW is a high-quality, lossless codec used by many professional cameras, including the ARRI Alexa Mini LF.
Limitations of Using Third-Party Anamorphic Adapters
Anamorphic adapters are optical devices that can be used to create a widescreen aspect ratio on a standard 35mm or Super 35mm film camera.
Limitations of Using Third-Party Anamorphic Adapters
Anamorphic adapters are optical devices that can be used to create a widescreen aspect ratio on a standard 35mm or Super 35mm film camera.
Using Third-Party Lenses with the ARRI Alexa Mini LF
The ARRI Alexa Mini LF offers a high degree of flexibility and customization, allowing cinematographers to choose lenses that best suit their creative vision and project requirements.
ARRI RAW vs. ProRes: A Comparison
The ARRI Alexa Mini LF offers two primary recording formats: ARRI RAW and ProRes
Choosing the Best Recording Format for the ARRI Alexa Mini LF
The ARRI Alexa Mini LF offers a variety of recording formats to suit different production needs and post-production workflows.
Are ZEISS lenses good quality?
ZEISS is a well-known brand for high-quality optics. They have been manufacturing lenses for over 175 years, and their products are used in a variety of applications
Understanding the Limitations of Third-Party Anamorphic Adapters
Third-party anamorphic adapters offer a more affordable way to achieve a cinematic, widescreen look compared to dedicated anamorphic lenses.
Faux Anamorphic vs. Real Anamorphic: A Comparative Analysis
Anamorphic lenses have long been prized for their ability to create a distinctive, cinematic look.
Master Anamorphic Lenses on Full-Frame: Quality Concerns Addressed
Master anamorphic lenses are renowned for their ability to create a cinematic, widescreen look.