PLEASE SEND US YOUR CINEMA GEAR TO SELL.
WE NEED | SONY VENICE 2'S URGENTLY
WE NEED | ARRI 416
WE NEED | ARRI SR2
WE NEED | ARRI SR3
WE NEED | ARRI 35'S
WE NEED | ARRICAM LT
WE NEED | ARRI ALEXA MINI'S
WE NEED | ARRI ULTRA 16 SET
WE NEED | CINEVISION ANAMORPHIC SET
WE NEED | SIGNATURE PRIME SETS
WE NEED | CRANE (JUST CRANE AND NO FEET)
WE NEED | COOKE TLS SPEED PANCHRO

LDS: Integrating Non-ARRI Lenses into the Workflow

The ARRI Lens Data System (LDS) is renowned for its seamless integration with ARRI cameras and lenses. However, in professional cinematography, it’s common to use lenses from various manufacturers.

LDS: Integrating Non-ARRI Lenses into the Workflow

The ARRI Lens Data System (LDS) is renowned for its seamless integration with ARRI cameras and lenses. However, in professional cinematography, it’s common to use lenses from various manufacturers.

Zoom lenses part 2

Now, the choice. Should I buy a prime lens or zoom? Which would be more advantageous? This decision is met with fervent discussion among photographers who are uncertain of any definitive answer. Luckily there is no right answer – it depends on your chosen genre of photography as well as your unique creative vision!

Zoom Lenses: Part 1

each type of lens offer a markedly different experience. From zooms, primes and telephoto.

FJS International
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.