PLEASE SEND US YOUR CINEMA GEAR TO SELL.
WE NEED | Film Cameras
WE NEED | ARRI 416
WE NEED | ARRI SR2
WE NEED | ARRI SR3
PLEASE SEND US YOUR CINEMA GEAR TO SELL.
WE NEED | ARRI 35'S
WE NEED | ARRICAM LT
WE NEED | ARRI ALEXA MINI'S
WE NEED | ARRI ULTRA 16 SET
WE NEED | V Raptor XL S35
WE NEED | Need Sony Venice 1's

LDS: Integrating Non-ARRI Lenses into the Workflow

The ARRI Lens Data System (LDS) is renowned for its seamless integration with ARRI cameras and lenses. However, in professional cinematography, it’s common to use lenses from various manufacturers.

LDS: Integrating Non-ARRI Lenses into the Workflow

The ARRI Lens Data System (LDS) is renowned for its seamless integration with ARRI cameras and lenses. However, in professional cinematography, it’s common to use lenses from various manufacturers.

Zoom lenses part 2

Now, the choice. Should I buy a prime lens or zoom? Which would be more advantageous? This decision is met with fervent discussion among photographers who are uncertain of any definitive answer. Luckily there is no right answer – it depends on your chosen genre of photography as well as your unique creative vision!

Zoom Lenses: Part 1

each type of lens offer a markedly different experience. From zooms, primes and telephoto.