The Canon K-35 25-120mm T2.8 is a legendary vintage macro zoom lens that debuted in the early 1970s. Renowned for its unique optical character, it was the world’s first 35mm motion picture zoom to feature a macro function. In 1973, it earned Canon an Academy Award for its contribution to cinematography. It is frequently used today to provide a “filmic” look that takes the digital edge off modern sensors, perfectly complementing the famous K-35 prime lens set.
Key Features:
Fast T2.8 Constant Aperture: Maintains a bright, consistent exposure across the entire 5x zoom range, making it highly versatile for low-light environments.
Integrated Macro Function: Features a dedicated macro ring that allows for extreme close-up photography (as close as a few inches from the front element) without the need for diopters.
Vintage Aesthetic: Delivers the “K-35 look,” characterized by slightly lower contrast, warm skin tones, and a gentle roll-off between focus and bokeh.
Signature Optical Flares: Known for producing dramatic, textured flares—often in magenta and amber—due to its classic multi-layer coatings.
15-Blade Iris: Ensures the bokeh remains soft and circular even when the lens is stopped down, providing a pleasing aesthetic for out-of-focus highlights.
Super 35mm Coverage: Primarily designed for Super 35mm formats, though it can be used on Full Frame cameras when paired with an optical expander.
Canon CN-E 30-105mm T2.8 L S/SP is a lightweight, compact cinema zoom lens part of Canon’s EF Cinema lens line. Engineered for professional 4K production, it bridges the gap between wide-angle and telephoto work, making it a versatile choice for handheld shooting, documentaries, and tight-space cinematography.
Key Features and Benefits
Fast T2.8 Aperture: Maintains a consistent maximum brightness throughout the entire zoom range, ideal for low-light environments and consistent exposure.
4K Optical Performance: Features fluorite and aspherical elements to provide high resolution and contrast that exceeds 4K production standards.
Minimal Focus Breathing: Designed with geared inner focusing to virtually eliminate the shift in angle of view when pulling focus.
11-Blade Iris: Produces smooth, circular bokeh and a natural depth-of-field fall-off.
Lightweight & Compact: Weighing approximately 2.2 kg (4.8 lbs), it is significantly lighter than traditional cinema zooms, perfect for gimbal or shoulder-mounted work.
Standardized Build: Shared 114mm front diameter and gear positions with other Canon cine zooms allow for quick lens swaps without adjusting matte boxes or follow-focus rigs.
The Zeiss Super Speed S16 MKII Set of 5 is a legendary collection of fast Super 16mm cinema primes representing the second and highly refined iteration of Zeiss’s iconic Super Speed lineage, delivering the exceptional T1.3 maximum aperture, outstanding optical sharpness, and consistent color matching that have made the Super Speed series one of the most trusted and celebrated lens sets in professional S16 filmmaking history. This complete five-lens set — covering focal lengths of 9.5mm, 12mm, 16mm, 25mm, and 50mm — provides cinematographers with a comprehensive range from ultra-wide through short telephoto, purpose-built for Super 16mm cameras and offering the refined optical performance and low-light capability that the MKII generation brought to the Super Speed series. Compact, lightweight, and built to ARRI PL mount standards, these lenses remain a definitive choice for documentary, independent film, and television productions demanding the classic Zeiss optical character, reliable performance, and the distinctive cinematic rendering of true Super 16mm glass.
Key Features:
Each lens in the set features a fast T1.3 maximum aperture, making them exceptionally well-suited for handheld and available-light shooting across the most demanding low-light production environments.
The MKII designation reflects a refined second-generation iteration of the Super Speed lineage, featuring improved optical coatings, enhanced contrast rendition, and reduced focus breathing compared to the original MKII predecessors.
The five focal lengths — 9.5mm, 12mm, 16mm, 25mm, and 50mm — provide a comprehensive range covering ultra-wide through short telephoto perspectives, purpose-built for Super 16mm format acquisition.
All five lenses share consistent color rendition, contrast, and optical character, ensuring seamless interchangeability and a unified cinematic look throughout an entire production.
Built with a robust metal barrel construction and PL mount compatibility, these lenses integrate reliably with a wide range of professional S16 cinema camera bodies including the ARRI SR3 and ARRI 416.
Minimal focus breathing and smooth, well-damped focus and aperture rings make them highly practical for focus pullers working in fast-paced, run-and-gun, and documentary production environments.
The compact and lightweight form factor of the MKII set makes these lenses ideally suited for handheld, Steadicam, and gimbal configurations where size and weight are critical operational considerations.
The Arri Zeiss 11-110mm T2.2 Vario-Sonnar is a legendary 10x zoom lens engineered specifically for the Super 16mm format. Often considered the “gold standard” for S16 cinematography, it provides a versatile focal range that is equivalent to approximately 31.5mm in Full Frame terms. Known for its compact build and the classic “Zeiss Look,” it remains a staple for documentary and independent filmmakers seeking a vintage, organic aesthetic with professional mechanical precision.
Key Features:
Constant T2.2 Aperture: Maintains a fast and consistent exposure throughout the entire 10x zoom range, excelling in low-light conditions.
Super 16 Coverage: Designed specifically to cover the S16 image circle (14.5mm) without vignetting at any focal length.
Macro Functionality: Features a dedicated macro mode (primarily at the 11mm end) allowing for extreme close-ups right up to the front element.
Zeiss T Coating: Multi-layer coatings ensure rich color saturation, high contrast, and the classic punchy Zeiss flares while minimizing ghosting.
Cine-Standard Mechanics: Equipped with integrated 0.8 pitch gears for focus, iris, and zoom, making it compatible with modern follow-focus and motor systems.
Internal Focusing: The lens front does not rotate or change length during focusing, allowing for easy use of clip-on matte boxes and filters.
The ARRI Signature Zoom 65-300mm is a high-performance cine lens designed to bring the iconic “Signature Look” to long-focal-length cinematography. It is engineered for large-format sensors but remains fully compatible with Super 35, offering 8K resolving power and a consistent T2.8 aperture throughout its entire range.
Key Features:
The Signature Look: Delivers warm, natural skin tones and creamy, rounded bokeh that perfectly matches the ARRI Signature Prime series.
No Exposure Ramping: Maintains a constant T2.8 aperture across the entire zoom range, ensuring exposure stability during focal length adjustments.
Included 1.7x Extender: Comes with a dedicated extender that increases the reach to 510mm, providing extreme telephoto capabilities without sacrificing the lens’s character.
HDR and 8K Ready: Advanced optical coatings and internal light traps control flares and minimize contrast for high-dynamic-range (HDR) workflows and future-proof 8K resolution.
LDS-2 Metadata: Integrated Lens Data System (LDS-2) simplifies complex post-production and VFX tasks by communicating precise lens settings to the camera.
Versatile Sensor Coverage: Specifically designed for large-format sensors (up to 46mm image circle) while providing exceptional performance on Super 35 cameras.
Magnetic Rear Filter Holder: Compatible with Signature Prime rear filters, allowing cinematographers to add nets or specialty glass for unique, customized textures.
The Cooke Varotal/i FF 30-95mm T2.9 is a high-performance cine zoom lens designed to deliver the legendary “Cooke Look” for full-frame cinematography. Engineered to perform as a “zoomable prime,” it matches the optical characteristics, color palette, and resolution of Cooke’s renowned S7/i and S8/i prime series, making it an ideal companion for high-end digital cinema and film productions.
Key Features:
Full-Frame Coverage: Designed to cover large format sensors up to Vista Vision (46.31mm image circle).
Constant T2.9 Aperture: Provides a consistent exposure across the entire 30-95mm focal range.
Integrated /i Technology: Captures vital lens metadata (focus, iris, and zoom position) to streamline post-production and VFX workflows.
Precision Mechanics: Features a 280° focus rotation and industry-standard 0.8 MOD gearing for smooth, reliable operation with FIZ systems.
Standardized Design: A 114mm front diameter and consistent gear placement allow for quick lens changes without repositioning accessories.
Robust Build: Finished with a scratch-resistant PTFE hard-anodized coating for durability in harsh environments.
Cooke Varotal/i FF 85-215mm T2.9 is a modern, high-performance telephoto zoom lens designed to bring the legendary “Cooke Look” to full-frame digital cinema. Released in 2021, it is engineered to function as a “zoomable prime,” offering optical quality that matches high-end prime sets while providing the flexibility of a variable focal range.
The Signature “Cooke Look”: Delivers the classic, warm, and natural skin tones with a smooth fall-off and organic texture that cinematographers favor for high-end drama and commercials.
Full Frame Coverage: Designed to cover large-format sensors (up to a 46.31mm image circle), making it compatible with 8K cameras like the Sony VENICE 2, ARRI ALEXA 35, and RED V-Raptor.
Constant T2.9 Aperture: Maintains a fast and consistent aperture throughout the entire zoom range, ensuring no light loss during focal length changes.
Optical Consistency: Color-matched to the Cooke S7/i and S8/i prime lens ranges, allowing for seamless intercutting between zooms and primes in the same production.
Intelligent /i Technology: Equipped with electronics to record vital metadata (focus, iris, zoom position, and shading/distortion maps) for streamlined post-production and VFX workflows.
Minimal Focus Breathing: Virtually eliminates image shift during focus pulls, providing a more immersive, cinematic experience.
Rugged Build Quality: Features a scratch-resistant PTFE hard anodized finish and industry-standard 0.8 MOD gearing for use with follow-focus and wireless FIZ systems.
The 85-215mm serves as the telephoto anchor of the Varotal/i FF trio (which includes the 19-40mm and 30-95mm). Despite its professional-grade zoom range, it remains relatively compact at 8.8 lbs (4 kg), making it viable for handheld and Steadicam work. Each focus mark is individually calibrated and engraved on both sides of the barrel to assist camera assistants in demanding environments.
The Angenieux 25-250mm lens is a renowned cine zoom celebrated for its exceptional versatility, clean optics, and signature Angenieux look. Ideal for documentary, commercial, and narrative production, it offers smooth mechanical operation, consistent sharpness throughout the zoom range, and dependable performance even in demanding shooting environments. As a used unit, it remains a powerful and cost-effective addition to any filmmaker’s kit.
Key Features
Wide 25–250mm zoom range
Signature Angenieux cinematic rendering
Smooth, precise focus and zoom mechanics
Reliable performance for professional productions
Clean optics with excellent contrast
The Angénieux Optimo DP 16-42mm and 30-80mm T2.8 zoom duo represents a perfectly matched “Rouge” set, specifically optimized for digital cinema sensors and lightweight configurations. These lenses provide the legendary “Angénieux look”—characterized by organic skin tones and a delicate balance of contrast and resolution—across a comprehensive focal range that covers nearly every essential narrative perspective. Engineered for agility, this high-performance pair is the definitive choice for Steadicam, handheld, and gimbal-based cinematography, allowing DP’s to swap between wide-angle and telephoto setups without sacrificing the consistent T2.8 speed or the sophisticated optical character for which the Optimo series is world-renowned.
Key Features:
Consistent T2.8 Aperture: Maintains exposure and depth-of-field control across both lenses and their entire zoom ranges.
Matched Optical Character: Both lenses are color-calibrated to ensure seamless intercutting and a unified visual aesthetic.
Lightweight Precision Design: Optimized for mobile production, making them ideal for drones, gimbals, and handheld rigs.
Zero Breathing and Ramping: Sophisticated internal mechanics ensure framing remains stable during focus and zoom adjustments.
Standardized Gear Positions: Features uniform focus and iris gear placement for rapid lens changes with follow focus systems.
High Contrast and Resolution: Specifically engineered to maximize the performance of modern high-resolution digital cinema sensors.
Versatile Focal Coverage: The 16-42mm and 30-80mm combination provides a complete toolkit for varied storytelling needs.
The Canon EF-mount 17-120mm zoom lens is formally known as the Canon CINE-SERVO 17-120mm T2.95-3.9 (CN7x17 KAS S/E1).1 It’s a high-performance cinema/broadcast hybrid lens designed for professional shooting environments.
Versatile 17-120mm Focal RangeOffers a 7x zoom ratio, covering wide-angle to telephoto for diverse shooting needs (documentary, drama, broadcast, etc.).
High Optical Performance: Supports 4K resolution (and in newer versions, up to 8K) with high optical quality across the entire zoom range.
Fast Aperture: Features a maximum aperture of T2.95 (at 17-91mm) to T3.9 (at 120mm), offering good low-light performance and shallow depth of field control.
Detachable Servo Drive Unit: Includes an ENG-style servo drive unit for electronic control of zoom, focus, and iris (broadcast style). This unit is removable for manual, cinema-style shooting (using standard cine accessories).
Super 35mm Coverage: Designed to cover the Super 35mm sensor format, a common standard in digital cinema cameras.
Cinema Features: Includes an 11-blade iris for attractive bokeh, cine-standard gear pitches (0.8 and 0.5 MOD), and focus marks on both sides of the barrel
Metadata Output: Features a 16-bit encoder to output high-resolution metadata for use in virtual studio systems.
Rugged Design: Built to be durable, weatherproof, and shockproof for reliable use in challenging environments.
The Fujinon 19-90mm T2.9 Cabrio Zoom Lens is a versatile, lightweight PL-mount zoom lens designed for Super 35mm digital cinema cameras. Its key feature is the exclusive detachable servo drive unit, earning it the “Cabrio” (convertible) name, allowing it to be used as a traditional cinema lens or as an ENG-style (Electronic News Gathering) lens. It’s known for covering a long focal range while remaining relatively lightweight.
key features:
Detachable Digital Servo Drive Unit: Flexibility to switch between traditional cinema-style control (with standard cine motors) and ENG-style operation (with servo handgrip for zoom/focus/iris).
Wide Focal Range (19-90mm): Offers a highly versatile zoom ratio in a single lightweight lens, reducing the need for lens changes.
T2.9 Maximum Aperture: Excellent light transmission and depth of field control for cinematic shallow focus and strong low-light performance.
LDS and /i Technology Compatibility: Provides accurate lens metadata (zoom, iris, focus position) to the camera for post-production (VFX, 3D modeling) and on-set displays.
Macro Focus Function: Allows for closer minimum focus distance, enabling extreme close-up shots without needing a separate macro prime lens.
9-Blade Iris: Creates a natural and pleasing bokeh (out-of-focus background blur).
Flange Focal Distance Adjustment: Allows for precise back focus adjustment in the field without shims, ensuring optimal sharpness.
The Angenieux Optimo is a highly-regarded, compact and lightweight cine zoom lens, often referred to as a “variable prime” due to its exceptional optical performance. It’s designed to cover Super35 format sensors, making it an industry standard, particularly for applications requiring mobility, such as handheld or Steadicam work. It delivers superb image quality, consistent across its zoom range, and features robust mechanical design for professional use.
key features:
T2.6 Constant Aperture: Excellent low-light performance and shallow depth of field; matches the speed of many prime lenses.
Low Distortion & Minimal Breathing: Maintains image geometry and composition consistency across focal lengths and focus pulls.
“Angenieux Look”: Perfect homogeneity of color, contrast, and resolution, providing a highly sought-after cinematic aesthetic.
Compact & Lightweight (approx. 1.92 kg / 4.2 lbs): Ideal for Steadicam, drone, and handheld operation, reducing operator fatigue.
Internal Focus & Zoom: Maintains a constant lens length and center of gravity, crucial for stability rigs and quick lens changes.
Interchangeable Mount System (PL standard): Versatility with ability to swap to Panavision or Canon EF mounts.
Close Focus (2 ft / 0.6 m): Allows for extreme close-up shots.
Precise Focus Ring: 320° focus rotation with over 50 focus witness marks for highly accurate and repeatable focus pulls.
The Fujinon 18-85mm T2 is a professional cine zoom lens designed for high-end film and television production. Known for its precision optics, consistent T2 aperture, and minimal breathing, it delivers exceptional image quality across its versatile focal range. This lens is part of Fujifilm’s premier HK series, offering superior performance for 4K and beyond.
Key Features:
Wide to telephoto range (18–85mm): Covers a broad shooting spectrum without changing lenses.
Constant T2 aperture: Maintains exposure and depth of field consistency throughout the zoom range.
Cinematic optical quality: Delivers sharp, high-contrast images with natural color rendition.
Minimal breathing: Ensures stable framing during focus pulls.
Precision build: Rugged, all-metal housing for professional reliability.
Uniform gear positions: Matches other Fujinon HK lenses for efficient lens changes on set.
4K and beyond resolution: Supports modern high-resolution cinematography.
The Angenieux Optimo 15-40mm is a premium lightweight wide-angle zoom lens designed for high-end film and digital cinematography. Known for its outstanding optical performance, smooth mechanics, and compact build, it delivers sharp, consistent images with minimal distortion across the zoom range. It’s ideal for handheld, Steadicam, and gimbal work where flexibility and precision are essential.
Key Features
Wide-Angle Zoom Range: Offers a versatile focal range for wide establishing shots, dynamic close-ups, and handheld work, all in one lens.
Constant Maximum Aperture: Ensures consistent exposure across the entire zoom range (no ramping) and excellent low-light performance with a beautiful, shallow depth of field.
Compact and Lightweight: Ideal for agile shooting scenarios like handheld, Steadicam, gimbals, and drones, reducing operator fatigue and increasing versatility.
Superb Optical Quality: Delivers exceptional sharpness, perfect homogeneity of color, contrast, and resolution, often rivaling prime lenses.
Minimal Optical Imperfections: Virtually no focus breathing and very low distortion, crucial for professional cinematography.
Consistent Mechanics: Shares an identical center of gravity and consistent placement of focus, iris, and zoom gears with other lightweight Optimo zooms, enabling fast, simple lens changes on set.
Cinema Standard Design: Features independent, manual control rings with standard 0.8 MOD gear teeth and a focus rotation for precise focus pulling.
Temperature Stability: Designed with passive athermalization to compensate for temperature drifts, maintaining focus consistency across varying shooting environments.
The K35 Macro Zoom Lens K5x25 25–120mm T2.8 is a high-performance cine lens designed for professional filmmakers and photographers seeking exceptional image clarity and versatility. With a constant T2.8 aperture throughout its zoom range, this lens delivers consistent exposure and beautiful depth of field from wide to telephoto shots. Engineered for precision, it offers smooth focus and zoom control, making it ideal for both close-up macro work and dynamic cinematography in diverse shooting environments.
Features:
Focal length: 25–120mm zoom range
Constant T2.8 aperture for uniform exposure
Macro capability for detailed close-up shots
High-resolution optics with minimal distortion
Smooth manual focus and zoom control
Robust, weather-sealed construction for professional use
Compatible with full-frame and Super 35 sensors
Industry-standard gear rings for follow focus systems
Coated elements for superior contrast and reduced flare
Designed for cinematic and high-end video production
The Angenieux Optimo Style 25-250mm is a high-performance 10x cine zoom lens that is the 4th generation of Angenieux’s signature 25-250mm focal range, optimized for Super35 (S35) digital cinema cameras. It is part of the Optimo Style series, offering a blend of acclaimed Optimo image quality and modern features.
Features:
Versatile 10x Zoom Range: Covers a wide to telephoto focal length of 25 to 250mm.
Constant Aperture: Maintains a consistent maximum aperture of T3.5 throughout the entire zoom range for reliable exposure control.
High Optical Quality: Optimized for 4K+ resolution with minimal distortion, low chromatic aberration, and well-controlled breathing.
Cinematic “Optimo Look”: Color reproduction is designed to match the highly acclaimed Optimo lens series for seamless integration with other Angenieux lenses.
Internal Mechanics: Features internal focus and zoom mechanisms, meaning the lens length and volume remain constant during operation.
Robust and Precise Build: Features the Angenieux rod guiding system for robust and precise zoom and focus mechanics, suitable for professional use.
Interchangeable Mounts: Available in PL mount but is easily interchangeable with Panavision PV and Canon EF mounts for flexibility.
The Angénieux Optimo Style 25-250mm T3.5 is the fourth-generation evolution of the legendary 10x zoom focal range that has served the motion picture industry for over 50 years. Specifically re-engineered for Super 35mm digital sensors, this versatile “studio zoom” offers a sophisticated balance of modern 4K+ resolution and the organic, cinematic texture known as the “Angénieux look.” By providing a constant T3.5 aperture and perfectly matched colorimetry to the high-end Optimo series, it serves as a highly efficient alternative to carrying an entire set of primes, making it a reliable workhorse for feature films, documentaries, and high-end commercials where focal flexibility and optical precision are paramount.
Key Features:
Versatile 10x Zoom Range: Covers 25mm to 250mm, providing a comprehensive toolkit for everything from wide establishing shots to extreme telephoto close-ups.
Constant T3.5 Aperture: Maintains consistent exposure throughout the entire zoom range with no iris ramping.
Legendary “Angénieux Look”: Delivers organic skin tones, smooth contrast, and high-resolution imagery that exceeds 4K standards.
Advanced /i Technology: Integrated digital metadata system provides real-time data for focus, iris, and zoom to assist in VFX workflows.
Internal Focus & Zoom: Robust mechanical design ensures no change in physical lens volume or front-element rotation during operation.
Minimal Focus Breathing: Sophisticated optics keep the image stable and framing consistent during significant focus pulls.
Extender Compatibility: Fully compatible with Optimo 1.4x and 2x extenders to reach up to a 500mm focal length.
Includes:
ANGENIEUX EZ-1 30-90mm T2 S35/45-135mm T3 FF
ANGENIEUX EZ-2 15-40mm T2 S35/22-60mm T3 FF
Key Features:
Interchangeable Rear Optics (IRO) Technology: This is the most significant feature. A simple swap of the rear optical block allows the lens to convert between two different image formats: Super 35mm (S35) and Full-Frame/VistaVision. This makes them highly adaptable for a wide range of cameras.
Dual Focal Lengths & Apertures: The IRO technology results in a different focal length and maximum aperture for each format.
Fast & Consistent Aperture: Both lenses offer a very fast T2.0 aperture in their native S35 configuration, which is great for low-light shooting. The aperture remains constant across the entire zoom range, meaning no light “ramping” when you zoom in or out.
Cinema-Style Mechanics: The lenses have three independent control rings for focus, iris, and zoom, each with industry-standard 0.8 MOD gear teeth for compatibility with follow focus and lens control motors.
Internal Zoom and Focus: The lens’s physical length does not change when zooming or focusing, which is ideal for working with matte boxes and other accessories.
Interchangeable Mounts: They come standard with a PL mount but can be converted to other popular camera mounts like Sony E, Canon EF, and RF with optional mount kits.
Lightweight and Compact: Weighing around 4.7 pounds, these lenses are practical for handheld work, gimbals, and drone setups, a notable advantage for zoom lenses of this quality.
The ARRI Alura 30-80mm T2.8 is a high-performance, lightweight cinema zoom lens developed through a collaboration between ARRI and Fujinon. It’s designed to be a companion to the Alura 15.5-45mm, creating a matched set of lightweight zooms for versatile filmmaking.
Key Features and Benefits
Exceptional Optical Quality: Delivers high resolution and contrast for 2K to 4K+ output, with minimal chromatic aberration, low distortion, and a multilayer coating to reduce flares.
Lightweight and Compact: Its design makes it well-suited for a variety of shooting styles, including handheld, Steadicam, and 3D rigs, without sacrificing performance.
Film-Style Ergonomics: Features a robust build, PL mount, and large, easy-to-read focus scales on both sides, making it efficient for professional camera crews.
Consistent Aperture: A fast T2.8 aperture is maintained throughout the entire zoom range, providing consistent exposure and shallow depth of field control.
ARRI Lens Data System (LDS): This system automatically transmits lens metadata to compatible cameras, which is invaluable for on-set operations and post-production, especially for VFX and 3D work.
Matched Optics: Engineered to match the color characteristics and handling of other ARRI zoom and prime lenses, ensuring a consistent visual aesthetic across your lens package.
The ARRI Alura 15-45mm is a high-quality, lightweight wide-angle zoom lens designed for professional digital and film camera systems. It is the result of a collaboration between ARRI and Fujinon, combining robust construction with excellent optical performance.
Key Features and Benefits
Outstanding Optical Performance: Provides high resolution and contrast for 2K to 4K+ camera outputs, with minimal breathing, low distortion, and a multilayer coating to reduce flares.
Lightweight and Compact: Its design makes it ideal for handheld, Steadicam, and 3D rig work, offering versatility on set.
Film-Style Ergonomics: Features robust construction, a PL mount, and large, easy-to-read focus scales on both sides for efficient focus pulling.
ARRI Lens Data System (LDS): Automatically provides lens metadata to compatible cameras, which streamlines on-set operations and post-production tasks like VFX and 3D work.
Broad Compatibility: Optimized for digital cameras but also compatible with film cameras, and its large 31.5mm image circle covers all current Super35-sized sensors.
Matched Optics: Designed with color characteristics that match other ARRI zoom and prime lenses, ensuring a consistent look across different lenses.
Wide 12x Zoom Range: Covers a broad spectrum from wide-angle (24mm) to long telephoto (290mm), reducing the need for frequent lens changes.
Constant T2.8 Aperture: Maintains a bright T2.8 aperture throughout the entire zoom range, ensuring consistent exposure and excellent low-light performance with no “ramping.”
Superb Optical Quality: Delivers sharp images with excellent contrast and color rendition. Often considered a “variable prime” due to its high image fidelity across all focal lengths, rivaling prime lenses.
Minimal Breathing and Distortion: Engineered to significantly reduce focus breathing and optical distortion, ensuring professional cinematic results.
Internal Focus Design: The lens maintains a constant physical length during focus pulls, which is crucial for smooth operation with matte boxes and other accessories.
Precise Focus Control: Features a wide 327° focus rotation with over 70 accurate witness marks, allowing for very precise and repeatable focus pulls. Focus scales can be interchanged between feet and meters.
Robust and Reliable Mechanics: Built with durable, high-quality materials and a robust zoom/focus mechanism designed for the demands of professional production environments.
PL Mount Compatibility: Comes standard with a PL mount, making it compatible with most professional cinema cameras. Optional Canon EF and Panavision mounts may be available.
Academy 35mm Sensor Coverage: Designed to cover Academy 35mm sensors. With optional 1.4x or 2x Optimo extenders, it can extend coverage to Super 35 and even Full Frame/VistaVision (depending on the specific lens model, like the Optimo Ultra 12x variant).
Wide Operating Temperature: Designed to perform reliably across a broad temperature range, from cold to hot environments.
The Canon Cine Servo 50-1000mm T5.0-8.9 is an extraordinary super-telephoto cinema zoom lens that redefines what is possible in a single optic, delivering a massive 20:1 zoom ratio spanning from a standard 50mm to an astounding 1000mm telephoto reach. Designed for demanding broadcast, documentary, wildlife, and large-scale live event productions, this lens integrates Canon’s proprietary Cine Servo drive system, enabling smooth, precise, motorized zoom and focus control. Built around a robust PL and EF dual-mount architecture, it covers Super 35mm sensors and features Canon’s renowned optical engineering with fluorite and UD lens elements for superior chromatic aberration control. A true one-lens solution for productions requiring extreme reach and cinematic image quality.
Key Features:
Massive 20:1 zoom ratio spans 50mm to 1000mm focal length.
Integrated Cine Servo drive enables smooth motorized zoom and focus control.
Fluorite and UD elements deliver superior chromatic aberration correction throughout.
Covers Super 35mm sensors with PL and EF dual-mount compatibility.
Ideal for wildlife, broadcast, live events, and long-range documentary production.
Versatile Zoom Range: Covers a wide focal length range of 15mm to 40mm (or 16-40mm for some models), suitable for diverse shooting scenarios like wide shots, landscapes, and even portraits.
Fast Constant Aperture: Offers a constant maximum aperture of T2.6 (or T2.0 for the EZ-2 series) throughout the zoom range, enabling excellent low-light performance and precise depth of field control, rivaling prime lenses.
Superior Image Quality: Delivers sharp details, natural colors, impressive contrast, and minimal distortion, with no ramping and minimal focus breathing.
Compact and Lightweight Design: Weighing around 4.2 lbs (1.9 kg), it’s ideal for handheld, Steadicam, and gimbal use, promoting agility on set.
Durable Construction: Built with a rugged design and often featuring temperature compensation for use in demanding environments (-20°C to +45°C).
Precise Manual Control: Features independent focus, iris, and zoom control rings with cinema-standard 0.8 MOD gear teeth and a 320° focus rotation for accurate adjustments.
Interchangeable Mounts: While commonly available in PL mount, some versions (like the EZ series) offer interchangeable mounts (e.g., Canon EF, Sony E, Panavision) for broader camera compatibility.
Internal Focus and Zoom: Maintains a consistent lens length during operation, simplifying rigging and handling.
Features:
Expansive Zoom Range: A significant 12x zoom from 24mm to 290mm, offering immense flexibility for various shots without frequent lens changes.
Fast T2.8 Aperture: A constant T2.8 maximum aperture across the entire zoom range, ensuring excellent low-light performance and consistent exposure.
No Ramping: Maintains a constant T-stop (aperture) throughout the zoom, crucial for smooth, continuous exposure during zoom ins and outs.
Superb Image Quality: Delivers sharp, high-resolution images with excellent colorimetry and contrast, often rivaling prime lenses. Considered a “variable prime” due to its optical quality.
Minimal Breathing: Focus breathing is virtually eliminated, preventing distracting changes in the field of view during focus pulls.
Internal Focus Design: The lens maintains a constant physical length when focusing, making it easier to work with matte boxes and other accessories.
Precise Focus Control: Features a wide 327° focus rotation with over 70 precise witness marks, allowing for accurate and repeatable focus pulls.
Versatile Sensor Coverage: Covers 35mm Academy sensor sizes (up to 30mm diagonal). Can be expanded to Super 35 (and even Full Frame/VistaVision with the Optimo Ultra 12X version and extenders).
Robust Construction: Built with durable, lightweight materials and designed for extreme production environments, including a wide operating temperature range.
PL Mount Standard: Comes with a standard ARRI PL mount, with options for other mounts like Canon EF (or Panavision with conversion).
Accessory Compatibility: Designed to integrate seamlessly with industry-standard zoom motors, follow focus units, and matte boxes (162mm front diameter).
Features:
4K Production Ready: Engineered to deliver sharp, consistent images for cameras shooting in 4K resolution (4096 x 2160 pixels) and beyond.
Super 35/APS-C Coverage: Designed to cover Super 35mm-equivalent and APS-C sized sensors, making it compatible with a wide range of cinema cameras.
Constant T2.8 Aperture: Maintains a bright T2.8 aperture throughout the entire zoom range, ideal for low-light scenarios and consistent exposure while zooming.
Beautiful Bokeh: Features an 11-blade iris diaphragm for smooth, attractive out-of-focus areas, enhancing cinematic depth of field.
Minimized Focus Breathing: Geared inner focusing mechanism virtually eliminates focus-induced changes in the angle of view, maintaining a stable image.
Precise Focus Control: Offers approximately 300 degrees of focus rotation, allowing for incredibly accurate and subtle focus pulls.
Compact & Lightweight: Designed for mobility, weighing in at around 4.8 lbs (2.2 kg), making it suitable for handheld and Steadicam setups.
Reduced Minimum Object Distance (MOD): A short MOD of 23.6 inches (0.6 meters) enables tight close-ups and allows for shooting in confined spaces.
High-Quality Optics: Incorporates fluorite and large aspherical lens elements to ensure sharp, consistent imagery and minimize aberrations across the zoom range.
Durable Cine Build: Features robust construction with control rings designed for consistent operating torque and a covered flange-back adjustment mechanism for reliable performance.
Clear, Dual-Sided Markings: Focus, zoom, and iris markings are angled and printed on both sides of the barrel for easy readability from various camera positions, and can be switched between standard and metric.
Features:
Expansive Focal Range: 65-300mm natively.
Constant T2.8 Aperture: Maintains T2.8 throughout the entire zoom range (without extender), no ramping.
Large Format Coverage: Designed to cover full-frame and VistaVision sensors, also compatible with Super 35.
Signature Look: Matches the aesthetic of ARRI Signature Primes for consistent imagery.
Natural Skin Tones & Bokeh: Delivers pleasing, organic images with smooth focus fall-off.
Controlled Flares: Engineered for controlled, artistic flares, ideal for HDR and lower contrast scenes.
LPL Mount: Utilizes ARRI’s Large Positive Locking mount for robust and data-rich connection.
LDS-2 Lens Data System: Provides extensive metadata for efficient post-production and VFX.
8K Resolution Ready: Future-proofed for high-resolution capture.
Durable Build: Lightweight yet robust magnesium barrel construction.
Integrated Handle: Features a built-in, detachable handle for secure grip and ease of use.
Rear Filter Compatibility: Works with the magnetic Signature Prime rear net holder for custom diffusion.
Minimal Chromatic Aberration: Designed to minimize color fringing.
No Visible Focus Breathing: Maintains consistent framing when adjusting focus.
Close Focus: Excellent close-focus distance for detailed shots.
Features:
Signature Look: Delivers the same organic, flattering skin tones and smooth bokeh as the Signature Primes.
Large-Format Coverage: Designed for full-frame and large-format sensors, but also compatible with Super 35.
Consistent T2.8 Aperture: Maintains a fast T2.8 maximum aperture across the entire zoom range, no ramping.
Parfocal Design: Focus stays consistent when zooming, ideal for smooth, uninterrupted shots.
Minimal Chromatic Aberration: Produces clean images with minimal color fringing.
Controlled Flaring: Manages flare effects for beautiful, cinematic results, even in HDR.
LPL Mount: Utilizes the robust ARRI LPL mount, an open standard for large-format cinematography.
LDS-2 Lens Data System: Provides detailed lens metadata for efficient post-production and VFX.
Customizable Diffusion: Features a rear magnetic filter holder for experimenting with various diffusion materials.
Durable and Lightweight: Constructed with a magnesium barrel for a robust yet relatively light build.
8K+ Resolution Ready: Future-proofs your productions with optimal image quality for high-resolution workflows.
Close Focus: Allows for close-up shots with a minimum marked object distance of 0.7m (2’6″) from the sensor plane.
The ZEISS Signature Prime Zoom Lens 16-32mm is a high-performance cine zoom lens designed for professional filmmaking. It’s part of ARRI’s Signature Lens family and is highly regarded for its exceptional image quality and cinematic look.
Key Features and Benefits:
Matching Signature Primes Look: Designed to seamlessly integrate with ARRI’s Signature Primes, ensuring a consistent visual aesthetic across your footage, with natural skin tones and elegant out-of-focus highlights.
Large Format and Super 35 Coverage: Covers a wide range of sensor sizes, from Super 35 to full-frame/large format, offering versatility for various camera systems.
Fast T2.8 Constant Aperture: Maintains a bright T2.8 maximum aperture throughout the entire zoom range, eliminating the need for “ramping” and providing consistent exposure.
Future-Proof 8K+ Resolution: Delivers optimal image quality suitable for 8K and higher resolution productions, ensuring long-term value.
Controlled Flares and Lower Contrast: Features advanced coatings and light baffling to control flares for HDR compatibility and produce images with open shadows.
ARRI LPL Mount & LDS-2 Data System: Utilizes the industry-standard ARRI LPL mount for robust connection and integrates with the LDS-2 lens data system for precise metadata, streamlining post-production.
Lightweight and Durable: Constructed with a high-performance magnesium barrel, making it relatively lightweight for its class while maintaining durability.
Close Focus Capability: Offers a short minimum focus distance for capturing detailed close-up shots.
Consistent Performance: Ensures uniform image quality, sharpness, and color rendition throughout the zoom and iris ranges.
Hybrid Design for Cinema and Broadcast: Blends the optical quality and aesthetics of a cinema lens with the functionality and ease of use of a broadcast (ENG) servo zoom, making it highly versatile for various production styles, from documentaries to live events.
Wide and Flexible Zoom Range: Offers a 7x zoom magnification with a focal length of 17mm to 120mm, providing a broad range of shots without frequent lens changes.
4K/8K Optical Performance: Designed to deliver high-resolution images across the entire zoom range, supporting modern 4K and even 8K cameras with Super 35mm sensors.
Detachable Servo Drive Unit: Features a removable servo unit for zoom, focus, and iris control, allowing for seamless transitions between motorized broadcast-style operation and manual cinema-style shooting.
Smooth Bokeh: Equipped with an 11-blade iris that creates natural-looking, pleasing out-of-focus areas (bokeh).
Multiple Mount Options: Available in EF, PL, and more recently, RF mounts, ensuring compatibility with a wide array of professional cameras.
Advanced Communication: Supports various metadata output protocols (including Canon’s own, Cooke /i Technology, and ZEISS eXtended Data on some versions) for virtual production, VFX workflows, and streamlined lens data.
Focus Breathing Compensation: Newer models include this feature to minimize image distortion during focus pulls, maintaining stable framing.
Durability and Ergonomics: Built ruggedly for professional use, with ergonomic controls designed for comfortable operation.
Versatile Zoom Range: Offers a flexible 30-90mm T2.0 (Super 35) and 45-135mm T2.9 (Full Frame/VV) zoom range, making it suitable for a wide variety of productions.
Interchangeable Rear Optics System (IRO Technology™): This unique feature allows users to easily swap the rear optical assembly between Super 35 and Full Frame/VV sensor coverage, providing exceptional adaptability and future-proofing.
Lightweight and Compact: Designed for portability and ease of use, even in challenging shooting environments.
Consistent T-Stop: Maintains a constant aperture throughout the zoom range, simplifying exposure control.
High Optical Performance: Delivers excellent image quality with sharp resolution, good contrast, and pleasing bokeh, characteristic of Angenieux lenses.
Robust and Reliable: Built to withstand the rigors of professional production.
Cost-Effective Solution: Offers the renowned Angenieux quality and versatility at a more accessible price point compared to some of their higher-end cinema zooms.
Exceptional Zoom Range: Boasts an impressive 20x zoom ratio, covering an extremely wide focal length from 50mm to 1000mm, making it highly versatile for various productions.
4K Optical Performance: Designed to deliver superb optical quality, supporting 4K production with high resolution and contrast throughout its zoom range.
Detachable Drive Unit: Features a detachable servo drive unit, allowing for use as a traditional cinema lens (manual operation) or a ENG/EFP style lens (with servo control).
PL Mount: Equipped with an industry-standard PL mount for compatibility with a wide range of professional cinema cameras.
Cinema and Broadcast Hybrid: Offers the control and feel of a broadcast lens combined with the optical performance and robust build of a cinema lens, suitable for documentaries, live events, sports, and scripted productions.
Image Stabilization: Incorporates optical image stabilization to help reduce shake, especially critical at longer focal lengths.
Compact and Lightweight (for its class): While still a substantial lens, it’s engineered to be relatively compact and lightweight for its extensive zoom capabilities.
Versatile Zoom Range: Offers a wide 30-300mm focal length, ideal for a variety of shooting scenarios from wide shots to telephoto.
4K Optical Performance: Designed to deliver exceptional image quality, meeting and exceeding 4K production standards.
Cinema-Standard Design: Features an 11-blade aperture for attractive bokeh and consistent color balance across the CN-E line.
Robust & Durable Construction: Built for professional cinema production with a sturdy, reliable design.
Reduced Focus Breathing: Engineered to minimize image shifting during focus pulls, maintaining shot integrity.
EF Mount Compatibility: Seamless integration with Canon EOS Cinema cameras and other EF-mount cameras.
User-Friendly Operation: Clearly marked barrel for easy focus, zoom, and iris adjustments.
Versatile Zoom Range: Covers a highly useful focal length range for various production needs, from wider shots to tighter framing.
High Optical Performance: Delivers excellent image quality with sharp resolution, minimal distortion, and well-controlled aberrations, characteristic of ARRI/Fujinon collaborations.
Consistent Image Quality: Maintains consistent performance across the entire zoom range and at different aperture settings.
Robust & Reliable Construction: Built to withstand the rigors of professional production environments, ensuring durability and longevity.
Cinema-Grade Mechanics: Features smooth, precise focus, zoom, and iris rings, optimized for professional film and television production.
Compact & Lightweight: Relatively small and light for a cinema zoom, making it suitable for handheld, Steadicam, or gimbal work.
ARRI Look Compatibility: Designed to integrate seamlessly into ARRI camera workflows, complementing the ARRI aesthetic.
The Angenieux EZ-2 is a compact and versatile zoom lens designed for Super 35 and full-frame camera formats, offering cinematographers flexibility and high optical quality.
Key Features and Benefits:
Versatile Format Coverage: Designed to be easily re-configured between Super 35 (S35) and Full Frame (FF) formats, making it adaptable to various camera systems and production needs. This is achieved through interchangeable rear optical groups.
Constant Aperture: Maintains a T3.0 (S35) or T3.2 (FF) constant aperture throughout its zoom range, ensuring consistent exposure and excellent low-light performance.
Lightweight and Compact Design: Relatively lightweight and small for a cinema zoom, making it suitable for handheld, gimbal, and drone work where size and weight are critical.
High Optical Performance: Delivers sharp images with excellent contrast and color rendition, characteristic of Angenieux lenses. Minimized breathing and distortion.
Internal Focus: The lens maintains its physical length during focusing, which is beneficial for accessories like matte boxes.
Robust Construction: Built with a durable, all-metal housing for professional use and longevity.
Modular Design: Allows for easy servicing and format conversion.
The Angénieux Optimo 12x 24-290mm T2.8 is the definitive industry-standard zoom, legendary for its presence on the world’s most prestigious film sets and high-end commercial productions. Offering an extraordinary 12x focal range that effectively replaces an entire kit of prime lenses, this powerhouse delivers the iconic “Angénieux look”—a sophisticated blend of high contrast, superb resolution, and organic skin tones. Despite its massive focal reach, it maintains a fast and constant T2.8 aperture throughout the entire zoom range, providing cinematographers with unparalleled creative flexibility and optical precision without the need for frequent lens changes or exposure adjustments.
Key Features:
Massive 12x Zoom Range: Covers 24mm to 290mm, providing ultimate versatility for everything from wide establishing shots to extreme telephoto.
Fast and Constant T2.8 Aperture: Maintains a consistent exposure across the entire focal range with no iris ramping.
Superior Optical Performance: Engineered to provide exceptional image quality with high contrast and resolution that exceeds 4K standards.
No Focus Breathing: Advanced internal mechanics ensure that framing remains perfectly stable during dramatic focus pulls.
Legendary Color Matching: Calibrated to match the entire Optimo series for a consistent visual narrative across multiple cameras.
Robust Mechanical Design: Built for the rigors of professional sets with precise, smooth focus, iris, and zoom gears.
Extender Compatibility: Seamlessly works with Optimo 1.4x and 2x extenders for a reach of up to 580mm while maintaining high image quality.
Includes:
Pelican Hard Case
The Angénieux Optimo DP 16-42mm and 30-80mm T2.8 zoom duo represents a perfectly matched “Rouge” set, specifically optimized for digital cinema sensors and lightweight configurations. These lenses provide the legendary “Angénieux look”—characterized by organic skin tones and a delicate balance of contrast and resolution—across a comprehensive focal range that covers nearly every essential narrative perspective. Engineered for agility, this high-performance pair is the definitive choice for Steadicam, handheld, and gimbal-based cinematography, allowing DP’s to swap between wide-angle and telephoto setups without sacrificing the consistent T2.8 speed or the sophisticated optical character for which the Optimo series is world-renowned.
Key Features:
Consistent T2.8 Aperture: Maintains exposure and depth-of-field control across both lenses and their entire zoom ranges.
Matched Optical Character: Both lenses are color-calibrated to ensure seamless intercutting and a unified visual aesthetic.
Lightweight Precision Design: Optimized for mobile production, making them ideal for drones, gimbals, and handheld rigs.
Zero Breathing and Ramping: Sophisticated internal mechanics ensure framing remains stable during focus and zoom adjustments.
Standardized Gear Positions: Features uniform focus and iris gear placement for rapid lens changes with follow focus systems.
High Contrast and Resolution: Specifically engineered to maximize the performance of modern high-resolution digital cinema sensors.
Versatile Focal Coverage: The 16-42mm and 30-80mm combination provides a complete toolkit for varied storytelling needs.
Fast T2.0 Aperture: Allows for excellent low-light performance and shallow depth of field.
“Cooke Look”: Renowned for its warm, pleasing image rendition and smooth bokeh.
Super 35 Coverage: Designed to cover Super 35mm sensors, a widely used cinema format.
Close Focus: Offers a very close minimum focus distance, enhancing creative possibilities.
/i Technology: Provides lens metadata for precise recording of focus, aperture, and other settings.
High Optical Performance: Superior control of flare, distortion, and spherical aberrations.
Robust Build: Designed for professional use, ensuring reliability and durability.
Angenieux HR 7-81mm t/2.4 Legendary s16 high contrast (HD) zoom super 16mm 5.3-61mm B4 T/1.9
This lens is SHARP and with the PL Mount (MTF brand adapter) it loses less than 1 stop.
It fully covers s16 throughout the range.
The benefit of the B4 model is the ability to change back focus with one quick touch for different camera mounts and this PL adapter is top of its class for optical clarity and correcting the B4 chip design.
The Arri Super 16 Vario-Sonnar 11-110mm T2.2 is a high-quality zoom lens designed for Super 16mm film cameras. Manufactured in cooperation with Zeiss, it delivers exceptional optical performance, making it a favorite among filmmakers. Its wide zoom range and fast aperture provide flexibility and creative control in various shooting conditions. The lens is known for its sharpness, clarity, and robust construction, making it a reliable tool for professional film production.
Key Features and Benefits:
Versatile Zoom Range: 11-110mm provides a wide range of focal lengths, suitable for diverse shooting scenarios.
Fast T2.2 Aperture: Allows for excellent low-light performance and shallow depth of field.
Super 16 Format: Designed specifically for Super 16mm film, ensuring optimal image quality.
High Optical Quality: Zeiss optics deliver sharp, clear images with minimal distortion.
Robust Build: Engineered for professional use, offering durability and reliability.
Industry Standard: Widely used and respected within the film industry.
Versatile Zoom Range: Offers a wide range of focal lengths, allowing for flexibility in various shooting situations.
High Optical Quality: Delivers sharp images with low chromatic aberration and distortion, ideal for high-performance digital cameras.
Robust Mechanics: Features precise zoom and focus mechanics with Angénieux’s unique rod guiding system design for durability and accuracy.
User-Friendly Design: Includes precise focus marks, an interchangeable focus scale ring, and an integrated filter holder for convenient operation.
Zeiss 11-110mm zoom lens is a high-quality, versatile lens designed for Super 16 filmmaking. Its wide focal range, fast aperture, and close focusing capabilities make it suitable for various shooting situations. While it’s a vintage lens, it’s still respected for its image quality and robust build.
Versatile Zoom Range: 11-110mm focal length, ideal for various shooting scenarios.
Fast Aperture: T2.2 aperture for excellent low-light performance and shallow depth of field.
High Image Quality: Zeiss optics for sharpness, contrast, and color rendition.
Close Focusing: Macro capabilities for close-up shots.
Robust Build: Durable construction for professional use.
DZOfilm Pictor Zoom Lens 20-55, T2.8 (Black) (PL+EF Mount)
DZOfilm Pictor Zoom Lens 50-125, T2.8 (Black) (PL+EF Mount)
Included accessories:
● 1x DZOfilm 20-55mm Super35 Parfocal Zoom Lens
● 1x DZOfilm Hardcase for Pictor Zoom Package
● Interchangeable PL mount; Canon EF included
Key features and benefits:
Parfocal design: Maintains focus throughout the zoom range.
Minimal focus breathing: Ensures smooth and natural focus transitions.
16-blade iris: Creates round, soft bokeh for a cinematic look.
Versatile zoom range: Offers flexibility for various shooting scenarios.
Durable and compact: Built for professional use while remaining portable.
Exceptional image quality: Delivers sharp, detailed images with high contrast and minimal distortion.
Wide zoom range: Offers a versatile focal length range, providing flexibility for various shooting scenarios.
Compact and lightweight: Makes it easy to handle and maneuver, especially for handheld shooting.
Fast and accurate autofocus: Ensures quick and precise subject acquisition.
Durable construction: Built to withstand the rigors of professional use.
Excellent image quality: Delivers sharp, detailed images with high contrast and minimal distortion.
Versatile zoom range: Covers a wide range of focal lengths, providing flexibility for various shooting scenarios.
Compact and lightweight: Makes it easy to handle and maneuver, especially for handheld shooting.
Fast and accurate autofocus: Ensures quick and precise subject acquisition.
Durable construction: Built to withstand the rigors of professional use.
ZEISS VARIABLE PRIME VP1
ZEISS VARIABLE PRIME VP2
ZEISS VARIABLE PRIME VP3
Key Features & Benefits:
Consistent T2.2 aperture across the entire zoom range: Provides consistent exposure and depth of field control throughout the zoom.
Exceptional image quality: Delivers sharp, detailed images with minimal distortion and chromatic aberration.
Compact and lightweight design: Makes them easy to handle and use on various camera setups.
Smooth zoom and focus mechanisms: Allow for precise and responsive adjustments.
The Cooke Anamorphic/i 35-140mm T3.1 Zoom is a masterwork of optical engineering, delivering the prestigious “Cooke Look” in a versatile, wide-to-telephoto anamorphic focal range. Designed to provide a true 2x squeeze, this lens captures the classic oval bokeh, organic skin tones, and subtle horizontal flare that have defined widescreen cinema for decades. By maintaining a constant T3.1 aperture and perfect color matching with the Cooke Anamorphic/i prime series, it offers cinematographers the flexibility of a zoom without compromising the unique “dimensionality” and character that only Cooke glass can provide.
Key Features:
True front anamorphic design provides a consistent 2x squeeze ratio.
The T3.1 aperture ensures excellent performance in various lighting conditions.
Integrated /i Technology metadata simplifies post-production and VFX camera tracking.
Eleven-blade iris assembly creates exceptionally smooth and cinematic oval bokeh.
Hardened PL mount offers a secure connection for heavy cinema cameras.
Wide-angle zoom: Covers a versatile range of focal lengths, ideal for capturing expansive landscapes, dynamic scenes, and intimate portraits.
Constant T-stop: Maintains consistent exposure across the entire zoom range, simplifying adjustments and ensuring smooth transitions.
Exceptional image quality: Delivers stunning sharpness, minimal distortion, and beautiful bokeh, thanks to advanced optical design and high-quality glass elements.
Compact and lightweight: Facilitates handheld shooting and use on gimbals or drones, enhancing flexibility and maneuverability.
Robust construction: Built to withstand the rigors of professional filmmaking, ensuring durability and reliability in demanding environments.
The Cooke 18-100mm T3.0 is a legendary cinema zoom lens known for its warm, organic imagery and precise optical performance. Designed for 35mm film and digital cameras, it offers exceptional versatility and durability, making it a favorite for feature films, commercials, and television productions.
Features
Versatile Zoom Range: 18-100mm focal length for wide-angle to medium telephoto shots.
Constant T3.0 Aperture: Consistent exposure across the zoom range.
Cinematic Look: Renowned Cooke “look” with warm tones and smooth bokeh.
Precision Engineering: Accurate focus and zoom control for professional results.
Robust Build Quality: Designed to withstand rigorous production demands.
35mm Format Compatibility: Suitable for film and high-resolution digital cameras.
Imperial or Metric Markings: Available in both feet and meters for focus distances.
The Canon 8-64mm Zoom T2.4 is a high-performance Super 16mm zoom lens designed for professional filmmaking. Renowned for its optical precision, this lens offers a wide zoom range, fast aperture, and robust build quality, making it ideal for cinematic applications, documentaries, and commercials.
Features
Wide Zoom Range (8-64mm): Versatility for capturing both wide-angle and telephoto shots.
Constant T2.4 Aperture: Excellent low-light performance and shallow depth of field for cinematic looks.
Optical Precision: Delivers outstanding image quality with edge-to-edge sharpness.
Compact and Lightweight Design: Ideal for handheld or Steadicam setups, enhancing mobility on set.
Super 16mm Compatibility: Optimized for film cameras and digital setups supporting the Super 16mm format.
Smooth Focus and Zoom Rings: Precise control for seamless cinematic transitions.
Durable Build Quality: Reliable in demanding shooting environments, ensuring long-term professional use.
Enhanced Creative Control: Fine aperture adjustments and focus for tailored artistic effects.
The Angénieux Optimo Style 25-250mm T3.5 is the fourth-generation evolution of the legendary 10x zoom focal range that has served the motion picture industry for over 50 years. Specifically re-engineered for Super 35mm digital sensors, this versatile “studio zoom” offers a sophisticated balance of modern 4K+ resolution and the organic, cinematic texture known as the “Angénieux look.” By providing a constant T3.5 aperture and perfectly matched colorimetry to the high-end Optimo series, it serves as a highly efficient alternative to carrying an entire set of primes, making it a reliable workhorse for feature films, documentaries, and high-end commercials where focal flexibility and optical precision are paramount.
Key Features:
Versatile 10x Zoom Range: Covers 25mm to 250mm, providing a comprehensive toolkit for everything from wide establishing shots to extreme telephoto close-ups.
Constant T3.5 Aperture: Maintains consistent exposure throughout the entire zoom range with no iris ramping.
Legendary “Angénieux Look”: Delivers organic skin tones, smooth contrast, and high-resolution imagery that exceeds 4K standards.
Advanced /i Technology: Integrated digital metadata system provides real-time data for focus, iris, and zoom to assist in VFX workflows.
Internal Focus & Zoom: Robust mechanical design ensures no change in physical lens volume or front-element rotation during operation.
Minimal Focus Breathing: Sophisticated optics keep the image stable and framing consistent during significant focus pulls.
Extender Compatibility: Fully compatible with Optimo 1.4x and 2x extenders to reach up to a 500mm focal length.
