Includes:
35- 80mm, T2.9, E-Mount, metric scale
70-135mm, T2.9, E-Mount, metric scale
Ready to shoot
With case
No major pits, scratches or other defects
Mechanically and cosmetically NEW
Ownership Rental
The Angénieux Optimo 12x 28-340mm T3.2 is a high-performance studio zoom engineered to meet the extreme demands of modern digital cinematography and 4K+ production. Building upon the legacy of the industry-standard 24-290mm, this lens offers an expanded focal range and a larger image circle, making it perfectly compatible with the latest generations of high-resolution digital cinema cameras. It delivers the signature “Angénieux look”—characterized by a delicate balance of high contrast, superb resolution, and organic, natural skin tones—while providing a constant T3.2 aperture throughout the entire 12x zoom range. This lens is the definitive choice for feature films, commercials, and high-end broadcasts where focal flexibility and uncompromised optical quality are absolute requirements.
Key Features:
Expanded 12x Zoom Range: Covers 28mm to 340mm, offering an incredibly versatile focal range for wide establishing shots and compressed telephoto close-ups.
Constant T3.2 Aperture: Ensures consistent exposure and depth-of-field control across the entire focal range with no iris ramping.
Large Image Circle Coverage: Optimized for modern digital sensors with a 31.4mm diagonal, providing edge-to-edge sharpness on Super 35 formats.
Minimal Focus Breathing: Advanced optical design ensures that framing remains perfectly stable during dramatic focus adjustments.
Legendary Color Matching: Calibrated to match the entire Optimo series for a consistent visual aesthetic across multiple camera setups.
Robust Mechanical Design: Features precise, smooth-running gears for focus, iris, and zoom, built to withstand the rigors of professional sets.
Extender Compatibility: Fully compatible with Optimo 1.4x and 2x extenders for a reach of up to 680mm while maintaining high image integrity.
NOTE:
This is a custom lens using Nikkor glass and made for the 007 film “Quantum of Solace.”
Only a few lenses were made like this.
This lens was never in rental and was used by the DP of the film who has asked FJS to sell it for him now.
Includes:
- Handle
- Donut (MB14)
- 24” plate
- 2×24”Rods
The Angénieux Optimo 12x 24-290mm T2.8 Zoom is widely regarded as the gold standard of cinema zoom lenses, serving as a cornerstone for high-end feature films and commercial productions worldwide. This legendary “studio zoom” offers a massive 12x focal range that effectively replaces an entire set of prime lenses while maintaining the iconic “Angénieux look”—a delicate balance of high contrast, superb resolution, and organic, flattering skin tones. Engineered for Super 35mm formats, it provides a fast and constant T2.8 aperture throughout the entire zoom range, ensuring that cinematographers never have to compromise on light or depth of field, regardless of the focal length.
Key Features
Massive 12x Zoom Range: Covers an incredible 24mm to 290mm range, providing ultimate flexibility for diverse shooting environments.
Fast and Constant T2.8 Aperture: Maintains exposure and depth of field throughout the entire zoom range without any iris ramping.
Legendary Optical Precision: Engineered to eliminate focus breathing and image shift, ensuring a stable and clean image during focus or zoom pulls.
Signature Angénieux Colorimetry: Meticulously calibrated to provide natural skin tones and a cinematic aesthetic that intercuts perfectly with other Optimo glass.
Robust Mechanical Construction: Built for the rigors of professional sets with smooth, reliable gear rings for focus, iris, and zoom motors.
Extender Compatibility: Fully compatible with Optimo 1.4x and 2x extenders for even greater reach, extending up to 580mm.
Large Image Circle: Designed to fully cover Super 35mm formats (30mm diagonal) with exceptional edge-to-edge sharpness.
ARRI 65-300mm T2.8 Signature Zoom Lens (ARRI LPL, IMPERIAL)
Custom Master Cases Case
Notes:
Cooke only made a few of these.
It’s one of the only super speed zooms ever made.
It covers the Super 16mm format.
Literally just had a complete service at Duclos.
They also installed a new lens support ring and standard 125mm front. It’s ready to work.
Features:
Wide zoom range: 10.6-180mm focal length, covering a variety of shots from wide-angle to telephoto.
Constant aperture: T2.7 aperture throughout the zoom range, ensuring consistent exposure and depth of field.
PL mount: Compatible with professional cinema cameras that use PL mount lenses.
Close focus: Minimum focus distance of 3 feet 4 inches, allowing for close-up shots.
Integrated focus, zoom, and iris gears: Smooth and precise control of focus, zoom, and iris.
High image quality: Delivers sharp, detailed images with excellent color rendition.
Lightweight and durable: Built to withstand the rigors of professional use.
#6360458
The ARRI/Fujinon Alura 45-250mm T2.6 is a high-performance telephoto studio zoom lens co-developed by ARRI and Fujinon to provide professional cinematographers with exceptional optical quality and reliability. Designed specifically to cover Super 35 sensor formats, this lens features a constant T2.6 maximum aperture across its entire focal range, ensuring consistent exposure control during complex zoom shots. Its robust mechanical design includes film-style ergonomics and standardized gear positions, making it fully compatible with industry-standard follow-focus systems and camera accessories. By utilizing extraordinary dispersion glass and multi-layer EBC coatings, the Alura 45-250mm delivers high-resolution, high-contrast imagery with minimized chromatic aberration and effective flare suppression, while its nine-bladed iris creates a soft, organic bokeh for professional-grade aesthetic results.
Key Features:
Constant T2.6 Aperture: Maintains stable light transmission throughout the 45-250mm zoom range.
Superior Optical Performance: High resolution and contrast with minimized chromatic aberration and flaring.
Minimized Focus Breathing: Precision internal design ensures stable framing during focus transitions.
Cine-Style Ergonomics: Large, clearly marked focus scales on both sides of the barrel for easier focus pulling.
LDS Compatibility: Integrated Lens Data System transmits metadata for streamlined VFX and post-production workflows.
Durable Construction: Professional-grade build quality designed for consistent performance in demanding studio environments.
Includes:
e-UMS & IB/E Universal Mount System for easy swap from EF to PL
Servo Drive Unit
Pelican Case
The Angénieux Optimo 17-80mm T2.2 is a legendary wide-to-mid range studio zoom that has long been a staple on high-end feature film and commercial sets worldwide. Renowned for its incredibly fast T2.2 aperture—a rarity for a zoom of this range—it offers cinematographers the ability to maintain consistent exposure and a shallow depth of field typically reserved for prime lenses. It delivers the classic “Angénieux look,” characterized by organic skin tones, superb contrast, and a poetic texture that softens the clinical edge of modern digital sensors. While larger than its lightweight counterparts, its mechanical precision and optical excellence make it the definitive choice for sophisticated A-camera configurations requiring uncompromising performance from a wide 17mm to a portrait-length 80mm.
Key Features:
Fast T2.2 Constant Aperture: One of the fastest zooms in its class, providing exceptional low-light performance and shallow depth of field throughout the range.
4.7x Zoom Ratio: Offers a highly versatile focal range from ultra-wide 17mm to a versatile 80mm telephoto.
Superior Optical Performance: Engineered to deliver high resolution and contrast with minimal distortion, even at its widest focal lengths.
Legendary Color Science: Color-matched to the entire Optimo line for seamless intercutting with the 24-290mm and 28-340mm.
Minimal Focus Breathing: Advanced optical design ensures that the field of view remains stable during critical focus adjustments.
Internal Focus & Zoom: The physical length of the lens remains constant, making it ideal for use with matte boxes and follow focus systems.
Robust Mechanical Construction: Built for the rigors of professional production with precise, 320-degree focus rotation and smooth gearing.
Note: VGC Canon CN7x17 KAS S/P1 – 4K Cine-Servo Lens 17-120mm/ T2.95-3.9 – PL Mount
Includes : Servo, Lens Hood, Pelican Case
Canon 18-80mm IS f/4 Compact Servo EF Lens + Servo Unit + Lens Hood + Bag
Canon 70-200mm IS f/4 Compact Servo EF Lens + Servo Unit + Lens Hood + Bag
The Canon CN-E Compact-Servo series, featuring the 18-80mm T4.4 and 70-200mm T4.4, represents a sophisticated bridge between traditional EF photographic glass and high-end cinema optics. Designed specifically for Super 35mm sensors, these lenses offer a seamless “cinema-style” workflow with the convenience of full autofocus, image stabilization, and servo-powered zoom control. This dual-lens kit provides a massive focal range from wide-angle to telephoto, maintaining a consistent form factor and a matched T-stop of 4.4 throughout, making it an ideal solution for documentary filmmakers, solo operators, and electronic news gathering (ENG) environments where speed and optical precision are paramount.
KEY FEATURES:
Integrated Servo Control: Built-in motors for zoom, focus, and iris that allow for smooth, professional transitions via camera grips or external controllers.
Parfocal Performance: Maintains precise focus throughout the zoom range, eliminating the need to refocus after changing focal lengths.
Dual-Pixel AF Compatibility: Optimized to work flawlessly with Canon’s Dual Pixel CMOS AF for fast, accurate tracking in high-pressure shooting scenarios.
Consistent T-Stop: Both lenses feature a constant T4.4 aperture, ensuring exposure remains uniform across the entire 18mm to 200mm range.
Optical Image Stabilization: Enhanced stabilization modes compensate for handheld camera shake, a rarity in dedicated cinema-style lenses.
A pinnacle of precision engineering, designed to offer the versatility of a zoom without the traditional optical compromises. Built with a full-frame image circle, this lens delivers the legendary “ZEISS look”—characterized by exceptional contrast, high resolution, and a natural, cinematic color rendition that matches perfectly with the Master Prime and Ultra Prime families. Its robust, cine-style housing features calibrated focus scales and a consistent aperture across the entire range, making it a reliable workhorse for high-end feature films, commercials, and television productions that demand uncompromising image quality across a telephoto sweep.
Includes Case
The Zeiss Lightweight Zoom LWZ.2 (15.5-45mm T2.6) is a premium cine lens engineered for cinematographers who require the optical excellence of a prime lens with the flexibility of a zoom. Specifically designed for handheld, Steadicam, and gimbal work, it bridges the gap between high-end production and agile shooting environments. This lens is renowned for its sharp, high-contrast images and the iconic “Zeiss look,” offering exceptional color matching with the Master Prime and Ultra Prime series. Its compact form factor makes it an industry favorite for documentary and independent filmmaking where weight is a critical constraint.
Key Features
Interchangeable Mount System (IMS): Offers maximum flexibility with PL, EF, and Nikon F mounts, ensuring future-proof compatibility with various camera systems.
T2.6 Aperture: Features a fast, constant T-stop across the entire focal range, allowing for consistent exposure and beautiful depth of field.
Lightweight Construction: Weighing approximately 2kg (4.4 lbs), it is optimized for mobile rigs and long shooting days.
Color Matching: Precisely calibrated to match the color characteristics of Zeiss prime lenses for seamless intercutting in post-production.
Cinematic Housing: Equipped with standard 0.8 pitch gears and a 114mm front diameter for easy integration with professional matte boxes and follow focus systems.
The ARRI Alura 30-80mm T2.8 is a versatile, lightweight cine zoom lens designed to bridge the gap between the flexibility of a zoom and the high-end performance of a prime. Developed through a collaboration between ARRI and FUJINON, it delivers remarkable optical precision, featuring high contrast and a consistent T2.8 aperture throughout the entire zoom range. Its compact form factor makes it an ideal choice for handheld work, stabilizers, or tight locations, while its color-matching capabilities ensure it integrates seamlessly with the ARRI Master and Ultra Prime series for a unified cinematic look.
Key Features
Constant T2.8 Aperture: Maintains consistent exposure and depth of field across the entire 30-80mm focal range.
Optimized for Digital: Specifically engineered to minimize chromatic aberration and flare for high-resolution digital sensors.
Lightweight Design: Compact build optimized for rapid setup changes and mobile camera configurations.
Nine-Blade Iris: Produces a pleasing, natural bokeh and consistent out-of-focus highlights.
Standardized Mechanics: Features consistent gear positioning and front diameters for easy integration with follow focus and matte box accessories.
The Canon CN-E 30-105mm T2.8 L S/SP is a high-performance compact telephoto cinema zoom lens engineered for the rigorous demands of 4K digital cinematography. Part of Canon’s prestigious EF Cinema lens line, it offers a versatile 3.5x zoom range that is color-matched to the entire Cinema EOS series, ensuring seamless visual consistency across different focal lengths. Weighing only approximately 4.8 lbs (2.2 kg), its lightweight and compact form factor makes it an exceptional choice for handheld shooting, Steadicam work, and gimbal stabilization. With advanced optical elements including fluorite and large aspherical glass, it delivers edge-to-edge sharpness and minimizes focus breathing, making it a reliable workhorse for professional television and motion picture productions.
Key Features
4K Optical Excellence: Engineered with fluorite and large aspherical lens elements to provide resolution that meets and exceeds 4K production standards.
Constant T2.8 Aperture: Offers bright, consistent exposure across the entire zoom range, perfect for low-light environments and shallow depth-of-field control.
11-Blade Iris: Produces smooth, circular out-of-focus highlights and a natural cinematic bokeh for high-end aesthetic appeal.
Virtually Zero Focus Breathing: Utilizes an internal focusing system to minimize changes in the angle of view during focus pulls.
Industry-Standard Ergonomics: Features unified gear positions, a 114mm front diameter for matte box compatibility, and angled markings on both sides of the barrel for easy reading.
The MasterBuilt CFZ (Close Focus Zoom) 27-60mm T2.9 is a boutique large-format cinema zoom designed to bridge the gap between vintage character and modern mechanical reliability. Engineered to pair seamlessly with MasterBuilt’s Classic and Soft Flare prime series, the CFZ delivers a distinct “analog” look with smooth focus fall-off, organic flares, and high-resolution center sharpness that avoids the clinical harshness of many contemporary zooms. Its standout feature is an industry-leading minimum focus distance of just 11 inches, allowing cinematographers to transition from sweeping wide shots to intimate close-ups without switching to macro glass. Lightweight and compact, this lens is a favorite for handheld, gimbal, and Steadicam work where full-frame/VistaVision coverage and vintage soul are required.
Key Features
Full-Frame / VistaVision Coverage: Massive image circle designed for the industry’s largest sensors, including the ARRI Alexa 65 and RED V-Raptor.
11″ Close Focus: Provides extraordinary macro-like capabilities, allowing for incredibly tight compositions at any focal length.
Constant T2.9 Aperture: Ensures consistent exposure and depth-of-field control throughout the entire 27mm to 60mm zoom range.
Vintage Aesthetic: Features a unique “polishing” process that emulates the contrast and flare characteristics of classic K35 or Super Speed lenses.
Compact Cine Housing: Professional 0.8 MOD geared rings and a lightweight build optimized for high-mobility production environments.
The Angénieux Optimo 12x 24-290mm T2.8 is the definitive industry-standard zoom, legendary for its presence on the world’s most prestigious film sets and high-end commercial productions. Offering an extraordinary 12x focal range that effectively replaces an entire kit of prime lenses, this powerhouse delivers the iconic “Angénieux look”—a sophisticated blend of high contrast, superb resolution, and organic skin tones. Despite its massive focal reach, it maintains a fast and constant T2.8 aperture throughout the entire zoom range, providing cinematographers with unparalleled creative flexibility and optical precision without the need for frequent lens changes or exposure adjustments.
Key Features:
Massive 12x Zoom Range: Covers 24mm to 290mm, providing ultimate versatility for everything from wide establishing shots to extreme telephoto.
Fast and Constant T2.8 Aperture: Maintains a consistent exposure across the entire focal range with no iris ramping.
Superior Optical Performance: Engineered to provide exceptional image quality with high contrast and resolution that exceeds 4K standards.
No Focus Breathing: Advanced internal mechanics ensure that framing remains perfectly stable during dramatic focus pulls.
Legendary Color Matching: Calibrated to match the entire Optimo series for a consistent visual narrative across multiple cameras.
Robust Mechanical Design: Built for the rigors of professional sets with precise, smooth focus, iris, and zoom gears.
Extender Compatibility: Seamlessly works with Optimo 1.4x and 2x extenders for a reach of up to 580mm while maintaining high image quality.
The Angénieux Optimo Style 30-76mm T2.8 is a lightweight, professional-grade cinema zoom designed to bring the legendary “Optimo” image quality to highly mobile production environments. Patterned after the successful Optimo DP series, this lens provides a versatile mid-range zoom for Super 35mm sensors while delivering high contrast, edge-to-edge sharpness, and a faithful color rendition that matches perfectly with the high-end Optimo series. Its incredibly compact design, weighing only 1.92 kg (4.2 lbs), makes it a premier choice for handheld, Steadicam, and gimbal work where a constant T2.8 aperture and clinical precision are required. With a calibrated focus ring featuring 320 degrees of rotation and virtually zero focus breathing, the 30-76mm serves as a high-performance “variable prime” for documentary, television, and narrative filmmaking.
Key Features
Lightweight & Compact: Weighs only 1.92 kg, making it one of the most portable professional cinema zooms in its class.
Constant T2.8 Aperture: Maintains a fast T2.8 maximum aperture throughout the entire zoom range with no exposure ramping.
Minimal Breathing & Distortion: Optical design ensures zero focus breathing and well-controlled distortion for stable, high-end compositions.
Precision Mechanics: Features a 320-degree focus throw with over 20 witness marks for precise control by professional focus pullers.
Interchangeable Mounts: Standardized with a PL mount but easily adaptable to Panavision, Canon EF, or Nikon F mounts for multi-camera versatility.
Extender Compatible: Fully compatible with Optimo 1.4x and 2x extenders, allowing for a significantly increased reach when needed.
HR PL MOUNT CINE ZOOM FOR SALE
The Angénieux 17-102mm T2.9 HR is a legendary cinema workhorse, famous for its massive 6x zoom range and signature French warmth. As a “High Resolution” (HR) classic, it balances sharp center performance with an organic contrast that softens the harshness of modern digital sensors. With a constant T2.9 aperture and robust mechanics, it serves as a versatile “variable prime” for Super 35mm productions, offering a timeless cinematic texture and character that modern zooms rarely replicate.
Key Features:
6x Zoom Range: Versatile 17mm wide to 102mm telephoto, ideal for fast-paced sets.
Constant T2.9: Fast maximum aperture remains consistent with no exposure ramping.
Classic HR Optics: Delivers the iconic, warm Angénieux colorimetry and pleasing sharpness.
Super 35 Coverage: Native support for 35mm film and modern S35 digital sensors.
Cine Mechanics: Standardized 0.8 MOD gears and a reliable, hardened PL mount.
Organic Texture: Beautiful focus fall-off and flare patterns for a “filmic” aesthetic.
Cooke S4/i CXX 15-40mm T2.0 Zoom
The Cooke S4/i CXX 15-40mm is a premier wide-angle cinema zoom that perfectly maintains the legendary “Cooke Look” across its entire range. Designed to stay color-matched and contrast-compatible with the S4/i prime series, this lens offers a fast T2.0 aperture with remarkably low distortion. Known for its organic skin tones and smooth focus fall-off, the CXX provides the versatility of a zoom with the optical performance of a high-end prime, all while capturing critical metadata via integrated /i Technology.
Key Features:
Fast T2.0 Aperture: Constant maximum aperture across the zoom range with no exposure ramping.
The Cooke Look: Smooth, warm aesthetic that matches perfectly with S4/i and S5/i primes.
Minimal Distortion: Superior optical design ensures straight lines remain true, even at 15mm.
/i Technology: Built-in digital metadata for frame-accurate focus and iris tracking.
Award-Winning Mechanics: Precision cam-style focus for smooth, backlash-free operation.
Close Focus: Exceptional minimum focus distance for intimate wide-angle cinematography.
Angénieux Optimo 12x 24-290mm T2.8 is the definitive industry-standard zoom, legendary for its presence on the world’s most prestigious film sets and high-end commercial productions. Offering an extraordinary 12x focal range that effectively replaces an entire kit of prime lenses, this powerhouse delivers the iconic “Angénieux look”—a sophisticated blend of high contrast, superb resolution, and organic skin tones. Despite its massive focal reach, it maintains a fast and constant T2.8 aperture throughout the entire zoom range, providing cinematographers with unparalleled creative flexibility and optical precision without the need for frequent lens changes or exposure adjustments.
Key Features:
Massive 12x Zoom Range: Covers 24mm to 290mm, providing ultimate versatility for everything from wide establishing shots to extreme telephoto.
Fast and Constant T2.8 Aperture: Maintains a consistent exposure across the entire focal range with no iris ramping.
Superior Optical Performance: Engineered to provide exceptional image quality with high contrast and resolution that exceeds 4K standards.
No Focus Breathing: Advanced internal mechanics ensure that framing remains perfectly stable during dramatic focus pulls.
Legendary Color Matching: Calibrated to match the entire Optimo series for a consistent visual narrative across multiple cameras.
Robust Mechanical Design: Built for the rigors of professional sets with precise, smooth focus, iris, and zoom gears.
Extender Compatibility: Seamlessly works with Optimo 1.4x and 2x extenders for a reach of up to 580mm while maintaining high image quali
Note: L IS KAS S 4k EOS Cine Servo Zoom Lens + pouch
The Canon CN-E 18-80mm Compact-Servo is the perfect hybrid lens for “run-and-gun” shooters, documentarians, and small crews. Combining the precision of a cinema lens with the agility of an EF photography lens, it features a consistent T4.4 aperture and a versatile 4.4x zoom range. Equipped with an integrated servo drive unit for smooth power zooms and Canon’s legendary Image Stabilization (IS), this 4K-ready lens provides a “native” feel on EOS Cinema cameras while delivering the sharp, vibrant color science Canon is known for.
Key Features:
Integrated Servo Drive: Provides smooth, broadcast-style power zooming; compatible with lens controllers or camera-side rockers.
Image Stabilization (IS): Features high-performance optical stabilization—essential for handheld 4K cinematography.
Dual Focus Control: Fast, accurate Dual Pixel CMOS AF support combined with a manual focus ring and 180° rotation.
Constant T4.4 Aperture: Maintains exposure throughout the entire 18mm to 80mm range with no ramping.
Compact & Lightweight: Designed for solo operators, weighing only 2.65 lbs (1.2 kg).
9-Blade Iris: Creates beautiful, soft bokeh and natural out-of-focus highlights.
Fujinon ZK 19-90mm T2.9 Cabrio (V1)
The Fujinon 19-90mm T2.9 Cabrio (Version 1) is a world-renowned “all-in-one” zoom that bridged the gap between broadcast utility and high-end cinema optics. With its versatile 4.7x zoom range and constant T2.9 aperture, it is the industry’s most popular choice for documentaries, reality television, and handheld drama. Featuring a detachable servo drive unit, this lens allows operators to switch instantly between broadcast-style rocker control and traditional cinema-style manual focus, iris, and zoom gears.
Key Features:
Versatile 19-90mm Range: Ideal focal spread covering wide-angle vistas to tight character portraits.
Detachable Servo Drive: Powered via the lens mount or external cable for motorized zoom, iris, and focus control.
Constant T2.9 Aperture: Fast, consistent aperture throughout the entire zoom range with no exposure ramping.
4K Premier Optical Quality: Precision glass designed for high-resolution 4K sensors with minimal distortion and chromatic aberration.
Macro Function: Features a dedicated macro mode for extreme close-up performance.
The ultimate “High Resolution” zoom for the Super 16mm format. This lens is prized for its massive focal range and the classic “Angénieux warmth” that provides a nostalgic, filmic texture to digital sensors. Despite its compact size, it offers a fast T2.4 aperture and professional cine-mechanics. It is an essential tool for filmmakers using the Blackmagic Pocket 4K (in windowed mode), the ARRI 416, or modern digital cameras in S16 crop modes to achieve an organic, vintage aesthetic.
Key Features:
Massive 11.5x Zoom: Covers ultra-wide 7mm to a tight 81mm telephoto—effectively an all-in-one lens for S16.
Constant T2.4: A fast, consistent maximum aperture that remains bright throughout the zoom range.
HR Optics: High Resolution glass that balances corner-to-corner sharpness with a beautiful, soft flare character.
Super 16mm Coverage: Specifically designed for the S16 film gate and modern digital sensors in crop modes.
Precision Cine Mechanics: Standardized 0.8 MOD gears and a rugged PL mount for professional follow-focus systems.
Legendary Colorimetry: Renders skin tones with the famous “French” warmth and natural contrast.
The Angénieux 25-250mm HR (High Resolution) is a legendary 10x third-generation cinema zoom that served as the industry workhorse throughout the 1990s. Often described as the predecessor to the modern Optimo line, it provides a sharp, high-contrast image while retaining the classic “Angénieux warmth” and organic texture. This lens is prized for its massive focal range, consistent T3.5 aperture, and remarkably compact form factor for a 10:1 zoom, making it ideal for everything from studio features to handheld “crash zooms.”
Key Features:
High Resolution (HR) Optics: Advanced coatings and optical design for improved sharpness and contrast over previous versions.
Massive 10x Zoom Range: A versatile all-in-one range from 25mm wide to 250mm telephoto.
Constant T3.5 Aperture: Fast, uniform maximum aperture with no exposure ramping across the zoom.
Minimal Breathing: Sophisticated mechanics ensure field-of-view stability during critical focus pulls.
Super 35mm Coverage: Native coverage for S35 sensors (30mm diagonal), compatible with Alexa 35 and RED systems.
Proven Reliability: Robust PL-mount construction with standard 0.8 MOD gearing for professional FIZ control.
The ARRI Zeiss Master Zoom 16.5-110mm is widely considered the finest cinema zoom lens ever engineered. Created to match the uncompromising optical performance of the Master Prime series, it is one of the few zoom lenses that exhibits zero breathing and virtually no geometric distortion across its entire range. With a fast, constant T2.6 aperture, it delivers prime-like sharpness, contrast, and skin tone reproduction, making it the ultimate tool for high-end studio features and commercials.
Key Features:
Prime-Level Optics: Designed to be indistinguishable from Master Primes in terms of sharpness, color, and contrast.
Constant T2.6 Aperture: High-speed performance throughout the 6.6x zoom range with no exposure ramping.
Zero Lens Breathing: Advanced cam-style mechanics ensure the field of view remains perfectly stable while focusing.
Super 35mm Excellence: Optimized for the S35 format with a large image circle that covers modern 4K+ sensors.
Master Prime Heritage: Features the same T* XP anti-reflex coating for superior flare control and deep blacks.
Integrated Lens Data System (LDS): Displays frame-accurate lens metadata for focus, iris, and zoom on compatible ARRI cameras.
The Canon CN-E 30-300mm T2.95-3.7 L SP is a premier long-range cinema zoom that provides an incredible 10x zoom ratio for Super 35mm sensors. Engineered for high-end 4K digital cinematography, it rivals best-in-class telephoto zooms with its exceptional sharpness and contrast. Despite its massive range, it maintains a fast T2.95 aperture through most of its range (ramping to T3.7 at 300mm) and features virtually zero focus breathing. With uniform gear positions and a 136mm front diameter, it is designed for seamless integration into professional camera workflows.
Key Features:
10x Cinema Zoom: Exceptional 30mm to 300mm range, ideal for sports, wildlife, and compressed cinematic portraits.
4K Optical Performance: Advanced fluorite and aspherical elements ensure high-resolution capture with minimal aberration.
Minimal Focus Breathing: Geared internal focusing system keeps the angle of view stable during focus racks.
11-Blade Iris: Produces a soft, circular bokeh for natural and pleasing out-of-focus highlights.
Professional Mechanics: 300° focus rotation and 160° zoom rotation with industry-standard 0.8 MOD gearing.
Dual Engraved Markings: Features focus and iris scales on both sides of the barrel, angled for easy reading by both operator and assistant.
Includes: Arri Aluminum case, lens support stem, zoom rod
The ARRI Signature Zoom 45-135mm T2.8 is a high-performance, mid-range telephoto lens designed to seamlessly match the look and feel of ARRI’s Signature Prime series. It delivers a warm, organic aesthetic with natural skin tones, rounded bokeh, and exceptional highlight roll-off. Built for versatility, it covers sensor sizes up to Large Format (Full Frame) while remaining an excellent choice for Super 35 productions. With its constant T2.8 aperture, you can zoom through the entire range without any exposure ramping, making it a reliable workhorse for high-end digital cinematography.
Key Features:
Signature Look: Warm, organic images with natural skin tones and silky bokeh.
Zero Breathing: Perfectly stable field of view during focus pulls.
8K Ready: Future-proof resolving power with minimal chromatic aberration.
LDS-2 Support: High-speed lens metadata for advanced VFX workflows.
HDR Optimized: Controlled flares and lower contrast for detailed shadows.
Includes:
CF-2 Objective (1.5x-2.67x; 200-140mm Working Distance)
CF-4 Objective (4.57x-6.10x; 64-54mm W.D.)
Microscope objective attachment
2x TR tube
Also C mount
A high-performance long-distance microscope (LDM) manufactured by Infinity Photo-Optical Company. It is widely considered the industry benchmark for “distamax” (distance-to-magnification) imaging, offering the resolution of a laboratory microscope but at working distances up to several meters.
Key Features:
Internal Focusing System (IVS): Features a patented infinity internal focusing system that provides spherical and chromatic correction throughout its range.
CentriTel® Technology: When equipped with a CentriTel focuser, it can adjust focus from a fixed position without changing magnification—essential for 3D stacking and precise Z-depth measurements.
Format Versatility: Unlike many LDMs limited to small sensors, the K2 DistaMax covers formats up to 35mm (Full Frame) with exceptional edge-to-edge clarity.
Modular Design: It can be converted from a long-range viewer to a high-power microscope by swapping front objectives or adding “Micro Mode” adapters for standard infinity-corrected objectives (like Mitutoyo or Niko
A high-performance “Studio” zoom developed through a partnership between ARRI and Fujinon. Designed specifically for the digital cinema era, it is the wider companion to the 45-250mm Alura. It offers a fast, constant T2.6 aperture, prime-like resolution, and the legendary color matching required to sit alongside the ARRI Master Prime and Ultra Prime families. While robust and built for “studio” use (tripod/dolly/crane), it remains one of the most versatile mid-range zooms for Super 35mm cinematography.
Key Features:
Constant T2.6 Aperture: No light loss or ramping across the entire zoom range.
Super 35mm Coverage: Optimized for digital sensors like the ALEXA 35, Mini, and RED systems.
Minimal Breathing: Extremely stable field of view when racking focus, especially at the wide end.
9-Blade Iris: Produces soft, circular out-of-focus highlights and a natural organic bokeh.
LDS Integration: Features the ARRI Lens Data System for frame-accurate metadata in post-production.
Industry Standard Build: 134mm front diameter and 0.8 MOD gears for easy accessory compatibility.
The EZ sets are in sealed boxes, unopened! Brand new with full warranty.
This series of zoom lenses was designed from the ground up to be versatile, physically robust, and optically consistent. Currently, the line is based on two zooms, the EZ-1 30-90mm T2 and the EZ-2 15-40mm T2. These lenses offer a constant fast aperture throughout their zoom ranges, while providing Super 35mm image plane coverage. The EZ-1 and EZ-2 are also offered in lens packs, which include a swappable rear optical block.
The Angénieux Optimo 12x 24-290mm T2.8 is the definitive industry-standard zoom, legendary for its presence on the world’s most prestigious film sets and high-end commercial productions. Offering an extraordinary 12x focal range that effectively replaces an entire kit of prime lenses, this powerhouse delivers the iconic “Angénieux look”—a sophisticated blend of high contrast, superb resolution, and organic skin tones. Despite its massive focal reach, it maintains a fast and constant T2.8 aperture throughout the entire zoom range, providing cinematographers with unparalleled creative flexibility and optical precision without the need for frequent lens changes or exposure adjustments.
Key Features:
Massive 12x Zoom Range: Covers 24mm to 290mm, providing ultimate versatility for everything from wide establishing shots to extreme telephoto.
Fast and Constant T2.8 Aperture: Maintains a consistent exposure across the entire focal range with no iris ramping.
Superior Optical Performance: Engineered to provide exceptional image quality with high contrast and resolution that exceeds 4K standards.
No Focus Breathing: Advanced internal mechanics ensure that framing remains perfectly stable during dramatic focus pulls.
Legendary Color Matching: Calibrated to match the entire Optimo series for a consistent visual narrative across multiple cameras.
Robust Mechanical Design: Built for the rigors of professional sets with precise, smooth focus, iris, and zoom gears.
Extender Compatibility: Seamlessly works with Optimo 1.4x and 2x extenders for a reach of up to 580mm while maintaining high image quality.
Includes Custom Flight Case
INCLUDES:
19-90mm lens with servo
111mm protective filter
Zoom pin
Lens support
The Angénieux Optimo 12x 24-290mm T2.8 is the definitive industry-standard zoom, legendary for its presence on the world’s most prestigious film sets and high-end commercial productions. Offering an extraordinary 12x focal range that effectively replaces an entire kit of prime lenses, this powerhouse delivers the iconic “Angénieux look”—a sophisticated blend of high contrast, superb resolution, and organic skin tones. Despite its massive focal reach, it maintains a fast and constant T2.8 aperture throughout the entire zoom range, providing cinematographers with unparalleled creative flexibility and optical precision without the need for frequent lens changes or exposure adjustments.
Key Features:
Massive 12x Zoom Range: Covers 24mm to 290mm, providing ultimate versatility for everything from wide establishing shots to extreme telephoto.
Fast and Constant T2.8 Aperture: Maintains a consistent exposure across the entire focal range with no iris ramping.
Superior Optical Performance: Engineered to provide exceptional image quality with high contrast and resolution that exceeds 4K standards.
No Focus Breathing: Advanced internal mechanics ensure that framing remains perfectly stable during dramatic focus pulls.
Legendary Color Matching: Calibrated to match the entire Optimo series for a consistent visual narrative across multiple cameras.
Robust Mechanical Design: Built for the rigors of professional sets with precise, smooth focus, iris, and zoom gears.
Extender Compatibility: Seamlessly works with Optimo 1.4x and 2x extenders for a reach of up to 580mm while maintaining high image quality.
Includes:
CF-2 Objective (1.5x-2.67x; 200-140mm Working Distance)
CF-3 Objective (2.29x-3.56x; 122-95mm W.D.)
CF-4 Objective (4.57x-6.10x; 64-54mm W.D.)
2x TR tube
Also C mount
All comes in a Pelican case
video (https://www.infinity-usa.com/k-series/model-k2-distamax/)
