Includes Innerspace case.
The ARRI Signature 16-32mm T2.8 is a masterpiece of modern optical engineering, designed to complement the ARRI Signature Prime family by offering a wide-angle zoom solution without compromising on image quality. Covering a massive image circle that exceeds Large Format (LF) and VistaVision requirements, this zoom lens delivers a natural, “organic” look characterized by smooth skin tones and a delicate focus fall-off. Unlike traditional zooms that often struggle with distortion at the wide end, the 16-32mm maintains exceptional geometric linearity and consistent T2.8 speed throughout the range, making it an indispensable tool for immersive landscapes, tight architectural interiors, and high-end commercial cinematography.
Key Features:
Full-Frame / Large Format Coverage: Designed to cover the largest sensors available, including the Alexa 35, Alexa LF, and Sony VENICE 2.
Fast & Constant T2.8 Aperture: Ensures consistent exposure and depth of field across the entire 16mm to 32mm zoom range.
Signature Optical Character: Matches perfectly with Signature Primes, featuring warm skin tones and a soft, pleasing bokeh.
LPL Mount with LDS-2: Utilizes the Large Positive Lock mount and advanced metadata technology for precise lens data communication.
Minimal Aberration & Distortion: Engineered to virtually eliminate chromatic aberration and focus breathing for a stable, high-resolution image.
Magnesium Housing: Constructed with lightweight yet incredibly durable magnesium to reduce the overall weight of the camera rig.
Detachable Magnetic Rear Filter Holder: Allows for the easy addition of nets or specialized filters to further customize the look of the glass.
Cost: USD $52,000
Sell Price: USD $58,500 FOB
Benjamin Strang
strang.benjamin@gmail.com
443-875-5896
Santa Monica, California
Feb 20th 2026
(J)
Included:
Front and rear caps
Flight case
This lens offers a massive 15x zoom range, covering everything from wide-angle to telephoto without a drop in light transmission (no ramping). It features a robust PL mount and is designed to cover the Super 16mm film format. In the digital age, it has found a second life on cameras like the ARRI Alexa Mini, Alexa 35, and Blackmagic Pocket Cinema Camera when used in “crop” or S16 sensor modes.
Key Features:
Constant T2.5 Aperture: Maintains a fast, consistent stop throughout the entire zoom range; ideal for low-light environments.
15x Zoom Ratio: Provides an incredible focal range (11mm to 165mm), reducing the need for frequent lens changes.
Zero Ramping: Unlike many photo zooms, the exposure remains perfectly consistent as you zoom in or out.
Vintage Aesthetic: Delivers a “cinematic” look with medium contrast and pleasing textures that modern, clinical lenses often lack.
Compact & Lightweight: At approximately 4 lbs (1.8kg), it is perfectly suited for handheld, gimbal, or shoulder-mounted “run-and-gun” shooting.
Cine-Ready Housing: Includes integrated gears for focus, iris, and zoom, with a standard 95mm front diameter for easy matte box compatibility.
Cost: 7k EURO
(t)
Mohd Rehan
theraeez786@gmail.com
+916361341783
India
2-19-2026
Includes:
Fitting Case
The ZEISS Compact Zoom CZ.2 70-200mm T2.9 is a high-performance telephoto cine lens engineered for professional cinematography. Designed to bridge the gap between heavy studio zooms and versatile primes, it offers full-frame coverage and a constant aperture, making it a “future-proof” investment for modern high-resolution sensors.
Key Features:
Parfocal Design: Maintains precise focus throughout the entire zoom range, eliminating the “focus shift” common in photography lenses.
Full-Frame Coverage: Specifically designed to cover 36 x 24 mm sensors (and larger like Vista Vision) without vignetting.
Interchangeable Mount System (IMS): Easily switch between PL, EF, F, MFT, and E mounts to stay compatible with various camera systems.
T2.9 Aperture: Provides a constant, fast aperture across the 70-200mm range for consistent exposure.
Cine-Style Build: Features standard 0.8 MOD gears, nearly 300° of focus rotation, and calibrated scales for accurate, repeatable pulls.
18-Blade Iris: Creates a perfectly circular aperture for natural, organic bokeh and smooth out-of-focus highlights.
Cost: £7k
(t)
Lee Patel
lee@lightningmedia.co.uk
+44 7966 100600
2-17-2026
Includes:
B&W Outdoor Case Type 3000 (Bright Green)
2x Lens Support Post (3/8”)
Specifications:
– Zoom Ratio2.5X
– Aperturef/2.6 – T2.8
– Close Focus2 ft – 0.6m
– Internal FocusYes
– Image CoverageS35+31.4mm diagonal
– Weight (approx.)4.2 lbs – 1.92 kg
– Length 186mm
– Front Diameter 114mm
The Angenieux Optimo Style 16-40mm T2.8 is a lightweight, compact zoom lens designed to bring the legendary “Angenieux look” to modern digital cinema. Part of the Style series, it offers a versatile wide-angle range and is engineered to cover Super 35mm sensors. Its portability makes it a favorite for handheld, gimbal, and drone work without sacrificing the creamy skin tones and organic texture the brand is known for.
Key Features:
Constant T2.8 Aperture: Maintains consistent exposure and depth-of-field control throughout the entire zoom range.
Optimo Image Quality: Delivers the classic “soulful” look—sharp enough for 4K+ resolutions but with a gentle contrast and natural color rendering.
Lightweight Design: Weighing only 1.92 kg (4.2 lbs), it is ideal for fast-paced productions and stabilizer setups.
Internal Focusing: Minimal lens breathing ensures that the frame stays stable while racking focus.
Interchangeable Mounts: Comes standard in PL mount but is easily adaptable to Canon EF or Panavision mounts.
Precise Mechanics: Features 320° focus rotation with industry-standard 0.8 MOD gears for smooth, repeatable pulls.
Cost: 10,000 USD
(t)
SAFE FOCUS Thailand
safefocus.official@gmail.com
+66 83 542 1482
2-11-2026
The Canon Zoom Cine Servo 17–120mm is a versatile, high-performance cinema zoom lens designed to bridge the gap between traditional broadcast lenses and high-end cine glass. Built for Super 35mm sensors, it delivers cinematic image quality while retaining the familiar servo-driven zoom control favored in documentary, live production, and run-and-gun filmmaking. Its wide focal range, robust build, and seamless integration with cinema cameras make it a go-to choice for productions that demand flexibility without compromising optical performance.
Key Features
17–120mm Wide Zoom Range – Covers wide-angle to telephoto in a single lens, reducing lens changes on set
Constant T2.95 Aperture – Maintains consistent exposure throughout the zoom range
Super 35mm Coverage – Optimized for modern digital cinema cameras
Built-In Servo Drive Unit – Enables smooth, precise zooming for broadcast and documentary workflows
Interchangeable Mounts – Available in EF and PL mounts for broad camera compatibility
High Optical Performance – Advanced coatings and lens elements minimize chromatic aberration, ghosting, and flare
Cinema-Style Focus, Iris, and Zoom Rings – Industry-standard gear positions for follow focus systems
Electronic Communication with Camera – Supports metadata transmission and camera-based lens control (with compatible systems)
Compact, All-in-One Design – Combines cine image quality with ENG-style usability
Robust Professional Build – Designed for demanding production environments
COST: 8900 EUROS
February 6, 2026
(M)
Matthieu Lalande
France
Includes:
Fitting Case
The ARRI Signature Zoom 65-300mm T2.8 is a high-performance cine lens designed to complement the ARRI Signature Prime family. It offers a “timeless” aesthetic characterized by natural skin tones, smooth bokeh, and exceptional highlight/shadow retention. Engineered for versatility, it covers sensor sizes from Super 35 to Large Format (full-frame) and is future-proofed for 8K production.
Key Features:
Consistent T2.8 Aperture: Maintains a fast T2.8 speed across the entire focal range, eliminating “ramping” (exposure loss) while zooming.
Signature Look: Perfectly matches the color and texture of Signature Primes, allowing for seamless intercutting between prime and zoom shots.
1.7x Extender Included: Often bundled with a dedicated extender that transforms the lens into a 110.5-510mm T4.95, providing one of the longest reach options in the industry.
Advanced Metadata (LDS-2): Features the Lens Data System-2 for high-speed delivery of lens settings to post-production and VFX teams.
HDR Compatibility: Specially coated to control flares and maintain lower contrast in shadows, making it ideal for High Dynamic Range capture.
Magnesium Construction: Utilizes a magnesium lens barrel to keep the weight relatively low (8.1 kg) despite its massive size and focal range.
Magnetic Rear Filter Holder: Compatible with the Signature Prime filter system, allowing cinematographers to use nets or custom glass for unique diffusion looks.
Cost: TBD
(t)
Adam Fox
2-3-2026
Includes:
Sony FS7
Fujinon 20-120mm Cabrio (XK6x20) with Servo Unit
Various adapters and related accessories included in the case.The Sony FS7 (Mark I or II) paired with the Fujinon XK6x20 (20-120mm T3.5) is a classic “Gold Standard” combo for run-and-gun shooters who need that ENG-style versatility with a “cinema” look.
Why This Package Hits the Sweet Spot
The FS7 and the Fujinon 20-120mm were practically made for each other. Here’s why this kit remains relevant in 2026:
The Lens: The Fujinon 20-120mm is a parfocal lens, meaning it stays in focus while zooming. It covers a huge range, effectively replacing a bag of primes for most daylight shoots.
The Servo: If the lens includes the detachable drive unit, it allows for smooth, broadcast-style power zooms controlled directly from the FS7 handgrip.
Internal NDs: The FS7’s built-in ND filter system is legendary for speed, especially when moving between indoor and outdoor locations.
XAVC Codec: It produces 10-bit 4:2:2 files that are robust enough for heavy color grading but light enough for standard laptop editing.
Cost: TBD
Josh Fluck
fluckj450@gmail.com / +1 610-850-1767
Price Investigation:
Justcinemagear : Does not have a combo
Newlifecine: does not have a combo
R-02-02-2026
AI Says : estimated value:
Sony FS7 Body (Mk I) $1,200 – $1,800
Sony FS7 II Body $2,200 – $3,000
Fujinon 20-120mm T3.5 $5,500 – $7,500
Full Package (with accessories) $7,500 – $11,000
The ZEISS 70-200mm T2.9 Compact Zoom (CZ.2) is a professional-grade cinema lens designed for high-end digital cinematography. It bridges the gap between traditional still lenses and high-end cinema glass, offering full-frame coverage and a robust, cine-style build in a relatively lightweight form factor.
Key Features and Benefits
Parfocal Design: Ensures the lens stays in focus throughout the entire zoom range, a critical requirement for professional filmmaking.
Full-Frame Coverage: Covers a large 36 x 24 mm image circle, making it compatible with Full Frame, VistaVision, and Super 35 sensors without vignetting.
Interchangeable Mount System: Features a versatile mount system (IMS) that allows users to switch between PL, EF, F, MFT, and E mounts to suit different camera bodies.
T2.9 Constant Aperture: Provides a consistent exposure and shallow depth of field across the entire focal range from 70mm to 200mm.
Cinema-Standard Housing: Equipped with 0.8 MOD geared rings for focus, iris, and zoom, allowing for seamless integration with follow-focus systems and motors.
ZEISS T Anti-Reflex Coating:* Minimizes flare and ghosting while ensuring high contrast and the iconic ZEISS “look” that matches other ZEISS cinema primes.
Precision Focus: Offers nearly 300 degrees of focus rotation for extremely accurate focus pulls and calibrated scales (available in feet or meters).
Cost: 7,000 $
Gaurav Gupta
gaurav.gupta@futureworks.in
R-01-20-2025
Price research:
Owner suggests : ZEISS 70-200mm T2.9 Compact Zoom CZ.2 Lens (PL Mount)-1-Sale $8,000-Cost 7,000
Justcinemagear : 9,650 / Newlifecine: 13,400
AI says:
In the current second-hand market for professional cinematography gear, the average price for a Used ZEISS 70-200mm T2.9 Compact Zoom (CZ.2) typically ranges between $12,500 and $15,500 USD.
While the original retail price was approximately $21,945, the resale value varies based on condition, mount type, and included accessories. Below is a breakdown of the current market landscape:
The ARRI Ultra Wide Zoom (UWZ) 9.5-18mm T2.9 is a precision-engineered lens designed to deliver prime-level optical performance across its entire wide-angle range. It is the first super-wide-angle zoom specifically built for the professional cinema market, designed to eliminate common wide-angle artifacts like distortion and “breathing,” making it an essential tool for high-end VFX and sweeping architectural cinematography.
Key Features and Benefits
Virtually Distortion-Free: Boasts less than 1% distortion at 9.5mm and less than 0.1% at 18mm, ensuring straight lines remain perfectly straight even at close focus.
Future-Proof Image Circle: Features a 34.5mm image circle that comfortably covers Super 35 and ARRI Open Gate formats, ensuring compatibility with next-generation large sensors.
Fixed Entrance Pupil: Maintains a consistent entrance pupil (nodal point) position throughout the zoom range, which is critical for seamless VFX plate shots and panoramic stitching.
Telecentric Optical Design: Provides highly uniform field illumination from the center to the corners, preventing the “vignetting” or shading typically seen in wide lenses.
Minimal Image Breathing: Engineered to maintain a consistent field of view during focus pulls, preserving the composition’s integrity.
Integrated Lens Data System (LDS): Automatically transmits lens metadata (focus, iris, and zoom settings) to the camera to streamline post-production and visual effects workflows.
Rugged Versatility: Replaces a full set of wide-angle primes with a constant T2.9 aperture and interchangeable matte box interfaces (134mm and 156mm).
Cost 17,000
Email: info@futureworks.in | Phone: +91 99308 00421
in the email owner siggests: 7 ARRI 9.5-18mm Ultra Wide Zoom Lens (PL, Feet) 1 $18,800 $18,800 17,000
R-01-29-2026
Prices investigation:
Justcienemagear: tehy don´t have it
Newlifecine; has two: 29,000 and 21,990
AI says:
Independent Cinema Brokers $15,500 – $19,000 Units
from FJS International, New Life Cine, or Visual Products. Often includes custom flight cases.
The ARRI/ZEISS Master Zoom 16.5-110mm T2.6 is widely considered one of the most sophisticated cine zoom lenses ever engineered. Developed as a companion to the Master Prime series, it was designed to eliminate the traditional compromises of zoom lenses—specifically “breathing” and “ramping”—while maintaining a sharpness that rivals high-end fixed focal length lenses.
It covers the Super 35 format and is an industry favorite for high-end feature films (notably used in Poor Things and Carol) due to its nearly perfect optical performance across its entire 6.6x zoom range.
Key Features:
Constant Aperture: Maintains a fast T2.6 throughout the entire zoom range with no exposure ramping.
Zero Breathing: Virtually eliminates image shift when racking focus, a rarity for zoom lenses.
Advanced Optics: Features a radical aspherical lens element and T XP* multi-layer anti-reflection coating to minimize flare and ghosting.
Geometric Precision: Designed to produce almost zero distortion, ensuring straight lines remain straight even at wide angles or close focus.
Lens Data System (LDS): Built-in encoders communicate focal length, iris, and focus data directly to the camera for VFX and on-set monitoring.
Active Temperature Compensation: Internal mechanics adjust for temperature fluctuations to maintain focus consistency in extreme environments.
Prime Quality in a Zoom: Replaces a full set of prime lenses (16mm to 110mm) without sacrificing resolution or contrast.
Perfect Color Matching: Seamlessly intercuts with ZEISS Master Primes and Ultra Primes, maintaining a consistent “look” across a production.
Versatile Range: The 16.5mm wide end is sufficient for establishing shots, while the 110mm telephoto is ideal for intimate portraits.
Production Speed: Reduces the need for frequent lens changes, saving critical time on set while maintaining a high-performance “A-camera” look.
Cost: 25,000
(t)
Jami Mahmood
azadfilm1@icloud.com
1-26-2026
The Angénieux Optimo 12x 24-290mm T2.8 Zoom is widely regarded as the gold standard of cinema zoom lenses, serving as a cornerstone for high-end feature films and commercial productions worldwide. This legendary “studio zoom” offers a massive 12x focal range that effectively replaces an entire set of prime lenses while maintaining the iconic “Angénieux look”—a delicate balance of high contrast, superb resolution, and organic, flattering skin tones. Engineered for Super 35mm formats, it provides a fast and constant T2.8 aperture throughout the entire zoom range, ensuring that cinematographers never have to compromise on light or depth of field, regardless of the focal length.
Key Features:
Massive 12x Zoom Range: Covers an incredible 24mm to 290mm range, providing ultimate flexibility for diverse shooting environments.
Fast and Constant T2.8 Aperture: Maintains exposure and depth of field throughout the entire zoom range without any iris ramping.
Legendary Optical Precision: Engineered to eliminate focus breathing and image shift, ensuring a stable and clean image during focus or zoom pulls.
Signature Angénieux Colorimetry: Meticulously calibrated to provide natural skin tones and a cinematic aesthetic that intercuts perfectly with other Optimo glass.
Robust Mechanical Construction: Built for the rigors of professional sets with smooth, reliable gear rings for focus, iris, and zoom motors.
Extender Compatibility: Fully compatible with Optimo 1.4x and 2x extenders for even greater reach, extending up to 580mm.
Large Image Circle: Designed to fully cover Super 35mm formats (30mm diagonal) with exceptional edge-to-edge sharpness.
Update 26th Feb 2026:
Corrected product name.
Updated gear model name, descriptions and SEO info.
(J)
Cost: TBD
(t)
Rupin Dang
rupindang@gmail.com
1-16-2026
The Angénieux Optimo DP 16-42mm T2.8 is a lightweight, high-performance wide-angle zoom lens specifically designed for the digital cinema era, providing the legendary “Angénieux look” in a compact form factor. Optimized for Super 35mm digital sensors, this lens delivers exceptional sharpness, high contrast, and a natural color palette that is perfectly matched to the rest of the Optimo series. Its constant T2.8 aperture and impressively low weight make it the ideal choice for handheld operating, Steadicam work, and gimbal stabilization, allowing cinematographers to maintain high-end optical standards without the bulk of traditional studio zooms.
Key Features:
Constant T2.8 Aperture: Ensures consistent exposure and depth-of-field control throughout the entire 16-42mm zoom range.
Lightweight and Compact Design: At only 4.2 lbs, it is engineered for maximum mobility on gimbals, drones, and handheld rigs.
No Breathing or Ramping: Internal mechanical design ensures that the framing remains stable during focus pulls and zoom adjustments.
Signature Angénieux Color: Meticulously calibrated to provide organic skin tones and a cinematic texture that intercuts with Optimo primes.
Short Minimum Focus: Offers a close-focusing distance of 2 feet, enabling intimate wide-angle close-ups with beautiful perspective.
Standardized Gear Positions: Features uniform 0.8 module gears for focus, iris, and zoom to ensure compatibility with all follow focus systems.
Digital Sensor Optimization: Specifically engineered to avoid the optical artifacts common when using film lenses on modern digital sensors.
Update 26th Feb 2026:
Lens was missing model name “DP”,
Updated gear model name, descriptions and SEO info.
(J)
Cost TBD – India
India – Rupin Dang – rupindang@gmail.com – +91 9810019704
R-01-16 -2026
Prices Research
Justcinemagear: 5,650 – 6,990
Newlifecine: 2X $ 16,900 both – 8,900 single, 8,000 single, 8,500 single
AI says :
Average Market Pricing (USD)
Condition Price Range Notes
Well-Used $5,400 – $6,000 May show cosmetic wear; often sold by individual owner-operators.
Excellent /
Refurbished $6,500 – $8,500 Typically serviced (e.g., by Duclos), includes warranty or original flight case.
Two-Lens Kit $12,500 – $16,500 Combined with the companion 30-80mm DP, often in a shared flight case.
Canon CN-E 30-300mm T2.95-3.7 L is a flagship telephoto cinema zoom lens engineered for professional cinematography. Designed for Super 35mm and APS-C sensors, it offers an expansive 10x zoom range and high-end optical performance suitable for 4K production.
Key Features and Benefits
10x Zoom Magnification: Provides an extensive focal range (30mm to 300mm), allowing for significant creative flexibility from medium shots to extreme telephoto.
4K Optical Performance: Utilizes fluorite and large aspherical lens elements to ensure sharp, high-contrast images that exceed 4K resolution requirements.
Consistent T-Stop: Features a fast maximum aperture of T2.95 (from 30-240mm) and T3.7 at 300mm, enabling excellent low-light performance and shallow depth of field.
11-Blade Iris: Produces a soft, circular, and aesthetically pleasing bokeh in out-of-focus areas.
Minimized Focus Breathing: Geared inner focusing reduces changes in the angle of view when adjusting focus.
Standardized Design: Shares gear positions, front diameters (136mm), and rotation angles with other lenses in the line, allowing for “hot-swapping” without repositioning matte boxes or follow-focus units.
Dual-Sided Markings: Focus, zoom, and iris scales are engraved on angled surfaces on both sides of the barrel for easy visibility from any angle
Cost: TBD
India – Rupin Dang – rupindang@gmail.com
R-01-15-26
Prices Analisis
Justcinemagear : one very nice in $ 15,650 // newcinelife : has one in $ 17,000
AI says:
In the current second-hand market for professional cinematography gear, the Canon CN-E 30-300mm T2.95-3.7 L remains a high-value asset, though prices have settled significantly from its original retail price of approximately $48,000–$50,000.
Condition Estimated Price Range (USD) Notes
Excellent / Mint $14,000 – $18,000 Often includes original flight cases and minimal cosmetic wear.
Very Good / Used $11,500 – $13,500 Common for well-maintained rental or production-owned units.
Ex-Demo / Service Stock $18,000 – $24,000 Rarer units with official manufacturer servicing or warranties.
—
The Canon K-35 25-120mm T2.8 is a legendary vintage macro zoom lens that debuted in the early 1970s. Renowned for its unique optical character, it was the world’s first 35mm motion picture zoom to feature a macro function. In 1973, it earned Canon an Academy Award for its contribution to cinematography. It is frequently used today to provide a “filmic” look that takes the digital edge off modern sensors, perfectly complementing the famous K-35 prime lens set.
Key Features:
Fast T2.8 Constant Aperture: Maintains a bright, consistent exposure across the entire 5x zoom range, making it highly versatile for low-light environments.
Integrated Macro Function: Features a dedicated macro ring that allows for extreme close-up photography (as close as a few inches from the front element) without the need for diopters.
Vintage Aesthetic: Delivers the “K-35 look,” characterized by slightly lower contrast, warm skin tones, and a gentle roll-off between focus and bokeh.
Signature Optical Flares: Known for producing dramatic, textured flares—often in magenta and amber—due to its classic multi-layer coatings.
15-Blade Iris: Ensures the bokeh remains soft and circular even when the lens is stopped down, providing a pleasing aesthetic for out-of-focus highlights.
Super 35mm Coverage: Primarily designed for Super 35mm formats, though it can be used on Full Frame cameras when paired with an optical expander.
Cost: TBD
(t)
Darryl Wood
darryl@spinningmirror.com
1-14-2026
Canon CN-E 30-105mm T2.8 L S/SP is a lightweight, compact cinema zoom lens part of Canon’s EF Cinema lens line. Engineered for professional 4K production, it bridges the gap between wide-angle and telephoto work, making it a versatile choice for handheld shooting, documentaries, and tight-space cinematography.
Key Features and Benefits
Fast T2.8 Aperture: Maintains a consistent maximum brightness throughout the entire zoom range, ideal for low-light environments and consistent exposure.
4K Optical Performance: Features fluorite and aspherical elements to provide high resolution and contrast that exceeds 4K production standards.
Minimal Focus Breathing: Designed with geared inner focusing to virtually eliminate the shift in angle of view when pulling focus.
11-Blade Iris: Produces smooth, circular bokeh and a natural depth-of-field fall-off.
Lightweight & Compact: Weighing approximately 2.2 kg (4.8 lbs), it is significantly lighter than traditional cinema zooms, perfect for gimbal or shoulder-mounted work.
Standardized Build: Shared 114mm front diameter and gear positions with other Canon cine zooms allow for quick lens swaps without adjusting matte boxes or follow-focus rigs.
Cost: TBD
India – Rupin Dang – rupindang@gmail.com
R-01-13 -2026
Price Investigation
justcinemagear has 2 units :7,500 and 7,300 dollars
newlifecine: has one $ 7,885
Based on current secondary market data from professional gear resellers and auction sites, the Canon CN-E 30-105mm T2.8 L S/SP maintains a significant resale value, typically ranging from $4,500 to $6,500 USD.
While the original retail price for this lens was approximately $10,900, the used market has stabilized as newer mirrorless cinema optics have entered the space.
The Zeiss Super Speed S16 lenses are legendary prime lenses specifically designed for the Super 16mm (S16) film format. Originally introduced in the 1970s and refined through Mark II and Mark III versions, they remain a top choice for cinematographers seeking a vintage, “filmic” aesthetic on modern digital sensors like the Blackmagic Pocket Cinema Camera 4K or the Arri Alexa 35 (in S16 mode).
Key Features:
Ultra-Fast T1.3 Aperture: Allows for exceptional low-light performance and a shallow depth of field rarely seen in the S16 format.
Signature “Zeiss Look”: Features the famous T multicoating*, which offers high contrast and vibrant color reproduction while maintaining a gentle, vintage fall-off.
Minimal Focus Breathing: Designed for cinema, these lenses exhibit almost no change in focal length when racking focus.
Compact & Lightweight: Their small form factor makes them ideal for handheld shooting, gimbal work, and tight spaces.
Vintage Character: Wide open, they produce a soft, dreamy glow and beautiful flares; stopped down, they become impressively sharp and clinical.
Professional Housing: Mk II and Mk III versions feature integrated 0.8 pitch gears and consistent 80mm front diameters for easy use with follow focus systems and matte boxes.
Cost: TBD / 15,000 USD
(t)
Harper Lai
shk99318@gmail.com
12-29-2025
The Arri Zeiss 11-110mm T2.2 Vario-Sonnar is a legendary 10x zoom lens engineered specifically for the Super 16mm format. Often considered the “gold standard” for S16 cinematography, it provides a versatile focal range that is equivalent to approximately 31.5mm in Full Frame terms. Known for its compact build and the classic “Zeiss Look,” it remains a staple for documentary and independent filmmakers seeking a vintage, organic aesthetic with professional mechanical precision.
Key Features:
Constant T2.2 Aperture: Maintains a fast and consistent exposure throughout the entire 10x zoom range, excelling in low-light conditions.
Super 16 Coverage: Designed specifically to cover the S16 image circle (14.5mm) without vignetting at any focal length.
Macro Functionality: Features a dedicated macro mode (primarily at the 11mm end) allowing for extreme close-ups right up to the front element.
Zeiss T Coating: Multi-layer coatings ensure rich color saturation, high contrast, and the classic punchy Zeiss flares while minimizing ghosting.
Cine-Standard Mechanics: Equipped with integrated 0.8 pitch gears for focus, iris, and zoom, making it compatible with modern follow-focus and motor systems.
Internal Focusing: The lens front does not rotate or change length during focusing, allowing for easy use of clip-on matte boxes and filters.
Cost: TBD / 7000 USD
(t)
Harper Lai
shk99318@gmail.com
12-29-2025
The ARRI Signature Zoom 65-300mm is a high-performance cine lens designed to bring the iconic “Signature Look” to long-focal-length cinematography. It is engineered for large-format sensors but remains fully compatible with Super 35, offering 8K resolving power and a consistent T2.8 aperture throughout its entire range.
Key Features:
The Signature Look: Delivers warm, natural skin tones and creamy, rounded bokeh that perfectly matches the ARRI Signature Prime series.
No Exposure Ramping: Maintains a constant T2.8 aperture across the entire zoom range, ensuring exposure stability during focal length adjustments.
Included 1.7x Extender: Comes with a dedicated extender that increases the reach to 510mm, providing extreme telephoto capabilities without sacrificing the lens’s character.
HDR and 8K Ready: Advanced optical coatings and internal light traps control flares and minimize contrast for high-dynamic-range (HDR) workflows and future-proof 8K resolution.
LDS-2 Metadata: Integrated Lens Data System (LDS-2) simplifies complex post-production and VFX tasks by communicating precise lens settings to the camera.
Versatile Sensor Coverage: Specifically designed for large-format sensors (up to 46mm image circle) while providing exceptional performance on Super 35 cameras.
Magnetic Rear Filter Holder: Compatible with Signature Prime rear filters, allowing cinematographers to add nets or specialty glass for unique, customized textures.
cost: $25,000
(t)
Sam Moriarty
moriarty1887@gmail.com
12-17-2025
SOLD
Price changed on website and social media from 28,000 USD to 39,000 USD at Adam’s request on 29th jan 2026
The Cooke Varotal/i FF 30-95mm T2.9 is a high-performance cine zoom lens designed to deliver the legendary “Cooke Look” for full-frame cinematography. Engineered to perform as a “zoomable prime,” it matches the optical characteristics, color palette, and resolution of Cooke’s renowned S7/i and S8/i prime series, making it an ideal companion for high-end digital cinema and film productions.
Key Features:
Full-Frame Coverage: Designed to cover large format sensors up to Vista Vision (46.31mm image circle).
Constant T2.9 Aperture: Provides a consistent exposure across the entire 30-95mm focal range.
Integrated /i Technology: Captures vital lens metadata (focus, iris, and zoom position) to streamline post-production and VFX workflows.
Precision Mechanics: Features a 280° focus rotation and industry-standard 0.8 MOD gearing for smooth, reliable operation with FIZ systems.
Standardized Design: A 114mm front diameter and consistent gear placement allow for quick lens changes without repositioning accessories.
Robust Build: Finished with a scratch-resistant PTFE hard-anodized coating for durability in harsh environments.
cost: 30,800 USD
(t)
Regina Kao
CHENG SENG GROUP
t00360@cs.chengseng.com.tw
+886 935 088753
Cooke Varotal/i FF 85-215mm T2.9 is a modern, high-performance telephoto zoom lens designed to bring the legendary “Cooke Look” to full-frame digital cinema. Released in 2021, it is engineered to function as a “zoomable prime,” offering optical quality that matches high-end prime sets while providing the flexibility of a variable focal range.
The Signature “Cooke Look”: Delivers the classic, warm, and natural skin tones with a smooth fall-off and organic texture that cinematographers favor for high-end drama and commercials.
Full Frame Coverage: Designed to cover large-format sensors (up to a 46.31mm image circle), making it compatible with 8K cameras like the Sony VENICE 2, ARRI ALEXA 35, and RED V-Raptor.
Constant T2.9 Aperture: Maintains a fast and consistent aperture throughout the entire zoom range, ensuring no light loss during focal length changes.
Optical Consistency: Color-matched to the Cooke S7/i and S8/i prime lens ranges, allowing for seamless intercutting between zooms and primes in the same production.
Intelligent /i Technology: Equipped with electronics to record vital metadata (focus, iris, zoom position, and shading/distortion maps) for streamlined post-production and VFX workflows.
Minimal Focus Breathing: Virtually eliminates image shift during focus pulls, providing a more immersive, cinematic experience.
Rugged Build Quality: Features a scratch-resistant PTFE hard anodized finish and industry-standard 0.8 MOD gearing for use with follow-focus and wireless FIZ systems.
The 85-215mm serves as the telephoto anchor of the Varotal/i FF trio (which includes the 19-40mm and 30-95mm). Despite its professional-grade zoom range, it remains relatively compact at 8.8 lbs (4 kg), making it viable for handheld and Steadicam work. Each focus mark is individually calibrated and engraved on both sides of the barrel to assist camera assistants in demanding environments.
Our cost : $32,480
Regina Kao
CHENG SENG GROUP
http://www.chengseng.com/eng/
TEL: +886-2-8511-1311 #308
WhatsApp: +886 935 08875
Price Investigacion:
Newlifecine: doesn´t have any
Justcinemagear : doesn´t have any
AI: Based on current listings from specialized cinema equipment brokers and global marketplaces, here is the price breakdown for the 85-215mm:
New / Special Order $49,995 – $54,900 Standard MSRP from dealers like B&H or Duclos.
Used (Excellent/Mint) $34,750 – $38,500 Recent listings from cinema brokers .
Used (Demo/Ex-Display) $25,000 – $30,000 Rare; often found at UK/EU retailers like CVP during clearance.
R-12-17-2025
The Angenieux 25-250mm lens is a renowned cine zoom celebrated for its exceptional versatility, clean optics, and signature Angenieux look. Ideal for documentary, commercial, and narrative production, it offers smooth mechanical operation, consistent sharpness throughout the zoom range, and dependable performance even in demanding shooting environments. As a used unit, it remains a powerful and cost-effective addition to any filmmaker’s kit.
Key Features
Wide 25–250mm zoom range
Signature Angenieux cinematic rendering
Smooth, precise focus and zoom mechanics
Reliable performance for professional productions
Clean optics with excellent contrast
Cost: To be Determined
December 8, 2025
(M)
Harper Lai
Hekuan Equipment Co Ltd.
shk99318@gmail.com
The Angénieux Optimo DP 16-42mm and 30-80mm T2.8 zoom duo represents a perfectly matched “Rouge” set, specifically optimized for digital cinema sensors and lightweight configurations. These lenses provide the legendary “Angénieux look”—characterized by organic skin tones and a delicate balance of contrast and resolution—across a comprehensive focal range that covers nearly every essential narrative perspective. Engineered for agility, this high-performance pair is the definitive choice for Steadicam, handheld, and gimbal-based cinematography, allowing DP’s to swap between wide-angle and telephoto setups without sacrificing the consistent T2.8 speed or the sophisticated optical character for which the Optimo series is world-renowned.
Key Features:
Consistent T2.8 Aperture: Maintains exposure and depth-of-field control across both lenses and their entire zoom ranges.
Matched Optical Character: Both lenses are color-calibrated to ensure seamless intercutting and a unified visual aesthetic.
Lightweight Precision Design: Optimized for mobile production, making them ideal for drones, gimbals, and handheld rigs.
Zero Breathing and Ramping: Sophisticated internal mechanics ensure framing remains stable during focus and zoom adjustments.
Standardized Gear Positions: Features uniform focus and iris gear placement for rapid lens changes with follow focus systems.
High Contrast and Resolution: Specifically engineered to maximize the performance of modern high-resolution digital cinema sensors.
Versatile Focal Coverage: The 16-42mm and 30-80mm combination provides a complete toolkit for varied storytelling needs.
Update 26th Feb 2026:
Lens was missing model name “DP”,
Updated gear model name, descriptions and SEO info.
(J)
Cost: TBD
India – Rupin Dang – Rupin Dang <rupindang@gmail.com>
justcinemagear: does not have such bundle
Newlifecine.com does not have such bundle
AI says : Average Used Price Range (Bundle)The typical asking price for a pair of Angenieux Optimo DP 16-42mm & 30-80mm T2.8 zoom lenses in good working condition with a flight case is generally found in the range of:$$\text{USD } \$18,000 – \$22,000$$Or roughly:$$\text{EUR } €17,000 – €20,500$$
R – 11-12-2025
The Canon EF-mount 17-120mm zoom lens is formally known as the Canon CINE-SERVO 17-120mm T2.95-3.9 (CN7x17 KAS S/E1).1 It’s a high-performance cinema/broadcast hybrid lens designed for professional shooting environments.
Versatile 17-120mm Focal RangeOffers a 7x zoom ratio, covering wide-angle to telephoto for diverse shooting needs (documentary, drama, broadcast, etc.).
High Optical Performance: Supports 4K resolution (and in newer versions, up to 8K) with high optical quality across the entire zoom range.
Fast Aperture: Features a maximum aperture of T2.95 (at 17-91mm) to T3.9 (at 120mm), offering good low-light performance and shallow depth of field control.
Detachable Servo Drive Unit: Includes an ENG-style servo drive unit for electronic control of zoom, focus, and iris (broadcast style). This unit is removable for manual, cinema-style shooting (using standard cine accessories).
Super 35mm Coverage: Designed to cover the Super 35mm sensor format, a common standard in digital cinema cameras.
Cinema Features: Includes an 11-blade iris for attractive bokeh, cine-standard gear pitches (0.8 and 0.5 MOD), and focus marks on both sides of the barrel
Metadata Output: Features a 16-bit encoder to output high-resolution metadata for use in virtual studio systems.
Rugged Design: Built to be durable, weatherproof, and shockproof for reliable use in challenging environments.
COST : 6,000
Owner: Kris Von Ahn
636-633-6079
Kris Von Ahn<vonahnkris@gmail.com>
Price Investigation:
IMPERIAL AND METRIC – Gives more value
AI Says : Good/Operational $8,000 – $11,500 Lenses with visible cosmetic wear or minor glass issues (e.g., coating scratches, no impact on quality).
Newlife cine has one 9,500 and a second one in 15,600
Justcinemagear has 3: 11,990 – 8,900 and 8,500
R-11-11-2025
The Fujinon 19-90mm T2.9 Cabrio Zoom Lens is a versatile, lightweight PL-mount zoom lens designed for Super 35mm digital cinema cameras. Its key feature is the exclusive detachable servo drive unit, earning it the “Cabrio” (convertible) name, allowing it to be used as a traditional cinema lens or as an ENG-style (Electronic News Gathering) lens. It’s known for covering a long focal range while remaining relatively lightweight.
key features:
Detachable Digital Servo Drive Unit: Flexibility to switch between traditional cinema-style control (with standard cine motors) and ENG-style operation (with servo handgrip for zoom/focus/iris).
Wide Focal Range (19-90mm): Offers a highly versatile zoom ratio in a single lightweight lens, reducing the need for lens changes.
T2.9 Maximum Aperture: Excellent light transmission and depth of field control for cinematic shallow focus and strong low-light performance.
LDS and /i Technology Compatibility: Provides accurate lens metadata (zoom, iris, focus position) to the camera for post-production (VFX, 3D modeling) and on-set displays.
Macro Focus Function: Allows for closer minimum focus distance, enabling extreme close-up shots without needing a separate macro prime lens.
9-Blade Iris: Creates a natural and pleasing bokeh (out-of-focus background blur).
Flange Focal Distance Adjustment: Allows for precise back focus adjustment in the field without shims, ensuring optimal sharpness.
cost $7000 USD
(T)
kris von ahn
vonahnkris@gmail.com
636-633-6079
28-10-2025
The Angenieux Optimo is a highly-regarded, compact and lightweight cine zoom lens, often referred to as a “variable prime” due to its exceptional optical performance. It’s designed to cover Super35 format sensors, making it an industry standard, particularly for applications requiring mobility, such as handheld or Steadicam work. It delivers superb image quality, consistent across its zoom range, and features robust mechanical design for professional use.
key features:
T2.6 Constant Aperture: Excellent low-light performance and shallow depth of field; matches the speed of many prime lenses.
Low Distortion & Minimal Breathing: Maintains image geometry and composition consistency across focal lengths and focus pulls.
“Angenieux Look”: Perfect homogeneity of color, contrast, and resolution, providing a highly sought-after cinematic aesthetic.
Compact & Lightweight (approx. 1.92 kg / 4.2 lbs): Ideal for Steadicam, drone, and handheld operation, reducing operator fatigue.
Internal Focus & Zoom: Maintains a constant lens length and center of gravity, crucial for stability rigs and quick lens changes.
Interchangeable Mount System (PL standard): Versatility with ability to swap to Panavision or Canon EF mounts.
Close Focus (2 ft / 0.6 m): Allows for extreme close-up shots.
Precise Focus Ring: 320° focus rotation with over 50 focus witness marks for highly accurate and repeatable focus pulls.
cost $9500 USD
(T)
Kris Von Ahn
vonahnkris@gmail.com
636-633-6079
28-10-2025
The Fujinon 18-85mm T2 is a professional cine zoom lens designed for high-end film and television production. Known for its precision optics, consistent T2 aperture, and minimal breathing, it delivers exceptional image quality across its versatile focal range. This lens is part of Fujifilm’s premier HK series, offering superior performance for 4K and beyond.
Key Features:
Wide to telephoto range (18–85mm): Covers a broad shooting spectrum without changing lenses.
Constant T2 aperture: Maintains exposure and depth of field consistency throughout the zoom range.
Cinematic optical quality: Delivers sharp, high-contrast images with natural color rendition.
Minimal breathing: Ensures stable framing during focus pulls.
Precision build: Rugged, all-metal housing for professional reliability.
Uniform gear positions: Matches other Fujinon HK lenses for efficient lens changes on set.
4K and beyond resolution: Supports modern high-resolution cinematography.
(T)
USD $20,000
Zachary Read
zachread22@gmail.com
Bandit Content
3525626105
United States
Gainesville, FL
27-10-2025
The Angenieux Optimo 15-40mm is a premium lightweight wide-angle zoom lens designed for high-end film and digital cinematography. Known for its outstanding optical performance, smooth mechanics, and compact build, it delivers sharp, consistent images with minimal distortion across the zoom range. It’s ideal for handheld, Steadicam, and gimbal work where flexibility and precision are essential.
Key Features
Wide-Angle Zoom Range: Offers a versatile focal range for wide establishing shots, dynamic close-ups, and handheld work, all in one lens.
Constant Maximum Aperture: Ensures consistent exposure across the entire zoom range (no ramping) and excellent low-light performance with a beautiful, shallow depth of field.
Compact and Lightweight: Ideal for agile shooting scenarios like handheld, Steadicam, gimbals, and drones, reducing operator fatigue and increasing versatility.
Superb Optical Quality: Delivers exceptional sharpness, perfect homogeneity of color, contrast, and resolution, often rivaling prime lenses.
Minimal Optical Imperfections: Virtually no focus breathing and very low distortion, crucial for professional cinematography.
Consistent Mechanics: Shares an identical center of gravity and consistent placement of focus, iris, and zoom gears with other lightweight Optimo zooms, enabling fast, simple lens changes on set.
Cinema Standard Design: Features independent, manual control rings with standard 0.8 MOD gear teeth and a focus rotation for precise focus pulling.
Temperature Stability: Designed with passive athermalization to compensate for temperature drifts, maintaining focus consistency across varying shooting environments.
USD $9,800
(T)
Kris Von Ahn
vonahnkris@gmail.com
636-633-6079
24-10-2025
The K35 Macro Zoom Lens K5x25 25–120mm T2.8 is a high-performance cine lens designed for professional filmmakers and photographers seeking exceptional image clarity and versatility. With a constant T2.8 aperture throughout its zoom range, this lens delivers consistent exposure and beautiful depth of field from wide to telephoto shots. Engineered for precision, it offers smooth focus and zoom control, making it ideal for both close-up macro work and dynamic cinematography in diverse shooting environments.
Features:
Focal length: 25–120mm zoom range
Constant T2.8 aperture for uniform exposure
Macro capability for detailed close-up shots
High-resolution optics with minimal distortion
Smooth manual focus and zoom control
Robust, weather-sealed construction for professional use
Compatible with full-frame and Super 35 sensors
Industry-standard gear rings for follow focus systems
Coated elements for superior contrast and reduced flare
Designed for cinematic and high-end video production
He has two available
25000 USD FOB
October 23, 2025
(M)
Darryl Wood
Mobile: +61 409 690 406
darryl@spinningmirror.com
The Angenieux Optimo Style 25-250mm is a high-performance 10x cine zoom lens that is the 4th generation of Angenieux’s signature 25-250mm focal range, optimized for Super35 (S35) digital cinema cameras. It is part of the Optimo Style series, offering a blend of acclaimed Optimo image quality and modern features.
Features:
Versatile 10x Zoom Range: Covers a wide to telephoto focal length of 25 to 250mm.
Constant Aperture: Maintains a consistent maximum aperture of T3.5 throughout the entire zoom range for reliable exposure control.
High Optical Quality: Optimized for 4K+ resolution with minimal distortion, low chromatic aberration, and well-controlled breathing.
Cinematic “Optimo Look”: Color reproduction is designed to match the highly acclaimed Optimo lens series for seamless integration with other Angenieux lenses.
Internal Mechanics: Features internal focus and zoom mechanisms, meaning the lens length and volume remain constant during operation.
Robust and Precise Build: Features the Angenieux rod guiding system for robust and precise zoom and focus mechanics, suitable for professional use.
Interchangeable Mounts: Available in PL mount but is easily interchangeable with Panavision PV and Canon EF mounts for flexibility.
Cost TBD
India
Rupin Dang
New Life cine does not have it
Justcinegear has 2 : 25,650 and 24,550
R – 10/06/25
The Angénieux Optimo Style 25-250mm T3.5 is the fourth-generation evolution of the legendary 10x zoom focal range that has served the motion picture industry for over 50 years. Specifically re-engineered for Super 35mm digital sensors, this versatile “studio zoom” offers a sophisticated balance of modern 4K+ resolution and the organic, cinematic texture known as the “Angénieux look.” By providing a constant T3.5 aperture and perfectly matched colorimetry to the high-end Optimo series, it serves as a highly efficient alternative to carrying an entire set of primes, making it a reliable workhorse for feature films, documentaries, and high-end commercials where focal flexibility and optical precision are paramount.
Key Features:
Versatile 10x Zoom Range: Covers 25mm to 250mm, providing a comprehensive toolkit for everything from wide establishing shots to extreme telephoto close-ups.
Constant T3.5 Aperture: Maintains consistent exposure throughout the entire zoom range with no iris ramping.
Legendary “Angénieux Look”: Delivers organic skin tones, smooth contrast, and high-resolution imagery that exceeds 4K standards.
Advanced /i Technology: Integrated digital metadata system provides real-time data for focus, iris, and zoom to assist in VFX workflows.
Internal Focus & Zoom: Robust mechanical design ensures no change in physical lens volume or front-element rotation during operation.
Minimal Focus Breathing: Sophisticated optics keep the image stable and framing consistent during significant focus pulls.
Extender Compatibility: Fully compatible with Optimo 1.4x and 2x extenders to reach up to a 500mm focal length.
Update 26th Feb 2026:
Corrected product name.
Updated gear model name, descriptions and SEO info.
(J)
Rupin Dang India
Cost TBD
Based on recent listings in the global second-hand market for professional film and digital video equipment, the average price for a Used Angenieux 25-250 Optimo Style (DP) /i PL Lens (T3.5) is approximately $26,000 USD.
The price typically ranges between $24,000 and $30,000 USD, depending on the lens’s condition, recent service history (e.g., if it has been fully serviced), and the inclusion of accessories like a hard case or mounting shims.
Representative Price Listings:
Source (Used Market) Listed Price (USD) Notes
Average Price ~$26,000 Calculated average from multiple recent sales listings.
Used Cine Gear $29,900
KitPlus $24,990 Listed in “pristine condition, fully serviced”
FJS International $26,400 (FOB) Recent sale listing
Just Cinema Gear $24,550
Includes:
ANGENIEUX EZ-1 30-90mm T2 S35/45-135mm T3 FF
ANGENIEUX EZ-2 15-40mm T2 S35/22-60mm T3 FF
Features:
Interchangeable Rear Optics (IRO) Technology: This is the most significant feature. A simple swap of the rear optical block allows the lens to convert between two different image formats: Super 35mm (S35) and Full-Frame/VistaVision. This makes them highly adaptable for a wide range of cameras.
Dual Focal Lengths & Apertures: The IRO technology results in a different focal length and maximum aperture for each format.
EZ-1: 30-90mm at T2.0 (S35) and 45-135mm at T3.0 (Full-Frame).
EZ-2: 15-40mm at T2.0 (S35) and 22-60mm at T3.0 (Full-Frame).
Fast & Consistent Aperture: Both lenses offer a very fast T2.0 aperture in their native S35 configuration, which is great for low-light shooting. The aperture remains constant across the entire zoom range, meaning no light “ramping” when you zoom in or out.
Cinema-Style Mechanics: The lenses have three independent control rings for focus, iris, and zoom, each with industry-standard 0.8 MOD gear teeth for compatibility with follow focus and lens control motors.
Internal Zoom and Focus: The lens’s physical length does not change when zooming or focusing, which is ideal for working with matte boxes and other accessories.
Interchangeable Mounts: They come standard with a PL mount but can be converted to other popular camera mounts like Sony E, Canon EF, and RF with optional mount kits.
Lightweight and Compact: Weighing around 4.7 pounds, these lenses are practical for handheld work, gimbals, and drone setups, a notable advantage for zoom lenses of this quality.
Cost: $23,500
September 10, 2025
(M)
Simon Morris
Austrailia
Email: simon@simonmorris.com.au
Telephone: +61422764223
SOLD
The ARRI Alura 30-80mm T2.8 is a high-performance, lightweight cinema zoom lens developed through a collaboration between ARRI and Fujinon. It’s designed to be a companion to the Alura 15.5-45mm, creating a matched set of lightweight zooms for versatile filmmaking.
Key Features and Benefits
Exceptional Optical Quality: Delivers high resolution and contrast for 2K to 4K+ output, with minimal chromatic aberration, low distortion, and a multilayer coating to reduce flares.
Lightweight and Compact: Its design makes it well-suited for a variety of shooting styles, including handheld, Steadicam, and 3D rigs, without sacrificing performance.
Film-Style Ergonomics: Features a robust build, PL mount, and large, easy-to-read focus scales on both sides, making it efficient for professional camera crews.
Consistent Aperture: A fast T2.8 aperture is maintained throughout the entire zoom range, providing consistent exposure and shallow depth of field control.
ARRI Lens Data System (LDS): This system automatically transmits lens metadata to compatible cameras, which is invaluable for on-set operations and post-production, especially for VFX and 3D work.
Matched Optics: Engineered to match the color characteristics and handling of other ARRI zoom and prime lenses, ensuring a consistent visual aesthetic across your lens package.
COST : 10 000 EUR / 40 000 PLN
Pozdrawiam/Best Regards
Mr. Wacław Mączyński
2K4K film rental
tel.: +48 789 076 844
mail: waclaw@2k4k.pl
2k4k.eu | facebook
****************
Lori has two: $ 8,850 & 7,999
Newlfecine has one : $ 13,000
R-08/05/2025
The ARRI Alura 15-45mm is a high-quality, lightweight wide-angle zoom lens designed for professional digital and film camera systems. It is the result of a collaboration between ARRI and Fujinon, combining robust construction with excellent optical performance.
Key Features and Benefits
Outstanding Optical Performance: Provides high resolution and contrast for 2K to 4K+ camera outputs, with minimal breathing, low distortion, and a multilayer coating to reduce flares.
Lightweight and Compact: Its design makes it ideal for handheld, Steadicam, and 3D rig work, offering versatility on set.
Film-Style Ergonomics: Features robust construction, a PL mount, and large, easy-to-read focus scales on both sides for efficient focus pulling.
ARRI Lens Data System (LDS): Automatically provides lens metadata to compatible cameras, which streamlines on-set operations and post-production tasks like VFX and 3D work.
Broad Compatibility: Optimized for digital cameras but also compatible with film cameras, and its large 31.5mm image circle covers all current Super35-sized sensors.
Matched Optics: Designed with color characteristics that match other ARRI zoom and prime lenses, ensuring a consistent look across different lenses.
Cost
10 000 EUR / 40 000 PLN
Pozdrawiam/Best Regards
Mr. Wacław Mączyński
2K4K film rental
tel.: +48 789 076 844
mail: waclaw@2k4k.pl
2k4k.eu | facebook
Pic code : Arri-Alura-15-45-FJS-##
Lori has one in $ 7,990
Newlifecine has no one R- 08/05/2025
Wide 12x Zoom Range: Covers a broad spectrum from wide-angle (24mm) to long telephoto (290mm), reducing the need for frequent lens changes.
Constant T2.8 Aperture: Maintains a bright T2.8 aperture throughout the entire zoom range, ensuring consistent exposure and excellent low-light performance with no “ramping.”
Superb Optical Quality: Delivers sharp images with excellent contrast and color rendition. Often considered a “variable prime” due to its high image fidelity across all focal lengths, rivaling prime lenses.
Minimal Breathing and Distortion: Engineered to significantly reduce focus breathing and optical distortion, ensuring professional cinematic results.
Internal Focus Design: The lens maintains a constant physical length during focus pulls, which is crucial for smooth operation with matte boxes and other accessories.
Precise Focus Control: Features a wide 327° focus rotation with over 70 accurate witness marks, allowing for very precise and repeatable focus pulls. Focus scales can be interchanged between feet and meters.
Robust and Reliable Mechanics: Built with durable, high-quality materials and a robust zoom/focus mechanism designed for the demands of professional production environments.
PL Mount Compatibility: Comes standard with a PL mount, making it compatible with most professional cinema cameras. Optional Canon EF and Panavision mounts may be available.
Academy 35mm Sensor Coverage: Designed to cover Academy 35mm sensors. With optional 1.4x or 2x Optimo extenders, it can extend coverage to Super 35 and even Full Frame/VistaVision (depending on the specific lens model, like the Optimo Ultra 12x variant).
Wide Operating Temperature: Designed to perform reliably across a broad temperature range, from cold to hot environments.
COST 20,000 EUROS
Tony Baggott
Frieze Films
South Africa
tony@friezefilms.com
0824135083
07/23/2025 R
Features:
Ultra-Telephoto Zoom: Impressive 50-1000mm focal range.
Built-in 1.5x Extender: Extends focal length to an astounding 75-1500mm, providing extreme reach.
4K Optical Performance: Engineered for high-resolution acquisition, maintaining sharpness throughout its zoom range.
Super 35mm Coverage: Designed to cover Super 35mm sensors, with the extender enabling full-frame coverage.
Detachable Digital Drive Unit: Allows seamless switching between broadcast-style (servo control) and cinema-style (manual control) shooting.
Broadcast & Cinema Hybrid: Combines the functionality of ENG-style servo zooms with cinema-grade optics.
Variable T-Stop: T5.0 at the wide end (50-560mm) and T8.9 at the telephoto end (1000mm).
11-Blade Iris: Creates pleasing, natural-looking bokeh for cinematic depth.
Parfocal Design: Maintains focus across the entire zoom range, essential for smooth zooming shots.
Minimal Chromatic Aberration & Breathing: Advanced optical design minimizes image artifacts and focus shifts during zooming.
Dual Mount Options: Available in EF or PL mount, often convertible by authorized service.
Metadata Support: Compatible with industry-standard protocols like Cooke /i Technology and Canon EOS-LENS data for recording lens information.
Programmable Servo Functions: Allows for precise, repeatable zoom, focus, and iris moves with variable speeds (1.5 to 180 seconds for full zoom).
Compact for its Class: Relatively portable at around 14.6 lbs (6.6 kg) for its extensive capabilities.
COST $54,950
Brady Romberg
July 23, 2025
(M)
bradystunt@gmail.com
We price matched newlifecine. Adam approved.
Versatile Zoom Range: Covers a wide focal length range of 15mm to 40mm (or 16-40mm for some models), suitable for diverse shooting scenarios like wide shots, landscapes, and even portraits.
Fast Constant Aperture: Offers a constant maximum aperture of T2.6 (or T2.0 for the EZ-2 series) throughout the zoom range, enabling excellent low-light performance and precise depth of field control, rivaling prime lenses.
Superior Image Quality: Delivers sharp details, natural colors, impressive contrast, and minimal distortion, with no ramping and minimal focus breathing.
Compact and Lightweight Design: Weighing around 4.2 lbs (1.9 kg), it’s ideal for handheld, Steadicam, and gimbal use, promoting agility on set.
Durable Construction: Built with a rugged design and often featuring temperature compensation for use in demanding environments (-20°C to +45°C).
Precise Manual Control: Features independent focus, iris, and zoom control rings with cinema-standard 0.8 MOD gear teeth and a 320° focus rotation for accurate adjustments.
Interchangeable Mounts: While commonly available in PL mount, some versions (like the EZ series) offer interchangeable mounts (e.g., Canon EF, Sony E, Panavision) for broader camera compatibility.
Internal Focus and Zoom: Maintains a consistent lens length during operation, simplifying rigging and handling.
Cost: USD$ 19.500
Brazil – Cristiano Wiggers
cristianowiggers@gmail.com / 5511991693116
Note:
Newlifecine has only bundles with other lenses
justcinemagear has 4 of the following prices :
13,850 – 11,650 – 15,950 and 15,650 for an avegage of 14,275
R -07-21-2025
Features:
Expansive Zoom Range: A significant 12x zoom from 24mm to 290mm, offering immense flexibility for various shots without frequent lens changes.
Fast T2.8 Aperture: A constant T2.8 maximum aperture across the entire zoom range, ensuring excellent low-light performance and consistent exposure.
No Ramping: Maintains a constant T-stop (aperture) throughout the zoom, crucial for smooth, continuous exposure during zoom ins and outs.
Superb Image Quality: Delivers sharp, high-resolution images with excellent colorimetry and contrast, often rivaling prime lenses. Considered a “variable prime” due to its optical quality.
Minimal Breathing: Focus breathing is virtually eliminated, preventing distracting changes in the field of view during focus pulls.
Internal Focus Design: The lens maintains a constant physical length when focusing, making it easier to work with matte boxes and other accessories.
Precise Focus Control: Features a wide 327° focus rotation with over 70 precise witness marks, allowing for accurate and repeatable focus pulls.
Versatile Sensor Coverage: Covers 35mm Academy sensor sizes (up to 30mm diagonal). Can be expanded to Super 35 (and even Full Frame/VistaVision with the Optimo Ultra 12X version and extenders).
Robust Construction: Built with durable, lightweight materials and designed for extreme production environments, including a wide operating temperature range.
PL Mount Standard: Comes with a standard ARRI PL mount, with options for other mounts like Canon EF (or Panavision with conversion).
Accessory Compatibility: Designed to integrate seamlessly with industry-standard zoom motors, follow focus units, and matte boxes (162mm front diameter).
Cost 20000 Euros
July 9, 2025
(M)
Tony Baggott
Frieze Films
South Africa
tony@friezefilms.com
+27824135083
Features:
4K Production Ready: Engineered to deliver sharp, consistent images for cameras shooting in 4K resolution (4096 x 2160 pixels) and beyond.
Super 35/APS-C Coverage: Designed to cover Super 35mm-equivalent and APS-C sized sensors, making it compatible with a wide range of cinema cameras.
Constant T2.8 Aperture: Maintains a bright T2.8 aperture throughout the entire zoom range, ideal for low-light scenarios and consistent exposure while zooming.
Beautiful Bokeh: Features an 11-blade iris diaphragm for smooth, attractive out-of-focus areas, enhancing cinematic depth of field.
Minimized Focus Breathing: Geared inner focusing mechanism virtually eliminates focus-induced changes in the angle of view, maintaining a stable image.
Precise Focus Control: Offers approximately 300 degrees of focus rotation, allowing for incredibly accurate and subtle focus pulls.
Compact & Lightweight: Designed for mobility, weighing in at around 4.8 lbs (2.2 kg), making it suitable for handheld and Steadicam setups.
Reduced Minimum Object Distance (MOD): A short MOD of 23.6 inches (0.6 meters) enables tight close-ups and allows for shooting in confined spaces.
High-Quality Optics: Incorporates fluorite and large aspherical lens elements to ensure sharp, consistent imagery and minimize aberrations across the zoom range.
Durable Cine Build: Features robust construction with control rings designed for consistent operating torque and a covered flange-back adjustment mechanism for reliable performance.
Clear, Dual-Sided Markings: Focus, zoom, and iris markings are angled and printed on both sides of the barrel for easy readability from various camera positions, and can be switched between standard and metric.
Cost: To Be Determined
July 7, 2025
(M)
Danny Saldana
Dynamic Rentals
United States
danny@dynamicrentals.com
8186361775
Features:
Expansive Focal Range: 65-300mm natively.
Constant T2.8 Aperture: Maintains T2.8 throughout the entire zoom range (without extender), no ramping.
Large Format Coverage: Designed to cover full-frame and VistaVision sensors, also compatible with Super 35.
Signature Look: Matches the aesthetic of ARRI Signature Primes for consistent imagery.
Natural Skin Tones & Bokeh: Delivers pleasing, organic images with smooth focus fall-off.
Controlled Flares: Engineered for controlled, artistic flares, ideal for HDR and lower contrast scenes.
LPL Mount: Utilizes ARRI’s Large Positive Locking mount for robust and data-rich connection.
LDS-2 Lens Data System: Provides extensive metadata for efficient post-production and VFX.
8K Resolution Ready: Future-proofed for high-resolution capture.
Durable Build: Lightweight yet robust magnesium barrel construction.
Integrated Handle: Features a built-in, detachable handle for secure grip and ease of use.
Rear Filter Compatibility: Works with the magnetic Signature Prime rear net holder for custom diffusion.
Minimal Chromatic Aberration: Designed to minimize color fringing.
No Visible Focus Breathing: Maintains consistent framing when adjusting focus.
Close Focus: Excellent close-focus distance for detailed shots.
COST TO BE DETERMINED
July 4, 2025
(M)
Patrick Donnelly
pdonnelly555@mac.com
Features:
Signature Look: Delivers the same organic, flattering skin tones and smooth bokeh as the Signature Primes.
Large-Format Coverage: Designed for full-frame and large-format sensors, but also compatible with Super 35.
Consistent T2.8 Aperture: Maintains a fast T2.8 maximum aperture across the entire zoom range, no ramping.
Parfocal Design: Focus stays consistent when zooming, ideal for smooth, uninterrupted shots.
Minimal Chromatic Aberration: Produces clean images with minimal color fringing.
Controlled Flaring: Manages flare effects for beautiful, cinematic results, even in HDR.
LPL Mount: Utilizes the robust ARRI LPL mount, an open standard for large-format cinematography.
LDS-2 Lens Data System: Provides detailed lens metadata for efficient post-production and VFX.
Customizable Diffusion: Features a rear magnetic filter holder for experimenting with various diffusion materials.
Durable and Lightweight: Constructed with a magnesium barrel for a robust yet relatively light build.
8K+ Resolution Ready: Future-proofs your productions with optimal image quality for high-resolution workflows.
Close Focus: Allows for close-up shots with a minimum marked object distance of 0.7m (2’6″) from the sensor plane.
Cost To be Determined
July 4, 2025
Patrick Donnelly
pdonnelly555@mac.com
The ZEISS Signature Prime Zoom Lens 16-32mm is a high-performance cine zoom lens designed for professional filmmaking. It’s part of ARRI’s Signature Lens family and is highly regarded for its exceptional image quality and cinematic look.
Key Features and Benefits:
Matching Signature Primes Look: Designed to seamlessly integrate with ARRI’s Signature Primes, ensuring a consistent visual aesthetic across your footage, with natural skin tones and elegant out-of-focus highlights.
Large Format and Super 35 Coverage: Covers a wide range of sensor sizes, from Super 35 to full-frame/large format, offering versatility for various camera systems.
Fast T2.8 Constant Aperture: Maintains a bright T2.8 maximum aperture throughout the entire zoom range, eliminating the need for “ramping” and providing consistent exposure.
Future-Proof 8K+ Resolution: Delivers optimal image quality suitable for 8K and higher resolution productions, ensuring long-term value.
Controlled Flares and Lower Contrast: Features advanced coatings and light baffling to control flares for HDR compatibility and produce images with open shadows.
ARRI LPL Mount & LDS-2 Data System: Utilizes the industry-standard ARRI LPL mount for robust connection and integrates with the LDS-2 lens data system for precise metadata, streamlining post-production.
Lightweight and Durable: Constructed with a high-performance magnesium barrel, making it relatively lightweight for its class while maintaining durability.
Close Focus Capability: Offers a short minimum focus distance for capturing detailed close-up shots.
Consistent Performance: Ensures uniform image quality, sharpness, and color rendition throughout the zoom and iris ranges.
COST 50,000 Dollars
Owner Owner Emme Lee Cine Equipment – emme@cine-equipment.com
Cine Equipment Pte Ltd
49 Jalan Pemimpin
#05-06 APS Industrial Building
Singapore 577203
Office Tel: +65 62525089
Website: https://www.cine-equipment.com/
https://www.facebook.com/CineEquipmentPteLtd/
The ZEISS Signature Prime Zoom Lens 16-32mm is a high-end cinema lens, and its price reflects that.
Based on current listings for new units, you can expect to pay in the range of $63,520.00 to $68,520.00 USD. Some retailers may offer instant savings or financing options.
Keep in mind that these are professional cinematic tools, and their pricing is significantly higher than consumer lenses. Says AI
R- 07/02/25
Hybrid Design for Cinema and Broadcast: Blends the optical quality and aesthetics of a cinema lens with the functionality and ease of use of a broadcast (ENG) servo zoom, making it highly versatile for various production styles, from documentaries to live events.
Wide and Flexible Zoom Range: Offers a 7x zoom magnification with a focal length of 17mm to 120mm, providing a broad range of shots without frequent lens changes.
4K/8K Optical Performance: Designed to deliver high-resolution images across the entire zoom range, supporting modern 4K and even 8K cameras with Super 35mm sensors.
Detachable Servo Drive Unit: Features a removable servo unit for zoom, focus, and iris control, allowing for seamless transitions between motorized broadcast-style operation and manual cinema-style shooting.
Smooth Bokeh: Equipped with an 11-blade iris that creates natural-looking, pleasing out-of-focus areas (bokeh).
Multiple Mount Options: Available in EF, PL, and more recently, RF mounts, ensuring compatibility with a wide array of professional cameras.
Advanced Communication: Supports various metadata output protocols (including Canon’s own, Cooke /i Technology, and ZEISS eXtended Data on some versions) for virtual production, VFX workflows, and streamlined lens data.
Focus Breathing Compensation: Newer models include this feature to minimize image distortion during focus pulls, maintaining stable framing.
Durability and Ergonomics: Built ruggedly for professional use, with ergonomic controls designed for comfortable operation.
SOLD – Cost: TBD – SOLD
Owner: We need to get the cost price from owner
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505
Newlifecine has one $14,500
Lori has 5 of them; 13,650 – 11,990 – 11,990 – 13,650 – 13,500
Versatile Zoom Range: Offers a flexible 30-90mm T2.0 (Super 35) and 45-135mm T2.9 (Full Frame/VV) zoom range, making it suitable for a wide variety of productions.
Interchangeable Rear Optics System (IRO Technology™): This unique feature allows users to easily swap the rear optical assembly between Super 35 and Full Frame/VV sensor coverage, providing exceptional adaptability and future-proofing.
Lightweight and Compact: Designed for portability and ease of use, even in challenging shooting environments.
Consistent T-Stop: Maintains a constant aperture throughout the zoom range, simplifying exposure control.
High Optical Performance: Delivers excellent image quality with sharp resolution, good contrast, and pleasing bokeh, characteristic of Angenieux lenses.
Robust and Reliable: Built to withstand the rigors of professional production.
Cost-Effective Solution: Offers the renowned Angenieux quality and versatility at a more accessible price point compared to some of their higher-end cinema zooms.
SOLD – Cost TBD – SOLD
newlifecine.com has one in 21,900
Lori has 3 bundles of EZ1 & EZ2 in 21,806 / 20,650 / 17,950
Owner: We need to get the cost price from owner
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505
Exceptional Zoom Range: Boasts an impressive 20x zoom ratio, covering an extremely wide focal length from 50mm to 1000mm, making it highly versatile for various productions.
4K Optical Performance: Designed to deliver superb optical quality, supporting 4K production with high resolution and contrast throughout its zoom range.
Detachable Drive Unit: Features a detachable servo drive unit, allowing for use as a traditional cinema lens (manual operation) or a ENG/EFP style lens (with servo control).
PL Mount: Equipped with an industry-standard PL mount for compatibility with a wide range of professional cinema cameras.
Cinema and Broadcast Hybrid: Offers the control and feel of a broadcast lens combined with the optical performance and robust build of a cinema lens, suitable for documentaries, live events, sports, and scripted productions.
Image Stabilization: Incorporates optical image stabilization to help reduce shake, especially critical at longer focal lengths.
Compact and Lightweight (for its class): While still a substantial lens, it’s engineered to be relatively compact and lightweight for its extensive zoom capabilities.
newlifecine has one in USD $ 53,000
Lori does not have it
Cost Has to be determined with owner
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505
Versatile Zoom Range: Offers a wide 30-300mm focal length, ideal for a variety of shooting scenarios from wide shots to telephoto.
4K Optical Performance: Designed to deliver exceptional image quality, meeting and exceeding 4K production standards.
Cinema-Standard Design: Features an 11-blade aperture for attractive bokeh and consistent color balance across the CN-E line.
Robust & Durable Construction: Built for professional cinema production with a sturdy, reliable design.
Reduced Focus Breathing: Engineered to minimize image shifting during focus pulls, maintaining shot integrity.
EF Mount Compatibility: Seamless integration with Canon EOS Cinema cameras and other EF-mount cameras.
User-Friendly Operation: Clearly marked barrel for easy focus, zoom, and iris adjustments.
Newlifecine doesn´t have one
Lori has one 15,650
Cost USD $ 8,000
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505
Versatile Zoom Range: Covers a highly useful focal length range for various production needs, from wider shots to tighter framing.
High Optical Performance: Delivers excellent image quality with sharp resolution, minimal distortion, and well-controlled aberrations, characteristic of ARRI/Fujinon collaborations.
Consistent Image Quality: Maintains consistent performance across the entire zoom range and at different aperture settings.
Robust & Reliable Construction: Built to withstand the rigors of professional production environments, ensuring durability and longevity.
Cinema-Grade Mechanics: Features smooth, precise focus, zoom, and iris rings, optimized for professional film and television production.
Compact & Lightweight: Relatively small and light for a cinema zoom, making it suitable for handheld, Steadicam, or gimbal work.
ARRI Look Compatibility: Designed to integrate seamlessly into ARRI camera workflows, complementing the ARRI aesthetic.
Newlifecine.com does not have one
Lori has two: One for 7,999 and the other in 8,850
COST USD $ 4,000
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505
The Angenieux EZ-2 is a compact and versatile zoom lens designed for Super 35 and full-frame camera formats, offering cinematographers flexibility and high optical quality.
Key Features and Benefits:
Versatile Format Coverage: Designed to be easily re-configured between Super 35 (S35) and Full Frame (FF) formats, making it adaptable to various camera systems and production needs. This is achieved through interchangeable rear optical groups.
Constant Aperture: Maintains a T3.0 (S35) or T3.2 (FF) constant aperture throughout its zoom range, ensuring consistent exposure and excellent low-light performance.
Lightweight and Compact Design: Relatively lightweight and small for a cinema zoom, making it suitable for handheld, gimbal, and drone work where size and weight are critical.
High Optical Performance: Delivers sharp images with excellent contrast and color rendition, characteristic of Angenieux lenses. Minimized breathing and distortion.
Internal Focus: The lens maintains its physical length during focusing, which is beneficial for accessories like matte boxes.
Robust Construction: Built with a durable, all-metal housing for professional use and longevity.
Modular Design: Allows for easy servicing and format conversion.
SOLD –
We can post for 21,500 and get a lower price from Dynamic Rentals
Newlifecine.com has one in 21,900
Lori has one in 21,806
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505
The Angénieux Optimo 12x 24-290mm T2.8 is the definitive industry-standard zoom, legendary for its presence on the world’s most prestigious film sets and high-end commercial productions. Offering an extraordinary 12x focal range that effectively replaces an entire kit of prime lenses, this powerhouse delivers the iconic “Angénieux look”—a sophisticated blend of high contrast, superb resolution, and organic skin tones. Despite its massive focal reach, it maintains a fast and constant T2.8 aperture throughout the entire zoom range, providing cinematographers with unparalleled creative flexibility and optical precision without the need for frequent lens changes or exposure adjustments.
Key Features:
Massive 12x Zoom Range: Covers 24mm to 290mm, providing ultimate versatility for everything from wide establishing shots to extreme telephoto.
Fast and Constant T2.8 Aperture: Maintains a consistent exposure across the entire focal range with no iris ramping.
Superior Optical Performance: Engineered to provide exceptional image quality with high contrast and resolution that exceeds 4K standards.
No Focus Breathing: Advanced internal mechanics ensure that framing remains perfectly stable during dramatic focus pulls.
Legendary Color Matching: Calibrated to match the entire Optimo series for a consistent visual narrative across multiple cameras.
Robust Mechanical Design: Built for the rigors of professional sets with precise, smooth focus, iris, and zoom gears.
Extender Compatibility: Seamlessly works with Optimo 1.4x and 2x extenders for a reach of up to 580mm while maintaining high image quality.
Update 26th Feb 2026:
Lens was missing model name “OPTIMO 12X”,
Updated gear model name, descriptions and SEO info.
(J)
Cost: $ 24,500
Owner :”Roy Kurtluyan” <roykurt@me.com>
—
newlifecine has one in 29,500 dollars
Lori has 4 : 32,500 – 32,500 – 25,000 – 20,950
Includes:
Pelican Hard Case
The Angénieux Optimo DP 16-42mm and 30-80mm T2.8 zoom duo represents a perfectly matched “Rouge” set, specifically optimized for digital cinema sensors and lightweight configurations. These lenses provide the legendary “Angénieux look”—characterized by organic skin tones and a delicate balance of contrast and resolution—across a comprehensive focal range that covers nearly every essential narrative perspective. Engineered for agility, this high-performance pair is the definitive choice for Steadicam, handheld, and gimbal-based cinematography, allowing DP’s to swap between wide-angle and telephoto setups without sacrificing the consistent T2.8 speed or the sophisticated optical character for which the Optimo series is world-renowned.
Key Features:
Consistent T2.8 Aperture: Maintains exposure and depth-of-field control across both lenses and their entire zoom ranges.
Matched Optical Character: Both lenses are color-calibrated to ensure seamless intercutting and a unified visual aesthetic.
Lightweight Precision Design: Optimized for mobile production, making them ideal for drones, gimbals, and handheld rigs.
Zero Breathing and Ramping: Sophisticated internal mechanics ensure framing remains stable during focus and zoom adjustments.
Standardized Gear Positions: Features uniform focus and iris gear placement for rapid lens changes with follow focus systems.
High Contrast and Resolution: Specifically engineered to maximize the performance of modern high-resolution digital cinema sensors.
Versatile Focal Coverage: The 16-42mm and 30-80mm combination provides a complete toolkit for varied storytelling needs.
Update 26th Feb 2026:
Lens was missing model name “DP”,
Updated gear model name, descriptions and SEO info.
(J)
cost $12,825
Nick Lange : nick@everpost.com
Wardah Frizlar wardah@everpost.com
Everpost.com
(310) 837-4611
128 Maryland Street, El Segundo, CA 90245
Fast T2.0 Aperture: Allows for excellent low-light performance and shallow depth of field.
“Cooke Look”: Renowned for its warm, pleasing image rendition and smooth bokeh.
Super 35 Coverage: Designed to cover Super 35mm sensors, a widely used cinema format.
Close Focus: Offers a very close minimum focus distance, enhancing creative possibilities.
/i Technology: Provides lens metadata for precise recording of focus, aperture, and other settings.
High Optical Performance: Superior control of flare, distortion, and spherical aberrations.
Robust Build: Designed for professional use, ensuring reliability and durability.
Cost 16,000 Euros
Peeter Järvelaid <peeter@augustfilms.com>
producer
+372 5011711
augustfilms.com
(r) 03-27-25
