The Vantage Hawk-V Series Set of 8 with 45-230mm Zoom is an exceptional and comprehensive anamorphic lens system engineered by Vantage Film — one of the world’s most respected anamorphic lens specialists — combining eight fast anamorphic primes spanning 30mm through 135mm with the remarkably versatile 45-230mm Hawk-V anamorphic zoom to deliver a complete, unified anamorphic production system of extraordinary breadth and cinematic capability. Each lens in the Hawk-V series embodies Vantage’s proprietary anamorphic optical design philosophy, delivering the classic 2x anamorphic squeeze with characteristic oval bokeh, elegant horizontal flares, and a warm, three-dimensional rendering that balances expressive vintage anamorphic character with the optical precision and consistency demanded by the world’s most ambitious feature film and television productions. Engineered and manufactured in Germany to Vantage Film’s exacting standards of optical and mechanical excellence, this complete nine-piece Hawk-V system represents one of the most comprehensively specified anamorphic lens packages available on the professional cinema market, purpose-built for cinematographers seeking a unified anamorphic identity across both prime and zoom formats.
Key Features:
The eight Hawk-V anamorphic primes — spanning 30mm through 135mm — provide a comprehensive focal range covering wide-angle through medium telephoto perspectives, delivering a complete and versatile anamorphic prime system for virtually every production scenario.
The inclusion of the 45-230mm Hawk-V anamorphic zoom extends the system’s reach dramatically into long telephoto territory, providing an unmatched combination of prime optical purity and zoom operational flexibility within a single unified anamorphic system.
Vantage’s proprietary 2x anamorphic squeeze delivers the classic 2.39:1 widescreen aspect ratio natively in-camera across all nine lenses, ensuring a consistent and authentic scope aesthetic throughout the entire production without post-production desqueezing artifacts.
Each lens delivers Vantage’s signature oval bokeh, elegant horizontal flares, and warm three-dimensional rendering — with perfectly matched color rendition and anamorphic character across all eight primes and the zoom for a visually cohesive production identity.
A fast maximum aperture across the prime set delivers outstanding low-light performance and a beautifully shallow anamorphic depth of field, making the Hawk-V primes highly capable and versatile across a broad range of production lighting scenarios.
PL mount compatibility across all nine lenses ensures seamless integration with leading professional cinema cameras, including ARRI, RED, and Sony VENICE platforms, making the complete system fully operational within modern professional production ecosystems.
Engineered and manufactured in Germany by Vantage Film — one of the world’s most experienced and distinguished anamorphic lens specialists — every lens in the Hawk-V system reflects the precision craftsmanship and optical excellence of a company with decades of anamorphic expertise at the highest levels of international cinema production.
The ServiceVision Scorpio 5-lens anamorphic set is a premium full-frame cinema solution engineered with true 2x squeeze optics, delivering classic cinematic rendering with modern sharpness and consistency. This set includes five focal lengths—35mm, 40mm, 50mm, 75mm, and 100mm—each carefully matched for color accuracy, contrast, and mechanical uniformity. Designed with durable PL mounts and consistent front diameters, these lenses integrate seamlessly into professional production environments. Optimized for large-format digital cinema cameras, the Scorpio series produces signature oval bokeh, natural falloff, and controlled horizontal flares. Its robust construction and balanced ergonomics make it an excellent choice for commercials, narrative filmmaking, and high-end cinematic productions.
Key Features:
The lenses feature true 2x anamorphic squeeze, delivering an authentic widescreen cinematic look with pronounced oval bokeh, horizontal flares, and immersive field of view characteristics.
Each focal length is precisely color-matched and optically tuned to ensure seamless intercutting, maintaining consistent contrast, skin tones, and overall image fidelity across the entire set.
Full-frame coverage allows these lenses to perform flawlessly on modern large-format cinema cameras without vignetting, maximizing sensor usage and delivering expansive cinematic compositions.
A fast T2.2 aperture across the set provides excellent low-light capability while enabling shallow depth of field and strong subject separation for a cinematic aesthetic.
The robust PL mount construction ensures secure compatibility with professional cinema camera systems, supporting demanding production environments and heavy-duty rigging setups.
Uniform front diameters and consistent gear positioning streamline workflow efficiency, allowing quick lens swaps and easy integration with matte boxes, follow focus systems, and accessories.
