Firesale

The Angenieux Optimo 24-290mm T2.8 is a high-performance cinema zoom lens known for its exceptional image quality, versatility, and smooth operation. Designed for professional productions, it offers a consistent T2.8 aperture across the zoom range, minimal breathing, and outstanding optical performance, making it a top choice for cinematographers.

Features:

Wide 24-290mm Zoom Range: Covers a broad focal range for maximum flexibility.
Constant T2.8 Aperture: Delivers consistent exposure and shallow depth of field.
Exceptional Optical Quality: Provides sharpness, contrast, and minimal distortion.
Minimal Breathing: Ensures smooth focus pulls without noticeable image shift.
Robust and Precise Build: Durable construction for professional use.
Smooth Focus and Zoom Control: Ideal for precise cinematic movements.
Compatible with Multiple Camera Systems: Supports a variety of mounts and formats.
Natural Skin Tones and Color Rendition: Maintains a pleasing, filmic aesthetic.

Includes:

Arri 435 Camera body
Integrated Color Video Assist IVS PAL
Finder Extender
(2x) Magazines 400 FT
Ground Glass

The ARRI 435 ES is a high-speed 35mm film camera renowned for its reliability, precision, and versatility in motion picture production. Widely used in commercials, music videos, and feature films, it offers advanced features like speed ramping and electronic shutter control, making it a favorite for dynamic cinematography.

Features

High-Speed Capabilities: Supports frame rates from 1 to 150 fps for slow-motion and action shots.
Electronic Shutter (ES): Provides precise exposure control and motion blur adjustments.
Compact and Robust Design: Ideal for handheld, steadicam, and crane use.
Speed Ramping: Allows smooth adjustments between frame rates for creative effects.
Reliable Mechanical Performance: Trusted for its durability and precision.
PL Mount Compatibility: Supports a wide range of professional cine lenses.
Crystal Sync Accuracy: Ensures perfect synchronization for dialogue and music videos.
Modular System: Easily integrates with accessories like video assist and remote controls.

Includes:

Arri 453 Xtreme Camera Body
Integrated Color Video Assist IVS PAL
Finder Extender
(2x) Magazines 400 FT
Ground Glass

The ARRI 435 Xtreme is a high-performance 35mm film camera, an enhanced version of the ARRI 435 ES, designed for advanced motion picture production. It offers extensive speed ramping, precise exposure control, and seamless integration with digital accessories, making it a preferred choice for high-speed cinematography, visual effects, and dynamic action sequences.

Features

High-Speed Recording: Supports frame rates from 1 to 150 fps for slow-motion and fast-action shots.
Advanced Speed Ramping: Allows real-time frame rate changes for creative effects.
Electronic Shutter Control: Provides precise motion blur and exposure adjustments.
Compact and Versatile Design: Suitable for handheld, crane, and steadicam setups.
PL Mount Compatibility: Works with a wide range of professional cine lenses.
Integrated Lens Data System (LDS): Enhances workflow efficiency and precision.
Reliable Mechanical Performance: Built for durability and precision.
Digital Interface & Remote Control: Seamless integration with modern production tools.

The Canon 8-64mm T2.4 is a high-quality Super 16mm cine zoom lens known for its sharp optics, compact design, and smooth operation. Widely used in documentary, commercial, and narrative filmmaking, it offers a versatile focal range with excellent image quality, making it a preferred choice for Super 16mm cinematographers.

Features

8-64mm Focal Range: Wide to medium telephoto zoom for versatile shooting.
Fast T2.4 Aperture: Provides excellent low-light performance and shallow depth of field.
Super 16mm Coverage: Designed for Super 16 film and digital sensors.
High Optical Quality: Delivers sharp images with minimal distortion.
Compact and Lightweight: Ideal for handheld and Steadicam use.
Smooth Zoom and Focus Mechanism: Ensures precise control for cinematographers.
Minimal Breathing: Maintains consistent framing during focus pulls.
Durable Build: Designed for professional filmmaking environments.

RED V-RAPTOR XL 8K VV Camera System PL or EF mount:
1x DSMC3 RED Touch 7” LCD
1x DSMC3 RMI Cable 18″
2x RED PRO CFexpress 2TB
1x RED CFexpress Card Reader
4x REDVOLT XL-Gold Mount
1x RED Compact Dual Gold mount Charger
1x DSMC3 RED 5-Pin to Dual XLR Adapter
1x V-RAPTOR XL Top Handle w/ Extensions
1x V-RAPTOR XL Top 15mm LWS Rod Support Bracket
1x V-RAPTOR XL Bottom 15mm LWS Rod Support Bracket
1x V-RAPTOR XL Riser Plate
Custom Innserspace ready to shoot case

The RED V-RAPTOR XL 8K VV is a high-end digital cinema camera designed for professional filmmaking. It features a large-format 8K Vista Vision sensor, exceptional dynamic range, and advanced connectivity options, making it ideal for high-budget productions, commercials, and visual effects-heavy projects. The XL version includes built-in ND filters, expanded I/O, and an integrated power system for enhanced workflow efficiency.

Features

8K Vista Vision Sensor: Delivers stunning image quality with high resolution and dynamic range.
Cinema-Grade 16.5+ Stops Dynamic Range: Ensures superior highlight and shadow detail.
Up to 120 fps in 8K: Enables high-resolution slow-motion capture.
Integrated Electronic ND Filters: Provides precise exposure control.
Expanded I/O and Genlock: Ideal for multi-camera and live production setups.
Compact and Modular Design: Adaptable for a variety of shooting environments.
Global Shutter Mode: Reduces motion artifacts and rolling shutter effects.
REDCODE RAW & ProRes Recording: Offers flexible post-production workflows.
High-Speed Data Transfer: Supports CFexpress media for fast capture and offload.

1700 h

The ARRI ALEXA Mini LF is a compact large-format digital cinema camera that combines the cinematic image quality of the ALEXA LF with the lightweight and flexible design of the ALEXA Mini. It features ARRI’s renowned color science, a native 4.5K sensor, and robust recording formats, making it a top choice for high-end feature films, commercials, and television productions.

Features:

Large-Format 4.5K Sensor: Delivers stunning image quality with high dynamic range.
ARRI Color Science: Ensures natural skin tones and exceptional color rendition.
Compact and Lightweight: Ideal for handheld, gimbal, drone, and Steadicam use.
Native 800 ASA with Low Noise: Provides excellent low-light performance.
ARRI RAW & ProRes Recording: Supports high-quality post-production workflows.
16+ Stops Dynamic Range: Preserves details in highlights and shadows.
LPL Lens Mount: Optimized for large-format cine lenses.
Robust Build: Weather-sealed for demanding shooting environments.
Wireless Lens & Camera Control: Enhances on-set efficiency.
Versatile Power Options: Compatible with 12V and 24V systems.

Includes

Celere HS 18.5mm
Celere HS 25mm
Celere HS 36mm
Celere HS 50mm
Celere HS 85mm

The Celere HS is a set of high-speed cinema prime lenses designed for professional filmmakers seeking consistent performance, compact design, and a fast aperture. Known for their uniform size and weight across the set, they facilitate quick lens changes on set. With a T1.5 aperture, they deliver excellent low-light performance and a shallow depth of field, making them ideal for narrative, commercial, and documentary filmmaking.

Features

Fast T1.5 Aperture: Excellent for low-light shooting and cinematic depth of field.
Matched Size & Weight: Enables efficient lens swaps without rebalancing rigs.
Full-Frame Coverage: Supports high-resolution cinema cameras.
Consistent Color Rendering: Ensures uniformity across the lens set.
Compact and Lightweight: Ideal for handheld, gimbal, and Steadicam use.
Minimal Focus Breathing: Maintains consistent framing during focus pulls.
Durable Metal Construction: Built for professional production environments.

T1.4 pl modified with focus and iris rings
Recently serviced by optitek LA

Zeiss B-Speed lenses are a rare and sought-after series of high-speed cinema lenses known for their unique vintage character, fast apertures, and exceptional low-light performance. Originally developed in the 1980s, these lenses offer a softer, cinematic look with beautiful bokeh and organic flares, making them a favorite for filmmakers seeking a distinct visual aesthetic.

Features

Fast T1.3 Aperture – Excellent for low-light conditions and shallow depth of field.
Vintage Aesthetic – Soft contrast, natural skin tones, and organic flares.
Smooth Focus and Iris Control – Precise manual adjustments for professional cinematography.
Cinematic Bokeh – Creates a pleasing out-of-focus rendering.
Compact and Lightweight – Ideal for handheld and Steadicam use.
High-Quality Zeiss Optics – Ensures sharpness and durability.

Lomo Anamorphic Roundfront lenses are classic Soviet-era anamorphic lenses known for their distinctive cinematic look, oval bokeh, and organic flares. Widely used in modern filmmaking for their vintage character, they offer a soft yet sharp image with beautiful blue streaks and an immersive anamorphic depth. These lenses are highly sought after for narrative and commercial projects aiming to achieve a nostalgic, filmic aesthetic.

Key Features and Benefits
2x Anamorphic Squeeze – Creates a true widescreen cinematic look.
Vintage Character – Soft contrast, subtle distortion, and organic lens flares.
Oval Bokeh – Provides a classic anamorphic depth and dimensionality.
High Optical Quality – Maintains sharpness while delivering a unique filmic texture.
Durable Soviet Construction – Built for professional use and rehousing options.
Smooth Focus Mechanics – Enables precise manual focus control.

The Cooke S4/i series is a premium set of cinema prime lenses designed for high-end film and digital productions. Known for their signature “Cooke Look,” these lenses provide warm, natural skin tones, smooth contrast, and minimal distortion. With a fast T2 aperture, they offer excellent low-light performance and a shallow depth of field. The /i Technology allows real-time lens metadata capture, making them ideal for VFX-heavy workflows.

Features

Fast T2 Aperture – Superior low-light performance and depth of field control.
Cooke Look – Warm color rendition with smooth contrast and organic falloff.
High Optical Quality – Sharp images with minimal aberrations and distortion.
/i Technology – Provides lens metadata for post-production and VFX.
Consistent Design – Matched size and weight across the series for easy lens swaps.
Robust Construction – Built for professional filmmaking environments.

The Lomo Illumina S35 MKII is a set of high-speed cinema lenses designed for Super 35mm sensors. Manufactured in Russia, these lenses offer a unique blend of sharpness and vintage character, making them popular among filmmakers looking for a distinct visual style. With a fast T1.3 aperture, they excel in low-light conditions and provide a shallow depth of field with smooth, cinematic bokeh.

Features

Fast T1.3 Aperture – Excellent low-light performance and shallow depth of field.
Super 35mm Coverage – Optimized for industry-standard cinema cameras.
Vintage Yet Sharp Look – Combines high resolution with a slightly organic feel.
Smooth Bokeh – Creates a natural and cinematic out-of-focus rendering.
Durable Construction – Built for professional use in demanding environments.
Manual Focus and Iris Control – Precise adjustments for professional cinematography.

Includes

Arri 235 camera with port and magazine cover
4:3 and 16×9 Ground Glass combo.
Universal UV-1 anamorphic viewfinder
Rubber Eyecup
11” Eyepiece Extension with 2 ea. caps
Carry handle
Eyepiece Leveler
IVS NTSE
NTSE optical block
2 ea. IVS camera covers
Riser Plate
Touch and go 19mm support with hand hold base
External Display Unit EXD-1
EXD-1 power cable
Shutter Tool
Side Bracket SBR-1
Shoulder Pad
Right hand grip
Left side bracket with 19mm rod
2 ea. panavision wired power cables 3 pin XLR
Owners Manual
Arri Tools with pouch 353/SW1,5X60 353/SW2,5X75 353/SW3,0X75, flexible strap wrench #033813
3 ea. 400’ Dolphin Shoulder Magazines
2 ea. 200’ Dolphin Shoulder Magazines
3 ea. On Board Batteries OBB-1
4 Port on board battery charger CR-100
Charger AC cable
3 ea. charger pigtails to lemo cables
Camera KC94-S power to 3 pin lemo cable

At an additional cost you can add:

Arriflex Shoulder Rig #S-2 – $2000
Arriflex anamorphic ground glass – $1250
Arriflex 435 carbon 400’ magazine – $1690 each
Arri top and bottom base plate BP-8 – $1750
2x Arri Wireless LCS Lens Control System – $3200 each
Installed Low Mod Bracket – $1750

See pictures of extras below:

EXTRAS FOR ARRI 235 HUGE PACKAGE

NOTE: camera is in super 35 mode and 16×9 GG. Camera Flange Focal distance, ground glass collimation, collimation on running film, and scratch test was performed and at factory standards. Mags were torque tested and film scratch tested.

The ARRI 235 is a lightweight 35mm motion picture camera designed for handheld, Steadicam, and remote rig applications. It is highly compact and ideal for dynamic, high-mobility shooting. The camera supports Super 35 and standard 35mm formats, offering ARRI’s renowned reliability and image quality. With an ergonomic design and modular build, the ARRI 235 is widely used in action sequences and aerial cinematography.

Features

Lightweight & Compact – Ideal for handheld and Steadicam use.
35mm Film Format – Supports Super 35 and standard 35mm shooting.
High Mobility – Designed for dynamic and fast-paced cinematography.
ARRI Reliability – Proven durability and industry-standard performance.
Modular Design – Customizable with a variety of accessories.
Crystal Sync Motor – Ensures accurate frame rates for professional filmmaking.

Includes

Cooke S8i 18mm
Cooke S8i 25mm
Cooke S8i 32mm
Cooke S8i 40mm
Cooke S8i 50mm
Cooke S8i 75mm
Cooke S8i 100mm
Cooke S8i 175mm

The Cooke S8i is a high-end full-frame cinema lens series designed for exceptional optical performance. Engineered with a T1.4 aperture across all focal lengths, the S8 lenses deliver stunning low-light capability, shallow depth of field, and the signature “Cooke Look” with natural skin tones and smooth bokeh. These lenses are lightweight, compact, and built for modern digital and film cameras, making them ideal for high-end cinematic productions.

Features

Full-Frame Coverage – Optimized for large-format cinematography.
Fast T1.4 Aperture – Exceptional low-light performance and depth of field control.
The “Cooke Look” – Natural skin tones with a cinematic, organic image.
Lightweight & Compact – Designed for ease of use in handheld and gimbal setups.
Superior Optical Design – Minimal distortion and excellent color accuracy.
Robust Build Quality – Precision engineering for professional use.

Zeiss Super Speed 18mm
Zeiss Super Speed 25mm
Zeiss Super Speed 35mm
Zeiss Super Speed 50mm
Zeiss Super Speed 85mm

The Zeiss Super Speed MK2 lenses are renowned for their fast T1.3 aperture, making them a top choice for low-light cinematography and achieving a shallow depth of field. These vintage prime lenses deliver a distinct cinematic look with high contrast, sharpness, and smooth focus roll-off. Favored for their compact design and solid build, they are widely used in high-end film and television productions.

Features

Fast T1.3 Aperture – Excellent low-light performance and depth of field control.
Classic Cinematic Look – High contrast and sharpness with a smooth focus falloff.
Compact & Lightweight – Ideal for handheld and Steadicam applications.
Vintage Aesthetic – Unique character with slight blooming and organic rendering.
Robust Build Quality – Durable construction for professional use.
35mm Format Compatibility – Designed for film and digital cinema cameras.

Included:

Cooke Anamorphic S35 35mm
Cooke Anamorphic S35 50mm
Cooke Anamorphic S35 75mm
Cooke Anamorphic S35 100mm

The Cooke Anamorphic S35 lens series is designed for Super 35 cinematography, delivering the signature “Cooke Look” with beautiful bokeh, controlled flares, and organic rendering. These lenses offer a 2x anamorphic squeeze, maintaining exceptional sharpness while preserving a natural, cinematic aesthetic. With a fast aperture and robust build quality, they are widely used in high-end film and television productions.

Features

2x Anamorphic Squeeze – Produces a classic widescreen cinematic look.
Super 35 Coverage – Optimized for industry-standard cinema cameras.
The “Cooke Look” – Smooth skin tones, organic contrast, and pleasing bokeh.
Minimal Distortion – Maintains natural perspective and sharpness.
Controlled Flaring – Creates distinctive yet well-managed anamorphic flares.
Fast Aperture – Excellent performance in low-light conditions.
Robust Build Quality – Engineered for professional cinematography.

Arriflex Shoulder Rig #S-2 – $2000
Arriflex anamorphic ground glass – $1250
Arriflex 435 carbon 400’ magazine – $1690 each
Arri top and bottom base plate BP-8 – $1750
2x Arri Wireless LCS Lens Control System – $3200 each
Installed Low Mod Bracket – $1750

(You can purchase the items separately)

The Canon FD 400mm is a telephoto prime lens from Canon’s renowned FD series, designed for high-quality image capture with manual focus precision. It is favored by photographers and cinematographers for its long focal length, making it ideal for sports, wildlife, and distant subjects. The lens delivers sharp images with good contrast and color rendition while maintaining a compact design for its range.

Features

400mm Focal Length – Excellent for capturing distant subjects.
Manual Focus Precision – Smooth focusing mechanism for fine adjustments.
High Optical Quality – Sharp image resolution with natural color reproduction.
Durable Construction – Metal body for reliability in professional use.
Compatible with FD Mount Cameras – Can be adapted for modern digital systems.
Lightweight for its Range – Portable compared to other telephoto lenses.

Includes:
Kowa Cine Prominar Spherical 20mm
Kowa Cine Prominar Spherical 32mm
Kowa Cine Prominar Spherical 40mm
Kowa Cine Prominar Spherical 50mm
Kowa Cine Prominar Spherical 75mm
Kowa Cine Prominar Spherical 100mm

Kowa Cine Prominar Spherical lenses are vintage cinema lenses known for their compact size, lightweight design, and distinctive optical character. They deliver a warm, organic image with gentle contrast, smooth focus roll-off, and pleasing bokeh. These lenses are highly regarded for their cinematic rendering and are suitable for both digital and film cameras. Their precise manual control and robust build make them a popular choice among filmmakers seeking a classic aesthetic.

Features

Vintage Cinematic Look – Soft contrast, warm tones, and smooth focus falloff.
Lightweight and Compact – Ideal for handheld, gimbal, and Steadicam use.
Full-Frame Coverage – Compatible with modern digital and classic film cameras.
Precise Manual Operation – Smooth focus and aperture control for professional cinematography.
Durable Build – High-quality mechanics for long-term reliability.
Natural Rendering – Organic image with minimal distortion.

Includes

Cooke Panchro/i Classic 18mm
Cooke Panchro/i Classic 32mm
Cooke Panchro/i Classic 50mm
Cooke Panchro/i Classic 75mm
Cooke Panchro/i Classic 100mm

The Cooke Panchro/i Classic is a modern reimagining of the legendary Cooke Speed Panchros, offering the classic cinematic look with modern optical performance. Designed for digital and film production, these lenses provide smooth focus control, excellent color rendition, and the signature Cooke “look” with natural skin tones and pleasing bokeh. They feature /i Technology for real-time metadata capture, making them ideal for high-end productions.

Features

Classic Cooke Look – Warm, organic image quality with smooth focus fall-off.
Set of 5 Lenses – Typically includes 18mm, 25mm, 32mm, 50mm, and 75mm.
T2.2-T2.8 Aperture – Great low-light performance with cinematic depth of field.
/i Technology Metadata – Provides real-time lens data for VFX and post-production.
Consistent Color Matching – Seamless integration with other Cooke lenses.
Durable Build – Robust mechanics for professional use in various conditions.

The Nikkor 200mm is a high-performance telephoto lens designed for professional and enthusiast photographers who require excellent image quality at long focal lengths. Known for its sharp optics, strong contrast, and reliable construction, this lens is ideal for wildlife, sports, and portrait photography. Available in various versions, including manual and autofocus models, the Nikkor 200mm provides superior subject isolation with a beautiful compression effect. With the 2x teleconverter, the focal length effectively extends to 400mm, offering increased versatility while maintaining excellent optical performance. This combination is ideal for sports, wildlife, and portrait photography, delivering sharp images with good contrast and minimal distortion.

Features:

200mm focal length for telephoto applications
Exceptional sharpness and contrast with Nikkor optics
Fast aperture options (e.g., f/2, f/4) for great low-light performance
Smooth manual or autofocus (depending on model)
Robust construction designed for professional use
Beautiful telephoto compression for subject separation
Compatible with Nikon F-mount cameras

The Canon Century Series 2000 150-600mm is a high-quality telephoto zoom lens designed for professional cinematography and broadcast applications. Manufactured by Century Precision Optics, this lens offers a versatile focal range, making it ideal for sports, wildlife, and documentary filmmaking. With its long reach and sharp optical performance, it provides excellent image quality, smooth focus control, and a robust construction for demanding production environments.

Features:

150-600mm focal range for extreme telephoto versatility
Designed for professional cinematography
Superior optical quality with sharp images across the zoom range
Smooth focus and zoom controls for precise adjustments
Compatible with broadcast and cine cameras
Ideal for wildlife, sports, and documentary filmmaking

Arri 435 ES with installed capping shutter door and chip. Super 35 with Big tv and mask
IVS NTSE
Accessory Socket Distributor FSB11-01
RS Socket Distributor RS 435-03
Arri 435 Finder F-3
Carry Handle
Mag and port cap
435 eyepiece and cup
435 reg door
435 ICS door
Eyepiece Extension with 2 ea caps FE-3
Eyepiece Leveler
Right Hand Grip
RCU-1 with cable
2 ea. KC20 Power cables
Reversing cable
Bridge Plate BP-5
Sliding base plate bottom
Single Frame Hand Control SFHC-1
2ea. SFHC-1 cables
Single frame Film Recognition Module
Reg Film Recognition Module
435 manual
IVS manual
ICS-1 & SFHC-1 manual
435 modifications manual
1000’ Arrimag 300E
3 ea. 400’ M-120

The ARRI 435 ES is a 35mm motion picture camera known for its versatility, reliability, and high-speed capabilities. Designed for feature films, commercials, and visual effects, the ES (Electronic Shutter) model offers improved functionality over the standard 435. When equipped with a timelapse function, it allows for precise frame-by-frame shooting, making it ideal for stop-motion animation, visual effects, and long-exposure cinematography. The camera supports speeds from 1 to 150 fps, ensuring smooth slow-motion and high-speed shots.

Features

35mm film format for cinematic image quality
Electronic shutter system for precise exposure control
Timelapse capability for advanced visual effects and animation
Frame rates from 1 to 150 fps for slow-motion and high-speed shots
Compact and robust design suitable for various production environments
Widely used in Hollywood for its reliability and flexibility

The Cooke 18-90mm T2.9 is a cinema-grade zoom lens designed for Super 35mm sensors, offering exceptional optical performance and the signature Cooke Look. It provides a versatile focal range suitable for a wide range of filmmaking applications, from narrative productions to commercials and documentaries. With a constant T2.9 aperture, the lens delivers consistent exposure and depth of field control across the zoom range. Its robust, precision-engineered design ensures smooth focus and zoom operation, making it a reliable choice for professional cinematographers.

Key Features & Benefits:
18-90mm focal range for versatility in various shooting scenarios
Constant T2.9 aperture for consistent light transmission
Super 35 coverage with high optical quality
Iconic Cooke Look with natural color rendition and pleasing skin tones
Smooth mechanics for precise focus and zoom control
Durable construction suited for professional use

Choose 3 of the following lenses:

Apollo Xelmus (Full Frame-Anamorphics) 40mm – Feet
Apollo Xelmus (Full Frame-Anamorphics) 60mm – Feet
Apollo Xelmus (Full Frame-Anamorphics) 75mm – Meter
Apollo Xelmus (Full Frame-Anamorphics) 135mm – Feet

Compact and lightweight 2x anamorphic prime lenses
Optimized for distortion correction
Unique anamorphic look and flare characteristics
Compatible with full-frame and Super 35 sensors
Smooth focus and aperture rings

Includes

Zeiss MK III 9.5mm
Zeiss MK III 12mm
Zeiss MK III 16mm
Zeiss MK III 25mm
Zeiss MK III 50mm

The Zeiss MK III Super 16mm lenses are high-performance cine lenses designed specifically for Super 16mm film and digital cameras. Known for their sharp optics, compact build, and precise mechanics, these lenses offer exceptional image quality with minimal distortion. They maintain consistent color rendering and contrast, making them a preferred choice for professional cinematographers working in documentary, commercial, and narrative filmmaking. The MK III series is renowned for its rugged durability and smooth manual focus operation, ensuring reliable performance in demanding shooting conditions.

Features

Designed for Super 16mm format with exceptional optical quality
Compact and lightweight for handheld and rigged setups
Sharp resolution and high contrast for cinematic image quality
Minimal distortion and color shift across the focal range
Robust build quality for professional use
Smooth manual focus and iris control for precise operation

Includes:

MK-V Nexus Sled comprising:
Deluxe Topstage,(manufactured in Germany)
XL Dovetail Plate and 1 x D-Bar (GB)
4 Stage 2” Post with V5 Post Cable (GB)
2” V3 Advanced Gimbal,1 x 2” Docking Station (GB)
V5 J-Box,1 x V5 D-Box with 2 x HD-SDI, (GB)
Infinity Monitor Arm,1 x Infinity Monitor Yoke,1 x Nexus Base System (GB)
Dual V Lock Battery Mount,1 x Single V Lock Battery Mount (GB)
Cable Pack to include:
Alexa 24V, Alexa Mini/Amira 24V, 12V XLR,2 x HD-SDI BNC(GB)
Pelican Storm Sled Case (GB) Serial Number: 0015
MK-V Omega AR
Omega AR – Rotating Cage (GB)
Omega AR – Control Unit with Integral AR Spatial Sensor (GB)
Omega AR Motor Stabilized Monitor Arm Fusion Control software (GB)
Side to Side Plate with Camera Plate (GB)
Cable Pack including Power and Control Cables (GB)
Pelican Storm Travel Case GB) Serial Number: R77725F
Batteries
2 x Cable suply
Monitor SMALL HD
Thumbcontrol
Iphone 12 For Omega Control
Tripod
Cinebags
Cam Jam
Filmgadget
Cables: BNC

The MK-V Omega AR is an advanced stabilization system designed for Steadicam operators, offering full gyroscopic horizon control. This system enables smooth, stable shots by automatically maintaining a level horizon, reducing operator strain and improving precision in dynamic shooting environments. Ideal for feature films, commercials, and live events, the Omega AR provides enhanced maneuverability, allowing operators to perform complex camera moves with greater ease and control.

Features:

Active roll stabilization ensures a perfectly level horizon
Seamless integration with Steadicam and other stabilizer rigs
Reduces operator fatigue by handling horizon correction automatically
Improves shot consistency in dynamic or challenging environments
Ideal for feature films, commercials, and live productions
High-quality gyroscopic technology for smooth performance

1307 h

The ARRI Alexa Mini is a compact and lightweight digital cinema camera designed for high-end productions. It offers the same ALEXA sensor as larger ARRI cameras, ensuring exceptional image quality, dynamic range, and color science in a versatile, small form factor. Ideal for handheld, gimbal, drone, and tight-space shooting, the Alexa Mini is a favorite among cinematographers for its reliability and cinematic look.

Features

ALEXA ALEV III CMOS Sensor – Produces 14+ stops of dynamic range.
4K UHD and 2.8K ARRIRAW Recording – High-resolution image capture.
Compact & Lightweight – Perfect for gimbal, drone, and handheld use.
ARRI Color Science – Industry-leading color reproduction and skin tones.
Integrated ND Filters – Built-in motorized ND system for exposure control.
Interchangeable Lens Mount – Supports PL, EF, and other mounts.
High-Speed Shooting – Up to 200 fps for slow-motion capture.
ARRI Workflow Compatibility – Seamlessly integrates with ARRI’s ecosystem.

Kowa Prominar 40 mm
Kowa Prominar 50 mm
Kowa Prominar 75 mm
Kowa Prominar 100mm

The Kowa Prominar Anamorphic lenses are vintage 2x anamorphic cinema lenses known for their compact design, unique character, and organic cinematic look. Originally produced in the 1970s and 1980s, they remain highly sought after for their pleasing flares, soft focus roll-off, and distinctive oval bokeh. These lenses are popular in modern productions aiming to achieve a classic film aesthetic with a lightweight setup.

Features

2x Anamorphic Squeeze – Creates a traditional widescreen cinematic look.
Compact & Lightweight – Ideal for handheld, gimbal, and Steadicam use.
Vintage Character – Soft edges, warm tones, and organic image rendering.
Beautiful Oval Bokeh – Enhances the anamorphic aesthetic.
Distinctive Flares – Produces appealing blue horizontal streaks.
High Demand in Cinematography – Used for narrative films, commercials, and music videos.

The Canon CINE-SERVO 50-1000mm T5.0-8.9 is a high-performance super-telephoto cinema zoom lens, designed for broadcast, documentary, and cinematic productions requiring extreme focal range. With 4K optical quality, servo control, and a 1.5x built-in extender, it provides unmatched versatility for capturing distant subjects with precision.

Features

Massive 50-1000mm focal range – Covers a wide range of shooting scenarios.
1.5x Built-in Extender – Extends reach to 75-1500mm without additional accessories.
4K Optical Performance – Delivers sharp and detailed imagery.
Smooth Servo Control – Ideal for both cinema and broadcast applications.
Parfocal Design – Maintains focus while zooming.
9-Blade Aperture – Produces cinematic bokeh and natural depth of field.
Durable & Weather-Resistant – Built for demanding on-location shoots.