![](https://fjsinternational.com/wp-content/uploads/2023/04/ADVERTISE-HERE.webp)
![](https://fjsinternational.com/wp-content/uploads/2024/04/Fujinon-ZK-4.7x19-SAF-yesac-FJS-03.webp)
Be Ready for Anything: The broad 19-90mm zoom range lets you tackle various shooting scenarios with a single lens.
Sharpness Throughout: Capture stunning, crisp images at any focal length.
Master Low Light: The fast T2.9 aperture excels in dim environments and creates beautiful bokeh effects.
Two Lenses in One: The detachable servo allows you to switch between a standard PL mount lens or a handheld ENG-style lens.
Professional Handling: Experience smooth and precise control over focus, zoom, and iris for seamless operation.
Built to Last: The rugged construction ensures this lens can endure the challenges of professional filmmaking.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Fujinon-ZK3-5x85-85-300-zoom-yesac-FJS-02.webp)
Long Zoom Range: Offers exceptional versatility, capturing distant subjects with ease (from medium telephoto to super telephoto).
Fast Aperture (T2.9-4.0): Delivers excellent low-light performance and beautiful bokeh (background blur).
Detachable Servo Drive: Provides smooth motorized control of zoom, iris, and focus for professional shooting (similar to ENG lenses).
Durable Build: Built to withstand the demands of professional use.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Arri-Alexa-Mini-ogard-FJS-02a.jpg)
Hours 4077
Includes all what you see in the pictures.
Compact and Versatile: Small size and lightweight design allows for handheld shooting and creative mounting solutions.
High Image Quality: Delivers stunning image quality with natural skin tones, high dynamic range, and recording up to 200 fps.
Multiple Recording Formats: Supports ARRIRAW for maximum flexibility in post-production, as well as ProRes for efficient workflows.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Arri-Alexa-Mini-ogard-FJS-02b-1.jpg)
4599 HOURS
Unleash Your Vision with the ARRI ALEXA MINI:
Cinematic Powerhouse in a Compact Package: Despite its small size and lightweight design, the ALEXA MINI captures stunning visuals with exceptional detail.
Uncompromising Image Quality: Experience the renowned ARRI image quality – natural skin tones, a massive 14+ stops of dynamic range, and the ability to shoot up to 200 frames per second for slow-motion effects.
Flexibility at Your Fingertips: Choose from ARRIRAW for maximum creative control in post-production or ProRes for a smooth and efficient workflow.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Zeiss-S16-Setof-6-nosracirol-FJS-11.webp)
Includes:
Zeiss S16 8mm-t2 mk2
Zeiss S16 9.5mm-1.2 mk3
Zeiss S16 12mm-1.2 mk3
Zeiss S16 16mm-1.2 mk2
Zeiss S16 25mm-1.2 mk3
Zeiss S16 50mm-1.2 mk3
Features:
High quality optics
Fast maximum apertures
Distinctive cinematic image quality
Large lens barrels for easier handling (MKIII only)
Integrated gears for professional follow focus and iris control (MKIII only)
![](https://fjsinternational.com/wp-content/uploads/2024/04/Cooke-Anamorphic-i-FF-wahs-FJS-01.webp)
Cooke Anamorphic/i Full Frame Plus 2x 32mm
Cooke Anamorphic/i Full Frame Plus 2x 40mm
Cooke Anamorphic/i Full Frame Plus 2x 50mm
Cooke Anamorphic/i Full Frame Plus 2x 75mm
Cooke Anamorphic/i Full Frame Plus 2x 85mm
Cooke Anamorphic/i Full Frame Plus 2x 100mm
Cooke Anamorphic/i Full Frame Plus 2x 135mm
Cooke Anamorphic/i Full Frame Plus 2x 180mm
Cooke Anamorphic/i Full Frame (FF) lenses, are high-end cine lenses designed for full-frame cameras. Here’s a quick rundown of their key features and benefits:
Large format coverage: Covers full-frame sensors and beyond, offering a wider field of view.
Classic Cooke Look: Delivers the signature Cooke look known for its organic character and pleasing bokeh.
1.8x squeeze factor: This is a sweet spot between the traditional 2x squeeze and wider options, offering a natural-looking widescreen image.
/i Technology: Embeds lens data into every frame for easier post-production workflows.
These features make Cooke Anamorphic/i FF lenses ideal for cinematographers who want to capture high-quality, widescreen images with a classic, emotional feel.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Arri-Signature-Prime-Lenses-egnalkcin-FJS-12-2.webp)
Brand new, never used!
Includes:
Arri Signature Prime 18mm
Arri Signature Prime 25mm
Arri Signature Prime 35mm
Arri Signature Prime 47mm
Arri Signature Prime 58mm
Arri Signature Prime 75mm
Arri Signature Prime 95mm
Arri Signature Prime 125mm
Features:
Large format coverage: Compatible with large format cameras for exceptional image quality.
Fast T1.8 aperture: Enables beautiful shallow depth of field effects, perfect for isolating your subject from the background. Also performs well in low-light conditions.
Smooth, organic images: Known for their ability to produce smooth, natural-looking images with pleasing bokeh and accurate skin tones.
Lightweight and robust: Constructed with magnesium and aluminum for a lightweight, easy-to-carry design that is still very durable.
Future-proof design: Incorporates ARRI’s next-generation LDS-2 Lens Data System to ensure compatibility with future cameras and maximize lens data transmission.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Arri-Amira-retniw-FJS-03.webp)
4,941 HOURS
Licenses: Premium License
1 Body Camera Arri Amira Premium License
1 Amira Viewfinder MVF
1 Arri PL Mount
1 Arri EF Mount
1 Arri Amira Viewfinder Cable
1 Amira Camera Case
4 CFast 256GB
1 Memory Card Case
1 C Fast Reader
Key Features and Benefits
Superb Image Quality: 35mm ALEV III CMOS sensor for exceptional detail, low noise, and 14 stops of dynamic range.
High Frame Rate Slow Motion: Capture stunning slow-motion footage at up to 200 fps without compromising image quality.
Versatile Recording Formats: Record in Rec 709 or Log C using ProRes LT, 422, 422HQ or 444 codecs for flexibility in post-production.
Compact and Rugged Design: Built for professional use, the Amira is easy to transport and handle, making it ideal for various shooting scenarios.
In-Camera Grading with 3D LUTs: Achieve a cinematic look directly in camera with pre-loaded 3D LUTs.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Aaton-XTR-Prod-sneodleimak-FJS-02.webp)
Features:
Super 16 film format: Offers a good balance between image quality and portability.
AatonCode timecode: A reliable film identification system embedded on the film itself.
Variable frame rates: Shoots from 3 to 75 fps, allowing for slow motion and creative effects.
Rugged and reliable build: Built to withstand demanding filmmaking environments.
Precise viewfinder: Ensures accurate framing and focus.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Zeiss-Standard-Speed-MarkII-orcire-FJS-01.webp)
Zeiss Standard Speed Mark II 16mm
Zeiss Standard Speed Mark II 24mm
Zeiss Standard Speed Mark II 32mm
Zeiss Standard Speed Mark II 40mm
Zeiss Standard Speed Mark II 50mm
Zeiss Standard Speed Mark II 85mm
Zeiss Standard Speed Mark II 100mm
Key features and benefits:
Large maximum aperture (T2.1) excels in low-light: Lets you capture stunning images even in dimly lit environments, and ermöglicht (enables) beautiful background blur for a distinct cinematic look.
Small and maneuverable, ideal for handheld shooting: Perfect for shooting on the go or using a Steadicam for smooth, stabilized shots.
Renowned Zeiss look: sharp center and pleasing vintage feel: Delivers the crisp central image quality Zeiss is known for, with a touch of classic character.
Works seamlessly with professional cinema cameras (PL mount): Designed to integrate directly with high-end film cameras.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Oconnor-2060-HD-150mm-bowl-gnadnipur-fjs-02.webp)
Key Features & Benefits
Heavy-duty fluid head: Designed for professional videographers, it offers smooth and precise pan and tilt movements for stable shots even with heavy cameras.
150mm bowl size: Ensures compatibility with a wide range of tripods, providing a secure and stable connection.
Exceptional value: A popular choice for videographers seeking professional performance at a used-market price point.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Sachtler-150mm-Head-gnad-FJS-02.webp)
Key Features and Benefits
Professional-grade fluid head: Delivers smooth, controlled camera movements for high-quality footage.
150mm ball base: Provides a stable platform for a wide range of camera setups.
Supports high payloads: Capable of handling cameras and accessories weighing up to 121 lbs (depending on the specific model).
Adjustable counterbalance: Ensures proper balance for different camera configurations.
Drag control: Allows for fine-tuning the resistance on pan and tilt movements.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Vinten-250-Head-gnad-FJS-02.webp)
Supports cameras up to 73 lbs
150mm bowl size for secure camera mounting
Twin balancing mechanism for precise camera control
Non-contacting drag system for smooth, consistent pan and tilt movements
Benefits:
Ideal for professional videographers and filmmakers
Supports a wide range of camera and lens combinations
Delivers stable and fluid video footage
![](https://fjsinternational.com/wp-content/uploads/2024/04/Arri-Ultra-Prime-20mm-Single-ynnek-FJS-06.webp)
Key features and benefits of the Arri Ultra Prime 20mm Single Lens:
Fast T1.9 maximum aperture: This allows for low-light shooting and shallow depth of field effects.
Superior image quality: The Ultra Primes are known for their excellent color rendition, sharpness, and minimal distortion.
Robust construction: These lenses are built to withstand the rigors of professional use.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Arri-SR3-Film-Camera-nolnoc-FJS-04.webp)
Versatile Film Format: Shoots on both Super 16mm and regular 16mm film, offering creative flexibility.
Variable Frame Rates: Capture slow motion (5 fps) or high-speed action (150 fps).
Quiet Operation: Runs at a low noise level (20 dBA), ideal for sound-sensitive environments.
Accurate Timecode: Ensures smooth integration with post-production workflows.
Adjustable Mirror Shutter: Fine-tune the shutter angle for specific creative effects.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Zeiss-11-110mm-zoom-nolnoc-FJS-03.webp)
11-110mm focal length range: This versatile zoom lens provides a wide range of shooting possibilities, from wide-angle landscapes to telephoto portraits and close-ups.
Sharp optics: The Zeiss 11-110mm is known for its excellent image quality, even at its widest and longest focal lengths.
Compact and lightweight: This lens is relatively small and light for its focal length range, making it a good choice for travel and handheld shooting.
Macro mode: Some versions of this lens offer a macro mode for capturing close-up shots with a high degree of detail.
The T2.2 aperture refers to the maximum light-gathering capability of the lens. A lower T-stop number indicates a larger maximum aperture, which allows more light to reach the film or sensor and can result in shallower depth of field.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Fujinon-Premier-Cabrio-25-300mm-PL-Zoom-gnad-FJS-01.webp)
Fujinon Premier Cabrio 25-300mm PL Zoom Lens Key Features and Benefits
The Fujinon Premier Cabrio 25-300mm PL zoom lens is a versatile cine lens designed for professional videography and filmmaking. Here’s a quick rundown of its key features and benefits:
12x Zoom Range (25-300mm): Offers a wide range of shooting possibilities, from wide shots to telephoto close-ups, making it suitable for various filming scenarios.
Large Format Coverage: Covers Super 35 sensor sizes and offers exceptional image quality.
T3.5 Constant Maximum Aperture: Provides consistent brightness throughout the zoom range, allowing for better low-light performance and shallower depth of field control.
Optional ENG-Style Digital Drive: Enables remote control of zoom, focus, and iris adjustments, ideal for professional film productions.
Standard 0.8 Mod Gear: Compatible with industry-standard cine motors for precise control during filming.
![](https://fjsinternational.com/wp-content/uploads/2024/04/2575D-Tripod-ihcrutocramFJS-04-1.webp)
Features:
Sinusoidal Counterbalance System: Ensures perfect balance at any tilt angle, keeping your shots silky smooth.
Stepless Pan & Tilt Fluid Drag: Provides ultra-precise control over camera movements.
Platform Controls on Operator’s Side: Easy access to all controls for intuitive operation.
One-Touch Platform Release: Quick and secure camera attachment and detachment.
Dual Platform Scales: Ensures accurate camera balancing for different setups.
Soft Hand Rest: Enhances comfort during long shoots.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Venice-nahinyom-FJS-14.webp)
HOURS : 2914
CV101435 0033804 SONY VENICE+ MPC-3610 6K CINE CAMERA
CV101435 0023551 SONY AXS-R7+ 4K RAW RECORDER
CV101435 0025643 SONY DVF-EL200 .7″ OLED VIEWFINDER
CV101435 0034254 EVF MOUNT: SONY VENICE BRACKET
CV101435 0034255 EVF MOUNT: SONY VENICE ARM
CV101435 0026153 EVF CABLE: SONY DVF-EL200 2′
CV101435 0026153 EVF CABLE: SONY DVF-EL200 2′
CV101435 0034173 TOP PLATE: WOODEN CAMERA VENICE
CV101435 0034162 BASE PLATE: WOODEN CAMERA SOLID F5/F55/VENICE
CV101435 0034089 WOODEN CAMERA D-BOX – VENICE GOLD MOUNT
CV101435 0034147 WOODEN CAMERA D-BOX – VENICE POWER STRIP
CV101435 0023360 BRIDGE PLATE: ARRI BP-9 15MM
CV101435 0022963 DOVETAIL: ARRI 12″ DUAL RELEASE
CV101435 0032863 CABLE: THUNDERBOLT 24″
CV101435 0021771 ROD: 15MM X 16″
CV101435 0034133 TOP HANDLE: WOODEN CAMERA MASTER
CV101435 0034122 TOP HANDLE: WOODEN CAMERA MASTER BRACKET STRAIGHT
CV101435 0034122 TOP HANDLE: WOODEN CAMERA MASTER BRACKET STRAIGHT
CV101435 0034120 TOP HANDLE: WOODEN CAMERA MASTER BRACKET 15MM LWS
CV101435 0034130 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION SMALL 3.75″
CV101435 0034129 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION MEDIUM 4.75″
CV101435 0034128 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION LARGE 5.75″
CV101435 0034124 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION BEND
CV101435 0023547 SONY AXS-A512S48 AXSM CARD 512GB – 4.8GB/S
CV101435 0023547 SONY AXS-A512S48 AXSM CARD 512GB – 4.8GB/S
CV101435 0023547 SONY AXS-A512S48 AXSM CARD 512GB – 4.8GB/S
CV101435 0023547 SONY AXS-A512S48 AXSM CARD 512GB – 4.8GB/S
CV101435 0023547 SONY AXS-A512S48 AXSM CARD 512GB – 4.8GB/S
CV101435 0032534 SANDISK SDHC SD CARD 8GB
CV101435 0033806 LENS MOUNT: SONY VENICE PL MOUNT
CV101435 0034319 CABLE: WOODEN CAMERA VENICE D-BOX LEMO5M 5.5″
CV101435 0034319 CABLE: WOODEN CAMERA VENICE D-BOX LEMO5M 5.5″
CV101435 0022681 SONY AXS-AR1 AXSM READER – THUNDERBOLT
CV101435 0033875 AC ADAPTER: SONY VGP-AC19V77 19.5V 3.3A 5.5MM (AXS-AR1)
CV101435 0033801 CASE: SONY VENICE (INNERSPACE) 1
Key Features and Benefits
Full-frame sensor: Offers a wider field of view and shallower depth of field for a more cinematic look.
High Dynamic Range (HDR): Captures a wider range of colors and details, for more realistic and expressive images.
Dual Base ISO: Provides exceptional low-light performance and clean images.
Wide color gamut: Reproduces a wider range of colors than traditional cameras, for richer and more vibrant visuals.
Flexibility: Supports a variety of recording formats and frame rates, making it suitable for a wide range of productions.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Venice-nahinyom-FJS-04-1.webp)
CV102677 0033801 CASE: SONY VENICE (INNERSPACE)
CV102677 0036839 AC ADAPTER: SONY ACDP-060D01 19.5V 3A (FX9)
CV102677 0033804 SONY VENICE+ MPC-3610 6K CINE CAMERA
CV102677 0033806 LENS MOUNT: SONY VENICE PL MOUNT
CV102677 0023551 SONY AXS-R7+ 4K RAW RECORDER
CV102677 0025643 SONY DVF-EL200 .7″ OLED VIEWFINDER
CV102677 0034254 EVF MOUNT: SONY VENICE BRACKET
CV102677 0034255 EVF MOUNT: SONY VENICE ARM
CV102677 0026153 EVF CABLE: SONY DVF-EL200 2′
CV102677 0034173 TOP PLATE: WOODEN CAMERA VENICE
CV102677 0034162 BASE PLATE: WOODEN CAMERA SOLID F5/F55/VENICE
CV102677 0034089 WOODEN CAMERA D-BOX – VENICE GOLD MOUNT
CV102677 0034147 WOODEN CAMERA D-BOX – VENICE POWER STRIP
CV102677 0034320 CABLE: WOODEN CAMERA VENICE D-BOX LEMO5M 3.5″
CV102677 0034133 TOP HANDLE: WOODEN CAMERA MASTER
CV102677 0034122 TOP HANDLE: WOODEN CAMERA MASTER BRACKET STRAIGHT
CV102677 0034122 TOP HANDLE: WOODEN CAMERA MASTER BRACKET STRAIGHT
CV102677 0034120 TOP HANDLE: WOODEN CAMERA MASTER BRACKET 15MM LWS
CV102677 0034130 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION SMALL 3.75″
CV102677 0034129 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION MEDIUM 4.75″
CV102677 0034128 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION LARGE 5.75″
CV102677 0034124 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION BEND
CV102677 0034319 CABLE: WOODEN CAMERA VENICE D-BOX LEMO5M 5.5″
CV102677 0037116 SONY AXS-AR3 AXSM READER – THUNDERBOLT 3
CV102677 0037381 CABLE: THUNDERBOLT 3 24″
CV102677 0034062 WOODEN CAMERA A-BOX – VENICE 2X XLR3F TO XLR5M
CV102677 0034415 EVF EXTENSION: WOODEN CAMERA AIR EVF VENICE
Sony Venice Camera: Unveiling its Potential
Cinematic vistas: The full-frame sensor captures a broader scene and creates a beautiful shallow depth of field, achieving a truly cinematic aesthetic.
Life in every detail: High Dynamic Range (HDR) expands the camera’s color palette and preserves intricate details, resulting in remarkably realistic and expressive imagery.
Master of low light: With Dual Base ISO, the Venice excels in dimly lit environments, delivering clean and crisp images even in challenging lighting conditions.
A spectrum of colors: The wide color gamut surpasses traditional cameras, offering a richer and more vibrant visual experience.
Unmatched adaptability: The camera’s versatility lies in its support for a multitude of recording formats and frame rates, making it ideal for diverse production needs.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Zeiss-Super-Speeds-16-nolnoc-FJS-39.webp)
Zeiss Super Speed 9.5mm
Zeiss Super Speed 12mm
Zeiss Super Speed 16mm
Zeiss Super Speed 25mm
Zeiss Super Speed 50mm
2x Doubler
Fast Aperture (T1.3): Great for low-light shooting and achieving shallow depth of field.
Consistent Image Quality: Sharpness and signature Zeiss character across the entire focal range.
Classic Look: Renowned for their cool image rendition and subtle vintage feel.
Durable Construction: Built to withstand professional filmmaking environments.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Oconnor-2575D-wahs-FJS-01.webp)
O’Connor 2575D Fluid Head: Key Features and Benefits
Supports heavy cameras: Handles cameras up to 90 lbs (40.8 kg), ideal for professional setups.
Smooth operation: Stepless pan and tilt fluid drag ensures precise control and stable footage.
Accurate balancing: Patented sinusoidal counterbalance system maintains balance throughout the tilt range.
Versatility: Compatible with various camera plates (e.g., Euro, Arriflex Dovetail).
![](https://fjsinternational.com/wp-content/uploads/2024/04/Miller-150mm-Bowl-Head-Rondord-gnad-FJS-01.webp)
Miller 150 mm Bowl Head: Key Features and Benefits
Supports heavier cameras: The 150mm diameter base provides a stable platform for larger cameras and lenses, typically supporting loads up to 80 lbs. (depending on the specific model).
Smooth camera movements: Miller fluid heads are known for their smooth pan and tilt movements, ideal for video production.
Wide range of adjustability: Many Miller 150mm bowl heads offer counterbalance adjustments to fine-tune the head for different camera weights and multiple drag settings for varying filming speeds.
Compatible with industry standards: The 150mm bowl size is compatible with tripods and other support systems from various manufacturers
Ronford-Baker tripods: Built for stability: These legs are likely constructed from robust materials like aluminum or steel to support significant weight.
Adjustable height: They’ll typically have telescopic legs for extending to various heights.
Spreader options: Some models might include a mid-level spreader bar to enhance stability further.
Mitchell mount compatibility: Ronford-Baker is known for Mitchell mount tripod heads, so the legs likely integrate seamlessly with this system.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Zeiss-HS-MKI-nrajsamoht-FJS-01-1.webp)
Features:
Classic portrait focal length: Great for flattering portraits with natural perspective.
Fast f/1.4 maximum aperture: Excellent for low-light shooting and beautiful bokeh effects.
Aspherical lens element minimizes distortion: Ensures sharp images with minimal imperfections.
Distinctive bokeh rendering: Creates smooth and attractive background blur.
Manual focus design: Offers precise control over focus placement for creative freedom.
Durable all-metal construction: Built to last for years of demanding use.
![](https://fjsinternational.com/wp-content/uploads/2024/04/ARRI_K00041726_64643.webp)
Arri 35 package includes:
ARRI ALEXA 35 Production Set (19mm Studio)*
ALEXA 35 Cine License. ARRI LPL Lens Mount for ALEXA Mini / AMIRA
Arri Codex Compact Drive set 3x2TB
Core SWX Helix Max 147Wh Lithium-Ion Dual-Voltage Battery (Gold Mount)* 4 TOTAL BATTERIES
Core SWX Mach4 4-Position Charger with 4A Rapid Charge (Gold Mount)* 1
Core SWX Direct Connect Helix Battery Plate for ARRI ALEXA 35 (Gold Mount)* 1
Core SWX Hotswap / Sharkfin Plate – Gold Mount* 1
ARRI Power Supply light 24V* 1
Wooden Camera A-Box (ALEXA Mini LF)*
ARRI ALEXA Cable VF (10m/33ft)*
ARRI D-Tap to Fischer 3-Pin Power Cable – 1.6’*
ARRI Codex Compact Drive Reader (USB-C)*
ARRI Camera Control Monitor CCM-1 Set
Innerspace custom ATA case
Other included accessories:
ARRI PL-to-LPL Lens Adapter
ARRI Balance Utility Dovetail BUD-1
ARRI B-Mount Battery Adapter
ARRI ALEXA Mini LF MVF-2 Set
ARRI ALEXA Mini/AMIRA Straight Power Cable KC-50 (6.6′)
ARRI Power Distribution Module PDM-1 for ALEXA 35
ARRI Production Support Set (Top)
ARRI Production Support Set (Side)
ARRI Production Support Set (Bottom, 19mm)
ARRI Camera Control Monitor CCM-1 Set
ARRI CCM-1 Foldable Sun HoodARRI Monitor Arm for Camera MAC-1
ARRI Cable VF (1.5′)Screen Protector
ARRI Cable RS – RS/Power In (1.6′)
Key Features and Benefits
Professional 35mm Film System: Capture stunning high-resolution images with the industry-standard format.
Exceptional Image Quality: Arri 35 cameras are renowned for their cinematic look and sharp detail.
Versatile Setup: Accommodates various filmmaking styles with a range of compatible lenses and accessories.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Arri-Ultra-Prime-nrajsamoht-FJS-20.webp)
Includes:
Arri Ultra Prime 16mm
Arri Ultra Prime 20mm
Arri Ultra Prime 24mm
Arri Ultra Prime 28mm
Arri Ultra Prime 32mm
Arri Ultra Prime 40mm
Arri Ultra Prime 50mm
Arri Ultra Prime 65mm
Arri Ultra Prime 85mm
Features:
Superbly sharp image quality: Across the entire focal range, these lenses deliver exceptional resolution and contrast.
Fast T1.9 maximum aperture: Enables beautiful shallow depth of field and low-light shooting capabilities.
Minimal focus breathing: Maintains image composition during focus pulls for a polished look.
Standardized design: Consistent gear placement and markings across all focal lengths for efficient lens changes.
Compatible with Super 35 format: Fills the frame for a cinematic look.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Zeiss-Contax-GLS-Rehoused-snilozo-FJS-01.webp)
Zeiss Contax Rehoused by GL Optics 15mm
Zeiss Contax Rehoused by GL Optics 21mm
Zeiss Contax Rehoused by GL Optics 28mm
Zeiss Contax Rehoused by GL Optics 35mm
Zeiss Contax Rehoused by GL Optics 50mm
Zeiss Contax Rehoused by GL Optics 60mm Macro
Zeiss Contax Rehoused by GL Optics 85mm
Zeiss Contax Rehoused by GL Optics 100mm
Zeiss Contax Rehoused by GL Optics 135mm
Zeiss Contax Rehoused by GL Optics 180mm
Classic Zeiss glass with a unique, organic character
Offers a balance between sharpness and a vintage look
Available in a wide range of focal lengths (full frame coverage)
Rehoused in a modern cine lens body by GL Optics (improved ergonomics, standardized mounts)
Benefits:
High-quality optics for professional filmmaking
Distinctive aesthetic that sets your work apart
Versatile focal length options for various shooting scenarios
Improved handling and compatibility with modern cameras
![](https://fjsinternational.com/wp-content/uploads/2024/04/Zeiss-HS85-nrajsamoht-FJS-01.webp)
Features:
Fast Aperture: T1.3 for excellent low-light performance and shallow depth of field.
Classic Zeiss Look: Renowned for its pleasing bokeh, sharp images, and natural colors.
Large Format Coverage: Covers S35mm and up to 5K sensors.
Standardized Design: Shares an 80mm front diameter with other Super Speed MKIII lenses for easy swapping and rigging.
Smooth Focusing: 270-degree focus throw for precise manual focus control.
Durable Build: Built to withstand professional use.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Moviecam-camera-rodan-FJS-06.webp)
35mm film format (Super 35): Industry standard film size known for its excellent image quality.
PL lens mount: Versatile lens mount compatible with a wide range of professional cine lenses.
Modular design: Allows for customization with different accessories like magazines and viewfinders.
Lightweight and compact: Ideal for handheld and mobile shooting applications.
Rugged and reliable: Built to withstand the demands of professional filmmaking.
Benefits
High-quality image capture: Delivers stunning visuals with the classic look of film.
Versatility: Adaptable to various shooting scenarios with its modular design.
Portability: Well-suited for situations requiring mobility and lightweight equipment.
Durability: Proven track record of reliability for professional use.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Atlas-Anamorphic-llot-FJS-07.webp)
Atlas Orion Anamorphic 32mm
Atlas Orion Anamorphic 40mm
Atlas Orion Anamorphic 50mm
Atlas Orion Anamorphic 65mm
Atlas Orion Anamorphic 80mm
Atlas Orion Anamorphic 100mm
Atlas Anamorphic Lenses: Key Features and Benefits
Painterly Bokeh: Atlas lenses produce a distinctive, oval-shaped bokeh effect, creating a dreamier and more artistic background blur.
Anamorphic Flair: Controlled lens flares add a unique character to your footage, reminiscent of classic Hollywood films.
Modern Design: Built with robust mechanics for professional use, Atlas lenses are designed to meet the needs of today’s filmmakers.
Multiple Focal Lengths: A wide range of prime lenses are available, offering flexibility for various shooting scenarios.
![](https://fjsinternational.com/wp-content/uploads/2024/04/416-HS-plus-film-cam-regittev-FJS-06.webp)
Came with a brand new mag at the time it was puchased.
Subsequently 3 additional mags were bought.
Has an IVS and some further basic accessories such as extended eyepiece and all the original parts that came with the camera.
Barely used.
Key Features and Benefits
- Super 16mm film format: Offers a good balance between image quality and portability.
- High-speed shooting up to 150 fps: Great for slow-motion effects.
- Lightweight and ergonomic design: Makes it comfortable to use for handheld shooting.
- Compatible with 35mm lenses and accessories: Offers a wide range of creative possibilities.
- Quiet operation: Suited for situations where sound needs to be minimized.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Cooke-S4-ihcrut-FJS-01.webp)
Cooke S4 18mm
Cooke S4 25mm
Cooke S4 32mm
Cooke S4 50mm
Cooke S4 85mm
Cooke S4 Lenses: Key Features an
Superb optical performance: Minimizes flare, distortion, and aberrations for sharp, clean images.
Fast aperture (T2): Allows for excellent low-light performance and shallow depth of field control.
Smooth focus mechanism: Enables precise and easy focus adjustments.
Standardized design: Consistent color balance and mechanics across all S4/i lenses.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Arri-Master-Primes-ihcrutocram-FJS-01.webp)
Includes:
Arri Master Prime 18mm
Arri Master Prime 25mm
Arri Master Prime 32mm
Arri Master Prime 40mm
Arri Master Prime 50mm
Arri Master Prime 75mm
Arri Master Prime 100mm
Features:
Fast Aperture (T1.3): Shoots in low light conditions and creates a shallow depth of field for beautiful bokeh.
Superior Resolution & Contrast: Captures stunning details and delivers rich, cinematic images.
Minimal Distortion: Maintains straight lines for a realistic look.
Reduced Flare: Suppresses unwanted ghosting for clean visuals.
Virtually No Breathing: Maintains image size while focusing, reducing distracting shifts.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Canon-CN7X17-17-120-Zoom-ihcrut-FJS-01.webp)
This versatile cine lens offers a powerful zoom range (17mm-120mm) for capturing a variety of shots.
Compatible with professional cinematography cameras thanks to its PL-Mount.
Adapts to your needs: The detachable drive unit allows for solo operation or integration into a larger production setup, with rod support for additional accessories.
Seamless control: Electronic Lens Mount & 12-pin Connector ensure smooth operation of zoom, focus, and iris.
Benefits:
Stunning image quality: Expect crisp and detailed visuals.
Highly portable: Compact and lightweight design makes it perfect for handheld shooting or use on gimbals.
Professional operation: ENG-style motorized controls for zoom, focus, and iris deliver precise adjustments.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Arri-Alexa-Mini-grebfolbokaj-FJS-01.webp)
Ready to shoot, 2660 hours
Included accessories:
Full Tilta kit
V lock
Eye Piece and eye pice extender
3x 256g cards plus reader
Baseplate
A- Box wooden Camera
Custom Flight Kit from innerspace
Features:
Highly Portable: Ultra-compact and lightweight design for handheld shooting, drone work, or tight spaces.
Superb Image Quality: Super 35 sensor delivers stunning visuals with wide dynamic range for capturing highlights and shadows.
Built-in Light Control: Eliminate the need for external filters with the camera’s internal Neutral Density (ND) filters for adjusting light on the fly.
Editing Flexibility: Record in a variety of formats, including RAW for maximum control in post-production, or ProRes for a faster editing workflow.
Intuitive Controls: Streamlined user interface allows for quick adjustments and settings changes, keeping you focused on shooting.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Angenieux-Optimo-Style-kedudkcired-FJS-03.webp)
Includes:
Angenieux Optimo Style 16-40
Angenieux Optimo Style 30-76
Angenieux Optimo Style 48-130
Features:
Fast maximum apertures for low-light shooting: These lenses have a wide maximum aperture throughout the zoom range, which allows you to shoot in low-light conditions without having to increase the ISO on your camera. This can help you to maintain better image quality.
Exceptional image quality and sharpness: Angenieux Optimo Style lenses are known for their exceptional image quality and sharpness. They produce images with high contrast and resolution, even when shooting wide open.
Smooth bokeh and pleasing out-of-focus rendering: These lenses can produce smooth and attractive bokeh, which is the blurred background area in an image. This can help to draw attention to your subject and create a more cinematic look.
Compact and lightweight design for easy handling: Angenieux Optimo Style lenses are relatively compact and lightweight for zoom lenses, which makes them easy to handle and use on a variety of camera rigs, including handheld, gimbal, and Steadicam setups.
Internal focusing for minimal focus breathing: These lenses feature internal focusing, which means that the lens elements move inside the lens barrel to focus. This helps to minimize focus breathing, which is a shift in the image angle that can occur when focusing a lens.
Durable construction for professional use: Angenieux Optimo Style lenses are built to withstand the rigors of professional use. They are made from high-quality materials and are sealed to protect them from dust and moisture.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Arriflex-35mm-Film-Cam-letap-FJS-03.webp)
The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35-III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn’t require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Rival Panavision even owns more 435s for rental than Arri’s own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.
![](https://fjsinternational.com/wp-content/uploads/2024/04/AArri-Alexa-Mini-nnamremmizkcirred-FJS-01.webp)
1146 Hours
Includes:
1 -ARRI ALEXA MINI LF CAMERA-PL KIT
1 -ARRI ALEXA MINI LF CMOS ALEV 3 A2X 4.5K CARBON FIBER CAMERA BODY
1 -ARRI ALEXA MINI LPL / LBUS LDS-2 LENS MOUNT
1 -FRONT PL CAP
1 -ARRI LPL TO PL ADAPTER W/ (1) PL PORT CAP
1 -ARRI MVF-2 VIEWFINDER / CAMERA CONTROL UNIT
1 -ARRI EVF RUBBER EYECUP
1 -ARRI ALEXA MINI LF STUBY ANTENNA
1 -ARRI ALEXA MINI EVF BRACKET W/ (X2) 15MM X 4″ RODS & (X2) THREADED CAPS
(MVB-1)
1 -ALEXA MINI / MINI LF INTEGRATED SIDE PLATE RC
1 -ARRI CCH-2 / CENTER CARRY HANDLE W/ (4) HEX SCREWS
1 -ARRI ALEXA MINI MSB-2 / MINI SIDE BRACKET W/ (4) HEX SCREWS
1 -ARRI ALEXA MINI MAP-2A / MINI ACC PLATE W/ (4) HEX SCREWS
1 -ARRI ALEXA MINI MSB-3 / MINI SIDE BRACKET W/ (4) HEX SCREWS
1 -ARRI ALEXA MINI REAR ACCESSORY BRACKET (RAB-1) W/ (1) HEX SCREW
1 -ARRI ALEXA MINI CLAMP FOR RAB-1
1 -ARRI ALEXA MINI LF / WOODEN CAMERA A-BOX
1 -ARRI ALEXA MINI / BEBOB GOLD MOUNT POWER SPLITTING BOX MK II
1 -ARRI ALEXA MINI COMPACT BRIDGEPLATE (CBP-1) ADAPTER PLATE
1 -ARRI ALEXA MINI COMPACT BRIDGEPLATE-19MM (CBP-1)
1 -ARRI DOVETAIL (BLACK) 12″
3 -ARRI CODEX COMPACT DRIVE / 1TB
3 -ARRI CODEX COMPACT DRIVE HARD CASE
2 -ARRI ALEXA MINI LF EVF CABLE 1.5FT
1 -CODEX COMPACT DRIVE READER
1 -USB 3.0 TYPE-C MALE TO TYPE-C MALE
1 -ARRI ALEXA MINI ANTENNA
1 -A&J CASE / ALEXA MINI LF (24″/ 18″/ 17″ – 50 LBS)
Features:
Super 35 sensor: Delivers beautiful film-like images with natural skin tones.
High frame rate recording: Up to 200 fps for slow-motion effects.
Wide dynamic range: Captures highlights and shadows with incredible detail (14+ stops).
Compact and lightweight: Perfect for handheld shooting, gimbals, and drones.
Interchangeable lens mount: Compatible with a wide variety of lenses (PL, EF, B mount).
Internal ND filters: Adjust light levels without affecting color temperature.
Professional audio recording: Records high-quality audio for clean sound.
Variety of recording formats: Choose from ProRes, DNxHD, and more for different editing workflows
![](https://fjsinternational.com/wp-content/uploads/2024/04/Arri-Ultra-16-yawollah-FJS-03.webp)
ULTRA 16 6mm
ULTRA 16 8mm
ULTRA 16 9.5mm
ULTRA 16 12mm
ULTRA 16 14mm
ULTRA 16 18mm
ULTRA 16 25mm
ULTRA 16 35mm
ULTRA 16 50mm
The Arri Ultra 16 lenses are a series of high-quality cinematic lenses designed specifically for 16mm film cameras. Known for their exceptional optical performance, these lenses offer sharpness, clarity, and minimal distortion, making them ideal for capturing detailed images in the compact format of 16mm film. They are favored by filmmakers seeking professional-grade results in 16mm filmmaking, offering a range of focal lengths to suit various shooting scenarios.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Angenieux-Optimo-naedynot-FJS-08.webp)
Includes:
Angenieux Optimo DP 16-42
Angenieux Optimo DP 30-80
Features:
Versatile Zoom Range: The 16-42mm and 30-80mm focal lengths offer a good range for wide shots to telephoto shots, making them suitable for various situations.
Sharp Optics: Aspherical lens elements help reduce distortion for clear and crisp images.
Compact Design: Internal focusing allows for a smaller form factor, making them ideal for handheld shooting or use on gimbals.
Close Focusing: Get up close to your subjects with a minimal focus distance.
Beautiful Bokeh: The smooth iris control creates a pleasing blur effect in out-of-focus areas, enhancing the subject.
Durable Build: The metal construction ensures these lenses can withstand the rigors of professional use.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Arricam-435-ST-3Perf-letap-FJS-05.webp)
Key Features and Benefits
Workhorse 35mm Film Camera: Renowned for its reliability and durability, ideal for professional filmmaking applications. [ARRI Rental, Analog film]
MOS (Mechanically Operated Sound): Offers exceptional image quality at the expense of sound recording, making it ideal for silent films, high-speed shooting, and special effects. [Wikipedia, Arriflex 435]
3-Perf Film Path: Utilizes less film per second compared to 4-perf, resulting in cost savings and a distinctive 1.78:1 aspect ratio. [eBay, Arriflex 35 mm Film Format Movie Cameras]
Super PL Mount: Compatible with a wide range of professional cine lenses for creative flexibility. [ARRI Rental, Analog film]
Rugged Construction: Built to withstand the demands of production environments.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Kowa-Anamorphics-bleg-FJS-01.webp)
Kowa Anamorphic 40mm
Kowa Anamorphic 50mm
Kowa Anamorphic 75mm
Kowa Anamorphic 100mm
Classic Look, Modern Performance
Key Features & Benefits:
Vintage Anamorphic Character: Warm colors, smooth rendering, and readily achievable lens flare for a distinct aesthetic.
Compact & Lightweight: Ideal for handheld, Steadicam, or gimbal rigs due to their small size.
2x Squeeze Factor: Creates the signature widescreen anamorphic look.
Sharp Image Quality: Delivers sharp images even when wide open.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Canon-Rangefinders-notgnirehtemada-FJS-05-Copy.webp)
Includes:
TLS FULL FRAME CANON RANGEFINDER 19mm
TLS FULL FRAME CANON RANGEFINDER 25mm
TLS FULL FRAME CANON RANGEFINDER 35mm
TLS FULL FRAME CANON RANGEFINDER 40mm
TLS FULL FRAME CANON RANGEFINDER 50mm
TLS FULL FRAME CANON RANGEFINDER 58mm
TLS FULL FRAME CANON RANGEFINDER 85mm
TLS FULL FRAME CANON RANGEFINDER 100mm
TLS FULL FRAME CANON RANGEFINDER 135mm
Features:
Vintage Canon glass: Classic 1960s lenses with unique character and beautiful bokeh.
Full frame coverage: Capture stunning images with a wide field of view.
Ultra-fast apertures: Some lenses reach f/0.95 for incredible low-light performance and shallow depth of field.
Modern cine housing: Robust build designed for professional filmmaking.
Accurate focusing: Precise focus control with minimal image shift.
Interchangeable lenses: Choose from a variety of focal lengths for diverse creative options.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Phantom-Flex-ilamynneb-FJS-04.webp)
Includes:
Phantom Flex 4K Camera Body 64GB PL Mount
1650 Pelican Case
Blackmagic Viewfinder
PL Camera Mount
Phantom J Box
Nikon Camera Mount + Steel Shims
1 Power Supple
1 V- Lock Battery Plage
Two 1 TB Discs
BNC Cables + Ethernet Cables + power 10 meter long braided wire
The Phantom Remote Control Unit RCU
Cine Station
Macbook Pro with Seance Software from Gluetools
10Gbit Ethernet to Thunderbolt Converter
OWC ThunderBay HDD 8TB
All with Cables and Power Supply
Features:
High-Speed Capture: Global Shutter CMOS sensor for capturing incredible slow-motion footage with minimal distortion, at speeds of up to 1,000 fps at 4K resolution.
Superb Image Quality: 9.4 megapixel sensor delivers high-resolution 4K images with impressive dynamic range and low noise for excellent image quality even in low-light conditions.
Recording Flexibility: Choose between uncompressed RAW and Apple ProRes 422 HQ recording formats for maximum flexibility in post-production.
Multiple Lens Compatibility: Interchangeable PL, Canon EF (with electronic control), and Nikon F lens mounts provide increased shooting versatility.
Compact Design: Streamlined and lightweight design makes the camera easy to maneuver and use in various shooting environments.
![](https://fjsinternational.com/wp-content/uploads/2024/04/bundle.jpg)
NOTE : Pictures are from Catalog and if interested we can get the real pictures of them.
30-90mm T2: This version is designed for Super 35 cameras and offers a constant T2 aperture throughout the zoom range.
45-135mm T3: This version is designed for Full-Frame/VistaVision cameras and offers a constant T3 aperture throughout the zoom range.
Here are some key features and benefits of the Angenieux Type EZ lenses:
Convertible design: The lens can be used on both Super 35 and Full-Frame/VistaVision cameras by swapping out a rear lens element.
Fast aperture: The T2 (f/1.9) and T3 (f/2.8) apertures provide excellent low-light performance and shallow depth of field control.
Consistent aperture: The aperture remains constant throughout the zoom range, which is ideal for maintaining consistent exposure during filming.
Internal zoom and focus: The internal design ensures that the lens doesn’t change length while zooming or focusing, which is helpful for maintaining balance on gimbals and camera rigs.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Alexa-235-4Perf-iajlohs-FJS-02.webp)
Included in kit:
-ALEXA 235 4 perf Camera Body
-3x 450 FT 35mm magazines
-3Pin XLR – 2Pin Fischer power cable
-Eyepiece
-Eyepiece extender
-Heated eyepiece
-Record trigger (NO TIE DOWN)
-BP-9
-2x 24 inch steel 15mm rods
-Panasonic Analog Monitor with V mount plate
The camera was last tested on Monday April 8th 2024.
The camera was running 10.00fps, 23.98fps, 24.00fps, 48,000fps, 75.00fps
The camera’s power cable and run trigger are running fine.
The cameras record trigger is MISSING a ¼-20 tie down thread
All 3 magazines mount to the camera securely.
Key Features & Benefits : Compact and Lightweight: Ideal for handheld and Steadicam use due to its small size and manageable weight.
35mm Film Quality: Captures stunning high-resolution images on industry-standard 35mm film. Workhorse Reputation: Known for its reliability and durability in professional filmmaking environments.
![](https://fjsinternational.com/wp-content/uploads/2024/04/Xelmus-MK2-Black-Housing-bleg-FJS-01.webp)
Xelmus MK2 Black Housing 32mm
Xelmus MK2 Black Housing 40mm
Xelmus MK2 Black Housing 50mm
Xelmus MK2 Black Housing 60mm
Xelmus MK2 Black Housing 75mm
Xelmus MK2 Black Housing 100mm
Xelmus MK2 Black Housing 135mm
Anamorphic lenses: Capture the coveted wide cinematic look with a horizontal aspect ratio.
Black housing: Sleek and professional aesthetic.
Close focus: Get incredibly close to your subject for dramatic shots (around 25mm).
Standardized front diameter: Easy swapping between lenses (possibly 104mm diameter).
Smooth iris: Creates beautiful bokeh and flares (14 blades).
Durable build: Lightweight and compact for easy handling.
Possible Benefits: Achieve the Hollywood anamorphic widescreen look.
Discreet black design for professional videographers.
Great for capturing detailed close-up shots.
Efficient workflow with interchangeable lenses.
Produces stunning blurred backgrounds and light effects.
Portable and easy to carry on location shoots.
![](https://fjsinternational.com/wp-content/uploads/2024/05/cooke-anamorphic-rehefsolrac-FJS-01-1.webp)
Includes:
Anamorphic/I 2x Cine 32mm
Anamorphic/I 2x Cine 40mm
Anamorphic/I 2x Cine 50mm
Anamorphic/I 2x Cine 75mm
Anamorphic/I 2x Cine 100mm
Features:
2x squeeze factor for anamorphic widescreen format: This creates the distinctive oval bokeh and wider field of view that’s characteristic of anamorphic cinematography.
Classic Cooke Look: Cooke lenses are known for their warm skin tones and pleasing bokeh, which is the way out-of-focus points of light appear in an image.
T2.3 maximum aperture: This wide aperture allows you to shoot in low-light conditions and achieve a shallow depth of field, which can help to isolate your subject from the background.
Interchangeable Cooke /i mount: This allows you to use the lens on a variety of cameras that accept /i mounts.
Durable and weather-sealed construction: This makes the lens suitable for use in harsh environments.
Award-winning cam-style focus mechanism: This allows for smooth and precise focus adjustments.
/i Technology: This Cooke innovation provides electronic data about the lens settings, which can be useful for virtual production and other advanced workflows.
![](https://fjsinternational.com/wp-content/uploads/2024/05/Zero-Optik-Canon-FD-hpmurrelyt-FJS-08-1.webp)
Includes:
24mm T/1.7 (f/1.4 S.S.C Aspherical Canon FD)
35mm FDX T/1.6 (Minolta AF 35mm f/1.4)
55mm T/1.5 (f/1.2 S.S.C Aspherical Canon FD)
85mm T/1.3 (f/1.3 S.S.C Aspherical Canon FD)
135mm T/2.1 (f/2.0 Canon FD)
Features:
Manual focus: Requires you to adjust the focus ring by hand for precise control.
Wide range of focal lengths: Available in various focal lengths to suit different shooting scenarios, like wide landscapes or portrait close-ups.
Canon FD mount: Designed to fit Canon FD cameras.
Adaptable to various mirrorless cameras: Through adapters, you can use these lenses on modern mirrorless cameras.
Varies in size and weight depending on focal length: Wider focal lengths tend to be larger and heavier.
![](https://fjsinternational.com/wp-content/uploads/2024/05/Arrican-ST-3perf-4perf-sebrof-FJS-10.webp)
Arricam ST 3perf Package
BRAND NEW COMPONENTS
x1 K1.54001.3 ARRICAM ST 3 Perf
x1 K2.54011.0 Power Bridge Plate ARRICAM + 19mm bars
x2 K2.54097.0 LT Shoulder magazine LT SH
x1 K2.54127.0 ST Magazine adapter
x1 K2.54047.0 Back load adapter ARRICAM ST ( to mount 1000ft or 400ft ST mags on the back)
x1 1.78 (16:9) ground glass
SERVICED USED PARTS
x1 K2.54049.0 Lite Viewfinder (compatible with Indie Assist LT or the ARRI LT IVS)
x1 K2.54046.0 Lite Eyepiece
x1 K2.54050.0 Lite Extension
x1 Arri LT IVS
x1 Arricam Universal Low Mode plate (no bars)
AND
Arricam ST 4perf Package
BRAND NEW COMPONENTS-
K1.54001.0 ARRICAM ST 4 Perf
K2.54190.0 Studio Universal Viewfinder (excl. Eyepiece)
ST IVS
ST frame-glow module
K2.54097.0 LT Shoulder magazine LT SH x2
K2.54127.0 ST Magazine adapter
SERVICED USED PARTS
K4.52734.0 Lite Universal Eyepiece
3perf vs. 4perf: Both packages offer the Arricam ST, a quiet and feature-rich 35mm film camera.
The key difference is the film movement: 3perf uses less film per frame (saving 25% on costs) while 4perf offers a larger image area.
Accessories: Packages typically include essential accessories like viewfinders, film magazines, speed control box, and cables.