35mm T3.5 USD $ 6,500
45mm T2.8 USD $ 5,800
55mm T2.8 USD $ 5,000
80mm T2.8 USD $ 5,000
110mm T2.8 USD $ 5,800
150mm T3.5 USD $ 6,500
OPTIONAL:
24MM T4.0 $12,000
80mm T1.9 $5,000
200MM T2.8 APO $8,500
300mm T2.8 APO $10,000
1) The base lenses are Mamiya 645 (60mm*45mm format) prime Lenses;
2) All lenses have the same length, 95mm diameter, 77mm UV screw and
same focus/iris scale designed;
3) All lenses have 300 degrees focus rotation;
4) Medium format Lenses cover 12K sensor as well.
Focal lens : 18mm T2.9 – 24mm T2.1 – 28mm T2.1 – 35mm T1.5 – 50mm T1.3 – 85mm T1.5 – 105mm T1.9 – 135mm T2.1
1) All lenses have 95mm front
2) Light weight designed
3) Unique focus/iris scale space
4) New round iris system
5) Interchangable PL/LPL/EF/SONY E mount
OPTION LENSES:
Nikkor 14mm T2.9 – 6500 USD
Nikkor 15mm T3.6 – 6000 USD
Nikkor 55mm T1.3 – 5500 USD
Nikkor Noct 58mm T1.3 – 9000 USD
Nikkor ED 180mm T2.9 – 4300 USD
Shot On What ? https://shotonwhat.com/?s=NIKKOR+FULL+FRAME+LENS+SET+OF+7
Compact and lightweight: Ideal for handheld and Steadicam work.
High-speed shooting: Up to 150 fps for dynamic and creative effects.
MOS (Magnetic Optical Sound) camera: Optimized for non-sync sound applications.
Versatile: Suitable for music videos, commercials, second unit work, and more.
Durable and reliable: Built for professional use in demanding conditions.
Canon FD 24mm f1.4
Canon FD 35mm f2
Canon FD 45mm f1.4
Canon FD 55mm f1.2
Canon FD 85mm f1.2
Canon FD 135mm f2
Wide range of focal lengths: From ultra-wide to super telephoto options.
Manual focus: Offers precise control and a unique photographic experience.
High image quality: Renowned for sharp images and good contrast.
Affordable: Often found at budget-friendly prices.
Adaptability: Can be used on modern cameras with adapters.
Key Features and Benefits:
Compact, lightweight, high-speed Super 35mm film camera
Electronic mirror shutter for precise exposure control
Wide range of frame rates (1-150fps) for creative flexibility
Durable construction for demanding production environments
PL mount for compatibility with various lenses
Owner words:
“It comes with a viewfinder, one 35 mm film magazine and maybe with some video assist accessories.
The camera is sold as-is with no warranty for full functionality.
That said, they look in reasonable condition for their age.”
SOFTWARE 7.4.1
INCLUDED ACCESSORIES
– Tilta Advanced I/O Module
– Tilta Cage with Top Handle
– RED Mini Mags and Case
– RED Power Supply
– 12″ Pogo to Pogo cable
– RED Touch LCD
Key Features and Benefits
High Resolution: 8K Super 35mm CMOS sensor for capturing stunning detail.
Wide Dynamic Range: 16.5+ stops to record deep shadows and bright highlights in the same frame.
High Frame Rates: Up to 300 fps at lower resolutions for slow-motion effects.
RAW and Compressed Recording: REDCODE RAW for maximum flexibility or Apple ProRes/Avid DNxHR/HD for faster workflows.
HOURS 337
INCLUDED ACCESSORIES
– Battery charger
– 3x BP-A60 Batteries
– Canon C300 mkiii PL Mount
– Wooden Camera Top Handle and top Plate
– Canon GR-V1 Camera grip
– EU-V2 Expansion Unit
– Canon LM-V2 4.3″ LCD Monitor
Canon EOS C300 Mark III: Key Features and Benefits
Super 35mm sensor with high dynamic range (16+ stops): captures professional quality images with excellent low-light performance.
4K 120p recording: ideal for slow-motion video with smooth, detailed playback.
Internal Cinema RAW Light and XF-AVC recording: offers flexibility in recording formats, with RAW for maximum quality and XF-AVC for a more manageable file size.
Dual Pixel CMOS autofocus: provides fast and accurate autofocus, even in challenging lighting conditions.
Modular design: allows for customization with various accessories to suit your shooting needs.
HOURS 594
INCLUDED ACCESSORIES:
– 4x BP-975 Batteries
– BP-975 Battery charger with cables
– Wooden Camera Komodo Top Mounting Plate
– Wooden Camera ARCA Swiss Top Handle
– 2x Red Komodo Side brackets
– Red Komodo Gold Mount Plate
– EXT to R/S 3-Pin
– RED Komodo Expander Module
– RED Komodo Power Cables
LICENSES INCLUDED
- Compact and Powerful: The RED Komodo is a tiny powerhouse, measuring just 4″ x 4″ x 4″ and weighing only 2.1 lbs. Despite its size, it boasts professional-level features.
- Superb Image Quality: With a Super 35 global shutter CMOS sensor and 16+ stops of dynamic range, the Komodo captures stunning images with incredible detail and low-light performance.
- 6K Resolution: Shoot in stunning 6K resolution for capturing every detail, or use the extra resolution for stabilization in post-production.
- Versatile Lens Mount: The Komodo utilizes the Canon RF mount, offering a wide range of lens choices and compatibility with various adapters.
- Professional Audio and Monitoring: The Komodo-X version adds a full-sized DC-IN connector, professional audio capabilities, and NDI® for live streaming.
HOURS 1424
SOFTWARE 1.1.3.1.00
INCLUDED ACCESSORIES
– Canon Side Handle
– Top Handle
– BP-A60 Batteries 2x
– Power supply
Super 35mm CMOS Sensor: Delivers high-resolution images with shallow depth of field.
4K Recording: Up to 4K resolution at 410Mbps/10-bit for professional quality.
15 Stops of Dynamic Range: Captures details in both highlights and shadows with Canon Log2.
Simultaneous Internal 4K and External RAW Recording: Provides flexibility for editing and color grading.
Dual Pixel CMOS AF: Fast and accurate autofocus for capturing moving subjects.
Includes: Leica Summicron 15mm
Leica Summicron 21mm
Leica Summicron 29mm
Leica Summicron 40mm
Leica Summicron 75mm
Leica Summicron 135mm
Features:
Sharpness: Leica Summicron lenses are renowned for their exceptional image clarity and resolution, delivering crisp and detailed photos.
Compact size: Their lightweight and relatively small design makes them ideal for travel photography or for photographers who prefer a more minimalist kit.
Fast aperture: Many Summicron lenses have wide maximum apertures, which allows for shooting in low-light conditions without a flash. Additionally, a fast aperture contributes to a shallow depth of field, which can be desirable for isolating your subject and creating a pleasing bokeh effect.
Smooth bokeh: The bokeh produced by Summicron lenses is known for its smoothness and aesthetically pleasing qualities. Out-of-focus areas are rendered softly and gradually, creating a dreamlike quality to images.
Classic rendering: Leica Summicron lenses produce a classic, natural look that is prized by many photographers. Photos taken with these lenses often have a timeless quality and a subtle richness of color.
Hours 1410 – One Owner
Includes:
4x OLPF’s (Low light, standard, skin, infrared),
2 × 1TB Mini-mags + Reader
7″ Touch Monitor
Gold Mount Plate
2 x PL Mounts
19mm Rod System
Noga arm
LEMO A + B Adapter
DSMC2 top plate
DSMC2 Side module (super helpful)
DC Power
Quick Release system + more MISC AK
Key Features & Benefits
Lightweight & Durable: The “forged carbon” refers to the camera body, made from a high-end carbon fiber that’s incredibly strong yet significantly lighter than standard camera bodies. This makes it ideal for situations requiring portability and long shooting sessions.
High-Performance Imaging: “Helium” refers to the camera’s sensor, known for capturing stunning images with exceptional low-light performance and high dynamic range.
Arri Alexa SXT+ / 1471 hrs
PL MOUNT + CANON PL MOUNT
Open Gate Anamorphic
4:3 6:5
High-speed (max 120fps)
In-Camera ProRes 4k
15mm rails (Long)
EVF-1
EVF Extension
BP-13 baseplate
wooden camera dual shark fin gold mount plate
Camtree 19mm baseplate
Dovetail
EVF Short Cable
EVF Long Cable
4-pin XLR Power Cable
Alexa SXT to VCLX power cable
Center Camera Handle
Handle Extension Block
Viewfinder Mounting Bracket
SxS card Adapter
SXR Adapter
XR Adapter
Large pelican case
Arri Alexa FSND Filter Set (Like-new)
2 × cforce motors with cables
435 Package
Eyepiece
Eyepiece extension
Leveling rod carry
Handle case
Aja SD-HD converter
2 x 400ft magazines with case. scratch and torque tested.
Can add more if needed
High Frame Rates: Capture slow-motion footage at speeds from 1 to 150 frames per second.
Durable Movement: 5-link movement with dual transport claws and registration pins ensures smooth and reliable film transport.
Easy Setup: Operational parameters can be set directly on the camera for quick adjustments.
Leveling Assistance: Built-in spirit level helps with precise horizontal alignment.
Atlas Lens Co. Mercury – 36mm/T2.2 [x1.5]
Atlas Lens Co. Mercury – 42mm/T2.2 [x1.5]
Atlas Lens Co. Mercury – 72mm/T2.2 [x1.5]
Condition: Unboxed
Full-frame coverage with a cinematic 1.5x anamorphic look: Creates a wider field of view with a distinctive oval bokeh and horizontal lens flares.
Lightweight and compact: Significantly smaller and lighter than traditional anamorphic lenses, enhancing portability.
Fast aperture (T2.2 – T16): Enables shooting in low-light conditions and achieving shallow depth of field.
Versatile: Works on both Super 35 and Full-Frame cameras with optional rear element groups (PL mount standard, E & EF mounts available).
Fast Aperture: Delivers a bright T2 (f/1.9) aperture on Super 35 and T3 (f/2.8) on Full-Frame for low-light shooting and beautiful bokeh.
3x Zoom Ratio: Offers a flexible focal range of 30-90mm for Super 35 and 45-135mm for Full-Frame.
Cine-Style Controls: Features geared focus, iris, and zoom rings for smooth, precise adjustments.
Compact & Lightweight: Weighs only 4.7 lbs, making it easy to handle on set.
Kinoptik Paris Tegea 5.7 mm T/1.8
Optika-Elite 8 mm T/1.2
Optar Illumina PL 9.5 mm T/1.3
Optar Illumina PL 12 mm T/1.3
Optar Illumina PL 16 mm T/1.3
Optar Illumina PL 25 mm T/1.3
Optar Illumina PL 50 mm T/1.3
The Optar Illumina 8mm T1.3 prime lens covers the full Super-16 aperture with room to spare. The Optar Illumina Primes are often referred to as Russia’s answer to Zeiss Super Speeds. They are very similar to Zeiss Super Speeds in regards to speed, wide open performance, size, weight, and mechanical design. There are some differences though. These lenses have a unique iris design that produces petal shaped bokeh when stopped down. Their more modern coatings give flares a more modern flavor with more greens and magentas. The Optar Illumina lenses offer one of the most modern optical designs available for Super-16mm cinematography. At one point in time, regarded to be a modern alternative to Zeiss Super Speeds these are fast lenses that can work well in available light. They were the first set of lenses specifically designed for the Super-16 format. Lens has large, clearly marked focus markings, that can be read from either side of the lens. Excellent lens with nice color contrast and nice vintage warmth. They have a slightly warmer and softer contrast look than Zeiss glass, similar to the difference between Cooke and Zeiss. These lenses have excellent color and contrast, and are very resistant to glare. – hdgear.tv
Add to the cauldron a Kinoptik Paris Tegea 5.7 mm T/1.8 and a Optika-Elite 8 mm T/1.2, and you have everything covered from 5.7 mm to 50 mm.
Fast, constant aperture (T2.6) throughout the zoom range: This allows for more light gathering and shallower depth of field control, regardless of zoom level.
High-resolution optics: delivers sharp images suitable for 2K to 4K+ camera outputs.
Matched to existing ARRI primes: Ensures consistent color and characteristic across lenses.
Robust construction and film-style ergonomics: Built to endure professional use and offers familiar, tactile controls.
ARRI Alexa Mini Digital Camera Set:
Operating hours: ~7.300
Arri Alexa Mini 4:3 ArriRaw license
Arri Titanium PL Mount LBUS
Arri PL Body – Cap
Arri Center Camera Handle CCH-2
2x Arri Mini Side Bracket MSB -1
2x Arri Mini Adapter Plate MAP -2
Arri Bridge Plate Adapter BPA – 4
Arri Bridge Plate BP – 8
Arri Bottom Dovetail Plate 300mm/12inch
Arri Mini Shoulder Pad CSP – 1
Arri Handle Extension Bracket HEB- 3
Arri V-mount Power Splitting Box MkII
Arri Inbus with red-handle
Arri Multi Viewfinder MVF – 1 (SN: 9508)
Arri Rubber Eyecup
Arri Eyecup metal ring 1
Arri Mini Viewfinder Bracket MVB – 1
Arri Viewfinder Extension Bracket VEB – 3
2x black 15mm Rods
15mm Rod Screw
19mm Rod Screw
Lexar Professional Workflow CFast 2.0 Thunderbolt/USB3.0 Cardreader
Thunderbolt 2.0 to Thunderbolt cable
USB3.0 TypeA to USB3.0 TypeB cable
USB-C to USB -C cable
AngelBird USB-C to USB
3x Angelbird CFast 256gb
AngelBird CFast Single Cardreader
SanDisk USB 16gb
Set of 2x 15mm Rods 340mm length
Set of 2x 15mm Rod Extensions 100mm length
Set of 2x 19mm Rods 240mm length
Set of 2x 19mm Rods 440mm length
Key Features and Benefits
Compact and Lightweight: The Alexa Mini’s biggest advantage is its size and weight, making it ideal for handheld shooting, drones, gimbals, or tight spaces.
Exceptional Image Quality: Despite its small size, the Alexa Mini delivers stunning image quality with 14+ stops of dynamic range, beautiful skin tones, and natural color rendition.
Variety of Recording Formats: The camera offers choices like ProRes for a streamlined workflow and ARRIRAW for maximum flexibility in post-production.
Lens Versatility: The PL mount is compatible with a wide range of professional cinema lenses, and an adapter allows using ARRI’s large-format Signature Prime lenses.
Built-in ND Filters: These filters provide more control over depth of field and shutter speed, especially in bright light.
Wireless Control: The Alexa Mini can be controlled wirelessly, perfect for situations where physical access is limited.
Camera Package
Phamtom Flex 4k High Speed Color Camera S/N 15880 1
Flex 4k Shoulder Pad 1
Bottom Riser w/15mm Rod Support & Rosettes 1
Flex4K Basic Power Kit 1
XLR 3-Pin to Phantom Power 1
AC/DC Power Supply Unit to 3-Pin XLR 1
OSHA Cable 1
Flex4K Standard Media Package 1
1 TB phantom Cine Mag IV 2
Cinestation Basic Kit 1
VRI Phantom CineStation IVCineestation Power Box 1
OSHA Cable 1
Ethernet Shorty Cable 1
Phantom Rainbow Sync Cable 1
Zacuto Gratical Eye Kit 1
Zacuto Gratical Eye Micro OLED EVF 1
Zacuto Axis Mini EVF Mount 1
P-Tap to 2-Pin Lemo Cable 1
HDSDI BNC Cable 1
1/4-20 to 1/4-20 Ultralight Arm Mount 1
TVLogic 5.6″ Monitor Kit 1
TVLogic VFM-058W 5.5″ Full HD On-Camera Monitor 1
Hoodman Sun Hood for TVLogic 5.6″ Camera Monitor 1
Noga Cine Arm 1
P-tap to Mini XLR Cable 2
HDSDI BNC Cable 2
Key Features and Benefits of the Phantom Flex4K Camera:
Ultra High-Speed Capture: Shoots slow-motion footage at incredible speeds, up to 1,000 frames-per-second at 4K resolution, and nearly 2,000 fps at 2K.
Exceptional Image Quality: Delivers stunning visuals with a proprietary super-35mm 4K CMOS sensor for low-noise images, high detail, and wide dynamic range.
Flexibility: Transitions seamlessly between standard frame rates and ultra slow-motion, perfect for diverse shooting scenarios.
Adaptable Design: Built for various environments, from controlled studios to extreme outdoor conditions.
Canon Super Canomatic 19mm – X T4
Canon Super Canomatic 25mm – X T4
Canon Super Canomatic 35mm – T2.7
Canon Super Canomatic 58mm – T1.6
Canon Super Canomatic 85mm – T2
Canon Super Canomatic 100mm – T2.2
Canon Super Canomatic 135mm – T2.2
Early Innovation with Automatic Aperture
Rehoused by Zero Optic , only set in the world. These are the grandfathers of the k35 and FD 1950-1960’s.
Key features and benefits:
Automatic diaphragm control: A pioneering feature for the time, simplifying exposure settings for photographers (especially helpful in low-light situations).
High-quality optics: Offered excellent image quality, with some lenses boasting wide apertures for beautiful bokeh and low-light performance.
R mount compatibility: Designed for Canon’s early SLR cameras, the Canonflex series.
Arri / Zeiss Ultra Primes: 14mm T.1.9
Arri / Zeiss Ultra Primes 20mm T.1.9
Arri / Zeiss Ultra Primes 28mm T.1.9
Arri / Zeiss Ultra Primes 40mm T.1.9
Arri / Zeiss Ultra Primes 65mm T.1.9
Arri / Zeiss Ultra Primes 100mm T.1.9
Key Features & Benefits
Wide focal range: Offers a vast selection from extreme wide angle (8mm) to telephoto (180mm) for ultimate shooting flexibility.
Superior image quality: Delivers crisp, clean images with minimal distortion even at wide apertures (T1.9) thanks to the floating element design.
Color matched: Ensures consistent color rendition across the entire Ultra Prime series, as well as compatibility with ARRI Master Prime and Alura Zoom lenses.
Easy to use: Features well-calibrated scales, uniform diameters, and a robust, easy-to-service design.
ARRIFLEX 435 ES Advanced 4-perforation Film Camera PL-mount + Case 1
ARRI AVF-2 Anamorphic Viewfinder for 435/D-21 1
Ground Glass DIN S35 TV 1.33 safe 1 + another 2 GG from the list.
Format Mask Univers. 1
Functional expansion module FEM (NTSC) 1
Finder Extension FE-3 1
Cable Power ARRI KC29
19mm Aluminum Rod Stainless Steel 440mm 2
ARRI Standard Dovetail Plate 290mm 1
Wooden Camera Bridgeplate 19mm 1
ARRIMAG 120 M-120 1
ARRIMAG 300 2
ARRI FF-3
ARRI MB- 16 set
ARRI RCU – 1
Transvideo on camera monitor
Key Features and Benefits
Enhanced Electronic Design: Improved performance and functionality over previous models.
Modified Mirror Shutter Drive: Increased accuracy and control.
External Motion Control Interface: Enables integration with advanced motion control systems for precise camera movements.
Function Expansion Module: Provides extensive remote control options and timecode exposure control.
Full-frame CMOS sensor: Delivers high-quality images with excellent low-light performance.
Optical viewfinder: Classic rangefinder design for a pure photography experience.
Manual controls: Encourages a deliberate and creative approach to shooting.
Leica M-Mount compatibility: Works with a wide range of legendary Leica lenses.
Durable, all-metal construction: Built to last for generations.
Key Features & Benefits
Dual-format panoramic: Shoots both standard 35mm (24x36mm) and expansive panoramic (24x65mm) frames on 35mm film, offering creative flexibility.
Medium format image quality: Utilizes specially designed lenses to deliver exceptional image quality on par with medium format cameras.
Compact and portable: Despite its panoramic capabilities, the XPan maintains a relatively compact and lightweight design for a rangefinder camera.
Interchangeable lenses: Three focal lengths (30mm, 45mm, 90mm) are available to suit diverse shooting styles.
Rangefinder focusing: Offers a precise and unobtrusive focusing method preferred by many photographers.
Cooke Panchro Speed 1 Silver Version 28mm
Cooke Panchro Speed 1 Silver Version 35mm
Cooke Panchro Speed 1 Silver Version 40mm
Cooke Panchro Speed 1 Silver Version 70mm
IMPERIAL
Cooke Panchro Speed 1 Silver Version Series I are uncoated and rehoused versions of the Cooke Series O f2.0 OPIC lenses introduced in 1925. The Panchros were officially released in 1930. The Cooke Speed Panchro f/2.0 Series I were offered in 11 focal lengths: 24, 28, 32, 35, 40, 47, 50, 58, 75, 100 and 108 mm
The Lenses are from a very old generation, 28,35,40, 70mm, they belong to a legacy of the oldest Cooke Lenses. The lenses contain small light scratches of age between 28, 35,40mm, they have anomalies due to years, but they are still ready for a beautiful rehousing and cleaning that will maintain an incredible look. It can be said that the lenses remain in great quality compared to other S1 series. Important note: the 75mm (Back Element) contains small circular fungus of migratory moisture that affected the third lens.
Key Features & Benefits
Unique Vintage Look: Sought after for its distinct aesthetic qualities, including softer focus and pleasing halation (dreamy glow around highlights).
Historic Legacy: Descended from the iconic Cooke Speed Panchros, the first lenses used for sound films in Hollywood (1927).
Uncoated Design: Offers a distinctive, vintage character compared to modern lenses.
Schneider Xenon Cine 18mm, T2.1, PL-Mount
Schneider Xenon Cine 25mm, T2.1, PL-Mount
Schneider Xenon Cine 35mm, T2.1, PL-Mount
Schneider Xenon Cine 50mm, T2.1, PL-Mount
Schneider Xenon Cine 75mm, T2.1, PL-Mount
Schneider Xenon Cine 100mm, T2.1, PL-Mount
Key Info
Full-frame coverage: Works with today’s full-frame cine cameras.
Fast aperture: Delivers good low-light performance and shallow depth of field.
Consistent color: Minimized color shift when changing lenses in a set.
Natural bokeh: 14-blade iris creates pleasing out-of-focus highlights.
Precise mechanics: Smooth focusing and iris control.
Key Features & Benefits:
Classic Anamorphic Look:
Creates a distinctive horizontal lens flare and a beautiful shallow depth of field, sought after for its unique vintage aesthetic.
Compact & Lightweight: Small form factor makes it ideal for handheld or Steadicam use.
Wide Availability: Relatively common among vintage anamorphic lenses.
Canon FD TLS Rehoused 14mm
Canon FD TLS Rehoused 20mm
Canon FD TLS Rehoused 24mm
Canon FD TLS Rehoused 35mm
Canon FD TLS Rehoused 55mm
Canon FD TLS Rehoused 85mm
Canon FD TLS Rehoused 135mm
Key features and benefits:
Vintage Canon FD glass:
Offers classic rendering and unique color palette.
Full frame coverage: Works seamlessly with modern full frame cameras.
Robust, modern housing: Improved durability and cine-style operation.
Standardized design: Consistent front ring diameter (125mm) and gear placement for easy rigging.
Circular iris: Delivers smooth, attractive bokeh at all apertures.
Key Features:
Classic Canon lens (1960s/70s) – once the world’s fastest production lens
Rehoused for modern cinematography use by Whitepoint Optics
Ultra-fast f/0.95 aperture for low-light shooting and shallow depth of field
Renowned for its “dreamy” image quality
Benefits:
Capture stunning low-light footage
Achieve unique bokeh effects
Own a piece of photographic history
This Anamorphic set includes
Atlas Orion Silver Edition 32mm, T2, PL-Mount, metric scale
Atlas Orion Silver Edition 40mm, T2, PL-Mount, metric scale
Atlas Orion Silver Edition 50mm, T2, PL-Mount, metric scale
Atlas Orion Silver Edition 65mm, T2, PL-Mount, metric scale
Atlas Orion Silver Edition 80mm, T2, PL-Mount, metric scale
Atlas Orion Silver Edition 100mm, T2, PL-Mount, metric scale
Includes
LF Extender
Key Features & Benefits
Unique Aesthetic: Neutral flare characteristic that adapts to your light source, for a more customizable and expressive look.
Modern Performance: Combines classic anamorphic characteristics with a reliable, mechanically-sound design.
Fast Aperture: T2 aperture allows for shooting in low-light conditions.
Sharp Image: Delivers crisp images even when stopped down.
Limited Edition: Only 100 sets were produced, making it a collector’s item.
Arri Signature Prime Cine 18mm T1.8, LPL-Mount
Arri Signature Prime Cine 25mm T1.8, LPL-Mount
Arri Signature Prime Cine 35mm T1.8, LPL-Mount
Arri Signature Prime Cine 47mm T1.8, LPL-Mount
Arri Signature Prime Cine 75mm T1.8, LPL-Mount
Arri Signature Prime Cine 125mm T1.8, LPL-Mount
Unique Look: Warm skin tones, crisp blacks, and a smooth, dreamlike bokeh
Fast Aperture: T1.8 allows for shallow depth of field and low-light shooting
Lightweight: Machined magnesium barrels make them easy to carry
Minimal Distortion: Sharp edges and clean focus throughout the frame
Large Format Compatibility: Designed for use with large format cameras
Around 3300 operating hours
The camera comes with:
• ARRI Amira Camera Body (Premium License)
• PL Mount
• ARRI MVF-1 Viewfinder with mounting bracket and viewfinder cables (50cm, 75cm)
• Hot Swap Adapter Bebob ML120
• ARRI BPA-3 Bridge Plate Adapter
• Bridge Plate (for 19mm rods), Dovetail Plate
• ARRI RMB-4 Rod Mounting Bracket (for top rod)
• CFast Cards: 4x Sandisk Extreme Pro 128GB
• CFast Reader
• Flightcase
Words of the owner: “Versatile, Single Operator Camera, Full check-up by Arri”
Super 35 sensor: Delivers high-quality images with excellent low-light performance.
Interchangeable lens mounts: Supports both EF and B4 lenses, offering flexibility for various shooting scenarios.
Compact and lightweight design: Ideal for handheld shooting and documentary filmmaking.
Ergonomic controls: Designed for comfortable and efficient operation.
Remote control compatible: Integrates seamlessly into multi-camera setups.
Cooke Anamorphic 2X Special Flare 25mm
Cooke Anamorphic 2X Special Flare 32mm
Cooke Anamorphic 2X Special Flare 40mm
Cooke Anamorphic 2X Special Flare 50mm
Cooke Anamorphic 2X Special Flare 65mm
Cooke Anamorphic 2X Special Flare 75mm
Cooke Anamorphic 2X Special Flare 100mm
Cooke Anamorphic 2X Special Flare 135mm
Features & Benefits
Intensified Anamorphic Flare: Special coating creates a more dramatic and pronounced blue streak flare effect, sought after for a distinct cinematic look.
High Performance Optics: Delivers exceptional image quality with minimal distortion and aberration, even at wide-open apertures.
Super 35 Coverage: Compatible with Super 35 format cameras, offering the classic anamorphic widescreen aspect ratio (2.4:1).
RAW and 4:3 licenses have been included
In the camera package the ARRI original accessories with 2 cards (1T *2 ) and 1 card reader have been included，
The owner says “the camera is very good and read to shot , it is only 5600 hours to be run ”
Large format sensor: Offers superior image quality with shallow depth of field and stunning low-light performance.
Compact and lightweight: Maintains the same footprint and weight as the ALEXA Mini for exceptional mobility on set.
High frame rates: Records up to 90 fps in full format for capturing slow-motion with incredible detail.
New high-contrast OLED viewfinder: Provides excellent focus judging, dynamic range evaluation, and color accuracy.
Internal ND filters: Offers convenient control over light exposure without requiring external filters.
Zeiss Master Prime 18mm
Zeiss Master Prime 25mm
Zeiss Master Prime 35mm
Zeiss Master Prime 50mm
Zeiss Master Prime 75mm
High-speed performance: T1.3 aperture across all focal lengths allows for excellent low-light shooting and beautiful shallow depth of field.
Exceptional image quality: Delivers superior resolution, contrast, and virtually no distortion for stunning visuals.
Minimal focus shift: “Breathing” is negligible, ensuring consistent framing during focus pulls.
Reduced flare: Zeiss T*XP coating minimizes unwanted flares and ghosting.
Lightweight and compact: This lens is one of the lightest and most compact cine zoom lenses in the industry, making it ideal for handheld shooting and use with modern digital cameras. PL mount zoom lens designed for 35mm film cameras and digital cameras.
Fast aperture: The lens has a fast T2.8 aperture, which allows you to shoot in low-light conditions and achieve shallow depth of field.
Versatile zoom range: The 45-120mm zoom range provides a good balance between wide-angle and telephoto capabilities, making it suitable for a variety of shooting situations.
Selective focus control: Allows for keeping specific parts of an image sharp while blurring others, creating a miniature effect.
Correcting converging verticals: Useful in architectural photography to maintain straight lines on tall buildings.
Expanding depth of field: Can be helpful in macro photography to keep a larger subject area in focus.
T2.1 Aperture: Bright enough for low-light shooting and offers pleasing bokeh.
Planar Design: Renowned for exceptional sharpness, high contrast, and good field flatness.
Vintage Look: Produces a distinct aesthetic sought after by some videographers.
Compact & Lightweight: Easy to handle and well-suited for handheld shooting.
NOTE : This lens is damaged and can be used for parts.
Cooke S4 14mm-2
Cooke S4 18mm-2
Cooke S4i 25mm (LDS)
Cooke S4 40mm-2
Cooke S4i 50mm
Cooke S4 100mm-2
Cooke S4/i 135mm
Cooke S4/i 150mm
Legendary Cooke Look: Renowned for its warm tones, smooth focus roll-off, and pleasing image rendering [Cooke Look].
Consistent Performance: Both S4 and S4i lenses share color matching, ensuring seamless integration within your shot [Cooke S4, Cooke S4i].
High-Speed & Sharpness: Fast maximum apertures (T2.0 for S4i, T2.8 for Mini S4i) deliver beautiful shallow depth-of-field and excellent low-light performance.
Superb Build Quality: Renowned Cooke craftsmanship ensures rugged reliability and smooth mechanical operation.
Optional /i Technology: S4i lenses offer /i Technology for automatic lens data recording on compatible cameras.
Cooke Panchro i Classic S35 18mm – 2.2
Cooke Panchro i Classic S35 25mm – 2.2
Cooke Panchro i Classic S35 32mm – 2.2
Cooke Panchro i Classic S35 40mm – 2.2
Cooke Panchro i Classic S35 50mm – 2.2
Cooke Panchro i Classic S35 75mm – 2.2
Cooke Panchro i Classic S35 100mm – 2.6
Includes: One case for 6 lenses and the 100mm new in its own box.
Vintage aesthetic: Offers the classic “Speed Panchro” look of the 1920s with a smooth, pleasing bokeh.
Modern performance: Delivers excellent control of flare, distortion, and spherical aberration even at wide apertures.
Color consistency: Color balanced and matched to other Cooke S8/i FF and S7/i FF lenses for seamless integration.
Built to last: Features a durable, hard-wearing scratch-resistant finish.
Arri Ultra Prime 16mm
Arri Ultra Prime 20mm
Arri Ultra Prime 28mm
Arri Ultra Prime 32mm
Arri Ultra Prime 40mm
Arri Ultra Prime 50mm
Arri Ultra Prime 65mm
Arri Ultra Prime 85mm
Arri Ultra Prime 100mm
Arri Ultra Prime 135mm
Arri Ultra Prime 180mm
Widest focal range: Offers a vast selection of focal lengths from the Ultra Prime 8R extreme wide angle to the Ultra Prime 180mm telephoto, ensuring flexibility for any shot.
Standard speed: Delivers a T1.9 maximum aperture, balancing low-light performance with manageable depth of field control.
Lightweight: Enhances camera maneuverability and reduces rig weight for Steadicam or handheld setups.
Optically matched to Master Primes: Creates a consistent look when used alongside ARRI’s high-speed Master Prime lenses.
152mm focal length
T3 maximum aperture
Warm, low-contrast image
Unique flare characteristics
Rehoused for modern camera compatibility (P+S likely refers to the rehousing company)
Benefits:
Classic, vintage aesthetic for video and film
Soft and pleasing bokeh
Compact and versatile telephoto zoom lens: This lens offers a 3.5x zoom ratio with a focal length ranging from 30mm to 105mm, making it suitable for a variety of shooting scenarios, from wide shots to close-ups.
Bright f/2.8 maximum aperture: A fast maximum aperture of f/2.8 allows for shooting in low-light conditions and achieving shallow depth of field for isolating subjects and creating attractive bokeh.
11-blade iris for smooth bokeh: The 11-blade iris diaphragm contributes to a pleasing bokeh quality, which is the way out-of-focus points of light are rendered.
Designed for professional cinematography: This lens is built for professional use with cine cameras and features a robust construction, smooth focus operation, and compatibility with industry-standard cine accessories.
Covers Super 35 and APS-C sensor sizes: This lens is compatible with both Super 35 and APS-C sensor sizes, making it a versatile option for a variety of cameras.
Zeiss CP.3 15mm/T2.9
Zeiss CP.3 18mm/T2.9
Zeiss CP.3 21mm/T2.9
Zeiss CP.3 25mm/T2.9
Zeiss CP.3 28mm/T2.9
Zeiss CP.3 35mm/T2.9
Zeiss CP.3 50mm/T2.9
Zeiss CP.3 85mm/T2.9
Zeiss CP.3 100mm/T2.9
Zeiss CP.3 135mm/T2.9
High image quality: Zeiss glass elements deliver sharp, true-to-life images with minimized distortion and flaring.
Compact and lightweight: Designed for easy handling and use on gimbals or drones.
Full-frame coverage: Compatible with a wide range of full-frame cameras.
Interchangeable mount system: Adapts to various camera systems for filming flexibility.
Proven Zeiss quality: Offers the trusted clean and crisp look Zeiss lenses are known for.
Leica Summicron-C T2.0 18-2
Leica Summicron-C T2.0 21-2
Leica Summicron-C T2.0 25-2
Leica Summicron-C T2.0 29-2
Leica Summicron-C T2.0 35-2
Leica Summicron-C T2.0 50-2
Leica Summicron-C T2.0 75-2
Leica Summicron-C T2.0 100-2
Compact size and lightweight design, fast maximum aperture of T2.0 for low-light shooting and shallow depth of field control, excellent image quality with sharp rendering and smooth bokeh.
Benefits: These lenses are ideal for cinematographers who need a high-quality, versatile lens that can be used in a variety of shooting conditions.
Zeiss Standard Speed MK2 12-2
Zeiss Standard Speed MK2 14-2
Zeiss Standard Speed MK2 100-2
Zeiss Standard Speed MK2 180-2
Key features and benefits:
Vintage aesthetic: Softer image with cooler color rendition, ideal for a classic film look.
Compact and lightweight: Well-suited for handheld and gimbal shooting.
Smooth, pleasing image: Delivers a beautiful image with medium contrast.
Key features and benefits:
Covers Super-35 sensor size
2.39:1 aspect ratio
Fast T1.9 aperture for shallow depth of field
Virtually no lens breathing
15-blade iris for oval bokeh
Zeiss color science
Owner words: “Lens in great shape, used carefully only on a higher range sets (no one-day rentals), with clean glass, all rings are working smoothly and consistently. Lenses were periodically serviced at Zeiss Authorized”
Atlas Orion Anamorphic A 40mm
Atlas Orion Anamorphic A 65mm
Atlas Orion Anamorphic A 100mm
Note: Set will come in a hard case
True Front Anamorphic Group: Delivers distinctive visual characteristics like “waterfall bokeh” (oval-shaped out-of-focus highlights) and horizontal lens flare.
Universal Filmmaking Tool: Compatible with various camera systems, including professional cine cameras (PL mount) and popular mirrorless cameras (adapted mounts). Vintage Aesthetic: Combines classic anamorphic look with modern functionality for a unique visual style.
Cooke Anamorphic/i FF LPL Standard 40mm
Cooke Anamorphic/i FF LPL Standard 50mm
Cooke Anamorphic/i FF LPL Standard 75mm
Cooke Anamorphic/i FF LPL Standard 100mm
Full-frame coverage: Designed for full-frame digital cinema cameras, capturing a wider image area.
1.8x anamorphic squeeze: Creates the distinctive anamorphic look with oval bokeh and wide aspect ratio.
Fast aperture (T2.3 – T22): Enables excellent low-light performance and shallow depth of field control.
Enhanced image characteristics: Delivers Cooke’s signature warm tones, beautiful flares, and natural rendering.
/i Technology (optional): Provides lens metadata for easier post-production workflows (available on some models).
Durable construction: Built to withstand professional filmmaking environments.
Fast T1.4 aperture: Great for low-light shooting and shallow depth of field.
Compact and lightweight: Makes it ideal for handheld cinematography.
Long focus throw: Allows for precise focus control.
Classic analog cinematic look: Delivers a natural and dimensional image.
Owner Words: “It is a perfect solution if you’re looking
for a vintage feel on a modern full frame cine camera.
Focus and de-clicked iris rings are super smooth.
Can be used with various adapters”
Hawk C Anamorphic 35mm
Hawk C Anamorphic 50mm
Hawk C Anamorphic 75mm
Hawk C Anamorphic 100mm
Classic Look, Modern Performance
Key features and benefits:
Classic and vintage look: Offers a beautiful, slightly forgiving aesthetic.
Sharp and modern imagery: Delivers high-quality, detailed shots.
Compact and lightweight: Easy to handle and use on set.
Multiple focal lengths: Available in a range of focal lengths for creative flexibility (35mm, 50mm, 60mm, 75mm, 100mm and a 55-165mm zoom).
S35 sensor coverage: Works well with modern cameras.
Owner Words:
“Service history-serviced and cleaned locally by a Panavision lens specialist. Tested and reviewed by an ATM Lens service specialist by the end of 2022, not used since. Current status- glass cleaned, free
from debris. Some minor scratches on the glass, but not affecting image. Lenses are calibrated and
ready for shooting. Lab review and testing welcome.”
Arri Master Anamorphic 28mm
Arri Master Anamorphic 35mm
Arri Master Anamorphic 50mm
Arri Master Anamorphic 75mm
Arri Master Anamorphic 100mm
Key features and benefits
Cinematic look: Low distortion, beautiful skin tones, and characteristic oval bokeh for a classic widescreen aesthetic.
Fast T-stops: Achieve shallow depth of field for a more focused and dramatic look.
High performance: Precise color rendition and optimized flare for professional filmmaking.
Large image field: Offers greater freedom and flexibility in composing your shots.
ARRI Alexa Mini LF with LPL Mount and MVF-2 Viewfinder.
Camera was never opened, nor turned on.
The set consist of:
K1.0024074 ALEXA Mini LF camera body
K2.0018983 ARRI LPL Mount (LBUS)
K0.0024311 ALEXA Mini LF MVF-2 set
Key Features & Benefits
Large format sensor: delivers high image quality with shallow depth of field.
Compact and lightweight: ideal for handheld and gimbal use (camera body: 5.7 lbs, viewfinder: 1.7 lbs).
LPL lens mount: designed for large format cinematography lenses.
High frame rates: up to 90 fps in 4K resolution.
MVF-2 viewfinder: high-resolution viewfinder with remote control capabilities.
Camera was never opened, nor turned on.
The set consist of:
K1.0039373 1x ALEXA 35 camera body
10.0043678 1x ALEXA 35 Cine License
K2.0018983 1x ARRI LPL Mount (LBUS)
K2.0016936 1x ARRI PL-to-LPL Adapter
K2.0034180 1x Balance Utility Dovetail BUD-1
K2.0023751 1x B-Mount Battery Adapter
K2.0020916 1x Multi Viewfinder MVF-2
K2.0042857 2x Cable VF Right Angle (0.5m/1.5ft)
K2.75007.0 1x Camera Power Cable Straight 2m/6.6in KC-50
K2.0024101 1x Power Distribution Module PDM-1
KK.0041533 1x Production Support Set – Top
KK.0041534 1x Production Support Set – Side
KK.0041535 1x Production Support Set – Bottom (19mm)
Key Features and Benefits
Superior Image Quality: Offers a wider dynamic range (17 stops), higher sensitivity (up to EI 6400), and richer colors for stunning visuals.
Creative Flexibility: New REVEAL color science and ARRI Textures provide more options for creating unique looks during capture and post-production.
Versatile Lens Compatibility: Utilizes the Super 35 sensor, working seamlessly with a vast range of lenses, including modern, vintage, anamorphic, and spherical options.
Compact Design: Delivers a full feature set in a smaller form factor, enhancing portability and maneuverability on set.
Arri Zeiss Master Prime 32mm
Key Features and Benefits
Fast T1.3 aperture: Enables shooting in low-light conditions and achieving shallow depth of field for creative focus effects.
Superior image quality: Delivers exceptional resolution, contrast, and minimizes chromatic aberration for sharp and clear images.
Virtually no breathing: Maintains consistent image framing during focus pulls.
Benefits:
Ideal for low-light cinematography: Captures high-quality footage even in dimly lit environments.
Creative control over depth of field: Allows for isolating subjects and creating a distinctive visual style.
Professional-grade image quality: Meets the demands of high-end productions.
Arri Zeiss Master Prime 21mm
Key Features and Benefits
Fast T1.3 aperture: Enables shooting in low-light conditions and achieving shallow depth of field for creative focus effects.
Superior image quality: Delivers exceptional resolution, contrast, and minimizes chromatic aberration for sharp and clear images.
Virtually no breathing: Maintains consistent image framing during focus pulls.
Benefits:
Ideal for low-light cinematography: Captures high-quality footage even in dimly lit environments.
Creative control over depth of field: Allows for isolating subjects and creating a distinctive visual style.
Professional-grade image quality: Meets the demands of high-end productions.
Fast T2.6 aperture throughout zoom range: Provides excellent low-light performance and shallow depth of field control.
Super 35 sensor coverage: Compatible with a wide range of cinema cameras.
Minimal focus breathing: Maintains image composition during focus pulls.
Standardized 0.8 MOD gears: Ensures compatibility with industry-standard follow focus units.
Key Features and Benefits:
Lightweight and modern Super 16mm film camera
Extremely quiet – similar sound level to ARRICAM
Variable shutter speeds from 1 to 75 fps
Rugged and reliable construction [ARRI ARRIFLEX 416 Plus HS – Illumination Dynamics]
54mm stainless steel PL mount compatible with a wide range of lenses
Arriflex 416
3X 400’MAGS
3X Arri OBB-2 Battery
1X Chargers
Arri 416 Low Mode Bracket
Arri Optical Viewfinder
Arri ViewFinder Extension
Arri Top Handle
Arri 416 LWS Rod Support
Arri 416 BasePlate 19mm
Duff tail 12”
Arri PL mount cap
Arri Eye Peace
1.66 SR3 Ground Glass
Run/Stop Handel
Arri WL-2
Mascot Type 2040 Charger
Arri 416 Case
Professional 16mm Film Camera: The Arriflex 416 was a highly regarded professional motion picture camera used for creating 16mm films.
Rugged and Reliable: Renowned for its durability and dependable operation, it was a workhorse for filmmakers and it still is.
Versatility: Accommodated a wide range of lenses and accessories, allowing for various filmmaking applications.
Tokina Cinema Vista One 18mm
Tokina Cinema Vista One 25mm
Tokina Cinema Vista One 35mm
Tokina Cinema Vista One 50mm
Tokina Cinema Vista One 85mm
Tokina Cinema Vista One 105mm
Key Features & Benefits
Unique Look: Single-coated front element creates soft, beautiful flares with off-axis light sources, transitioning to a modern look with on-axis lighting (perfect for a vintage aesthetic).
High Performance: Super fast T1.5 aperture, virtually no focus breathing, and covers full-frame sensor size for professional shooting.
Built to Last: Durable, all-metal cine-style housing with smooth 9-blade iris and a 300° focus barrel rotation for precise control.
8K Ready: Delivers high resolution and low chromatic aberration for exceptional image quality.
Arri Ultra Prime 16mm
Arri Ultra Prime 24mm
Arri Ultra Prime 32mm
Arri Ultra Prime 50mm
Arri Ultra Prime 85mm
Arri Ultra Prime 135mm
Wide focal length range: The Ultra Primes offer the widest range among 35mm prime lenses, giving you flexibility for various shots (8mm to 180mm). [ARRI Ultra Prime Lenses]
Superior image quality: These lenses are known for their exceptional sharpness, contrast, and color rendition, ideal for high-end cinematography.
Fast aperture (T1.9): This allows for shooting in low-light conditions and achieving shallow depth of field for creative effects.
Minimized flare and reflections: Thanks to the T* XP lens coating, you get cleaner images with less unwanted light artifacts.
Consistent color across lenses: All Ultra Primes are color-matched, ensuring a cohesive look throughout your project, even when using different focal lengths.
Compact and lightweight design: This lens is perfect for filmmakers on the go who need a versatile lens that won’t weigh them down.
Fast T2.9-3.9 aperture: This lens allows you to shoot in low-light conditions and create beautiful bokeh effects.
Covers full-frame sensor: This lens can be used with a variety of full-frame cameras.
Smooth bokeh rendering: This lens creates a pleasing blur in the out-of-focus areas of your image.
Close-focusing distance of 0.38 meters: This lens allows you to get close to your subjects for dramatic effect.
