35mm T3.5 USD $ 6,500
45mm T2.8 USD $ 5,800
55mm T2.8 USD $ 5,000
80mm T2.8 USD $ 5,000
110mm T2.8 USD $ 5,800
150mm T3.5 USD $ 6,500
OPTIONAL:
24MM T4.0 $12,000
80mm T1.9 $5,000
200MM T2.8 APO $8,500
300mm T2.8 APO $10,000
1) The base lenses are Mamiya 645 (60mm*45mm format) prime Lenses;
2) All lenses have the same length, 95mm diameter, 77mm UV screw and
same focus/iris scale designed;
3) All lenses have 300 degrees focus rotation;
4) Medium format Lenses cover 12K sensor as well.
codenancn
Focal lens : 18mm T2.9 – 24mm T2.1 – 28mm T2.1 – 35mm T1.5 – 50mm T1.3 – 85mm T1.5 – 105mm T1.9 – 135mm T2.1
1) All lenses have 95mm front
2) Light weight designed
3) Unique focus/iris scale space
4) New round iris system
5) Interchangable PL/LPL/EF/SONY E mount
OPTION LENSES:
Nikkor 14mm T2.9 – 6500 USD
Nikkor 15mm T3.6 – 6000 USD
Nikkor 55mm T1.3 – 5500 USD
Nikkor Noct 58mm T1.3 – 9000 USD
Nikkor ED 180mm T2.9 – 4300 USD
Shot On What ? https://shotonwhat.com/?s=NIKKOR+FULL+FRAME+LENS+SET+OF+7
GL Optics
RED DSMC2 HELIUM 8K S35 is a high-performance digital cinema camera that redefined resolution standards within the Super 35mm format. Known for its compact “BRAIN” design, it offers a blend of extreme detail and the classic S35 aesthetic, making it a staple for high-end feature films, commercials, and VFX-heavy productions.
Key Features and Benefits
8K Resolution Performance: Captures 35.4-megapixel motion and stills, providing unmatched flexibility for re-framing, stabilizing, and future-proofing content.
Super 35mm Sensor: Unlike many 8K sensors that require Large Format glass, the Helium sensor is optimized for the vast library of classic S35 cinema lenses.
16.5+ Stops of Dynamic Range: Delivers exceptional highlight protection and deep shadow detail, rivaling traditional film stock.
Advanced Modularity: The DSMC2 platform features a cable-free design, allowing users to swap lens mounts (PL, EF, Nikon) and OLPFs (Optical Low-Pass Filters) to suit specific creative needs.
High-Speed Capabilities: Records up to 60 fps at 8K Full Format and up to 300 fps at 2K, ideal for high-fidelity slow motion.
Versatile Post-Workflow: Supports simultaneous recording of REDCODE RAW and edit-ready proxies like Apple ProRes or Avid DNxHR.
COST : Helium kit £10k each
Based on the current exchange rate for February 17, 2026, £10,000 GBP is approximately:$13,557.90 USD(Rate: $1.35579$ USD per £1 GBP)
“Lee”
+44 (0)20 8998 99 77
https://lightningmedia.co.uk/ UK
R-2/17/2026
Price Investigation :
Justcinemagear $ 11,650
Newlifecine $ 12,000 -$ 15,500
AI Says:
As of early 2026, the second-hand market for the RED DSMC2 HELIUM 8K S35 has stabilized significantly, making it one of the most accessible entry points into high-resolution cinema. Because the DSMC2 system is modular, prices vary wildly depending on whether you are buying a “Brain” (body only) or a “Ready-to-Shoot” package.
Average Price Range
Configuration Price Range (USD) What’s Included
Brain Only $2,500 – $3,800 Just the camera body, often without a lens mount or power module.
Basic Kit $4,000 – $5,500 Brain + Lens Mount (EF/PL), Base Expander, and a Top Handle.
Production Pack $6,000 – $8,500 Brain, Monitor, Media (Mini-Mags), Battery Plate, and often a case.
1 White Focus Knob Marking Ring Installed on The Hand Unit
3 ARRI cforce mini / RF motor units (each with integrated gear drive)
3 motor gear wheels (attached to the motors)
4 hand unit batteries (Sony NP-F style)
1 single-bay battery charger
5 white focus marking rings (loose)
3 rod / clamp mounting brackets
3 LEMO cables (various lengths, including right-angle connectors)
This professional wireless lens control package centers around the ARRI Hi-5 hand unit with an installed white focus knob marking ring, delivering precise, reliable control for demanding film and television productions. Designed for seamless integration into modern camera workflows, the set includes three ARRI cforce mini RF motor units with integrated gear drives, along with attached motor gear wheels for accurate lens response. The kit is powered by four Sony NP-F style batteries with a single-bay charger, and comes complete with multiple white focus marking rings, rod/clamp mounting brackets, and LEMO cables in various lengths (including right-angle connectors), making it a versatile and production-ready solution for focus pulling, iris, and zoom control on set.
Key Features:
ARRI Hi-5 hand unit with installed white focus knob marking ring
Three ARRI cforce mini RF motors with integrated gear drives
Motor gear wheels attached and ready for use
Four Sony NP-F style batteries and single-bay charger
Five additional white focus marking rings
Three rod/clamp mounting brackets
Three LEMO cables in assorted lengths, including right-angle connectors
Cost: $15,000 USD FOB
February 16, 2026
Frank Shaw-China
+8615011304502
bbosasi.frank@gmail.com
Includes:
Sony FS7
Fujinon 20-120mm Cabrio (XK6x20) with Servo Unit
Various adapters and related accessories included in the case.The Sony FS7 (Mark I or II) paired with the Fujinon XK6x20 (20-120mm T3.5) is a classic “Gold Standard” combo for run-and-gun shooters who need that ENG-style versatility with a “cinema” look.
Why This Package Hits the Sweet Spot
The FS7 and the Fujinon 20-120mm were practically made for each other. Here’s why this kit remains relevant in 2026:
The Lens: The Fujinon 20-120mm is a parfocal lens, meaning it stays in focus while zooming. It covers a huge range, effectively replacing a bag of primes for most daylight shoots.
The Servo: If the lens includes the detachable drive unit, it allows for smooth, broadcast-style power zooms controlled directly from the FS7 handgrip.
Internal NDs: The FS7’s built-in ND filter system is legendary for speed, especially when moving between indoor and outdoor locations.
XAVC Codec: It produces 10-bit 4:2:2 files that are robust enough for heavy color grading but light enough for standard laptop editing.
Cost: TBD
Josh Fluck
fluckj450@gmail.com / +1 610-850-1767
Price Investigation:
Justcinemagear : Does not have a combo
Newlifecine: does not have a combo
R-02-02-2026
AI Says : estimated value:
Sony FS7 Body (Mk I) $1,200 – $1,800
Sony FS7 II Body $2,200 – $3,000
Fujinon 20-120mm T3.5 $5,500 – $7,500
Full Package (with accessories) $7,500 – $11,000
The ARRI ALEXA Mini LF is the industry-standard “large-format” evolution of the original ALEXA Mini. It integrates the flagship ALEV III (A2X) sensor into a compact carbon-fiber body, bridging the gap between high-end large-format aesthetics and the agility required for handheld or gimbal work.
Key Features & Benefits
Large-Format Aesthetic: Features a 4.5K sensor that provides a shallow depth of field and a wider field of view compared to Super 35, delivering an immersive, “filmic” look.
Renowned Color Science: Utilizes ARRI’s ALEV III sensor technology for natural skin tones, smooth highlight roll-off, and industry-leading colorimetry.
High Dynamic Range: Offers 14+ stops of dynamic range, making it highly versatile for HDR mastering and complex lighting scenarios.
Internal Motorized FSND Filters: Includes high-quality Full Spectrum Neutral Density filters (ND 0.6, 1.2, 1.8) for rapid exposure control without affecting color.
Versatile Recording: Supports MXF/ARRIRAW and MXF/Apple ProRes internal recording to fast, cost-efficient Codex Compact Drives.
Robust & Weatherproof: Built with a hard-wearing carbon body designed to operate in extreme temperatures ranging from -20°C to +45°C.
Enhanced Viewfinder: Pairs with the MVF-2 viewfinder, featuring a high-contrast OLED display and a 4-inch flip-out monitor for easy menu access.
The mini lf put up for $44k and make sure you put low hours and 1,100 hours
Owner
Nick Gall
R-01-30-2026
rentals@standardcamera.com
Standard Camera EMail Logo.png
(c) 310-919-6202
(o) 818-358-2842
www.standardcamera.com
12023 Vose St. Unit 23
North Hollywood, CA 91605
————-
Prices Research
Justcinemagear: 41,850 -46,750 – 42,850 – 45,850 – 41.950 – 42,500 – 45,850 – 42,750 – 45,500 – 36,750 – 37,500 – 45,950
Newlifecine: 53,500 – 52,550 – 56,900 – 44,000
The ZEISS 70-200mm T2.9 Compact Zoom (CZ.2) is a professional-grade cinema lens designed for high-end digital cinematography. It bridges the gap between traditional still lenses and high-end cinema glass, offering full-frame coverage and a robust, cine-style build in a relatively lightweight form factor.
Key Features and Benefits
Parfocal Design: Ensures the lens stays in focus throughout the entire zoom range, a critical requirement for professional filmmaking.
Full-Frame Coverage: Covers a large 36 x 24 mm image circle, making it compatible with Full Frame, VistaVision, and Super 35 sensors without vignetting.
Interchangeable Mount System: Features a versatile mount system (IMS) that allows users to switch between PL, EF, F, MFT, and E mounts to suit different camera bodies.
T2.9 Constant Aperture: Provides a consistent exposure and shallow depth of field across the entire focal range from 70mm to 200mm.
Cinema-Standard Housing: Equipped with 0.8 MOD geared rings for focus, iris, and zoom, allowing for seamless integration with follow-focus systems and motors.
ZEISS T Anti-Reflex Coating:* Minimizes flare and ghosting while ensuring high contrast and the iconic ZEISS “look” that matches other ZEISS cinema primes.
Precision Focus: Offers nearly 300 degrees of focus rotation for extremely accurate focus pulls and calibrated scales (available in feet or meters).
Cost: 7,000 $
Gaurav Gupta
gaurav.gupta@futureworks.in
R-01-20-2025
Price research:
Owner suggests : ZEISS 70-200mm T2.9 Compact Zoom CZ.2 Lens (PL Mount)-1-Sale $8,000-Cost 7,000
Justcinemagear : 9,650 / Newlifecine: 13,400
AI says:
In the current second-hand market for professional cinematography gear, the average price for a Used ZEISS 70-200mm T2.9 Compact Zoom (CZ.2) typically ranges between $12,500 and $15,500 USD.
While the original retail price was approximately $21,945, the resale value varies based on condition, mount type, and included accessories. Below is a breakdown of the current market landscape:
The ARRI Ultra Wide Zoom (UWZ) 9.5-18mm T2.9 is a precision-engineered lens designed to deliver prime-level optical performance across its entire wide-angle range. It is the first super-wide-angle zoom specifically built for the professional cinema market, designed to eliminate common wide-angle artifacts like distortion and “breathing,” making it an essential tool for high-end VFX and sweeping architectural cinematography.
Key Features and Benefits
Virtually Distortion-Free: Boasts less than 1% distortion at 9.5mm and less than 0.1% at 18mm, ensuring straight lines remain perfectly straight even at close focus.
Future-Proof Image Circle: Features a 34.5mm image circle that comfortably covers Super 35 and ARRI Open Gate formats, ensuring compatibility with next-generation large sensors.
Fixed Entrance Pupil: Maintains a consistent entrance pupil (nodal point) position throughout the zoom range, which is critical for seamless VFX plate shots and panoramic stitching.
Telecentric Optical Design: Provides highly uniform field illumination from the center to the corners, preventing the “vignetting” or shading typically seen in wide lenses.
Minimal Image Breathing: Engineered to maintain a consistent field of view during focus pulls, preserving the composition’s integrity.
Integrated Lens Data System (LDS): Automatically transmits lens metadata (focus, iris, and zoom settings) to the camera to streamline post-production and visual effects workflows.
Rugged Versatility: Replaces a full set of wide-angle primes with a constant T2.9 aperture and interchangeable matte box interfaces (134mm and 156mm).
Cost 17,000
Email: info@futureworks.in | Phone: +91 99308 00421
in the email owner siggests: 7 ARRI 9.5-18mm Ultra Wide Zoom Lens (PL, Feet) 1 $18,800 $18,800 17,000
R-01-29-2026
Prices investigation:
Justcienemagear: tehy don´t have it
Newlifecine; has two: 29,000 and 21,990
AI says:
Independent Cinema Brokers $15,500 – $19,000 Units
from FJS International, New Life Cine, or Visual Products. Often includes custom flight cases.
Hours 1200
The RED V-RAPTOR [X] 8K VV represents the flagship of the DSMC3 generation, being the first large-format camera to feature a global shutter sensor. It merges the high frame rate and resolution of the V-RAPTOR line with the distortion-free motion capture technology originally pioneered in the KOMODO.
Key Features & Benefits
8K VV Global Shutter Sensor: Eliminates rolling shutter artifacts (jello effect) while maintaining a massive 35.4MP VistaVision canvas.
RED Global Vision: A new tool suite including Extended Highlights, which pushes dynamic range to 20+ stops for superior detail in extreme lighting.
Phantom Track: Simplifies virtual production by capturing two distinct R3D clips (e.g., green screen and background) simultaneously.
High Frame Rates: Captures up to 120 fps at 8K 17:9 and up to 600 fps at 2K 2.4:1 for extreme slow-motion versatility.
Advanced Connectivity: Features integrated 12G-SDI ports, USB-C, and support for RED Connect (8K live streaming over IP).
Compact DSMC3 Build: Weighing just over 4 lbs, it provides a portable, professional-grade body with a locking Canon RF mount.
Cost USD $ 29,000
Owner Gaurav Gupta
Gupta
FUTUREWORKS MEDIA LTD.
M :- +91 9819133323
R-01-28-26
Price investigation:
Justcinemagear: 24,850-26,750
Newlifecine: 32,400
AI says: While the original (rolling shutter) V-RAPTOR has seen a significant price drop, the [X] model remains a premium asset.
Average Used Market Pricing (USD)
Configuration Estimated Price Range
Brain Only (Body + standard accessories) $23,500 – $27,000
Starter / Essentials Pack (Monitor, media, power) $28,500 – $32,000
Full Production Kit (Cage, 2TB+ media, multiple batteries) $34,000 – $38,000+
Cooke Anamorphic lenses are industry-standard optics renowned for blending modern precision with a “vintage” soul. They are designed to provide the classic anamorphic aesthetic—distinguished by its widescreen cinematic ratio and unique out-of-focus characteristics—while maintaining the technical reliability required for high-end digital and film productions.
Key Features and Benefits
The “Cooke Look”®: Delivers a sharp yet smooth rendering with a natural warmth and “kindness” to skin tones, minimizing the clinical harshness of modern digital sensors.
Oval Bokeh: Features a 2:1 elliptical bokeh (out-of-focus highlights) that creates a distinct sense of depth and dimensionality.
i/Technology: Equipped with digital sensors that automatically record lens metadata (focus, iris, and depth-of-field) for every frame, significantly streamlining VFX and post-production workflows.
Squeeze Options: Available in 2x squeeze for Super35 formats and 1.8x squeeze for Full Frame, providing the ideal “sweet spot” for modern sensor coverage.
SF (Special Flare) Variants: Specially coated versions are available to produce more pronounced, “creative” anamorphic flares and aberrations for a more stylized look.
Color Matching: Perfectly color-balanced to match other Cooke series (like S4/i or S7/i), allowing cinematographers to mix prime and anamorphic lenses seamlessly within a single production.
Cam-Type Focus: Utilizes a award-winning focus mechanism for smooth, precise pulls with 270° of rotation and minimal “breathing.”
Cost USD 100,000
Owner Jami Mahmood – azadfilm1@icloud.com
R-01-27-26
Price Investigation
Newlifecine: 90.500 – 106,500 -105,000 – Sets of 4
Justcinemagear – 129,950 – Set of 4
AI says : The lowest numerical price for a configuration matching or exceeding the request is $66,000.00 at Just Cinema Gear for a Set of 5.
If strictly adhering to a Set of 4, the lowest price found is $68,000.00 at New Life Cine.
The O’Connor Ultimate 2575D (and its latest iteration, the 2575E) is widely considered the industry standard fluid head for high-end film and digital cinema production. Renowned for its “O’Connor Feel,” it is engineered to provide precise control over heavy camera packages, ranging from stripped-down digital bodies to fully accessorized 35mm film cameras.
Key Features and Benefits
Patented Sinusoidal Counterbalance: Provides true, finger-tip balance at any point throughout the +/- 90° tilt range, ensuring the camera stays put regardless of the angle.
Stepless Fluid Drag: Offers infinitely adjustable pan and tilt drag, allowing for ultra-smooth transitions between rapid whip pans and slow, deliberate long-lens framing.
High Payload Capacity: Supports rigs weighing up to 133 lbs (60.5 kg) at a 4-inch center of gravity, making it ideal for large zoom lenses and heavy studio builds.
Operator-Centric Ergonomics: All primary controls (brakes, drag, and counterbalance) are located on the operator’s side (left) for intuitive, high-pressure adjustments.
Versatile Mounting: Features an interchangeable base (typically Mitchell or 150mm ball) and four handle rosettes for flexible pan-arm configurations.
Durability & Reliability: Built with magnesium and aluminum alloys to withstand extreme temperatures (-40°F to +140°F) and the rigors of global location shooting.
Cost TBD
Owner Jami Mahmood – azadfilm1@icloud.com
R-01/27/26
Price investigation:
Newlifecine : 9,000-10,500
Justcinemagear:13,150
AI says : 2575C $7,500 – $11,500 The “workhorse” generation. Prices depend heavily on when it was last professionally serviced (Visual Products, etc.).
Angénieux Optimo 16-42mm T2.8 (often referred to as the “DP Rouge”) is a lightweight, wide-angle cinema zoom lens specifically designed for digital cinematography. It belongs to the Digital Production (DP) series, which was engineered to provide the legendary “Angénieux look” for digital sensors while maintaining a compact form factor ideal for fast-paced productions.
Key Features and Benefits
Exceptional Optical Quality: Delivers sharp images with high contrast and the classic “Angénieux look,” which offers a organic, cinematic texture and natural skin tones.
Constant Aperture (T2.8): Features a fast, consistent aperture of T2.8 throughout the entire zoom range with no ramping, ensuring exposure stays identical as you zoom.
Minimal Breathing and Distortion: Engineered with internal focus to eliminate lens breathing (shifting of the field of view) when pulling focus.
Lightweight & Compact Design: Weighing only 1.9 kg (4.2 lbs), it is perfectly balanced for handheld work, Steadicam rigs, and gimbals.
Precise Mechanical Engineering: Includes a 320° focus rotation with over 20 precise witness marks, allowing for extremely accurate focus pulling.
Optimized for Digital Sensors: Unlike some vintage zooms, this lens was designed specifically for single-sensor digital cameras to handle high resolutions (4K/5K and beyond).
Parfocal Reliability: Maintains focus throughout the zoom range, allowing operators to change focal lengths quickly without needing to refocus.
Cost TBD – India
India – Rupin Dang – rupindang@gmail.com – +91 9810019704
R-01-16 -2026
Prices Research
Justcinemagear: 5,650 – 6,990
Newlifecine: 2X $ 16,900 both – 8,900 single, 8,000 single, 8,500 single
AI says :
Average Market Pricing (USD)
Condition Price Range Notes
Well-Used $5,400 – $6,000 May show cosmetic wear; often sold by individual owner-operators.
Excellent /
Refurbished $6,500 – $8,500 Typically serviced (e.g., by Duclos), includes warranty or original flight case.
Two-Lens Kit $12,500 – $16,500 Combined with the companion 30-80mm DP, often in a shared flight case.
Canon CN-E 30-300mm T2.95-3.7 L is a flagship telephoto cinema zoom lens engineered for professional cinematography. Designed for Super 35mm and APS-C sensors, it offers an expansive 10x zoom range and high-end optical performance suitable for 4K production.
Key Features and Benefits
10x Zoom Magnification: Provides an extensive focal range (30mm to 300mm), allowing for significant creative flexibility from medium shots to extreme telephoto.
4K Optical Performance: Utilizes fluorite and large aspherical lens elements to ensure sharp, high-contrast images that exceed 4K resolution requirements.
Consistent T-Stop: Features a fast maximum aperture of T2.95 (from 30-240mm) and T3.7 at 300mm, enabling excellent low-light performance and shallow depth of field.
11-Blade Iris: Produces a soft, circular, and aesthetically pleasing bokeh in out-of-focus areas.
Minimized Focus Breathing: Geared inner focusing reduces changes in the angle of view when adjusting focus.
Standardized Design: Shares gear positions, front diameters (136mm), and rotation angles with other lenses in the line, allowing for “hot-swapping” without repositioning matte boxes or follow-focus units.
Dual-Sided Markings: Focus, zoom, and iris scales are engraved on angled surfaces on both sides of the barrel for easy visibility from any angle
Cost: TBD
India – Rupin Dang – rupindang@gmail.com
R-01-15-26
Prices Analisis
Justcinemagear : one very nice in $ 15,650 // newcinelife : has one in $ 17,000
AI says:
In the current second-hand market for professional cinematography gear, the Canon CN-E 30-300mm T2.95-3.7 L remains a high-value asset, though prices have settled significantly from its original retail price of approximately $48,000–$50,000.
Condition Estimated Price Range (USD) Notes
Excellent / Mint $14,000 – $18,000 Often includes original flight cases and minimal cosmetic wear.
Very Good / Used $11,500 – $13,500 Common for well-maintained rental or production-owned units.
Ex-Demo / Service Stock $18,000 – $24,000 Rarer units with official manufacturer servicing or warranties.
—
Cooke Speed Panchro S2/S3 lenses rehoused by TLS (True Lens Services) are iconic vintage optics that have been modernized for professional cinematography. Combining the legendary “Cooke Look” of the 1920s–1960s with robust, precision engineering from the UK, these lenses are widely considered the industry standard for “modern-vintage” glass.
Key Features & Benefits
The Iconic “Cooke Look”: Delivers a warm, painterly aesthetic with smooth skin tones and a gentle focus fall-off that “takes the edge off” modern high-resolution digital sensors.
Modern TLS Mechanics: Features a world-class cam-driven focus system that provides smooth, backlash-free movement and accurate, repeatable focus marks.
Universal Build Standards: All lenses in the set are updated with a uniform 110mm front diameter and standardized focus/iris gear positions, allowing for rapid lens swaps without moving matte boxes or follow-focus motors.
Super 35 & Beyond: While designed for Super 35mm, several focal lengths (notably the 75mm and 100mm) offer expanded coverage that can work with larger sensor formats.
Fast & Reliable: Maintains the original fast apertures (typically T2.2 to T2.3) while replacing the fragile original housings with aircraft-grade aluminum and stainless steel PL mounts.
Pleasing Aberrations: Exhibits a unique, organic flare and low-contrast character that is highly sought after for period pieces and stylized commercials.
Cost: TBD
TELLINE – planning@telline.fr
R-01-14-2026
—-
Price Investigation;
NEWLIFECINE: does not have it
JUSTCINEMAGEAR : does not have it
AI says: In the global second-hand market for 2025-2026, a full 7-lens set of Cooke S2/S3 Speed Panchros rehoused by TLS (18, 25, 32, 40, 50, 75, 100mm) typically commands a price between $65,000 and $85,000 USD.
Because TLS rehousing is widely considered the gold standard for these vintage optics, they maintain high resale value and often have a multi-year waiting list for new rehousing services, which keeps used prices stable.
Current Market Pricing Breakdown
Set Configuration / Source Estimated Price Range (USD) Notes
Complete 7-Lens Set (Excellent) $72,000 – $85,000 Standard price from high-end dealers like Visual Products or New Life Cine.
Complete 7-Lens Set (Private) $65,000 – $75,000 Faster sale price; depends heavily on the “glass matching” and cosmetic condition.
“Core 6” Set (No 100mm) $45,000 – $55,000 Omitting the rare 100mm or the 18mm significantly reduces the total set value.
Individual TLS Rehoused Lens $10,000 – $13,000 Specialized focal lengths like the 18mm or 100mm often sell for a premium.
Hanse Inno Tech Celere HS Uncoated lenses are a specialized version of the standard High Speed primes, designed specifically for cinematographers seeking a more “organic” or “analogue” aesthetic. By removing the anti-reflective coatings, these lenses allow for controlled light scattering and dramatic flare characteristics that modern digital sensors often lack.
Key Features & Benefits
Vintage Flare & Halation: Without coatings, the lenses produce pronounced, stylized flares and “milky” halation around bright light sources, ideal for dream sequences or period pieces.
Lowered Contrast: These lenses deliver a softer, lower-contrast image that can take the “digital edge” off modern high-resolution sensors, creating a more flattering look for skin tones.
Maintained Mechanics: They retain the exact same physical housing as the coated versions (1050g weight, uniform size), allowing them to be mixed and matched in the same set without rebalancing gimbals.
Fast T1.5 Aperture: Unlike many true vintage uncoated lenses, these maintain a high-speed T1.5 aperture, offering modern low-light performance with a classic look.
Consistent Color Science: Despite the increased flare, the underlying glass remains color-matched to the standard Celere HS line, ensuring a cohesive look across a production.
Large Format Readiness: They fully cover VistaVision and Full Frame sensors, providing a vintage character even on the largest modern 8K sensors.
Cost TBD
TELLINE – planning@telline.fr
R-01-14-2026
——————————
price Research
Usercinemagear: Does not Have one
Newlifecine: Does not have any
AI says :
Finding a used set of Celere HS Uncoated lenses is significantly more difficult than finding the standard coated versions, as they were produced in much smaller quantities and are often held by owners specifically for their unique “look.”
On the current second-hand market, a used set of 5 Celere HS Uncoated (18.5, 25, 36, 50, 85mm) typically ranges between $16,500 and $25,000 USD.
Current Market Pricing Breakdown
Tier / Condition Estimated Price Range (USD) Notes
Private Sale (Standard) $16,500 – $19,000 Often sold by individual DPs; may show minor cosmetic wear on the housing.
Collector / Dealer Mint $21,000 – $25,000 High-demand “Uncoated” sets often command a premium over the standard set.
Rental House Liquidation $15,000 – $18,000 May have high mileage but are usually well-serviced.
Hanse Inno Tech Celere HS (High Speed) lenses are professional cine primes known for bridging the gap between high-end optical performance and practical on-set efficiency. Manufactured in Germany, they are specifically designed to cover large-format sensors (up to 8K VistaVision) while maintaining a lightweight, uniform build.
Key Features & Benefits
Fast T1.5 Aperture: Consistent high speed across the entire focal range, providing exceptional low-light performance and a shallow depth of field.
Uniform Weight and Size: Every lens in the core set (25mm to 85mm) weighs approximately 1050g and shares the same physical dimensions. This allows for instant lens swaps on gimbals and Steadicams without needing to rebalance.
Large Format Coverage: Full-frame and VistaVision compatible, ensuring the lenses are future-proofed for modern high-resolution sensors.
Vario-Mount System: Features interchangeable mounts (PL, EF, and E-mount), offering versatile compatibility with various camera systems.
Unique Optical Character: Delivers a “Leica-like” look—sharp with natural skin tones and vibrant colors—but with slightly higher contrast and smooth, rounded bokeh via an 8-blade iris.
Precision Mechanics: Includes a 250° focus rotation for accurate pulling, minimal focus breathing, and dual-sided markings (Metric/Imperial).
Rear Filter Support: Equipped with rear net holders and filter threads for creative diffusion and “analogue” look customization.
Cost: TBD
TELLINE – planning@telline.fr
R-01-14-2026
—
Newlifecine: $ 17,500 has one set
Justcinemagear: Does not have it
AI says: In the current second-hand market, a used set of 5 Celere HS Primes (18.5, 25, 36, 50, 85mm) generally sells for between $14,000 and $22,000 USD, depending on the condition, mount options included, and the seller (private vs. dealer).
While individual lenses originally retailed for approximately $4,000 (€3,600) each, bundled sets on the used market offer a significant bulk discount.
Current Market Pricing Breakdown
Condition / Source Estimated Price Range (USD) Notes
Well-Used / Private Sale $11,000 – $14,000 Often a 4-lens set; adding the 18.5mm usually bumps the price up by ~$3,000.
Excellent / Dealer Certified $17,500 – $22,500 Typically includes a flight case, multiple mounts (PL/EF/E), and a short warranty.
Canon CN-E 30-105mm T2.8 L S/SP is a lightweight, compact cinema zoom lens part of Canon’s EF Cinema lens line. Engineered for professional 4K production, it bridges the gap between wide-angle and telephoto work, making it a versatile choice for handheld shooting, documentaries, and tight-space cinematography.
Key Features and Benefits
Fast T2.8 Aperture: Maintains a consistent maximum brightness throughout the entire zoom range, ideal for low-light environments and consistent exposure.
4K Optical Performance: Features fluorite and aspherical elements to provide high resolution and contrast that exceeds 4K production standards.
Minimal Focus Breathing: Designed with geared inner focusing to virtually eliminate the shift in angle of view when pulling focus.
11-Blade Iris: Produces smooth, circular bokeh and a natural depth-of-field fall-off.
Lightweight & Compact: Weighing approximately 2.2 kg (4.8 lbs), it is significantly lighter than traditional cinema zooms, perfect for gimbal or shoulder-mounted work.
Standardized Build: Shared 114mm front diameter and gear positions with other Canon cine zooms allow for quick lens swaps without adjusting matte boxes or follow-focus rigs.
Cost: TBD
India – Rupin Dang – rupindang@gmail.com
R-01-13 -2026
Price Investigation
justcinemagear has 2 units :7,500 and 7,300 dollars
newlifecine: has one $ 7,885
Based on current secondary market data from professional gear resellers and auction sites, the Canon CN-E 30-105mm T2.8 L S/SP maintains a significant resale value, typically ranging from $4,500 to $6,500 USD.
While the original retail price for this lens was approximately $10,900, the used market has stabilized as newer mirrorless cinema optics have entered the space.
Includes:
– Arri Lcube1
– Lcube bracket
– serial cable 40cm
ARRI LCUBE CUB-1 is a miniature, multi-purpose signal converter designed to bridge the gap between different communication standards in a cinema camera ecosystem. It primarily functions as a translator between LBUS (used by ARRI’s electronic control system) and serial protocols (RS232, RS422, RS485), making it an essential tool for integrating third-party accessories and rangefinders with ARRI and non-ARRI camera bodies.
Key Features and Benefits
Bidirectional Protocol Conversion: Seamlessly converts LBUS to serial and vice versa, allowing devices from different ecosystems to “talk” to one another.
Rangefinder Integration: Enables ultrasonic distance measures like the ARRI UDM-1 or Cine Tape to deliver real-time distance readouts directly to the Hi-5 or WCU-4 hand units.
Third-Party Camera Control: Allows ARRI Master Grips to trigger Start/Stop and control user buttons on cameras from RED, Sony, and others via specific adapter cables.
Compact & Lightweight: At only 47g, it adds negligible weight to the camera rig, making it ideal for gimbal or handheld configurations.
Daisy-Chainable: Features two LBUS connectors, allowing it to be easily integrated into an existing chain of cforce motors without requiring extra ports.
Integrated Mounting: Includes a built-in dovetail compatible with the LCUBE Bracket or standard 15mm/19mm rod clamps for secure attachment.
Status LED: A multi-colored LED provides instant visual feedback on the device’s setup and connection status.
Cost: 1150€
atelier cinéma
atelierducinemabxl@gmail.com
R-01-12-2026
Price Investigation:
Newlifecine : does not have one
Justcienamgear ; does not have one
AI says: Based on current listings in the global second-hand cinematography market, the ARRI LCUBE CUB-1 remains a high-demand accessory with a very stable resale value. Because it is a critical “bridge” component for ARRI ecosystems, it typically retains 70–85% of its original retail value.
The average price for a used ARRI LCUBE CUB-1 generally ranges between $750 and $1,000 USD.
Included :
– 2x Flight case for 4 lenses
– All the lenses have front and rear caps
– 1x Focus ring dimmer
– 1x Cable Mini Lemo2/RS3
Cooke 5/i prime lens series is a flagship lineup of high-speed spherical lenses designed specifically for professional cinematography.1 Released as a faster alternative to the industry-standard S4/i series, the 5/i range is celebrated for its ability to “see in the dark” while maintaining the iconic, organic “Cooke Look.”
Key Features and Benefits
Ultra-Fast T1.4 Aperture: Exceptional performance in low-light environments and a shallow depth of field for superior subject isolation.
The “Cooke Look”: Delivers a warm, natural rendering of skin tones with a smooth, cinematic fall-off and high dimensionality.
Illuminated Focus Ring: Features a built-in, dimmable backlight on the focus scale, allowing focus pullers to operate in total darkness without external lights.
Integrated /i Technology: Automatically captures vital lens metadata (focus distance, aperture, etc.) for every frame, streamlining VFX and post-production.
Exceptional Optical Control: Engineered to minimize flare, distortion, and spherical aberration even when shooting wide open at T1.4.
Color Matching: Precisely color-balanced to match the S4/i, miniS4/i, and Anamorphic/i series, ensuring visual consistency across multi-camera or multi-lens shoots.
Linear Iris & Cam-Style Focus: Award-winning mechanics provide smooth, backlash-free movement and a consistent feel for camera assistants.
Ownwer: TELLINE – Fred
planning@telline.fr
R- 01-12-2026
Price Investigation
Justcinemagear : Cooke S7/i FF lens set $105,000.00
Newlifecine : one USD$ 99,000
AI says: Researching the current global second-hand market for the Cooke 5/i (S5/i) prime lens series shows that an 8-lens set typically maintains a high resale value due to its fast aperture (T1.4) and specialized features like the illuminated focus ring.
The average price for a used set of 8 lenses generally ranges between $100,000 and $130,000 USD
Average Market Price: ~$115,000 USD
Lower Bound (Well-used/High wear): ~$95,000 – $105,000 USD
Upper Bound (Mint/Like-new): ~$135,000 – $155,000 USD
Sigma 20mm f/1.4 DG HSM Art is a landmark lens in the photography world, notable for being the first ultra-wide-angle lens to achieve a maximum aperture of f/1.4. Designed for full-frame DSLRs (Canon EF mount), it sits within Sigma’s “Art” line, which prioritizes optical excellence and creative expression over compact size.
Key Features and Benefits
World-First Aperture: The f/1.4 brightness at a 20mm focal length is ideal for astrophotography, allowing for pinpoint stars and low-light shooting without high ISO noise.
Advanced Optical Design: Features 15 elements in 11 groups, including two FLD (“F” Low Dispersion) and five SLD (Special Low Dispersion) elements to virtually eliminate chromatic aberration and distortion.
Hyper Sonic Motor (HSM): Provides fast, quiet, and snappy autofocus with full-time manual focus override for precise adjustments.
Premium Build Quality: Constructed with Thermally Stable Composite (TSC) material and a brass bayonet mount, ensuring durability across varying temperatures.
Artistic Bokeh: A rounded 9-blade diaphragm produces smooth, natural background blur, which is rare for such a wide-angle lens.
USB Dock Compatibility: Allows for firmware updates and micro-adjustments to the autofocus calibration to suit specific camera bodies.
Important Considerations
Bulbous Front Element: The curved front glass prevents the use of standard screw-on filters and requires a specialized adapter for filter systems.
Fixed Lens Hood: The petal-style hood is built-in to protect the front element and reduce flare.
Weight: At approximately 950g (2.1 lbs), it is a substantial lens that may feel front-heavy on smaller camera bodies.
cost: 500 EURO
Marko Procházka
marko@filmsupport.sk
R-01-09-2026
Prices Investigation
Justcinemagear and newlifecine doesn´t have one
AI says:
Market Price Summary (Used)
Condition Price Range (USD) Price Range (GBP/EUR)
Excellent / Mint $520 – $640 £440 – £540 / €515 – €630
Good / Average $450 – $500 £380 – £430 / €450 – €500
Bargain / Heavily Used $375 – $425 £300 – £360 / €350 – €420
Sigma 85mm f/1.4 DG HSM Art (Canon EF mount) is widely regarded as one of the highest-performing portrait lenses ever produced. Designed to outresolve the most demanding high-megapixel sensors, it offers a “no-compromise” approach to optical quality. It is particularly famous for achieving a DxOMark score that surpassed many of its more expensive first-party competitors upon its release.
Key Features and Benefits
Ultimate Sharpness: Specifically engineered to handle 50MP+ sensors, providing tack-sharp results even when shooting wide open at f/1.4.
Exceptional Bokeh: A rounded 9-blade diaphragm combined with a large f/1.4 aperture creates a creamy, compressed background that makes subjects “pop” with a 3D effect.
Redesigned HSM Motor: Features an updated Hyper Sonic Motor with 1.3x the torque of previous models for snappy, reliable, and nearly silent autofocus.
Advanced Optics: Includes two FLD (low dispersion) elements and one high-refractive index element to virtually eliminate chromatic aberration and color fringing.
Robust Build: Constructed with Thermally Stable Composite (TSC) and a brass bayonet mount, featuring a dust- and splash-resistant rubber gasket at the mount.
Full-Time Manual Override: Large, textured focus ring allows for instant manual fine-tuning even while the AF is engaged.
Important Considerations
Significant Weight: Weighing approximately 1,130g (2.5 lbs), it is a substantial lens that balances best on professional-sized DSLR bodies or gripped mirrorless cameras.
Large Filter Size: Uses an 86mm front filter thread, which may require purchasing new, larger filters if you are coming from standard 77mm or 82mm kits.
cost: 500 EURO
Marko Procházka
R-01-09-2026
Price Investigation:
newlifecine: no
Usedcinemagear; no
AI says:
Market Price Summary (Used)
Condition Price Range (USD) Price Range (GBP/EUR)
Excellent / Mint $820 – $925 £680 – £790 / €820 – €930
Good / Average $650 – $750 £570 – £660 / €650 – €720
Bargain / Heavily Used$480 – $600£400 – £520 / €450 – €580
Sigma 35mm f/1.4 Art (Sony E-mount) is one of the most celebrated prime lenses in modern photography. As the pioneer of Sigma’s “Art” line, it is engineered for extreme resolution and artistic expression. For the Sony E-mount version, Sigma optimized the autofocus algorithm to ensure native-level performance with Sony’s mirrorless systems, making it a favorite for environmental portraits, weddings, and street photography.
Key Features and Benefits
Outstanding Optical Resolution: Utilizes FLD (“F” Low Dispersion) and SLD (Special Low Dispersion) glass elements to minimize aberrations, delivering tack-sharp images even at f/1.4.
Bright f/1.4 Aperture: Provides exceptional low-light capability and a very shallow depth of field for professional-grade subject separation.
Artistic Bokeh: A rounded 9-blade diaphragm produces smooth, circular out-of-focus highlights, perfect for high-end portraiture.
Optimized AF for Sony E: Specifically tuned to support Sony’s advanced features, including Fast Hybrid AF, Eye-AF, and in-body image stabilization.
Hyper Sonic Motor (HSM): Ensures quick, quiet, and accurate focusing with full-time manual focus override for fine-tuning.
Rugged Build Quality: Features a brass bayonet mount and Thermally Stable Composite (TSC) materials for high durability in varying environments.
Important Considerations
Size and Weight: At approximately 665g (1.46 lbs), it is significantly larger and heavier than most native mirrorless 35mm f/1.8 alternatives.
No Physical Aperture Ring: Unlike the newer “DG DN” (mirrorless-exclusive) version, this “DG HSM” version relies on the camera body for aperture control.
cost: 500 EURO
Marko Procházka
marko@filmsupport.sk
Price Investigation
newlifecine one PL Mount in 2,450
Justcinemagear doesnot have one
AI says
Market Price Summary (Used)
Condition Price Range (USD) Price Range (GBP/EUR)
Excellent / Mint$450 – $510£350 – £390 / €420 – €480
Good / Average$340 – $410£280 – £330 / €350 – €400
Bargain / Heavily Used $275 – $320£210 – £260 / €280 – €330
Sirui 35mm F1.8 1.33x Anamorphic Lens is a compact, entry-level cinema lens designed to bring the “Hollywood look” to mirrorless shooters. Built for APS-C and Micro Four Thirds sensors, it provides a 33% wider field of view than a standard 35mm lens, resulting in a cinematic 2.4:1 widescreen aspect ratio after de-squeezing in post-production.
Key Features and Benefits
Cinematic Widescreen: The 1.33x squeeze factor allows users to capture a wider field of view without cropping, maintaining maximum sensor resolution for a 2.4:1 output.
Anamorphic Aesthetics: Delivers classic visual signatures including horizontal blue lens flares, “sci-fi” light streaks, and distinct oval bokeh.
Fast F1.8 Aperture: Offers excellent low-light performance and a shallow depth of field, which helps isolate subjects from the background.
Premium Construction: Features a robust aircraft-grade aluminum housing and high-quality German-manufactured Schott optical glass.
Precise Manual Control: Equipped with a long focus throw (approx. 191°) for accurate focus pulling and a de-clicked aperture ring for smooth iris adjustments during filming.
Lightweight & Compact: Weighing approximately 700g, it is ideal for handheld use, gimbals, and “run-and-gun” filmmaking setups.
cost: 410 EURO
Marko Procházka
marko@filmsupport.sk
R-01-08-2026
—
Price Investigation:
Justcinemagear nor Newlifecine has one
AI says:
Current Market Pricing (2026)
The average price for a used unit in good to excellent condition generally falls within the following ranges:
Average Used Price: $250 – $380 USD
“Deal” Price: $200 – $230 USD (often found on eBay auctions or forums)
Retail/Open Box: $399 – $460 USD (down from its original ~$600-800 launch price)
Rapido Technology specializes in high-precision “rehousing” kits and optical solutions designed for the anamorphic filmmaking industry. Their products, such as the FMJ (Front Metal Jacket) and FVD (Front Variable Diopter), allow cinematographers to convert vintage anamorphic projection lenses into professional, single-focus cinema lenses.
Key Features and Benefits
Single-Focus Conversion: The FVD-16A (Front Variable Diopter) eliminates the “double-focus” problem (where both the taking lens and the anamorphic adapter must be adjusted), allowing for smooth, traditional focus pulling.
Integrated Lens Housing: The FMJ-16 and FMJ-35 (Front Metal Jackets) provide a robust, full-metal protective shell for fragile projection lenses, turning DIY setups into professional-looking cinema glass.
Universal Compatibility: Modular components like the RMJ (Rear Metal Jacket) and specialized clamps (V3 Full/Lite) allow for the secure mounting of various “taking lenses” (like the Jupiter-9 85mm or Helios 44-2) to the anamorphic setup.
Tactile Precision: Features standard 0.8 mod gears on focus rings for compatibility with follow-focus systems and high-precision markings for accurate distance measurement.
Vignette Reduction: Designed to minimize the distance between optical elements, significantly reducing vignetting and maintaining image sharpness across the frame.
cost: TBD
Marko Procházka
marko@filmsupport.sk
R-01-08-2026
—
Prices Search;
Justcinemagear and Newlifecine don´t have any
AI SAYS:
In the second-hand market for cinema gear, Rapido Technology components are often sold as part of a “Full Setup” (including the anamorphic lens) rather than individual parts. Prices vary significantly based on whether the listing includes a vintage lens (like a Kowa or Isco) or just the rehousing hardware.
Key Features and Benefits
Value Retention: High-quality metal construction and “single-focus” capability make these kits highly desirable, maintaining roughly 70–85% of their original retail value on the used market.
Turnkey Solutions: Used listings often include hard-to-find step-up/down rings and customized clamps already fitted for specific lenses (e.g., Kowa 16-H or Isco Blue Star).
Single-Focus Convenience: The FVD-16A is the most sought-after component because it simplifies the complex dual-focus nature of anamorphic shooting.
Global Availability: Gear is frequently traded on international platforms like eBay and specialized cinematography forums (EOSHD, Reduser), making it accessible worldwide.
Average Second-Hand Pricing (USD)
The following estimates are based on recent global listings (eBay, Forum marketplaces, and specialized cinema resellers):
Item / ConfigurationEstimated Used Price Range Notes
FVD-16A (Variable Diopter only) $450 – $650 Retail is ~$550+; often sells near retail if in “Like New” condition.
FMJ-16 or FMJ-35 (Housing only) $150 – $220 Usually includes the V3 clamp and necessary hex keys.
RMJ-Jupiter-9 Kit $80 – $130 Price varies depending on if the Jupiter-9 lens is included.
Full Rehousing Kit (FMJ + FVD + Clamps) $750 – $950 Excludes the anamorphic lens itself.
Complete Rehoused Lens
(e.g., Kowa 16-D + FMJ + FVD) $1,200 – $1,800 A “ready-to-shoot” package with the anamorphic glass inside.
The ARRI CLM-4 (Controlled Lens Motor) is a robust and versatile lens motor designed for professional cinematography. It serves as a middle-ground workhorse in ARRI’s Electronic Control System (ECS), offering a balance of high torque and quiet operation. Unlike the LBUS-based cforce motors, the CLM-4 uses a standard CLM connection, making it the primary choice for legacy systems like the ALEXA Plus and universal motor controllers.
Key Features and Benefits
Modular Design: The motor unit, gears, cables, and brackets are all independent, allowing for easy maintenance and flexible rigging.
Quiet & High Torque: Powerful enough to drive stiff vintage glass while remaining silent enough for dialogue-heavy scenes.
Flexible Gear Placement: Drive gears can be attached to either side of the motor, allowing it to be mounted above or below the lens in tight camera configurations.
Broad Compatibility: Works seamlessly with ARRI UMC-4, SMC-1, and WCU-4 controllers, as well as Alexa Plus and Studio camera bodies.
Interchangeable Gears: Supports multiple gear mods (0.8, 0.6, 0.5, and 0.4) to accommodate standard Cine lenses as well as ENG-style lenses.
Universal Mounting: Features a clamp that fits both 19mm and 15mm rods via an included insert.
cost: 1600 EURO
Marko Procházka
marko@filmsupport.sk
R-01-07-26
Price Investigation:
Newlifecine: WUC4 $ 9,000
Justcinemagear: Wireless kit 13,650 dollars – 7,250 dollars – 9,650 dollars
AI says:
In the global second-hand market for 2026, the ARRI CLM-4 Motor continues to hold significant value due to its durability and high-torque performance. While the newer cforce motors are more common for compact setups, the CLM-4 remains the standard for larger studio builds and legacy ARRI systems.
The average price for a used ARRI CLM-4 motor unit typically ranges from $900 to $1,800 USD (€850 to €1,700), depending on the included accessories (gears, cables, and brackets).
Average Used Market Pricing
Model / Condition Estimated Used Price Range (USD) Estimated Used Price Range (EUR)
Motor Unit Only $900 – $1,100 €850 – €1,050
Basic Set (1 Gear + Cable) $1,200 – $1,500 €1,150 – €1,400
Full Kit (4 Gears + Bracket + Case) $1,600 – $1,900 €1,500 – €1,800
ARRI Certified Pre-Owned (CPO) $2,000 – $2,300 €1,900 – €2,150
CINETAPE MEASURE System, developed by Cinematography Electronics, is the industry-standard ultrasonic distance-measuring tool used in professional filmmaking. It functions as an electronic “tape measure” by emitting ultrasonic sound pulses that bounce off subjects to provide a real-time, continuous distance readout. This data allows Focus Pullers (1st ACs) to maintain sharp focus during complex shots without needing to manually measure with a physical tape.
Key Features and Benefits
Continuous Real-Time Readout: Provides a non-stop stream of distance data, allowing the focus puller to react instantly to subtle subject or camera movements.
Ultrasonic Precision: Uses “horns” to send and receive sonar signals, ensuring accuracy even in low-light or physically obstructed environments where lasers might fail.
Film-Plane Offset: Features a programmable offset that adjusts the distance readout to match the camera’s sensor or film-plane position, regardless of where the sensor horns are mounted.
Adjustable Sensitivity: Allows the user to fine-tune the sensor’s range and “width” to avoid false readings from foreground objects or walls.
Universal Compatibility: Works with all film and digital camera systems (Sony, ARRI, RED) and can interface with wireless follow-focus systems like Preston or ARRI for on-screen distance overlays.
Rugged & Compact: Built from machined aluminum to withstand harsh production environments while remaining lightweight enough for gimbal or handheld use.
cost: 1300 euro
Marko Procházka
marko@filmsupport.sk
R-01-07-2026
Price Investigation:
justcinemagear :
Cinematography Electronics CineTape Kit
$4,990.00 Price
4x Available
Lightweight, compact
Ultrasonic distance measuring system
newlifecine : no one
AI says: CINETAPE MEASURE System prices have largely stabilized. While the USD prices provided earlier are common globally, specific European listings (including VAT and regional demand) show the following average price ranges in Euros (€).
Average Used Market Pricing (EUR)
Model / Condition Estimated Used Price Range Average “Buy it Now” Price
CINETAPE Original (Standard) €750 – €1,300 €950
CINETAPE 2 (Wireless) €4,200 – €5,800 €4,950
Full Production Kit* €1,400 – €1,950 €1,650
Sensor Horns / Replacement €400 – €650 €525
*Includes Wireless Remote Display, multi-camera power cables, and flight case.
Blackmagic Video Assist 7″ is a professional-grade external monitor and video recorder designed to bridge the gap between consumer cameras and high-end broadcast standards. Available in both 3G (1080p) and 12G HDR (4K) versions, this 7-inch device features a high-resolution touchscreen that provides advanced exposure and focus tools while recording high-quality 10-bit video directly to dual SD cards or external USB-C drives.
Key Features and Benefits
7-Inch Touchscreen Display: Large 1920 x 1200 screen provides superior framing and focus accuracy compared to small on-camera monitors.
Dual SD Card Slots: Enables non-stop “relay” recording by automatically switching to the second card when the first is full.
Professional Audio Inputs: Includes two balanced mini XLR connections with phantom power for high-fidelity audio recording without external preamps.
Broadcast Codecs: Records in industry-standard Apple ProRes and Avid DNx, allowing for immediate editing without file conversion.
Advanced Scopes & LUTs: Built-in Waveform, Parade, Vector, and Histogram tools, along with 3D LUT support for real-time color previewing.
Webcam Functionality: USB-C output allows the device to act as a 1080p webcam, perfect for high-quality live streaming.
Daylight Viewable (12G Model): The 12G HDR version features a super-bright 2500-nit screen for clear viewing in direct sunlight.
cost: 400 euro
Marko Procházka
marko@filmsupport.sk
R-01-06-2026
Prices Investigation:
Justcinemagear: Does not have any
Newlifecine; Does not have any
AI says: In the current second-hand market (January 2026), the price of a used Blackmagic Video Assist 7″ varies significantly depending on whether you are looking at the standard 3G model (HD) or the high-end 12G HDR model (4K).
Prices have stabilized following a manufacturer price drop in late 2024, making these very competitive on the used market.
Average Market Pricing (2025–2026)
Model Type Resolution / Spec Used Price Range
(USD)Video Assist 7″ 3G 1080p, 310 Nits $450 – $550
Video Assist 7″ 12G HDR 4K, 2500 Nits, BRAW $650 – $780
Original Video Assist 4K 7″ (Legacy Model) $350 – $450
Kowa Prominar 2x Anamorphic lenses are legendary Japanese cinema primes from the 1960s and 70s. Known for their distinct “vintage” personality, they balance a creamy sharpness with organic imperfections that “disarm” the clinical look of modern digital sensors. Their unique combination of 2x squeeze and ultra-compact housing has made them a staple for handheld, gimbal, and drone work in high-end productions like Moonlight and A Star Is Born.
Key Features and Benefits
Classic 2x Squeeze: Delivers a true widescreen cinematic ratio (2.39:1) with the iconic vertical stretching of out-of-focus elements.
Signature Oval Bokeh: Produces highly desirable, elongated bokeh highlights that are distinct to front-anamorphic designs.
Warm Vintage Flares: Features expressive horizontal streaks in warm amber and purple tones rather than the standard modern blue.
Ultra-Compact & Lightweight: Often weighing less than 3 lbs per lens, they are among the lightest 2x anamorphics ever made, ideal for Steadicam or gimbal use.
Unique Optical Character: Low contrast and a gentle “glow” when wide open, offering a romantic, filmic aesthetic that flatters skin tones.
Super 35 Coverage: Designed to cover S35 sensors, making them compatible with the majority of professional cinema cameras.
cost: TBD
Marko Procházka
marko@filmsupport.sk
R-01-06-2026
—
Price search
Justcinemagear: does not have any
Newlifecine: does not have any
AI Says:
Market for used Kowa Prominar 2x Anamorphic lenses is divided into two distinct tiers: Original Cine Lenses (rare and extremely expensive) and Anamorphic Adapters (widely available and affordable).
Because these lenses are vintage (1960s–70s), prices fluctuate based on mechanical condition and whether they have been “rehoused” with modern gears for digital cinema use.
Average Market Pricing (2025–2026)
Item Type Configuration Estimated Price Range (USD)
Full Cinema Set Set of 4 (40, 50, 75, 100mm) $45,000 – $75,000
Individual Cine Lens Single Prime (e.g., 40mm or 50mm) $10,000 – $15,000
Rehoused Sets P&S Technik or Mirror-Scope $30,000 – $50,000
Anamorphic Adapters 8-Z, 16-H, or B&H models $450 – $1,200
Cinema-Modded Adapter Adapter + Clamps + Focus Gear $1,500 – $3,500
Samyang 14mm T3.1 VDSLR (often marketed as Rokinon in some regions) is a specialized ultra-wide-angle prime lens designed specifically for cinematography and video production. It is highly regarded for offering professional “cine” features—such as geared rings and a de-clicked aperture—at an accessible price point for independent filmmakers and students.
Key Features and Benefits
Ultra-Wide 115.7° Angle of View: Provides an expansive perspective ideal for landscapes, architecture, and tight interior shots on full-frame sensors.
Standardized Cine Gearing: Features industry-standard 0.8 MOD gears on both the focus and aperture rings, allowing for seamless integration with follow-focus systems.
De-clicked Aperture Ring: Enables smooth, silent iris pulls during recording without the jarring “clicks” found on stills lenses.
Dual-Sided Scales: Focus and T-stop markings are printed on both sides of the lens barrel, making it easier for focus pullers to operate from either side of the camera.
Optical Precision: Utilizes hybrid aspherical and extra-low dispersion (ED) elements to minimize chromatic aberration and distortion.
UMC Multi-Coating: Reduces flare and ghosting while maintaining consistent color rendition across the Samyang VDSLR lens lineup.
Full-Frame Coverage: Compatible with full-frame sensors while remaining highly effective on APS-C (approx. 22mm equivalent) and Micro Four Thirds formats.
cost: TBD
Marko Procházka
marko@filmsupport.sk
R-01-06-2026
Prices:
Newlifecine: Does not have it
Justcinemagear : Does not have it
Average Used Market Pricing (USD)
Good to Excellent Condition: $180 – $260
Bargain / Well-Used Condition: $130 – $170
Refurbished / Open Box: $270 – $310
Kowa 2x Anamorphic for Bell & Howell (often referred to as the Kowa B&H) is a legendary projection lens from the 1960s and 70s that has become one of the most sought-after adapters for budget-conscious but quality-driven anamorphic cinematography. While originally designed for 16mm projection, its high-quality Japanese glass makes it a favorite for “anamorphic-on-a-budget” setups when paired with a spherical taking lens.
Key Features and Benefits
Premium “Prominar” Glass: Widely regarded as containing the same high-quality optics as the more expensive Kowa Prominar series, offering superior sharpness compared to other projection adapters.
Classic 2x Squeeze: Provides the traditional “Hollywood” wide-screen look with significant horizontal compression, perfect for 4:3 and 3:2 sensors.
Distinctive Aesthetic: Famous for its warm, vintage flares and pronounced oval bokeh that “disarms” the clinical sharpness of modern digital sensors.
Compact Form Factor: Much smaller and lighter than dedicated cinema anamorphic primes, making it suitable for gimbal and handheld rigs.
Sharp Wide-Open: Unlike many vintage adapters, the Kowa B&H maintains impressive center sharpness even when the taking lens is set to a wide aperture (e.g., f/1.4 or f/1.8).
Low Contrast: Delivers a nostalgic, filmic image with soft highlights and a gentle roll-off that is highly desirable for narrative projects.
cost: TBD
Marko Procházka
marko@filmsupport.sk
R-01-02-2026
—
Price Search:
Newlifecine & Justcinegear don´t have it
AI Says:
In 2026, the Kowa 2x Anamorphic for Bell & Howell remains a high-demand vintage adapter. While it was originally a projection lens, its “cult status” in the cinematography world has stabilized its price well above typical vintage projection glass.The average market price for a used Kowa B&H adapter in 2026 generally falls between $450 and $1,200 USD, depending heavily on its condition and included accessories.
Price Breakdown by ConditionCondition / BundleEstimated Price (USD)Bare Lens (Average Condition)$450 – $650
Pristine/Mint Condition (Clean optics, smooth focus)$800 – $1,200
Full Cinema Kit (With Redstan/RafCamera clamps & diopters)- $1,300 – $1,800
Fully Rehoused (Professional mechanical housing)- $3,500+
Includes:
Custom Fitted Flight Case
Front & Rear Lens Caps
The TRIBE 7 Blackwing series represents a revolutionary approach to cinema optics, co-founded by Academy Award-nominated cinematographer Bradford Young, ASC. These lenses are not merely tools but “instruments” designed with a philosophy inspired by audio synthesis—where optical “distortion” is treated like EQ to create a specific “musical” fidelity.
The T-tuned (Transient) and X-tuned (Expressive) variants are designed for filmmakers who prioritize character over clinical perfection, offering varying degrees of vintage aesthetics and light reactivity.
Key Features:
Full Frame/Large Format Coverage: Specifically designed to cover large sensors (up to a 60mm image circle) without losing their unique character.
Fast Apertures: Most focal lengths maintain a fast T1.9 stop, making them excellent for low-light environments.
Consistent Mechanics: All lenses share a 104mm front diameter (or 114mm in newer housings) and unified gear placements for seamless lens changes on set.
Custom Tuning: The “modular distortion” allows lenses to be uniquely configured at the point of manufacture to suit a specific cinematographer’s taste.
Vintage Soul, Modern Build: They provide the “K35” or “Super Speed” look with the mechanical precision of 21st-century engineering.
Cost: 45K EURO
(t)
Tom Riechart
location Israel number is +972 0509546848
Tomriechart@gmail.com
1-2-2026
Hawk V-Lite series by Vantage Film is considered the industry standard for modern anamorphic cinematography. These lenses are celebrated for delivering the “Hawk Look”—a blend of classic anamorphic aesthetics and modern optical precision—within a housing that is often smaller and lighter than standard spherical primes.
Key Features and Benefits
Compact & Lightweight: Their small footprint makes them ideal for handheld, Steadicam, and gimbal work without sacrificing optical performance.
Telecentric Optical Design: Specifically engineered to perform equally well on both digital sensors and film, ensuring light rays hit the sensor/film plane at an optimal angle.
Constant T-Stop: Features a constant aperture throughout the focus range; unlike many other lenses, there is no light loss when pulling focus to the minimum distance.
Minimal Distortion: Advanced manufacturing techniques significantly reduce the “mumps” and edge distortion typically found in vintage anamorphic glass.
The “Hawk Look”: Delivers signature cinematic characteristics including oval bokeh, horizontal lens flares, and high contrast.
Versatile Squeeze Options: Available in standard 2x squeeze for 4:3 sensors/film and a unique 1.3x squeeze for 16:9 digital sensors.
Comprehensive Focal Range: The set typically ranges from 28mm to 140mm, including a dedicated 55mm Macro lens for extreme close-up work.
COST: TBD
Owner: Gaurav Gupta
M :- +91 9819133323
gaurav.gupta@futureworks.in
MUMBAI, India
R-01-02-2025
PRICE SEARCH:
newlifecine.com: Has two Sets of 7 lenses each in 449K & 425K
Justcinemagear.com: Does not have any
AI says:
Finding a used set of Hawk V-Lite lenses is a significant investment, as these are premium, “workhorse” anamorphic lenses that hold their value exceptionally well.
Based on current secondary market data for 2025/2026, a used set of 4 Hawk V-Lite lenses typically ranges in price from $220,000 to $275,000 USD.
Set of 4 Lenses (Typical: 35, 55, 65, 80mm) /$230,000 – $265,000
Individual V-Lite Lens / $55,000 – $68,000 per lens
RED Pro Prime 300mm T2.9 is a high-performance telephoto cinema lens that occupies a unique spot in the RED Pro Prime lineup. Often compared to the Arri/Zeiss Ultra Primes in terms of clinical sharpness and color rendering, this lens was designed to provide a “future-proof” solution for high-resolution digital sensors.
Despite its heavy build (approx. 5.7 lbs / 2.6 kg), it is highly regarded for its minimal “breathing” during focus pulls and its ability to maintain edge-to-edge brightness. It covers Super 35 formats natively and can cover many Full Frame/Large Format sensors with minimal vignetting, making it a versatile long-reach tool for sports, wildlife, and compressed cinematic portraiture.
Key Features and Benefits
High-Resolution Optimization: Specifically engineered to complement 4K, 5K, and 6K sensors, delivering exceptional sharpness and contrast for digital cinema.
Fast Telephoto Speed: Features a bright T2.9 maximum aperture, allowing for shallow depth of field and superior performance in lower light conditions compared to standard telephoto zooms.
Exceptional Optical Design: Utilizes Extra-low Dispersion (ELD) and anomalous dispersion glass to virtually eliminate chromatic aberration and fringing.
Cinema-Grade Mechanics: Built with “tank-like” robust housing, featuring a 270° focus rotation and standardized 0.8 pitch gearing for precise follow-focus control.
Beautiful Bokeh: Optimized iris design produces smooth, circular out-of-focus highlights and excellent subject separation.
Internal Focusing: The lens length remains constant during focus pulls, preventing balance shifts on gimbals or specialized rigs.
Broad Compatibility: While optimized for RED sensors, the native PL Mount ensures it works seamlessly with ARRI, Sony Venice, and other professional cinema systems.
Cost: TBD
Marko Procházka
marko@filmsupport.sk
R-12-31-25
——
Price research:
NewLifeCine: Does not have any
JustCinemaGear: Does not have any
AI says : The used market for the RED Pro Prime 300mm T2.9 has seen a notable decline in price over the last few years, largely due to the shift toward lighter and more modern lens designs. Currently, the average global price for a used unit is approximately $1,000 – $2,800 USD.
Atlas Orion Series represents a modern evolution of anamorphic cinematography, designed to provide the high-character “vintage” look at a more accessible price point than legacy options. Developed by Atlas Lens Co., these lenses are built around a true front-anamorphic group, ensuring authentic optical traits like disproportionate perspective magnification and organic focus breathing.
While primarily designed to cover Super 35 sensors (31mm image circle), they can be used on Full Frame cameras via the Atlas 1.6x LF Extender or 1.4x LF Expander. The series is divided into “A” and “B” sets, covering focal lengths from 18mm to 200mm, ensuring filmmakers have a comprehensive toolkit for everything from ultra-wide vistas to intimate close-ups.
Key Features and Benefits
True 2x Anamorphic Squeeze: Delivers the classic vintage widescreen aesthetic with double the horizontal field of view compared to spherical lenses.
Signature Optical Character: Produces iconic “waterfall” oval bokeh, controlled blue streak flares, and a pleasing spherical aberration glow when shot wide open.
Fast T2 Aperture: All lenses in the series (except the 135mm and 200mm) feature a fast T2 speed, making them highly effective for low-light cinematography and creating shallow depth of field.
Standardized Mechanics: Uniform focus and iris gear positions across the set allow for rapid lens swaps without readjusting follow focus or matte box motors.
Versatile Mount System: Features an interchangeable mount system (PL/EF), making them compatible with a wide range of professional cinema and mirrorless cameras.
Superior Close Focus: Offers industry-leading minimum focus distances (as close as 1.5 feet on some focal lengths), a rarity for front-anamorphic designs.
Modern Reliability: Built with robust, high-quality housings and 270° of focus rotation, providing professional mechanical precision that vintage glass often lacks.
cost: 16,500 euro / Need to increase sales price or get a lower new cost with owner
Marko Procházka
marko@filmsupport.sk
R-12-31-25
Price Investigation :
Newlifecine: Set A $ 16,500
Justcinemagear : Does not have one
AI says:
Based on current listings in the global second-hand market (including specialized marketplaces like FJS International, CVP, and eBay), the average price for a used set of three Atlas Orion Anamorphic lenses typically ranges between $14,500 and $18,000 USD.
The Helios 44-2 is a legendary vintage prime lens, world-renowned for its distinct “swirly” bokeh and unique optical character. Based on the classic Zeiss Biotar 75mm formula, this Soviet-era lens has become a staple for modern cinematographers and photographers looking to inject soul, warmth, and a “dreamy” aesthetic into their digital images. Unlike clinical modern lenses, the Helios 44-2 offers a timeless look that is impossible to replicate perfectly in post-production, featuring an all-metal build and a tactile manual experience that connects the creator to their craft.
Key Features:
Distinctive Swirly Bokeh: Unique optical rendering creates a circular background blur that draws immediate focus to the center of the frame.
De-clicked Preset Aperture: Dual-ring system allowing for smooth, silent iris transitions—essential for professional video work.
6-Element Biotar Design: Classic optical formula providing a signature “glow” and organic fall-off that software cannot perfectly replicate.
All-Metal Construction: Robust, “tank-like” build quality designed to last for decades, featuring finely machined focus and aperture rings.
Universal Adaptability: Standard M42 screw mount allows for easy use on Sony E, Canon RF, Nikon Z, and Fuji X mirrorless systems via simple adapters.
Cost: TBD
(n)
Marko Procházka
marko@filmsupport.sk
12/31/2025
Professional-grade ultra-wide-angle prime lens designed to deliver high-resolution 8K imagery with a distinct rectilinear projection. Built to withstand the rigors of a film set, it features a robust, weather-sealed magnesium aluminum alloy housing and the innovative Magnetic Mount System (MMS) for seamless filter attachment. This lens excels in capturing expansive landscapes, tight architectural interiors, and immersive establishing shots, all while providing the tactile precision of a fully geared focus and aperture ring compatible with standard follow-focus systems.
Key Features:
Ultra-Wide Perspective: 15mm focal length provides a dramatic field of view with minimal distortion.
Metric Markings: Precision engraved focus and aperture scales in metric units for accurate pulling.
Weather-Sealed Construction: Multiple internal seals protect against dust and moisture in extreme environments.
8K Ready Optics: Advanced optical design ensures edge-to-edge sharpness and negligible chromatic aberration.
Magnetic Mount System (MMS): Allows for quick and easy attachment of dedicated Irix magnetic filters and accessories.
Standardized Gearing: Features 0.8 MOD gears for universal compatibility with wireless and manual follow-focus units
cost: EURO 610
(n)y (r) – 12/30/25
Marko Procházka
marko@filmsupport.sk
Price investigation:Newlifecine, does not have any and justcinemagear the same
AI says:
Based on current market data for late 2025, the average second-hand price for a used IRIX 15mm f/2.4 (EF Mount) typically ranges between $175 and $380, depending on whether you choose the Firefly or Blackstone version.While both lenses have identical optics, their construction and exterior materials create a distinct price gap in the used market.Used Market Price Breakdown (Canon EF Mount)VersionBody ConstructionUsed Price Range (USD)Average Used PriceFireflyLightweight composite (plastic)$175 – $280$215BlackstoneMagnesium & Aluminum (metal)$300 – $380$340
ARRI UMC-4 (Universal Motor Controller) is a sophisticated, three-channel motor controller designed to bridge the gap between various cameras and ARRI’s electronic control system (ECS). It provides complete remote control of focus, iris, and zoom on nearly any camera and lens combination.
Universal Compatibility: Works with ARRI, Sony, Canon, RED, and Panavision cameras, allowing for a standardized workflow across different platforms.
Three-Channel Control: Supports up to three lens motors (Focus, Iris, and Zoom) simultaneously.
LDS Integration: Equipped with Lens Data System (LDS) technology, which transmits lens metadata (focal length, T-stop, focus distance) to the viewfinder or recording media.
Wireless Reliability: Utilizes the white-coded radio module for high-speed, long-range wireless communication with ARRI hand units like the WCU-4 or Hi-5.
Internal Recording: Features an SD card slot for logging lens metadata, which is invaluable for high-end VFX and post-production tracking.
Timecode Support: Built-in timecode clock ensures frame-accurate synchronization between lens data and camera footage.
cost: 1700 euro
Marko Procházka
marko@filmsupport.sk
—
Price investigation :
newlifecine: 2 Motors : $ 15,200
justcinemagear: has three WCU-4 Wireless Kit: $ 13, 650 / 7,250 / 9,650
AI says :
Standalone Unit (Used)$2,400 – $3,500
ARRI Certified Pre-Owned (Unit Only)$4,500 – $5,000
Full Kit (Unit + Motors + WCU-4 Hand Unit)$12,000 – $19,000
R-12-30-25
Angenieux 5.9mm T2 (often designated as the Type R7) is one of the most iconic ultra-wide lenses in the history of 16mm cinematography. While originally designed for standard 16mm, many copies have been modified or “cleared” to cover Super 16mm. It is famously a fixed-focus lens, relying on its massive depth of field to keep the entire frame sharp.
Extreme Wide-Angle Perspective: Offers a sweeping field of view that is ideal for tight spaces, expansive landscapes, and high-energy handheld work.
Fixed-Focus Reliability: Since the lens has no focus ring, it eliminates the need for a focus puller; nearly everything from ~20 inches to infinity remains in focus at most apertures.
Fast T2 (f/1.8) Aperture: Exceptional light-gathering capabilities for such a wide focal length, making it a favorite for “available light” documentary shooting
Signature French Optics: Known for the classic “Angenieux look”—soft, pastel-like color rendering and a pleasing, organic contrast that takes the edge off digital sensors.
Rectilinear-ish Rendering: While it has some noticeable barrel distortion due to its extreme width, it is designed to maintain a relatively natural perspective compared to a fisheye.
Compact Form Factor: Its small size and lightweight build make it perfect for vintage “run-and-gun” setups, crash cams, or modern gimbal use.
Cost: TBD
Taywan
Harper Lai
shk99318@gmail.com
R-12.29/25
—–
Price Investigation:
Newlifecine: no units
Justcinemagear: no units
AI says:
Market Pricing Overview
Prices for this lens vary primarily based on the mount type and whether it has been serviced for modern use.
Average Price Range: $850 – $1,500 USD
Budget Tier ($600 – $800): Often found in older Arri Standard or Arri Bayonet (B-mount). These are often “as-is” with internal dust or slight cleaning marks.
Mid-Tier ($900 – $1,200): Units adapted to Micro Four Thirds (MFT) or Sony E-mount for use on cameras like the Blackmagic Pocket Cinema Camera (BMPCC) or Sony Alpha series.
High-End ($1,400 – $1,800+): Lenses that have been professionally converted to a permanent PL Mount or those in “Near Mint” condition with a recent CLA (Clean, Lubricate, Adjust).
Optex 8mm T2 (often part of the “Super Cine” series) is a high-performance wide-angle prime lens designed specifically for the Super 16mm (S16) format. While it is not as extreme as the 4mm version, it is prized for its ability to provide a wide field of view with significantly less distortion than competing lenses of the era, making it a staple for music videos, documentaries, and “indie” cinema.
True Rectilinear Optics: Unlike fisheye lenses, it is engineered to keep straight lines straight, making it excellent for architectural shots or tight interiors.
Fast T2 Aperture: The wide aperture allows for filming in low-light conditions and offers more control over depth of field than slower wide-angle glass.
Superior Contrast & Color: Renowned for having better contrast and more “pop” than the older Zeiss 8mm Distagon, while still maintaining a classic filmic texture.
Close Focus Capability: With a minimum focus distance of approximately 15 inches, it allows for intimate, wide-angle close-ups with a unique sense of scale.
Organic Flare Character: Known for producing a “cool rainbow flare” and gentle halation when pointed at light sources, adding a dreamlike quality to the image.
Robust Cine Housing: Typically features standard 0.8 pitch gears for focus and iris, making it fully compatible with modern follow-focus systems and cinema rigs.
Cost: TBD
Taywan
Harper Lai
shk99318@gmail.com
R-12.29/25
—–
Price Investigation:
Newlifecine: no units
Justcinemagear: no units
AI says:
Market Pricing Overview
Based on specialized cinema equipment brokers and recent global listings:
Average Price Range: $3,800 – $6,500 USD
Recent High-End Listings: Professional brokers (like FJS International or Du-All Camera) have recently listed pristine, fully serviced units for as high as $8,500 USD.
Entry-Level / Private Sales: Well-used copies or those sold via private forums typically surface between $3,800 and $4,200 USD (approximately €3,500 – €3,800).
Optex 4mm T2 is a legendary ultra-wide prime lens, specifically designed for the Super 16mm (S16) format. Despite its extreme focal length, it is a rectilinear lens—meaning it maintains straight lines rather than producing the “fisheye” effect typically associated with such wide angles. It is particularly famous for its “vintage” character, characterized by unique flare patterns and organic rendering.
Ultra-Wide Rectilinear Field of View: Provides an expansive perspective (approx.4 $180^\circ$ diagonal) without the spherical distortion of a fisheye lens.
Fast T2 Aperture: Offers exceptional low-light performance for its focal length, allowing for filming in dim environments.
Fixed-Focus Design: Due to the massive depth of field, almost everything from a few inches to infinity remains in focus, making it ideal for handheld or “run-and-gun” shooting.
Unique Vintage Flares: Its older coatings produce a distinct, organic flare character that is highly sought after by cinematographers wanting to avoid the “clinical” look of modern glass.
Compact & Lightweight: Despite its large 150mm–156mm front diameter, it is relatively light and easy to integrate into gimbal or handheld rigs.
Integrated Iris Gear: Features standard cine-style gearing for precise iris control via wireless motors or follow focus systems.
Cost: TBD
Taywan
Harper Lai
Tel：+886 928 057 358
E-mail：shk99318@gmail.com”
R-12.29/25 賴梓卉
——
Prices:
Newlifecine: does not have any
Justcinemagear: does not have any
AI says:
Based on recent listings and historical sales data from specialized cinema equipment brokers (such as FJS International, Alan Gordon, and CML):
Average Price Range: $2,500 – $4,500 USD
Low End ($2,000 – $2,500): Typically for units with minor cosmetic wear, older mounts (like Arri B-mount), or those sold in private forum listings (e.g., Cinematography.com or CML).
High End ($4,000 – $5,000+): For pristine copies with a native PL Mount, recent servicing/collimation, and original flight cases.
The Cooke S7/i Full Frame Plus series is a flagship lineup of spherical prime lenses designed to cover large format sensors up to 46.31mm. Known for delivering the iconic “Cooke Look®,” these lenses strike a balance between modern technical precision and a smooth, organic aesthetic.
Key Features and Benefits
Optimized Full Frame Coverage: Designed to cover sensors up to Red Weapon 8K, Arri Alexa LF, and Sony Venice (VistaVision and beyond).
The “Cooke Look®”: Offers a unique combination of sharpness, smooth contrast, and a pleasing “roundness” to the image.
Exceptional Flare Control: Engineered to minimize veiling glare and control flares even at a wide-open T2.0 aperture.
Organic Bokeh: Features a nine-leaf linear iris for smooth, natural-looking out-of-focus highlights.
Integrated /i Technology: Captures frame-by-frame metadata (focus, iris, and depth-of-field) to streamline post-production and VFX workflows.
Mechanical Precision: Uses an Academy Award-winning cam-style focus mechanism for smooth, backlash-free adjustments and expanded focus scales.
Color Consistency: Meticulously color-matched to work seamlessly with S4/i, Anamorphic/i, and Panchro/i Classic series.
Cost: TBD
Germany
Leonard Schmidt
Manager
+49 178 9317 970
leo@altglas-rental.com
altglas-rental.com
Price Research
NEWLIFECINE: one set for 99,000 dollars
JUSTCINEMAGEAR:one set for 105,950 dollars
AI says:
Standard Market Value $90,000 – $105,000 Good condition; often sold by reputable brokers or smaller rental houses.
Used Single Cooke S7I 180mm for Sale
Cooke S7/i 180mm T2.0 is a high-performance telephoto prime lens designed for the demanding requirements of full-frame cinematography. It delivers the legendary “Cooke Look”—characterized by smooth, organic skin tones and a gentle roll-off—while providing the technical precision needed for 8K resolution.
Full-Frame Plus Coverage: Features a 46.31mm image circle, making it compatible with large-format sensors like the RED V-RAPTOR, ARRI ALEXA Mini LF, and Sony VENICE.
Fast T2.0 Aperture: Provides exceptional low-light performance and a shallow depth of field for beautiful, cinematic bokeh.
Integrated /i Technology: Automatically records vital lens metadata (focus, iris, and depth-of-field) for every frame, significantly streamlining VFX and post-production workflows.
Precision Mechanics: Equipped with an Academy Award-winning cam-style focus mechanism and 270° of rotation for highly accurate focus pulling.
Color-Matched Performance: Specifically engineered to match the color and contrast of other Cooke series (S4/i, 5/i, and Anamorphic/i) for seamless intercutting.
Durable Build: Finished with a scratch-resistant PTFE hard anodized coating to withstand extreme environmental conditions on set.
Cost: $18,000
(R) 12/18/2025
Regina Kao
t00360@cs.chengseng.com.tw
+886 935 088753
12-18-2025
CKS7I-180
S/N. 7180.0827
—
Price Investigation:
Newlifecine: does not have one
Justcienmagear: does not have one
AI says :
Based on current listings in the global secondhand market for cinema equipment, the average price for a Used Cooke S7/i 180mm T2.0 typically ranges between $14,500 and $23,000 USD (approx. €13,800 – €21,800).
Broker/Dealer (CVP, Usedful) $14,500 – $22,000 Often sold as “ex-demo” or on consignment; usually includes a 90-day warranty.
Individual Listing (eBay, FB Groups) $13,500 – $20,000 Potential for lower prices but higher risk; condition varies significantly.
New (MSRP Reference) ~$32,000 For context, a brand-new unit retails around this mark.
Master Prime 16mm
Master Prime 25mm
Master Prime 35mm
Master Prime 50mm
Master Prime 75mm
Master Prime 100mm
Master Prime series is widely considered the gold standard for high-end digital and film cinematography. These lenses are engineered to provide “clinical perfection,” delivering high resolution and contrast even when shot wide open
Ultra-Fast T1.3 Aperture:3 Maintains a consistent 4$T1.3$ to 5$T22$ range across all 16 focal lengths, enabling exceptional low-light performance and a razor-thin depth of field.6
Dual Floating Elements: A patented technology that virtually eliminates “lens breathing” (the change in focal length when focusing), ensuring the frame remains stable during focus pulls.
Aspherical Optics: Greatly reduces chromatic aberration and geometric distortion, making them a preferred choice for heavy VFX and green-screen work.
T*XP Anti-Reflective Coating: Specifically formulated to suppress flares and ghosting while maintaining rich blacks and vibrant color reproduction.
Built-in Lens Data System (LDS): Automatically communicates lens metadata (focus, iris, and zoom) to the camera to streamline post-production and VFX workflows.
Consistent Ergonomics: Uniform gear positions and a standard 114mm front diameter (for most focal lengths) allow for rapid lens changes without moving matte boxes or follow-focus motors.
Cost: USD $49,000
Darryl Wood
smirror@internode.on.net
spinningmirror@hotmail.com
Australia
Mobile: +61 409 690 406
R–12/18-2025
Prices :
newlifecine: 102,000
justcinemageear 55,000
AI
Average Market PricingA standard set of 6 (typically including 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm) generally falls within the following ranges:Market TierEstimated Price Range (USD)Common FactorsAggressive / Private Sale$53,000 – $65,000Direct sales, older sets, or motivated sellers in Asia/India.Standard Market Value$72,000 – $85,000Good condition, often sold by reputable rental houses or niche brokers.Premium / Mint Condition$100,000 – $117,000Recently serviced, near-mint glass, often includes custom flight cases (e.g., Jason Cases).
Cooke Varotal/i FF 85-215mm T2.9 is a modern, high-performance telephoto zoom lens designed to bring the legendary “Cooke Look” to full-frame digital cinema. Released in 2021, it is engineered to function as a “zoomable prime,” offering optical quality that matches high-end prime sets while providing the flexibility of a variable focal range.
The Signature “Cooke Look”: Delivers the classic, warm, and natural skin tones with a smooth fall-off and organic texture that cinematographers favor for high-end drama and commercials.
Full Frame Coverage: Designed to cover large-format sensors (up to a 46.31mm image circle), making it compatible with 8K cameras like the Sony VENICE 2, ARRI ALEXA 35, and RED V-Raptor.
Constant T2.9 Aperture: Maintains a fast and consistent aperture throughout the entire zoom range, ensuring no light loss during focal length changes.
Optical Consistency: Color-matched to the Cooke S7/i and S8/i prime lens ranges, allowing for seamless intercutting between zooms and primes in the same production.
Intelligent /i Technology: Equipped with electronics to record vital metadata (focus, iris, zoom position, and shading/distortion maps) for streamlined post-production and VFX workflows.
Minimal Focus Breathing: Virtually eliminates image shift during focus pulls, providing a more immersive, cinematic experience.
Rugged Build Quality: Features a scratch-resistant PTFE hard anodized finish and industry-standard 0.8 MOD gearing for use with follow-focus and wireless FIZ systems.
The 85-215mm serves as the telephoto anchor of the Varotal/i FF trio (which includes the 19-40mm and 30-95mm). Despite its professional-grade zoom range, it remains relatively compact at 8.8 lbs (4 kg), making it viable for handheld and Steadicam work. Each focus mark is individually calibrated and engraved on both sides of the barrel to assist camera assistants in demanding environments.
Our cost : $32,480
Regina Kao
CHENG SENG GROUP
http://www.chengseng.com/eng/
TEL: +886-2-8511-1311 #308
WhatsApp: +886 935 08875
Price Investigacion:
Newlifecine: doesn´t have any
Justcinemagear : doesn´t have any
AI: Based on current listings from specialized cinema equipment brokers and global marketplaces, here is the price breakdown for the 85-215mm:
New / Special Order $49,995 – $54,900 Standard MSRP from dealers like B&H or Duclos.
Used (Excellent/Mint) $34,750 – $38,500 Recent listings from cinema brokers .
Used (Demo/Ex-Display) $25,000 – $30,000 Rare; often found at UK/EU retailers like CVP during clearance.
R-12-17-2025
The RED DRAGON 6K is a professional digital cinema camera system, typically integrated into the RED EPIC or RED WEAPON camera bodies (Brains). It features a 19.4 Megapixel CMOS sensor and is highly regarded in high-end cinematic production for its massive resolution and exceptional dynamic range.
Key Features and Benefits6K Resolution & Detail: Captures motion and stills at a maximum resolution of 3$6144 \times 3160$ (19 megapixels), offering over 9 times the pixel count of 1080p HD.4
Benefit: Provides unprecedented image clarity, superior visual effects (VFX) plate quality, and extensive flexibility for reframing, cropping, or down-sampling to 4K/HD with a cleaner, sharper final image.
High Dynamic Range: Features 6$16.5+$ stops of dynamic range.7Benefit: Offers remarkable flexibility in post-production, preserving detail in both extreme highlights and deep shadows, and excelling in challenging, high-contrast lighting conditions.8
Advanced Color Science: Utilizes RED’s DRAGON color science.
Benefit: Delivers vibrant, true-to-life colors, smoother skin tones, and improved tonal variations, ensuring high-quality RAW images.
High Frame Rates: Capable of shooting up to 75 frames per second (fps) at 6K Full Format, or up to 100 fps at 6K 2.4:1.
Benefit: Allows for stunning high-resolution, high-speed, and slow-motion capture.
Modular and Compact Design: The camera body (BRAIN) is relatively compact and lightweight (around 3.3 to 5 lbs).
Benefit: Highly versatile for different setups, including gimbals, cranes, and Steadicam rigs, and compatible with RED’s Digital Stills and Motion Camera (DSMC) ecosystem of accessories.
Cost ; To Be Determined
Date: R- 12-10-2025
Owner: Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Price Research
Newlifecine.com : has one $ 5,415
Justcinemahear.com: does not have any
AI says: Estimated Average Price Range (USD)
The current average price for a used RED EPIC DRAGON 6K is generally in the range of:
$3,000 to $5,000 USD for a ready-to-shoot package in good condition.
ARRI ALEXA XT Plus (Xtended Technology Plus) is a versatile digital cinema camera, part of the widely acclaimed ALEXA family. It offers the best overall image quality known from the ALEXA line, combined with extended recording and control features. It is a highly flexible “all-rounder” camera designed for a variety of high-end productions like feature films and commercials.
Super 35 Sensor with 4:3 & Open Gate: Enables native capture for true anamorphic cinematography and provides maximum sensor area for VFX or post-production reframing/resizing.
In-Camera ARRIRAW Recording: Uses the XR Module (Xtended Recording) for recording ARRI’s highest quality, uncompressed raw format directly onto XR Capture Drives, streamlining the workflow.
High Frame Rate Capability: Records up to 120 fps in full image quality, ideal for slow-motion effects.
ProRes 4444 XQ and ProRes 3.2K: Offers the highest quality ProRes codec and a unique resolution for excellent 4K UHD up-sampling or additional post-production image manipulation.
Integrated Lens Data System (LDS): Automatically captures and stores lens metadata (focus, iris, zoom) for efficient on-set monitoring and VFX workflows.
Internal Filter Module (IFM-1): Accepts full-spectrum Neutral Density (ND) filters behind the lens, saving time, reducing weight, and maintaining neutral color balance.
Extended Electronics: Includes built-in wireless remote control for the camera and lens, tilt/roll sensors, and additional accessory ports (MON OUT, RS sockets) for increased versatility.
Cost : TBD
Date: 12/09/2025 – R
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Price Research:
Justcinemagear : 14,500
Newlifecine: 15,000 –
AI Says:
Low End (Body/Basic Kit): Listings for the ALEXA XT/XT Plus body or a very basic kit start around $4,750 – $6,000 USD (often with a high number of operating hours).
Mid-Range (XT Plus with Licenses): An ALEXA XT Plus with all licenses (4:3 Open Gate, High Speed, ARRIRAW) and some basic accessories (like an EVF) is frequently listed around $6,000 – $7,500 USD.
High End (Full Package/Low Hours): Comprehensive kits with low hours (e.g., < 1,000 hours), all licenses, multiple drives, and supporting gear (viewfinder, plates, etc.) can be listed from $10,000 – $12,000 USD or more
Includes:
Ready to shoot kit
Side bracket with wireless transmitter bracket
15mm LW rod bracket
3x 1tb cards
Roughly 1400 hrs on the clock
PL and EF mounts
Handle will be re annondised over the break.
Comes in a silver flight case.
The ARRI ALEXA Mini LF combines the compact, lightweight form factor of the ALEXA Mini with ARRI’s large-format (LF) 4.5K sensor technology. This makes it a versatile cinema camera delivering the signature ARRI image quality in a smaller, more flexible package for high-end productions
Large-Format Sensor: Features the ARRI ALEV III (A2X) sensor (slightly larger than full frame, 3$36.70 \times 25.54 \text{ mm}$) for a distinct, cinematic, large-format look with shallower depth of field and wider field of view.4
Superior Image Quality: Delivers native 5$4.5\text{K}$ resolution, exceptional natural skin tones, low noise, and an outstanding High Dynamic Range (HDR) of 14+ stops.
Compact & Robust Design: Shares the small, ergonomic, and sturdy body of the ALEXA Mini, making it ideal for gimbal, drone, handheld, and compact setups.7 It is built to operate in harsh environments (8$-20^\circ \text{C}$ to 9$+45^\circ \text{C}$).
Efficient Workflow: Records to cost-effective Codex Compact Drives in both uncompressed MXF/ARRIRAW and highly-efficient MXF/Apple ProRes formats. It supports Codex High-Density Encoding (HDE) for reduced ARRIRAW file sizes.
Integrated Features: Includes internal, motorized Full Spectrum Neutral Density (FSND) filters (0.6, 1.2, 1.8) and the new high-contrast MVF-2 Multi Viewfinder with a flip-out monitor.
Versatile Lens Options: Comes with the ARRI LPL lens mount, compatible with the ARRI Signature Prime lenses, and can use PL-mount lenses via an adapter
COST: 69K AUD
Based on the current exchange rate, $69,000$ Australian Dollars (AUD) is approximately $45,643.50$ US Dollars (USD).
Mitch Ayers
mitch@mitch-ayers.com
12-4-2025 – R
Price Investigation : AI
Average Used Price: ARRI ALEXA Mini LF Based on worldwide listings on professional cinema equipment marketplaces and dealer sites, the average price for a Used ARRI ALEXA Mini LF Camera Package falls within the following range:Average Price RangeUSD $35,000 to $50,000 (approximately $\text{€}32,000$ to $\text{€}46,000$)
The price is highly dependent on what is included in the package, the camera’s operational hours, and its condition.
Newlifecine 53,500 – 52,550 – 56,900 – 44,000 – 52,200 – 44,000 – 49,900 – 51,000
Justcinemagear – 41,850 – 46,750 – 43,850 – 45,850 – 45,850 – 46,750 – 41.050 – 46, 650
K2.0049722 1x 360 EVO Stabilized Remote Head;
K2.0049724 1x RCP-2 EVO Remote Control Panel;
K2.0021422 1x 12 V Battery Power Cable, D-Tap, 4-pin XLR, 1.5 m/5ft;
K2.0024167 1x SRH-3 RCP Battery Mount V-Mount;
K2.0039880 1x Standard Joystick for SRH Remote Control Panel;
K0.0019595 1x Focus / Zoom Set for SRH Remote Control Panel;
KK.0039359 1x Vibration Isolator for SRH, Gen.2, Metric, Basic Set;
KK.0040049 1x ERM-2400 2.4 GHz RXD-TXD Pro Set, SRH;
K2.0033761 1x ERM Power Cable, ERM-2400 & ERM-900;
K2.0019300 1x SRH FS CAN Bus Coupler, 0.2 m/0.65ft;
K2.0019302 1x SRH FS CAN Bus Cable, 10m/32.8ft;
K2.0019301 1x SRH FS CAN Bus Cable, 25 m/82ft;
K2.0039443 1x Cam Pwr Gen.2, ALEXA 35, Mini, AMIRA, 24 V, 8-pin;
K2.0039451 1x Cam Pwr Gen.2, SONY Venice, 4-pin XLR, 24 V;
K2.0010546 1x Monitor Power, 12 V, Lemo 0B 2-pin;
K2.0019298 1x SRH Mitchell Mount, Metric;
K2.0019306 2x SRH High-Capacity Battery Power Cable, 12V/24V, 0.5m/1.64ft;
K2.0021427 1x SRH High-Capacity Battery Power Cable 24V, 3-pin XLR, 10m/33ft;
K2.0021428 1x SRH High-Capacity Battery Power Cable 12V, 4-pin XLR, 10m/33ft;
K2.0021429 1x SRH High-Capacity Battery Power Cable 24V, 3-pin XLR, 20m/33ft;
K2.0021430 1x SRH High-Capacity Battery Power Cable 12V, 4-pin XLR, 20m/33ft;
K0.0019478 1x ARRI SRH-3 Power Supply set, 600W;
K2.0019303 1x SRH Power Supply Power and Data Cable, 12 V/24 V, 20 m/65.6ft;
K2.0037205 1x Right-angled Hex Key 4mm;
K2.0037207 1x Zip bag for tools;
K2.0042681 2x TRH-2 Ring Main Cable, Long, 0,75m/29.5in;
K2.0049726 1x Case 360 EVO Stabilized Remote Head;
K2.0033400 1x DEH-1 Digital Encoder Head, Pro Set, Left Wheel, Right Rocker;
KK.0021212 1x ARRI DRW-1 Digital Remote Wheels, Two Wheels Set;
KK.0053982 1x ARRI DRW-1 Digital Remote Wheel, Single Wheel Set;
3x LBUS Cables;
K2.0049880 3x SSB-9, Counterweight Holder;
K2.0049835 1x TAB-1-Extension;
K2.0041117 1x Top Attachment Bracket TAB-1;
K2.0044225 1x SSB-4, Stabilizer Systems Bracket 4;
K2.0033574 1x Counterweight, CW-2, 300g;
K2.0033569 2x Counterweight, CW-1, 150g;
4x Counterweight 200g;
2x Counterweight 300g;
1x Counterweight Holder;
K2.0019295 1x Short QL Plate Gen2;
K2.0019294 1x Long QL Plate Gen2;
K2.0033425 1x Extra long QL Plate Gen2;
K2.0018851 1x Stabilizer Adapter Mount SAM-1 for ALEXA;
K2.0014215 1x Stabilizer Adapter Mount SAM-2 for ALEXA Mini;
K2.0038536 1x Stabilizer Plate for CBP 450mm/18in;
K2.0024508 1x Stabilizer Adapter Mount SAM-6;
K2.0039405 1x Stabilizer Adapter Mount SAM-6 450mm/18in;
K2.0039089 1x Compact Lens Support CLS-1;
K2.0038537 1x Stabilizer System Bracket SSB-2 19mm;
K2.0038618 1x Stabilizer System Bracket SSB-2 15mm;
K2.0019727 1x SRH Top Support Bracket;
K2.0019296 1x SRH Side Accessory Mounting Bracket;
K2.0033426 1x SRH Rod Support Set;
The ARRI 360 EVO Stabilized Remote Head is ARRI’s advanced, three-axis remote head designed for professional cinematography, enabling extremely dynamic and stable camera movement. It is an evolution of the SRH-360.
360° Full-Circle Roll Axis Rotation Allows for unprecedented creative shots and dynamic camera moves around the lens’s optical center.
Cross-Compatibility with TRINITY 2 Hardware Reduces investment in accessories (shares cables, brackets, SAM plates) and offers a seamless workflow and skill expansion for TRINITY 2 operators.
High Payload Capacity Supports camera packages up to 30 kg (66 lbs), accommodating a wide range of cameras, including cinematic setups with long zoom lenses.
Intuitive GUI 3.0 Runs on the same software platform as TRINITY 2, making for a fast learning curve, easy setup, and efficient on-set operation via its touchscreen remote control panel (RCP-2 EVO).
Versatile Integration and Connectivity Features LBUS connectivity for digital and metadata workflows and is focused on Unreal Engine integration to facilitate virtual production.
Robust and Flexible Design Can be mounted to various grip equipment like cranes, dollies, and vehicles, ensuring reliable performance in demanding applications.
Upgrade Path Available Allows existing SRH-360 owners to upgrade their systems to the full 360 EVO specifications.
Owner : Ricardo Esteves from IMAGEM
imagem@showreel.pt
Portugal
R-12/02/2025
Prices Investigation :
Newlifecine: does not have it
justcinemagear.com : does not have it
AI says :: Average Used Price of ARRI 360 EVO Stabilized Remote Head
Based on current listings and market information in the film and digital video gear industry, the ARRI 360 EVO Stabilized Remote Head is a very recent and high-end piece of equipment.
The average market price for a used ARRI 360 EVO Stabilized Remote Head package appears to fall within the approximate range of:
$55,000 to $116,000 USD
Key Market Observations:
New Price Benchmark: The new ARRI 360 EVO Basic Set (which typically does not include the mandatory joystick/controller set, but does include the head and RCP-2 EVO panel) is listed at a retail price of around $82,100 USD (or the Euro equivalent).
Includes:
Alexa Mini Body
Arri Raw, Look Library
MVF-1 Wiewfinder
Viewfinder Cable
Titanium PL-Mount
2x Memory Card 128GB
2x Memory Card 256GB
Side Bracket MSB-1
MAP-2
CCH-2 Handle
15mm Broadcast Plate
VLock Battery Adapter
SmallHD 701 Monitor
Monitor Cage
Sunhood
Teradek TX/RX Bolt 500
The ARRI ALEXA Mini is a compact, lightweight Super 35mm digital cinema camera. It is designed for drones, gimbals, and handheld use, built into a durable carbon-fiber body.
It features the same ALEV III sensor as the classic ALEXA, delivering industry-standard image quality (the “ARRI look”), natural skin tones, and over 14 stops of Dynamic Range.
The Mini is known for its versatility. It includes internal motorized ND filters and supports robust recording in ARRIRAW and ProRes at high frame rates (up to 200 fps). Its 4:3 sensor mode makes it perfect for anamorphic shooting.
COST : TBD Ownwer Patrick Degner
p.deg@me.com
R-11/28/25
Price Investigation:
Justcinemagear: 22,650 – 21,150 – 23,950 – 23,850 – 20,000 -18,750 – 19,990 – 21,850 – 21,500 – 25,650
Newlifecine: 24,000 – 20,000 – 25,000 – 23,500 – 30,000 – 22,000 – 20,250 – 19,000 – 19,900, etc
AI says:
Basic Kit $14,000 – $18,000 Camera Body, PL Mount, may require separate purchase of licenses (4:3, ARRIRAW) or be high-hour units (4,000+ hours).
Working Package $19,000 – $25,000 Camera Body, All Permanent Licenses (4:3, ARRIRAW, Look Library), ARRI Viewfinder (MVF-1/2), and a basic cage/rod system.
Premium Package $26,000 – $32,000+ Low-hour camera (< 1,000 hours), All Licenses, Viewfinder, Multiple CFast 2.0 Cards, Card Reader, and complete rigging (D-Box, V-mount plates, flight case).
Hours:
Camera (System) 3044, R7 (System) 1941
Camera (Reset) 3044, R7 (Resetable) 1941
It includes the following items:
-1x Sony Venice 1 camera (serial number 10933), PL Mount Wooden Camera.
-1x D-BOX Wooden Camera V-Lock.
-1x AXS-R7 Recorder (serial number 11265)
-1x Sony DVF-EL 200 Viewfinder (serial number 11960)
-2x cables: viewfinder + viewfinder mount + viewfinder extension for Wooden Camera
-4x AXS 512GB memory cards
-1x AXSM card reader (model AXS-AR3) + AC adapter + USB-C cable.
-1x Wooden Camera Base Plate (15mm)
-1x Wooden Camera Base Plate (19mm)
-1x Wooden Camera Handles (x4 pieces).
1x Sony Venice A-Box.
The Sony VENICE is a flagship full-frame digital cinema camera designed for high-end filmmaking, television production, and commercials. Part of Sony’s renowned CineAlta line, it bridges the gap between classic film aesthetics and modern digital workflow, offering a modular design that allows for significant customization on set. It is widely praised for its exceptional color science, skin tone rendition, and ability to handle extreme lighting conditions.
Full-Frame 6K Sensor: Captures stunning 6048 x 4032 resolution with a classic 36x24mm sensor, allowing for shallow depth of field, immersive large-format visuals, and flexibility to crop for Super35mm projects.
Dual Base ISO (500 & 2500): Provides exceptional low-light performance and clean images in diverse lighting environments without increasing noise, maximizing the 15+ stops of dynamic range.
Built-in 8-Step Mechanical ND Filters: Features a servo-controlled internal ND filter system (0.3 to 2.4) that allows cinematographers to quickly adjust exposure without changing external matte box filters, saving valuable time on set.
Interchangeable Lens Mounts: Comes with an industry-standard PL mount but offers a locking E-mount underneath, providing native compatibility with a massive range of cinema and still photography lenses.
Advanced Color Science: Exceeds the BT.2020 color space and DCI-P3 gamut, delivering natural skin tones and a soft, film-like highlight roll-off that simplifies color grading.
Multiple Recording Formats: Supports high-fidelity 16-bit X-OCN (Extended Tonal Range Original Camera Negative), RAW, XAVC, and ProRes, offering flexible workflow options from data-heavy VFX work to efficient broadcast turnarounds.
Cost: TBD
Isidro Parrondo
contacto@aksmedia.es
Mob: +34 627 115 765 / R-11/27/25
Price search:
Justcinemamgear: 24.990 – 15,650 – 19,850 – 19,000 – 19,500 – 16,850 – 21,750
Newlifecine : 24,000 – 22,000 – 18,000 – 39,000 -15,500 – 18,900 – 17,500 -15k -23k -24k
AI says:
As of late 2024 / early 2025, the average price for a used Sony VENICE 1 (6K) in the global second-hand market falls into two distinct categories:
Body Only / Basic Kit: $13,500 – $17,000 USD
Production Ready Package (with Recorder & Licenses): $22,000 – $28,000 USD
Includes:
K1.0024074 1x ALEXA Mini LF camera body
K2.0018983 1x ARRI LPL Mount (LBUS)
K2.0016936 1x ARRI PL-to-LPL Adapter
K2.0024130 2x Codex Compact Drive 1TB (CA08-1024)
K2.0020916 1x Multi Viewfinder MVF-2
K2.0023915 1x Cable VF (0.35m/1.15ft)
K2.0023943 1x Cable VF (0.5m/1.5ft)
K2.0023839 1x Mini Adapter Plate MAP-2A
K2.0006140 1x Mini Viewfinder Bracket MVB-1
K2.73002.0 1x Center Camera Handle CCH-2
K2.0023546 1x Mini Side Bracket MSB-3
K2.0014957 1x Mini Side Bracket MSB-2
K2.0014894 1x Compact Bridge Plate CBP-1 19mm
K2.0013937 1x Rear Accessory Bracket RAB-1
K2.0023406 1x RAB-1 Clamp 2
K2.0006186 1x Rod Mounting Bracket RMB-3
K2.66255.0 1x 15mm Reduction Insert
K2.0014530 1x V-Mount Power Splitting Box MkII
K2.0015896 1x Bottom Dovetail Plate 300mm/12in
extra:
K2.0024130 2x Codex Compact Drive 1TB (CA08-1024)
K2.0024134 1x Codex Compact Drive Reader (USB-C)
The ARRI Alexa Mini LF combines the compact, lightweight form factor of the popular Alexa Mini with a large-format (LF) sensor. Designed for maximum versatility, it allows filmmakers to capture the coveted “large format look”—characterized by immersive depth of field and wider fields of view—without the bulk of a full-size studio camera. It is widely used in high-end feature films, commercials, and drama series, offering seamless integration into existing ARRI workflows while meeting strict 4K mandates (such as those from Netflix).
Large Format ALEV III (A2X) Sensor: Delivers ARRI’s signature natural skin tones, smooth colorimetry, and an immersive cinematic aesthetic with lower noise and higher usable sensitivity.
Exceptional Dynamic Range: Offers 14+ stops of exposure latitude, providing immense flexibility in post-production, especially for HDR (High Dynamic Range) workflows.
Compact & Lightweight Design: Weighing approximately 2.6 kg (5.7 lbs), it is optimized for handheld work, gimbals, drones, and tight shooting environments where larger cameras cannot fit.
True 4K Recording: Capable of recording up to 4.5K resolution, making it fully compliant with Netflix and other streaming platform production mandates.
Versatile Recording Formats: Supports internal recording of uncompressed ARRIRAW and versatile Apple ProRes onto robust Codex Compact Drives.
Integrated FSND Filters: Features three internal motorized Full Spectrum Neutral Density filters (ND 0.6, 1.2, and 1.8) for quick exposure control without color shifting.
LPL Lens Mount: Comes with the LPL mount optimized for large-format glass but remains compatible with Super 35 PL lenses via a PL-to-LPL adapter.
Robust Build Quality: Constructed with a splash and dust-proof carbon fiber body, sealed electronics, and a stable operation range from -20°C to +45°C.
Cost : TBD
Patrick Degner
p.deg@me.com
11-25-2025
Price Investigation / R- 11/25/25
Newlifecine: 53,500 – 52,550 (100 Hours) – 56,900 – two for 44,000 – 58,000 – 49,990 and more
Justcinemagear : 41,520, 45,850, 41,950 , 45,850 , 46,750 , 46,750 , 41,850 , 48,650 and more
AI says :
Ready-to-Shoot Kit$43,000 – $52,000Body, LPL Mount, MVF-2 Viewfinder, Cage, 3+ Codex Drives.
Premium / Low Hours$53,000 – $60,000+<500 Hours, Extended Warranty, Signature Primes, or Full Production sets (Bridge plates, multiple mounts).
Operating Hours: Low: < 1,000 hours (Commands premium pricing, closer to $50k).
Mid: 1,500 – 3,000 hours (Standard market price).
High: > 4,000 hours (Can be found for ~$40k – $42k, often ex-rental house gear).
Mini Hawk 40mm
Mini Hawk 50mm
Mini Hawk 65mm
Mini Hawk 100mm
The Vantage MiniHawk series is a unique line of “Hybrid Anamorphic” cinema lenses. They are mechanically spherical lenses that utilize a patented oval iris mechanism to mimic specific aesthetic traits of anamorphic glass (like oval bokeh) without the optical distortions or squeeze factor. They are designed to offer the “anamorphic look” with the speed, size, and close-focusing advantages of modern spherical optics.
Hybrid Optics: Delivers classic anamorphic traits (oval bokeh, shallow depth of field) using spherical glass, meaning the footage requires no de-squeezing (1x factor).
Fast Aperture: High-speed T1.7 aperture across almost the entire set, allowing for exceptional low-light performance.
Oval Bokeh: A patented iris shape produces the coveted vertical oval out-of-focus highlights associated with 2x anamorphic lenses.
Zero Breathing: engineered to have virtually no focus breathing, a common issue with traditional anamorphic glass.
Super Close Focus: Capable of focusing extremely close (approx. 10 inches / 0.25m on wider focal lengths), far superior to standard anamorphics.
Compact Form Factor: Significantly smaller and lighter than traditional anamorphic lenses, making them ideal for handheld, gimbal, and drone work.
Geometric Correction: Distortion-free images make them highly suitable for visual effects (VFX) workflows where match-moving is required.
COST : TBD
Owner : Gabriel Mensagem – gabrielmensagem@gmail.com
Visualproducts.com doesn´t have one – NewLifeCine nor Justcinemagear has none
AI says :
The Vantage MiniHawk (also known as Hawk MHX Hybrid) is an extremely rare and specialized item on the second-hand market. Unlike the older Hawk C-Series or V-Lites, these lenses are newer and typically sold only through direct negotiation with high-end cinema lens brokers rather than on open marketplaces like eBay.
Based on current market data for Vantage optics, here is the estimated pricing and market situation for a used set of 4 lenses.
Estimated Market Price: Used MiniHawk Set of 4
Price Range: $90,000 – $115,000 USD (Note: This is an estimate based on a depreciation of ~20–30% from the new price, which is standard for high-demand modern Vantage glass.)
Estimated New Price: ~$30,000 USD per lens (approx. $120k for a set of 4).
Includes:
8 Cine Magic Lenses and what is seen in the pictures:
Cine Magic 9.8mm
Cine Magic 12mm
Cine Magic 16mm
Cine Magic 20mm
Cine Magic 24mm
Cine Magic 32mm
Cine Magic 40mm
Cine Magic 60mm
Dual Swivel Module – Mini-PL
Horizon Tracking
The CINE MAGIC REVOLUTION PACKAGE is a versatile, high-end snorkel lens system used in professional filmmaking and specialized photography, such as tabletop and food shooting. It is designed to capture unique perspectives and offer unprecedented control over the camera’s angle relative to the image horizon.
Horizon Tracking: The world’s first snorkel lens system to allow live panning of the objective lens while maintaining a level horizon (or a desired “dutched” position).
Image Rotation: Built-in optics allow for 360-degree rotation of the image in real-time for creative or corrective purposes.
Dual Swivel Module: Adds a second pan axis, allowing for even greater flexibility in aiming and movement.
Miniature/Tabletop Use: The system can achieve a full 360-degree pan within a six or seven-inch diameter, making it ideal for tight spaces and macro shots.
Versatile Mounting: Includes modules to accommodate both its own specialty Mini-PL lenses and standard PL-Mount lenses.
Comprehensive Kit: Typically includes the Base Module, Borescope, Horizon Tracker, and Dual Swivel Modules in both PL and Mini-PL configurations, along with a set of dedicated Mini-PL prime lenses (e.g., 9.8mm to 60mm).
Cost TBD
Owner: Chester Lilley <chester@creativecameracompany.co.uk>
UK – R-11/13/25
Price Investigation : The price for a full, used CINE MAGIC REVOLUTION PACKAGE (including the Base Module, Borescope, Horizon Tracker, Dual Swivel Modules, and the complete set of Mini-PL prime lenses) typically falls between:
USD $114,900
EUR €138,000 (equivalent to approximately USD $148,000, depending on the current exchange rate)
Note: This range reflects prices observed in international listings from professional equipment brokers and may not represent every transaction.
Newlifecine,com does not have one
justcinemagear.com does not have one
FJS INT has one in EUROS 138,000 FOB
The Angenieux Optimo 18-42mm (often cited as 16-42mm) and 30-80mm (often referred to as Optimo DP or Rouge series) are a matched pair of high-quality, lightweight cinema zoom lenses, primarily designed for Super 35mm (S35) and large-format digital cinema cameras.
Fast, Constant Aperture (T2.8)Excellent low-light performance and ability to achieve a shallow depth of field (pleasing bokeh) consistently across the entire zoom range.
Parfocal Design Holds focus perfectly while zooming (no ramping), crucial for maintaining sharp focus during zoom shots.
Minimal Breathing Image size and perspective remain virtually constant when focusing, avoiding distracting shifts in the frame.
Superior Optical Quality Delivers the “Angenieux look”—high contrast, superb resolution, natural color rendition, and well-controlled geometric distortion. Rivals the quality of many prime lenses.
Lightweight & Compact Ideal for handheld, Steadicam, gimbal, or drone use (each lens is typically around 1.9 kg / 4.2 lb), increasing agility and reducing rig weight.
Matched Mechanics Consistent 114mm front diameter and identical positioning/throw of the focus, zoom, and iris rings, allowing for quick lens swaps on set without adjusting matte box or focus motors.
Close Focus Very short minimum object distance (MOD) of 2 feet / 0.6 meters for extreme close-up versatility.
Cost: TBD
India – Rupin Dang – Rupin Dang <rupindang@gmail.com>
justcinemagear: does not have such bundle
Newlifecine.com does not have such bundle
AI says : Average Used Price Range (Bundle)The typical asking price for a pair of Angenieux Optimo DP 16-42mm & 30-80mm T2.8 zoom lenses in good working condition with a flight case is generally found in the range of:$$\text{USD } \$18,000 – \$22,000$$Or roughly:$$\text{EUR } €17,000 – €20,500$$
R – 11-12-2025
The Canon EF-mount 17-120mm zoom lens is formally known as the Canon CINE-SERVO 17-120mm T2.95-3.9 (CN7x17 KAS S/E1).1 It’s a high-performance cinema/broadcast hybrid lens designed for professional shooting environments.
Versatile 17-120mm Focal RangeOffers a 7x zoom ratio, covering wide-angle to telephoto for diverse shooting needs (documentary, drama, broadcast, etc.).
High Optical Performance: Supports 4K resolution (and in newer versions, up to 8K) with high optical quality across the entire zoom range.
Fast Aperture: Features a maximum aperture of T2.95 (at 17-91mm) to T3.9 (at 120mm), offering good low-light performance and shallow depth of field control.
Detachable Servo Drive Unit: Includes an ENG-style servo drive unit for electronic control of zoom, focus, and iris (broadcast style). This unit is removable for manual, cinema-style shooting (using standard cine accessories).
Super 35mm Coverage: Designed to cover the Super 35mm sensor format, a common standard in digital cinema cameras.
Cinema Features: Includes an 11-blade iris for attractive bokeh, cine-standard gear pitches (0.8 and 0.5 MOD), and focus marks on both sides of the barrel
Metadata Output: Features a 16-bit encoder to output high-resolution metadata for use in virtual studio systems.
Rugged Design: Built to be durable, weatherproof, and shockproof for reliable use in challenging environments.
COST : 6,000
Owner: Kris Von Ahn
636-633-6079
Kris Von Ahn<vonahnkris@gmail.com>
Price Investigation:
IMPERIAL AND METRIC – Gives more value
AI Says : Good/Operational $8,000 – $11,500 Lenses with visible cosmetic wear or minor glass issues (e.g., coating scratches, no impact on quality).
Newlife cine has one 9,500 and a second one in 15,600
Justcinemagear has 3: 11,990 – 8,900 and 8,500
R-11-11-2025
Leica r Leica R Super Speed Set Full Frame 19mm T2.8 cf 0.29 cm
Leica r Leica R Super Speed Set Full Frame 28mm T2.8 cf 0,25 cm
Leica r Leica R Super Speed Set Full Frame 35mm T1.4 cf 0,5 cm
Leica r Leica R Super Speed Set Full Frame 50mm T1.4 cf 0.5 cm
Leica r Leica R Super Speed Set Full Frame 80mm T1.4 cf 0.7 cm
Leica r Leica R Super Speed Set Full Frame 135mm T2.8 cf 1,5 cm
These lenses are vintage Leica R still-photography primes rehoused (“cine-modded”) by GL Optics for modern professional cinema use. They are highly sought after for their distinct optical character combined with cinema-standard mechanics.
Distinct Optical Character:
Benefit: Delivers a sought-after vintage look with exceptional image quality; sharp yet flattering with excellent skin tone rendering.
Feature: Known for “creamy bokeh,” beautiful flares, and a pleasing fall-off from sharp focus.
Full-Frame Coverage:
Benefit: Covers modern large-format sensors (like ARRI Alexa LF, Sony Venice, RED Raptor) without vignetting.
Feature: Rehoused optics are engineered to cover a full-frame image circle (36mm x 24mm).
Cinema-Ready Mechanics:
Benefit: Enables fast, precise, and standardized use on professional film sets.
Feature: Stainless steel PL mount, uniform 95mm front diameter, cine-standard mod 0.8 gears (consistent position for easy follow focus changes), and de-clicked aperture ring.
Improved Usability:
Benefit: Allows for accurate and smooth focus pulling.
Feature: Long 330° focus rotation (except the 19mm) and often improved closer focusing distances compared to original lenses.
Buenos Aires Argentina
Leonardo Hermo
+5491140240076
leonardo.hermo@gmail.com
Prices Investigation
AI Says : Based on current listings for used or pre-owned sets in the global film and digital video gear marketplace, the average price range for a used 6-lens GL Optics Rehoused Leica R Full Frame Set (similar to the $19, 28, 35, 50, 80, 135\text{mm}$ configuration) falls approximately between:Price Range (USD)Notes$35,000 – $50,000 USDThis range reflects recent asking prices for pre-owned GL Optics-rehoused sets with a similar lens count and Full Frame coverage.
Newlifecine does not have one
Justcinemagear does not have one
R-11-10-2025
Cooke Full Frame Anamorphic 32mm
Cooke Full Frame Anamorphic 50mm
Cooke Full Frame Anamorphic 75mm
Cooke Full Frame Anamorphic 100mm
The Cooke Anamorphic/i Full Frame (FF) lenses are a premium line of anamorphic prime lenses designed to cover large-format/full-frame sensors. They are engineered to deliver the desirable “Cooke Look” with classic anamorphic characteristics.
Full Frame Coverage: Designed for large-format sensors (up to 36mm x 24mm image circle) on modern cinema cameras (e.g., ALEXA Mini LF, Sony VENICE).
1.8x Squeeze Factor: Offers a unique balance, providing a pronounced anamorphic look (e.g., flares, oval bokeh) while utilizing optimal sensor pixels (achieving a 2.40:1 aspect ratio with high resolution).
The Cooke Look: Known for a pleasing, organic, and cinematic aesthetic with warm color rendition, natural skin tones, and subtle aberrations.
i/ Technology: Integrated metadata system that records lens data (focus distance, aperture, depth-of-field, etc.) on a frame-by-frame basis, streamlining VFX and post-production workflows.
Standard & Special Flare (SF) Options: Available in a standard coating or an SF version with proprietary coating to enhance and exaggerate lens flares and other classic anamorphic aberrations.
Consistent Mechanics & Optics: All lenses are color-matched across the series and feature standardized 0.8 MOD gears, similar front diameters (mostly 110mm), and cam-style focus for smooth, precise pulls.
Fast Aperture: Most focal lengths offer a maximum aperture of T2.3.
Cost: TBD
Hernan Herrera
Lucerna Studios
917-468-3294
Prices reserach : AI: Average Used Price Range (Set of 4 Lenses)Lens TypeFocal LengthsApproximate Price Range (USD)Cooke FF Anamorphic/i 1.8x32mm, 50mm, 75mm, 100mm goes from $90,000 to $120,000 USD
Newlifecine: has one in 90,500 / Justcinemagear has one in 67,900
Zeiss Super Speed 18mm
Zeiss Super Speed 25mm
Zeiss Super Speed 35mm
Zeiss Super Speed 50mm
Zeiss Super Speed 85mm
A classic set of high-speed prime lenses renowned in the cinematography industry, often used to achieve a sought-after vintage film look. The MK2 and MK3 versions share the same core optics but have mechanical improvements.
Fast Aperture: Uniform maximum aperture of T1.3 across the set, excellent for low-light shooting and achieving a shallow depth of field.
Compact & Lightweight: Small form factor and low weight, making them ideal for handheld, gimbal, and Steadicam use.
Vintage Aesthetic: Produces a unique, flattering image with a pleasing, gentle fall-off, organic feel, and distinctive flares/bokeh, especially wide open.
Optics & Contrast: Considered sharp and high-contrast (especially when stopped down to T2.8 or above), suitable for modern digital sensors.
Mechanical Improvements (MK3 over MK2):
Focus Scale: Larger, more legible focus marks, often oriented upright (90° rotated) when mounted (a key distinguishing feature).
Focus Rotation: Longer, more precise focus rotation (around 270°), which is preferred by focus pullers.
MK2 lenses often featured dual imperial/metric focus scales, while MK3 typically features a single scale (imperial or metric).
PL Mount: Standard Arri PL mount for compatibility with professional cinema cameras (Super 35 format coverage).
Cost $ 38,000
Indonesia City: jakarta
Owner : chua khay boon
Email: dopboon@gmail.com
Telephone: +62811842084 – R 11-05-25
Sales Price Investigation:
newlifecine has one sest : USD $ 48,900
justcinemagear has two: $ 56,850 and 49,990
AI Says : unrehoused MK2 or mixed sets, the price point generally falls between $45,000 and $50,000 USD
40 mm T 2.4 / CF 3’
50 mm T 2.4 / CF 3’
75 mm T 2.5 / CF 3’
100 mm T 3.2 / CF 5’
Century W.A x 0.6 c41985
Century Tele Coverter x1.6
The Kowa Evolution 2X Anamorphic lenses by P+S Technik are a modern rehousing and update of the original vintage Kowa Anamorphic lenses from the 1970s. They retain the classic optical characteristics while incorporating modern, reliable mechanics suitable for contemporary cinema production. They are renowned for being among the most compact and lightweight anamorphic cine lenses available, making them ideal for various shooting platforms.
Classic Anamorphic Look: Delivers the highly sought-after vintage aesthetic of the original Kowas, featuring low contrast, warm color tones, organic flares, and beautiful oval bokeh.
2X Squeeze Factor: Provides a true, classic widescreen cinematic look for a highly immersive image.
Modern Mechanics: Feature a reliable 2-cam focus mechanical design with hard end stops, smoother focus, and consistent 0.8 MOD gear positions across the set for easy lens swaps and use with follow focus systems.
Compact & Lightweight: Their small form factor makes them ideal for handheld, Steadicam, gimbal, or drone camera work.
Versatile Design: They have an 80mm front diameter suitable for clip-on matte boxes and a 77mm filter thread for screw-in filters.
Expanded Focal Lengths: While based on the original 4-lens set (40mm, 50mm, 75mm, 100mm), the Evolution series has been expanded to six primes (32mm, 40mm, 50mm, 75mm, 100mm, 135mm).
High Compatibility: Standard PL mount with the added benefit of an IMS exchange lens mount system allowing for optional EF, E-mount, and MFT mounts.
Coverage: Performs magnificently on Super 35 (S35) sensors, with the longer focal lengths (75mm and up) capable of covering Full Format (36x24mm).
Cost USD $ 42,000 to be lowered by Adam
Leonardo Hermo
Buenos Aires Argentina
leonardo.hermo@gmail.com
+5491140240076
Sugested Price for Sale: 43,750
Price serach of AI:: Average Used Price Range (Set of 4 Lenses)The global second-hand price for a set of four P+S Technik Kowa Evolution 2X lenses in very good, serviced condition typically falls within the following range:Approximate Range: $\mathbf{\$45,000 \text{ to } \$55,000 \text{ USD}}$Or Equivalent: $\mathbf{42,000 \text{ to } 51,000 \text{ Euros } (\text{€})}$
Newlifecine does not have any
Justcinemagear
Has a Kowa Anamorphic Evolution set of 4 in 43,,950
Has a Kowa Anamorphic Evolution 4lens set in 45,500
R-11-03-2025
TRIBE7 BLACKWING7 T-Tuned 17mm T1.9
TRIBE7 BLACKWING7 T-Tuned 20.7mm T1.9
TRIBE7 BLACKWING7 T-Tuned 23.7mm T1.9
TRIBE7 BLACKWING7 T-Tuned 27mm T1.9
TRIBE7 BLACKWING7 T-Tuned 37mm T1.9
TRIBE7 BLACKWING7 T-Tuned 47mm T1.9
TRIBE7 BLACKWING7 T-Tuned 57mm T1.9
TRIBE7 BLACKWING7 T-Tuned 77mm T1.9
TRIBE7 BLACKWING7 T-Tuned 107mm T1.9
TRIBE7 BLACKWING7 T-Tuned 137mm T1.9
The TRIBE7 BLACKWING T-Tuned lenses are the core offerings in the Blackwing series, designed specifically for large-format motion picture imaging, and are known for their distinct aesthetic and character-rich optics. They represent the “Standard Expressive” tuning, balancing clinical performance with artistic artifacts.
Key Features and Benefits
Aesthetic Character: Recreates the appealing optical looks and warmth characteristic of classic cinema lenses from the 1950s through the 1980s.
Controlled Distortion: The design intentionally introduces and controls optical distortion during manufacturing, leading to unique imaging properties and strong artistic resonance.
Flare Profile: Offers a moderately expressive aesthetic that generates distinct ghost flares in light green, blue, and deep purple.
Tunable Parameters: Provides modular control over key image characteristics, allowing modification of sharpness, contrast, subtle distortion, edge halation, and focus roll-off.
Large Format Compatibility: Purpose-built for modern large-format cameras and full-frame sensors.
The core philosophy behind the T-Tuned lenses is analogous to using equalization (EQ adjustment) in audio production, ensuring the image possesses a “musical fidelity” with curated optical characteristics that suit the filmmaker’s intent. T-Tuned lenses are priced between the subdued S-Tuned and the hyper-expressive X-Tuned, establishing them as the standard option for this expressive optical style
Cost : 110K ( three flightcases included )
Owner alberto bañares
+34 654 05 26 28
www.albertobanares.com
Prices
Newlifecine has one of 9 for 105,000 dollars
Justconegear has : set of 7 – 79,850 / set of 6 – 61,000
Set of 8 – 78,500 / set of 6 – 78,500
Hanse Celere Superspeed 18.5mm
Hanse Celere Superspeed 25mm
Hanse Celere Superspeed 36mm
Hanse Celere Superspeed 50mm
Hanse Celere Superspeed 85mm
The Hanse Celere Superspeed (also known as Celere High Speed or HS) lenses are a line of German-manufactured cine primes known for providing high-speed, full-frame coverage in a consistent, cine-ready housing.
High-Speed T1.5 Aperture Excellent low-light performance and ability to achieve extremely shallow depth of field (bokeh).
Full-Frame/VistaVision Coverage Covers large-format sensors (up to 8K VistaVision), future-proofing the investment.
Uniform Design (Weight/Size) Lenses (excluding the 18.5mm) share the same length, weight, and gear positions, allowing for fast, easy swaps on gimbals and Steadicam rigs without re-balancing.
Cine Mechanics Minimal focus breathing, 250° to 300° focus rotation, and internal focus design for professional camera assistants.
Interchangeable Mount System Easily swap between PL, Canon EF, and Sony E mounts, offering high versatility across different camera systems.
Cost 19.5k $
Andrey But
andrey.but@ozero.design
Zodiac Film
+380 (99) 100 45 45
Berlín
Market Price search:
Newlife cine does not have any
justcinemagear does not have any
AI says:
The average price for a used Hanse Celere Superspeed (or High Speed) set of 5 lenses on the second-hand market for film and digital video gear appears to range between $15,000 and $23,000 USD worldwide.
Zeiss CP.2 15/2,9
Zeiss CP.2 21/2,9
Zeiss CP.2 28/2,1
Zeiss CP.2 35/1,5
Zeiss CP.2 50/1,5
Zeiss CP.2 85/1,5
Zeiss CP.2 135/2,1
+ Case
The Zeiss Compact Prime CP.2 lenses are a popular, versatile series of cine prime lenses designed primarily for film and video production, including use with HDSLRs.1 They’re known for offering professional cinema features at a more accessible price point than traditional high-end cine lenses.
Key Features and BenefitsFeatureBenefit
Interchangeable Lens Mount System (IMS)Offers exceptional versatility, allowing use on a wide array of cameras (cine and still) with different mounts (PL, EF, F, Micro 4/3, E-mount) by simply swapping the mount.
Full-Frame 35mm CoverageEnsures compatibility with large sensor cameras (like full-frame DSLRs and cinema cameras) and is “future-proof” for sensors larger than Super 35.
Cine-Style Housing and MechanicsFeatures a robust build, standardized focus and iris gear positions, and a consistent front diameter ($114 \text{ mm}$ for most), simplifying on-set work with follow focus units and matte boxes.
14-Blade IrisCreates a nearly perfectly round aperture, resulting in smooth, pleasing out-of-focus areas (bokeh) and attractive highlight rendition.
Long Focus Rotation ($\sim300^{\circ}$)Allows for extremely precise and repeatable focus pulling, essential for professional cinematography.
T* Anti-Reflex CoatingProvides excellent flare suppression and high contrast, contributing to sharp, punchy images with great color rendition.
Color MatchedAll lenses in the series are color-matched to ensure consistency when swapping focal lengths, simplifying color grading in post-production.
Rafael Navarro
Mangosta Street <rafa.navarro@mangosta.es>
Cost TBD
Market prices research:
Newlifecine: has one in 12,400 dollars
Justcinemagear has one of 4 lenses at 8,990, one for 6 lenses at 16,650 one of 5 lenses at 9,500 and one of 9 lenses at 18,650
AI says : The average price for a used set of 7 Zeiss CP.2 Compact Prime lenses on the second-hand market for film and digital video gear appears to fall within a range, generally:$$\mathbf{\$9,000 \text{ to } \$13,000 \text{ USD}}$$
R-10-21-2025
