35mm T3.5 USD $ 6,500
45mm T2.8 USD $ 5,800
55mm T2.8 USD $ 5,000
80mm T2.8 USD $ 5,000
110mm T2.8 USD $ 5,800
150mm T3.5 USD $ 6,500
OPTIONAL:
24MM T4.0 $12,000
80mm T1.9 $5,000
200MM T2.8 APO $8,500
300mm T2.8 APO $10,000
1) The base lenses are Mamiya 645 (60mm*45mm format) prime Lenses;
2) All lenses have the same length, 95mm diameter, 77mm UV screw and
same focus/iris scale designed;
3) All lenses have 300 degrees focus rotation;
4) Medium format Lenses cover 12K sensor as well.
codenancn
Focal lens : 18mm T2.9 – 24mm T2.1 – 28mm T2.1 – 35mm T1.5 – 50mm T1.3 – 85mm T1.5 – 105mm T1.9 – 135mm T2.1
1) All lenses have 95mm front
2) Light weight designed
3) Unique focus/iris scale space
4) New round iris system
5) Interchangable PL/LPL/EF/SONY E mount
OPTION LENSES:
Nikkor 14mm T2.9 – 6500 USD
Nikkor 15mm T3.6 – 6000 USD
Nikkor 55mm T1.3 – 5500 USD
Nikkor Noct 58mm T1.3 – 9000 USD
Nikkor ED 180mm T2.9 – 4300 USD
Shot On What ? https://shotonwhat.com/?s=NIKKOR+FULL+FRAME+LENS+SET+OF+7
GL Optics
Cooke S7i 18mm
Cooke S7i 25mm
Cooke S7i 32mm
Cooke S7i 50mm
Cooke S7i 75mm
Cooke S7i 135mm
The Cooke S7/i Full Frame Plus Primes are premium cinema lenses designed to cover full-frame and beyond (up to the RED 8K VV sensor). Developed for high-end cinematography, they deliver sharp, consistent performance while preserving the warmth and cinematic character known as the Cooke Look®.
These lenses combine precision optics with modern features like lens metadata communication for VFX and post workflows.
Cost 85,000 Dollars
Shadi AbuSharar | Filmmaker.DOP.Colorist
email. [email protected]
Mobile Dubai : +971 50 2711135 (r) 04-18-2025
The SONY BURANO 8K CAMERA (MPC-2610) is a compact and versatile digital cinema camera designed for solo and small team productions, inheriting the superior image quality of the VENICE series. It offers a full-frame 8.6K sensor with 16 stops of dynamic range and dual base ISO (800/3200), ensuring exceptional low-light performance. Notably, it’s the world’s first digital cinema camera with in-body image stabilization (IBIS) for both PL and E-mount lenses, enhancing handheld shooting capabilities. The inclusion of a built-in electronic variable ND filter (0.6-2.1) allows for seamless exposure adjustments. The camera supports various internal recording formats, including X-OCN LT and XAVC H, offering flexibility in post-production workflows. Its lightweight and ergonomic design facilitates easy switching between different shooting styles, making it suitable for a wide range of applications.
Key Features and Benefits:
8.6K Full-Frame Sensor: Captures high-quality images with rich detail, wide latitude, and excellent color rendition.
Dual PL/E Mount: Offers compatibility with a vast selection of lenses.
In-Body Image Stabilization (IBIS): Provides 3-axis stabilization with PL lenses and 5-axis with E-mount lenses, reducing camera shake.
Electronic Variable ND Filter (0.6-2.1): Allows for smooth and continuous control over exposure.
Dual Base ISO (800/3200): Ensures clean images with minimal noise in various lighting conditions.
16 Stops Dynamic Range: Captures a wide range of tonal details from highlights to shadows.
Fast Hybrid Autofocus: (with E-mount lenses) Combines phase detection and contrast AF for quick and accurate subject tracking, including Face and Eye Detection.
Multiple Recording Formats: Supports X-OCN LT, XAVC H, XAVC Intra, and XAVC Long for flexible workflow options.
Compact and Lightweight Design: Enhances mobility and ease of use for solo operators.
Versatile Frame Rates: Records up to 8K at 30fps, 6K at 60fps (in FF crop), 5.8K at 60fps (S35), and 4K at 120fps (in S35 crop).
Seamless Integration with VENICE Series: Offers similar color science for consistent footage in multi-camera setups.
Sell it for 22,500
We offered a cost 19,500
His Original Cost 24,500
Owner : RANDY GOODMAN
[email protected]
Telephone: 7144411992
Zeiss MKII Super Speed 18mm
Zeiss MKII Super Speed 25mm
Zeiss MKII Super Speed 35mm
Zeiss MKII Super Speed 50mm
Zeiss MKII Super Speed 85mm
Fast T1.3 Aperture: Enables shooting in low light conditions and achieving shallow depth of field with pleasing bokeh.
Compact and Lightweight Design: Ideal for handheld operation, gimbal setups, and situations where weight is a concern.
Vintage Look: Produces a classic aesthetic with subtle lens flares and a mild reduction in contrast, giving a more filmic quality to digital footage.
Uniform Characteristics: Consistent T1.3 aperture and 80mm front diameter across the set facilitate easy use of accessories.
Good Optical Performance: Offers good contrast and high resolution, especially when stopped down slightly (above T2.8).
PL Mount: Designed for professional cinema cameras with a PL mount.
Factory Integrated Gears: Equipped with focus and iris gears compatible with follow focus systems.
Dual Focus Scales: Features both metric and imperial focus scales for versatility.
Improved Focus Ring: The MKII version often features an improved focus ring with increased rotation (around 270°) and more detailed markings compared to earlier versions.
Super 35 Coverage: Covers Super 35 sensors and often extends to open gate on cameras like the Arri Alexa Mini, with some lenses in the set offering coverage for larger sensors in certain crop modes.
Cost price for this setr is 43K and sale price is 49K
Owner is Yang Shao in USA, said Fred on Whatsapp
(r) 04/09/2025
14mm Nikkor D T2.9
18mm Nikkor D T2.9
24mm Nikkor AI-s T2.1
28mm Nikkor AI-s T2.1
35mm Nikkor AI-s T1.5
50mm Nikkor AI-s T1.3
58mm Noct-Nikkor AI-s T1.3
85mm Nikkor AI-s T1.5
105mm Nikkor AI-s T1.9
135mm Nikkor AI-s T2.1
180mm Nikkor AI-s T2.9
Comes in 2 x Hard plastic 6 hole cases with laser cut foam inserts (GL Optics).
Manual Focus: These lenses require manual focusing by rotating the focus ring.
Aperture Ring: They have a physical aperture ring on the lens barrel that allows you to manually set the lens aperture. This is a key feature that distinguishes them from many modern Nikon lenses (G-type) that lack an aperture ring.
F Mount: They are designed for Nikon’s F mount, which has been used for decades on their SLR and DSLR cameras. AI-s lenses can be used on many Nikon cameras, including some modern DSLRs (though often with manual focus and aperture control only).
Improved Aperture Control: The “s” in AI-s indicates a further refinement in how the aperture is controlled, making them more compatible with certain Nikon camera features like programmed auto and shutter-priority exposure modes (on cameras like the Nikon FA).
Orange Minimum Aperture: A common visual cue for AI-s lenses is that the smallest aperture number on the lens (the largest f-stop number) is often marked in orange.
Many different focal lengths and maximum apertures were produced in the Nikon Nikkor AI-s series, and they are still popular today for their solid build quality, excellent optics, and manual control.
Assuming a 10% commission (8,800) we are hoping to list these on the site at $88 000 USD
Alex Fensham (he/him)
General Manager
HABIBI Film Rentals
151 Sterling Road, Studio 3,
Toronto, ON. M6R 2B2
(647) 447-6166 (r) april 2025
https://www.habibifilmrentals.com
14mm T2.8
20mm T2.9
24mm T1.5
28mm T2.1
35mm T2.1
45mm T1.5 (Yashica)
55mm T1.3
85mm T1.3
135mm T2.1
Comes in 2 x Hard plastic 6 hole cases with laser cut foam inserts (GL Optics)
The Canon FD GL Optics Rehoused Lenses are vintage Canon FD still photography lenses that have been meticulously rebuilt and modernized by GL Optics for professional cinema use. These lenses retain the sought-after optical characteristics of the original Canon FD glass, known for its pleasing warm tones, smooth rendering, and distinctive flares, while incorporating robust, industry-standard mechanics. Often compared to the classic Canon K35 lenses due to shared visual qualities, the FD lenses typically offer a slightly cooler and more contrasty image and are generally more accessible in price.
10% 10,300 so Cost price is USD $ 92,700 FOB
Alex Fensham (he/him)
General Manager
HABIBI Film Rentals
151 Sterling Road, Studio 3,
Toronto, ON. M6R 2B2
(647) 447-6166
https://www.habibifilmrentals.com
CANON 14mm EF F2.8 L II USM
CANON 24mm EF F1.4 L II USM
CANON 35mm EF F1.4 L II USM
CANON 50mm EF F1.2 L II USM
CANON 85mm EF F1.2 L II USM
CANON 135mm EF F2 L II USM
Canon EF (Electronic Focus) lenses are a comprehensive line of lenses compatible with Canon’s full-frame and APS-C DSLR cameras (with a crop factor). Introduced in 1987 with the EOS system, they feature an electronic mount for autofocus and aperture control. The EF mount has a 54mm internal diameter and a flange focal distance of 44mm. This design allows for a wide variety of lens designs and has been a cornerstone of professional and enthusiast photography for decades. While Canon has introduced the RF mount for its mirrorless systems, EF lenses can still be used on EOS R cameras with an adapter, preserving their functionality.
We could sell this set in 3,500 x 6 USD $ 21,000 FOB and then get a cost price from the owner Chant in Lebanon
Includes:
Silent ARRIFLEX 535 B
Integrated Color Video Assist IVS PAL
Finder Extender
(2x) Magazines 400 FT
(2x) Magazines 1000 FT
Ground Glass
The Arriflex 535B is a renowned 35mm film camera, highly regarded for its reliability and versatility in professional filmmaking. Here’s a concise overview:
Key Features and Benefits:
Robust and Reliable: Designed for demanding production environments, ensuring consistent performance.
Versatile Application: Suitable for studio and location shooting, including feature films, commercials, and music videos.
Precise Film Movement: Offers accurate and stable film transport, crucial for high-quality images.
Adjustable Shutter: Allows for precise control over exposure and motion blur.
Wide Range of Accessories: Compatible with various lenses, magazines, and support systems.
Crystal Sync Speed: providing accurate frame rates.
Cost 20K
[email protected]
Chant Etyemezian
Tel. 9611491850 / +9613250641
Lebanon (r) 04/03/2025
Includes: 12 lenses and 5 special Leica Diopters (MacroLux), shims and cases for 1 or 2 or 3 or 4 or 6 lenses
Summilux-C 16mm T1.4
Summilux-C 18mm T1.4
Summilux-C 21mm T1.4
Summilux-C 25mm T1.4
Summilux-C 29mm T1.4
Summilux-C 35mm T1.4
Summilux-C 40mm T1.4
Summilux-C 50mm T1.4
Summilux-C 65mm T1.4 (Macro)
Summilux-C 75mm T1.4
Summilux-C 100mm T1.4
Summilux-C 135mm T1.4
The Leitz Summilux-C lenses are a renowned series of prime cine lenses known for their exceptional optical performance, compact size, and fast T1.4 aperture across the entire range. Designed for Super 35mm sensors (with a 33mm image circle), they offer consistent color and contrast, ensuring smooth transitions between focal lengths. Their telecentric design and aspherical elements minimize chromatic aberrations, color fringing, and distortion while providing even illumination. A patented cam-driven focus mechanism ensures durability and virtually eliminates focus breathing. The lenses feature a long 300° focus rotation with consistent markings and shared focus/iris ring positions, facilitating efficient operation on set. With a uniform 95mm front diameter (except the 135mm), they streamline the use of matte boxes and other accessories. The Summilux-C lenses are prized for their “creamy sharpness,” delivering detailed images with natural skin tone rendition and pleasing bokeh. Available in focal lengths from 16mm to 135mm, they are a top choice for cinematographers seeking uncompromising image quality and production efficiency.
Fast T1.4 Aperture: Consistent across the range for excellent low-light performance and shallow depth of field.
Compact and Lightweight: Smaller and lighter than comparable lenses, facilitating easier handling and rigging.
Consistent Color and Contrast: Ensures seamless intercutting between different focal lengths.
Telecentric Design: Provides uniform brightness across the sensor and reduces edge darkening.
Aspherical Elements: Minimize aberrations, distortion, and color fringing.
Cam-Driven Focus: Durable, precise, and virtually eliminates focus breathing.
Long Focus Rotation (300°): Allows for accurate and repeatable focus pulls.
Consistent Focus Marks: From 6 feet to infinity across all focal lengths.
Shared Ring Positions: Focus and iris rings are in the same location on each lens for quick lens changes.
Uniform Front Diameter (95mm): Simplifies the use of lens accessories.
Creamy Sharpness: High resolution with a natural and pleasing rendering, especially for skin tones.
Super 35 Coverage: Minimum 33mm image circle covers Super 35 sensors without vignetting.
PL Mount: Industry-standard mount for professional cinema cameras.
Cost : $ 200,000 Dollars
Owner Carlo Rho
[email protected]
Mob: +34 646 728 412
Spain (r) 03/31/2025
Cooke SP3 25mm 2.4t
Cooke SP3 32mm 2.4t
Cooke SP3 50mm 2.4t
Cooke SP3 75mm 2.4t
Cooke SP3 100mm 2.4t
The Cooke SP3 series is a set of prime lenses optimized for full-frame mirrorless cameras, designed to bring the classic “Cooke Look” to a wider range of filmmakers. Inspired by the legendary Speed Panchro lenses, the SP3 series offers a blend of vintage aesthetic with modern optical and mechanical design.
Classic Cooke Look: Delivers the renowned Cooke aesthetic with pleasing skin tones, subtle sharpness, and a gentle focus fall-off, providing a heightened sense of dimensionality and realism.
Optimized for Mirrorless: Specifically designed to be compact and lightweight, making them ideal for use with mirrorless cameras, gimbals, and drones.
Full-Frame Coverage: Covers full-frame sensors (43.3mm image circle) and is also compatible with Super35 formats.
Fast Aperture: All lenses in the series feature a consistent T2.4 aperture across the range (T2.4-T16).
User-Changeable Mounts: Offers interchangeable mounts for Sony E (fitted), Canon RF, Leica L, and Leica M (L and M mounts available as accessories), providing versatility across different camera systems.
Matched Color and Flare Control: Features specialized cinematic optical coatings that ensure consistent color rendition across the set and controlled flare.
Smooth Bokeh: The all-spherical design contributes to a smooth and round bokeh.
Shared Architecture: Consistent positioning of focus and iris drive gears (0.8 MOD) across the 25mm to 75mm lenses allows for quick lens changes without needing to reposition motors.
Dual Focus Scales: Non-linear focus scales with both imperial and metric markings for precise focus pulling.
Robust Build: Features a tough anodized shell for durability in demanding shooting conditions.
Nine-Leaf Iris: Equipped with a nine-leaf iris for smooth and pleasing out-of-focus highlights.
Compact Size and Weight: Lenses are lightweight (ranging from approximately 500g to 690g depending on focal length) and compact in size.
Matched to Panchro/i Classic: Designed to complement the Cooke Panchro/i Classic series, making them suitable as B or C camera lenses.
Cost USD $ 19.000 – Adam needs to lower this cost price with owner
Owner: Jeriel Yordan
Email: [email protected]
Telephone: 7574062069
Afghanistan (r) 03-31-2025
Wireless HD Video:
Transmits uncompressed 1080p60 video.
Up to 300 feet of transmission range.
Near-zero latency (<1ms).
Connectivity:
3G-SDI and HDMI inputs/outputs.
USB 3.0 GRAB Engine for direct computer ingest.
Reliability:
Operates on the license-free 5GHz frequency.
Robust wireless performance.
Multicast capable up to 4 receivers.
Professional Features:
Supports metadata and timecode.
Internal Antennas.
COST: We will offer him 400 Euros
Peeter Järvelaid <[email protected]>
producer
+372 5011711
augustfilms.com
Soo4, Tallinn, Estonia
(R) 03/28/2025
HOURS 1379
Licenses: Full-Frame, Anamorphic, High Frame Rate, Rialto
VENICE CAMERA BODY
AXS-R7 4K RAW RECORDER
SONY VENICE RIALTO EXTENSION UNIT + 9′ CABLE
PL MOUNT
OLED VIEWFINDER
A-BOX
ARRI VENICE CAGE with BPA-5, TOP HANDLE CCH-4, SIDE BRACKETS, BP-9
ARRI 12″ DOVETAIL
CORE SWX HLX-VAN-GP BATTERY PLATE FOR SONY VENICE
SONY DUAL AXSM AND SXS CARD READER (ASX-AR1)
SONY SXS USB CARD READER
SONY AXSM CARD READER
WOODEN CAMERA 15V POWER SUPPLY (4-PIN XLR FEMALE)
INNERSPACE CUSTOM HARD CASE
(5) 512GB SONY AXSM MEMORY CARDS
(4) 240GB SONY SXS PRO X CARDS
TILTA RIALTO BACKPACK CHEESEPLATE AND VEST
18″ 15MM METAL ROD
12″ 15MM METAL ROD
18″ 19MM METAL ROD
Full-Frame Sensor: Large 36x24mm sensor for cinematic imagery, shallow depth of field, and wide aspect ratio support.
High Resolution: Up to 6K resolution capture for detailed images.
Dual Base ISO: Excellent performance in various lighting conditions with ISO 500 and ISO 2500.
Wide Dynamic Range: Over 15 stops of latitude for capturing detail in highlights and shadows.
Flexible Lens Mounts: Supports both PL (industry standard) and E-mount lenses.
Built-in ND Filters: Servo-controlled 8-step mechanical ND filters (0.3 to 2.4) for quick and easy exposure control.
Rialto Extension: Detachable sensor block for enhanced shooting flexibility in challenging environments.
No Image Quality Loss with Rialto: Maintains the full 6K image quality and functionality when using the extension.
Enhanced Mobility: Ideal for gimbals, handheld, and specialized rigging.
Additional Outputs: Rialto adds HD-SDI and power outputs for accessories.
Multiple Recording Formats: Internal recording in XAVC, ProRes, and external RAW/X-OCN options.
Advanced Color Science: Accurate and pleasing color reproduction with S-Log3 gamma.
Intuitive Operation: User-friendly interface with displays on both sides for operator and assistant.
Cost: 26,995.00
Nathan Thompson –
“Nathan Thompson” <[email protected]>
615-693-9917
Shipping from Nashville, TN
(R) 03-28-2025
Super 35mm CMOS Sensor: Delivers cinematic depth of field and excellent low-light performance.
E-Mount Lens System: Provides compatibility with a wide range of Sony and third-party lenses. The lever lock type E-mount offers enhanced robustness.
Built-in Electronic Variable ND Filter: Allows for smooth and precise exposure control without affecting depth of field.
Enhanced Ergonomics: Features a tool-less design for adjusting the SmartGrip and viewfinder, offering greater comfort and flexibility during handheld shooting.
4K/QFHD High Frame Rate Recording: Supports internal recording in 4K (4096 x 2160) up to 60p and Full HD up to 180fps.
Dual XQD Card Slots: Enables extended recording times and simultaneous or relay recording.
10-bit 4:2:2 XAVC-I and XAVC-L Recording: Provides high-quality internal recording formats suitable for professional workflows.
RAW Output Option: Allows for external recording of 12-bit RAW with compatible recorders.
Multi-Interface (MI) Shoe: Supports power and control of compatible Sony accessories like microphones and lights.
User LUT Support: Enables the application of custom Look Up Tables for on-set monitoring and creative looks.
Cost Reduced 1,428.57 net from 1,785.71 – 20% is (-357.14)
Nook Digital Factory Korea
(R) 03-28-2025
The Canon Optex 200mm t1.8 is a fast, high-quality telephoto prime lens adapted for professional film and digital cinematography. Originally likely a Canon FD mount lens, it has often been rehoused with a PL mount for compatibility with industry-standard cinema cameras. Its wide t1.8 aperture makes it exceptional in low light and allows for a very shallow depth of field, creating a beautiful bokeh effect. The “t” stop (transmission stop) is a more accurate measurement of light transmission through the lens than the f-stop, which is a theoretical calculation. This lens is prized for its sharpness and is a sought-after piece of equipment in the used market.
Fast t1.8 Aperture: Excellent low-light performance and shallow depth of field.
Telephoto Focal Length (200mm): Ideal for capturing distant subjects with a narrow field of view, creating separation and focus on the subject.
High Optical Quality: Known for sharpness and pleasing image rendition.
Often Rehoused for Cinema Use: Many available versions feature robust PL mounts and industry-standard focus and iris gears.
Desirable Bokeh: The wide aperture and optical design contribute to a smooth and aesthetically pleasing out-of-focus background.
Euros.: 6000
Owner: Ben Battersby
Company Name: EDB
Email: [email protected]
Telephone: 5491160266228
Madrid, Spain
(R) 03-28-2025
The Laowa Pro2be Set of 3 is an innovative and versatile cine lens kit designed for capturing unique perspectives, especially in macro cinematography. It includes three distinct 24mm T8 lenses: a Direct View (0°), a 35° View, and a 90° Periscope View module. These lenses offer 2x magnification, a waterproof front barrel (up to 36.6cm), and a close focusing distance of just 4mm, enabling extreme close-ups with impressive detail and a wide depth of field due to their wide-angle design. The lenses feature long, tubular, and adjustable barrels, allowing users to shoot in previously inaccessible locations and achieve creative angles. They are constructed with high-quality optics for sharp images and accurate color rendition and come with interchangeable mounts (PL, EF, RF, Z, E, L). The set is ideal for various applications, including wildlife, food, product, and miniature videography, as well as special effects in narrative filmmaking and commercials.
Three Unique Perspectives: Includes 0° direct view, 35° tilted view, and 90° periscope view modules for diverse shooting angles.
2x Magnification: Allows for extreme close-up shots revealing intricate details.
Wide Angle of View: Provides a greater depth of field at close distances compared to telephoto macro lenses.
Waterproof Front Barrel: Enables shooting in and out of water and protects against dust and debris (up to 36.6cm).
Long, Tubular, and Adjustable Barrels: Facilitates reaching unique and difficult angles and spaces.
Fast T8 Maximum Aperture: Allows for better light gathering and freezing motion.
High Image Quality: Advanced optical design minimizes diffraction and enhances sharpness and color accuracy.
Full Frame Coverage: Compatible with both standard 35mm full-frame and Super 35 sensors.
Interchangeable Lens Mounts: Offers compatibility with various professional cinema cameras (PL mount default, with options for EF, RF, Z, E, L).
Robust Cine Housing: Features continuously variable aperture rings and standardized 0.8 MOD gears for focus and aperture control.
Cost 7500 Euros
Robert Schulzmann <[email protected]>
ALTGLAS Rental – Berlin
+49 1797555076 (r) 03-27-2025
Fast T2.0 Aperture: Allows for excellent low-light performance and shallow depth of field.
“Cooke Look”: Renowned for its warm, pleasing image rendition and smooth bokeh.
Super 35 Coverage: Designed to cover Super 35mm sensors, a widely used cinema format.
Close Focus: Offers a very close minimum focus distance, enhancing creative possibilities.
/i Technology: Provides lens metadata for precise recording of focus, aperture, and other settings.
High Optical Performance: Superior control of flare, distortion, and spherical aberrations.
Robust Build: Designed for professional use, ensuring reliability and durability.
Cost 16,000 Euros
Peeter Järvelaid <[email protected]>
producer
+372 5011711
augustfilms.com
(r) 03-27-25
Atlas Orion A 40mm
Atlas Orion A 40mm
Atlas Orion A 100mm
The Atlas Orion Anamorphic lenses are a series of cinema lenses designed to deliver a classic anamorphic aesthetic. They are known for their distinct look, which includes wide aspect ratios, characteristic flares, and oval bokeh. These lenses have gained popularity among filmmakers seeking the anamorphic look without the high cost associated with vintage or high-end modern anamorphic lenses. They are built with modern manufacturing techniques, offering reliability and durability for professional use.
Classic Anamorphic Look: Produces the distinctive widescreen aspect ratio, horizontal flares, and oval bokeh characteristic of vintage anamorphic lenses.
Modern Build Quality: Designed for contemporary filmmaking with robust construction and reliable mechanics.
Relatively Affordable: Compared to many high-end anamorphic options, the Orion series offers a more accessible entry point.
Consistent Performance: Maintains consistent optical characteristics across the lens set.
Interchangeable Mounts: Adaptable to various camera systems.
Pleasing Skin Tones: Designed to render natural and flattering skin tones.
Cost: 15,500 Euros
Owner; Peeter Järvelaid <[email protected]>
+372 5011711
augustfilms.com (R) 03-27-2025
ZEISS SUPERSPEED UNCOATED MKIII T1.3 18mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 25mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 35mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 50mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 85mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 135mm
Key Features and Benefits:
Extremely Fast Apertures: Primarily T1.3, allowing for shallow depth of field and excellent low-light performance.
Uncoated Front Element: Produces unique flares and lower contrast, often desired for a vintage or cinematic look.
PL Mount: Industry-standard mount ensuring compatibility with professional cinema cameras.
MkIII Design: Represents a later iteration of the Super Speed series, often incorporating refinements in mechanics and build quality.
Compact and Lightweight: Relatively small and easy to handle on set.
Distinctive Image Character: The uncoated front contributes to a softer, more organic look with enhanced flares.
Popular for Vintage Aesthetic: Highly sought after for achieving a classic filmic style.
Cost : 65000€
From: Mathieu Lalande <[email protected]>
Atlas Mercury A 36mm
Atlas Mercury A 42mm
Atlas Mercury A 72mm
Full-Frame Coverage: Designed for full-frame sensors (36.7mm x 25.54mm) and compatible with various aspect ratios (16:9, 3:2, 4:3) with easy delivery to 2:1, 2.25:1, 2.66:1, and 2.4:1.
1.5x Anamorphic Coefficient: Provides a balance of the classic 2x Cinemascope look (oblong bokeh, barrel distortion, shallow depth of field) with a more manageable size and weight.
Vintage Geometric Personality: Offers exceptional optical performance with character, color, and clarity, featuring pleasing barrel distortion, painterly oval bokeh, and dynamic golden streak flares with near-zero chromatic aberration.
Lightweight and Compact: Approximately half the size and weight of most professional anamorphic lenses, enhancing versatility for various shooting scenarios, including handheld and gimbal work.
Professional Usability: Features an Arri PL mount compatible with professional cinema cameras and mirrorless cameras via PL adapter. It has unified focus and iris positions for quick lens changes and standardized 0.8 pitch gears and a 95mm front diameter for compatibility with standard cinema accessories.
Optimized for Film and Digital Sensors: Designed to perform exceptionally well with both traditional film and modern digital cinema cameras.
Crisp Image and Pleasing Skin Tones: Delivers sharp and resolute images while being optimized to render a variety of skin tones beautifully.
Rick Darge is Asking $20k for the lenses. And $500 for the case.
for a New Atlas Mercury A set: 36 42 72 mm
[email protected] <[email protected]>
(R) 03-26-2025
Canon EF CN-E Cinema Prime 14mm
Canon EF CN-E Cinema Prime 24mm
Canon EF CN-E Cinema Prime 35mm
Canon EF CN-E Cinema Prime 50mm
Canon EF CN-E Cinema Prime 85mm
High Optical Performance:
Engineered for 4K resolution and high image quality.
Consistent color balance across the lens series.
Minimal focus breathing.
Professional Build:
Robust and durable construction for demanding production environments.
Unified 114mm front diameter and standardized gear positions for efficient lens changes.
Dust and water-resistant design.
Cinematic Qualities:
11-blade aperture for smooth, beautiful bokeh.
Precise manual focus with a 300° rotation.
Designed to produce a natural, cinematic look.
EF Mount Compatibility:
Compatible with Canon’s Cinema EOS cameras and EF-mount DSLRs.
Adaptable to RF mount cameras with adaptors.
Operational advantages:
Dual focus markings.
Ability to change focus markings from imperial to metric.
Cost
In Wastsapp on 03-25-25
P: 10000 EUR for me. 2000 EUR to you as commission if you sell it for 12K.
R: Ok…but we always Mark it up a Little more because clients always ask for discounts…thanks
P: You can mark it up
Peeter Järvelaid <[email protected]>
producer
+372 5011711
augustfilms.com – Soo4, Tallinn, Estonia (R) 03/25/2025
ALEXA 35 Production Set (15mm Studio).
ALEXA 35 camera body Serial No.: 65007.
ALEXA 35 Cine License.
ARRI LPL Mount (LBUS).
ARRI PL-to-LPL Adapter.
Balance Utility Dovetail.
B-Mount Adapter.
Multi Viewfinder MVF-2 Serial No.: 9149.
2 Cable VF Right Angle (0.5m/1.5ft).
Camera Power Cable.
Straight 2m/6.6inKC50.
Power Distribution Module PDM-1 Serial No.: 2981.
Production Support Set – Top, Side, Bottom (15mm).
Anton Bauer 26V Gold Mount+ Battery Plate for ARRI ALEXA 35.
Pelican Lite Travel Case w/ laser cut foam.
For an aditional you can add :
Alexa 35 Memory & Reader: 2TB Codex Compact Drives (6 units)
Codex Compact Drive Dock (TB3) Hours: 64:02. ————-
Key Features and Benefits:
Superior Image Quality:
New 4.6K Super 35 ARRI ALEV 4 CMOS sensor.
17 stops of dynamic range, significantly improved over previous ARRI models.
Enhanced low-light performance with higher sensitivity (EI 160 to 6400).
REVEAL Color Science for more accurate and nuanced color reproduction.
Advanced Recording Capabilities:
Versatile recording formats, including ARRIRAW and Apple ProRes.
Resolutions up to 4.6K and frame rates up to 120p.
New flexable licensing options, and cost effective codex media.
Enhanced Operational Features:
Stray light suppression for improved contrast.
Robust build quality and ergonomic design.
LPL lens mount, with PL to LPL adapter.
Flexable production options:
Base model with upgradable licenses.
Wide array of production set configurations.
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 35mm
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 50mm
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 75mm
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 100mm
Key Features and Benefits:
Classic Anamorphic Look: Delivers a vintage aesthetic with a 2x squeeze, characteristic oval bokeh, and distinct blue streak flares.
Organic Image: Offers a slightly softer, more forgiving image with medium contrast and a natural feel, avoiding a clinical sharpness.
Mirrorscope Rehousing: Modern rehousing by Mirrorscope addresses common issues of vintage lenses, providing improved mechanics for focus and matte box compatibility (non-rotating front).
Hawk C-Series Heritage: Based on the original Lomo Round Front lenses that formed the foundation of the renowned Hawk C-Series anamorphic lenses.
Versatile Focal Lengths: Typically available as a set with useful focal lengths like 35mm, 50mm, 75mm, and 100mm.
PL Mount: Features a professional PL mount for compatibility with a wide range of cinema cameras.
Enhanced Usability: Rehousing often includes standardized front diameters and improved focus mechanics for smoother operation.
Cost USD $ 85,000
Owner Nathan Thompson – Email: [email protected]
Telephone: 833-268-7278 – Nashville – USA
(R) 03/25/2025
Hours 1742
Venice 1
AXSM Recorder
Arri Top plate
Rialto in case with Arri Top Plate
4-516 cards
1-1TB
Card Reader
The Sony Venice 1 is a full-frame digital cinema camera renowned for its exceptional image quality, wide dynamic range (15+ stops), and versatile recording options. The Rialto extension system allows for the physical separation of the camera’s image sensor block from the main body.
Sensor Extension: Enables the sensor block and lens to be separated from the camera body by up to 18 feet (with an extension cable), providing unparalleled flexibility for shooting in tight spaces, on gimbals, handheld rigs, and underwater housings.
Uncompromised Image Quality: Maintains the original Sony Venice’s 6K full-frame sensor quality and features, including its Dual Base ISO (500 and 2500) and 8-step internal ND filters.
Enhanced Mobility: The separated image block is significantly lighter (around 4 lbs with PL mount, 3 lbs with E-mount), improving maneuverability for various shooting scenarios.
Retained Functionality: All advanced features of the Sony Venice 1 are fully functional when used with the Rialto, including its wide color space and recording formats.
Added Connectivity: The Rialto system adds an HD-SDI output and 12V/24V power output at the sensor block, facilitating the use of on-camera monitors and powering accessories.
Flexible Lens Mounts: The Venice 1 supports both PL and E-mount lenses, offering compatibility with a vast range of professional cinema lenses.
We offered him USD $ 18,500
Ralph Linhardt,SDG
Theophany Films, Inc
949.533.1972
[email protected]
RalphLinhardt.Com
03/25/2025 (r)
1 ARRI ALEXA 35 CAMERA KIT
1 Arri Alexa 35 4.6K S35 Camera Body
1 Arri Alexa MVF-2 HD Oled Viewfinder
2 Arri MVF-2 Viewfinder Cable Right Angle-18IN/0.45M
2 Codex Compact Drive 2TB
1 Codex Compact Drive 2TB
1 Codex Compact Drive Dock (TB3)
1 AC Power Supply 12V For Codex Compact Drive Dock(TB3)
1 Thunderbolt 3 Cable 40 GBPS
1 Arri LPL Mount For Alexa Mini LF/Alexa 35
1 Arri PL to LPL Adapter Mount
1 Arri Viewfinder Mounting Bracket VMB-5
1 Arri Center Camera Handle CCH-5
1 Arri Square Accessory Sleeve SAS-1/SAS 2
1 Arri Low Mode Support LMS-4 Top Plate
1 Arri Top Extension Braket TEB-1
1 Arri Camera Side Bracket CSB-1R
1 Arri Canmera Side Bracket Extension CSB-1R
1 Arri Camera Side Bracket CSB-1L
1 Arri Balance Utility Dovetail BUD-1
1 Arri 12IN/300MM Dovetal Bottom Plate
1 Arri Power Distribution Module PDM-1
1 Anton Bauer Gold-Mount Plus Battery Plate
1 AC Power Supply 24V/-220W 3-PIN XLR (Alexa)
1 Arri Alexa Power Cable ( Straight ) KC-50 – 3 Pin XLR
1 Arri Rod Mounting Bracket RMB-7
1 Arri Articulated Mountaing Plate AMP-1
2 Stub Antenna For Mini LF/Alexa 35
1 Short Swivel Antenna For Arri Alexa Cameras
1 Wooden Camera A-Box For Arri Alexa Mini LF/Alexa 35
1 USB-C/-A Transcend 64GB Thumb Drive for Alexa 35
1 Arri Compact Bridge Plate CBP-6 15mm
1 Arri Alexa 35 Pelican Air Case
Enhanced Dynamic Range:
Offers 17 stops of dynamic range, providing exceptional detail in both highlights and shadows.
Superior Color Science:
Features ARRI’s REVEAL Color Science for accurate and nuanced color reproduction.
Improved Low-Light Performance:
Delivers very low noise and high sensitivity, enabling high-quality images in challenging lighting conditions.
Flexible Recording Options:
Provides a wide range of recording formats, including ARRIRAW and various ProRes options.
Creative Control:
ARRI Textures allow for in-camera creative control over grain and sharpness.
Modular and Robust Design:
The camera is designed to be robust, and adaptable to many shooting situations.
Base Model Availability:
ARRI has released a base model of the ALEXA 35, that utilizes feature liscensing, making the camera more accessible.
Agent: DANNY SALDANA
Email: [email protected]
Phone: (818) 636-1775
(R) 03-24-2025
Cooke 5i 18mm
Cooke 5i 25mm
Cooke 5i 32mm
Cooke 5i 40mm
Cooke 5i 50mm
Cooke 5i 65mm
Cooke 5i 75mm
Cooke 5i 100mm
Key Features and Benefits:
Superior Optical Performance: Designed for maximum performance at full aperture (T1.4).
Exceptional control of flare, distortion, and spherical aberration.
Precise Control: Labeled index marks for detailed focus control.
Smooth cam-type focus mechanism.
Enhanced Usability: Patented, dimmable, illuminated focus ring for low-light conditions.
Consistent 110mm front diameter across the series.
/i Technology: Provides critical lens metadata for VFX and post-production.
provides information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance.
Color Matching: Color-balanced to match other Cooke lenses.
Robust Build: Durable, scratch-resistant finish.
Cost 50,0000 Proposed by us
Marcelo Prosdocimo <[email protected]>
t comes with the ground glass in it which appears to be standard 16:9.
And there’s a spare ground glass in an Arri case for TV crop frame lines from the gate.
GROUND GLASS is compatible with the 35mm ARRI 2C camera.
Stanley Kubrick not included.
The ARRI Director’s Viewfinder is a crucial tool for filmmakers, allowing directors and cinematographers to preview shots and lens choices without needing a full camera setup. Here’s a concise overview:
Key Features and Benefits:
Lens Preview:
Enables accurate framing and composition assessment using various lenses.
Allows for visualization of the shot before camera setup.
Ground Glass Viewing:
Provides a clear, direct view of what the lens sees.
Offers compatibility with numerous 35mm formats.
Portability:
Compact and handheld, facilitating on-location scouting and planning.
Allows for quick and easy shot composition checks.
Professional Standard:
It is a industry standard tool, used by many professional directors and D.O.P’s.
Flexibility:
Ground glass can be changed to match different camera aspect ratios.
PRICE: $1,500 OBO
Noah Elliott Morrison <[email protected]>
Angenieux Optimo Ultra Compact 37-102mm Zoom Lens Full Pack (U35 + FF Rear Optics)
Full-Frame Coverage:
Designed for modern full-frame and VistaVision sensor cameras.
Compact and Lightweight:
Engineered for portability and ease of use on set.
High Image Quality:
Delivers the classic “Angenieux look” with excellent color, contrast, and resolution.
T2.9 aperture.
Precision Mechanics:
Features a robust build with precise zoom and focus mechanisms.
310° focus barrel rotation.
Versatility:
Interchangeable Rear Optics (IRO) for future compatibility.
Cooke /i metadata.
Durable:
Designed to withstand a wide range of shooting conditions.
close focus of 2ft.
Cost: $48,500
From: Amanda Bickmore <[email protected]>
Amanda Crane
801-903-8195 (r) April 2025
Includes:
DSMC2 GEMINI 5K S35 Body Set_01
As shown in the photos, 480GB SSD x 4, Card Reader
The RED DSMC2 GEMINI 5K S35 camera is a high-performance digital cinema camera known for its exceptional low-light capabilities and versatility.
Dual Sensitivity Sensor: Offers “Standard” and “Low Light” modes, providing flexibility in various lighting conditions. Enhanced low-light performance with reduced noise.
5K Super 35 Sensor: Captures high-resolution imagery with impressive dynamic range (up to 16.5 stops).
DSMC2 Platform: Modular design for customizable configurations. Compatibility with a wide range of accessories.
REDCODE RAW: High-quality, efficient RAW recording.
High Frame Rates: Allows for high frame rate recording, for slow motion capabilities.
Old cost 11,074.43 minus 20% (2,214.89) New cost 8,859.54
Korea: Nook
Includes:
Camera Body
Red mini mag 960 GB x 4
Mini mag reader x 1
C-type cable x 1
Sliding Baseplate x 1
19mm rod x 2
Multi D-tap x 1
Body D-tap Power Cable x 1
Touch Screen Monitor Cable x 1
5” Touch Screen Monitor x 1
Noga Arm x 1
The RED Helium 8K is a high-resolution digital cinema camera known for its exceptional image quality.
- 8K Super 35 Sensor: Provides extremely high resolution (8192 x 4320 pixels) for detailed imagery.
- High Dynamic Range: Offers 16.5+ stops of dynamic range, capturing a wide range of light and shadow detail.
- REDCODE RAW:Utilizes RED’s proprietary RAW format for flexible post-production.
- High Frame Rates: Capable of recording high frame rates for slow-motion effects, especially at lower resolutions.
- Modular Design: The DSMC2 system allows for a customizable setup with various modules and accessories.
- Multi format recording: Records REDCODE RAW, Apple Prores, and DNxHR-DNxHD.
Nook – Korea
New Reduced Cost 6,171.43
Adam said: thats fine just add $2k to it
(r) 03-20-2025
Cooke S4i 18mm
Cooke S4i 25mm
Cooke S4i 32mm
Cooke S4i 50mm
Cooke S4i 75mm
Cooke S4i 100mm
Includes: – 2 x 4-Hole Lens Case
“Cooke Look”:
Known for warm, natural color rendition and smooth, pleasing skin tones.
Provides a classic, cinematic aesthetic.
Optical Performance:
Excellent control of flare, distortion, veiling glare, and spherical aberrations, even at wide apertures (T2).
Consistent color matching across all focal lengths.
/i Technology:
Provides lens metadata (focus distance, aperture, etc.) to the camera, aiding in on-set and post-production workflows.
Mechanical Design:
Robust and durable construction.
Smooth, precise focus adjustments.
Modular construction for easier maintenance.
Wide Aperture:
T2 aperture, allowing great low light performance, and a shallow depth of field.
Exceptional Image Quality: Delivers high resolution, high contrast, reduced flare, and vibrant colors.
Macro Capability: Offers a 1:1 magnification ratio for detailed close-ups.
Optical Design: Novel optical design optimized for close-up work.
Versatile Aperture: Wide T-stop range (T2.0 to T32) for precise depth of field control.
Ergonomics: Long focal length provides greater distance to the subject.
Lens Data System (LDS): Provides T-stop compensation and optional electronic exposure compensation.
Compatibility: Super Color Matched to other ARRI lenses.
SOLD – cost 17,857.14 – SOLD
owner : Nook Digital Factory Korea
The ARRI Alexa XT Plus is a high-end digital cinema camera known for its exceptional image quality and versatility, making it a popular choice in the professional film and television industry. It builds upon the original Alexa XT with extended features and capabilities.
Discounted cost on 03-20-2025:
7,142.86 – 20% (1,428.57 ): 5,714.29
Sale USD $ 12,250 FOB / New Price 11,000
—-
We Offer Cost : 7,000 dollars
Ownwer: Nook – Digital Factory – Korea
R – 03-18-2025
Leica R Cinescope/TLS 19mm
Leica R Cinescope/TLS 24mm
Leica R Cinescope/TLS 28mm
Leica R Cinescope/TLS 35mm
Leica R Cinescope/TLS 50mm
Leica R Cinescope/TLS 80mm
Leica R Cinescope/TLS 100mm macro
Leica R Cinescope/TLS 135mm
Leica R lenses, especially when rehoused by TLS (True Lens Service) for cinema use, are popular for their ability to work with full-frame digital cinematography cameras. They are known for producing a distinct visual character with sharp resolution, good contrast, and subtly warm colors, along with a smooth bokeh.
Enhancements Through Rehousing
The rehousing process by TLS significantly improves the lenses’ functionality for modern filmmaking. This includes features like expanded focus rotation for precise focus pulling, smoother aperture control, a robust PL mount, and durable housing that eliminates backlash. The gearing is also standardized for compatibility with cinema lens control systems.
Specific Models and Coverage
Several specific Leica R lens models are being rehoused, covering a range of focal lengths from wide-angle to telephoto. These rehoused lenses are designed to cover Super 35mm and Full Frame formats, with some even capable of covering the Vista Vision sensor. They often feature improved close focus and maintain the original Leica optical quality.
Cost: Euros.: 77000 EUROS
owner Moritz Uthe
Email: [email protected]
Telephone: +436645878534
City: Vienna (r) 03-17-2025
Angenieux HR 7-81mm t/2.4 Legendary s16 high contrast (HD) zoom super 16mm 5.3-61mm B4 T/1.9
This lens is SHARP and with the PL Mount (MTF brand adapter) it loses less than 1 stop.
It fully covers s16 throughout the range.
The benefit of the B4 model is the ability to change back focus with one quick touch for different camera mounts and this PL adapter is top of its class for optical clarity and correcting the B4 chip design.
COST PRICE: $7k
Noah Elliot
[email protected] Tel. +01-248-842-9956
(R) 03/17/2025
Large Image Circle:Covers sensors up to ARRI ALEXA 65, offering versatility across various sensor sizes (VistaVision, Super 35).
Dimensionality:Provides a gradual focus fall-off curve, creating a sense of depth and dimensionality.
Analogue Look:Delivers a film-like aesthetic with smooth, forgiving focus and natural skin tone rendition.
Cinematic Bokeh:Features a circular iris design for a pleasing, character-rich bokeh effect.
Precision Engineering:They are built with high quality materials, and designed for professional cinema use.
Lens Mount Versatility:Available in PL mount, and also LPL mount, increasing compatability with professional cinema cameras.
COST: $57,500
Frank Shaw Hong Kong
(r) 03-17-2025
The Arri Super 16 Vario-Sonnar 11-110mm T2.2 is a high-quality zoom lens designed for Super 16mm film cameras. Manufactured in cooperation with Zeiss, it delivers exceptional optical performance, making it a favorite among filmmakers. Its wide zoom range and fast aperture provide flexibility and creative control in various shooting conditions. The lens is known for its sharpness, clarity, and robust construction, making it a reliable tool for professional film production.
Key Features and Benefits:
Versatile Zoom Range: 11-110mm provides a wide range of focal lengths, suitable for diverse shooting scenarios.
Fast T2.2 Aperture: Allows for excellent low-light performance and shallow depth of field.
Super 16 Format: Designed specifically for Super 16mm film, ensuring optimal image quality.
High Optical Quality: Zeiss optics deliver sharp, clear images with minimal distortion.
Robust Build: Engineered for professional use, offering durability and reliability.
Industry Standard: Widely used and respected within the film industry.
Cost: 4,500 Dollars
Richard Grell | Founder & CEO
+41 79 322 44 55
Email [email protected]
Switzerland (r) 03-13-2025
The Angenieux HR 7-81mm T2.4 Zoom is a high-quality Super 16mm zoom lens renowned for its optical performance and versatility within the cinematography world. Here’s a summary:
Key Features and Benefits:
Constant T2.4 Aperture: Provides consistent exposure and shallow depth of field throughout the zoom range.
Wide Zoom Range: 7-81mm focal length offers flexibility from wide-angle to telephoto shots.
High Resolution: Designed for sharp imagery, suitable for high-resolution sensors.
Super 16mm Lens: Created for the super 16mm film format.
Professional Cinematography: a very well respected lens, that is used in professional film making.
Cost US$ 9,500
Owner Richard Grell / +41 79 322 44 55
Switzerland
Email [email protected] / (r) 03-13-2025
Cooke Panchro Full Frame Classic 18mm
Cooke Panchro Full Frame Classic 25mm
Cooke Panchro Full Frame Classic 32mm
Cooke Panchro Full Frame Classic 50mm
Cooke Panchro Full Frame Classic 75mm
Cooke Panchro Full Frame Classic 100mm
Classic Cooke Look: Designed to replicate the warm, organic, and flattering aesthetic of the original Cooke Speed Panchro lenses.
Full-Frame Coverage: Optimized for modern full-frame and large-format sensors, ensuring broad compatibility.
Smooth Bokeh: Delivers a pleasing and creamy out-of-focus rendering.
Controlled Flare: Offers a distinctive, yet manageable flare characteristic.
Excellent Skin Tones: Renowned for their ability to render natural and flattering skin tones.
Consistent Performance: Maintains optical consistency across the entire range of focal lengths.
Durable Build: Constructed to withstand the rigors of professional filmmaking.
High Resolution: While maintaining the classic look, they are designed to resolve high resolution images.
Im asking $69,000
From “Travis Auclair” <[email protected]>
(R) 03-10-2025
Including:
Aaton X camera body (3-75fps, adjustable mirror shutter, fibre optic viewfinder), fully serviced May 2024
Heated eyepiece
Zoom extension eyepiece
Original wooden handgrip, bracket, and cable
Port and gate caps
Viewfinder and shutter tools (in handle)
6x steel 15mm threaded rods (various lengths)
Fibre optic ground glasses:
Open gate 1.66 (1.66 Full + 1.66 Projection)
Open gate with 2.35 and 1.78 (2.35 Full + 1.78 Full)
1.78 with 4:3 “TV Safe” (1.78 Scan + TV Safe)
Magazines:
5x Aaton 400ft magazines (2 second-generation lightweight, 3 XTR), serviced with new cores and new laser-cut mag indicators
Batteries & Power:
4x Aaton NiMH batteries (freshly recelled)
Aaton charger (CHA-3)
More than 5 spare fuses (only ever blow when faulty accessories or heavy rain)
Charnwood Movements Modifications:
Front cage fitted
Camera cage module fitted
Grip attachment fitted
Monitors:
Transvideo 3.5” Starlight monitor with cable
Transvideo Rainbow II 5” monitor with Peli case and cable
Additional Accessories:
Heated eyepiece cable
Laser-cut Peli case (fits 5 primes, 1 zoom, 2 magazines, body, 4 batteries, charger, zoom eyepiece, mini monitor, accessories)
Steel case for 3 of the 400ft magazines
Aaton Lemo6 to 4-way D-Tap splitter
Cost: GBP 28K
‘Isaac Eastgate’ <[email protected]>
-Focal Length Range: 8mm
-T-Stop Range: T3.2-T22
-Close Focus: 10”
-PL Lens Mount
-Lens Weight: 2.4 pounds
Extreme Wide-Angle: Captures a 180-degree circular image, providing a unique, distorted perspective.
Specialized Effect: Creates a distinct “fisheye” look, ideal for artistic and immersive shots.
Fast Aperture (f/2.8): Allows for shooting in low-light conditions.
High-Quality Optics: Designed to minimize distortion and aberrations within the specific design limitations of a fisheye.
Niche Application: Primarily used for specialized photography and videography, including panoramic views, creative effects, and scientific applications.
Film use: Because of the unique perspective, used in the movie Oppenheimer to provide some very specific shots.
Cost: $6,500
Owner Scott Dawson
[email protected]
+61 404739972
www.scottdawson.com.au
http://www.imdb.com/name/nm6680203/
Designed for 6.6×6.6 inch filters, accommodating large format cinema lenses.
Provides precise control over light and reflections.
Modular design allows for various configurations.
Robust construction for demanding on-set environments.
Compatible with 15mm studio rod support systems.
Allows for use of multiple filter stages.
Allows for the use of hard mattes, and flags to control stray light.
cost: $ 3,000 (750 each)
Moses Buckwalte – USA
Email: mosesbuckwalter.com
Telephone: 7179906740
R- 03/05/2025
Canon CN-E 14mm T3.1
Canon CN-E 24mm T1.5
Canon CN-E 35mm T1.5
Canon CN-E 50mm T1.3
Canon CN-E 85mm T1.3
Canon CN-E 135mm T2.2
Canon’s Cinema EOS (CINE) lenses, specifically the CN-E (Cinema EOS) series, are engineered for professional filmmakers. These lenses prioritize optical excellence, durability, and precise manual control. They are designed to deliver a consistent look and feel across different focal lengths, streamlining production workflows. They are used in feature films, television productions, commercials, and other high-end video applications.
Key Features and Benefits:
High Optical Performance: Designed for demanding cinema applications, offering exceptional image quality, sharpness, and minimal distortion.
Consistent Color Reproduction: Matched color characteristics across the lens series for seamless intercutting.
Robust Build Quality: Durable construction to withstand professional production environments.
Wide Aperture Options: Fast apertures for shallow depth of field and excellent low-light performance.
Precise Manual Control: Smooth focus and iris rings for accurate adjustments.
Unified Design: Standardized gear positions and front diameters across the series for efficient workflows.
Cost 14,000 dollars
Dale Love-Ballantine | Indie Village <[email protected]>
T. +27 84 305 1933 indievillage.co.za
Operating Hours: 3862
Package Includes:
ALEXA Mini ARRIRAW License Key
ALEXA Mini 4:3 License Key
ALEXA Mini ARRI Look Library License Key
Studio Cage 15mm Set ALEXA Mini V-Mount
Software Version: 6.1.2
Camera:
ARRI Alexa Mini 4:3 Open gate Body
Accessories:
PL Mount
EVF – ARRI
ARRI Viewfinder Cross Pipe
2x Cable ALEXA Mini to MVF-1 0,75m/29inK
ARRI Antena
ARRI Viewfinder Cross Pipe
ARRI Extension to RS Adapter
Power:
2x Curly 3 Pin to BAT Cable
Cage:
2x ARRI MAP-1 Lightweight Adapter Plate for ALEXA Mini
ARRI Mini Adapter Plate MAP-2A with Rod Support for ALEXA Mini and Mini LF
ARRI RAB-1 Rear Accessory Bracket for ALEXA Mini
ARRI BAP-2A Battery Adapter Plate
ARRI SAB-1 Side Accessory Bracket
ARRI Mini Side Bracket MSB-1 for ALEXA Mini and Mini LF
ARRI Mini Side Bracket MSB-2 for ALEXA Mini and Mini LF
ARRI CBP-1 Compact Bridge Plate for ALEXA Mini – 15mm
ARRI MVB-1 Viewfinder Mount
The ARRI Alexa Mini is a compact, lightweight digital cinema camera designed for high-end productions. It features the same ALEV III sensor as other Alexa models, delivering exceptional dynamic range, natural skin tones, and cinematic image quality. Its carbon fiber body makes it ideal for gimbals, drones, handheld, and rigged setups, while its internal ND filters, 4:3 sensor mode, and ARRIRAW recording ensure flexibility in professional workflows.
Features
Compact & Lightweight: Ideal for gimbals, drones, and handheld shooting.
ALEV III Sensor: Same sensor as Alexa XT and SXT for consistent image quality.
ARRIRAW & ProRes Recording: Internal recording up to 4K UHD.
16+ Stops Dynamic Range: Exceptional highlight and shadow detail.
Integrated ND Filters: Built-in motorized ND 0.6, 1.2, and 2.1.
4:3 and Open Gate Mode: Suitable for anamorphic cinematography.
Robust & Versatile: Carbon fiber housing, multiple mounting points, and adaptable workflow.
USD $18k
Scott Dawson MD
AU
03-03-2025
+61 404739972
[email protected]
Hours 1,101
Software 4.02
Includes:
Viewfinder,
Loupe,
Top Handle,
Grip,
Mic Mount,
GM Extension Back,
BC-U1 Charger,
BP-U35 battery,
AC Adapter,
(2) AC cables
The Sony PXW-FX9 is a professional 6K full-frame camera designed for cinematic video production. Here’s a concise overview:
Key Features and Benefits:
6K Full-Frame Sensor:
Delivers high-resolution imagery with a shallow depth of field.
Enhanced low-light performance.
Dual Base ISO:
Provides optimal image quality in varying lighting conditions.
Fast Hybrid AF:
Enables accurate and reliable autofocus, crucial for tracking moving subjects.
S-Cinetone Color Science:
Offers a cinematic look derived from Sony’s VENICE camera.
Electronic Variable ND Filter:
Allows for smooth exposure adjustments.
15+ Stops of Dynamic Range:
Captures a wide range of tonal details.
Versatile Recording:
Records 4K, UHD, and HD in various formats.
Cost To Be Discussed
Mike Masiero <[email protected]>
Direct: (617) 916-0820
Main: (617) 928-0788
Boston
(R) 02-28-2025
Hours 2207
The Sony VENICE with Rialto system significantly enhances cinematic flexibility. Here’s a concise overview:
Key Features and Benefits:
Sensor Block Separation:
Allows the VENICE camera’s image sensor block to be detached from the main body, enabling shooting in confined or challenging spaces.
Maintains full VENICE image quality, even with extended cable lengths.
Enhanced Mobility:
Ideal for use with gimbals, handheld rigs, and in vehicle or underwater housings.
Facilitates custom rigging for 3D/VR content.
Uncompromised Image Quality:
Preserves the VENICE camera’s advanced features, including Dual Base ISO and built-in ND filters.
Rialto 2 Enhancements:
Increased cable length options.
Gyro sensor for metadata recording.
Increased user assignable buttons on the Rialto 2 unit.
Cost to be determined : Owner Dean Thomas <[email protected]>
Imagezone NZ Ltd.
9 Scanlan St
Grey Lynn 1021
Auckland.
Office: 09 476 3466
Mobile: 027 285 9227
Email: [email protected]
(R) 02-28-2025
Thalia 30mm
Thalia 35mm
Thalia 45mm
Thalia 70mm
Thalia 100mm
Key Features and Benefits:
Large Image Circle:
Covers sensors up to ARRI ALEXA 65, suitable for various formats.
Cinematic Bokeh:
Innovative iris design for a circular bokeh at all apertures.
Dimensionality:
Gradual focus fall-off for enhanced depth.
Film-Like Quality:
Clear, smooth images with natural skin tones, reminiscent of older lenses.
Macro Lens options:
Thalia 65 Macro lenses, allow high quality close up work, without the need for diopters.
Our cost is 7000 Euros per lens – 35,000 Euros in Total
Dries De Clercq SBC
Dries De Clercq <[email protected]>
+32498628445 – (R) 02-27-25
HOURS 3643
LICENSES INCLUDED
Anamorphic License (Permanent)
Full Frame License (Permanent)
High Frame Rate License (Permanent)
VERSION OF SOFTWARE:
Camera Firmware: V6.10
R7 Firmware: V6.00
Full-Frame Sensor:
Offers a large 36x24mm sensor, enabling shallow depth of field and wide-angle shooting.
Captures high-resolution images, with options for various aspect ratios.
Dual Base ISO:
Provides optimal performance in diverse lighting conditions with base ISOs of 500 and 2500.
Excels in low-light scenarios.
15+ Stops of Latitude:
Delivers a wide dynamic range, capturing details in both highlights and shadows.
Flexible Lens Mounts:
Supports PL and E-mount lenses, offering compatibility with a vast range of optics.
Built-in ND Filters:
Features an 8-step mechanical ND filter system, streamlining on-set workflow.
Modular Design:
Allows for customization and adaptability to various shooting situations.
Cost To Be Determined with owner SACH BAYLIN-STERN
<[email protected]> – (514) 743-4257
www.sachbaylinstern.com
The ARRI SkyPanel X22 is a next-generation, all-weather LED panel system designed for professional lighting applications.
Key Features and Benefits:
Modular Design:
Offers native soft and hard light capabilities.
Scalable system for various configurations (X21, X22, X23).
All-Weather Durability:
IP66 rated for resistance to rain, storms, and high-pressure washing.
Superior Light Quality:
Exceptional color rendition and dimming performance.
RGBACL full-spectrum color engine.
Wide CCT range (1,500 K – 20,000 K).
High Output and Beam Control:
Powerful output for medium to long throws.
HyPer Optics for a brighter, rounded beam.
Advanced Control:
Multiple control options, including DMX, wireless CRMX, and Bluetooth.
integrated control panel.
Pixel control:
16 pixel zones.
Cost : To be determined with Adam and owner
Sell Price determined by Fred via Whasapp
Owner : John from Undercurrent – Adam Fox
The v-raptor x | under warranty until WARRANTY END DATE: 2/12/2026
Includes:
V-Raptor [X] camera body: less than 10 hrs in warranty
DSMC3 RED Touch 7.0″
V-Raport Expander blade
V-Raptor Wing Grip
V-RAPTOR Quick Release Platform Pack
REd compact Top Handle
V-RAPTOR Top Handle
The RED V-Raptor X is a cutting-edge 8K cinema camera designed for high-end productions, offering exceptional dynamic range, improved low-light performance, and enhanced color science. With a Vista Vision 8K sensor, global shutter, and advanced connectivity options, it is optimized for demanding film and commercial work.
Features
8K VV CMOS Sensor – Captures ultra-high-resolution imagery with rich detail.
Global Shutter Technology – Eliminates rolling shutter distortions.
16.5+ Stops of Dynamic Range – Exceptional highlight and shadow retention.
Expanded Frame Rates – Supports high-speed recording in 8K, 6K, and 4K.
Enhanced Low-Light Performance – Improved noise reduction for cleaner images.
Modular & Compact Design – Lightweight and adaptable to various shooting setups.
CFexpress Media Support – High-speed storage for efficient workflow.
Advanced Connectivity – 12G-SDI, USB-C, and wireless control compatibility.
SOLD – Owner lives in NY, US – Sold
(Ask Adam) Alberto
New cost 03/06/2025 – USD $ 20,000
(USD $23K-Old Price)
MD
02-25-2025
HOURS 2300 (after reset, otherwise total is 5600)
Includes:
Camera fully licensed
VF
R7 Recorder
AR1 Reader
3x 1TB Cards
Key Features and Benefits:
Full-Frame Sensor: Captures stunning, cinematic images with shallow depth of field and wide dynamic range.
Dual Base ISO: Offers exceptional low-light performance and flexibility in various shooting conditions.
8-Step Internal ND Filter System: Provides precise exposure control without the need for external filters.
Interchangeable Sensor Blocks: Allows for future upgrades and customization.
High-Resolution Recording: Supports various resolutions and frame rates, including 6K and beyond.
Advanced Color Science: Delivers accurate and vibrant color reproduction.
Robust and Modular Design: Built for professional use in demanding environments.
Versatile Recording Formats: Including X-OCN, ProRes, and XAVC.
3D LUT support: For customized looks on set.
Cost 15,000 Euros
Marco Turchi
[email protected]
VIDEOLINEA SYSTEM S.R.L.
Via Antonio Meucci 17/19
50012 Bagno A Ripoli (Firenze) – ITALY
Tel. +39-055691371
www.videolinea.com
P.IVA / VAT N. 01312980483
(R) 02-24-2025
Cooke S4i 18mm
Cooke S4i 25mm
Cooke S4i 35mm
Cooke S4i 50mm
Cooke S4i 75mm
The “Cooke Look”: Renowned for their classic, cinematic aesthetic with dimensionality, high contrast, and pleasing bokeh.
Exceptional Optical Performance: Superior control of distortion, flare, glare, and aberrations, even wide open.
Smooth Focus: Award-winning cam mechanism ensures precise and consistent focus adjustments at any distance.
/i Technology: Integrated metadata capture for lens information (focus distance, aperture, etc.) ideal for VFX and post-production.
Durable and Reliable: Robust construction designed for professional use in demanding environments.
Color Matched: Consistent color balance across the entire focal range.
Owner: Frank Shaw
Cost: 30k dollars
Sale: 39k dollars
Said fred at Whatsap 02/20/2025 (r)
Cooke S8/I 18mm
Cooke S8/I 25mm
Cooke S8/I 32mm
Cooke S8/I 40mm
Cooke S8/I 50mm
Cooke S8/I 75mm
Cooke S8/I 100mm
Cooke S8/I 135mm
Fast Aperture: T1.4 aperture across the range for excellent low-light performance and shallow depth of field.
Full-Frame Coverage: Designed for full-frame cinema cameras, ensuring compatibility with the latest sensors.
Classic Cooke Look: Renowned for their warm, film-like image quality with pleasing skin tones and smooth bokeh.
Lightweight and Compact: Lighter than previous Cooke lenses, making them suitable for various shooting scenarios.
/i Technology: Integrated lens data system for precise focus, iris, and other lens information.
The set consists of S8i : 18/25/32/40/50/75/100/135mm.
Our cost price is USD $178k from Frank Noted Adam in Whatsapp on 02-19-2025 (r)
Hugo Leitz 18mm
Hugo Leitz 21mm
Hugo Leitz 24mm
Hugo Leitz 28mm
Hugo Leitz 35mm
Hugo Leitz 50mm
Hugo Leitz 75mm
Hugo Leitz 90mm
Compact and lightweight: Designed for easy handling and mobility.
Ultra-fast optics: T1.5 aperture for excellent low-light performance and shallow depth of field.
M Glass Character: Captures the unique look and feel of classic Leica M lenses.
Durable and reliable: Built to withstand the rigors of professional filmmaking.
Versatile: Available in LPL, Leica M, and Leica L mounts.
Cost: Euros 125,500
Info provided by Adam on Whatapp on 02-19-2025
1307 h
The ARRI Alexa Mini is a compact and lightweight digital cinema camera designed for high-end productions. It offers the same ALEXA sensor as larger ARRI cameras, ensuring exceptional image quality, dynamic range, and color science in a versatile, small form factor. Ideal for handheld, gimbal, drone, and tight-space shooting, the Alexa Mini is a favorite among cinematographers for its reliability and cinematic look.
Features
ALEXA ALEV III CMOS Sensor – Produces 14+ stops of dynamic range.
4K UHD and 2.8K ARRIRAW Recording – High-resolution image capture.
Compact & Lightweight – Perfect for gimbal, drone, and handheld use.
ARRI Color Science – Industry-leading color reproduction and skin tones.
Integrated ND Filters – Built-in motorized ND system for exposure control.
Interchangeable Lens Mount – Supports PL, EF, and other mounts.
High-Speed Shooting – Up to 200 fps for slow-motion capture.
ARRI Workflow Compatibility – Seamlessly integrates with ARRI’s ecosystem.
SOLD – Cost: TBD – SOLD
Avi Cohen
MD
02-19-2025
[email protected]
(785) 313 0311
www.AviCohen.tv
Blackwing7 – X Tuned 20.7mm
Blackwing7 – X Tuned 27mm
Blackwing7 – X Tuned 37mm
Blackwing7 – X Tuned 47mm
Blackwing7 – X Tuned 57mm
Blackwing7 – X Tuned 77mm
Blackwing7 – X Tuned 107mm
Key features and benefits:
Unique image properties: Blackwing7 lenses introduce controlled distortion for distinctive visuals.
Tunable parameters: Adjust sharpness, contrast, roll-off, and more to match your creative vision.
Three tuning options: Choose from S (Straight), T (Transient), and X (Expressive) tunings for varying levels of vintage character and flare.
Large format coverage: Designed for modern filmmaking with full-frame and larger sensor compatibility.
High-quality construction: Robust design ensures durability and reliable performance.
Cost: To Be Determined
Owner:
Kieran Wheeler
0434 526 106
4/3 Bromham Pl, Richmond
www.hummingbird-rentals.com.au
<[email protected]>
02-19-2025 – (r)
Arri Master Prime 16mm
Arri Master Prime 25mm
Arri Master Prime 35mm
Arri Master Prime 50mm
Arri Master Prime 75mm
Arri Master Prime 100mm
High Speed: Extremely fast lenses with a maximum aperture of T1.3, ideal for low-light situations and creating shallow depth of field.
Exceptional Image Quality: Unprecedented resolution, high contrast, and minimal distortion for sharp, clear images.
Minimal Breathing: Patented Dual Floating Elements technology virtually eliminates breathing during focus adjustments.
Consistent Performance: Even illumination and high resolution across the entire Super 35 frame, even wide open and at close focus.
Durable and Reliable: Robust construction designed for professional use in demanding environments.
cost $ 41,250
Alan Bartley – India
[email protected]
R-02-18-2025
Versatile Zoom Range: Offers a wide range of focal lengths, allowing for flexibility in various shooting situations.
High Optical Quality: Delivers sharp images with low chromatic aberration and distortion, ideal for high-performance digital cameras.
Robust Mechanics: Features precise zoom and focus mechanics with Angénieux’s unique rod guiding system design for durability and accuracy.
User-Friendly Design: Includes precise focus marks, an interchangeable focus scale ring, and an integrated filter holder for convenient operation.
Cost 9,000 Dollars
Owner: Richard Grell
[email protected]
+41 79 322 44 55
02-17-2025-(r)
Key features and benefits:
High payload capacity: Supports heavy cinema cameras and lenses.
Wireless operation: Eliminates the need for cables and power conditioners.
High-speed capability: Can reach speeds of up to 100 mph.
Stable shots: Advanced stabilization technology ensures smooth footage even in challenging environments.
Versatile mounting options: Can be mounted on a variety of platforms.
Owner : Avi Cohen – +1 (785) 313-0311
[email protected]
Cost: To be determined
(R) 02-17-2025
The ZEISS ULTRA 16 35mm lens is a high-performance cine lens designed for Super 16 film format. It is known for its exceptional image quality, fast aperture, and robust construction. This lens is a popular choice for professional filmmakers who demand the best in optical performance and reliability.
High-speed: T1.3 aperture for shallow depth of field and low-light performance.
Exceptional image quality: High contrast, resolution, and minimal chromatic aberration.
Durable construction: Robust design for professional use.
Close focus capability: Retains optical quality even at minimum object distances.
T* XP coating: Reduces flare and enhances contrast.
Super Color Matched: Compatible with other ARRI lenses.
SOLD – Cost: USD $ 4,500 – SOLD
From: Richard Grell | Cinegrell <[email protected]>
+41 79 322 44 55 (r) 02-14-2025
Includes:
Arri Alexa SXT camera set
ARRI Alexa SXT PLus Aluminum Case 1
Arri Alexa SXT EV body (serial No. 6826 operating time 1969 h) 1
Viewfinder ARRI EVF-1 1
Viewfinder Mounting Bracket ARRI VMB-3 1
Bridgeplate BP-12 1
Center camera handle ARRI CCH-1 1
Leveling block LB-1 ARRI 1
Viewfinder Cable Short ARRI KC 150-S 1
Viewfinder Cable Medium 0.65m ARRI KC 151-S 1
Adapter Plate ARRI UAP-1 1
Power cable straight KC20 (Alexa SXT) 1
Power Adapter 2-pin RS 220V > 24V DC for Alexa mini/sxt 1
Audio Cable 5-pin XLR Stereo to 2×3-pin XLR for Alexa SXT 1
Shoulder pad ARRI SP-4 1
Blueshape Quick Changer / V-Lock Hot Swap MVQUICK 1
Memory cards adapter CDX-37096 1
Memory cards adapter CDX-37097 1
Codex CDX-3790 SxS Pro Pro+ card adapter for Arri Alexa Plus XT / XR camera 1
SD card 4Gb Sandisk 1
ARRIRAW card reader CDX-7513 / Codex 1
Codex CDX-3730 512 GB card 2
General Information:
The ARRI Alexa SXT is a highly regarded digital cinema camera known for its exceptional image quality, reliability, and versatility. It’s a workhorse camera frequently used in high-end film, television, and commercial productions. The SXT models represent an advancement in the Alexa line, offering improved processing power and recording capabilities while maintaining the core image quality that made the Alexa a standard in the industry. It’s a robust and user-friendly camera system that continues to be a popular choice for filmmakers.
Key features and benefits:
Super 35 sensor: Offers a classic cinematic look with excellent image quality and dynamic range.
High-speed recording: Captures stunning slow-motion footage with high frame rates.
Multiple recording formats: Supports various codecs, including ProRes and ARRIRAW, for flexible workflows.
Robust and reliable: Built for professional use in demanding production environments.
Intuitive interface: Easy to operate, even for complex setups.
Upgrade path: Compatible with various accessories and workflows, including newer ARRI systems.
Cost – 9,900 dollars – Fred set the pice
Owner: Tomas Riuka
[email protected] / +370 611 11 996
Žirnių str. 26F Vilnius, 02120, Lithuania
www.prorent.lt
02-12-2025
Includes
Sony Venice 2 Camera Body
Anamorphic License for Venice 2
Full frame license for Venice 2
Sony DVF-EL200 EVF
EVF Cable for Sony Venice (50cm)
ARRI Riser Plate for Sony VENICE 2
ARRI ENG Style Riser Attachment w/ Arri WA-2
ARRI QRP-1
ARRI Top Plate for Sony VENICE 2
ARRI Side Bracket Right
ARRI Side Bracket Left
ARRI Alexa Mini MVB-1 Viewfinder Bracket
ARRI EVF Bracket for Sony VENICE 1 / 2
ARRI CCH-4 Camera Center Handle
ARRI BPA-5 Bridge Plate Adapter
ARRI BP-9 Sliding Baseplate
2 x ARRI 15mm Rod – 13”
Wooden Camera Gold Mount D-Box
Wooden Camera Break-Out Box / Power Strip
Break-Out Box Cable for Wooden Camera
EVF w/ cable
Arri cage as pictured
D-box w/ breakout
Pelican Camera Case w/ Custom Foam
General Information:
The Sony Venice is a high-end digital cinema camera that has become a popular choice for filmmakers around the world. Its exceptional image quality, versatile features, and modular design make it a powerful tool for a wide range of productions. The Venice is known for its ability to capture stunning images with rich detail, wide dynamic range, and beautiful color rendition. It has been used on numerous high-profile films and television shows, solidifying its reputation as a top-tier cinema camera.
Key features and benefits:
Full-frame sensor: The Sony Venice boasts a large, full-frame sensor that delivers exceptional image quality, dynamic range, and low-light performance.
Dual Base ISO: With a base ISO of 500 and a high base ISO of 2500, the Venice excels in a wide range of lighting conditions.
Versatile lens mount: The camera features a PL mount for compatibility with a wide range of cinema lenses, as well as an E-mount for added flexibility.
Internal recording: The Venice can record high-quality images internally, including X-OCN and ProRes formats.
Modular design: The camera’s modular design allows for customization and expansion, making it adaptable to various shooting scenarios.
Cost 40k Dollars
Owner Adam Fox
02/17/2025 (r)
