35mm T3.5 USD $ 6,500
45mm T2.8 USD $ 5,800
55mm T2.8 USD $ 5,000
80mm T2.8 USD $ 5,000
110mm T2.8 USD $ 5,800
150mm T3.5 USD $ 6,500
OPTIONAL:
24MM T4.0 $12,000
80mm T1.9 $5,000
200MM T2.8 APO $8,500
300mm T2.8 APO $10,000
1) The base lenses are Mamiya 645 (60mm*45mm format) prime Lenses;
2) All lenses have the same length, 95mm diameter, 77mm UV screw and
same focus/iris scale designed;
3) All lenses have 300 degrees focus rotation;
4) Medium format Lenses cover 12K sensor as well.
codenancn
Focal lens : 18mm T2.9 – 24mm T2.1 – 28mm T2.1 – 35mm T1.5 – 50mm T1.3 – 85mm T1.5 – 105mm T1.9 – 135mm T2.1
1) All lenses have 95mm front
2) Light weight designed
3) Unique focus/iris scale space
4) New round iris system
5) Interchangable PL/LPL/EF/SONY E mount
OPTION LENSES:
Nikkor 14mm T2.9 – 6500 USD
Nikkor 15mm T3.6 – 6000 USD
Nikkor 55mm T1.3 – 5500 USD
Nikkor Noct 58mm T1.3 – 9000 USD
Nikkor ED 180mm T2.9 – 4300 USD
Shot On What ? https://shotonwhat.com/?s=NIKKOR+FULL+FRAME+LENS+SET+OF+7
GL Optics
The ZEISS Signature Prime Zoom Lens 16-32mm is a high-performance cine zoom lens designed for professional filmmaking. It’s part of ARRI’s Signature Lens family and is highly regarded for its exceptional image quality and cinematic look.
Key Features and Benefits:
Matching Signature Primes Look: Designed to seamlessly integrate with ARRI’s Signature Primes, ensuring a consistent visual aesthetic across your footage, with natural skin tones and elegant out-of-focus highlights.
Large Format and Super 35 Coverage: Covers a wide range of sensor sizes, from Super 35 to full-frame/large format, offering versatility for various camera systems.
Fast T2.8 Constant Aperture: Maintains a bright T2.8 maximum aperture throughout the entire zoom range, eliminating the need for “ramping” and providing consistent exposure.
Future-Proof 8K+ Resolution: Delivers optimal image quality suitable for 8K and higher resolution productions, ensuring long-term value.
Controlled Flares and Lower Contrast: Features advanced coatings and light baffling to control flares for HDR compatibility and produce images with open shadows.
ARRI LPL Mount & LDS-2 Data System: Utilizes the industry-standard ARRI LPL mount for robust connection and integrates with the LDS-2 lens data system for precise metadata, streamlining post-production.
Lightweight and Durable: Constructed with a high-performance magnesium barrel, making it relatively lightweight for its class while maintaining durability.
Close Focus Capability: Offers a short minimum focus distance for capturing detailed close-up shots.
Consistent Performance: Ensures uniform image quality, sharpness, and color rendition throughout the zoom and iris ranges.
COST 50,000 Dollars
Owner Owner Emme Lee Cine Equipment – [email protected]
Cine Equipment Pte Ltd
49 Jalan Pemimpin
#05-06 APS Industrial Building
Singapore 577203
Office Tel: +65 62525089
Website: https://www.cine-equipment.com/
https://www.facebook.com/CineEquipmentPteLtd/
The ZEISS Signature Prime Zoom Lens 16-32mm is a high-end cinema lens, and its price reflects that.
Based on current listings for new units, you can expect to pay in the range of $63,520.00 to $68,520.00 USD. Some retailers may offer instant savings or financing options.
Keep in mind that these are professional cinematic tools, and their pricing is significantly higher than consumer lenses. Says AI
R- 07/02/25
Zeiss MKII Super Speed 18mm
Zeiss MKII Super Speed 25mm
Zeiss MKII Super Speed 35mm
Zeiss MKII Super Speed 50mm
Zeiss MKII Super Speed 85mm
The Zeiss MK2 Super Speed lenses are highly regarded vintage cinema primes known for their exceptional performance and distinctive aesthetic.
Fast Maximum Aperture: They offer a consistent and wide maximum aperture of T1.3 across the range (typically 18mm to 85mm), making them ideal for low-light shooting and achieving shallow depth of field. This puts them in a rare company for vintage lenses.
Classic Filmic Aesthetic: These lenses are known for producing a “magic” and timeless filmic look, with beautiful color rendition and a pleasing bokeh, often due to their 7-blade iris.
Compact and Lightweight Design: Their compact and relatively light build makes them well-suited for handheld and gimbal filming, providing versatility on set.
Excellent Sharpness and Minimal Distortion: Despite their vintage nature, they offer exceptional sharpness and minimal geometric distortion, even at wide focal lengths.
Robust Mechanical Design: They feature factory-integrated focus gears with a 0.8 module pitch and a 270° focus rotation for precise control, improving upon earlier versions.
Versatile Coverage: They cover beyond Super 35mm sensors, making them suitable for modern digital cameras like ARRI Alexa Mini Open Gate and Alexa 35 Open Gate, and some focal lengths even cover full-frame sensors.
Distinctive Flares: They can produce beautiful blue and magenta lens flares, adding character to the image.
Frank Shaw
his cost is 35K usd
MOVIEBIRD 45FT CRANE is a highly versatile telescopic camera crane widely used in film sets and TV studios.
Key Features and Benefits:
Versatile and Adaptable: It can extend its arm length from 35 feet to 45 feet (10.67m to 13.72m) in minutes, making it suitable for a variety of shots and environments. It maintains the same dolly footprint as smaller MovieBird models, simplifying setup.
Smooth and Precise Operation: Equipped with a patented belt drive system, high-end digital electronics, and a specialized rail system, it ensures ultra-smooth, quiet, and precise telescopic movements. It also features a leveling system controlled by digital laser encoders for true horizontal head positioning.
High Compatibility: Fully compatible with all models of remote heads and various camera types, from DSLR to IMAX, and can even mount moving light sources for special effects.
Portability: Despite its size, it is designed for relatively easy transport, often fitting in a standard 16-ton truck or a bespoke trailer when disassembled.
Advanced Control: Offers nine digitally controlled speed settings with logarithmic movement fades and the ability to program the actual range of movement. Some models include a “virtual wall” (Straight Line Compensation – SLC) to eliminate crane arc movement, offering normal, vertical, and 3D operating modes for precise movements.
Safety: Manufacturer recommends operation by at least two trained technicians for arm ranges above 30 feet.
Owner Frank
Adam said on Whatsapp:
Post with make an offer
R-06-30-2025
The O’Connor 2575D is a flagship fluid head renowned in the professional film and video industry for its robust build and exceptionally smooth, precise operation. It’s designed to handle heavy camera payloads, making it a go-to choice for cinema-style shooting.
Key Features and Benefits:
High Payload Capacity: Supports professional film and large digital cinema cameras up to 90 lbs (40.8 kg), with some configurations handling even more at closer centers of gravity.
Sinusoidal Counterbalance System: Offers true, accurate, and continuously variable counterbalance across the entire tilt range, ensuring perfect balance at any angle. This makes balancing heavy rigs effortless and precise.
Stepless Fluid Drag: Provides ultra-smooth, infinitely adjustable pan and tilt fluid drag, allowing for consistent and controlled camera movements essential for cinematic shots.
Ergonomic Design: Controls are intuitively placed on the operator’s side (left) for easy access and efficient workflow.
Versatile Mounting Options: Comes with or is compatible with Mitchell base and 150mm ball base adapters, offering flexibility for various tripods and dollys.
Quick Release Platform: Features a Euro-style quick release platform with a one-touch safety catch for rapid and secure mounting/dismounting of camera rigs.
Illuminated Bubble Level: Facilitates quick and accurate leveling, even in low-light conditions.
Durable Construction: Built to withstand the rigors of professional production environments, ensuring long-term reliability.
Roberto please work on gettin these posted and done
This is Ian – 718-755-5483
our cost $12k, post for $15k
06-26-2025
The Teradek Bolt 3000 RX is a high-performance wireless video receiver designed for professional film and broadcast applications. It receives uncompressed 1080p60 video with zero latency over distances up to 3000 feet, making it ideal for large sets or live production environments. It’s compatible with Teradek Bolt 3000 transmitters and supports metadata, timecode, and start/stop flags from most cameras.
Key Features and Benefits
Zero-Delay Wireless Video: Real-time transmission with <1ms latency
Long-Range Capability: Reliable video reception up to 3000 ft line-of-sight
HD Video Support: Up to 1080p60, uncompressed
Multicast Capability: Connects with up to 4 receivers
Metadata & Timecode Pass-Through: Ensures compatibility with professional workflows
Rugged Design: Built for tough production environments
3G-SDI & HDMI Outputs: Versatile connectivity for monitors and switchers
AES-128 Encryption: Secure transmission
COST : TBD
Dynamic Rentals
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
Zero Delay Wireless Monitoring: Provides real-time, uncompressed video transmission with less than 1 millisecond of delay.
Long Range: Offers a transmission range of up to 3000 feet line of sight.
Wireless Lens and Camera Control: Some models offer integrated control for lenses and cameras.
Production Streaming: Enables live streaming capabilities.
Dual SDI/HDMI Inputs & Outputs: Provides flexibility in connecting various video sources and displays.
Supports High Resolutions: Capable of transmitting up to 1080p60 resolution.
Secure Transmission: Features AES-128 encryption for secure wireless video.
Noise Rejection: Can coexist with WiFi and 5GHz cordless phones, minimizing interference.
Metadata and Timecode Support: Supports transmission of metadata, timecode, and start/stop flags from certain cameras.
LUT Support: Allows for the application of 3D LUTs and CDL/1024 1D LUTs for colour correction.
Cost : TBD
Dynamic Rentals
Main (818) 636-1775
Direct (818) 691-0831
[email protected] has one $ 3,100
Lori has one 15,500
Pic Code: Teradek-3000-TX-FJS-##
AI says: Based on my research of second-hand markets for film and digital video gear, the average price of a used Teradek 3000 TX (transmitter only) can vary. However, based on recent listings, you can expect to find them in the range of approximately $1,300 USD to $2,500 USD.
Supports up to 4K60 resolution for high-quality video transmission.
Offers a long wireless range of up to 3000 feet (line of sight) for flexible shooting.
Provides zero-delay (<1 ms) transmission for real-time monitoring.
Compatible with the entire Bolt 4K line of transmitters, offering cross-compatibility.
Supports HDR (High Dynamic Range) workflows for enhanced image quality.
Features 12G-SDI and HDMI inputs and outputs for versatile connectivity.
Includes AES-256 encryption for secure video transmission.
Offers faster reconnection times and stable connectivity.
Allows for multicasting to up to 6 receivers from one transmitter.
Utilizes 5 GHz DFS and Non-DFS frequencies for reliable operation.
Can coexist with Wi-Fi and 5GHz cordless phones.
Supports embedded audio and timecode.
Configuration and monitoring via a Bluetooth iOS app.
Cost TBD
Dynamic Rentals
Main (818) 636-1775 – Direct (818) 691-0831
[email protected]
Lori has one in 7,500
AI saya: Used TERADEK 4K MAX RECEIVER typically ranges from approximately $4,200 to $5,000 USD.
Lensrentals.com lists used units between $4,263 and $4,743, depending on the cosmetic condition.
eBay has a listing for $4,999.99, which includes the antenna.
The used SmallHD 703 is a 7.0″ ultra-bright on-camera monitor known for its high brightness and durability, making it suitable for outdoor shooting.
High Brightness: Offers 2200 nits of brightness, making it easy to see in bright sunlight.
Full HD Resolution: Features a 1920 x 1080 display for sharp images.
Rugged Design: Typically built with an aluminum unibody chassis for durability.
Multiple Input/Output Options: Often includes SDI and HDMI inputs and outputs.
Professional Software Tools: Usually equipped with features like waveform, vectorscope, false color, and focus peaking.
10-bit Color: Supports 10-bit color for accurate color representation (depending on the specific model variant).
Compact and Portable: Designed for on-camera use, offering a balance of screen size and portability.
COST: TBD
Dynamic Rentals
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
EBAY has one in $ 2,999
MPB has one in USD $ 1,869
Newlifecine does not have one
Lori has one in USD $ 2,700
AI says: Units categorized as “good” or “well used,” which may exhibit more cosmetic wear but remain fully functional, typically see prices drop to the $1,500 – $1,700 USD range. A Reddit discussion mentioned a Facebook Marketplace listing for $1,500 in the LA area for a used 703 UltraBright. An eBay “Pre-Owned” unit was listed for $1,700 or best offer. / R-06-17-2025
The SmallHD 702 is a popular series of 7-inch on-camera field monitors designed for professional videographers and filmmakers, offering robust build quality and a range of features for critical focus, exposure, and framing.
Key Features and Benefits:
7-inch Display: Provides a good balance between portability and screen real estate for detailed monitoring.
High Resolution: Typically Full HD (1920×1080) for sharp image viewing.
Daylight Viewable (702 Bright/Touch): “Bright” and “Touch” models offer high nits output, making them visible even in bright outdoor conditions.
Intuitive OS3/PageBuilder OS: User-friendly operating system for quick access to monitoring tools and customizable page layouts.
Comprehensive Monitoring Tools: Includes waveform, vectorscope, false color, peaking, zebras, LUT support, and more for accurate exposure and focus.
Versatile Inputs/Outputs: Features HDMI and SDI (3G-SDI) inputs/outputs for broad camera compatibility and signal routing.
Durable Build: Often constructed with a milled aluminum frame for ruggedness on set.
Flexible Power Options: Supports various battery plates (e.g., LP-E6, Sony L-Series) for long-lasting power.
Touchscreen Capability (702 Touch): Offers intuitive gesture control for navigating menus and tools on the “Touch” model.
COST : TBD
Dynamic Rentals
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
Ebay 500 dollars
newlife cine does not have one
Lori does not have one
AI says: Based on current second-hand market listings from various platforms (eBay, specialized film gear forums, used equipment dealers like Adorama, ShareGrid, MPB), here’s an average price range for a used SmallHD 702:
SmallHD 702 Lite: You’ll typically find these in the range of $200 – $450 USD. These are the entry-level 702 monitors and will have lower brightness and no touchscreen.
SmallHD 702 Bright (Original): For this model, expect to pay between $450 – $750 USD. It was known for its daylight viewable brightness.
SmallHD 702 Touch: This is the most recent and desirable version of the 702, and prices usually range from $800 – $1,100 USD. These feature a brighter screen than the Lite and, critically, a touchscreen interface.
The CineTape 2 by Cinematography Electronics is a professional-grade ultrasonic digital distance measuring system, serving as an essential tool for camera assistants (1st ACs) to achieve precise focus in film and video production. It’s an updated version of the industry-standard CineTape Measure.
Accurate Distance Measurement: Continuously calculates the distance between the camera’s film plane and the subject using ultrasonic signals, crucial for maintaining critical focus.
Smaller, Lighter, Faster: Redesigned from the original CineTape for improved portability and efficiency on set.
Built-in Wireless Communication: Features a 2-way wireless radio with a range of 500 feet (approx. 170 meters) for remote operation and integration with other systems like the AIR Mobile 2.
Bluetooth Connectivity & App Integration: Connects to iPhones/iPads via Bluetooth and the CineTape Air App, offering additional features and control.
Versatile Mounting Options: Includes dovetail-mounting slots and 1/4-20 threaded holes for flexible attachment to various camera setups.
Clear Display: Bright red LED numeric display shows measurements in feet/inches or meters/centimeters, with adjustable brightness.
Adjustable Sensitivity & Close Focus: Allows fine-tuning to suit different shooting environments and subject reflectivity, and to ignore objects within a set close-focus range.
Robust Construction: Made from machined aluminum and Delrin for durability in demanding production environments.
Compatibility: Works with a wide range of film and digital cameras and can integrate with wireless follow focus systems (e.g., Preston, ARRI WCU-4, ARRI Hi-5) for displaying distance readings directly on the hand unit.
Cost: TBD
Dinamic Rentals
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
-Visual Products
Originally selling new for over $4,500
-Newlifecine does not have one
-Lori has a kit in 4,990 $
AI says : Based on current market observations and recent listings, you can expect the following:
Standalone Unit (CineTape 2 Control and Horn Assembly only): Prices typically range from $1,000 to $2,500 USD. This would usually be for the core unit without a full set of cables, specialized mounting, or a wireless remote (like the AIR Mobile 2).
Complete Kit (CineTape 2, Horn, Sensor Cable, Power Cables, Case, potentially AIR Mobile 2 or other accessories): These tend to fetch $2,500 to $4,000 USD. A “complete kit” is more desirable and will command a higher price.
Older CineTape Measure (Original version): While the question is about CineTape 2, it’s worth noting the original CineTape Measure can be found for significantly less, often in the $800 – $1,500 USD range, but lacks the wireless and Bluetooth capabilities of the CineTape 2.
R-06-16-2025
The 512GB AXSM (Access Memory System) is a high-performance flash memory card designed for professional cinematography and high-end video production.
High Capacity: 512GB provides ample storage for extended recording sessions of high-resolution footage.
Ultra-Fast Write Speeds: Engineered for recording uncompressed RAW and high-bitrate video formats, crucial for preserving maximum image quality.
RAW Recording Support: Specifically designed to capture 16-bit linear RAW data from compatible cameras, offering extensive post-production flexibility.
High Frame Rate (HFR) Capabilities: Enables the recording of slow-motion footage at high frame rates, supporting creative filmmaking.
Robust & Reliable: Built for demanding production environments, ensuring data integrity and durability.
Optimized for Professional Workflows: Integrates seamlessly with professional cameras and recorders, particularly Sony’s CineAlta line.
COST TBD _ Direct (818) 691-0831 / [email protected] / R-06-16-2025
Newlifecine does not has it
justcienagear does not have it
AI says: The average price for a used 512GB AXSM card in the second-hand market for film and digital video gear can vary based on its specific model (e.g., A-Series, S24, S48), condition, and the seller. However you can expect the following range:
Low End: Around $200 – $350 USD for older “S24” series or heavily used cards.
Mid-Range: Most commonly, you’ll find “A-Series” (AXS-A512S48) cards in good condition ranging from $500 – $1,100 USD.
Higher End: Some slightly used “A-Series” cards from reputable sellers or those included with other gear might fetch up to $1,500 – $1,600 USD, though this is less common for standalone card sales.
It’s important to note that brand new 512GB AXSM A-Series cards (AXS-A512S48) typically retail for around $2,500 USD or more, highlighting a significant depreciation in the used market. / R – 06-16-2025
Arri Master Prime 16mm
Arri Master Prime 18mm
Arri Master Prime 21mm
Arri Master Prime 25mm
Arri Master Prime 27mm
Arri Master Prime 32mm
Arri Master Prime 35mm
Arri Master Prime 40mm
Arri Master Prime 50mm
Arri Master Prime 65mm
Arri Master Prime 75mm
Arri Master Prime 100mm
Arri Master Prime 135mm
Arri Master Prime 150mm
The ARRI Master Prime lenses, co-developed by ARRI and Zeiss, are a highly regarded series of cinema prime lenses known for their exceptional optical performance.
Key Features and Benefits:
Unmatched Optical Performance: Delivers superior resolution, contrast, and color rendition across the entire frame, even at wide open apertures.
Extremely Fast T1.3 Aperture: Allows for excellent low-light shooting and the creation of very shallow depth of field for cinematic bokeh.
Virtually No Breathing: Patented Dual Floating Elements technology ensures minimal to no focus breathing, maintaining consistent framing during focus pulls.
Minimal Optical Distortion: Engineered for precise, high-quality images with reduced chromatic aberration, geometric distortion, and color fringing.
Reduced Flare: Advanced T*XP coating significantly minimizes reflections and flare for cleaner visuals.
Consistent Color and Contrast: Maintained across all focal lengths within the set, ensuring seamless matching.
Robust Construction: Designed for professional filmmaking with uniform placement of iris and focus gears for consistent accessory setup.
Integrated Lens Data System (LDS): Provides real-time lens metadata to compatible cameras, streamlining on-set workflow and post-production.
Wide Range of Focal Lengths: The set typically includes 16 lenses, from 12mm to 150mm, offering versatility for various shooting scenarios.
Covers Super 35 Sensors: Optimized for the Super 35 format
Cost $120,000
Danny Saldana – USA
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
Newlifecine has a set of 7 in & 119,000
Lori has one set of 14 in $ 129,000
R-06-13-2025
Cooke Anamprphic 25mm
Cooke Anamprphic 32mm
Cooke Anamprphic 40mm
Cooke Anamprphic 50mm
Cooke Anamprphic 75mm
Cooke Anamprphic 100mm
Cooke Anamprphic 135mm
Cooke Anamorphic lenses are renowned for their distinctive “Cooke Look” and exceptional cinematic qualities, making them a favorite among filmmakers for achieving a classic widescreen aesthetic.
The “Cooke Look”: Delivers a warm, organic, and slightly softer image with beautiful skin tones, high contrast, and pleasing focus fall-off, contributing to a truly cinematic feel.
Oval Bokeh: Produces characteristic elliptical out-of-focus highlights, a hallmark of anamorphic lenses, adding to the dreamy quality of backgrounds.
Excellent Aberration Control: Designed to control distortion, veiling glare, and spherical and chromatic aberrations exceptionally well across the entire image area and at all apertures.
/i Technology: Integrated technology transmits vital lens metadata (focus distance, aperture, depth-of-field, focal length, etc.) to compatible cameras, streamlining post-production workflows, especially for VFX.
Consistent Color Matching: All Cooke Anamorphic lenses are color-matched across the series and with other Cooke lens lines (like S4/i, 5/i), ensuring seamless intercutting of footage.
Smooth Focus Movement: Features an Academy Award-winning cam-style focus mechanism for precise and smooth focus adjustments.
“Special Flair” (SF) Options: Some series (like Anamorphic/i SF) offer a proprietary coating that enhances natural anamorphic flares, ghosting, and other aberrations for added artistic control.
Versatile Squeeze Factors: Available in common squeeze factors like 2x (for Super35) and 1.8x (for Full Frame), providing options for various sensor sizes and desired anamorphic characteristics.
Robust Build Quality: Constructed with durable materials and a scratch-resistant PTFE hard anodized finish for reliability in demanding production environments.
Comprehensive Focal Lengths: Offered in wide ranges of prime focal lengths, including macro options, to suit diverse shooting needs.
Cost $150,000
Newlifecine does not have one
Lori has Cooke Anamorphic 2x 7 lens set
$115,850.00Price
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
(R) June 12th – 2025
Arri Master Anamorphic 28mm
Arri Master Anamorphic 35mm,
Arri Master Anamorphic 40mm
Arri Master Anamorphic 50mm
Arri Master Anamorphic 60mm
Arri Master Anamorphic 75mm
Arri Master Anamorphic 100mm
Arri Master Anamorphic 135mm
& Flare Kit
The ARRI Master Anamorphic lenses are a series of high-performance prime lenses designed for professional cinema production, known for their exceptional optical quality and characteristic anamorphic look.
Pristine Image Quality: Virtually no chromatic aberration, excellent contrast, and sharpness across the entire image, even wide open.
Minimal Breathing: Very little focus breathing, ensuring stable framing during focus pulls.
Controlled Flares and Bokehs: Designed to produce pleasing, controlled anamorphic flares and a smooth, oval bokeh, characteristic of the format.
Consistent T-stop: All lenses in the series share a fast T2.3 aperture, allowing for consistent exposure and shallow depth of field.
Robust Construction: Durable and reliable build quality, suitable for demanding professional use.
Uniform Size and Weight: Many lenses in the set share similar front diameters and gear positions, simplifying lens changes and accessory rigging on set.
Cinematic Aesthetic: Delivers a classic anamorphic widescreen look with precise optical performance, ideal for high-end film and TV production.
Cost $180,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
NewlifeCine has one in 220,000
Lori does not have one
FJS has one for 255,000 euros, one for 196,000 with Flare set in 196,000 dollars
(R) 06-12-2025
Supremes Radiance 18mm
Supremes Radiance 21mm
Supremes Radiance 25mm
Supremes Radiance 29mm
Supremes Radiance 35mm
Supremes Radiance 40mm
Supremes Radiance 50mm
Supremes Radiance 65mm
Supremes Radiance 85mm
Supremes Radiance 100mm
Supremes Radiance 135mm
The ZEISS Supreme Radiance lenses are a premium line of cinema prime and zoom lenses designed to deliver a distinctive, artistic look characterized by controlled lens flares and a slightly warmer color rendition. They are built upon the foundation of the ZEISS Supreme Prime and Zoom series, offering full-frame coverage and robust cinematic performance.
Controlled Blue Flares: Engineered with a unique T* blue coating that produces consistent and beautiful blue lens flares, adding character and a “filmic” aesthetic directly in-camera.
Warm Color Rendition: Offers a slightly warmer color palette compared to standard cinema lenses, contributing to a rich and expressive image.
Gentle Sharpness with Character: Provides crisp yet organic images with smooth focus fall-off and elegant bokeh, while the flares add a unique visual signature.
Full-Frame & Beyond Coverage: Designed to cover large-format sensors, ensuring compatibility with modern cinema cameras and future-proofing productions.
Consistent Aesthetics: Maintain a cohesive look with the regular ZEISS Supreme Prime and Zoom lenses, allowing for seamless intercutting.
ZEISS eXtended Data: Incorporates advanced lens metadata for efficient post-production workflows, including lens distortion and shading data.
Robust & Ergonomic Design: Built for durability and ease of use on set, with consistent size, weight, and aperture across the series.
Cost: $120,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
New Life Cine has 1 for $ 159,500
FJS has one for 230,000
CamAleon Has 1 for €195,000.00
Lori hs one of 7 lenses for $ 115,950
Summilux 16mm
Summilux 18mm
Summilux 21mm
Summilux 25mm
Summilux 29mm
Summilux 35mm
Summilux 40mm
Summilux 50mm
Summilux 65mm
Summilux 75mm
Summilux 100mm
Summilux 135mm
SUMMILUX lens series by Leica represents a class of high-performance, fast-aperture lenses known for their exceptional optical quality.
Fast Aperture (f/1.4 or T1.4): Excellent for low-light conditions, providing bright viewfinders and enabling shallow depth of field for subject isolation and beautiful bokeh.
Superior Optical Performance: Renowned for sharpness, high contrast, accurate color rendition, and minimal aberrations, delivering a distinct “Leica look.”
Premium Build Quality: Constructed with high-quality materials for durability and precise mechanical operation.
Versatility: Ideal for a wide range of photography genres, including portraiture, street photography, and documentary work, and available in dedicated cinema versions.
Pleasing Bokeh: The wide aperture contributes to smooth and aesthetically pleasing out-of-focus backgrounds.
Cost $160,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
New Life Cine does not have one
Lori has a set of 10 in 240,000 and other in 185,000 and a set of 8 in 175,000
FJS has a Summilux C set of 12 in 265,000 Euros (R) 06-12-2025
Hybrid Design for Cinema and Broadcast: Blends the optical quality and aesthetics of a cinema lens with the functionality and ease of use of a broadcast (ENG) servo zoom, making it highly versatile for various production styles, from documentaries to live events.
Wide and Flexible Zoom Range: Offers a 7x zoom magnification with a focal length of 17mm to 120mm, providing a broad range of shots without frequent lens changes.
4K/8K Optical Performance: Designed to deliver high-resolution images across the entire zoom range, supporting modern 4K and even 8K cameras with Super 35mm sensors.
Detachable Servo Drive Unit: Features a removable servo unit for zoom, focus, and iris control, allowing for seamless transitions between motorized broadcast-style operation and manual cinema-style shooting.
Smooth Bokeh: Equipped with an 11-blade iris that creates natural-looking, pleasing out-of-focus areas (bokeh).
Multiple Mount Options: Available in EF, PL, and more recently, RF mounts, ensuring compatibility with a wide array of professional cameras.
Advanced Communication: Supports various metadata output protocols (including Canon’s own, Cooke /i Technology, and ZEISS eXtended Data on some versions) for virtual production, VFX workflows, and streamlined lens data.
Focus Breathing Compensation: Newer models include this feature to minimize image distortion during focus pulls, maintaining stable framing.
Durability and Ergonomics: Built ruggedly for professional use, with ergonomic controls designed for comfortable operation.
SOLD – Cost: TBD – SOLD
Owner: We need to get the cost price from owner
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
Newlifecine has one $14,500
Lori has 5 of them; 13,650 – 11,990 – 11,990 – 13,650 – 13,500
The Hi-5 is ARRI’s most advanced hand unit for wireless camera and multi-axis lens control, representing a significant leap forward in performance and reliability.
Modular and Swappable Radio Modules: A groundbreaking feature allowing users to change radio modules for different frequency regulations and shooting environments worldwide, ensuring optimal signal strength and reliability.
Exceptional Radio Link Range: Offers a powerful and robust radio signal that cuts through interference, providing an extended operating range for challenging productions.
High-Contrast Touchscreen LCD: Features an intuitive, high-contrast display with a camera GUI-like interface for easy navigation and clear feedback in various lighting conditions.
Multi-Axis Lens Control: Provides precise control over focus, iris, and zoom, with a large, adjustable focus knob and a sealed iris slider.
Fast Reconnection Time: Ensures quick and seamless re-establishment of connection, minimizing downtime on set.
Robust, Weatherproof, and Dustproof Design: Built with exceptionally strong materials to withstand harsh environmental conditions, offering high reliability and durability.
Smart Pre-Marked Focus Rings: Automatically detected and mapped to lens focus scales, streamlining lens changes and setup.
Intelligent Hot-Swap Batteries: High-capacity ARRI batteries can be hot-swapped without powering down the unit, with accurate remaining capacity display.
Comprehensive Camera Control (including third-party cameras): Offers extensive control over ARRI cameras (pre-installed) and optional licenses for RED, Sony, and other third-party cameras.
ECS Sync App Integration: Facilitates easy software updates, lens file management, and configuration via an iOS app.
Future-Proof Design: Modular hardware and upgradeable software allow the Hi-5 to adapt to evolving industry standards and networks.
SOLD Cost TBD SOLD
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
newlifecine does not have one
Lori has a complete set
$16,650.00Price
(1) ARRI Hi-5 Hand Unit Basic Set
(1) ARRI Smart Focus Ring Set Feet (10)
(2) ARRI cforce mini Basic Set 2 |
FJS Int has one in 25,000 dollars, one in 26,762 ,
one in 17,500 and a Basic Set in Euros 8,750
Versatile Zoom Range: Offers a flexible 30-90mm T2.0 (Super 35) and 45-135mm T2.9 (Full Frame/VV) zoom range, making it suitable for a wide variety of productions.
Interchangeable Rear Optics System (IRO Technology™): This unique feature allows users to easily swap the rear optical assembly between Super 35 and Full Frame/VV sensor coverage, providing exceptional adaptability and future-proofing.
Lightweight and Compact: Designed for portability and ease of use, even in challenging shooting environments.
Consistent T-Stop: Maintains a constant aperture throughout the zoom range, simplifying exposure control.
High Optical Performance: Delivers excellent image quality with sharp resolution, good contrast, and pleasing bokeh, characteristic of Angenieux lenses.
Robust and Reliable: Built to withstand the rigors of professional production.
Cost-Effective Solution: Offers the renowned Angenieux quality and versatility at a more accessible price point compared to some of their higher-end cinema zooms.
SOLD – Cost TBD – SOLD
newlifecine.com has one in 21,900
Lori has 3 bundles of EZ1 & EZ2 in 21,806 / 20,650 / 17,950
Owner: We need to get the cost price from owner
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
Exceptional Zoom Range: Boasts an impressive 20x zoom ratio, covering an extremely wide focal length from 50mm to 1000mm, making it highly versatile for various productions.
4K Optical Performance: Designed to deliver superb optical quality, supporting 4K production with high resolution and contrast throughout its zoom range.
Detachable Drive Unit: Features a detachable servo drive unit, allowing for use as a traditional cinema lens (manual operation) or a ENG/EFP style lens (with servo control).
PL Mount: Equipped with an industry-standard PL mount for compatibility with a wide range of professional cinema cameras.
Cinema and Broadcast Hybrid: Offers the control and feel of a broadcast lens combined with the optical performance and robust build of a cinema lens, suitable for documentaries, live events, sports, and scripted productions.
Image Stabilization: Incorporates optical image stabilization to help reduce shake, especially critical at longer focal lengths.
Compact and Lightweight (for its class): While still a substantial lens, it’s engineered to be relatively compact and lightweight for its extensive zoom capabilities.
newlifecine has one in USD $ 53,000
Lori does not have it
Cost Has to be determined with owner
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
Versatile Zoom Range: Offers a wide 30-300mm focal length, ideal for a variety of shooting scenarios from wide shots to telephoto.
4K Optical Performance: Designed to deliver exceptional image quality, meeting and exceeding 4K production standards.
Cinema-Standard Design: Features an 11-blade aperture for attractive bokeh and consistent color balance across the CN-E line.
Robust & Durable Construction: Built for professional cinema production with a sturdy, reliable design.
Reduced Focus Breathing: Engineered to minimize image shifting during focus pulls, maintaining shot integrity.
EF Mount Compatibility: Seamless integration with Canon EOS Cinema cameras and other EF-mount cameras.
User-Friendly Operation: Clearly marked barrel for easy focus, zoom, and iris adjustments.
Newlifecine doesn´t have one
Lori has one 15,650
Cost USD $ 8,000
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
Versatile Zoom Range: Covers a highly useful focal length range for various production needs, from wider shots to tighter framing.
High Optical Performance: Delivers excellent image quality with sharp resolution, minimal distortion, and well-controlled aberrations, characteristic of ARRI/Fujinon collaborations.
Consistent Image Quality: Maintains consistent performance across the entire zoom range and at different aperture settings.
Robust & Reliable Construction: Built to withstand the rigors of professional production environments, ensuring durability and longevity.
Cinema-Grade Mechanics: Features smooth, precise focus, zoom, and iris rings, optimized for professional film and television production.
Compact & Lightweight: Relatively small and light for a cinema zoom, making it suitable for handheld, Steadicam, or gimbal work.
ARRI Look Compatibility: Designed to integrate seamlessly into ARRI camera workflows, complementing the ARRI aesthetic.
Newlifecine.com does not have one
Lori has two: One for 7,999 and the other in 8,850
COST USD $ 4,000
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
The Angenieux EZ-2 is a compact and versatile zoom lens designed for Super 35 and full-frame camera formats, offering cinematographers flexibility and high optical quality.
Key Features and Benefits:
Versatile Format Coverage: Designed to be easily re-configured between Super 35 (S35) and Full Frame (FF) formats, making it adaptable to various camera systems and production needs. This is achieved through interchangeable rear optical groups.
Constant Aperture: Maintains a T3.0 (S35) or T3.2 (FF) constant aperture throughout its zoom range, ensuring consistent exposure and excellent low-light performance.
Lightweight and Compact Design: Relatively lightweight and small for a cinema zoom, making it suitable for handheld, gimbal, and drone work where size and weight are critical.
High Optical Performance: Delivers sharp images with excellent contrast and color rendition, characteristic of Angenieux lenses. Minimized breathing and distortion.
Internal Focus: The lens maintains its physical length during focusing, which is beneficial for accessories like matte boxes.
Robust Construction: Built with a durable, all-metal housing for professional use and longevity.
Modular Design: Allows for easy servicing and format conversion.
SOLD –
We can post for 21,500 and get a lower price from Dynamic Rentals
Newlifecine.com has one in 21,900
Lori has one in 21,806
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
Canon K-35 TLS Vintage Cine 14mm
Canon K-35 TLS Vintage Cine 18mm
Canon K-35 TLS Vintage Cine 24mm
Canon K-35 TLS Vintage Cine 35mm
Canon K-35 TLS Vintage Cine 50mm
Canon K-35 TLS Vintage Cine 85mm
Canon K-35 TLS Vintage Cine 100mm
Canon K-35 TLS Vintage Cine 135mm
Key Features and Benefits:
Exceptional Optical Quality: Renowned for their sharp, yet pleasingly rendered images, even wide open. They offer excellent resolution and contrast.
Warm, Organic Look: Deliver a classic, slightly desaturated, and warm color rendition that is highly sought after for its cinematic feel.
Beautiful Flares and Halation: Known for producing attractive, controlled lens flares and a subtle halation around bright light sources, adding character to the image.
Good Low-Light Performance: Generally fast apertures (e.g., T1.4, T2.8) make them suitable for challenging lighting conditions.
Robust Construction: Built to professional standards, they are durable and reliable for on-set use.
Desirable Bokeh: Often praised for their smooth, creamy bokeh, which helps to isolate subjects and create a pleasing sense of depth.
Vintage Aesthetic: Highly valued for their unique “vintage” look, which can be difficult to replicate digitally, providing a distinct artistic signature.
Versatility: While known for their character, they are also versatile enough for a wide range of productions, from narratives to commercials.
Cost:
£240,000.00 with Vat
£200,000.00
Owner: Nic Tomkinson
newlifecine does not have one
Lori has a set of 8: 309,000 dollars / 38,625 each
Lori has a set of 5 : 289,000 dollars / 57,800 each
Lori has a set of 5 : 285,000 dollars / 57,000 each
Average per lens : 51,142 x 8 is
06/03/25 (r)
Includes:
ULTRA 16 8mm
ULTRA 16 9.5mm
ULTRA 16 12mm
ULTRA 16 14mm
ULTRA 16 18mm
ULTRA 16 25mm
ULTRA 16 35mm
ULTRA 16 50mm
The ARRI Ultra 16 Lens Set is a premium collection of 9 prime lenses engineered specifically for Super 16 format cameras. Developed by ARRI and Carl Zeiss, these lenses offer exceptional image quality, high speed, and robust construction, making them ideal for professional cinematography. Their compact and lightweight design makes them perfect for handheld and mobile shooting scenarios.
Key Features and Benefits:
Full Set Coverage: Includes 9 focal lengths – 6, 8, 9.5, 12, 14, 18, 25, 35, and 50mm.
Super 16 Optimized: Specifically designed for Super 16 film and digital sensors.
Consistent T1.3 Aperture: Fast aperture across all lenses for excellent low-light performance and shallow depth of field.
High Optical Precision: Minimal distortion, high contrast, and edge-to-edge sharpness.
Compact and Lightweight: Ideal for gimbals, drones, and handheld rigs.
Uniform Build: Common front diameter and similar size for quick lens changes on set.
SOLD – COST: GBP 47,000 – SOLD
Ian Forbes
[email protected]
London.
VS
06/03/2025
Angenieux Optimo 24-290mm is a high-performance cinema zoom lens renowned for its optical quality and versatility.
Key Features and Benefits:
Exceptional Optical Performance: Delivers stunning image quality throughout its zoom range, with excellent contrast, color rendition, and sharpness. Minimizes chromatic aberrations and distortion.
Wide Zoom Range: The 24-290mm focal length provides immense flexibility, covering a broad spectrum of shots from wide-angle to telephoto, reducing the need for lens changes on set.
Fast Aperture (T2.8): A consistent T2.8 aperture across the entire zoom range allows for shooting in challenging low-light conditions and offers precise control over depth of field.
Robust and Reliable Design: Built to withstand the rigors of professional filmmaking, with a durable mechanical construction for smooth and precise operation.
Compact for its Range: Relatively compact and lightweight for a lens with such an extensive zoom range, making it more manageable on set.
Ideal for Production: Favored by cinematographers for commercials, features, and television series due to its versatility and high-quality output.
Cost: $ 24,500
Owner :”Roy Kurtluyan” <[email protected]>
—
newlifecine has one in 29,500 dollars
Lori has 4 : 32,500 – 32,500 – 25,000 – 20,950
The Arriflex / Zeiss Variable Prime (Variprime) system offers cinematographers a unique and flexible alternative to traditional prime and zoom lenses.
Key Features and Benefits:
Variable Focal Lengths: Provides a range of focal lengths within a single lens housing, offering the convenience of a zoom while aiming for the optical quality of a prime.
High Optical Performance: Designed by Zeiss, known for their precision optics, the Variprimes deliver excellent sharpness, contrast, and color rendition.
Compact and Lightweight: Relative to carrying multiple prime lenses or large zooms, the Variprime system can be more compact and lighter, aiding mobility on set.
Fast Aperture: Often feature relatively fast maximum apertures, allowing for shooting in lower light conditions and greater control over depth of field.
Consistent Image Characteristics: Maintains consistent image quality, color, and distortion characteristics across its focal length range, simplifying post-production.
“Prime Look” with Zoom Flexibility: Offers the sought-after “prime lens look” (e.g., pleasing bokeh, minimal distortion) while providing the quick focal length adjustments of a zoom.
Cost : 9k Euros
Ármin Bús
Vantage Vision Kft
[email protected]
36209657095
Hungary
—
Newlifecine does not have it
Lori does not have it
Arri Signature Prime 18mm T1.8
Arri Signature Prime 25mm T1.8
Arri Signature Prime 35mm T1.8
Arri Signature Prime 47mm T1.8
Arri Signature Prime 58mm T1.8
Arri Signature Prime 75mm T1.8
Arri Signature Prime 95 mm T1.8
ARRI Signature Prime lenses are a series of high-end, large-format cinema prime lenses designed for modern digital cinematography. They are known for delivering a distinct, emotionally engaging image with a “timeless look.”
Key Features and Benefits:
Large-Format Coverage: Designed to cover image sensors up to full-frame large format (up to 46mm image circle), making them compatible with various modern cinema cameras, especially ARRI’s ALEXA LF series.
Wide Focal Range and Fast Aperture: A comprehensive set of 16 primes, ranging from 12mm to 280mm, with a fast T1.8 maximum aperture across most focal lengths, allowing for shallow depth of field and excellent low-light performance.
Organic & Emotionally Engaging Image: Produces a unique aesthetic characterized by warm, smooth skin tones, creamy bokeh, and a pleasing, natural focus fall-off that gives subjects heightened presence.
Subtle & Elegant Flares: Designed to manage flares gracefully, creating a soft glow without being overly distracting.
Minimal Aberrations: State-of-the-art optical design minimizes chromatic aberration, distortion, and focus breathing, ensuring a clean and precise image.
Magnetic Rear Filter Holder: A unique feature allowing cinematographers to easily experiment with diffusion, nets, or other materials behind the lens to customize the look without permanently altering the optics.
Robust and Lightweight Construction: Built with durable machined magnesium lens barrels and aluminum gear rings, making them surprisingly light for their size and suitable for demanding on-set conditions.
LDS-2 Lens Data System: Incorporates ARRI’s next-generation Lens Data System (LDS-2) for high data rates and precise lens information, compatible with LDS-1 and Cooke /i Technology.
Sale: EUROS 120,000 FOB
Cost : Euros.: 70.000-84.000
Owner: Armin Bus
Company Name: Vantage Vision Kft.
Email: [email protected]
Telephone: 36209657095
Hungary
—
Newlifecine Has : 125,000
Lori has: Set of 6 (145,500)(94,500) (118,000)
Includes:
Camera Body with PL mount
7″ LCD PRO Touch Screen
RED EVF OLED+mount
Base Expander
Mini SSD side modul
L- mount for EVF
9″ Red arm
RCAx3-Lemo sync cable
LCD/ EVF cable R-to-S 18″
LCD/ EVF cable R-to-R 18″
LCD/EVF cable R-to-R 12″
RED SIDEWINDER (tools)
V-lock Battery plate
RED Volt XL plate
RED Minimag Station USB 3.1
USB 3.1 cable
USB cable
2x 960 GB Red Monstro Drive
5x 480 GB Red Monstro Drive
LEMO adaptor B
LEMO adaptor A
Skin Tone Highlight OLPF
Low Light Optimized OLPF
Power Adaptor
Camera Case
The RED MONSTRO 8K VV is a high-end digital cinema camera known for its exceptional image quality and versatility.
Key Features and Benefits:
8K Full-Frame Sensor: Captures incredibly detailed footage and stills with a 35.4 Megapixel Vista Vision CMOS sensor (40.96 mm×21.60 mm), offering full-frame lens coverage.
High Dynamic Range: Boasts over 17 stops of dynamic range, preserving details in both deep shadows and bright highlights for a rich, cinematic look.
Flexible Frame Rates: Records up to 60 fps in 8K Full Format, and significantly higher frame rates (up to 300 fps in 2K) by windowing the sensor, ideal for slow-motion effects.
Efficient Workflow: Supports REDCODE RAW for maximum post-production flexibility with manageable file sizes, and can simultaneously record Apple ProRes or Avid DNxHR/HD for proxy workflows or quicker turnarounds.
Modular Design: Part of the DSMC2 ecosystem, allowing for extensive customization with various modules, accessories, interchangeable OLPFs, and lens mounts (PL and EF options available).
Integrated Features: Includes cable-free peripherals, an integrated media bay, wireless control, and improved thermal management (in some configurations like the Ranger).
Cost 15,000 Euros
Hungary
Owner: Ármin Bús
Company Name: Vantage Vision Kft.
Email: [email protected]
Telephone: 36209657095
Newlifecine does not have any
Lori has several: 21,650 – 19,750 – 18,500 / Average 19,966.67
Adam said in the whastapp: Our this for sale for $12,000
Arri Mater Prime 16mm
Arri Mater Prime 18mm
Arri Mater Prime 21mm
Arri Mater Prime 25mm
Arri Mater Prime 27mm
Arri Mater Prime 32mm
Arri Mater Prime 35mm
Arri Mater Prime 50mm
Arri Mater Prime 75mm
Arri Mater Prime 100mm
The ARRI Master Primes are a highly acclaimed series of cinema prime lenses, co-developed by ARRI and Zeiss. Renowned for their exceptional optical performance, they are a staple in high-end film and television production.
Key Features and Benefits:
Exceptional Speed (T1.3): A consistent maximum aperture of T1.3 across the entire focal range (12mm-150mm) allows for outstanding low-light performance and the creation of beautifully shallow depth of field.
Unmatched Optical Performance: Delivers superior resolution and contrast, even wide open and in the corners of the frame.
Minimal Distortion: Virtually no geometric distortion, ensuring straight lines remain straight.
Reduced Flare and Aberrations: Advanced coatings (T*XP coating) and aspherical elements dramatically minimize flare, ghosting, and chromatic aberration, resulting in clean, true-to-life images.
Virtually No Breathing: Patented Dual Floating Elements technology ensures that the image angle remains consistent during focus pulls, eliminating distracting shifts in composition.
Consistent Color and Contrast: Master Primes are color-matched across the set, guaranteeing a uniform look throughout your production.
Cinematic Bokeh: Incorporate an iris with at least nine blades, producing smooth and natural-looking out-of-focus areas.
Robust and Consistent Mechanics: Built for demanding production environments with precise mechanics and consistent placement of focus, iris, and zoom rings for seamless operation with follow focus and wireless systems.
Lens Data System (LDS): Integrated PL mount with LDS for transferring lens metadata to compatible cameras, aiding post-production workflows.
Covers Super 35 Sensors: Designed to cover Super 35 sensor sizes, ideal for many professional cinema cameras.
Cost x 10 lenses; USD # 85,710
Our cost is $8571 per lens
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
R-05-23-2025
Arri Master Prime 16mm
Arri Master Prime 25mm
Arri Master Prime 35mm
Arri Master Prime 50mm
Arri Master Prime 75mm
Arri Master Prime 100mm
Key Features and Benefits:
Ultra-Fast T1.3 Aperture: Allows for exceptional low-light performance and the creation of an extremely shallow depth of field, a hallmark of cinematic imagery.
Superior Optical Performance: Delivers uncompromising image quality with unprecedented resolution, incredible contrast, and natural skin tones.
Consistent Image Characteristics: Designed with virtually no breathing, contrast shift, or color shift between lenses, ensuring seamless transitions when changing focal lengths.
Robust Build & Industry Standard: Feature a durable construction and utilize the industry-standard PL Mount, ensuring broad compatibility with professional cinema cameras.
Integrated Lens Data System (LDS): Provides real-time metadata (focus, iris, zoom positions) to the camera, streamlining visual effects and on-set data management.
Cost x 6 lenses; USD # 54,426
Our cost is $8571 per lens
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
R-05-22-2025
Super 35 ARRI ALEV III CMOS Sensor: Delivers stunning, film-like images with ARRI’s renowned color science, producing natural skin tones and rich cinematic color reproduction.
High Dynamic Range: Boasts 14+ stops of exposure latitude, capturing impressive detail in both highlights and shadows.
High Frame Rates: Capable of recording up to 200 fps (in some resolutions), enabling excellent slow-motion capabilities.
Versatile Recording Formats: Supports various ProRes codecs (up to 4444 XQ) and internal MXF/ARRIRAW recording for maximum post-production flexibility and uncompressed sensor data.
Interchangeable Lens Mounts: Offers compatibility with a wide array of lenses, including PL, EF, and B4 mounts, further expanding its versatility.
Built-in ND Filters: Features internal motorized ND filters (0.6, 1.2, 1.8) for convenient exposure control.
Robust Build: Designed for durability and reliability in various shooting conditions.
COST : 17,500.00 €
Claude Esselen
[email protected]
Mob: +32 495 23 43 48
Woluwelaan 141c
1831, Diegem
Tél: +32 (0)2 702 16 24
Std: +32 (0)2 702 16 78
(r) 05-21-2025
Has 4k and Premium Licenses
Includes:
Electronic Viewfinder
(1) Viewfinder Cable
(2) Rods 15mm – 440
(1) Card Reader with Cable
(1) Card 128GB
(1) Shoulder Pad
The ARRI AMIRA is a versatile digital cinema camera designed for single-operator use and demanding production environments, often referred to as a “documentary-style” camera. It shares the same Super 35mm ALEV III CMOS sensor as the acclaimed ARRI ALEXA, offering exceptional image quality in a more ergonomic and portable form factor.
Key Features and Benefits:
- Exceptional Image Quality: Utilizes the same Super 35mm ARRI ALEV III CMOS sensor as the ALEXA, delivering a dynamic range of 14+ stops, natural skin tones, and excellent color rendition. It records with low noise, even at higher ISOs (native 800 EI).
- High Frame Rates & Resolutions: Capable of recording up to 200 fps in ProRes HD/2K and up to 60 fps in 4K UHD (with license), making it suitable for slow-motion and high-resolution productions.
- Ergonomic Design for Single Operators: Optimized for shoulder-mounted operation, with a quick boot-up time, sliding dovetails for perfect balance, and readily accessible controls. Features an OLED eyepiece and fold-away LCD monitor.
- Efficient Workflow: Records to affordable CFast 2.0 cards in various ProRes formats (including 4444 and 4444 XQ), simplifying post-production. Optional ARRIRAW recording is also available.
- In-Camera Grading: Supports preloaded and custom-built 3D LUTs, allowing for on-set color control and reducing post-production costs. Includes support for the ARRI Look Library.
- Versatile Lens Mounts: Offers rapidly interchangeable lens mounts, including PL, LPL, B4, and EF, providing compatibility with a vast array of cine-style, broadcast, and still photography lenses.
- Robust and Reliable: Built to withstand harsh environmental conditions, with sealed electronics for splash and dust resistance.
- Integrated Features: Includes internal motorized ND filters (0.6, 1.2, 2.1), multi-channel audio recording with easy-access controls, and Wi-Fi/Ethernet remote control capabilities.
11930 HOURS
Includes:
LICENCE FEATURES: ARRIRAW, 4:3 ANAMORPHIC, ARRI LOOK LIBRARY, HIGHSPEED,
MINI ALEXA MINI CAMERA BODY
EVF-1
EVF BRACKET
MINI ADAPTER PLATE – 2
TOP HANDLE
BRIDGE PLATE ADAPTER
BRIDGE PLATE 19MM
SIDE BRACKETS – 2
BEBOB PLATE WITH POWER CABLE
ALEXA MINI VIEWFINDER CABLE
15MM RODS 40CM LENGTH
WOODEN CAMERA AUDIO BOX
SHOULDER PAD
The ARRI ALEXA Mini is a highly regarded digital cinema camera known for its compact size, robust build, and exceptional image quality, making it a staple in professional film and television production.
Key Features and Benefits:
Exceptional Image Quality: Features a Super 35 format ARRI ALEV III CMOS sensor, delivering natural skin tones, high dynamic range (14+ stops), and true colors, synonymous with the ARRI ALEXA family.
Compact and Lightweight Design: Its carbon body and compact form factor (approx. 2.3 kg / 5 lbs) make it ideal for versatile shooting scenarios, including gimbals, drones, handheld rigs, and tight spaces.
Robust and Reliable: Built to withstand harsh environments, operating in temperatures from -20° to +45°C (-4° to +113°F) with sealed, splash- and dust-proof electronics.
Flexible Recording Options: Records in various ProRes formats (up to 4K UHD) and ARRIRAW (up to 3.4K) to CFast 2.0 cards, with frame rates up to 200 fps.
Integrated Features: Includes built-in motorized FSND filters (0.6, 1.2, 1.8, 2.1) and a white coded radio interface for wireless lens and camera control.
Interchangeable Lens Mounts: Supports PL, EF, B4, and LPL mounts, offering broad lens compatibility.
Workflow Integration: Seamlessly integrates with the ARRI ecosystem, including the ARRI Look Library and various control options like the ARRI Camera Companion App.
Anamorphic and Open Gate Capabilities: Optional licenses enable 4:3 and ARRIRAW recording for anamorphic and open gate capture.
TO BE DETERMINED
From “Samer Dadanian” <[email protected]>
KSA +966 50 3275 158
LEB + 961 3 275 158
FRA + 33 7 67 81 47
www.rinalcutequippd.com (r) 05-20-25
Cooke S8/i 18mm
Cooke S8/i 25mm
Cooke S8/i 32mm
Cooke S8/i 40mm
Cooke S8/i 50mm
Cooke S8/i 75mm
Cooke S8/i 100mm
Key Features and Benefits:
Exceptional Sharpness and Resolution: Designed for modern high-resolution cameras, delivering stunning detail across the entire frame.
Smooth and Creamy Bokeh: Creates beautifully soft and pleasing out-of-focus areas, adding depth and character.
Cooke Look®: Inherits the classic Cooke aesthetic with warm, natural skin tones and a gentle, organic feel.
Minimized Aberrations: Excellent control of chromatic aberration, distortion, and veiling glare for clean and accurate images.
Fast T1.4 Aperture: Allows for shallow depth of field and excellent low-light performance.
Durable and Reliable Build Quality: Engineered for demanding professional use on set.
Cooke /i Technology: Provides precise lens metadata for focus, iris, and zoom position, streamlining post-production workflows.
Consistent Color Rendition: Matches seamlessly with other Cooke lenses, ensuring color consistency across a project.
Cost: $200,000
Amanda Crane
740-815-0392
Amanda Bickmore <[email protected]>
Includes:
Pelican Hard Case
Versatile Focal Length Range: The set covers a wide range from 16mm to 80mm, offering flexibility for various shooting scenarios, from wide establishing shots to tighter close-ups.
Fast Apertures: Both lenses boast fast maximum apertures, likely in the T2.8 range, allowing for shallow depth of field and excellent low-light performance.
Optimum Image Quality: Angénieux is renowned for its exceptional optics, delivering sharp, high-contrast images with minimal distortion and aberrations. The “Rouge” designation typically signifies premium performance and color rendition.
Robust Build Quality: Designed for professional cinema use, these lenses are built to withstand demanding production environments.
Consistent Optical Performance: Being a matched set, they offer consistent color and contrast across the focal length range, simplifying post-production.
Industry Standard: Angénieux lenses are highly regarded and widely used in the film and television industry.
cost $12,825
Nick Lange : [email protected]
Wardah Frizlar [email protected]
Everpost.com
(310) 837-4611
128 Maryland Street, El Segundo, CA 90245
High Optical Performance: Delivers excellent sharpness, contrast, and color rendition across the entire Super 35 frame, even at open aperture.
Fast T1.9 Aperture: Enables shooting in low light conditions and achieving shallow depth of field for a cinematic look with pleasing bokeh.
Superior Close Focus Ability: Features floating elements design, ensuring exceptional image quality even at close focusing distances (0.38m / 15″).
Minimal Focus Breathing: Maintains consistent image composition during focus pulls, providing a more polished and professional appearance.
Well-Controlled Distortion and Aberrations: Minimizes geometric distortion and chromatic aberration for clean and accurate images.
Lightweight and Compact Design: Easy to handle and ideal for various shooting setups, including gimbals and handheld rigs (weight: 1.0 kg / 2.2 lbs, length: 91mm / 3.6″).
Robust and User-Friendly: Features large, easy-to-read calibrated scales, uniform front diameter (95mm) and consistent positioning of focus and aperture rings across the Ultra Prime series for quick lens changes.
Color Matched: Designed to match seamlessly with other ARRI and Zeiss lenses, including the Master Prime series, for consistent color rendition.
PL Mount: Compatible with professional PL mount cinema cameras.
Cost USD $5,550
Nick Lange – mailto:[email protected]
Wardah Frizlar <[email protected]>
Everpost.com / (310) 837-4611
128 Maryland Street, El Segundo, CA 90245
Sell USD $7,050 FOB for a profit of 1,500 ?
newlife and lori does not have it – (r) 05/15/2025
All Licenses
Includes:
ARRI Alexa Mini Body (PL)
Electronic Viewfinder + Cable
Top Handle (CCH-2)
Arri rod Mounting Bracket (RMB-3)
Mini Side Brackets (MSB-1 & MSB-2)
Arri Lightweight Adapter Plate (MAP-1)
2x Rods 15mm/340mm
Adapter Plate with rod support (MAP-2)
V-Mount Battery Adapter
Bridge Plate Adapter (BPA-4)
1xCard 128GB
Wooden Camera A-Box Audio Adapter
Cost USD$ 15K
Lebanon
Chant – [email protected]
961 3 250 641 – (r) 05-07-2025
Full-Frame Coverage: Designed for large format sensors.
Consistent T2.1 Aperture: Ensures uniform exposure across the lens set.
LPL Mount: Provides a robust and future-proof connection.
German Engineering: Renowned for quality and precision.
Warm and High-Resolution Image: Delivers a pleasing cinematic look.
Dimensional Pop: Gradual falloff draws focus to the center.
Consistent Size and Speed: Facilitates efficient workflow.
Standardized Mechanics: Uniform focus and iris ring positions.
Leica-inspired Bokeh: Creates painterly out-of-focus areas.
Cost 102 usd
China
Sam: [email protected]
(r) 05/06/2025
Cinematic large format coverage and high speed: Covers sensors from Super 35 up to full frame and beyond, with most lenses at a fast T1.5.
Consistent performance: Uniform coverage, color rendering, aperture, size, weight, and ergonomics across the entire lens family.
Versatile look and gentle sharpness: Delivers crisp images with an organic feel, ideal for various cinematic styles and pleasing for skin tones.
Aesthetic focus fall-off and elegant bokeh: Creates a smooth transition between in-focus and out-of-focus areas, adding depth to the image.
ZEISS eXtended Data technology: Provides comprehensive lens metadata for efficient workflow in post-production.
Compact and lightweight design: Offers easy and comfortable handling on set.
Standardized design: Consistent 95mm front diameter and uniform positioning of focus and iris rings for quick lens changes.
Robust and reliable: Engineered for professional use in demanding production environments.
Owner Sam CHINA
[email protected]
5 lens asking for 45k usd .
Asked for the price of a set of 7
Hi Roberto ,
Sorrry for the confusion ,
For the zeiss sp , the 7pcs lens asking for 67k usd .
Regarding the price i quote you 15k each , this is the price for arri sp, I also have one set arri sp for sale .
please let me know if you are interested. Best regards
Sam
Large Format Coverage: Compatible with sensors up to full-frame and large format (up to 46mm image circle).
Fast T1.8 Aperture: Enables shallow depth of field, creating a strong separation between the subject and background.
Signature Prime Look: Delivers warm and smooth skin tones, open shadows with crisp blacks, and soft, delicate flares.
Smooth Bokeh: Features an 11-blade iris that produces a soft and rounded out-of-focus rendering.
Minimized Aberrations: Advanced optical design minimizes chromatic aberration and distortion.
LPL Mount: Equipped with the ARRI LPL mount, which supports LDS-2 lens data for efficient workflow and high metadata rates. Compatible with PL mount lenses via an adapter.
Lightweight and Durable: Constructed with magnesium housings and aluminum gear rings, making it robust yet relatively light at approximately 3.25 kg (7.3 lbs).
Rear Filter Holder: Features a magnetic rear filter holder for easily and quickly customizing the look without affecting the lens itself.
Consistent Design: Shares a common 114mm front diameter and uniform gear positions across most of the Signature Prime range.
Minimal Focus Breathing: Designed with virtually imperceptible focus breathing, beneficial for smooth focus pulls.
owner wants : Looking for £15,500 Pound Sterling (GBP)
From: Marc Ehrenbold <[email protected]>
What is the sellling price ?…. 17,500 maybe ?
Sounds correct?
I will post it and then will edit if needed
Direct Dial: +44(0) 20 7391 2686
Aimimage Group
TriBeCa Wharf
Ground Floor Offices
22-24 St Pancras Way
London NW1 0NT
T: 020 7391 2650
icefilm.com
aimimage.com
High speed. 3:4, Arri Library licenses
1775 hours
Package Includes:
1x ALEXA Mini Body, 4:3 License
1x K2.75004.0 MVF-1 Viewfinder
1x K2.0003216 Titanium PL LDS mount with LBUS
1x K2.73002.0 Center Camera Handle CCH-2
1x K2.0006140 Mini Viewfinder Bracket MVB-1
2x K2.0006347 Mini Adapter Plate MAP-2
1x K2.0006186 Rod Mounting Bracket RMB-3
1x K2.0006352 Bridge Plate Adapter BPA-4
1x K2.0014894 Compact Bridge Plate CBP-1 19mm
1x K2.0008408 Shoulder Pad CSP-1
1x K2.0006471 Battery Adapter Plate BAP-1
1x K2.0007091 Bebob V-Mount Battery Adapter f/ Mini
1x K2.0001031 Support Rods 440mm/17.3in, Ø15mm
1x K2.0016088 Support Rods 90mm/3.5in, Ø19 mm
1x K2.66270.0 Support Rods 240mm/9.4in, Ø19mm
1x K2.0009098 Lexar Cfast 2.0 Card 128GB
Angelbird CFast 2.0 Card set 3x 256GB
ARRI edition, professional grade Angelbird AV PRO AR CFast 2.0 card
256GB.Designed for optimum performance in ARRI cameras.
Recording capacity at 24fps:
ARRIRAW approx. 25min 2.8K, 15min 3.4K OG
Apple ProRes 4444 approx. 28min 16:9 4K UHD
Angelbird CFast 2.0 Card Reader (USB-C)
Side Accessory Bracket (SAB-1)
The SAB-1 allows users to position accessories towards the rear of the
ALEXA Mini in order to optimize balance and bulk. The SAB-1 is ideal
for mounting the CCP-1 Camera Control Panel on the operator’s side
of the ALEXA Mini.
Bottom Dovetail Plate 300mm/12in
Stabilizer Plate for CBP
Wooden Camera A-Box
Jason Case
The ARRI ALEXA Mini is a compact, lightweight digital cinema camera that delivers the same exceptional image quality as the larger ALEXA models. Ideal for handheld, gimbal, drone, or tight-rig applications, the ALEXA Mini is widely used in high-end productions for its reliability, dynamic range, and cinematic color science.
Features
Compact & Lightweight – Perfect for tight spaces, aerial work, and handheld shooting.
ALEXA Image Quality – Same sensor as the ALEXA Classic with 14+ stops of dynamic range.
4K UHD Recording – Up to 4K UHD ProRes and ARRIRAW (Open Gate, 3.2K, 2.8K).
Robust Carbon Fiber Body – Durable design with flexible rigging options.
Integrated Lens Control & Wireless Support – Ideal for single-operator or remote setups.
Flexible Mounting & Accessories – Compatible with a wide range of ARRI and third-party gear.
Color Science – Natural skin tones and filmic rendering.
USD $23,000
MD
LOUIS C. BRANDT – Australia
[email protected]
+61434017190
04-24-2025
Cooke S7i 18mm
Cooke S7i 25mm
Cooke S7i 32mm
Cooke S7i 50mm
Cooke S7i 75mm
Cooke S7i 135mm
The Cooke S7/i Full Frame Plus Primes are premium cinema lenses designed to cover full-frame and beyond (up to the RED 8K VV sensor). Developed for high-end cinematography, they deliver sharp, consistent performance while preserving the warmth and cinematic character known as the Cooke Look®.
These lenses combine precision optics with modern features like lens metadata communication for VFX and post workflows.
Cost 85,000 Dollars
Shadi AbuSharar | Filmmaker.DOP.Colorist
email. [email protected]
Mobile Dubai : +971 50 2711135 (r) 04-18-2025
The SONY BURANO 8K CAMERA (MPC-2610) is a compact and versatile digital cinema camera designed for solo and small team productions, inheriting the superior image quality of the VENICE series. It offers a full-frame 8.6K sensor with 16 stops of dynamic range and dual base ISO (800/3200), ensuring exceptional low-light performance. Notably, it’s the world’s first digital cinema camera with in-body image stabilization (IBIS) for both PL and E-mount lenses, enhancing handheld shooting capabilities. The inclusion of a built-in electronic variable ND filter (0.6-2.1) allows for seamless exposure adjustments. The camera supports various internal recording formats, including X-OCN LT and XAVC H, offering flexibility in post-production workflows. Its lightweight and ergonomic design facilitates easy switching between different shooting styles, making it suitable for a wide range of applications.
Key Features and Benefits:
8.6K Full-Frame Sensor: Captures high-quality images with rich detail, wide latitude, and excellent color rendition.
Dual PL/E Mount: Offers compatibility with a vast selection of lenses.
In-Body Image Stabilization (IBIS): Provides 3-axis stabilization with PL lenses and 5-axis with E-mount lenses, reducing camera shake.
Electronic Variable ND Filter (0.6-2.1): Allows for smooth and continuous control over exposure.
Dual Base ISO (800/3200): Ensures clean images with minimal noise in various lighting conditions.
16 Stops Dynamic Range: Captures a wide range of tonal details from highlights to shadows.
Fast Hybrid Autofocus: (with E-mount lenses) Combines phase detection and contrast AF for quick and accurate subject tracking, including Face and Eye Detection.
Multiple Recording Formats: Supports X-OCN LT, XAVC H, XAVC Intra, and XAVC Long for flexible workflow options.
Compact and Lightweight Design: Enhances mobility and ease of use for solo operators.
Versatile Frame Rates: Records up to 8K at 30fps, 6K at 60fps (in FF crop), 5.8K at 60fps (S35), and 4K at 120fps (in S35 crop).
Seamless Integration with VENICE Series: Offers similar color science for consistent footage in multi-camera setups.
Sell it for 22,500
We offered a cost 19,500
His Original Cost 24,500
Owner : RANDY GOODMAN
[email protected]
Telephone: 7144411992
Zeiss MKII Super Speed 18mm
Zeiss MKII Super Speed 25mm
Zeiss MKII Super Speed 35mm
Zeiss MKII Super Speed 50mm
Zeiss MKII Super Speed 85mm
Fast T1.3 Aperture: Enables shooting in low light conditions and achieving shallow depth of field with pleasing bokeh.
Compact and Lightweight Design: Ideal for handheld operation, gimbal setups, and situations where weight is a concern.
Vintage Look: Produces a classic aesthetic with subtle lens flares and a mild reduction in contrast, giving a more filmic quality to digital footage.
Uniform Characteristics: Consistent T1.3 aperture and 80mm front diameter across the set facilitate easy use of accessories.
Good Optical Performance: Offers good contrast and high resolution, especially when stopped down slightly (above T2.8).
PL Mount: Designed for professional cinema cameras with a PL mount.
Factory Integrated Gears: Equipped with focus and iris gears compatible with follow focus systems.
Dual Focus Scales: Features both metric and imperial focus scales for versatility.
Improved Focus Ring: The MKII version often features an improved focus ring with increased rotation (around 270°) and more detailed markings compared to earlier versions.
Super 35 Coverage: Covers Super 35 sensors and often extends to open gate on cameras like the Arri Alexa Mini, with some lenses in the set offering coverage for larger sensors in certain crop modes.
Cost price for this setr is 43K and sale price is 49K
Owner is Yang Shao in USA, said Fred on Whatsapp
(r) 04/09/2025
PL Mount
2x Anamorphic
SALE INCLUDES:
30mm f2.3
40mm f2
50mm f1.8
85mm f1.9
Custom Innerspace Case
Nippon Scope anamorphic lenses are vintage cinema lenses known for their distinct anamorphic characteristics, delivering a unique cinematic look. Originating from Japan, these lenses produce a signature oval bokeh, horizontal lens flares, and a wider field of view while maintaining sharpness and color accuracy. They have been used in various high-end film productions, making them sought after by cinematographers who appreciate their organic and immersive image quality.
Features:
Anamorphic Compression: Creates a wider field of view while maintaining standard aspect ratios.
Distinctive Oval Bokeh: Produces a cinematic depth of field with aesthetically pleasing background blur.
Classic Horizontal Flares: Delivers iconic lens flares, enhancing the visual storytelling.
High Optical Quality: Maintains sharpness with natural color rendition.
Vintage Aesthetic: Adds character and texture to footage.
Durability & Build: Solid construction designed for professional use.
SOLD – $45,000 – SOLD
MD
Mark LaFleur
OLD FAST GLASS
Office: 747-223-2343
www.oldfastglass.com
04-10-2025
14mm T2.8
20mm T2.9
24mm T1.5
28mm T2.1
35mm T2.1
45mm T1.5 (Yashica)
55mm T1.3
85mm T1.3
135mm T2.1
Comes in 2 x Hard plastic 6 hole cases with laser cut foam inserts (GL Optics)
The Canon FD GL Optics Rehoused Lenses are vintage Canon FD still photography lenses that have been meticulously rebuilt and modernized by GL Optics for professional cinema use. These lenses retain the sought-after optical characteristics of the original Canon FD glass, known for its pleasing warm tones, smooth rendering, and distinctive flares, while incorporating robust, industry-standard mechanics. Often compared to the classic Canon K35 lenses due to shared visual qualities, the FD lenses typically offer a slightly cooler and more contrasty image and are generally more accessible in price.
10% 10,300 so Cost price is USD $ 92,700 FOB
Alex Fensham (he/him)
General Manager
HABIBI Film Rentals
151 Sterling Road, Studio 3,
Toronto, ON. M6R 2B2
(647) 447-6166
https://www.habibifilmrentals.com
Includes:
Silent ARRIFLEX 535 B
Integrated Color Video Assist IVS PAL
Finder Extender
(2x) Magazines 400 FT
(2x) Magazines 1000 FT
Ground Glass
The Arriflex 535B is a renowned 35mm film camera, highly regarded for its reliability and versatility in professional filmmaking. Here’s a concise overview:
Key Features and Benefits:
Robust and Reliable: Designed for demanding production environments, ensuring consistent performance.
Versatile Application: Suitable for studio and location shooting, including feature films, commercials, and music videos.
Precise Film Movement: Offers accurate and stable film transport, crucial for high-quality images.
Adjustable Shutter: Allows for precise control over exposure and motion blur.
Wide Range of Accessories: Compatible with various lenses, magazines, and support systems.
Crystal Sync Speed: providing accurate frame rates.
Cost 20K
[email protected]
Chant Etyemezian
Tel. 9611491850 / +9613250641
Lebanon (r) 04/03/2025
Includes: 12 lenses and 5 special Leica Diopters (MacroLux), shims and cases for 1 or 2 or 3 or 4 or 6 lenses
Summilux-C 16mm T1.4
Summilux-C 18mm T1.4
Summilux-C 21mm T1.4
Summilux-C 25mm T1.4
Summilux-C 29mm T1.4
Summilux-C 35mm T1.4
Summilux-C 40mm T1.4
Summilux-C 50mm T1.4
Summilux-C 65mm T1.4 (Macro)
Summilux-C 75mm T1.4
Summilux-C 100mm T1.4
Summilux-C 135mm T1.4
The Leitz Summilux-C lenses are a renowned series of prime cine lenses known for their exceptional optical performance, compact size, and fast T1.4 aperture across the entire range. Designed for Super 35mm sensors (with a 33mm image circle), they offer consistent color and contrast, ensuring smooth transitions between focal lengths. Their telecentric design and aspherical elements minimize chromatic aberrations, color fringing, and distortion while providing even illumination. A patented cam-driven focus mechanism ensures durability and virtually eliminates focus breathing. The lenses feature a long 300° focus rotation with consistent markings and shared focus/iris ring positions, facilitating efficient operation on set. With a uniform 95mm front diameter (except the 135mm), they streamline the use of matte boxes and other accessories. The Summilux-C lenses are prized for their “creamy sharpness,” delivering detailed images with natural skin tone rendition and pleasing bokeh. Available in focal lengths from 16mm to 135mm, they are a top choice for cinematographers seeking uncompromising image quality and production efficiency.
Fast T1.4 Aperture: Consistent across the range for excellent low-light performance and shallow depth of field.
Compact and Lightweight: Smaller and lighter than comparable lenses, facilitating easier handling and rigging.
Consistent Color and Contrast: Ensures seamless intercutting between different focal lengths.
Telecentric Design: Provides uniform brightness across the sensor and reduces edge darkening.
Aspherical Elements: Minimize aberrations, distortion, and color fringing.
Cam-Driven Focus: Durable, precise, and virtually eliminates focus breathing.
Long Focus Rotation (300°): Allows for accurate and repeatable focus pulls.
Consistent Focus Marks: From 6 feet to infinity across all focal lengths.
Shared Ring Positions: Focus and iris rings are in the same location on each lens for quick lens changes.
Uniform Front Diameter (95mm): Simplifies the use of lens accessories.
Creamy Sharpness: High resolution with a natural and pleasing rendering, especially for skin tones.
Super 35 Coverage: Minimum 33mm image circle covers Super 35 sensors without vignetting.
PL Mount: Industry-standard mount for professional cinema cameras.
Cost : $ 200,000 Dollars
Owner Carlo Rho
[email protected]
Mob: +34 646 728 412
Spain (r) 03/31/2025
Wireless HD Video:
Transmits uncompressed 1080p60 video.
Up to 300 feet of transmission range.
Near-zero latency (<1ms).
Connectivity:
3G-SDI and HDMI inputs/outputs.
USB 3.0 GRAB Engine for direct computer ingest.
Reliability:
Operates on the license-free 5GHz frequency.
Robust wireless performance.
Multicast capable up to 4 receivers.
Professional Features:
Supports metadata and timecode.
Internal Antennas.
COST: We will offer him 400 Euros
Peeter Järvelaid <[email protected]>
producer
+372 5011711
augustfilms.com
Soo4, Tallinn, Estonia
(R) 03/28/2025
HOURS 1379
Licenses: Full-Frame, Anamorphic, High Frame Rate, Rialto
VENICE CAMERA BODY
AXS-R7 4K RAW RECORDER
SONY VENICE RIALTO EXTENSION UNIT + 9′ CABLE
PL MOUNT
OLED VIEWFINDER
A-BOX
ARRI VENICE CAGE with BPA-5, TOP HANDLE CCH-4, SIDE BRACKETS, BP-9
ARRI 12″ DOVETAIL
CORE SWX HLX-VAN-GP BATTERY PLATE FOR SONY VENICE
SONY DUAL AXSM AND SXS CARD READER (ASX-AR1)
SONY SXS USB CARD READER
SONY AXSM CARD READER
WOODEN CAMERA 15V POWER SUPPLY (4-PIN XLR FEMALE)
INNERSPACE CUSTOM HARD CASE
(5) 512GB SONY AXSM MEMORY CARDS
(4) 240GB SONY SXS PRO X CARDS
TILTA RIALTO BACKPACK CHEESEPLATE AND VEST
18″ 15MM METAL ROD
12″ 15MM METAL ROD
18″ 19MM METAL ROD
Full-Frame Sensor: Large 36x24mm sensor for cinematic imagery, shallow depth of field, and wide aspect ratio support.
High Resolution: Up to 6K resolution capture for detailed images.
Dual Base ISO: Excellent performance in various lighting conditions with ISO 500 and ISO 2500.
Wide Dynamic Range: Over 15 stops of latitude for capturing detail in highlights and shadows.
Flexible Lens Mounts: Supports both PL (industry standard) and E-mount lenses.
Built-in ND Filters: Servo-controlled 8-step mechanical ND filters (0.3 to 2.4) for quick and easy exposure control.
Rialto Extension: Detachable sensor block for enhanced shooting flexibility in challenging environments.
No Image Quality Loss with Rialto: Maintains the full 6K image quality and functionality when using the extension.
Enhanced Mobility: Ideal for gimbals, handheld, and specialized rigging.
Additional Outputs: Rialto adds HD-SDI and power outputs for accessories.
Multiple Recording Formats: Internal recording in XAVC, ProRes, and external RAW/X-OCN options.
Advanced Color Science: Accurate and pleasing color reproduction with S-Log3 gamma.
Intuitive Operation: User-friendly interface with displays on both sides for operator and assistant.
Cost: 26,995.00
Nathan Thompson –
“Nathan Thompson” <[email protected]>
615-693-9917
Shipping from Nashville, TN
(R) 03-28-2025
The Canon Optex 200mm t1.8 is a fast, high-quality telephoto prime lens adapted for professional film and digital cinematography. Originally likely a Canon FD mount lens, it has often been rehoused with a PL mount for compatibility with industry-standard cinema cameras. Its wide t1.8 aperture makes it exceptional in low light and allows for a very shallow depth of field, creating a beautiful bokeh effect. The “t” stop (transmission stop) is a more accurate measurement of light transmission through the lens than the f-stop, which is a theoretical calculation. This lens is prized for its sharpness and is a sought-after piece of equipment in the used market.
Fast t1.8 Aperture: Excellent low-light performance and shallow depth of field.
Telephoto Focal Length (200mm): Ideal for capturing distant subjects with a narrow field of view, creating separation and focus on the subject.
High Optical Quality: Known for sharpness and pleasing image rendition.
Often Rehoused for Cinema Use: Many available versions feature robust PL mounts and industry-standard focus and iris gears.
Desirable Bokeh: The wide aperture and optical design contribute to a smooth and aesthetically pleasing out-of-focus background.
Euros.: 6000
Owner: Ben Battersby
Company Name: EDB
Email: [email protected]
Telephone: 5491160266228
Madrid, Spain
(R) 03-28-2025
The Laowa Pro2be Set of 3 is an innovative and versatile cine lens kit designed for capturing unique perspectives, especially in macro cinematography. It includes three distinct 24mm T8 lenses: a Direct View (0°), a 35° View, and a 90° Periscope View module. These lenses offer 2x magnification, a waterproof front barrel (up to 36.6cm), and a close focusing distance of just 4mm, enabling extreme close-ups with impressive detail and a wide depth of field due to their wide-angle design. The lenses feature long, tubular, and adjustable barrels, allowing users to shoot in previously inaccessible locations and achieve creative angles. They are constructed with high-quality optics for sharp images and accurate color rendition and come with interchangeable mounts (PL, EF, RF, Z, E, L). The set is ideal for various applications, including wildlife, food, product, and miniature videography, as well as special effects in narrative filmmaking and commercials.
Three Unique Perspectives: Includes 0° direct view, 35° tilted view, and 90° periscope view modules for diverse shooting angles.
2x Magnification: Allows for extreme close-up shots revealing intricate details.
Wide Angle of View: Provides a greater depth of field at close distances compared to telephoto macro lenses.
Waterproof Front Barrel: Enables shooting in and out of water and protects against dust and debris (up to 36.6cm).
Long, Tubular, and Adjustable Barrels: Facilitates reaching unique and difficult angles and spaces.
Fast T8 Maximum Aperture: Allows for better light gathering and freezing motion.
High Image Quality: Advanced optical design minimizes diffraction and enhances sharpness and color accuracy.
Full Frame Coverage: Compatible with both standard 35mm full-frame and Super 35 sensors.
Interchangeable Lens Mounts: Offers compatibility with various professional cinema cameras (PL mount default, with options for EF, RF, Z, E, L).
Robust Cine Housing: Features continuously variable aperture rings and standardized 0.8 MOD gears for focus and aperture control.
Cost 7500 Euros
Robert Schulzmann <[email protected]>
ALTGLAS Rental – Berlin
+49 1797555076 (r) 03-27-2025
Fast T2.0 Aperture: Allows for excellent low-light performance and shallow depth of field.
“Cooke Look”: Renowned for its warm, pleasing image rendition and smooth bokeh.
Super 35 Coverage: Designed to cover Super 35mm sensors, a widely used cinema format.
Close Focus: Offers a very close minimum focus distance, enhancing creative possibilities.
/i Technology: Provides lens metadata for precise recording of focus, aperture, and other settings.
High Optical Performance: Superior control of flare, distortion, and spherical aberrations.
Robust Build: Designed for professional use, ensuring reliability and durability.
Cost 16,000 Euros
Peeter Järvelaid <[email protected]>
producer
+372 5011711
augustfilms.com
(r) 03-27-25
Atlas Orion A 40mm
Atlas Orion A 40mm
Atlas Orion A 100mm
The Atlas Orion Anamorphic lenses are a series of cinema lenses designed to deliver a classic anamorphic aesthetic. They are known for their distinct look, which includes wide aspect ratios, characteristic flares, and oval bokeh. These lenses have gained popularity among filmmakers seeking the anamorphic look without the high cost associated with vintage or high-end modern anamorphic lenses. They are built with modern manufacturing techniques, offering reliability and durability for professional use.
Classic Anamorphic Look: Produces the distinctive widescreen aspect ratio, horizontal flares, and oval bokeh characteristic of vintage anamorphic lenses.
Modern Build Quality: Designed for contemporary filmmaking with robust construction and reliable mechanics.
Relatively Affordable: Compared to many high-end anamorphic options, the Orion series offers a more accessible entry point.
Consistent Performance: Maintains consistent optical characteristics across the lens set.
Interchangeable Mounts: Adaptable to various camera systems.
Pleasing Skin Tones: Designed to render natural and flattering skin tones.
Cost: 15,500 Euros
Owner; Peeter Järvelaid <[email protected]>
+372 5011711
augustfilms.com (R) 03-27-2025
ZEISS SUPERSPEED UNCOATED MKIII T1.3 18mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 25mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 35mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 50mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 85mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 135mm
Key Features and Benefits:
Extremely Fast Apertures: Primarily T1.3, allowing for shallow depth of field and excellent low-light performance.
Uncoated Front Element: Produces unique flares and lower contrast, often desired for a vintage or cinematic look.
PL Mount: Industry-standard mount ensuring compatibility with professional cinema cameras.
MkIII Design: Represents a later iteration of the Super Speed series, often incorporating refinements in mechanics and build quality.
Compact and Lightweight: Relatively small and easy to handle on set.
Distinctive Image Character: The uncoated front contributes to a softer, more organic look with enhanced flares.
Popular for Vintage Aesthetic: Highly sought after for achieving a classic filmic style.
Cost : 65000€
From: Mathieu Lalande <[email protected]>
Atlas Mercury A 36mm
Atlas Mercury A 42mm
Atlas Mercury A 72mm
Full-Frame Coverage: Designed for full-frame sensors (36.7mm x 25.54mm) and compatible with various aspect ratios (16:9, 3:2, 4:3) with easy delivery to 2:1, 2.25:1, 2.66:1, and 2.4:1.
1.5x Anamorphic Coefficient: Provides a balance of the classic 2x Cinemascope look (oblong bokeh, barrel distortion, shallow depth of field) with a more manageable size and weight.
Vintage Geometric Personality: Offers exceptional optical performance with character, color, and clarity, featuring pleasing barrel distortion, painterly oval bokeh, and dynamic golden streak flares with near-zero chromatic aberration.
Lightweight and Compact: Approximately half the size and weight of most professional anamorphic lenses, enhancing versatility for various shooting scenarios, including handheld and gimbal work.
Professional Usability: Features an Arri PL mount compatible with professional cinema cameras and mirrorless cameras via PL adapter. It has unified focus and iris positions for quick lens changes and standardized 0.8 pitch gears and a 95mm front diameter for compatibility with standard cinema accessories.
Optimized for Film and Digital Sensors: Designed to perform exceptionally well with both traditional film and modern digital cinema cameras.
Crisp Image and Pleasing Skin Tones: Delivers sharp and resolute images while being optimized to render a variety of skin tones beautifully.
Rick Darge is Asking $20k for the lenses. And $500 for the case.
for a New Atlas Mercury A set: 36 42 72 mm
[email protected] <[email protected]>
(R) 03-26-2025
Canon EF CN-E Cinema Prime 14mm
Canon EF CN-E Cinema Prime 24mm
Canon EF CN-E Cinema Prime 35mm
Canon EF CN-E Cinema Prime 50mm
Canon EF CN-E Cinema Prime 85mm
High Optical Performance:
Engineered for 4K resolution and high image quality.
Consistent color balance across the lens series.
Minimal focus breathing.
Professional Build:
Robust and durable construction for demanding production environments.
Unified 114mm front diameter and standardized gear positions for efficient lens changes.
Dust and water-resistant design.
Cinematic Qualities:
11-blade aperture for smooth, beautiful bokeh.
Precise manual focus with a 300° rotation.
Designed to produce a natural, cinematic look.
EF Mount Compatibility:
Compatible with Canon’s Cinema EOS cameras and EF-mount DSLRs.
Adaptable to RF mount cameras with adaptors.
Operational advantages:
Dual focus markings.
Ability to change focus markings from imperial to metric.
Cost
In Wastsapp on 03-25-25
P: 10000 EUR for me. 2000 EUR to you as commission if you sell it for 12K.
R: Ok…but we always Mark it up a Little more because clients always ask for discounts…thanks
P: You can mark it up
Peeter Järvelaid <[email protected]>
producer
+372 5011711
augustfilms.com – Soo4, Tallinn, Estonia (R) 03/25/2025
ALEXA 35 Production Set (15mm Studio).
ALEXA 35 camera body Serial No.: 65007.
ALEXA 35 Cine License.
ARRI LPL Mount (LBUS).
ARRI PL-to-LPL Adapter.
Balance Utility Dovetail.
B-Mount Adapter.
Multi Viewfinder MVF-2 Serial No.: 9149.
2 Cable VF Right Angle (0.5m/1.5ft).
Camera Power Cable.
Straight 2m/6.6inKC50.
Power Distribution Module PDM-1 Serial No.: 2981.
Production Support Set – Top, Side, Bottom (15mm).
Anton Bauer 26V Gold Mount+ Battery Plate for ARRI ALEXA 35.
Pelican Lite Travel Case w/ laser cut foam.
For an aditional you can add :
Alexa 35 Memory & Reader: 2TB Codex Compact Drives (6 units)
Codex Compact Drive Dock (TB3) Hours: 64:02. ————-
Key Features and Benefits:
Superior Image Quality:
New 4.6K Super 35 ARRI ALEV 4 CMOS sensor.
17 stops of dynamic range, significantly improved over previous ARRI models.
Enhanced low-light performance with higher sensitivity (EI 160 to 6400).
REVEAL Color Science for more accurate and nuanced color reproduction.
Advanced Recording Capabilities:
Versatile recording formats, including ARRIRAW and Apple ProRes.
Resolutions up to 4.6K and frame rates up to 120p.
New flexable licensing options, and cost effective codex media.
Enhanced Operational Features:
Stray light suppression for improved contrast.
Robust build quality and ergonomic design.
LPL lens mount, with PL to LPL adapter.
Flexable production options:
Base model with upgradable licenses.
Wide array of production set configurations.
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 35mm
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 50mm
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 75mm
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 100mm
Key Features and Benefits:
Classic Anamorphic Look: Delivers a vintage aesthetic with a 2x squeeze, characteristic oval bokeh, and distinct blue streak flares.
Organic Image: Offers a slightly softer, more forgiving image with medium contrast and a natural feel, avoiding a clinical sharpness.
Mirrorscope Rehousing: Modern rehousing by Mirrorscope addresses common issues of vintage lenses, providing improved mechanics for focus and matte box compatibility (non-rotating front).
Hawk C-Series Heritage: Based on the original Lomo Round Front lenses that formed the foundation of the renowned Hawk C-Series anamorphic lenses.
Versatile Focal Lengths: Typically available as a set with useful focal lengths like 35mm, 50mm, 75mm, and 100mm.
PL Mount: Features a professional PL mount for compatibility with a wide range of cinema cameras.
Enhanced Usability: Rehousing often includes standardized front diameters and improved focus mechanics for smoother operation.
Cost USD $ 85,000
Owner Nathan Thompson – Email: [email protected]
Telephone: 833-268-7278 – Nashville – USA
(R) 03/25/2025
