35mm T3.5 USD $ 6,500
45mm T2.8 USD $ 5,800
55mm T2.8 USD $ 5,000
80mm T2.8 USD $ 5,000
110mm T2.8 USD $ 5,800
150mm T3.5 USD $ 6,500
OPTIONAL:
24MM T4.0 $12,000
80mm T1.9 $5,000
200MM T2.8 APO $8,500
300mm T2.8 APO $10,000
1) The base lenses are Mamiya 645 (60mm*45mm format) prime Lenses;
2) All lenses have the same length, 95mm diameter, 77mm UV screw and
same focus/iris scale designed;
3) All lenses have 300 degrees focus rotation;
4) Medium format Lenses cover 12K sensor as well.
Focal lens : 18mm T2.9 – 24mm T2.1 – 28mm T2.1 – 35mm T1.5 – 50mm T1.3 – 85mm T1.5 – 105mm T1.9 – 135mm T2.1
1) All lenses have 95mm front
2) Light weight designed
3) Unique focus/iris scale space
4) New round iris system
5) Interchangable PL/LPL/EF/SONY E mount
OPTION LENSES:
Nikkor 14mm T2.9 – 6500 USD
Nikkor 15mm T3.6 – 6000 USD
Nikkor 55mm T1.3 – 5500 USD
Nikkor Noct 58mm T1.3 – 9000 USD
Nikkor ED 180mm T2.9 – 4300 USD
Shot On What ? https://shotonwhat.com/?s=NIKKOR+FULL+FRAME+LENS+SET+OF+7
Ultra Prime 16 6mm
Ultra Prime 16 8mm
Ultra Prime 16 9.5mm
Ultra Prime 16 12mm
Ultra Prime 16 14mm
Ultra Prime 16 18mm
Ultra Prime 16 25mm
Ultra Prime 16 35mm
Ultra Prime 16 50mm
High image quality: Ultra Prime 16 lenses deliver exceptional image quality, even in low-light conditions.
Improved low-light performance: These lenses excel in low-light situations, allowing you to capture clear and crisp images without needing to increase ISO.
Faster autofocus: They boast faster autofocus compared to standard lenses, making them ideal for capturing fast-paced action or motion.
Shallow depth of field: Ultra Prime 16 lenses can achieve a shallow depth of field, which is a desirable effect for isolating your subject from the background.
1146 Hours
Includes:
1 -ARRI ALEXA MINI LF CAMERA-PL KIT
1 -ARRI ALEXA MINI LF CMOS ALEV 3 A2X 4.5K CARBON FIBER CAMERA BODY
1 -ARRI ALEXA MINI LPL / LBUS LDS-2 LENS MOUNT
1 -FRONT PL CAP
1 -ARRI LPL TO PL ADAPTER W/ (1) PL PORT CAP
1 -ARRI MVF-2 VIEWFINDER / CAMERA CONTROL UNIT
1 -ARRI EVF RUBBER EYECUP
1 -ARRI ALEXA MINI LF STUBY ANTENNA
1 -ARRI ALEXA MINI EVF BRACKET W/ (X2) 15MM X 4″ RODS & (X2) THREADED CAPS
(MVB-1)
1 -ALEXA MINI / MINI LF INTEGRATED SIDE PLATE RC
1 -ARRI CCH-2 / CENTER CARRY HANDLE W/ (4) HEX SCREWS
1 -ARRI ALEXA MINI MSB-2 / MINI SIDE BRACKET W/ (4) HEX SCREWS
1 -ARRI ALEXA MINI MAP-2A / MINI ACC PLATE W/ (4) HEX SCREWS
1 -ARRI ALEXA MINI MSB-3 / MINI SIDE BRACKET W/ (4) HEX SCREWS
1 -ARRI ALEXA MINI REAR ACCESSORY BRACKET (RAB-1) W/ (1) HEX SCREW
1 -ARRI ALEXA MINI CLAMP FOR RAB-1
1 -ARRI ALEXA MINI LF / WOODEN CAMERA A-BOX
1 -ARRI ALEXA MINI / BEBOB GOLD MOUNT POWER SPLITTING BOX MK II
1 -ARRI ALEXA MINI COMPACT BRIDGEPLATE (CBP-1) ADAPTER PLATE
1 -ARRI ALEXA MINI COMPACT BRIDGEPLATE-19MM (CBP-1)
1 -ARRI DOVETAIL (BLACK) 12″
3 -ARRI CODEX COMPACT DRIVE / 1TB
3 -ARRI CODEX COMPACT DRIVE HARD CASE
2 -ARRI ALEXA MINI LF EVF CABLE 1.5FT
1 -CODEX COMPACT DRIVE READER
1 -USB 3.0 TYPE-C MALE TO TYPE-C MALE
1 -ARRI ALEXA MINI ANTENNA
1 -A&J CASE / ALEXA MINI LF (24″/ 18″/ 17″ – 50 LBS)
Features:
Super 35 sensor: Delivers beautiful film-like images with natural skin tones.
High frame rate recording: Up to 200 fps for slow-motion effects.
Wide dynamic range: Captures highlights and shadows with incredible detail (14+ stops).
Compact and lightweight: Perfect for handheld shooting, gimbals, and drones.
Interchangeable lens mount: Compatible with a wide variety of lenses (PL, EF, B mount).
Internal ND filters: Adjust light levels without affecting color temperature.
Professional audio recording: Records high-quality audio for clean sound.
Variety of recording formats: Choose from ProRes, DNxHD, and more for different editing workflows
The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35-III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn’t require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Rival Panavision even owns more 435s for rental than Arri’s own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.
This versatile cine lens offers a powerful zoom range (17mm-120mm) for capturing a variety of shots.
Compatible with professional cinematography cameras thanks to its PL-Mount.
Adapts to your needs: The detachable drive unit allows for solo operation or integration into a larger production setup, with rod support for additional accessories.
Seamless control: Electronic Lens Mount & 12-pin Connector ensure smooth operation of zoom, focus, and iris.
Benefits:
Stunning image quality: Expect crisp and detailed visuals.
Highly portable: Compact and lightweight design makes it perfect for handheld shooting or use on gimbals.
Professional operation: ENG-style motorized controls for zoom, focus, and iris deliver precise adjustments.
Cooke S4 18mm
Cooke S4 25mm
Cooke S4 32mm
Cooke S4 50mm
Cooke S4 85mm
Cooke S4 Lenses: Key Features an
Superb optical performance: Minimizes flare, distortion, and aberrations for sharp, clean images.
Fast aperture (T2): Allows for excellent low-light performance and shallow depth of field control.
Smooth focus mechanism: Enables precise and easy focus adjustments.
Standardized design: Consistent color balance and mechanics across all S4/i lenses.
Came with a brand new mag at the time it was puchased.
Subsequently 3 additional mags were bought.
Has an IVS and some further basic accessories such as extended eyepiece and all the original parts that came with the camera.
Barely used.
Key Features and Benefits
- Super 16mm film format: Offers a good balance between image quality and portability.
- High-speed shooting up to 150 fps: Great for slow-motion effects.
- Lightweight and ergonomic design: Makes it comfortable to use for handheld shooting.
- Compatible with 35mm lenses and accessories: Offers a wide range of creative possibilities.
- Quiet operation: Suited for situations where sound needs to be minimized.
Atlas Orion Anamorphic 32mm
Atlas Orion Anamorphic 40mm
Atlas Orion Anamorphic 50mm
Atlas Orion Anamorphic 65mm
Atlas Orion Anamorphic 80mm
Atlas Orion Anamorphic 100mm
Atlas Anamorphic Lenses: Key Features and Benefits
Painterly Bokeh: Atlas lenses produce a distinctive, oval-shaped bokeh effect, creating a dreamier and more artistic background blur.
Anamorphic Flair: Controlled lens flares add a unique character to your footage, reminiscent of classic Hollywood films.
Modern Design: Built with robust mechanics for professional use, Atlas lenses are designed to meet the needs of today’s filmmakers.
Multiple Focal Lengths: A wide range of prime lenses are available, offering flexibility for various shooting scenarios.
35mm film format (Super 35): Industry standard film size known for its excellent image quality.
PL lens mount: Versatile lens mount compatible with a wide range of professional cine lenses.
Modular design: Allows for customization with different accessories like magazines and viewfinders.
Lightweight and compact: Ideal for handheld and mobile shooting applications.
Rugged and reliable: Built to withstand the demands of professional filmmaking.
Benefits
High-quality image capture: Delivers stunning visuals with the classic look of film.
Versatility: Adaptable to various shooting scenarios with its modular design.
Portability: Well-suited for situations requiring mobility and lightweight equipment.
Durability: Proven track record of reliability for professional use.
Zeiss Contax Rehoused by GL Optics 15mm
Zeiss Contax Rehoused by GL Optics 21mm
Zeiss Contax Rehoused by GL Optics 28mm
Zeiss Contax Rehoused by GL Optics 35mm
Zeiss Contax Rehoused by GL Optics 50mm
Zeiss Contax Rehoused by GL Optics 60mm Macro
Zeiss Contax Rehoused by GL Optics 85mm
Zeiss Contax Rehoused by GL Optics 100mm
Zeiss Contax Rehoused by GL Optics 135mm
Zeiss Contax Rehoused by GL Optics 180mm
Classic Zeiss glass with a unique, organic character
Offers a balance between sharpness and a vintage look
Available in a wide range of focal lengths (full frame coverage)
Rehoused in a modern cine lens body by GL Optics (improved ergonomics, standardized mounts)
Benefits:
High-quality optics for professional filmmaking
Distinctive aesthetic that sets your work apart
Versatile focal length options for various shooting scenarios
Improved handling and compatibility with modern cameras
Arri 35 package includes:
ARRI ALEXA 35 Production Set (19mm Studio)*
ALEXA 35 Cine License. ARRI LPL Lens Mount for ALEXA Mini / AMIRA
Arri Codex Compact Drive set 3x2TB
Core SWX Helix Max 147Wh Lithium-Ion Dual-Voltage Battery (Gold Mount)* 4 TOTAL BATTERIES
Core SWX Mach4 4-Position Charger with 4A Rapid Charge (Gold Mount)* 1
Core SWX Direct Connect Helix Battery Plate for ARRI ALEXA 35 (Gold Mount)* 1
Core SWX Hotswap / Sharkfin Plate – Gold Mount* 1
ARRI Power Supply light 24V* 1
Wooden Camera A-Box (ALEXA Mini LF)*
ARRI ALEXA Cable VF (10m/33ft)*
ARRI D-Tap to Fischer 3-Pin Power Cable – 1.6’*
ARRI Codex Compact Drive Reader (USB-C)*
ARRI Camera Control Monitor CCM-1 Set
Innerspace custom ATA case
Other included accessories:
ARRI PL-to-LPL Lens Adapter
ARRI Balance Utility Dovetail BUD-1
ARRI B-Mount Battery Adapter
ARRI ALEXA Mini LF MVF-2 Set
ARRI ALEXA Mini/AMIRA Straight Power Cable KC-50 (6.6′)
ARRI Power Distribution Module PDM-1 for ALEXA 35
ARRI Production Support Set (Top)
ARRI Production Support Set (Side)
ARRI Production Support Set (Bottom, 19mm)
ARRI Camera Control Monitor CCM-1 Set
ARRI CCM-1 Foldable Sun HoodARRI Monitor Arm for Camera MAC-1
ARRI Cable VF (1.5′)Screen Protector
ARRI Cable RS – RS/Power In (1.6′)
Key Features and Benefits
Professional 35mm Film System: Capture stunning high-resolution images with the industry-standard format.
Exceptional Image Quality: Arri 35 cameras are renowned for their cinematic look and sharp detail.
Versatile Setup: Accommodates various filmmaking styles with a range of compatible lenses and accessories.
Miller 150 mm Bowl Head: Key Features and Benefits
Supports heavier cameras: The 150mm diameter base provides a stable platform for larger cameras and lenses, typically supporting loads up to 80 lbs. (depending on the specific model).
Smooth camera movements: Miller fluid heads are known for their smooth pan and tilt movements, ideal for video production.
Wide range of adjustability: Many Miller 150mm bowl heads offer counterbalance adjustments to fine-tune the head for different camera weights and multiple drag settings for varying filming speeds.
Compatible with industry standards: The 150mm bowl size is compatible with tripods and other support systems from various manufacturers
Ronford-Baker tripods: Built for stability: These legs are likely constructed from robust materials like aluminum or steel to support significant weight.
Adjustable height: They’ll typically have telescopic legs for extending to various heights.
Spreader options: Some models might include a mid-level spreader bar to enhance stability further.
Mitchell mount compatibility: Ronford-Baker is known for Mitchell mount tripod heads, so the legs likely integrate seamlessly with this system.
O’Connor 2575D Fluid Head: Key Features and Benefits
Supports heavy cameras: Handles cameras up to 90 lbs (40.8 kg), ideal for professional setups.
Smooth operation: Stepless pan and tilt fluid drag ensures precise control and stable footage.
Accurate balancing: Patented sinusoidal counterbalance system maintains balance throughout the tilt range.
Versatility: Compatible with various camera plates (e.g., Euro, Arriflex Dovetail).
Zeiss Super Speed 9.5mm
Zeiss Super Speed 12mm
Zeiss Super Speed 16mm
Zeiss Super Speed 25mm
Zeiss Super Speed 50mm
2x Doubler
Fast Aperture (T1.3): Great for low-light shooting and achieving shallow depth of field.
Consistent Image Quality: Sharpness and signature Zeiss character across the entire focal range.
Classic Look: Renowned for their cool image rendition and subtle vintage feel.
Durable Construction: Built to withstand professional filmmaking environments.
CV102677 0033801 CASE: SONY VENICE (INNERSPACE)
CV102677 0036839 AC ADAPTER: SONY ACDP-060D01 19.5V 3A (FX9)
CV102677 0033804 SONY VENICE+ MPC-3610 6K CINE CAMERA
CV102677 0033806 LENS MOUNT: SONY VENICE PL MOUNT
CV102677 0023551 SONY AXS-R7+ 4K RAW RECORDER
CV102677 0025643 SONY DVF-EL200 .7″ OLED VIEWFINDER
CV102677 0034254 EVF MOUNT: SONY VENICE BRACKET
CV102677 0034255 EVF MOUNT: SONY VENICE ARM
CV102677 0026153 EVF CABLE: SONY DVF-EL200 2′
CV102677 0034173 TOP PLATE: WOODEN CAMERA VENICE
CV102677 0034162 BASE PLATE: WOODEN CAMERA SOLID F5/F55/VENICE
CV102677 0034089 WOODEN CAMERA D-BOX – VENICE GOLD MOUNT
CV102677 0034147 WOODEN CAMERA D-BOX – VENICE POWER STRIP
CV102677 0034320 CABLE: WOODEN CAMERA VENICE D-BOX LEMO5M 3.5″
CV102677 0034133 TOP HANDLE: WOODEN CAMERA MASTER
CV102677 0034122 TOP HANDLE: WOODEN CAMERA MASTER BRACKET STRAIGHT
CV102677 0034122 TOP HANDLE: WOODEN CAMERA MASTER BRACKET STRAIGHT
CV102677 0034120 TOP HANDLE: WOODEN CAMERA MASTER BRACKET 15MM LWS
CV102677 0034130 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION SMALL 3.75″
CV102677 0034129 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION MEDIUM 4.75″
CV102677 0034128 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION LARGE 5.75″
CV102677 0034124 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION BEND
CV102677 0034319 CABLE: WOODEN CAMERA VENICE D-BOX LEMO5M 5.5″
CV102677 0037116 SONY AXS-AR3 AXSM READER – THUNDERBOLT 3
CV102677 0037381 CABLE: THUNDERBOLT 3 24″
CV102677 0034062 WOODEN CAMERA A-BOX – VENICE 2X XLR3F TO XLR5M
CV102677 0034415 EVF EXTENSION: WOODEN CAMERA AIR EVF VENICE
Sony Venice Camera: Unveiling its Potential
Cinematic vistas: The full-frame sensor captures a broader scene and creates a beautiful shallow depth of field, achieving a truly cinematic aesthetic.
Life in every detail: High Dynamic Range (HDR) expands the camera’s color palette and preserves intricate details, resulting in remarkably realistic and expressive imagery.
Master of low light: With Dual Base ISO, the Venice excels in dimly lit environments, delivering clean and crisp images even in challenging lighting conditions.
A spectrum of colors: The wide color gamut surpasses traditional cameras, offering a richer and more vibrant visual experience.
Unmatched adaptability: The camera’s versatility lies in its support for a multitude of recording formats and frame rates, making it ideal for diverse production needs.
CV101435 0033804 SONY VENICE+ MPC-3610 6K CINE CAMERA
CV101435 0023551 SONY AXS-R7+ 4K RAW RECORDER
CV101435 0025643 SONY DVF-EL200 .7″ OLED VIEWFINDER
CV101435 0034254 EVF MOUNT: SONY VENICE BRACKET
CV101435 0034255 EVF MOUNT: SONY VENICE ARM
CV101435 0026153 EVF CABLE: SONY DVF-EL200 2′
CV101435 0026153 EVF CABLE: SONY DVF-EL200 2′
CV101435 0034173 TOP PLATE: WOODEN CAMERA VENICE
CV101435 0034162 BASE PLATE: WOODEN CAMERA SOLID F5/F55/VENICE
CV101435 0034089 WOODEN CAMERA D-BOX – VENICE GOLD MOUNT
CV101435 0034147 WOODEN CAMERA D-BOX – VENICE POWER STRIP
CV101435 0023360 BRIDGE PLATE: ARRI BP-9 15MM
CV101435 0022963 DOVETAIL: ARRI 12″ DUAL RELEASE
CV101435 0032863 CABLE: THUNDERBOLT 24″
CV101435 0021771 ROD: 15MM X 16″
CV101435 0034133 TOP HANDLE: WOODEN CAMERA MASTER
CV101435 0034122 TOP HANDLE: WOODEN CAMERA MASTER BRACKET STRAIGHT
CV101435 0034122 TOP HANDLE: WOODEN CAMERA MASTER BRACKET STRAIGHT
CV101435 0034120 TOP HANDLE: WOODEN CAMERA MASTER BRACKET 15MM LWS
CV101435 0034130 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION SMALL 3.75″
CV101435 0034129 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION MEDIUM 4.75″
CV101435 0034128 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION LARGE 5.75″
CV101435 0034124 TOP HANDLE: WOODEN CAMERA MASTER EXTENSION BEND
CV101435 0023547 SONY AXS-A512S48 AXSM CARD 512GB – 4.8GB/S
CV101435 0023547 SONY AXS-A512S48 AXSM CARD 512GB – 4.8GB/S
CV101435 0023547 SONY AXS-A512S48 AXSM CARD 512GB – 4.8GB/S
CV101435 0023547 SONY AXS-A512S48 AXSM CARD 512GB – 4.8GB/S
CV101435 0023547 SONY AXS-A512S48 AXSM CARD 512GB – 4.8GB/S
CV101435 0032534 SANDISK SDHC SD CARD 8GB
CV101435 0033806 LENS MOUNT: SONY VENICE PL MOUNT
CV101435 0034319 CABLE: WOODEN CAMERA VENICE D-BOX LEMO5M 5.5″
CV101435 0034319 CABLE: WOODEN CAMERA VENICE D-BOX LEMO5M 5.5″
CV101435 0022681 SONY AXS-AR1 AXSM READER – THUNDERBOLT
CV101435 0033875 AC ADAPTER: SONY VGP-AC19V77 19.5V 3.3A 5.5MM (AXS-AR1)
CV101435 0033801 CASE: SONY VENICE (INNERSPACE) 1
Key Features and Benefits
Full-frame sensor: Offers a wider field of view and shallower depth of field for a more cinematic look.
High Dynamic Range (HDR): Captures a wider range of colors and details, for more realistic and expressive images.
Dual Base ISO: Provides exceptional low-light performance and clean images.
Wide color gamut: Reproduces a wider range of colors than traditional cameras, for richer and more vibrant visuals.
Flexibility: Supports a variety of recording formats and frame rates, making it suitable for a wide range of productions.
Fujinon Premier Cabrio 25-300mm PL Zoom Lens Key Features and Benefits
The Fujinon Premier Cabrio 25-300mm PL zoom lens is a versatile cine lens designed for professional videography and filmmaking. Here’s a quick rundown of its key features and benefits:
12x Zoom Range (25-300mm): Offers a wide range of shooting possibilities, from wide shots to telephoto close-ups, making it suitable for various filming scenarios.
Large Format Coverage: Covers Super 35 sensor sizes and offers exceptional image quality.
T3.5 Constant Maximum Aperture: Provides consistent brightness throughout the zoom range, allowing for better low-light performance and shallower depth of field control.
Optional ENG-Style Digital Drive: Enables remote control of zoom, focus, and iris adjustments, ideal for professional film productions.
Standard 0.8 Mod Gear: Compatible with industry-standard cine motors for precise control during filming.
11-110mm focal length range: This versatile zoom lens provides a wide range of shooting possibilities, from wide-angle landscapes to telephoto portraits and close-ups.
Sharp optics: The Zeiss 11-110mm is known for its excellent image quality, even at its widest and longest focal lengths.
Compact and lightweight: This lens is relatively small and light for its focal length range, making it a good choice for travel and handheld shooting.
Macro mode: Some versions of this lens offer a macro mode for capturing close-up shots with a high degree of detail.
The T2.2 aperture refers to the maximum light-gathering capability of the lens. A lower T-stop number indicates a larger maximum aperture, which allows more light to reach the film or sensor and can result in shallower depth of field.
Versatile Film Format: Shoots on both Super 16mm and regular 16mm film, offering creative flexibility.
Variable Frame Rates: Capture slow motion (5 fps) or high-speed action (150 fps).
Quiet Operation: Runs at a low noise level (20 dBA), ideal for sound-sensitive environments.
Accurate Timecode: Ensures smooth integration with post-production workflows.
Adjustable Mirror Shutter: Fine-tune the shutter angle for specific creative effects.
Key features and benefits of the Arri Ultra Prime 20mm Single Lens:
Fast T1.9 maximum aperture: This allows for low-light shooting and shallow depth of field effects.
Superior image quality: The Ultra Primes are known for their excellent color rendition, sharpness, and minimal distortion.
Robust construction: These lenses are built to withstand the rigors of professional use.
Supports cameras up to 73 lbs
150mm bowl size for secure camera mounting
Twin balancing mechanism for precise camera control
Non-contacting drag system for smooth, consistent pan and tilt movements
Benefits:
Ideal for professional videographers and filmmakers
Supports a wide range of camera and lens combinations
Delivers stable and fluid video footage
Key Features and Benefits
Professional-grade fluid head: Delivers smooth, controlled camera movements for high-quality footage.
150mm ball base: Provides a stable platform for a wide range of camera setups.
Supports high payloads: Capable of handling cameras and accessories weighing up to 121 lbs (depending on the specific model).
Adjustable counterbalance: Ensures proper balance for different camera configurations.
Drag control: Allows for fine-tuning the resistance on pan and tilt movements.
Key Features & Benefits
Heavy-duty fluid head: Designed for professional videographers, it offers smooth and precise pan and tilt movements for stable shots even with heavy cameras.
150mm bowl size: Ensures compatibility with a wide range of tripods, providing a secure and stable connection.
Exceptional value: A popular choice for videographers seeking professional performance at a used-market price point.
Zeiss Standard Speed Mark II 16mm
Zeiss Standard Speed Mark II 24mm
Zeiss Standard Speed Mark II 32mm
Zeiss Standard Speed Mark II 40mm
Zeiss Standard Speed Mark II 50mm
Zeiss Standard Speed Mark II 85mm
Zeiss Standard Speed Mark II 100mm
Key features and benefits:
Large maximum aperture (T2.1) excels in low-light: Lets you capture stunning images even in dimly lit environments, and ermöglicht (enables) beautiful background blur for a distinct cinematic look.
Small and maneuverable, ideal for handheld shooting: Perfect for shooting on the go or using a Steadicam for smooth, stabilized shots.
Renowned Zeiss look: sharp center and pleasing vintage feel: Delivers the crisp central image quality Zeiss is known for, with a touch of classic character.
Works seamlessly with professional cinema cameras (PL mount): Designed to integrate directly with high-end film cameras.
4,941 HOURS
Licenses: Premium License
1 Body Camera Arri Amira Premium License
1 Amira Viewfinder MVF
1 Arri PL Mount
1 Arri EF Mount
1 Arri Amira Viewfinder Cable
1 Amira Camera Case
4 CFast 256GB
1 Memory Card Case
1 C Fast Reader
Key Features and Benefits
Superb Image Quality: 35mm ALEV III CMOS sensor for exceptional detail, low noise, and 14 stops of dynamic range.
High Frame Rate Slow Motion: Capture stunning slow-motion footage at up to 200 fps without compromising image quality.
Versatile Recording Formats: Record in Rec 709 or Log C using ProRes LT, 422, 422HQ or 444 codecs for flexibility in post-production.
Compact and Rugged Design: Built for professional use, the Amira is easy to transport and handle, making it ideal for various shooting scenarios.
In-Camera Grading with 3D LUTs: Achieve a cinematic look directly in camera with pre-loaded 3D LUTs.
Cooke Anamorphic/i Full Frame Plus 2x 32mm
Cooke Anamorphic/i Full Frame Plus 2x 40mm
Cooke Anamorphic/i Full Frame Plus 2x 50mm
Cooke Anamorphic/i Full Frame Plus 2x 75mm
Cooke Anamorphic/i Full Frame Plus 2x 85mm
Cooke Anamorphic/i Full Frame Plus 2x 100mm
Cooke Anamorphic/i Full Frame Plus 2x 135mm
Cooke Anamorphic/i Full Frame Plus 2x 180mm
Cooke Anamorphic/i Full Frame (FF) lenses, are high-end cine lenses designed for full-frame cameras. Here’s a quick rundown of their key features and benefits:
Large format coverage: Covers full-frame sensors and beyond, offering a wider field of view.
Classic Cooke Look: Delivers the signature Cooke look known for its organic character and pleasing bokeh.
1.8x squeeze factor: This is a sweet spot between the traditional 2x squeeze and wider options, offering a natural-looking widescreen image.
/i Technology: Embeds lens data into every frame for easier post-production workflows.
These features make Cooke Anamorphic/i FF lenses ideal for cinematographers who want to capture high-quality, widescreen images with a classic, emotional feel.
Includes:
Zeiss S16 8mm-t2 mk2
Zeiss S16 9.5mm-1.2 mk3
Zeiss S16 12mm-1.2 mk3
Zeiss S16 16mm-1.2 mk2
Zeiss S16 25mm-1.2 mk3
Zeiss S16 50mm-1.2 mk3
Features:
High quality optics
Fast maximum apertures
Distinctive cinematic image quality
Large lens barrels for easier handling (MKIII only)
Integrated gears for professional follow focus and iris control (MKIII only)
4599 HOURS
Unleash Your Vision with the ARRI ALEXA MINI:
Cinematic Powerhouse in a Compact Package: Despite its small size and lightweight design, the ALEXA MINI captures stunning visuals with exceptional detail.
Uncompromising Image Quality: Experience the renowned ARRI image quality – natural skin tones, a massive 14+ stops of dynamic range, and the ability to shoot up to 200 frames per second for slow-motion effects.
Flexibility at Your Fingertips: Choose from ARRIRAW for maximum creative control in post-production or ProRes for a smooth and efficient workflow.
Hours 4077
Includes all what you see in the pictures.
Compact and Versatile: Small size and lightweight design allows for handheld shooting and creative mounting solutions.
High Image Quality: Delivers stunning image quality with natural skin tones, high dynamic range, and recording up to 200 fps.
Multiple Recording Formats: Supports ARRIRAW for maximum flexibility in post-production, as well as ProRes for efficient workflows.
Long Zoom Range: Offers exceptional versatility, capturing distant subjects with ease (from medium telephoto to super telephoto).
Fast Aperture (T2.9-4.0): Delivers excellent low-light performance and beautiful bokeh (background blur).
Detachable Servo Drive: Provides smooth motorized control of zoom, iris, and focus for professional shooting (similar to ENG lenses).
Durable Build: Built to withstand the demands of professional use.
Be Ready for Anything: The broad 19-90mm zoom range lets you tackle various shooting scenarios with a single lens.
Sharpness Throughout: Capture stunning, crisp images at any focal length.
Master Low Light: The fast T2.9 aperture excels in dim environments and creates beautiful bokeh effects.
Two Lenses in One: The detachable servo allows you to switch between a standard PL mount lens or a handheld ENG-style lens.
Professional Handling: Experience smooth and precise control over focus, zoom, and iris for seamless operation.
Built to Last: The rugged construction ensures this lens can endure the challenges of professional filmmaking.
Zeiss Super Speed 18mm
Zeiss Super Speed 25mm
Zeiss Super Speed 35mm
Zeiss Super Speed 50mm
Zeiss Super Speed 85mm
Plus MK3 135mm
Key features and benefits:
Fast prime lenses: With a maximum aperture of T1.3, these lenses excel in low-light conditions and offer a shallow depth of field for isolating subjects.
Excellent image quality: Zeiss Super Speed lenses are renowned for their exceptional image quality, producing sharp and clear footage.
Manual focus: These lenses feature manual focus, allowing for precise control over focus placement.
Full frame compatible: The ZEISS SUPER SPEEDS SET OF 5 + 135mm MKIII lenses can be used with full-frame camera sensors.
Zeiss Supreme Prime 25mm
Zeiss Supreme Prime 29mm
Zeiss Supreme Prime 35mm
Zeiss Supreme Prime 50mm
Zeiss Supreme Prime 85mm
Zeiss Supreme Prime 100mm
Includes Custom Case
Key Features and Benefits
High-speed performance: T1.5 aperture on most lenses delivers excellent low-light capability.
Full-frame coverage: Compatible with full-frame camera sensors for capturing expansive cinematic shots.
Consistent design: Similar size and control placement across the lens lineup facilitates seamless switching between focal lengths.
Smooth focus: Exceptional focus rotation allows for precise control, even in extreme temperatures.
Compact and lightweight: Easy to handle and reduces strain on camera rigs.
SEE VIDEO HERE : https://youtu.be/YXmPC046nYk
Compact and Portable: Designed for tabletop product videography, the Loki is easy to transport and use in studio settings.
High-Speed & Precise: This 7-axis robotic arm allows for smooth, precise camera movements and can capture high-quality slow-motion footage.
Affordable Option: Compared to larger robotic camera arms, the Loki offers a more budget-friendly solution for professional videographers.
Zeiss Supreme Prime 25mm
Zeiss Supreme Prime 35mm
Zeiss Supreme Prime 50mm
Zeiss Supreme Prime 85mm
Zeiss Supreme Prime 100mm
Zeiss Supreme Prime Lenses: Key Features and Benefits
High-speed lenses: Most Zeiss Supreme Primes boast a maximum aperture of T1.5, letting you capture stunning visuals in low-light conditions.
Color consistency: Across the entire lens range, Zeiss Supreme Primes deliver consistent color reproduction, simplifying color grading in post-production.
Fast lens changes: Standardized sizing and positioning of focus and iris rings allows for quick and easy lens swaps on set, saving valuable time.
Compact and lightweight: These lenses are designed for comfortable handling and maneuverability, especially useful for handheld camerawork.
Smooth focus control: The lenses feature an ultra-smooth focus mechanism that performs well even in extreme temperatures, enabling precise focus adjustments.
Sigma FF PL 14mm
Sigma FF PL 24mm
Sigma FF PL 35mm
Sigma FF PL 50mm
Sigma FF PL 85mm
Sigma FF PL 105mm
Key Features and Benefits
Full-frame coverage: These lenses are designed for use with full-frame cinema cameras, providing a wide field of view and excellent image quality.
Fast apertures (T1.5 or T2.5): Large maximum apertures allow for low-light shooting and beautiful bokeh effects.
High resolution: Capable of capturing sharp images with over 50 megapixels of resolution.
Compact and lightweight: Despite their high performance, these lenses are relatively small and easy to carry.
Standardized color balance: Facilitates easier color correction in post-production.
Specifications:
– P+S Technik Anamorphic Zoom (First version of the P+S Technik Technovision
Zooms)
– Front Anamorphic
– 1.5X Desqueeze
– 35mm to 70mm (covers full frame from 45mm)
– Aperture T3.2
– Front Diameter = 114mm
– Weight 2.8 KG / 6.2 lbs
– Interchangeable PL and EF mount.
– Comes with Pelicase and Shims
Key features and benefits of the P+S Technik Anamorphic Zoom 35-70mm T3.2 lens:
35-70mm focal length range:
This provides versatility for various shooting scenarios, from wide shots to telephoto close-ups.
T3.2 constant maximum aperture: This allows for good low-light performance and a consistent depth of field throughout the zoom range.
Anamorphic design: This captures wider cinematic images with a unique oval bokeh and characteristic lens flares.
Cooke Anamorphic FF 32mm
Cooke Anamorphic FF 40mm
Cooke Anamorphic FF 50mm
Cooke Anamorphic FF 75mm
Cooke Anamorphic FF 100mm
Cooke Anamorphic FF 135mm
Cooke Anamorphic FF 180mm
Key Features & Benefits
Full Frame Coverage: These lenses are designed to cover full-frame image sensors, offering a wider field of view and shallower depth of field compared to traditional anamorphic lenses.
1.8x Anamorphic Squeeze: This “sweet spot” squeeze ratio balances capturing a wider image with maintaining image quality.
The Cooke Look: Renowned for its organic and cinematic aesthetic, these lenses deliver smooth, elliptical bokeh and minimal color fringing.
/i Technology: This Cooke innovation provides vital lens data for use in virtual production and other advanced workflows.
Color Consistency: All Cooke Anamorphic/i FF lenses are color-matched for seamless integration within a set.
Angenieux Optimo Prime 18mm
Angenieux Optimo Prime 21mm
Angenieux Optimo Prime 24mm
Angenieux Optimo Prime 28mm
Angenieux Optimo Prime 32mm
Angenieux Optimo Prime 40mm
Angenieux Optimo Prime 50mm
Angenieux Optimo Prime 60mm
Angenieux Optimo Prime 75mm
Angenieux Optimo Prime 100mm
Angenieux Optimo Prime 135mm
Angenieux Optimo Prime 200mm
Angenieux Optimo Prime Lenses: High-End Creativity at Your Fingertips
Key features and benefits:
Fast T1.8 aperture (except for 18mm and 200mm models): Delivers exceptional low-light performance and beautiful shallow depth of field.
Full-frame coverage: Suitable for capturing expansive cinematic shots.
Integrated Optical Palette: Offers unique customization options including interchangeable iris blades, internal glass elements, and rear filters for personalized creative control.
Sharp image quality and incredible color rendition: Ensures professional-grade results.
Kowa-R Full Frame 19mm T 4.0 CF 0,3m / 12“ Front 110mm 1,02 KG / 2.25 lbs PL FF
Kowa-R Full Frame 28mm T 3.6 CF 0,26m / 9“ Front 110mm 0,93 KG / 2.06 lbs PL FF
Kowa-R Full Frame 35mm T 2.9 CF 0,3m / 11“ Front 110mm 0,92 KG / 2.02 lbs PL FF
Kowa-R Full Frame 50mm T 1.9 CF 0,4m / 16“ Front 110mm 0,91 KG / 2.00 lbs PL FF
Kowa-R Full Frame 85mm T 2.9 CF 0,8m / 2’ 3″ Front 110mm 1,22 KG / 2.68 lbs PL FF
Kowa-R Full Frame 100mm T 3.6 CF 0,95m / 3’ Front 110mm 1,26 KG / 2.78 lbs PL FF
Kowa-R Full Frame 135mm T 3.6 CF 1,2m / 3’ 9“ Front 110mm 1,41 KG / 3.12 lbs PL FF
KOWA-R FULL FRAME TLS REHOUSED lenses are unique optics that combine the classic look of vintage lenses with the functionality of modern equipment. Here’s a breakdown of their features and benefits:
Features:
Vintage Image Quality: These lenses capture images with a distinct aesthetic, often described as having lower contrast, unique bokeh (background blur), and a propensity for creating pleasing lens flares.
Full Frame Compatibility: Rehoused for modern cameras with full-frame sensors, these lenses can capture a wider field of view compared to lenses designed for smaller APS-C sensors.
Upgraded Mechanics: The rehousing process by TLS typically improves the focusing and aperture control mechanisms, making them smoother and more enjoyable to use than their original versions.
Lightweight and Compact: Originally designed for film cameras, these lenses are often smaller and lighter than their modern counterparts.
Available Focal Lengths: These lenses typically come in a variety of focal lengths, ranging from wide-angle (around 19mm) to telephoto (around 200mm), offering options for various shooting scenarios.
Benefits:
Unique Aesthetic: If you’re looking for a distinctive look with a touch of vintage character, these lenses can deliver a special effect that modern lenses often lack.
Improved Usability: The rehousing enhances the user experience with smoother focusing and aperture control.
Portability: Their compact size and lightweight design make them ideal for photographers on the go or those who prefer a more streamlined kit.
Versatility: With a range of focal lengths available, you can find a KOWA-R TLS lens suitable for various photography styles, from landscapes and portraits to street photography and telephoto work.
4 Perf movement
235 integrated IVS upgraded to HD 1080p by AZ Spectrum
235 Universal Anamorphic Viewfinder
Long Eyepiece Extension
Medium Eyepiece Extension
Heated Eyecup
Non heated Eyecup
RCU w/long cable
3 power cables
Elokuvakonepaja battery plate
SCH-1 Standard Camera Handle
LMH1 Low mode Handle
SBR-1 Side Bracket
LMS-1 Low Mode Support
LRB-1 Left Rod Bracket
SP-1 Shoulder Pad
RP-1 Riser Plate
BP-9 Bridge Plate
4 x 400′ 235 shoulder mags
3 x 400’ 435 Mags
1 x 400’ Arri 3c mag – No case
4 x 200’ Arri 2c mags
Eyepiece Leveler
1.33 GG
1.78GG
2.35 GG
Anamorphic 2.35
Arriflex 235: Lightweight 35mm Film Camera Workhorse
Key features and benefits:
Lightweight (7.7 lbs) ideal for handheld and Steadicam use
Versatile frame rates (1-75 fps) for slow motion or action sequences
Durable and reliable for professional filmmaking
Uses standard 35mm film for high-quality image capture
Red Komodo Monochrome: Key Features and Benefits
Monochrome sensor: Captures only black and white information, offering increased sharpness, dynamic range, and low-light performance compared to the standard Komodo.
Enhanced image quality: Designed specifically for black and white filmmaking, delivers exceptional detail and a distinct filmic look.
Compact and versatile: Shares the same small form factor as the Komodo 6K, making it ideal for various shooting scenarios.
Key features and benefits:
Versatile 18-80mm zoom range: This lens offers a wide focal length range, making it suitable for various shooting scenarios, from wide-angle shots to telephoto close-ups.
Extends focal length to 160mm with 2x extender: The 2x extender effectively doubles the focal length of the lens, providing even more reach for telephoto shots.
Suitable for various photography styles: With its versatility, the lens can be used for various photography styles, including portraiture, landscape, and wildlife photography.
Compact and lightweight design: Despite its capabilities, the lens is surprisingly compact and lightweight, making it easy to carry around.
Ultra-wide perspective: Capture vast landscapes and tight spaces with a stunning 14mm focal length.
TLS Rehousing: Potentially adapted for modern camera systems by the trusted technicians at True Lens Services.
Fast T 2.9 aperture: Shoot in low-light conditions and achieve beautiful bokeh effects.
SXT-W package.
Codex SXS Adapter 2
SXSPRO+ 128GB
Power Cable Straight KC-20
Bridge Plate Adapter BPA-2
Centre Camera Handle CCH-1
Viewfinder Mounting Bracket VMB-3
Kc 150-s Viewfinder Cable Short
Battery Adapter Goldmount
FSND Filter Set FULL
High Speed License Key
Anamorphic De-Squeeze License Key
DNxHD License Key
CPO- Electronic Viewfinder EVF-1
ARRI Power Supply Light 24V
Bridge Plate BP-9
Bottom Dovetail Plate 300mm/12in
Support Rods 440mm/17.3in, Ø15mm One Pair Ø 15 mm, Stainless Steel
Lens Support LS-10 For 15mm Studio
EF C7 Adapter for the Arri Alexa SXT-W
Arri Alexa SXT-W Camera: Key Features and Benefits
High-quality video: 35mm ARRI ALEV III CMOS sensor for capturing sharp, natural-looking images in UHD 4K, Cine 4K, 2K or HD resolutions.
Wireless operation: Integrated video transmitter and Wi-Fi for increased freedom of movement and less cabling on set.
Remote control: Built-in remote camera and lens control for easy operation, even in difficult shooting situations.
Wide color gamut: Records in wide color gamut compatible with Rec 2020 for richer and more vibrant colors.
Multiple recording formats: Offers a variety of recording options in ARRIRAW and ProRes for flexibility in post-production.
Strong and reliable wireless connection: Operates at long distances with a variety of radio modules for different environments.
Multi-axis control: Focus, iris, and zoom adjustments for precise control.
Durable and weatherproof: Built to withstand tough filming conditions.
Fast and efficient: Designed for quick setup and operation.
Customizable user interface: Tailored to your workflow preferences.
Large high-contrast touchscreen: Easy to see and use in all lighting conditions.
Hot-swappable batteries: Keeps you filming without interruption.
The Flex4K packageincludes the following items:
• Vision Research Phantom Flex 4K 128
• Vision Research CineStation IV
• CineMag IV 1/2
• CineMag IV 2/2
• smallHD External Screen – 7in
• Multi Angle Screen Mount
• Vision Research Trigger
• CineStation AC/DC Adapter – Flex 4K Camera AC/DC Adapter
• AJA Model HI5 HDMI Converter (HD-SD/SDI to HDMI)
• Video Brilliance HD to SDI video cable
• Cat 6a Ethernet Cable
• Vision Research 3-Pin XLR to Fischer
• Audio cable
• HDMI cable
• ikan C-2KA Battery Charger
• Power Cord 1/2
• Power Cord 2/2
• Anton Bauer 190 Battery 1/2
• Anton Bauer 190 Battery 2/2
Notes: Is 7 years old, has been only used by the original owners. Never been out on rental.
Unleash incredible slow-motion effects with the Phantom Flex4K camera. This powerhouse captures stunningly sharp 4K footage at an incredible 1,000 frames per second. Need even more slow-motion detail? The Flex4K can capture 2K resolution at a mind-blowing 2,000 frames per second. The CineMag recording system optimizes your workflow, making the Flex4K a perfect fit for professional filmmakers who demand exceptional image quality and performance.
PHANTOM FLEX4K 128 GB camera body PL-mount 1
Case Peli 1610 for PHANTOM FLEX 4K 1
Top Hanle for PHANTOM FLEX 4K 1
Blueshape MVPHF Battery V-Mount 1
Riser for Phantom Flex 1
19mm Studio Baseplate 1
Camera Support Plate 30 1
Camera Plate 35 Touch 1
Camera Screw 3/8 2
Rods 19mm (Steel length 40-45cm) 2
Cable Trigger VRI-TRIG-PIC (part 209205) 1
Phantom Flex4K Mini-BOB 1
Asian Power Devices 12V 4A 1
Power Cord EU 2pin Type – PC-118 (Shuko) (2pin) 1
MeanWell GST280A24-C6P 24V 280W 1
Power Cord 220V Shuko-C13 (3pin) 1
Promise Sanlink 2 1
CINESTATION Flex 1
MeanWell GST40A24-P1J 24V 40W 1
Power Cord 220V Shuko-C13 (3pin) 1
Bag Branded Phantom for CINEMAG 2
1TB PHANTOM CINEMAG IV For FLEX4K 2
Software Flash Sandisk Cruzer Fit 32GB 1
Bag Branded Phantom for Cable 2
Cable Power AD-CBL-V1XXX-BATT-2C 1
Cable Power AD-CBL-V1XXX-BATT-3C 1
Cable Reel Ethernet+BNC to 8pin Fischer/M+BNC 30m 1
Cable Thunderbolt Apple 2
Cable Ethernet 1
Phantom Flex 4K 128GB Camera: Key Features and Benefits
High-speed capture: Records stunning 4K resolution video at up to 1,000 frames per second, ideal for slow-motion effects.
Super 35mm sensor: Delivers sharp, detailed images with low noise and high dynamic range.
Flexibility: Shoots from 15 fps to 1000 fps at 4K and nearly 2000 fps at 2K/1080p, adapting to various filming scenarios.
Vantage One4 27mm
Vantage One4 35mm
Vantage One4 50mm
Vantage One4 65mm
Vantage One4 80mm
Vantage One4 105mm
Vantage One4 Lens: Key Features and Benefits
Large format prime lenses: Designed for full-frame cameras, offering superior image quality on larger sensors.
T1.4 high-speed aperture: Provides excellent low-light performance and beautiful bokeh.
Super close focus: Allows you to capture stunning close-up shots.
Simple, robust design: Features all-spherical elements for exceptional image quality and reliable performance.
Compact and lightweight: Makes them easy to transport and use on location shoots.
– Super 16
– PL Mount
– 3x 400’ Mags
– Custom video tap on the handle…converted to HD by AZ Spectrum
– Aaton Wooden Hand Grip
– 15mm Rods
– 15mm Studio Base Plate
– Gold Mount Battery Adapter
https://elokuvakonepaja.com/product/aaton-power-adapter/
– Pelican Case
Key Features and Benefits:
Super 16mm film format: Shoots on 16mm film delivering a distinct aesthetic quality favored by some filmmakers.
AATON Codecs, including HQ: Supports AATON’s proprietary codecs, known for their high quality.
Four-channel audio: Records high quality audio with four independent channels.
Integrated timecode: Makes editing and syncing footage much easier.
User-friendly menus: Offers a relatively straightforward interface for operating the camera.
HOURS 6,390
4:3 License
ARRIRAW License
Firmware version 6.1.2
Also included:
Arri Viewfinder mounting bracket
Arri Mini Base Plate MAP-2
Alexa Mini viewfinder MVF-1
Arri Mini side Bracket MSB-1 (x2)
Alexa Mini to Viewfinder lead
Arri Top Handle
Arri Cheese plate
Compact, lightweight, and self-contained – ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.
650 Hours.
Includes:
3x 1 TB Arri Codex
Compact Drive Reader Codex
ARRI PL to LPL Adapter
Arri Viewfinder MVF-2
Arri Ready to Shoot Accessories with Arri V Mount Power Splitting Box mk2 (MAP-2A, CCH-2,
Side brackets, Rear bracket RAB-1, CBP-1, 19mm, etc.)
Arri Dovetail Plate 300mm
Features:
Big Screen Look: Large format sensor for stunning images, shallow depth of field, and beautiful bokeh.
Compact Powerhouse: Fits on small rigs and stabilizers, ideal for creative shooting.
Low-Light Master: Excellent low-light performance and wide dynamic range.
Filming Flexibility: Choose recording formats like 4.5K Open Gate or anamorphic Super 35.
Slow-Motion Magic: Capture smooth slow-motion up to 90fps in HD.
Built-in ND Filters: Adjust light quickly without swapping filters.
ProRes or RAW: Edit-friendly ProRes or RAW for maximum control.
Gear Up Easy: Connects seamlessly with your favorite filmmaking equipment.
Battery Powered: Runs on common 12V V-Lock or Gold Mount batteries.
Key features and benefits of COOKE ANAMORPHIC/i FF 85mm MACRO lens:
Full-frame coverage: Captures the full width of a full-frame sensor for stunning image quality.
1.8x anamorphic squeeze: Creates the coveted cinematic widescreen look with oval bokeh.
Macro focus: Allows for incredibly close-up shots with a minimum focus distance of 7 inches.
Fast T2.8 aperture: Enables excellent low-light performance and beautiful shallow depth of field.
Durable construction: Built to withstand the rigors of professional filmmaking.
Arri Master Anamorphic 28mm T1.9
Arri Master Anamorphic 35mm T1.9
Arri Master Anamorphic 50mm T1.9
Arri Master Anamorphic 75mm T1.9
Arri Master Anamorphic 100mm T1.9
Arri Master Anamorphic 135mm T1.9
Peli 1510 for ARRI Master Anamorphics 2
Peli 1500 1 K2.0012679
ARRI Master Anamorphic Flare Set MA28 1 Front & Rear Elements K2.0012679
ARRI Master Anamorphic Flare Set MA35 1 Front & Rear Elements K2.0006796
ARRI Master Anamorphic Flare Set MA50 1 Front & Rear Elements K2.0006799
ARRI Master Anamorphic Flare Set MA75 1 Front & Rear Elements K2.0006801
ARRI Master Anamorphic Flare Set MA100 1 Front & Rear Elements K2.0006802
ARRI Master Anamorphic Flare Set MA135 1 Front & Rear Elements K2.0006803
Key Features & Benefits
High-performance prime lenses: Available in a range of focal lengths (28mm to 180mm) for capturing a variety of shots.
Large format cinematography: Covers Super 35 sensor size to create a wider 2.39:1 aspect ratio.
Fast T1.9 aperture: Enables shallow depth of field for beautiful bokeh and low-light shooting.
Minimal focus breathing: Maintains image size throughout focusing for precise composition control.
Durable construction: Weathersealed design protects against dust and moisture.
PHANTOM FLEX4K 128 GB camera body PL-mount 1
Case Peli 1610 for PHANTOM FLEX 4K 1
Top Hanle for PHANTOM FLEX 4K 1
Blueshape MVPHF Battery V-Mount 1
Riser for Phantom Flex 1
19mm Studio Baseplate 1
Camera Support Plate 30 1
Camera Plate 35 Touch 1
Camera Screw 3/8 2
Rods 19mm (Steel length 40-45cm) 2
Cable Trigger VRI-TRIG-PIC (part 209205) 1
Phantom Flex4K Mini-BOB 1
Asian Power Devices 12V 4A 1
Power Cord EU 2pin Type – PC-118 (Shuko) (2pin) 1
MeanWell GST280A24-C6P 24V 280W 1
Power Cord 220V Shuko-C13 (3pin) 1
Promise Sanlink 2 1
CINESTATION Flex 1
MeanWell GST40A24-P1J 24V 40W 1
Power Cord 220V Shuko-C13 (3pin) 1
Bag Branded Phantom for CINEMAG 2
1TB PHANTOM CINEMAG IV For FLEX4K 2
Software Flash Sandisk Cruzer Fit 32GB 1
Bag Branded Phantom for Cable 2
Cable Power AD-CBL-V1XXX-BATT-2C 1
Cable Power AD-CBL-V1XXX-BATT-3C 1
Cable Reel Ethernet+BNC to 8pin Fischer/M+BNC 30m 1
Cable Thunderbolt Apple 2
Cable Ethernet 1
High-Speed Imaging Powerhouse
Key features and benefits:
Shoots incredible slow-motion video at up to 1,000 frames per second in 4K resolution.
Super 35mm CMOS sensor delivers crisp, detailed images with minimal noise and high dynamic range.
Captures standard frame rates for compatibility with sound synchronization.
Offers a complete on-camera control interface and menu system.
Supports various battery mount options and remote control for flexible operation.
Key Features and Benefits
Ultra-fast aperture (T1.3): Excellent low-light performance and shallow depth of field for beautiful bokeh and creative focus effects.
Legendary Zeiss image quality: Sharpness, clarity, and color rendition renowned in cinematography.
Improved markings: Larger and rotated focus markings for better readability on set.
Cine industry standard: Compatible with professional cinematography cameras using PL Mount.
Zeiss Ultra Prime 16mm
Zeiss Ultra Prime 20mm
Zeiss Ultra Prime 24mm
Zeiss Ultra Prime 28mm
Zeiss Ultra Prime 32mm
Zeiss Ultra Prime 40mm
Zeiss Ultra Prime 50mm
Zeiss Ultra Prime 65mm
Zeiss Ultra Prime 85mm
Zeiss Ultra Prime lenses are a cinematographer’s dream, offering unmatched versatility and exceptional image quality. Let’s explore what makes them truly stand out:
Unmatched Range, Unrestricted Vision: With the widest focal range among 35mm prime lenses, you can capture everything from breathtaking landscapes to intimate portraits with a single set of lenses.
Mastering Low Light and Beauty: The fast T1.9 aperture allows you to excel in challenging lighting conditions, while simultaneously producing stunning bokeh for a truly cinematic look.
Seamless Consistency, Effortless Storytelling: Experience unparalleled color rendition and sharpness across all lenses in the set. This ensures a cohesive and polished look throughout your entire production, without any jarring inconsistencies.
Focus on the Story, Not the Lens: Minimal distortion and breathing mean you can maintain perfect image integrity during focus pulls. This allows for smooth, natural transitions that keep your viewers immersed in the narrative.
Built to Perform, Built to Endure: Crafted with a lightweight yet robust design, Zeiss Ultra Prime lenses are easy to maneuver on set and can withstand the rigors of professional use.
Key features: Fast aperture (wide maximum opening) for low light performance and shallow depth of field, possibly around T1.3, interchangeable mount system for compatibility with various cameras, full-frame coverage for capturing a wide scene.
Benefits: Beautiful bokeh (background blur), sharp images, well-suited for professional videography and portrait photography.
Zeiss Supreme 18mm
Zeiss Supreme 21mm
Zeiss Supreme 25mm
Zeiss Supreme 29mm
Zeiss Supreme 35mm
Zeiss Supreme 40mm
Zeiss Supreme 50mm
Zeiss Supreme 65mm
——-
Zeiss Supreme 85mm
Zeiss Supreme 100mm
Zeiss Supreme 135mm
Zeiss Supreme 150mm
Zeiss Supreme Lenses: Key Features and Benefits
Large format coverage: Works with current and future camera systems, including Super 35 and full frame.
High speed: Most lenses have a wide T1.5 aperture for excellent low-light performance.
Color matched: Consistent color across the entire lens range for seamless editing.
Standardized design: Same size and control positioning for all lenses allows for fast lens changes.
Beautiful, controlled flares: (Supreme Prime Radiance only) Enables unique creative effects.
Zeiss CP.2 21mm 2.9
Zeiss CP.2 28mm 2.1
Zeiss CP.2 35mm 2.1
Zeiss CP.2 50mm 2.1
Zeiss CP.2 85mm 2.1(s)
Key features: High image quality, consistent color rendition across focal lengths, improved ergonomics and weather sealing, available in a wide range of focal lengths
Benefits: Delivers sharp, detailed images, ensures consistent color matching when using multiple lenses, built to withstand harsh weather conditions, and offers a versatile focal length range for various shooting scenarios
