The used Cooke Anamorphic 65mm Macro Lens delivers the renowned Cooke Look while enabling detailed close-up cinematography with outstanding sharpness, natural contrast, and smooth oval bokeh. Engineered for professional digital cinema cameras with Super 35 sensor coverage, it combines premium anamorphic optics with true macro capabilities for dramatic cinematic imagery. Its robust mechanical design provides accurate focus and aperture control, ensuring dependable operation in demanding production environments. The package includes the 65mm Macro lens, front and rear lens caps, and a durable protective transport case. Ideal for feature films, commercials, television productions, product cinematography, and visual effects work, this lens offers exceptional creative versatility and reliable professional performance.
Key Features
Delivers iconic Cooke anamorphic rendering with impressive close-focus macro performance throughout productions.
Covers Super 35 sensors for professional cinematic image capture and storytelling applications.
Provides precise focus mechanics ensuring smooth, repeatable operation during demanding professional productions.
Includes protective transport case with front and rear lens caps securely included.
Produces cinematic oval bokeh with pleasing flares and outstanding optical consistency throughout.
The used Cooke Anamorphic Set of 7 Lenses includes 25mm, 32mm, 40mm, 50mm, 75mm, 100mm, and 135mm focal lengths, delivering the renowned Cooke Look with classic anamorphic character, smooth oval bokeh, and cinematic flares. Designed for professional digital cinema cameras with Super 35 sensor coverage, these lenses feature precise mechanical construction, consistent color rendition, and matched optical performance across the set. The package includes all seven lenses with front and rear caps, housed in a durable protective transport case. Ideal for feature films, television productions, commercials, and premium streaming content, this comprehensive lens set provides reliable performance for demanding cinematographers seeking timeless anamorphic imagery and exceptional consistency.
Key Features
Delivers signature Cooke anamorphic rendering with cinematic character and exceptional image consistency.
Covers Super 35 sensors for professional digital cinema camera productions worldwide.
Includes seven matched focal lengths for versatile narrative and commercial filmmaking applications.
Features robust mechanical construction with precise focus and aperture control throughout operations.
Ships with protective transport case and front and rear lens caps.
Includes:
25mm
32mm
50mm
75mm
100mm
The Cooke Anamorphic/i Special Flare (SF) 2x series is a premium, specialized adaptation of Cooke’s renowned anamorphic S35 line. This 5-lens set—comprising 25mm, 32mm, 50mm, 75mm, and 100mm focal lengths—is engineered for Super 35 formats. While keeping the classic sharpness, warm skin tones, and organic dimensionality of “The Cooke Look™” intact, these lenses utilize custom-tailored internal coatings. These coatings encourage light sources to produce beautiful, exaggerated blue horizontal streaks, flare characteristics, and expressive aberrations that are highly sought after by modern cinematographers.
Key Features:
Stylized Special Flare (SF) Coatings: Tailored optical coatings produce enhanced, organic horizontal blue flares, elliptical highlights, and striking aberrations while maintaining excellent contrast and sharpness in the center.
True 2X Anamorphic Squeeze: Delivers a classic cinematic widescreen look with distinct oval bokeh (2:1 ratio) and an immersive sense of depth.
Exceptional Optical Performance: Specifically designed to control lateral/longitudinal color and astigmatism, providing incredible rendering for both digital cinema and film capture.
Cooke /i Technology Integration: Hardened PL mounts with electronic pins record crucial real-time lens metadata (aperture, focus distance, depth of field) to simplify post-production and VFX workflows.
Uniform Color Balance & Match: Perfectly color-matched across the entire 5-lens set, ensuring visual consistency when switching focal lengths on set.
Standardized Mechanics: Most lenses in the series utilize a standard 110mm front diameter (with the wider 25mm utilizing 136mm) alongside consistent 0.8 MOD focus and iris drive gears for smooth, predictable matte box and wireless FIZ motor operation.
Bright T2.3 Aperture: Consistent T2.3 maximum speed across all five lenses, providing superb low-light capabilities and beautiful shallow depth-of-field control.
Includes:
Cooke Anamorphic FF Special Flare 32mm T2.3
Cooke Anamorphic FF Special Flare 40mm T2.3
Cooke Anamorphic FF Special Flare 50mm T2.3
Cooke Anamorphic FF Special Flare 75mm T2.3
Cooke Anamorphic FF Special Flare 100mm T2.3
Cooke Anamorphic FF Special Flare 135mm T2.3
The Cooke Anamorphic/i Full Frame Plus Special Flare (SF) lens series represents a pinnacle in modern large-format cinematography. Building on the acclaimed performance of the standard Anamorphic/i FF series, these lenses feature a specialized optical coating developed by Cooke. This custom coating enables cinematographers to effortlessly induce striking, stylized flares, streaks, and ghosting effects when interacting with direct light sources, while beautifully preserving the iconic, warm “Cooke Look.” Optimized for full-frame digital cinema sensors, the set delivers an authentic 1.8x anamorphic squeeze, providing the perfect balance between classic vintage anamorphic character and modern optical precision.
Key Features:
Custom Special Flare (SF) Coating: Specially engineered to produce dramatic, organic lens flares and enhanced oval bokeh when hit by direct light, giving imagery a distinct cinematic personality.
True 1.8x Anamorphic Squeeze: Delivers an optimal anamorphic format that maximizes resolution and vertical sensor coverage on full-frame cameras.
The Iconic “Cooke Look”: Retains the historic Cooke characteristic of smooth, natural skin tones, high dimensional rendering, and a gentle roll-off in sharp focus areas.
Full Frame Plus Coverage: Designed to comfortably cover large-format digital camera sensors, ensuring uniform corner-to-corner illumination and minimal distortion across all focal lengths.
Integrated /i Technology: Equipped with Cooke’s advanced metadata system, passing critical frame-by-frame lens data (focus, iris, and depth of field) directly to the camera—a vital tool for efficient post-production and visual effects workflows.
Unified Mechanics & Fast T-Stops: Feature consistent physical gear placement across the set for fast lens changes on set, matched with excellent low-light capabilities.
Includes:
Atlas Orion Anamorphic 32mm T2
Atlas Orion Anamorphic 40mm T2
Atlas Orion Anamorphic 50mm T2
Hard Case
The Atlas Lens Co. Orion Series 2x Anamorphic prime lenses blend the signature aesthetic of classic, vintage cinema with the dependability and mechanics of modern engineering. This specialized 3-lens bundle covers wide-to-normal perspectives, boasting a fast T2 maximum aperture across all focal lengths to deliver exceptional low-light capabilities and a beautiful, shallow depth of field. Optimized for Super 35 formats, they can also easily cover full-frame sensors when paired with a compatible expander or extender.
Key Features:
True 2x Anamorphic Squeeze: Delivers twice the horizontal field of view compared to spherical lenses, creating that coveted widescreen cinematic look.
Vintage Character, Modern Contrast: Produces striking, painterly “waterfall” oval bokeh, a gentle spherical aberration glow when shot wide open, and controlled streak flares.
Fast T2 Aperture: Offers uniform speed across the set, providing superior light gathering and precise control over focus separation.
Standardized Cine Ergonomics: Each lens shares a matching 114mm front diameter and identical focus/iris gear positioning. This allows rapid lens swaps without readjusting follow-focus or matte box configurations.
Robust Mechanical Travel: Features a deep 270° focus barrel rotation for ultra-smooth and precise manual focus pulls.
Interchangeable Mount System: Features a highly adaptable system natively utilizing PL mounts that can be swapped to EF or adapted to mirrorless camera setups.
Includes:
Hawk V-Lite 28mm T2.3 Vintage ’74
Hawk V-Lite 45mm T2.3 Vintage ’74
Hawk V-Lite 55mm T2.3 Vintage ’74
Hawk V-Lite 80mm T2.3 Vintage ’74
Hawk V-Lite 100mm T2.2 Vintage ’74
Hawk V-Lite 140mm T3.6 Vintage ’74
Hawk V-Series 180mm T3.0
The Hawk V-Lite Vintage ’74 2x Anamorphic 7-Lens Set—comprising the 28mm, 45mm, 55mm, 80mm, 100mm, and 140mm focal lengths, paired with the specialized Hawk V-Series 180mm T3—represents a pinnacle of character-driven premium cinematography optics. Engineered by Vantage Film, this set infuses the highly reliable, compact, and optically advanced V-Lite/V-Series mechanical platforms with a bespoke optical coating modification. This modification replicates the iconic low-contrast, warm, flare-heavy aesthetic of 1970s cinema without sacrificing modern mechanical reliability or sharpness.
Key Features:
Bespoke Vintage ’74 Optical Coating: Delivers distinctive, enhanced organic flares, classic blue/amber streaks, and a gentle reduction in overall contrast for a cinematic, nostalgic look straight out of the camera.
True 2x Anamorphic Squeeze: Utilizes a front-cylindrical anamorphic design to provide authentic oval bokeh, specialized depth-of-field characteristics, and classic cinematic perspective compression.
Uniformly Compact V-Lite Form Factor: The core focal lengths share standardized front diameters and gear placements, enabling rapid lens changes on set without shifting matte boxes or follow focus motors.
Robust mechanical design: Features rock-solid, highly precise internal mechanics that hold up under harsh production environments, contrasting with finicky true vintage housings.
Extended Telephoto Reach: The included Hawk V-Series 180mm T3 seamlessly color-matches the Vintage ’74 set, offering a powerful telephoto solution for close-ups and compression-heavy shots.
Optimized Wide-Angle Coverage: The 28mm focal length provides an ultra-wide anamorphic field of view with controlled distortion, a rarity for vintage-style glass.
Includes:
ATLAS Orion “A” Anamorphic
ATLAS Orion “A” Anamorphic
ATLAS Orion “A” Anamorphic
LF Extender 1.6x
The Atlas Lens Co. Orion Series Anamorphic 3-Lens Set (Set A: 40mm, 65mm, 100mm T2) combined with the Atlas 1.6x LF Extender represents a highly versatile anamorphic solution for professional filmmakers. Built with a modern mechanical chassis and vintage optical characteristics, this kit delivers the classic 2x horizontal squeeze, striking streak flares, and painterly oval bokeh that cinematographers demand. The included 1.6x LF Extender expands the image circle of these Super35 lenses to fully clear large-format and Full Frame sensors (like the ARRI ALEXA Mini LF, Sony VENICE, and RED V-Raptor) with minimal light loss.
Key Features:
Classic 2x Anamorphic Aesthetic: Delivers vintage anamorphic character, including signature horizontal streak flares, barrel distortion, and elongated oval bokeh, without sacrificing modern contrast and sharpness.
Fast T2 Maximum Aperture: The 40mm, 65mm, and 100mm all feature a fast T2 stop, allowing for exceptional low-light performance and tight depth-of-field control.
Full Frame Versatility (via 1.6x Extender): The dedicated Atlas 1.6x LF Extender converts the Super35 image circle to clear large-format sensors, transforming the focal lengths to roughly 64mm, 104mm, and 160mm while losing only 1.3 stops of light.
Unified Mechanical Design: Each lens features standardized gear positions for focus and iris, along with a uniform 114mm front diameter, enabling rapid lens changes on set without adjusting follow focus or matte box configurations.
Robust Production Housing: Engineered with precise cam-driven focus mechanics, generous focus rotation, and a durable cinema-grade chassis built for demanding field work.
The Used Cooke Cine-Varotal MK2 25-250mm Zoom paired with an Elite 2x Anamorphic Adapter delivers a unique extended focal range equivalent to 50-500mm while producing classic anamorphic imagery. Designed for professional motion picture production, this optical system combines Cooke’s renowned cinematic rendering, smooth zoom mechanics, and pleasing skin tones with the distinctive widescreen characteristics of the Elite adapter. The package includes the Cooke Cine-Varotal MK2 25-250mm zoom lens, Elite 2x anamorphic adapter, front and rear lens caps, and protective transport case. Its robust cinema form factor suits studio, commercial, documentary, wildlife, sports, and long-range narrative productions requiring exceptional reach, vintage character, and anamorphic aesthetics.
Key Features
Delivers extended 50-500mm equivalent focal range with anamorphic imaging.
Produces classic cinematic rendering with distinctive Cooke optical character.
Features professional cinema construction designed for demanding production environments.
Includes Elite 2x anamorphic adapter for widescreen image capture.
Ideal for wildlife, sports, documentary, and narrative filmmaking applications.
Includes:
Atlas Orion 40mm T2.0
Atlas Orion 65mm T2.0
Atlas Orion 100mm T2.0
Case
(The 100mm is specifically re-calibrated by Ernest, sharp even wide open, unlike the original)
The Atlas Orion Series 2X Anamorphic 3-Lens Set (consisting of the 40mm, 65mm, and 100mm prime lenses) seamlessly blends the coveted aesthetic of vintage cinema with modern engineering. Designed as a universal, high-performance tool for modern cinematography, this kit delivers striking anamorphic characteristics—including iconic blue streak flares, painterly waterfall bokeh, and a shallow depth-of-field—all while maintaining robust mechanical reliability. Featuring a fast T2 aperture across the entire range and a standardized 114mm front diameter, this set provides an efficient and visually captivating solution for independent films, commercials, and high-end productions alike.
Key Features:
Classic 2X Anamorphic Aesthetic: Delivers signature horizontal streak flares, pleasing barrel distortion, and oval (waterfall) bokeh that give footage an instantly recognizable, cinematic character.
Fast T2 Aperture: Offers exceptional low-light performance and a beautifully shallow depth-of-field across all three focal lengths.
Unified Mechanical Design: Each lens features standardized 114mm front diameters and consistent gear placement for iris and focus (0.8 mod), ensuring quick, seamless lens swaps without adjusting follow-focus motors or matte boxes.
Interchangeable Mount System (IMS): Built with a native PL mount that easily converts to EF, E-mount, or Micro 4/3, making the set highly versatile across various digital cinema and mirrorless camera systems.
Excellent Sensor Coverage: Universally covers Super 35mm formats (31mm image circle) natively, and can expand to seamlessly cover Full Frame / Large Format sensors using a 1.6x LF Expander.
Deep 270° Focus Throw: Precision mechanics allow for highly accurate and smooth focus pulling, critical for the demands of professional film sets.
ARRI ZEISS Master Anamorphic 75mm T1.9 2x is a premium cinema prime lens engineered for high-end digital and film productions. Utilizing advanced anamorphic optical design rather than sensor technology, it delivers a 2x squeeze factor, exceptional sharpness, minimal distortion, controlled flare characteristics, and consistent color rendition across the Master Anamorphic range. The lens features a fast T1.9 aperture for strong low-light performance and shallow depth of field. A standard package typically includes the lens, front and rear caps, protective case, and support accessories when supplied by rental houses. Its robust PL-mount form factor excels in narrative filmmaking, commercials, television dramas, and feature productions requiring cinematic scope and reliable optical performance.
Key Features
It delivers exceptional sharpness with controlled anamorphic flare characteristics throughout.
The fast T1.9 aperture enables low-light shooting and separation.
It provides a 2x squeeze for classic widescreen anamorphic imagery.
The PL mount ensures compatibility with professional cinema camera systems.
It maintains consistent color rendition across matching Master Anamorphic lenses.
