Includes:
Atlas Orion Anamorphic 32mm T2 #N03219B01-0232
Atlas Orion Anamorphic 40mm T2 #N04019B02-0565
Atlas Orion Anamorphic 50mm T2 #N05019B01-0353
Atlas Orion Anamorphic 65mm T2 #N06518B01-0448
Atlas Orion Anamorphic 80mm T2 #N08019B01-0379
Atlas Orion Anamorphic 100mm T2 #N10019B02-0580
2X PL Primes
The Atlas Orion Anamorphic 6-Lens Set is a premium cinema prime kit designed to deliver the classic “Golden Era” anamorphic aesthetic to modern digital and film workflows. Featuring a consistent 2x squeeze factor, these lenses provide the iconic widescreen look characterized by painterly waterfall bokeh and signature streak flares. The set is engineered for versatility, balancing vintage optical charm with modern mechanical reliability, making them a staple for independent features, commercials, and high-end music videos.
Key Features:
Fast T2 Aperture: All lenses in the set (except for the 100mm in certain configurations) feature a fast T2 maximum aperture, allowing for exceptional low-light performance and shallow depth of field.
True 2x Squeeze: Provides a traditional anamorphic stretch that creates a 2.39:1 aspect ratio from a 4:3 sensor, doubling the horizontal field of view.
Unified Mechanics: Standardized 114mm front diameters and consistent gear positions across the set allow for rapid lens swaps without readjusting follow-focus or matte box setups.
Vintage Character, Modern Sharpness: Delivers classic anamorphic “personality”—including controlled blue streak flares and organic focus fall-off—while maintaining center-frame sharpness suitable for 8K sensors.
Interchangeable Mount System: Native PL mount with the flexibility to adapt to Canon EF, Sony E, or Micro 4/3, ensuring compatibility across various camera ecosystems.
Close Focus Capability: Boasts superior close-focusing distances compared to vintage anamorphic glass, reducing the need for diopters in tight shots.
Large Format Coverage: While designed for Super 35, the set can cover Full Frame/Large Format sensors when used with the Atlas 1.6x LF Extender.
cost: 27,500 eur
(t)
Andreas Hoehn
4k.film@gmail.com
4-13-2026
The ARRI Master Anamorphic series represents a pinnacle in cinematic optics, co-developed by ARRI and ZEISS. They were designed to provide the unique anamorphic aesthetic—distorted bokeh and wide aspect ratios—without the traditional technical drawbacks like “mumps” or extreme chromatic aberration.
Key Features and Benefits
Zero Geometric Distortion: Virtually eliminates the “fat face” effect in close-ups, ensuring straight lines remain straight even at the edges of the frame.
Constant T1.9 Aperture: Exceptionally fast for anamorphic glass, allowing for shallow depth of field and superior performance in low-light environments across the entire focal range.
Near-Telecentric Design: Minimizes color fringing and shading, resulting in a cleaner, more “modern” look compared to vintage anamorphic lenses.
Consistent Form Factor: All lenses in the set (except the 155mm and zoom) share the same front diameter and gear positions, making lens swaps fast and efficient for camera assistants.
Enhanced Flare Control: While they offer a distinct anamorphic flare, the coatings are designed to be controlled and predictable rather than overwhelming.
LDS Integration: Equipped with the ARRI Lens Data System to communicate focal length, iris, and focus metadata directly to the camera.
Technical Summary
These lenses utilize a 2.0x squeeze factor, optimized for 4:3 sensors. Unlike vintage anamorphic lenses that rely on front-element cylinders, the Master Anamorphics use a complex internal design to achieve a perfect balance between “character” and “optical perfection.”
COST: TBD
Jed : info@nyfllc.com
Price Investigation :
NewLifeCine; ARRI Master Anamorphic,
4 Lens Set– 35 50 75 100 T1.9: $69,000.00
R-4/11/2026
Includes:
Atlas Mercury 1.5x Anamorphic 36mm T2.2
Atlas Mercury 1.5x Anamorphic 42mm T2.2
Atlas Mercury 1.5x Anamorphic 54mm T2.2
Atlas Mercury 1.5x Anamorphic 72mm T2.2
Atlas Mercury 1.5x Anamorphic 95mm T2.2
Atlas Mercury 1.5x Anamorphic 138mm T2.2
2x Atlas lens cases
The Atlas Mercury 1.5x Anamorphic series is a collection of compact, full-frame prime lenses designed to offer the “vintage” anamorphic soul with modern reliability. This 6-lens set (36mm, 42mm, 54mm, 72mm, 95mm, 138mm) provides a 1.5x squeeze ratio, hitting the sweet spot between traditional 2x anamorphic character and the technical flexibility required for modern digital sensors.By prioritizing a smaller form factor—roughly half the size and weight of many pro-grade anamorphics—these lenses are specifically built for handheld work, gimbals, and drone operations without sacrificing the classic oval bokeh and golden streak flares filmmakers crave.
Key Features:
1.5x Squeeze Factor: Delivers a cinematic widescreen aspect ratio (ideal for 2.39:1) while maintaining high resolution on both 16:9 and 4:3 sensors.
Full-Frame Coverage: Specifically designed to cover large-format sensors (36.7mm x 25.54mm), compatible with cameras like the ARRI Alexa Mini LF and Sony VENICE 2.
Vintage Character: Features “Sun-Tinged” golden lens flares and pleasing barrel distortion for a more organic, expressionistic look compared to cleaner modern glass.
Compact & Lightweight: Exceptionally portable housing makes them versatile for high-intensity shoots, steadicams, and tight filming environments.
Fast T2.2 Aperture: Most lenses in the set (36mm to 95mm) feature a fast T2.2 maximum aperture for excellent low-light performance and shallow depth of field.
Professional Mechanics: Standardized 95mm front diameters and unified 0.8 mod focus/iris gears across the set ensure rapid lens changes on set.
Near-Zero Chromatic Aberration: High-end optical design minimizes color fringing, even when wide open.
Cost: 43k
(t)
Robert Matthews
robert.matthews@beanstalkfilms.com
+1 714-803-6550
4-13-2026
The Atlas Orion 32mm is a professional anamorphic cinema lens designed to deliver a classic widescreen look with modern optical performance. Built for filmmakers seeking rich character and consistency, this lens produces signature blue streak flares, pleasing oval bokeh, and excellent edge-to-edge sharpness. With a fast T-stop and robust construction, it performs reliably across a variety of shooting conditions, making it a popular choice for narrative, commercial, and music video productions. Its consistent design across the Orion series ensures seamless integration into multi-lens setups.
Key Features:
2x anamorphic squeeze for true cinematic aspect ratio
32mm focal length ideal for wide, immersive shots
Classic blue horizontal lens flares
Smooth oval bokeh for artistic depth
Fast T2 aperture for low-light performance
Robust, all-metal housing for durability
Consistent color and contrast across Orion lens set
PL mount compatibility for professional cinema cameras
Cost: 8000 EUROS
April 3, 2026
(M)
Eugene Yu
Company Name: Yuro
City: Kapolei
Email: eugeneyu.dp@gmail.com
Telephone: 7324294898
The Atlas Orion Anamorphic Series (Set A) is a trio of professional cinema lenses—40mm, 65mm, and 100mm—designed to bring the iconic “anamorphic look” to modern digital sensors. These lenses are prized for balancing vintage character with contemporary mechanical reliability, offering a 2x squeeze factor that delivers a cinematic widescreen aspect ratio.
Key Features:
Consistent 2x Squeeze: Delivers the classic vertical stretch and oval bokeh associated with high-end Hollywood productions.
Fast T2 Aperture: Provides excellent low-light performance and shallow depth-of-field across the entire set.
Modern Mechanics: Features unified 114mm front diameters and consistent gear positions, making lens swaps fast and easy on set.
Artistic Character: Engineered to produce controlled lens flares and a “pleasingly imperfect” vintage aesthetic without sacrificing sharpness.
Versatile Mounts: Ships with a robust PL mount but is easily adaptable to EF, making them compatible with a wide range of cinema cameras.
Large Image Circle: Covers traditional S35 sensors and can cover Full Frame formats when paired with the Atlas 1.6x Extender.
cost: 20 000 EUR / 80 000 PLN
(t)
Wacław Mączyński
waclaw@2k4k.pl
+48 789 076 844
3-17-2026
Includes:
LENS ATLAS ORION 40MM T2 SN# N04018A01-0163
LENS ATLAS ORION 65MM T2 SN# N06518A01-0106
LENS ATLAS ORION 100MM T2 SN# N10018A01-0073
The Atlas Orion Anamorphic Lens Set (40mm, 65mm, 100mm), often referred to as “Set A,” is a professional-grade trio designed to provide the iconic “vintage” widescreen aesthetic with modern mechanical reliability. These lenses utilize a true front-anamorphic design to achieve a 2x squeeze, delivering a high-character cinematic look—complete with oval bokeh and streak flares—without the unpredictability or maintenance issues of legacy glass.
Key Features:
True 2x Front Anamorphic Squeeze: Delivers the classic “epic” widescreen look with authentic oval bokeh and blue streak flares, providing a high-character cinematic aesthetic that modern spherical lenses can’t replicate.
Fast and Consistent T2 Aperture: Offers exceptional low-light performance and a shallow depth of field across all three focal lengths, ensuring a consistent exposure and “look” throughout your production.
Standardized 114mm Fronts and Unified Gear Positions: Allows for rapid lens swaps without the need to adjust follow-focus motors or matte boxes, significantly increasing on-set efficiency.
Industry-Leading Close Focus: Provides the ability to capture intimate close-ups (as close as 1.75′ to 3′ depending on the lens) without the distortion or “anamorphic mumps” typically found in vintage glass.
Interchangeable Mount System (IMS): Features a native PL mount that is easily user-swappable to EF mount, making the set compatible with a vast range of professional and prosumer camera bodies.
Modern Mechanical Reliability: Combines the “painterly” soul of 1970s cinema glass with precision engineering, ensuring smooth focus pulls and a robust build that can withstand rigorous professional use.
Large Image Circle (31mm): Natively covers Super 35 sensors and can cover Full Frame sensors when paired with the Atlas 1.6x LF Extender, offering a future-proof investment for evolving camera technology.
Cost: 20k CAD
(t)
Yan Clement
yanclement@gmail.com
+1 514 796 6596
3-13-2026
Includes:
Cooke Anamorphic/i Full Frame Plus 32mm
Cooke Anamorphic/i Full Frame Plus 40mm
Cooke Anamorphic/i Full Frame Plus 50mm
Cooke Anamorphic/i Full Frame Plus 75mm
Cooke Anamorphic/i Full Frame Plus 100mm
Cooke Anamorphic/i Full Frame Plus 135mm
The Used Cooke Anamorphic/i Full Frame Plus Lens Set (32mm, 40mm, 50mm, 75mm, 100mm, 135mm) delivers the unmistakable cinematic character that has made Cooke Optics a gold standard in high-end film production. Designed for full-frame capture, this six-lens package combines classic Cooke warmth with modern optical performance, offering beautifully controlled flares, smooth oval bokeh, and exceptional color consistency across the set. The Anamorphic/i Full Frame Plus series covers large-format sensors while maintaining superb sharpness and dimensionality, making it ideal for feature films, episodic television, commercials, and premium digital content. All lenses feature robust mechanical construction and Cooke’s /i Technology for frame-accurate lens metadata, ensuring seamless integration into professional cinema workflows.
Key Features:
Complete 6-lens focal length set: 32mm, 40mm, 50mm, 75mm, 100mm, 135mm
Full-frame coverage optimized for large-format cinema cameras
Classic Cooke anamorphic look with warm skin tones and pleasing falloff
Smooth oval bokeh and elegant horizontal flare characteristics
/i Technology for precise lens metadata communication
Consistent color balance and contrast across all focal lengths
Durable, production-ready mechanical design
i’m not sure of cost. Frank said that he wanted it to be posted at 190k USD
February 27, 2026
(M)
Frank Shaw
+8615011304502
bbosasi.frank@gmail.com
Includes:
Front and rear caps
original boxes
The Whitepoint Lomocron 2x Anamorphic lens set is a sophisticated hybrid of vintage soul and modern precision. Designed by Whitepoint Optics, these lenses pair the legendary Lomo Square Front anamorphic optics with high-performance Leica-R Summicron spherical “taking” lenses. The result is a set that preserves the cherished “Soviet-era” character—including organic imperfections and striking blue flares—while upgrading the mechanics and optical clarity to meet the demands of modern cinema sets.
Key Features:
Vintage-Modern Hybrid: Combines the distinct character of 1970s Lomo glass with the sharpness and contrast of German Leica-R optics.
2x Anamorphic Squeeze: Delivers a classic widescreen cinematic look with the signature oval bokeh and a 2:1 compression ratio.
Enhanced Optical Performance: The Leica-R “mother” lens increases overall resolution, improves contrast, and significantly reduces the haze found in original vintage units.
Professional Cine-Housing: Features completely new, robust aluminum mechanics with 300-degree focus rotation and non-rotating/non-extending barrels.
Modern Production Standards: Includes matched focus and iris gear positions across the set and a universal 110mm front diameter (35mm lens is 125mm) for easy matte box compatibility.
Large Format Coverage: While designed for Super 35, the 50mm and 90mm focal lengths offer coverage for many Full Frame/Large Format sensors (like the Alexa Mini LF).
Improved Close Focus: Eliminates the “anamorphic mumps” (image distortion during close focus) common in original Lomo lenses.
Update April 8th 2026:
Seller Matteo requested to list this set at EUR 49,000 including FJS’ commission.
Cost updated from EUR 45.000 to EUR 43.500.
Sell price updated from EUR 50.000 FOB to EUR 49.000 FOB.
(J)
cost: 45,000 euro
(t)
Matteo Montemarani
info@camistry.eu
+393508815650
italy
2-16-2026
The Cooke S8/i series is the definitive flagship for full-frame cinematography, blending the iconic “Cooke Look” with cutting-edge optical performance. This 7-lens set offers a lightning-fast T1.4 aperture across all focal lengths, delivering unmatched low-light capability and a smooth, organic fall-off that softens the “clinical” edge of modern digital sensors. More compact and lighter than its predecessors, the S8/i is built for everything from heavy studio rigs to agile gimbal work, all while capturing frame-accurate metadata via advanced /i Technology.
Key Features
Fast T1.4 Aperture: Consistent high-speed performance for extreme subject isolation and low-light environments.
Full Frame Plus Coverage: Massive image circle designed for Alexa 35, Sony VENICE 2, and RED V-Raptor.
Signature “Cooke Look”: Warm skin tones and a gentle contrast roll-off for a timeless, cinematic aesthetic.
Next-Gen /i Technology: Real-time metadata for focus, iris, and inertial tracking—essential for VFX and Virtual Production.
Compact Engineering: Smaller and lighter than the S7/i series, optimized for drone and handheld use.
Pristine Bokeh: Spherically optimized to eliminate “onion-ring” artifacts and chromatic aberration.
Cost: 122,500 USD / Sales Price: 155,000 USD
(n)
Christine Cooke
Adam Fox
2-10-2026
Cooke Anamorphic lenses are industry-standard optics renowned for blending modern precision with a “vintage” soul. They are designed to provide the classic anamorphic aesthetic—distinguished by its widescreen cinematic ratio and unique out-of-focus characteristics—while maintaining the technical reliability required for high-end digital and film productions.
Key Features and Benefits
The “Cooke Look”®: Delivers a sharp yet smooth rendering with a natural warmth and “kindness” to skin tones, minimizing the clinical harshness of modern digital sensors.
Oval Bokeh: Features a 2:1 elliptical bokeh (out-of-focus highlights) that creates a distinct sense of depth and dimensionality.
i/Technology: Equipped with digital sensors that automatically record lens metadata (focus, iris, and depth-of-field) for every frame, significantly streamlining VFX and post-production workflows.
Squeeze Options: Available in 2x squeeze for Super35 formats and 1.8x squeeze for Full Frame, providing the ideal “sweet spot” for modern sensor coverage.
SF (Special Flare) Variants: Specially coated versions are available to produce more pronounced, “creative” anamorphic flares and aberrations for a more stylized look.
Color Matching: Perfectly color-balanced to match other Cooke series (like S4/i or S7/i), allowing cinematographers to mix prime and anamorphic lenses seamlessly within a single production.
Cam-Type Focus: Utilizes a award-winning focus mechanism for smooth, precise pulls with 270° of rotation and minimal “breathing.”
Cost USD 100,000
Owner Jami Mahmood – azadfilm1@icloud.com
R-01-27-26
Price Investigation
Newlifecine: 90.500 – 106,500 -105,000 – Sets of 4
Justcinemagear – 129,950 – Set of 4
AI says : The lowest numerical price for a configuration matching or exceeding the request is $66,000.00 at Just Cinema Gear for a Set of 5.
If strictly adhering to a Set of 4, the lowest price found is $68,000.00 at New Life Cine.
