Includes:
Arri Working light
Power cable
Arri Side Handle
Arri Bridge Plate
Arri Anamorphic Finder Extension
ST mag adaptor
Arri HE-3 Heatable Eyecup
Arri HE-3 Heatable Eyecup Cable
FPS/Shutter Controller
Magazines
Arricam 120/400 x 3
Frame glow cover
Cover ST viewfinder right
Cover ST viewfinder Top
Finder block bottom
Film changing bag

The ARRICAM Studio (ST) 4-perf is a highly advanced 35mm sync-sound film camera that represents the pinnacle of analog cinematography, specifically configured with a 4-perforation movement to provide the largest possible negative area. Engineered for near-silent operation (under 20 dB), it combines the mechanical innovations of Moviecam with ARRI’s sophisticated electronic integration, making it the premier choice for high-end studio productions. The 4-perf configuration is highly valued for its versatility, offering the height required for both 1.85:1 spherical and 2.39:1 anamorphic cinematography while maintaining superior image quality and a cleaner grain structure. With its modular design, integrated Lens Data System (LDS), and electronically adjustable mirror shutter, the ARRICAM ST remains a gold-standard “workhorse” for narrative features where total creative control and the organic texture of 35mm film are required.

Key Features:
4-Perforation Movement: Provides the maximum vertical negative area, ideal for anamorphic lenses and high-resolution spherical capture.
Near-Silent Sync-Sound: Operates at sound levels below 20 dB, allowing for clean dialogue recording even in tight studio environments.
Electronic Mirror Shutter: Adjustable from 0° to 180° in 0.1° increments, supporting precise exposure control and speed-shutter ramping.
Variable Frame Rates: Crystal-controlled speeds from 1 to 60 fps (forward) and 1 to 32 fps (reverse) for versatile motion capture.
Integrated LDS (Lens Data System): Built-in electronics transmit lens metadata to the camera for streamlined VFX and post-production workflows.
Modular Viewfinder System: Features a highly bright, level-correcting optical viewfinder with anamorphic de-squeeze and 360° rotation.
Production-Ready I/O: Equipped with the Integrated Video System (IVS) for flicker-free monitoring and comprehensive 24V power distribution for accessories.

Includes:
x2 On Board Batteries OBB-1
Custom NEW Battery Belt Kit
Arri Heated Eye Cup
Arri Bridge Plate BP-8
Arri Hand Grip Trigger
x1 400ft Shoulder Film Magazine
x4 200ft Shoulder Film Magazines
Steadicam monitor with mini converter SDI to Analog
Original 4 Perf Gate Movement
Arri Follow Focus FF-2 and Whip
Slate and Notebook

The ARRIFLEX 235 is a specialized 35mm MOS (non-sync sound) film camera, renowned for being the smallest and lightest modern 35mm camera ever produced. When configured with a 2-Perf Techniscope movement, it becomes a powerful tool for widescreen cinematography, capturing a native 2.39:1 aspect ratio by utilizing only two perforations per frame instead of the standard four.
This specific kit is designed for “run-and-gun” filmmaking, handheld operating, and specialty rigging where weight and film economy are critical.

Key Features:

Ultralight Chassis: The body and viewfinder weigh only 3.5 kg (7.7 lbs), roughly half the weight of an ARRI 435.
2-Perf Movement: Specifically modified to pull down only 2 perforations, doubling the recording time of any given film roll.
Variable Frame Rates: Capable of speeds from 1 to 60 fps (standard) or up to 75 fps depending on the specific motor configuration.
Adjustable Shutter: Features a manually adjustable mirror shutter (typically 11.2° to 180°) for precise exposure and motion blur control.
Format Flexibility: Native 2.39:1 Techniscope output without the need for expensive anamorphic lenses.
Shared Ecosystem: Fully compatible with ARRI 435 magazines (200′ and 400′) and standard PL-mount lenses.

The Arri 435 Xtreme represents the final and most advanced evolution of the legendary 435 series. Released in 2004, it consolidated the best features of its predecessors—the 435 ES and 435 Advanced—while integrating the Functional Expansion Module 2 (FEM-2) directly into the body.
Designed primarily as an MOS (motor only sync) camera, it is an industry powerhouse for high-speed action, music videos, and complex visual effects, offering unparalleled frame-rate flexibility and motion control integration.

Key Features:

Integrated Electronics: By combining previous add-on modules (FEM-2) into the core body, the Xtreme offers a streamlined, “all-in-one” design that reduces external cabling and setup time.
Extreme Speed Range: Offers a crystal-controlled frame rate from 0.1 to 150 fps (forward and reverse), allowing for everything from extreme slow motion to precise time-lapse.
Seamless Speed Ramping: Features a new ramp generator for smoother transitions between different frame rates and shutter angles, which is essential for creative “speed ramps” within a single shot.
Lens Data System (LDS): Inherited from the Arricam line, the built-in LDS saves time on set by electronically tracking lens settings (focus, iris, zoom) and feeding them to the video assist and post-production.
ArriMotion Integration: Specifically designed for advanced motion control, supporting frame-accurate “go-motion” and “stop-motion” photography.
Integrated Wireless Radio: Includes a modular wireless radio unit for cable-free remote control of camera functions and lens motors.
Versatile Viewfinder: A high-quality, swing-over viewfinder that remains upright and correct regardless of position, easily replaceable with a 100% video top for Steadicam or crane work.

Includes:

Viewfinder Extension FE-2
IVS 16 SR3 NTSC
Battery Charger
NC 24/1.2 Battery x3
Bridge Plates BP-6

The ARRIFLEX SR3 (Arri SR3) is a highly-regarded 16mm film camera, the final evolution of the ARRI SR series, designed to meet modern film production standards. It’s renowned for its reliability, compact size, and high-speed capabilities, making it a versatile tool for commercials, music videos, documentaries, and narrative features seeking the distinct Super 16mm film aesthetic. The camera was released in the early 1990s and is available in standard and HS (High Speed) versions.

Key Features:

Super 16mm Native Format: Captures a wider image area than Standard 16mm, making it ideal for high-quality cinema scans (up to 2K/4K) and digital post-production.
High Frame Rate Capability: The HS (High Speed) version shoots up to 150 fps (frames per second), enabling excellent, fluid slow-motion sequences.
PL Lens Mount (Offset): Ensures compatibility with a wide range of professional, modern cinema lenses and allows for easy and quick format change between Regular 16 and Super 16.
Adjustable Mirror Shutter: Manually adjustable from 180° down to 45°, offering precise creative control over motion blur and exposure time.
Integrated Video System (IVS): Provides a high-quality video assist output (often upgraded to HD-SDI) for on-set monitoring and video village setups.
Time Code Integration: Time code functionality, typically recorded in the magazine, streamlines the film-to-digital post-production and sync sound workflow.
Ergonomic & Lightweight Design: Excellent for handheld shooting, offering greater mobility and comfort on set compared to larger film cameras.
Crystal Sync Precision: Ensures frame rate accuracy (e.g., 24 fps), essential for reliable synchronization with sound recording.

The Arri 235 is the ultimate choice for filmmakers requiring a no-compromise, lightweight 35mm MOS camera. Designed as the compact workhorse of the ARRI lineup, it’s ideal for handheld, Steadicam, and specialty rigs where size and agility are paramount. At only 7.7 lbs (3.5 kg), the 235 enables faster setup, less rigging, and unparalleled creative freedom in tight spaces. Despite its minimal footprint, this camera is a fully modern system that supports Super 35 format and integrates seamlessly with all standard PL mount lenses and ARRI accessories, delivering reliable 35mm quality in any production environment.

Features:
Film Format: Shoots on 35mm film, supporting Super 35 format.
Frame Rate: Adjustable from 1 to 75 frames per second (fps) forward, with quartz-accurate control.
Lens Mount: Uses the industry-standard 54mm PL mount.Perforation Options: Available with either 3-perf or 4-perf movement.
Viewfinder: Bright, ergonomic optical viewfinder is rotatable and extendable, and independent of the video assist.
Magazines: Compatible with new lightweight 200′ and 400′ shoulder magazines, and some existing 435-style magazines.MOS Operation: Designed as a Motor Only Sync (MOS) camera, meaning it is not engineered for silent, sync-sound filming.
Accessory Compatibility: Works with ARRI’s modern remote systems like the RCU and WRC.