Includes:
1x Camera Case
1x Arriflex 416 PLUS with LCS Radio Module (yellow)
with Finder and Ocular , 2 Finder Covers
1x IVS Integrated Video System 416 – PAL
1x SCH-2 Standard Camera Handle 416
1x Shoulder Pad 416
1x LWS-5 Lightweight Support 416
1x LRB-2 Left Rod Bracket
1x BP-10 Split Bridge Plate Set 19mm 416
1x MEE-1 Medium Eyepiece Extension 416/235
1x LMM-2 Low Mode Set 416
1x Camera Handgrip right with on/off
1x Magazine Case
4x Shoulder Magazines 120m/400ft
The ARRI 416 Plus is an advanced Super 16 mm film camera developed by ARRI as an upgraded version of the original 416, designed for professional film and television production. Known for its robust build, precise film transport, and quiet operation, the 416 Plus is optimized for sync-sound shooting and high-end cinematography. It integrates modern electronic controls, improved monitoring, and compatibility with wireless lens control systems, making it ideal for handheld, Steadicam, and studio setups. The camera maintains the classic organic look of Super 16 film while offering the reliability and workflow efficiency expected in contemporary productions.
Key Features
Super 16 Film Format: Optimized for widescreen Super 16 cinematography.
Integrated Electronics: Advanced camera control and diagnostics via onboard display.
LCS Compatibility: Built-in support for ARRI Lens Control System (LCS) wireless operation.
Quiet Sync-Sound Operation: Low noise level suitable for dialogue recording.
Variable Frame Rates: Supports multiple frame rates for creative shooting options.
PL Lens Mount: Compatible with a wide range of professional cinema lenses.
Integrated Video Assist: Built-in IVS system for on-set monitoring and framing.
Compact & Ergonomic Design: Lightweight body ideal for handheld and Steadicam work.
Update April 8th 2026:
Camera is SOLD.
(J)
Update March 6th 2026:
Camera was reserved, Markus will confirm if it gets Sold.
(J)
Cost: 65,000 Euros
March 6, 2026
(M)
Markus Schmidle
FGV Schmidle GmbH
Tel.: +49 89 680 90 90
Fax: +49 89 699 00 88
E-Mail: markus.schmidle@fgv-rental.de
Includes:
– AATON 35-3
– 35-III Camera body # T326
– 3 Perf
– Standard 35 & Super 35 camera
– 4 position Variable Shutter : 180°, 172,8°, 150°, 144°
– Illuminated (Aatonite) viewing screen (one included)
– Filming speed 3-40 fps (Variable speed control in thousands of increments)
– Internal phase shift control for TV bar elimination
– Integrated TimeCode/ AatonCode generator and printer
– Power supply : 12 Volts
– Ø 54mm PL mount included
– Right On/Off wooden handgrip included
– One pair Ø 15 mm front rod – 60 mm long included
– 2 x groundglass – Format 2,35 – 1,78 – Full
– 1 x 250mm Extension Eyepiece with zoom
– Linear zoom to 100% magnification and secondary dioptery
– 3 x 400 FT/122M MAGAZINE (#491 – #494 – #470)
– Magnetic coupling drive system – Easy Loop adjustment
– 1 VHR 35 PAL
– 3 x12 Volts – 3,5 Ah NiMH External Battery
– Rechargeable NiMH battery 3,5 Ah
– 1 x Battery Charger CHA-3
– Two ports Aaton battery charger
– 3 h for 2 x 12V – 3,5 Ah NiMH batteries. 110/220V
– 1 x new Blimp / Barney
– 1 x New Pelicase
The Aaton XTR Prod (Aaton III) is a legendary Super 16mm motion picture camera, renowned for its ergonomic “cat-on-the-shoulder” design. The 3-Perf (3-perforation) movement is a specific modification that allows the camera to pull down three perforations per frame instead of the standard four. This results in a significant reduction in film consumption—roughly 25%—while providing a native widescreen aspect ratio (1.78:1) that fits modern HD and digital standards perfectly.
Key Features:
Film Economy: Reduces film stock and processing costs by 25% compared to 4-perf, effectively turning a 400ft roll into a much longer-running magazine.
Ergonomic Design: Specifically balanced for handheld shooting; the camera “rests” on the operator’s shoulder, reducing physical fatigue during long takes.
Low Noise Floor: One of the quietest 16mm cameras ever built (under 20 dB), making it ideal for sync-sound recording on intimate sets.
AatonCode-II: An advanced timecode system that records real-time data onto the film edge, simplifying the synchronization of sound and picture in post-production.
Fiber-Optic Viewing: Features a bright, high-quality viewfinder with an illuminated “Glow” for frame lines, essential for shooting in low-light conditions.
Universal Lens Mount: Typically equipped with an Arri PL mount, allowing access to a vast library of world-class cinema glass.
Cost: 35k EURO
(t)
Sébastien KRILOFF
contact@lacompagniedelimage.fr
+33 664178738
2-24-2026
Includes:
Aaton XTR Prod camera body
(3) 400’ magazines
HD video tap from Visual Products
Gold mount battery adapter
Eye piece extension
Aaton wooden grip and rods
top handle accessories cheese plate w/ 15mm rod support
25’ run/top cable
(2) gold mount batteries
(2) flight cases
changing tent
The Aaton XTR Prod is widely regarded as one of the finest Super 16mm film cameras ever engineered. Renowned for its “cat on the shoulder” ergonomics, it was specifically designed to balance perfectly for handheld, vérité-style filmmaking. It combines a whisper-quiet movement with advanced features like AatonCode timecode integration, making it a staple for high-end documentaries, music videos, and independent features.
Key Features:
Superior Ergonomics: Its unique physical profile allows the camera to rest naturally on the operator’s shoulder, significantly reducing fatigue during long handheld takes.
Whisper-Quiet Operation: At approximately 20 dB, the camera is nearly silent, which is essential for recording sync sound in intimate environments.
AatonCode Timecode: Features an in-camera time recording system that burns man-readable and machine-readable data directly onto the film edge, simplifying the audio syncing process in post-production.
Magnetic Drive Magazines: Uses 400ft (and occasionally 800ft) coaxial magazines with a magnetic drive system, which minimizes mechanical noise and makes loading exceptionally fast and reliable.
Variable Shutter & Speeds: Offers a reflex mirror shutter (adjustable between 180° and 144°) and crystal-synced speeds from 3 to 75 fps, allowing for precise creative control over motion blur and slow motion.
High-Quality Viewing System: Equipped with one of the brightest and sharpest fiber-optic viewfinders in the industry, featuring illuminated “Aatonite” frame lines for shooting in low-light conditions.
Cost: USD 30,000
(t)
David Okolo
davidtokolo@gmail.com
2-23-2026
Includes:
Arri Working light
Power cable
Arri Side Handle
Arri Bridge Plate
Arri Universal View Finder
Arri Anamorphic Finder Extension
ST mag adaptor
Arri HE-3 Heatable Eyecup
Arri HE-3 Heatable Eyecup Cable
FPS/Shutter Controller
Magazines
Arricam 120/400 x 3
Frame glow cover
Cover ST viewfinder right
Cover ST viewfinder Top
Finder block bottom
Film changing bag
The ARRICAM Studio (ST) 4-perf is a highly advanced 35mm sync-sound film camera that represents the pinnacle of analog cinematography, specifically configured with a 4-perforation movement to provide the largest possible negative area. Engineered for near-silent operation (under 20 dB), it combines the mechanical innovations of Moviecam with ARRI’s sophisticated electronic integration, making it the premier choice for high-end studio productions. The 4-perf configuration is highly valued for its versatility, offering the height required for both 1.85:1 spherical and 2.39:1 anamorphic cinematography while maintaining superior image quality and a cleaner grain structure. With its modular design, integrated Lens Data System (LDS), and electronically adjustable mirror shutter, the ARRICAM ST remains a gold-standard “workhorse” for narrative features where total creative control and the organic texture of 35mm film are required.
Key Features:
4-Perforation Movement: Provides the maximum vertical negative area, ideal for anamorphic lenses and high-resolution spherical capture.
Near-Silent Sync-Sound: Operates at sound levels below 20 dB, allowing for clean dialogue recording even in tight studio environments.
Electronic Mirror Shutter: Adjustable from 0° to 180° in 0.1° increments, supporting precise exposure control and speed-shutter ramping.
Variable Frame Rates: Crystal-controlled speeds from 1 to 60 fps (forward) and 1 to 32 fps (reverse) for versatile motion capture.
Integrated LDS (Lens Data System): Built-in electronics transmit lens metadata to the camera for streamlined VFX and post-production workflows.
Modular Viewfinder System: Features a highly bright, level-correcting optical viewfinder with anamorphic de-squeeze and 360° rotation.
Production-Ready I/O: Equipped with the Integrated Video System (IVS) for flicker-free monitoring and comprehensive 24V power distribution for accessories.
Cost: 20000 GPB
February 18, 2026
(M)
Lee Patel
lee@lightningmedia.co.uk
+44 (0) 7966 100600
Includes:
x2 On Board Batteries OBB-1
Custom NEW Battery Belt Kit
Arri Heated Eye Cup
Arri Bridge Plate BP-8
Arri Hand Grip Trigger
x1 400ft Shoulder Film Magazine
x4 200ft Shoulder Film Magazines
Steadicam monitor with mini converter SDI to Analog
Original 4 Perf Gate Movement
Arri Follow Focus FF-2 and Whip
Slate and Notebook
The ARRIFLEX 235 is a specialized 35mm MOS (non-sync sound) film camera, renowned for being the smallest and lightest modern 35mm camera ever produced. When configured with a 2-Perf Techniscope movement, it becomes a powerful tool for widescreen cinematography, capturing a native 2.39:1 aspect ratio by utilizing only two perforations per frame instead of the standard four.
This specific kit is designed for “run-and-gun” filmmaking, handheld operating, and specialty rigging where weight and film economy are critical.
Key Features:
Ultralight Chassis: The body and viewfinder weigh only 3.5 kg (7.7 lbs), roughly half the weight of an ARRI 435.
2-Perf Movement: Specifically modified to pull down only 2 perforations, doubling the recording time of any given film roll.
Variable Frame Rates: Capable of speeds from 1 to 60 fps (standard) or up to 75 fps depending on the specific motor configuration.
Adjustable Shutter: Features a manually adjustable mirror shutter (typically 11.2° to 180°) for precise exposure and motion blur control.
Format Flexibility: Native 2.39:1 Techniscope output without the need for expensive anamorphic lenses.
Shared Ecosystem: Fully compatible with ARRI 435 magazines (200′ and 400′) and standard PL-mount lenses.
Cost: TBD
(t)
Light Hunter Fatali
info@lighthunter.com
+1 928-225-1680
2-10-2026
Includes:
1 Arriflex 35iii Mk3 Camera Body
1 2-Perf Movement
1 CE Speed Base
1 CE Accessory Block
1 CEI C4 Color Video Tap
1 CEI Video Optics
1 Std. Eyepiece
1 Extension Eyepiece
1 Heated Eyecup
1 Choice Of Available Ground Glass
1 CEI Lens Light
1 B-Plug Forward
2 8″ Rods
2 17″ Rods
1 Eyepiece Leveling Rod
1 Arri Base Plate
1 12″ Dovetail
1 Right Hand Grip
2 Camera Power Cable
3 400′ Magazines
1 Flight Case For Camera Body
1 Flight Case For Magazines
2 1000′ Magazines
The Arriflex 35III (35-3) is a legendary 35mm MOS (non-silent) motion picture camera that succeeded the iconic 35 II C. Introduced by ARRI in 1979, the MK3 (Mark 3) variant represents a refined, high-speed evolution of the series. Known for its rugged, compact design and exceptional versatility, it remains a favorite for second-unit photography, action sequences, and high-speed cinematography in the film industry.
Key Features:
Mirror Reflex System: Features a spinning mirror shutter that provides a parallax-free image in the viewfinder.
Variable Shutter: Manually adjustable shutter angles, typically ranging from 15° to 180°, allowing for precise exposure and motion control.
High-Speed Capabilities: Capable of frame rates up to 130 fps (with specialized high-speed bases and power supplies), making it ideal for slow-motion work.
Lens Mount: Equipped with a standard PL (Positive Locking) Mount, ensuring compatibility with a vast range of professional cinema lenses.
Modular Movement: Built with single-pin registration and a robust transport mechanism for steady, reliable film travel.
Interchangeable Doors: Supports various viewfinder doors, including pivoting finders and video assist (video tap) options for modern monitoring.
Cost: TBD
(t)
Light Hunter
info@lighthunter.com
2-9-2026
