Included in Package:
Arri SR3 Advanced High Speed S16mm Kit
1 Arri SR3 Advanced Highspeed Body (0-150fps)
1 Super 16mm Ground Glass (1.78 + TV)
3 400′ SR3 High Speed Magazine(s)
3 Magazine cover
1 Arri SR3 ThroatCover
1 SR3 SD-IVS (PAL)
1 SR3 HeatedViewfinder
1 SR3 Extensioneyepiece
1 Arriflex On-board battery elbow
2 IVS Fisher 3-pin male to 3-pin male power cable
1 Varispeed control Unit
1 PL Mount bodycap
1 Arri 2-pin to 3-pin 24v Power Cable
The kit includes the following.
ARRI III High Speed Camera, Super 35 Conversion by P&S Technik in Germany, including three 400ft magazines. The Magazines are high speed compatible with the ARRI 435 series of cameras, achieving maximum speeds of 150fps.
The camera has a variable shutter to the following degrees. 180,172.8,144,135,120,105,90,75,60,45,22,15 Degrees. Fitted with high speed Gate Ground Glass – 1.78:1 with Big TV Markings
Also includes ARRIFLEX 35III MK3 Camera (4 Perf) # 41358 Cinematography Electronics Crystal Base #91451 CEI Colour 5 Video Assist PAL, with CEI FLX-C5 Frame line Generator Optical Door #40A1364 240mm Extension Finder Pistol Grip 400ft Magazines X 3 ( P&S Technik Conversion) #20785 #9701 #9600 6.6″ 3 Stage Mattebox Slide Plate 2 X 440mm 15mm Rods Fuse Replacements LED Battery (Spare) Reversing Plug Shorting Plug (used when Cinematography Base comes off) 2mm Hex Shutter Adjustment Tool.
Camera Body Case – Dimensions 64cmX38cmX37cm Weight 27Kg 400Ft
Magazine Case – Dimensions 45cmX42cmX28cm Weight 14Kg
Includes:
2x Magazin
2x Batteries
1x Charger
1x Long viewfinder
1x Heated eyecup
The ARRI 235 is the ultimate lightweight, high-performance 35mm MOS film camera. Specifically designed for handheld, Steadicam, and remote head applications, it is the smallest and lightest 35mm camera in ARRI’s history. Despite its compact footprint, it utilizes the same reliable movement and optics as the ARRICAM series. This 4-Perf version offers the classic full-aperture 35mm frame, perfect for high-speed action, music videos, and commercials where the texture of motion picture film is irreplaceable.
Key Features:
Ultra-Lightweight Design: Compact carbon-fiber and magnesium body weighing only ~3.5 kg (7.7 lbs).4-Perf Movement: Native 4-perforation pull-down for the traditional 35mm film format.
Variable Frame Rates: Capable of speeds from 1 to 60 fps, adjustable in 0.001 increments.
Super 35 Compatible: Features a standard PL mount compatible with all professional S35 optics.
Rotary Mirror Shutter: Features a manually adjustable mirror shutter for precise exposure and motion control.
Versatile Powering: Integrated 24V system with compatibility for standard ARRI accessories and magazines.
The ARRIFLEX 235 is the ultimate small, lightweight 35mm MOS (non-sync) camera. Introduced by ARRI as a modern companion to the larger 435 and 535 systems, it was specifically designed for handheld, Steadicam, and remote head applications where weight and size are critical. Despite its small profile, it shares the same high-quality movement and optical viewfinder standards as ARRI’s studio cameras, making it a favorite for “run-and-gun” film cinematography.
Key Features:
Compact & Lightweight: Weighs only 3.5 kg (7.7 lbs), making it one of the lightest 35mm cameras ever made.
4-Perf Movement: Features a rock-solid movement with a fixed 180° or manually adjustable shutter.
Versatile Speed Range: Capable of 1 to 60 fps (forward only) for both standard and slight slow-motion shots.
Flexible Viewfinder: Can be swapped for the integrated 235 viewfinder or used with standard 435 viewfinder components for better ergonomics.
Standard Magazines: Compatible with specialized 200ft/400ft “dolphin” mags, as well as standard 435/535 magazines.
Modern Integration: Features an Integrated Video System (IVS) and compatibility with ARRI’s electronic accessories.
View Finder
Aaton Video
Aaton Adaptador de Corrente
3 Onboard Batteries
2 Onboard Batteries Cable
Magazin A SN: AM346
Magazin B SN: AM347
Magazin C SN: AM348
Transvideo Starlight 4″ Monitor
The Aaton A-Minima is a cult-classic Super 16mm film camera, famous for being one of the smallest and most ergonomic 16mm cameras ever produced. Roughly the size of a large SLR, it was designed specifically for handheld “grab-and-go” cinematography, extreme sports, and tight locations where a standard XTR would be too bulky. It uses unique 200ft daylight-loading spools, making it a favorite for indie filmmakers and documentary shooters who want the film look with modern mobility.
Key Features:
Ultra-Compact Design: Small enough to be held in one hand; perfect for drones, gimbals, or “crash cam” setups.
Super 16mm Format: Native Super 16 gate for a cinematic widescreen aspect ratio.
Daylight Loading: Uses specialized 200ft (60m) spools, allowing for quick loading without the need for a changing tent.
Aaton Timecode: Features Aaton’s legendary Origin C plus timecode system for seamless sync-sound recording.
Low Power Consumption: Efficient electronics allow for extended shooting on small onboard batteries.
PL Mount: Compatible with the wide world of professional Super 16 and S35 cinema glass.