Includes :
Case for ARRIFLEX 435 4-perforation Film Camera PL-mount 1
ARRIFLEX 435 4-perforation Film Camera PL-mount 1
ARRI Finder F-3 1
Format Mask Univers. 1
Ground Glass ANSI S35 3 P TV 1.78 + 1.33 Trans 1
IVS (PAL) 1
Finder Extension FE-3 1
Cable Power ARRI KC29-SP-S 1
19mm Aluminum Rod Stainless Steel 250mm TILTA 2
ARRI Standard Dovetail Plate 300mm 1
Wooden Camera Bridgeplate 19mm 1
ARRIMAG 120 M-120 1
ARRIMAG 300E 300m 1
Case for ARRIMAG 300
Includes:
1 ARRIFLEX 435 ES Advanced 4-perforation Film Camera PL-mount
1 ARRI AVF-2 Anamorphic Viewfinder for 435/D-21
1 Ground Glass DIN S35 TV 1.33 safe
1 Format Mask Univers
1 Functional expansion module FEM (NTSC)
1 Finder Extension FE-3
1 Cable Power ARRI KC29
2 19mm Aluminum Rod Stainless Steel 440mm
1 ARRI Standard Dovetail Plate 290mm
1 Wooden Camera Bridgeplate 19mm
1 ARRIMAG 120 M-120
1 ARRIMAG 300
INCLUDES
1X Eyepiece switchable S35 And Anamorphic
3x 435 Arrimag 120m/400ft
Remote Switch
Arri RCU-1
Finder Extender FE-3
Power Cable
Shot On What ? https://shotonwhat.com/?s=ARRIFLEX+435+XTREME+4+PERF+CAMERA
The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35-III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn’t require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Rival Panavision even owns more 435s for rental than Arri’s own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.
Full Package List:
-Bolex H16 REX-5 S16 Modified + 13x Viewfinder with 2 bodycaps and take-up spool.
-Bolex MST 24fps motor with external battery pack and carrying case.
-Cosmicar 12.5mm f1.9 C-Mount Lens
-Cosmicar 25mm f1.9 C-Mount Lens
-Cosmicar 50mm f1.8 C-Mount Lens
-Sachtler Ace XL Tripod with bag
-Misc. parts, screws, documentation.
-Pelican cases for camera and lenses
NOTE: This is a vintage but updated and completely ready to shoot package.
35mm film format (Super 35): Industry standard film size known for its excellent image quality.
PL lens mount: Versatile lens mount compatible with a wide range of professional cine lenses.
Modular design: Allows for customization with different accessories like magazines and viewfinders.
Lightweight and compact: Ideal for handheld and mobile shooting applications.
Rugged and reliable: Built to withstand the demands of professional filmmaking.
Benefits
High-quality image capture: Delivers stunning visuals with the classic look of film.
Versatility: Adaptable to various shooting scenarios with its modular design.
Portability: Well-suited for situations requiring mobility and lightweight equipment.
Durability: Proven track record of reliability for professional use.
