The Arriflex 16SR2 (SR2) is a legendary 16mm motion picture camera known for its compact, ergonomic design and exceptionally quiet operation, making it a staple for documentary and indie filmmaking. This package features the Angenieux 12-120mm zoom, a classic piece of glass that offers a versatile 10x zoom range and the signature organic, vintage texture that Angenieux is known for. The SR2’s symmetrical “coaxial” magazine system allows for quick film changes and excellent balance on the shoulder, while its robust German engineering ensures reliable performance in diverse shooting environments. When paired with the 12-120mm, this kit provides a complete, period-accurate 16mm production solution that bridges the gap between vintage aesthetics and professional mechanical reliability.
Key Features:
Compact Coaxial Magazines: Unique 400ft magazine design allows for rapid loading and maintains a balanced center of gravity for handheld work.
Angenieux 12-120mm Zoom: A versatile lens offering a wide 10x zoom range with a classic “vintage” rendering and soft, natural skin tones.
Ultra-Quiet Operation: Specifically engineered for sync-sound recording, making it ideal for dialogue-heavy scenes and documentary interviews.
Crystal-Controlled Speeds: Provides precise, reliable frame rates (typically 24/25 fps) for perfect synchronization with external audio recorders.
Rotating Mirror Shutter: Features a high-quality optical viewfinder that provides a bright, flicker-free image during filming.
Arri B or PL Mount: Often adapted to PL mount for compatibility with a vast range of modern and vintage cinema optics.
Cost: GBP 9,000
Sell Price: GBP 10,100 FOB
Craig Lees
cogartlit@yahoo.co.uk
+44 07891595912
United Kingdom
March 16th 2026
(J)
The Arriflex SR3 is the final evolution of ARRI’s legendary 16mm SR series, designed to offer exceptional versatility for both documentaries and narrative productions. Released in the 1990s, this camera standardized the Super 16 format and remains highly relevant today due to its mechanical robustness and ability to integrate into modern digital workflows.
Key Features and Benefits
Native Super 16 Format: Provides a wider image area, ideal for high-quality 2K/4K scans with a modern cinematic aspect ratio.
Variable Frame Rates: Offers crystal-sync speeds from 5 to 75 fps (and up to 150 fps in the High Speed version), facilitating smooth slow-motion effects.
Shifted PL Mount: Specifically designed to center optics for Super 16, ensuring compatibility with the best cinema lenses on the market.
Adjustable Mirror Shutter: Allows for manual angles (180°, 172.8°, 144°, 135°, 90°, 45°) for precise control over motion blur and exposure.
Timecode Integration: Simplifies audio synchronization and offline editing through the integrated timecode system in the magazines.
Ergonomic and Quiet Design: With a noise level of just 20 dB(A), it is quiet enough for sync-sound dialogue and lightweight enough for shoulder-mounted operation.
Integrated Video System (IVS): Features a built-in video assist that allows for on-set monitoring without excessive external cabling.
Cost : TBD
The lowest confirmed numerical
price for an actual SR3 package is $17,500.00 USD from Newlifecine
STEPHEN BAKER
Rental Account Manager
Imagezone NZ Ltd.
9 Scanlan St
Grey Lynn
Auckland.
Office: 09 476 3466
Mobile: 021 774 301
Email: stephen@imagezone.co.nz
Website: www.imagezone.co.nz
Includes:
ARRI 435 Extreme ES (SN 4565)
PL Mount
4 Perf Movement
Speed Ramp 0.1 – 150 fps
Electronically Adjusted Shutter Angle 11.2 – 180 Degrees
400’ (120M) Magazine (SN 4504)
400’ (120M) Magazine (SN 4488)
400’ (120M) Magazine (SN 4428)
ARRI RCU (SN 2458) Currently missing KC-39 Cable
FE-3 Extension Viewfinder (SN 2573)
2x Power Cables
4:3 Ground Glass
16:9 Ground Glass
The ARRI 435 Extreme ES is the ultimate workhorse of the 35mm film era, specifically engineered for high-speed versatility and precision. This particular unit is the “Electronic Shutter” (ES) version, allowing for seamless speed-ramping and shutter adjustments without mechanical downtime. Known for its rock-solid stability and compatibility with a vast ecosystem of ARRI accessories, it remains a premier choice for music videos, commercials, and action sequences requiring variable frame rates.
Key Features:
Advanced High-Speed Capability: Offers a broad frame rate range from 0.1 to 150 fps, perfect for everything from extreme slow motion to time-lapse.
Electronic Mirror Shutter: Features an electronically adjustable shutter (11.2° to 180°), enabling precise exposure control and “shutter-sync” speed ramps.
4-Perf Movement: Utilizes the industry-standard 4-perforation format for maximum image area and compatibility with classic 35mm optics.
Integrated Speed Control: Compatible with the included RCU-1 (Remote Control Unit) for programming complex speed changes during a shot.
Enhanced Monitoring: Equipped with the FE-3 Extension Viewfinder, providing ergonomic flexibility for operators, especially when the camera is mounted on a dolly or crane.
Versatile Framing: Includes both 4:3 and 16:9 Ground Glasses to accommodate traditional and widescreen television delivery formats.
cost: AUD 50K
(t)
Warren Day
warren@vahire.com
+61 438 003 611
3-10-2026
Includes:
1x Camera Case
1x Arriflex 416 PLUS with LCS Radio Module (yellow)
with Finder and Ocular , 2 Finder Covers
1x IVS Integrated Video System 416 – PAL
1x SCH-2 Standard Camera Handle 416
1x Shoulder Pad 416
1x LWS-5 Lightweight Support 416
1x LRB-2 Left Rod Bracket
1x BP-10 Split Bridge Plate Set 19mm 416
1x MEE-1 Medium Eyepiece Extension 416/235
1x LMM-2 Low Mode Set 416
1x Camera Handgrip right with on/off
1x Magazine Case
4x Shoulder Magazines 120m/400ft
Ultra 16 set of lenses focals: 6, 8, 9.5, 12, 14, 18, 25, 35 & 50mm T1.3, Metric scale, PL Mount.
Update April 8th 2026:
Seller confirmed both the camera and lens set are SOLD.
(J)
Ultra 16 set is SOLD (to third party) – April 6th 2026
Arri 416 has been reserved, Markus will confirm if it gets Sold.
(J)
Cost: EUR €125.000
Sell Price: EUR €140.000 FOB
Markus Schmidle
markus.schmidle@fgv-rental.de
+49 89 680 90 90
Germany
March 6th 2026
(J)
Includes:
1x Camera Case
1x Arriflex 416 PLUS with LCS Radio Module (yellow)
with Finder and Ocular , 2 Finder Covers
1x IVS Integrated Video System 416 – PAL
1x SCH-2 Standard Camera Handle 416
1x Shoulder Pad 416
1x LWS-5 Lightweight Support 416
1x LRB-2 Left Rod Bracket
1x BP-10 Split Bridge Plate Set 19mm 416
1x MEE-1 Medium Eyepiece Extension 416/235
1x LMM-2 Low Mode Set 416
1x Camera Handgrip right with on/off
1x Magazine Case
4x Shoulder Magazines 120m/400ft
The ARRI 416 Plus is an advanced Super 16 mm film camera developed by ARRI as an upgraded version of the original 416, designed for professional film and television production. Known for its robust build, precise film transport, and quiet operation, the 416 Plus is optimized for sync-sound shooting and high-end cinematography. It integrates modern electronic controls, improved monitoring, and compatibility with wireless lens control systems, making it ideal for handheld, Steadicam, and studio setups. The camera maintains the classic organic look of Super 16 film while offering the reliability and workflow efficiency expected in contemporary productions.
Key Features
Super 16 Film Format: Optimized for widescreen Super 16 cinematography.
Integrated Electronics: Advanced camera control and diagnostics via onboard display.
LCS Compatibility: Built-in support for ARRI Lens Control System (LCS) wireless operation.
Quiet Sync-Sound Operation: Low noise level suitable for dialogue recording.
Variable Frame Rates: Supports multiple frame rates for creative shooting options.
PL Lens Mount: Compatible with a wide range of professional cinema lenses.
Integrated Video Assist: Built-in IVS system for on-set monitoring and framing.
Compact & Ergonomic Design: Lightweight body ideal for handheld and Steadicam work.
Update April 8th 2026:
Camera is SOLD.
(J)
Update March 6th 2026:
Camera was reserved, Markus will confirm if it gets Sold.
(J)
Cost: 65,000 Euros
March 6, 2026
(M)
Markus Schmidle
FGV Schmidle GmbH
Tel.: +49 89 680 90 90
Fax: +49 89 699 00 88
E-Mail: markus.schmidle@fgv-rental.de
Includes:
– AATON 35-3
– 35-III Camera body # T326
– 3 Perf
– Standard 35 & Super 35 camera
– 4 position Variable Shutter : 180°, 172,8°, 150°, 144°
– Illuminated (Aatonite) viewing screen (one included)
– Filming speed 3-40 fps (Variable speed control in thousands of increments)
– Internal phase shift control for TV bar elimination
– Integrated TimeCode/ AatonCode generator and printer
– Power supply : 12 Volts
– Ø 54mm PL mount included
– Right On/Off wooden handgrip included
– One pair Ø 15 mm front rod – 60 mm long included
– 2 x groundglass – Format 2,35 – 1,78 – Full
– 1 x 250mm Extension Eyepiece with zoom
– Linear zoom to 100% magnification and secondary dioptery
– 3 x 400 FT/122M MAGAZINE (#491 – #494 – #470)
– Magnetic coupling drive system – Easy Loop adjustment
– 1 VHR 35 PAL
– 3 x12 Volts – 3,5 Ah NiMH External Battery
– Rechargeable NiMH battery 3,5 Ah
– 1 x Battery Charger CHA-3
– Two ports Aaton battery charger
– 3 h for 2 x 12V – 3,5 Ah NiMH batteries. 110/220V
– 1 x new Blimp / Barney
– 1 x New Pelicase
The Aaton XTR Prod (Aaton III) is a legendary Super 16mm motion picture camera, renowned for its ergonomic “cat-on-the-shoulder” design. The 3-Perf (3-perforation) movement is a specific modification that allows the camera to pull down three perforations per frame instead of the standard four. This results in a significant reduction in film consumption—roughly 25%—while providing a native widescreen aspect ratio (1.78:1) that fits modern HD and digital standards perfectly.
Key Features:
Film Economy: Reduces film stock and processing costs by 25% compared to 4-perf, effectively turning a 400ft roll into a much longer-running magazine.
Ergonomic Design: Specifically balanced for handheld shooting; the camera “rests” on the operator’s shoulder, reducing physical fatigue during long takes.
Low Noise Floor: One of the quietest 16mm cameras ever built (under 20 dB), making it ideal for sync-sound recording on intimate sets.
AatonCode-II: An advanced timecode system that records real-time data onto the film edge, simplifying the synchronization of sound and picture in post-production.
Fiber-Optic Viewing: Features a bright, high-quality viewfinder with an illuminated “Glow” for frame lines, essential for shooting in low-light conditions.
Universal Lens Mount: Typically equipped with an Arri PL mount, allowing access to a vast library of world-class cinema glass.
Cost: 35k EURO
(t)
Sébastien KRILOFF
contact@lacompagniedelimage.fr
+33 664178738
2-24-2026
