t comes with the ground glass in it which appears to be standard 16:9.
And there’s a spare ground glass in an Arri case for TV crop frame lines from the gate.
GROUND GLASS is compatible with the 35mm ARRI 2C camera.
Stanley Kubrick not included.

The ARRI Director’s Viewfinder is a crucial tool for filmmakers, allowing directors and cinematographers to preview shots and lens choices without needing a full camera setup. Here’s a concise overview:

Key Features and Benefits:

Lens Preview:
Enables accurate framing and composition assessment using various lenses.
Allows for visualization of the shot before camera setup.
Ground Glass Viewing:
Provides a clear, direct view of what the lens sees.
Offers compatibility with numerous 35mm formats.
Portability:
Compact and handheld, facilitating on-location scouting and planning.
Allows for quick and easy shot composition checks.
Professional Standard:
It is a industry standard tool, used by many professional directors and D.O.P’s.
Flexibility:
Ground glass can be changed to match different camera aspect ratios.

The camera has not been used, just tested.
It comes with 16 magazines and some other extras.

The ARRI 235 is a popular choice for filmmakers who need a compact and versatile 35mm film camera. Its small size and light weight make it perfect for handheld and Steadicam work, while its Super 35 format and multiple-perf options provide flexibility in shooting. The camera is also upgradeable, allowing filmmakers to add features like a V-Mount battery plate and HD Tap.

Compact and lightweight: The ARRI 235 is the smallest and lightest modern MOS 35mm film camera, making it ideal for handheld and Steadicam work.
Versatile: It offers Super 35 format and multiple-perf options (including 3-perf), allowing for flexibility in shooting.
High-quality: Despite its size, the 235 is a thoroughly modern motion picture camera with features like speed ramps.
Upgradeable: It can be upgraded with features like a V-Mount battery plate and HD Tap.

Includes:

Arriflex 435 ES 35 mm film camera with PL mount
(4 perf / perforation)
With AVF-2 anamorphic viewfinder.
Comes with 2 magazines.

High-Speed Capability: Shoots up to 150 frames per second, ideal for slow-motion effects and high-action sequences.
Electronic Shutter: Offers precise and flexible exposure control with an adjustable shutter angle (11.2° to 180°), even while the camera is running.
Super 35mm Film Format: Captures high-quality images with excellent depth of field and dynamic range.
Versatile and Modular: Compatible with a wide range of lenses, accessories, and configurations for various shooting needs.
Industry Standard: A trusted and reliable workhorse used in countless feature films, commercials, and music videos.

The Arri 435 ES is a legendary film camera known for its robust design, exceptional image quality, and versatility. It’s a popular choice for productions demanding high-speed capabilities and precise exposure control. While digital cameras have become more prevalent, the 435 ES remains a sought-after camera for filmmakers who appreciate the unique aesthetic and workflow of film.

Includes
Integrated Color Video Assist IVS PAL
Finder Extender
(2x) Magazines 400 FT
Ground Glass

Industry-standard 35mm film camera renowned for its reliability and versatility.
High-speed capability (up to 150 fps) for slow-motion effects.
Electronically adjustable shutter for precise exposure control.
Modular design for compatibility with various accessories.
Used in numerous acclaimed films and productions.

Arri SRII Super-16 Package

• Original owner and Arri conversion super 16 with less that 30 400’ roll after conversion

Package Includes:

Camera Specs:
APEC metering system
(3) 400 ft coaxial magazines w/Loop Protector
(2) on-board batteries * with Charger
Operating Handgrip with on/off switch
(2) Custom cases shipping & carrying
Lens – Zeiss (10-100) not pictured
Lens – Zeiss Super Speed 9.5mm lens, T 1.3
Lens – Zeiss Super Speed 12 mm lens, T 1.3
Lens – Zeiss Super Speed 16 mm lens, T 1.3
Lens – Zeiss Super Speed 25 mm lens, T 1.3
Lens – Canon 300 w/ BL mount, SR support &
Canon case – (not pictured)
Sachtler Tripod w/case
Tiffen 48mm 85 N3 filter, Tiffen 48mm ND3 4×4 Tiffen filter set
Weight @ camera -body 7 lbs., ,mag 5 pounds w/o film, Noise level: 25 +1db (A)
Lens mount: Steel bayonet 52mm flange focal distance
Viewfinder:10x magnification, Image compensating
Power: 12 volt 4 pin din xlr , Camera Motor: DC quartz precision motor
Frame speeds: Quartz 24/25/29.9 fps switchable,
Manual speeds: with SR speed controller 5-75 fps, Arri Tach # 520 speed controller

Rugged Construction: Built to withstand the rigors of professional filmmaking.
Super 16 Capability: Shoots both Standard 16mm and Super 16 formats.
Silent Reflex Design: Quiet operation for unobtrusive sound recording.
Modular Design: Customizable to fit various shooting needs.
Proven Reliability: A workhorse used by filmmakers worldwide for decades.