film cameras

Used / Pre-owned / New Digital Cinema Marketplace

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FJS International
1830 Radius Drive # 1314
Hollywood, FL 33020 USA
Tel: +1-954-600-6659
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4131 Vanowen St 1st Floor
Burbank, CA 91505
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Gorkeho 10
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Brentford TW8 9EX,
United Kingdom
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SELL YOUR GEAR WITH US

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Jr. J. Ramón Pizarro
#112 Lima 21, Peru
roberto@fjsinternationalemail.com

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marcelo@fjsinternationalemail.com

FJS Asia Office:

Room 1130, Wui Lik Industrial Centre, No. 26-38 Sha Tsui Road, Tsuen Wan, New Territories, Hong Kong
frank@fjsinternationalemail.com

FJS Dubai Office:

No.6, Baghdad Street, Al Qusais Industrial 1, opposite ministry of labour, Dubai.
info@fjsinternationalemail.com

WHEN RESULTS SHOW, CLICK TITLE IN RED FOR COMPLETE INFO

A complete list of everything we have for sale.

WE NEED RED V RAPTOR X PACKAGES

WE HAVE FOR SALE MASTER PRIME SET OF 6 FOR $54,000 !!

Used Arricam LT Package for Sale
Available (Must Be Reconfirmed By Owner)

ARRICAM LT body
3perf movement
4perf movement
1.78 ground glass and glow mask
Glow module
LT viewfinder
LT viewfinder extension
IndieAssist (SDI 2 not working, SDI 1 is fine)
Top handle
Studio mag adapter
LWS and Studio rod adapter
BP-9
Dovetail
Shoulder pad
Power cable
Power box
Lens data box
Low mode cage
100% video block
Original SD video tap

x3 400ft steadi mags
x3 400ft shoulder mags

The ARRICAM LT (Lite) is a premier 35mm film camera, part of ARRI’s flagship sync-sound system, and is designed to be the compact and lightweight counterpart to the ARRICAM ST (Studio). It is favored for its quiet operation and versatility in mobile setups like handheld and Steadicam work.

Lightweight & Compact Design Optimized for handheld and Steadicam work, offering operational freedom with sync sound. Body weight is approximately 8.8 lbs (4 kg).
Silent Operation Excellent for dialogue-driven scenes and sync sound recording, with a low operating noise level ( <24 dB(A)).
Super 35mm Film Format Delivers the classic cinematic look of celluloid, including organic texture, dynamic range, and high-quality images.
Modular System Shares the same robust, versatile, and dependable design as the Arricam Studio, allowing for flexible configuration and compatibility with a wide range of ARRI accessories.

Variable Shutter & Speed Ramping Features an electronic mirror shutter adjustable from 0 to 180 (and 11.2 to 180, while ramping) in 0.1 increments, providing creative control over motion blur and exposure.

Frame Rate Capable of crystal-accurate filming speeds from 1 to 48 frames per second (fps) forward.
High Image Steadiness Utilizes a 5-link film movement with dual-pin registration and dual transport claws for pristine, stable images.
Integrated Lens Data System (LDS) Built-in technology that can read and control lens data, calculating depth of field and integrating with lens control systems.
Video Assist Options Compatible with the ARRICAM Integrated Video System (IVS) and modern HD video taps for real-time monitoring.
Perforation Versatility Supports both 4-perf (standard) and 3-perf movements, offering flexibility in film stock usage.

Price: USD $ USD $ 65,000 FOB

Cost $55k
USA – Nick Gall

Standard Camera <rentals@standardcamera.com>
(c) 310-919-6202
(o) 818-358-2842
www.standardcamera.com
12023 Vose St. Unit 23
North Hollywood, CA 91605

 

Used Arricam ST Package for Sale
Available (Must Be Reconfirmed By Owner)

Arricam ST is a 35mm film camera known for its exceptional quietness and modular design, making it a staple for sync-sound shooting in major film productions. Part of the Arricam system developed by ARRI, it represents the pinnacle of analog film camera technology.

Key Features and Benefits
Extremely Quiet Operation: The Arricam ST is considered one of the quietest 35mm sync-sound cameras ever made, with a sound level below 20 dBA, making it ideal for scenes with dialogue.

Modular Design: Its design allows for a wide range of configurations and accessories, including different magazines (400′ and 1000′ with top and rear load options), viewfinders, and control systems.

Electronic Mirror Shutter: The shutter is electronically adjustable from 0° to 180° in precise 0.1° increments, which is a key feature for creative control.

High-Quality Movement: It features a five-link movement with dual registration pins and pulldown claws, ensuring optimal image steadiness.

Versatile Frame Rates: The camera supports forward speeds from 1 to 60 fps and reverse speeds from 1 to 32 fps, with a high degree of crystal accuracy.

Integrated Technology: It was designed to work with ARRI’s Lens Data System (LDS) for lens information and offers integrated video assist systems (IVS) for monitoring.

Price: MAKE AN OFFER

Cost TBD with Daniel Bombell

Used Arri 235 – 4 Perfs for Sale
Available (Must Be Reconfirmed By Owner)

Includes :
2x steady mags
Riser
Should eye peace extension

The 235-4P (4-Perf) system is a motion picture film format that uses four perforations per frame. This standardized format offers exceptional stability and compatibility with a wide range of equipment.

The larger negative of the 4-perf system results in a higher-quality, more detailed image with less grain, making it ideal for theatrical release. Its global standardization ensures smooth post-production workflows, and its robust design makes it highly reliable for projects where frame stability is critical, such as visual effects.

Price: USD $ 33,000

$28k second one , add $5k to each –

owner : Abdelkarim Belkasemi

Just use the same pics and post these two packages using the same pics for each post

Used Arri 235 – 4 Perfs for Sale
Available (Must Be Reconfirmed By Owner)

Shoulder mag
Standard mag

The following is general information about the 235-4P (4-Perf) system, a type of motion picture film camera and film format.

Key Features and Benefits
Four Perforations: The film advances four perforations (or “perf”) per frame, a key feature that distinguishes it from other formats like 3-perf. The four-perf system is a long-standing standard in the film industry, offering great stability and compatibility with a wide range of equipment.

Wider Frame: The 4-perf system uses more film real estate per frame, resulting in a larger negative. This larger negative provides a higher-quality image with finer detail and less grain when enlarged. This makes it an excellent choice for theatrical release where a high-resolution image is critical.

Compatibility and Standardization: It is a globally accepted standard, which ensures compatibility with a vast network of post-production facilities, projectors, and scanners. This reduces the risk of technical issues and makes the workflow smoother.

Robustness: The 4-perf system is highly reliable and less prone to mechanical failure due to its established design. It’s often used for visual effects work where frame stability is of utmost importance.

Price: USD 30,000 FOB

Cost : $25k cost first
owner : Abdelkarim Belkasemi

Used Arri Hi-5 for Sales
Available (Must Be Reconfirmed By Owner)

The Hi-5 is ARRI’s most advanced hand unit for wireless camera and multi-axis lens control, representing a significant leap forward in performance and reliability.
Modular and Swappable Radio Modules: A groundbreaking feature allowing users to change radio modules for different frequency regulations and shooting environments worldwide, ensuring optimal signal strength and reliability.
Exceptional Radio Link Range: Offers a powerful and robust radio signal that cuts through interference, providing an extended operating range for challenging productions.
High-Contrast Touchscreen LCD: Features an intuitive, high-contrast display with a camera GUI-like interface for easy navigation and clear feedback in various lighting conditions.
Multi-Axis Lens Control: Provides precise control over focus, iris, and zoom, with a large, adjustable focus knob and a sealed iris slider.
Fast Reconnection Time: Ensures quick and seamless re-establishment of connection, minimizing downtime on set.
Robust, Weatherproof, and Dustproof Design: Built with exceptionally strong materials to withstand harsh environmental conditions, offering high reliability and durability.
Smart Pre-Marked Focus Rings: Automatically detected and mapped to lens focus scales, streamlining lens changes and setup.
Intelligent Hot-Swap Batteries: High-capacity ARRI batteries can be hot-swapped without powering down the unit, with accurate remaining capacity display.
Comprehensive Camera Control (including third-party cameras): Offers extensive control over ARRI cameras (pre-installed) and optional licenses for RED, Sony, and other third-party cameras.
ECS Sync App Integration: Facilitates easy software updates, lens file management, and configuration via an iOS app.
Future-Proof Design: Modular hardware and upgradeable software allow the Hi-5 to adapt to evolving industry standards and networks.

Price: USD $16,550 FOB

SOLD Cost TBD SOLD

Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505

newlifecine does not have one
Lori has a complete set
$16,650.00Price
(1) ARRI Hi-5 Hand Unit Basic Set
(1) ARRI Smart Focus Ring Set Feet (10)
(2) ARRI cforce mini Basic Set 2 |

FJS Int has one in 25,000 dollars, one in 26,762 ,

one in 17,500 and a Basic Set in Euros 8,750

 

Used Arricam LT for Sale
Available (Must Be Reconfirmed By Owner)

3/4 perf
Eyepeace extension
Shoulder mag one
2x 1000ft mags
St mag to Lt mag adapter
Power cable

The ARRICAM LT (Lite) is a highly versatile and compact 35mm film camera, renowned for its modular design and exceptional image quality, particularly in sync sound applications. It’s a favorite for productions requiring mobility and adaptability.

Features:

Compact & Lightweight: Optimized for handheld and Steadicam use, offering greater mobility than its “Studio” counterpart.
Sync Sound Capability: Engineered for quiet operation (under 24 dBA), making it ideal for dialogue-driven scenes.
Superior Image Steadiness: Features a 5-link movement with dual-pin registration and dual transport claws for consistent, high-quality images.
Versatile Formats: Capable of shooting in Super 35, Standard 35, and Anamorphic formats.
Variable Frame Rates & Shutter: Offers a wide range of frame rates (1-48 fps forward, 1-32 fps reverse) and an electronically adjustable mirror shutter (11.2-180°) for creative motion control.
Modular System: Compatible with a range of ARRI accessories, including different viewfinders, magazines (400ft shoulder and Steadicam, with adapters for Studio magazines), and lens data systems.
Integrated Video System (IVS): Provides high-quality video assist for monitoring, even in low light, with features like on-screen menus, white balance, and exposure matching.
Reliable ARRI Engineering: Known for its dependable precision and robust construction, a hallmark of ARRI cameras.

Price: USD $ 58,000 FOB

Cost is $50k
Karim Bekasemi
belkasemi@me.com
Abdelkarim Belkasemi
+13237122506
IMDb.me/belkasemi

“Feel free to call or email and make your best offer.”

“Feel free to call or email and make your best offer.”

FJS International
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