Included in kit:
-ALEXA 235 4 perf Camera Body
-3x 450 FT 35mm magazines
-3Pin XLR – 2Pin Fischer power cable
-Eyepiece
-Eyepiece extender
-Heated eyepiece
-Record trigger (NO TIE DOWN)
-BP-9
-2x 24 inch steel 15mm rods
-Panasonic Analog Monitor with V mount plate
The camera was last tested on Monday April 8th 2024.
The camera was running 10.00fps, 23.98fps, 24.00fps, 48,000fps, 75.00fps
The camera’s power cable and run trigger are running fine.
The cameras record trigger is MISSING a ¼-20 tie down thread
All 3 magazines mount to the camera securely.
Key Features & Benefits : Compact and Lightweight: Ideal for handheld and Steadicam use due to its small size and manageable weight.
35mm Film Quality: Captures stunning high-resolution images on industry-standard 35mm film. Workhorse Reputation: Known for its reliability and durability in professional filmmaking environments.
Includes:
ST body 3 perf
Speed control box
Anamorphic Viewfinder
Anamorphic Extension viewfinder
3 x 400ft mags.
Top handle
Film changing bag
Power cable
Arri working light
Heated eye cup and cable
The ARRICAM Studio (ST) 3-perf is a high-performance 35mm sync-sound film camera specifically configured with a 3-perforation movement to optimize film consumption without sacrificing image quality. By pulling down three perforations per frame instead of the traditional four, this configuration reduces film stock costs and laboratory fees by 25%, while also extending the running time of a standard magazine. The 3-perf movement is the industry standard for widescreen 1.85:1 or 2.39:1 (Techniscope) aspect ratios, providing a large enough negative for pristine theatrical scans while offering the quiet, rock-solid stability for which the Studio line is famous. With its modular design, integrated Lens Data System (LDS), and nearly silent operation, the ARRICAM ST 3-perf is the definitive choice for cost-conscious, high-end narrative features seeking the authentic texture of celluloid.
Key Features:
3-Perforation Movement: Reduces film stock usage and processing costs by 25% while increasing camera run-time per magazine.
Near-Silent Operation: Engineered for sync-sound recording with a noise floor below 20 dB, perfect for intimate dialogue scenes.
Widescreen Optimization: Ideally suited for 1.85:1 and 2.40:1 aspect ratios, maximizing the available negative area for modern formats.
Electronic Mirror Shutter: Adjustable from 0° to 180° for precise exposure control and in-camera speed-shutter ramping.
Integrated /i and LDS Technology: Built-in electronics provide frame-by-frame lens metadata for efficient VFX and post-production.
5-Link Movement: Features dual registration pins for industry-leading image steadiness and technical precision.
Modular Studio Design: Highly adaptable body that supports a range of optical viewfinders, extension finders, and HD video assists.
The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35-III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn’t require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Rival Panavision even owns more 435s for rental than Arri’s own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.
Came with a brand new mag at the time it was puchased.
Subsequently 3 additional mags were bought.
Has an IVS and some further basic accessories such as extended eyepiece and all the original parts that came with the camera.
Barely used.
Key Features and Benefits
- Super 16mm film format: Offers a good balance between image quality and portability.
- High-speed shooting up to 150 fps: Great for slow-motion effects.
- Lightweight and ergonomic design: Makes it comfortable to use for handheld shooting.
- Compatible with 35mm lenses and accessories: Offers a wide range of creative possibilities.
- Quiet operation: Suited for situations where sound needs to be minimized.
35mm film format (Super 35): Industry standard film size known for its excellent image quality.
PL lens mount: Versatile lens mount compatible with a wide range of professional cine lenses.
Modular design: Allows for customization with different accessories like magazines and viewfinders.
Lightweight and compact: Ideal for handheld and mobile shooting applications.
Rugged and reliable: Built to withstand the demands of professional filmmaking.
Benefits
High-quality image capture: Delivers stunning visuals with the classic look of film.
Versatility: Adaptable to various shooting scenarios with its modular design.
Portability: Well-suited for situations requiring mobility and lightweight equipment.
Durability: Proven track record of reliability for professional use.
Versatile Film Format: Shoots on both Super 16mm and regular 16mm film, offering creative flexibility.
Variable Frame Rates: Capture slow motion (5 fps) or high-speed action (150 fps).
Quiet Operation: Runs at a low noise level (20 dBA), ideal for sound-sensitive environments.
Accurate Timecode: Ensures smooth integration with post-production workflows.
Adjustable Mirror Shutter: Fine-tune the shutter angle for specific creative effects.
