The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35-III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn’t require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Rival Panavision even owns more 435s for rental than Arri’s own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.

Came with a brand new mag at the time it was puchased.
Subsequently 3 additional mags were bought.
Has an IVS and some further basic accessories such as extended eyepiece and all the original parts that came with the camera.
Barely used.

Key Features and Benefits

• Super 16mm film format: Offers a good balance between image quality and portability.
• High-speed shooting up to 150 fps: Great for slow-motion effects.
• Lightweight and ergonomic design: Makes it comfortable to use for handheld shooting.
• Compatible with 35mm lenses and accessories: Offers a wide range of creative possibilities.
• Quiet operation: Suited for situations where sound needs to be minimized.

35mm film format (Super 35): Industry standard film size known for its excellent image quality.
PL lens mount: Versatile lens mount compatible with a wide range of professional cine lenses.
Modular design: Allows for customization with different accessories like magazines and viewfinders.
Lightweight and compact: Ideal for handheld and mobile shooting applications.
Rugged and reliable: Built to withstand the demands of professional filmmaking.
Benefits

High-quality image capture: Delivers stunning visuals with the classic look of film.
Versatility: Adaptable to various shooting scenarios with its modular design.
Portability: Well-suited for situations requiring mobility and lightweight equipment.
Durability: Proven track record of reliability for professional use.

Versatile Film Format: Shoots on both Super 16mm and regular 16mm film, offering creative flexibility.
Variable Frame Rates: Capture slow motion (5 fps) or high-speed action (150 fps).
Quiet Operation: Runs at a low noise level (20 dBA), ideal for sound-sensitive environments.
Accurate Timecode: Ensures smooth integration with post-production workflows.
Adjustable Mirror Shutter: Fine-tune the shutter angle for specific creative effects.

Includes :

Eye piece
3 X 400ft mags
Analog video transmitter
Case

Lightweight (7.7 lbs) ideal for handheld and Steadicam use
Versatile frame rates (1-75 fps) for slow motion or action sequences
Durable and reliable for professional filmmaking
Uses standard 35mm film for high-quality image capture