Includes:
Camera with 3 x turret caps [including the turret lock cap]
Set of gel filters/frames/case
C-mount to PL mount adapter, 10mm Som Berthiot prime [c-mount, front & back caps]
Kenko Fish-Eye 180 degree field of view lens [c-mount, front & back caps & leather case]
All in a Pelican 1500 case
Key Features and Benefits:
16mm reflex camera: Provides accurate framing and exposure control.
Spring-wound mechanism: Offers consistent power and reliability.
Variable frame rates: Allows for creative shooting options.
Adjustable shutter: Enables control over motion blur and exposure.
Interchangeable lenses: Adapts to various shooting conditions.
Built-in turret: Quickly switches between lenses.
35mm film format (Super 35): Industry standard film size known for its excellent image quality.
PL lens mount: Versatile lens mount compatible with a wide range of professional cine lenses.
Modular design: Allows for customization with different accessories like magazines and viewfinders.
Lightweight and compact: Ideal for handheld and mobile shooting applications.
Rugged and reliable: Built to withstand the demands of professional filmmaking.
Benefits
High-quality image capture: Delivers stunning visuals with the classic look of film.
Versatility: Adaptable to various shooting scenarios with its modular design.
Portability: Well-suited for situations requiring mobility and lightweight equipment.
Durability: Proven track record of reliability for professional use.
-Camera body Mk-2
-2x 1000 ft magazines
-2x 400 ft magazines
-Handle
-Other accessories (see photos)
-Cases (need to be re-foamed)
Key Features and Benefits
Super 35mm film format: Offers a good balance between image quality and film usage.
PL mount: Compatible with a wide range of professional cine lenses.
Compact and lightweight design: Ideal for handheld and Steadicam use.
Rugged construction: Built to withstand the demands of professional filmmaking.
Quiet operation: Suitable for sound-sensitive environments.
Includes:
MOVIECAM SL MARK 2 – 3P AND 4P GATE AND MOVEMENTS + INSTRUCTIONS MANUAL – MINT
- SPEED CONTROL BOX – ON BOARD AND WIRED (REMOTE)
- LONG EXTENSION FNDER (ARRICAM LITE/STUDIO)
- ARRI L-3 EXTENSION FINDER LEVELLER
- HORIZONTAL VIEWFINDER LEVELLER BRACKET (ARRIHEAD/SCAHTLER)
- HEATED EYECUP + (2) CABLES
- BP-8 BRIDGE PLATE + SLIDING BASE PLATE + RODS 19mm x 220/330/440mm
- LW SHOULDER PLATE w/15mm RODS
- MOVIECAM LEFT HANDGRIP (15mm) + SWIVEL CONNECTOR
- 2x POWER CABLES – COILED
- SHUTTER/GROUND GLASS TOOL
- 4mm & 1.5mm HEX SCREWDRIVER
- IN-LINE AND 90° TOP CARRYING HANDLE
- ANAMORPHIC/SPHERICAL VIEWFINDER ASSEMBLY (ARRICAM LITE)
- IVS-2 (ARRI 235)
- 100% VIDEO TOP FOR STEADICAM/REMOTE CRANE
- JERRY HILL LOW MODE STEADICAM PLATE
- IRIS ROD ADAPTER 15mm
- REMOTE READOUT + ON/OFF (WIRED)
- 4P ANAMORPHIC GATE (RARE) AND GROUND GLASS 2.39
- 3P FULL FRAME GATE
- 4P FULL FRAME GATE
- MANY GROUND GLASSES AVAILABLE: 35 STANDARD – SUPER 35 – 3P
- MAGAZINE THROAT ADAPTER (STUDIO MODE)(> SL TO COMPACT MAGAZINES)
- PISTOL GRIP w/ON/OFF AND CURVED ADAPTER TO CAMERA BODY
- RS-3 SPLITTER BOX ATTACHED TO CAMERA BODY (RIGHT SIDE, 3x OUTPUTS & ON/OFF)
- 4x 400′ SL SHOULDER MAG
- 2x 400′ SL STEADIMAG
- 5x 500′ STUDIO MODE MAGAZINE (MAGNESIUM)
- 3x 1000′ STUDIO MODE MAGAZINE (MAGNESIUM)
- 3x 1000′ “AJA” CASES (NEW FOAM LINING)
- 2x 2×500′ STUDIO MAGS ALUMINUM CASE (CP CASES)
- 4x 1x 400′ ALUMINUM TRANSIT CASE FOR SHOULDER/STEADICAM MAGS (CP CASES)
- 1x CAMERA & ACC ALUMINUM TRANSIT CASE (EISELE)
- BLUE MODULAR HANDLE: HOT SHOE ADAPTER
- BLUE MODULAR HANDLE: CUBE ADAPTER w/ 3/8” and 1/4” TRHEADS
- LEATHER SOUND BARNEYS : CAMERA BODY + 400′ MAG + 1000′ MAG
Includes
x2 400ft Mags
AM Camera HD tap
Tap remote and cables
Eyepiece extension
Ground Glass
LWS bracket
Bridgeplate
Power cable
High-speed shooting capabilities
Advanced image quality
Durable and reliable design
Versatile for various production needs
