The Arri 235 is the ultimate choice for filmmakers requiring a no-compromise, lightweight 35mm MOS camera. Designed as the compact workhorse of the ARRI lineup, it’s ideal for handheld, Steadicam, and specialty rigs where size and agility are paramount. At only 7.7 lbs (3.5 kg), the 235 enables faster setup, less rigging, and unparalleled creative freedom in tight spaces. Despite its minimal footprint, this camera is a fully modern system that supports Super 35 format and integrates seamlessly with all standard PL mount lenses and ARRI accessories, delivering reliable 35mm quality in any production environment.
Features:
Film Format: Shoots on 35mm film, supporting Super 35 format.
Frame Rate: Adjustable from 1 to 75 frames per second (fps) forward, with quartz-accurate control.
Lens Mount: Uses the industry-standard 54mm PL mount.Perforation Options: Available with either 3-perf or 4-perf movement.
Viewfinder: Bright, ergonomic optical viewfinder is rotatable and extendable, and independent of the video assist.
Magazines: Compatible with new lightweight 200′ and 400′ shoulder magazines, and some existing 435-style magazines.MOS Operation: Designed as a Motor Only Sync (MOS) camera, meaning it is not engineered for silent, sync-sound filming.
Accessory Compatibility: Works with ARRI’s modern remote systems like the RCU and WRC.
Cost to be determined
(M)
October 21, 2025
Viv Scanu
MB: +61414417556
vivscanu@mac.com
The Arricam LT (Lightweight) is a 35mm film camera designed for high-end cinematography, offering a compact and quiet solution for productions that demand flexibility without sacrificing image quality. While fundamentally a film camera, the Arricam LT is often used in workflows targeting HD, 2K, or 4K digital mastering, thanks to its support for HD video taps and precise digital integration tools. It excels in handheld, Steadicam, and rigged environments, making it a favorite for both narrative and commercial productions transitioning from film to high-resolution digital post.
Includes:
Indie Assist LT
Bridge Plate, sliding plate
Pair of 19mm rods
Power cable (Arricam–Fischer 2-pin, straight)
Arricam 1.85 ground glass
Heated eyepiece
Long Arricam ST viewfinder
3 Shoulder mag
Features:
Lightweight camera body
3-perf and 4-perf 35mm support
Extremely quiet operation
Optional HD video tap
Modular accessory compatibility
Integrated Lens Control System (LCS)
Variable frame rates (1–40 fps)
Standard PL lens mount
Built-in video assist
Sync sound capability
Compact form factor
Timecode and data logging
Ideal for film-to-HD scanning workflows
Code:
90000 Euros
October 14, 2025
(M)
Salvatore Vullo
s.vullo@eye-lite.com
Std:+32(0)2 702 16 95
Eyelite
ARRICAM LT body
3perf movement
4perf movement
1.78 ground glass and glow mask
Glow module
LT viewfinder
LT viewfinder extension
IndieAssist (SDI 2 not working, SDI 1 is fine)
Top handle
Studio mag adapter
LWS and Studio rod adapter
BP-9
Dovetail
Shoulder pad
Power cable
Power box
Lens data box
Low mode cage
100% video block
Original SD video tap
x3 400ft steadi mags
x3 400ft shoulder mags
The ARRICAM LT (Lite) is a premier 35mm film camera, part of ARRI’s flagship sync-sound system, and is designed to be the compact and lightweight counterpart to the ARRICAM ST (Studio). It is favored for its quiet operation and versatility in mobile setups like handheld and Steadicam work.
Lightweight & Compact Design Optimized for handheld and Steadicam work, offering operational freedom with sync sound. Body weight is approximately 8.8 lbs (4 kg).
Silent Operation Excellent for dialogue-driven scenes and sync sound recording, with a low operating noise level ( <24 dB(A)).
Super 35mm Film Format Delivers the classic cinematic look of celluloid, including organic texture, dynamic range, and high-quality images.
Modular System Shares the same robust, versatile, and dependable design as the Arricam Studio, allowing for flexible configuration and compatibility with a wide range of ARRI accessories.
Variable Shutter & Speed Ramping Features an electronic mirror shutter adjustable from 0 to 180 (and 11.2 to 180, while ramping) in 0.1 increments, providing creative control over motion blur and exposure.
Frame Rate Capable of crystal-accurate filming speeds from 1 to 48 frames per second (fps) forward.
High Image Steadiness Utilizes a 5-link film movement with dual-pin registration and dual transport claws for pristine, stable images.
Integrated Lens Data System (LDS) Built-in technology that can read and control lens data, calculating depth of field and integrating with lens control systems.
Video Assist Options Compatible with the ARRICAM Integrated Video System (IVS) and modern HD video taps for real-time monitoring.
Perforation Versatility Supports both 4-perf (standard) and 3-perf movements, offering flexibility in film stock usage.
SOLD
$50k
USA – Nick Gall
Standard Camera <rentals@standardcamera.com>
(c) 310-919-6202
(o) 818-358-2842
www.standardcamera.com
12023 Vose St. Unit 23
North Hollywood, CA 91605
The ARRICAM Studio (ST) is a highly advanced, modular 35mm sync-sound film camera that represents the pinnacle of analog cinematography technology. Developed through the fusion of ARRI’s electronic integration and Moviecam’s mechanical innovations, the ST is specifically engineered for high-end studio environments where near-silent operation is critical. It features a sophisticated 5-link movement for industry-leading image steadiness and an electronically adjustable mirror shutter that allows for precise exposure control and speed ramping between 1 and 60 fps. With its versatile, level-correcting optical viewfinder and comprehensive support for the Lens Data System (LDS), the ARRICAM ST remains a gold-standard choice for major motion pictures, offering a modular architecture that easily adapts to both traditional studio and modern remote-rigging configurations.
Key Features:
Super-Quiet Operation: Operates at sound levels below 20 dB, making it one of the quietest sync-sound 35mm cameras ever produced.
Electronic Mirror Shutter: Features an adjustable range from 0° to 180°, allowing for precise shutter timing and seamless speed-shutter ramps.
ALEV-Level Precision: Utilizes a high-stability 5-link movement with dual registration pins for rock-solid image steadiness.
Modular Magazine System: Supports both active displacement 400ft and 1000ft magazines in top or rear-load configurations.
Integrated Lens Data System (LDS): Built-in electronics for mapping and transmitting lens metadata to streamline VFX and post-production.
Variable Frame Rates: Capable of crystal-accurate speeds from 1 to 60 fps forward and 1 to 32 fps in reverse.
Advanced Video Assist: Compatible with the High-Definition Integrated Video System (HD-IVS) for flicker-free, high-quality on-set monitoring.
Update March 9th 2026:
Updated item descriptions and SEO info.
(J)
Cost: TBD
Daniel Bombell
dbombell@mac.com
310-694-7855
www.danielbombell.com
USA
Includes :
2x steady mags
Riser
Should eye peace extension
The 235-4P (4-Perf) system is a motion picture film format that uses four perforations per frame. This standardized format offers exceptional stability and compatibility with a wide range of equipment.
The larger negative of the 4-perf system results in a higher-quality, more detailed image with less grain, making it ideal for theatrical release. Its global standardization ensures smooth post-production workflows, and its robust design makes it highly reliable for projects where frame stability is critical, such as visual effects.
$28k second one , add $5k to each –
owner : Abdelkarim Belkasemi
Just use the same pics and post these two packages using the same pics for each post
Shoulder mag
Standard mag
The following is general information about the 235-4P (4-Perf) system, a type of motion picture film camera and film format.
Key Features and Benefits
Four Perforations: The film advances four perforations (or “perf”) per frame, a key feature that distinguishes it from other formats like 3-perf. The four-perf system is a long-standing standard in the film industry, offering great stability and compatibility with a wide range of equipment.
Wider Frame: The 4-perf system uses more film real estate per frame, resulting in a larger negative. This larger negative provides a higher-quality image with finer detail and less grain when enlarged. This makes it an excellent choice for theatrical release where a high-resolution image is critical.
Compatibility and Standardization: It is a globally accepted standard, which ensures compatibility with a vast network of post-production facilities, projectors, and scanners. This reduces the risk of technical issues and makes the workflow smoother.
Robustness: The 4-perf system is highly reliable and less prone to mechanical failure due to its established design. It’s often used for visual effects work where frame stability is of utmost importance.
Cost : $25k cost first
owner : Abdelkarim Belkasemi
