The Arri 435 Xtreme represents the final and most advanced evolution of the legendary 435 series. Released in 2004, it consolidated the best features of its predecessors—the 435 ES and 435 Advanced—while integrating the Functional Expansion Module 2 (FEM-2) directly into the body.
Designed primarily as an MOS (motor only sync) camera, it is an industry powerhouse for high-speed action, music videos, and complex visual effects, offering unparalleled frame-rate flexibility and motion control integration.

Key Features:

Integrated Electronics: By combining previous add-on modules (FEM-2) into the core body, the Xtreme offers a streamlined, “all-in-one” design that reduces external cabling and setup time.
Extreme Speed Range: Offers a crystal-controlled frame rate from 0.1 to 150 fps (forward and reverse), allowing for everything from extreme slow motion to precise time-lapse.
Seamless Speed Ramping: Features a new ramp generator for smoother transitions between different frame rates and shutter angles, which is essential for creative “speed ramps” within a single shot.
Lens Data System (LDS): Inherited from the Arricam line, the built-in LDS saves time on set by electronically tracking lens settings (focus, iris, zoom) and feeding them to the video assist and post-production.
ArriMotion Integration: Specifically designed for advanced motion control, supporting frame-accurate “go-motion” and “stop-motion” photography.
Integrated Wireless Radio: Includes a modular wireless radio unit for cable-free remote control of camera functions and lens motors.
Versatile Viewfinder: A high-quality, swing-over viewfinder that remains upright and correct regardless of position, easily replaceable with a 100% video top for Steadicam or crane work.

Includes:

Viewfinder Extension FE-2
IVS 16 SR3 NTSC
Battery Charger
NC 24/1.2 Battery x3
Bridge Plates BP-6

The ARRIFLEX SR3 (Arri SR3) is a highly-regarded 16mm film camera, the final evolution of the ARRI SR series, designed to meet modern film production standards. It’s renowned for its reliability, compact size, and high-speed capabilities, making it a versatile tool for commercials, music videos, documentaries, and narrative features seeking the distinct Super 16mm film aesthetic. The camera was released in the early 1990s and is available in standard and HS (High Speed) versions.

Key Features:

Super 16mm Native Format: Captures a wider image area than Standard 16mm, making it ideal for high-quality cinema scans (up to 2K/4K) and digital post-production.
High Frame Rate Capability: The HS (High Speed) version shoots up to 150 fps (frames per second), enabling excellent, fluid slow-motion sequences.
PL Lens Mount (Offset): Ensures compatibility with a wide range of professional, modern cinema lenses and allows for easy and quick format change between Regular 16 and Super 16.
Adjustable Mirror Shutter: Manually adjustable from 180° down to 45°, offering precise creative control over motion blur and exposure time.
Integrated Video System (IVS): Provides a high-quality video assist output (often upgraded to HD-SDI) for on-set monitoring and video village setups.
Time Code Integration: Time code functionality, typically recorded in the magazine, streamlines the film-to-digital post-production and sync sound workflow.
Ergonomic & Lightweight Design: Excellent for handheld shooting, offering greater mobility and comfort on set compared to larger film cameras.
Crystal Sync Precision: Ensures frame rate accuracy (e.g., 24 fps), essential for reliable synchronization with sound recording.

The Arri 235 is the ultimate choice for filmmakers requiring a no-compromise, lightweight 35mm MOS camera. Designed as the compact workhorse of the ARRI lineup, it’s ideal for handheld, Steadicam, and specialty rigs where size and agility are paramount. At only 7.7 lbs (3.5 kg), the 235 enables faster setup, less rigging, and unparalleled creative freedom in tight spaces. Despite its minimal footprint, this camera is a fully modern system that supports Super 35 format and integrates seamlessly with all standard PL mount lenses and ARRI accessories, delivering reliable 35mm quality in any production environment.

Features:
Film Format: Shoots on 35mm film, supporting Super 35 format.
Frame Rate: Adjustable from 1 to 75 frames per second (fps) forward, with quartz-accurate control.
Lens Mount: Uses the industry-standard 54mm PL mount.Perforation Options: Available with either 3-perf or 4-perf movement.
Viewfinder: Bright, ergonomic optical viewfinder is rotatable and extendable, and independent of the video assist.
Magazines: Compatible with new lightweight 200′ and 400′ shoulder magazines, and some existing 435-style magazines.MOS Operation: Designed as a Motor Only Sync (MOS) camera, meaning it is not engineered for silent, sync-sound filming.
Accessory Compatibility: Works with ARRI’s modern remote systems like the RCU and WRC.