1x Visual Products HD Hypertap 2
1x Arri IVS 16 SR3 PAL Video Tap
1x viewfinder extension
1x Denz Lightweight Support
1x Arri BP-6 19mm
2x film magazine HS 120m
1x film magazine standard 120m
1x Arri Powerbox DC-DC-2
1x Arri DC-DC Converter 12/12V
3x 24V Power cable
1x handgrip
3x battery NC-24
1x battery charger NCL-2
1x Tools, Manuals
1x ground glass S16 1:1,85
1x ground glass N16 1:1,37
1x ground glass N16 3/4 TV
1x camera Blimp
1x Raincover SR3

Key Features & Benefits:

High-speed filming: Captures slow-motion footage at speeds of 5 to 150 frames per second.
Super 16mm format: Offers increased image quality compared to standard 16mm.
Versatility: Shoots in both Super 16 and standard 16mm film formats with minimal adjustments.
Variable shutter: Provides creative control over motion blur.
Lightweight body: Enhances mobility for handheld shooting.

Quiet operation: Minimizes noise interference during sound recording.

Included in kit:
-ALEXA 235 4 perf Camera Body
-3x 450 FT 35mm magazines
-3Pin XLR – 2Pin Fischer power cable
-Eyepiece
-Eyepiece extender
-Heated eyepiece
-Record trigger (NO TIE DOWN)
-BP-9
-2x 24 inch steel 15mm rods
-Panasonic Analog Monitor with V mount plate
The camera was last tested on Monday April 8th 2024.
The camera was running 10.00fps, 23.98fps, 24.00fps, 48,000fps, 75.00fps
The camera’s power cable and run trigger are running fine.
The cameras record trigger is MISSING a ¼-20 tie down thread
All 3 magazines mount to the camera securely.

Key Features & Benefits : Compact and Lightweight: Ideal for handheld and Steadicam use due to its small size and manageable weight.
35mm Film Quality: Captures stunning high-resolution images on industry-standard 35mm film. Workhorse Reputation: Known for its reliability and durability in professional filmmaking environments.

Includes:

ST body 4 perf
Speed control box
Anamorphic Viewfinder
Anamorphic  Extension viewfinder
3 x 400ft mags.
Top handle
Film changing bag
Power cable
Arri working light
Heated eye cup and cable

Key Features and Benefits
Workhorse 35mm Film Camera: Renowned for its reliability and durability, ideal for professional filmmaking applications. [ARRI Rental, Analog film]
MOS (Mechanically Operated Sound): Offers exceptional image quality at the expense of sound recording, making it ideal for silent films, high-speed shooting, and special effects. [Wikipedia, Arriflex 435]
3-Perf Film Path: Utilizes less film per second compared to 4-perf, resulting in cost savings and a distinctive 1.78:1 aspect ratio. [eBay, Arriflex 35 mm Film Format Movie Cameras]
Super PL Mount: Compatible with a wide range of professional cine lenses for creative flexibility. [ARRI Rental, Analog film]
Rugged Construction: Built to withstand the demands of production environments.

The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35-III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn’t require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Rival Panavision even owns more 435s for rental than Arri’s own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.