COOKE Panchro/i Classic 32mm
COOKE Panchro/i Classic 40mm
COOKE Panchro/i Classic 50mm
COOKE Panchro/i Classic 100mm
COOKE Panchro/i Classic 135mm
COOKE Panchro/i Classic 152mm
The Cooke Panchro/i Classic lenses are a modern re-design of the legendary vintage Cooke Speed Panchro lenses from the 1920s. They combine the sought-after “Cooke Look” with the convenience and durability of modern lens manufacturing.
Key Features and Benefits
Vintage Aesthetic: Recreates the same classic, warm, and subtle rendering of the original Speed Panchros. They are known for producing a gentle, pleasing image with a painterly quality, especially with skin tones.
/i Technology: Equipped with Cooke’s award-winning /i Technology, which provides frame-by-frame lens metadata to compatible cameras. This data includes focal length, aperture, focus distance, and depth-of-field, which streamlines post-production workflows and is crucial for VFX and virtual production.
Modern Construction: Housed in durable, contemporary bodies with a hardened PL mount, providing reliability and consistency that vintage lenses often lack. All lenses in the series have a common 110mm front diameter and standardized 0.8 MOD focus and iris gears for easy swapping on set.
Color Matched: All lenses in the series are precisely color-balanced and color-matched to ensure a consistent look across the entire set. They are also color-matched with other modern Cooke lens series, such as the S4/i, S7/i, and Anamorphic/i.Cinematic Bokeh: Feature a nine-blade iris that creates a smooth, cinematic bokeh (out-of-focus highlights).
Optical Performance: Designed to perform well at full aperture with superior control of flare, distortion, and spherical aberration, while still retaining the vintage character.
Cost 35 000 EUR / 150 000 PLN
Pozdrawiam/Best Regards
Wacław Mączyński
2K4K film rental
tel.: +48 789 076 844
mail: waclaw@2k4k.pl
2k4k.eu | facebook
Lori ha s aset of 7 in 53,500 dollars. in 6 lenses the orice would be 45,857
Newlifecine has a set of 7 USD $ 59,000. in 6 lenses the orice would be 50,571
Cooke S7/i 21mm
Cooke S7/i 25mm
Cooke S7/i 32mm
Cooke S7/i 50mm
Cooke S7/i 75mm
Cooke S7/i 100mm
Cooke S7/i 135mm
Key Features & Benefits
Large Format Coverage: The S7/i lenses are designed for full frame, VistaVision, and beyond, with an image circle that covers up to 46.31mm. They are also compatible with 35mm and Super 35mm formats.
The “Cooke Look”: These lenses are renowned for their signature aesthetic, which is characterized by a cinematic, soft, and gentle feel while maintaining sharpness. They provide a pleasing bokeh and are well-balanced for astigmatism, with superior control of flare, distortion, and spherical aberrations.
/i Technology: A key feature of the S7/i series is the inclusion of Cooke’s /i Technology, which automatically captures and records critical lens metadata like focal length, focus distance, and aperture for every frame. This streamlines post-production, VFX, and color grading workflows.
Robust & Consistent Design: The lenses are built with a durable, scratch-resistant finish and feature a consistent 110mm front diameter (with some exceptions) and common gear positions across the set, making them easy to use with accessories. The cam-style focus mechanism provides smooth, precise, and backlash-free adjustments.
Cost 95 000 EUR / 400 000 PLN
Pozdrawiam/Best Regards
Wacław Mączyński
2K4K film rental
tel.: +48 789 076 844
mail: waclaw@2k4k.pl
2k4k.eu | facebook
Lori has one in $133,500 dollars
Newlifecine has one of 8 in $174,500
Master Prime 16mm
Master Prime 25mm
Master Prime 32mm
Master Prime 50mm
Master Prime 75mm
Master Prime 100mm
Master Prime 135mm
Arri Master Prime lenses are renowned for their exceptional optical performance and innovative design, making them a top choice for cinematographers. Co-developed by ARRI and ZEISS, these lenses offer unparalleled image quality and creative possibilities.
Key Features and Benefits
Exceptional Speed: With a consistent aperture of T1.3 across the entire focal range, Master Primes excel in low-light conditions, allowing for more natural-looking shots and stunning shallow depth of field.
Superior Optical Performance: They deliver unprecedented resolution and contrast, surpassing standard speed prime lenses. Images are remarkably sharp and clear from the center to the edges of the frame.
Minimal Image Artifacts: These lenses exhibit virtually no geometric distortion, dramatically reduced flare due to advanced coatings, and almost no breathing (changes in image angle during focus adjustments). This ensures clean, precise, and consistent visuals.
Consistent and Versatile: Master Primes are color-matched across the entire set, ensuring a uniform look. They offer a wide range of focal lengths, from 12mm to 150mm, and maintain consistent illumination and resolution even when wide open or at close focus.
Advanced Technology: Equipped with a built-in Lens Data System (LDS), they provide crucial metadata to the camera, streamlining on-set and post-production workflows. Their robust construction ensures reliable performance in challenging environments.
Pleasing Aesthetics: The iris, composed of at least nine high-precision leaves, creates a smooth and natural-looking bokeh (out-of-focus highlights).
Cost 70,000 EURO
Sale: USD $ 75,000 FOB (adam told me on Wasap)
Pozdrawiam/Best Regards
Wacław Mączyński
2K4K film rental
tel.: +48 789 076 844
mail: waclaw@2k4k.pl
2k4k.eu | facebook
R-08/04/2025
Canon FD 20mm T2.9 SSC
Canon FD 24mm T1.5 L (asph)
Canon FD 35mm T2.1 SSC (convex version)
Canon FD 45mm T1.5 FDX (Yashika)
Canon FD 55mm T1.3 SSC (asph)
Canon FD 85mm T1.3 SSC (asph)
Canon FD 135mm T2.1 nFD
They have the newest Mark V housing and comes with Custom flight case
The GL Optics Rehoused Canon FD 7-lens set transforms classic Canon FD still photography lenses into modern cinema-ready tools. These lenses are prized for their unique vintage look, distinct from contemporary glass.
Key Features and Benefits:
Vintage Aesthetic: Delivers a warm, organic, and slightly desaturated color rendition with pleasing lens flares and subtle halation, providing a sought-after cinematic feel.
Exceptional Optical Quality: Known for sharpness and resolution, even wide open, with excellent contrast and smooth, creamy bokeh.
Fast Apertures: Many lenses in the set boast wide apertures (e.g., T1.3, T2.1), offering good low-light performance and shallow depth of field control.
Professional Rehousing: GL Optics rehouses the original Canon FD optics into durable, modern cine-style housings with standardized front diameters (typically 95mm or 110mm) and uniform focus/iris gears for easier rigging and consistent operation.
Improved Mechanics: Features often include 330-degree focus throw, inner focus systems, and improved close focus distances compared to the original still lenses.
Full Frame Coverage: Most lenses in the set cover Full Frame and even Vista Vision (RED VV 8K) sensors.
PL Mount Compatibility: Primarily rehoused for PL mount, with interchangeable mounts like EF and Sony E often available.
Similar to Canon K35s: The optical characteristics are often compared to the highly regarded Canon K35 prime lenses, offering a similar artistic signature at a potentially more accessible price point.
Cost: TBD
Matty McClain
Co-founder / Head of Production
RECREATION
www.recreationfilms.com
M: 917.586.9079
50S. Buckhout St. , Suite G103
Irvington, NY 10533 R-07/28/2025
Newlifecine has one set : USD 59,500
Justcinegear has one of SIX : Canon FD GL Optics rehoused 6 lens set
SKU: mm $45,990.00Price
AI : Consolidated Average Price Range for a Used GL Optics Rehoused Canon FD 7-Lens Set
Based on a comprehensive analysis of the available direct sale listings for GL Optics rehoused sets (EUR 83,000 for a 6/7-lens set, and USD $115,000 for an 8-lens set), and considering the robust replacement values provided by leading rental houses ($100,000 – $120,000), the average price for a used GL Optics rehoused Canon FD 7-lens set is estimated to fall within the range of USD $90,000 to USD $110,000.
Includes:
Leica R Summilux 19mm T2.9
Leica R Summilux 24mm T2.9
Leica R Summilux 35mm T1.5
Leica R Summilux 50mm T1.5
Leica R Summilux 80mm T1.5
Leica R Summilux 135mm T2.9
Nanuk Hard Case with laser cut foam
Features:
Fast Apertures: Typically f/1.4, offering excellent low-light performance and shallow depth of field for creative subject isolation and beautiful bokeh.
Superb Image Quality: Known for high sharpness and contrast, even at wide open apertures. Images often exhibit a unique “smoothness” in details.
Excellent Optical Correction: Utilizes special glass types (e.g., anomalous dispersion) to minimize chromatic aberrations and other optical flaws. Apochromatic designs are also present in some later models.
Robust Mechanical Build: Crafted with all-metal mounts and precise mechanics, ensuring smooth focusing and durable performance.
Manual Focus Design: Designed specifically for manual focus, providing a tactile and precise focusing experience that many photographers prefer.
Distinctive Bokeh: Produces aesthetically pleasing and often “creamy” out-of-focus backgrounds, contributing to the signature Leica aesthetic.
Classic “Leica Look”: Delivers images with rich tonal reproduction, delicate transitions to blur, and vibrant, true-to-life colors.
Versatile for Different Photography Styles: Ideal for portraits, low-light photography, and situations where strong subject isolation is desired due to their wide apertures.
Adaptable to Digital Cameras: While originally designed for Leica R film cameras, these lenses can be adapted to modern digital mirrorless cameras, allowing contemporary photographers to experience their unique rendering.
Cost: 60000 Euros
July 17, 2025
(M)
Matthew De Sousa
Austrailia
Email contact@mattdesousa.com
Telephone +61467206065
Features:
Expansive Focal Range: 65-300mm natively.
Constant T2.8 Aperture: Maintains T2.8 throughout the entire zoom range (without extender), no ramping.
Large Format Coverage: Designed to cover full-frame and VistaVision sensors, also compatible with Super 35.
Signature Look: Matches the aesthetic of ARRI Signature Primes for consistent imagery.
Natural Skin Tones & Bokeh: Delivers pleasing, organic images with smooth focus fall-off.
Controlled Flares: Engineered for controlled, artistic flares, ideal for HDR and lower contrast scenes.
LPL Mount: Utilizes ARRI’s Large Positive Locking mount for robust and data-rich connection.
LDS-2 Lens Data System: Provides extensive metadata for efficient post-production and VFX.
8K Resolution Ready: Future-proofed for high-resolution capture.
Durable Build: Lightweight yet robust magnesium barrel construction.
Integrated Handle: Features a built-in, detachable handle for secure grip and ease of use.
Rear Filter Compatibility: Works with the magnetic Signature Prime rear net holder for custom diffusion.
Minimal Chromatic Aberration: Designed to minimize color fringing.
No Visible Focus Breathing: Maintains consistent framing when adjusting focus.
Close Focus: Excellent close-focus distance for detailed shots.
COST TO BE DETERMINED
July 4, 2025
(M)
Patrick Donnelly
pdonnelly555@mac.com
Includes:
Arri Master Prime 18mm
Arri Master Prime 25mm
Arri Master Prime 35mm
Arri Master Prime 50mm
Arri Master Prime 75mm
Arri Master Prime 135mm
Features:
Blazing Fast Aperture: Consistent T1.3 across most focal lengths, allowing for incredible low-light performance and extremely shallow depth of field.
Unrivaled Sharpness & Contrast: Delivers pristine image quality from edge to edge, even wide open, with excellent resolution.
Virtually No Breathing: Focus pulls are smooth and clean, with minimal to no change in the field of view.
Minimal Distortion & Aberrations: Advanced optical design, including aspherical elements, eliminates geometric distortion and chromatic aberration for a “clean” look.
Reduced Flare: Designed to resist flare and ghosting, maintaining contrast even with bright light sources in frame.
Consistent Mechanics: Uniform size (114mm front diameter for most) and consistent placement of focus, iris, and zoom gears across the set for efficient lens changes and use with accessories.
Integrated Lens Data System (LDS): Provides real-time lens metadata to compatible cameras and systems, streamlining workflow for focus pullers and post-production.
Beautiful Bokeh: Features iris with at least nine blades for smooth, pleasing out-of-focus areas.
Color Matching: Engineered to have consistent color rendition across the entire set, ensuring seamless transitions between focal lengths.
Robust Construction: Built for the demanding environment of professional film sets, ensuring durability and reliability.
Ok change them to $55k our cost
Sell price $65k – Adam said on WhatsApp on 08/13/25
(M)
Thathorn Mongkolmafai
Mobile: +66 89 483 6055
Website: www.gearheadthailand.com
Email: Thanathorn@gearheadthailand.com
————————————————–
Cost: $85,000 USD
June 30, 2025
Includes:
Cooke S7/i 18mm
Cooke S7/i 21mm
Cooke S7/i 25mm
Cooke S7/i 27mm
Cooke S7/i 32mm
Cooke S7/i 40mm
Cooke S7/i 50mm
Cooke S7/i 60mm Macro
Cooke S7/i 75mm
Cooke S7/i 100mm
Cooke S7/i 135mm
The Cooke S7/i Full Frame Plus lens series is a high-end lineup of prime lenses designed to cover full-frame and larger sensors. Engineered for modern digital cinema cameras, the S7/i primes deliver the iconic “Cooke Look”—a warm, cinematic rendering with pleasing skin tones and gentle contrast. Built with precision mechanics and Cooke’s /i Technology for metadata capture, these lenses are ideal for high-resolution, high-end productions seeking visual richness and consistency.
Features:
Full Frame Sensor Coverage (up to 46.31mm image circle)
Consistent T2 Aperture across the entire range
The Classic “Cooke Look” – natural skin tones, smooth focus fall-off
/i Technology – lens metadata for VFX and post-production workflows
Robust Construction – designed for professional cinema environments
Matched Color and Optical Performance across the series
TBD
June 1, 2025
Updated by MD
original by mg
Matthew Kohnen
Dreamcatcher Filmstudios
kohnenmatthew@gmail.com
310-384-6695
United States
Zeiss MKII Super Speed 18mm
Zeiss MKII Super Speed 25mm
Zeiss MKII Super Speed 35mm
Zeiss MKII Super Speed 50mm
Zeiss MKII Super Speed 85mm
The Zeiss MK2 Super Speed lenses are highly regarded vintage cinema primes known for their exceptional performance and distinctive aesthetic.
Fast Maximum Aperture: They offer a consistent and wide maximum aperture of T1.3 across the range (typically 18mm to 85mm), making them ideal for low-light shooting and achieving shallow depth of field. This puts them in a rare company for vintage lenses.
Classic Filmic Aesthetic: These lenses are known for producing a “magic” and timeless filmic look, with beautiful color rendition and a pleasing bokeh, often due to their 7-blade iris.
Compact and Lightweight Design: Their compact and relatively light build makes them well-suited for handheld and gimbal filming, providing versatility on set.
Excellent Sharpness and Minimal Distortion: Despite their vintage nature, they offer exceptional sharpness and minimal geometric distortion, even at wide focal lengths.
Robust Mechanical Design: They feature factory-integrated focus gears with a 0.8 module pitch and a 270° focus rotation for precise control, improving upon earlier versions.
Versatile Coverage: They cover beyond Super 35mm sensors, making them suitable for modern digital cameras like ARRI Alexa Mini Open Gate and Alexa 35 Open Gate, and some focal lengths even cover full-frame sensors.
Distinctive Flares: They can produce beautiful blue and magenta lens flares, adding character to the image.
Frank Shaw
his cost is 35K usd
Includes:
Mamiya Sekor C/ 645 17mm fisheye
Mamiya Sekor C/ 645 24.5mm
Mamiya Sekor C/ 645 31.5mm
Mamiya Sekor C/645 38.5mm
Mamiya Sekor C/ 645 49mm
Mamiya Sekor C/ 645 56mm
Mamiya Sekor C/ 645 77mm
Mamiya Sekor C/ 645 105mm
Speed Boosted + Case
LPL Mount, FF & VV, GL OPTICS
Features:
Multi-Coated Optics: “C” in Sekor C signifies multi-coated lenses, which help reduce flare and ghosting, and improve contrast, resolution, and color saturation, even in challenging light.
Wide Range of Focal Lengths: The series includes a diverse selection of prime lenses, from ultra-wide angles like 24mm fisheye to long telephotos like 500mm, as well as zoom and specialty lenses (e.g., shift lenses, macro lenses).
Manual Focus: These lenses are manual focus, offering precise control over sharpness.
Automatic Diaphragm: Most Sekor C lenses feature an automatic diaphragm for convenient exposure control.
Robust Build Quality: Generally well-regarded for their durable construction, often featuring metal barrels.
Versatile Applications: Suitable for a wide array of photography, including portraits, landscapes, architecture, and close-up work.
“N” Versions: Some lenses have “N” versions, which indicate updated coatings for enhanced performance, particularly in terms of flare control.
Leaf Shutter Options: Certain Sekor C lenses (like the 70mm f/2.8) have a built-in leaf shutter, allowing for flash synchronization at all shutter speeds up to 1/500 sec.
Floating System: Some wide-angle and macro lenses incorporate a floating system, where elements move during focusing to maintain high resolution across the entire field, even at close-focusing distances.
Eric said “Comprable TLS is 78K. 50’s?”
June 17, 2025
Eric D’ Amario
edamario@wanderlustcontent.com
