The ARRI Signature Prime 12mm T1.8 is the widest focal length in ARRI’s flagship large-format prime series. Designed to deliver a “timeless” cinematic look, it balances state-of-the-art optical precision with a natural, organic feel that avoids the clinical sharpness often found in modern digital lenses. It is engineered specifically for large-format sensors (like the ALEXA 35 or LF) but remains versatile across various formats thanks to its massive 46mm image circle and LPL mount.
Key Features:
Organic Aesthetic: Renders warm, smooth skin tones and “creamy” bokeh that highlights subjects with a gentle focus fall-off.
Minimal Distortion: Despite being an ultra-wide 12mm lens, it maintains less than 1% distortion, keeping straight lines true even at the edges of the frame.
Customizable “Look”: Features a Magnetic Rear Filter Holder, allowing cinematographers to use custom glass or materials (like nets or vintage fabrics) to alter bokeh and flares without permanent lens modification.
Lightweight Durability: Constructed with a machined magnesium barrel, making it significantly lighter and more robust than traditional cine lenses.
Future-Proof Data: Built-in LDS-2 (Lens Data System) provides high-speed lens metadata for VFX workflows and focus mapping, backwards compatible with LDS-1 and Cooke /i.
Exceptional Control: Designed with a near-telecentric optical path to virtually eliminate focus breathing, ensuring the frame doesn’t shift during focus pulls.
Cost: TBD
(t)
Nick Gall
rentals@standardcamera.com
+1 310-919-6202
1-30-2026
Includes:
18mm
25mm
35mm
47mm
75mm
125mm
The ARRI Signature Prime 6-Lens Core Set is a premium large-format cinema lens collection designed to deliver an “organic” and emotionally engaging aesthetic. Optimized for the ARRI ALEXA LF and other large-format sensors, these lenses bridge the gap between modern high-resolution performance and a timeless, film-like character.
Key Features:
LPL Mount: Utilizes the Large Positive Lock mount, designed specifically for large-format sensors to minimize weight and maximize optical quality.
LDS-2 Data System: Features the next-generation Lens Data System for high-speed metadata communication, which is essential for VFX and on-set workflows.
Magnesium Construction: Built with lightweight magnesium barrels, making the lenses significantly easier to handle on gimbals or handheld rigs compared to traditional aluminum lenses.
Magnetic Rear Filter Holder: Allows cinematographers to insert custom nets, glass, or filters behind the lens to personalize the “look” without affecting the front optics.
Consistent T-Stop: A uniform T1.8 maximum aperture across the set (for most lenses) ensures consistent lighting setups when swapping focal lengths.
Cost: 80k
(t)
Nick Gall
rentals@standardcamera.com
+1 310-919-6202
1-30-2026
The Atlas Orion Series is a collection of professional 2x anamorphic prime lenses designed to bridge the gap between vintage character and modern reliability. These lenses are built for Super 35 sensors but can easily cover Full Frame formats using the Atlas LF Extender. Known for their “anamorphic for all” philosophy, they offer a high-end cinematic aesthetic at a more accessible price point than traditional cinema glass.
Key Features:
2x Anamorphic Squeeze: Delivers the classic 2.39:1 widescreen aspect ratio with authentic vertical compression.
Fast T2 Aperture: Consistent speed across nearly the entire range (18mm to 100mm), allowing for excellent low-light performance and shallow depth of field.
Vintage Aesthetics: Produces iconic “waterfall” bokeh, signature blue streak flares, and a gentle spherical glow when shot wide open.
Modern Mechanics: Standardized 114mm front diameters and unified gear positions across the set make lens swaps on gimbals and matte boxes seamless.
Interchangeable Mounts: Features a versatile system compatible with native PL and EF mounts, as well as adapters for E-mount and Micro 4/3.
Minimal Breathing: Engineered to maintain a stable frame during focus pulls, a common issue in older anamorphic designs.
Close Focus: Boasts impressive minimum focus distances for anamorphic glass, enabling intimate character shots without the need for diopters.
Cost: 27,000
(t)
Gaurav Gupta
gaurav.gupta@futureworks.in
1-26-2026
Includes:
Case
The TLS Cooke Speed Panchro lens set is a masterclass in blending vintage character with modern mechanical precision. True Lens Services (TLS) takes the legendary original glass—specifically the Series II and III optics produced between the 1920s and 1960s—and rehouses them into robust, production-ready cinema housings. These lenses are world-renowned for “The Cooke Look,” providing a painterly, organic aesthetic that is highly sought after to take the “digital edge” off modern sensors.
Key Features:
Original Vintage Glass: Uses authentic Cooke Speed Panchro Series II and III optical blocks.
Cam-Driven Focus System: Replaces the original thread-based movement with a high-precision cam system, eliminating image shift and backlash.
Standardized Mechanics: Features a consistent 110mm front diameter across the set and unified 0.8 MOD gearing for focus and iris.
Tactile Precision: Extended focus rotation with dual-sided, highly visible scales (available in Imperial or Metric).
Modern Build: Housings are CNC-machined from aircraft-grade aluminum, brass, and stainless steel with a native PL Mount.
Super 35mm Coverage: Specifically optimized for Super 35 sensors, though longer focal lengths can often cover larger formats.
The “Cooke Look”: Delivers warm skin tones, smooth focus fall-off, and a romantic, “creamy” texture that flatters actors.
Superior Bokeh: Known for its “swirly,” painterly out-of-focus areas and unique flare characteristics.
Production Reliability: The TLS rehousing makes these delicate vintage optics durable enough for the rigors of modern film sets and follow-focus motors.
Efficient Workflow: Unified gear positions mean camera assistants don’t need to reposition accessories when swapping focal lengths.
Organic Contrast: Provides a natural, lower-contrast image compared to modern “surgically sharp” lenses, making it ideal for period pieces or stylized narratives.
Cost: 48,000 USD
(t)
Will Politan
Avanti Cinema
wpolitan@gmail.com
+1 973 747 7399
1-26-2026
Includes:
Custom Jasons Case
The Tokina Cinema Vista Prime lens set is a series of high-performance, large-format cinema lenses designed for modern cinematography. Known for their ultra-fast T1.5 speed and massive 46.7mm image circle, they cover full-frame and VistaVision sensors with ease. These lenses are engineered to be “future-proof,” offering 8K resolution and virtually no focus breathing, making them a popular choice for high-end digital cinema and television production.
Key Features:
Large Format Coverage: A 46.7mm image circle ensures compatibility with almost every motion picture sensor, including RED VistaVision and ARRI Alexa LF.
Ultra-Fast T1.5 Aperture: Excellent low-light performance and the ability to create a very shallow depth of field.
Virtually Zero Focus Breathing: Maintains a consistent frame while pulling focus, a critical requirement for professional cinema.
8K Resolution Ready: Provides ultra-sharp, high-contrast imagery that resolves even the highest resolution sensors.
Physical Consistency: Standardized 114mm front diameters and uniform gear positions allow for rapid lens changes without re-adjusting matte boxes or follow focus motors.
Pleasing Bokeh: A 9-blade curved iris produces smooth, round out-of-focus highlights and a natural background fall-off.
Precision Control: A long 300° focus rotation provides maximum precision for focus pullers.
Interchangeable Mounts: Available in PL, EF, Sony E, LPL, and MFT mounts for versatile camera compatibility.
Cost: TBD
(t)
Gian Carlo Stigliano
carlostigsdp@gmail.com
1-20-2026
Cooke miniS4/i prime lenses (originally released as “Panchro/i”) are designed to provide the world-renowned “Cooke Look” in a smaller, lighter, and more affordable package. They are optically matched to the flagship S4/i series, making them a staple for handheld, gimbal, and drone work where size and weight are critical.
Key Features and Benefits
The “Cooke Look”: Delivers the signature warm, smooth, and organic aesthetic with a gentle “roll-off” from sharp focus to a pleasing bokeh.
Compact & Lightweight: Approximately one stop slower than the S4/i series (T2.8 vs T2.0), allowing for a significantly smaller form factor ideal for compact camera rigs.
i/Technology Metadata: Equipped with electronic contacts to record vital lens data (aperture, focus, depth-of-field) for every frame, streamlining post-production and VFX workflows.
Color Matching: Factory-calibrated to match the color and contrast of the S4/i, 5/i, and Anamorphic/i series, allowing for seamless intercutting.
Exceptional Flare Control: Advanced optical design provides superior control over flare, distortion, and spherical aberration even at full aperture.
Standardized Mechanics: Most lenses in the set feature a common 87mm front diameter and uniform gear positions for fast lens changes without re-adjusting accessories.
Robust Build: Features a scratch-resistant PTFE hard anodized finish and an Academy Award-winning cam-style focus movement for smooth, backlash-free operation.
Cost: 25,000 USD
Price: 28,000 USD
(Cost and price updated Feb 9th 2026 at Adam’s request)
TELLINE – planning@telline.fr
R-01-15-26
Prices Research
Justcinemagear: 36,650 – 29,950 -19,850 – 27,500 – 27,750 -24,500
Newlifecine: Does not have any
AI says :
In the current 2026 second-hand market, a standard 6-lens set of Cooke mini S4/i primes (typically comprising the 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm focal lengths) has stabilized in value as a reliable professional workhorse.
While a new 6-lens set retails for approximately $52,000–$53,000, the used market offers significant savings.
Condition Estimated Price Range (USD) Common Configuration
Excellent / Private Owner $31,000 – $35,000 Often includes a custom flight case and very clean glass.
Very Good / Ex-Rental $21,000 – $28,000 Professionally maintained but may show cosmetic wear on barrels.
The Cooke S4/i prime lens series is widely considered the industry “workhorse” for high-end cinematography. Released as an evolution of the Academy Award-winning S4 series, the “i” stands for /i Technology, which enables the digital capture of lens metadata. These lenses are famed for the “Cooke Look”—a combination of sharp detail, smooth contrast, and a warm, organic feel that is particularly flattering for skin tones.
Key Features:
Aperture Range: A fast and consistent speed of T2.0 across the primary set (with the 300mm at T2.8).
Sensor Coverage: Designed specifically for Super35 format (30mm-43mm image circle depending on the lens).
i/Technology: Built-in electronics that provide real-time metadata to the camera, including focal length, focus distance, and aperture.
Cam-Type Focus: An award-winning mechanism that ensures smooth, backlash-free focus pulls with a 300° rotation.
Standardized Design: Most lenses in the set share a 110mm front diameter and unified gear positions for quick lens changes on set.
Color Matching: All lenses are precision-balanced to ensure consistent color and contrast across the entire focal range.
Cost: TBD
(t)
Fred and Remy/TELLINE
planning@telline.fr
1-15-2026
Cooke Speed Panchro S2/S3 lenses rehoused by TLS (True Lens Services) are iconic vintage optics that have been modernized for professional cinematography. Combining the legendary “Cooke Look” of the 1920s–1960s with robust, precision engineering from the UK, these lenses are widely considered the industry standard for “modern-vintage” glass.
Key Features & Benefits
The Iconic “Cooke Look”: Delivers a warm, painterly aesthetic with smooth skin tones and a gentle focus fall-off that “takes the edge off” modern high-resolution digital sensors.
Modern TLS Mechanics: Features a world-class cam-driven focus system that provides smooth, backlash-free movement and accurate, repeatable focus marks.
Universal Build Standards: All lenses in the set are updated with a uniform 110mm front diameter and standardized focus/iris gear positions, allowing for rapid lens swaps without moving matte boxes or follow-focus motors.
Super 35 & Beyond: While designed for Super 35mm, several focal lengths (notably the 75mm and 100mm) offer expanded coverage that can work with larger sensor formats.
Fast & Reliable: Maintains the original fast apertures (typically T2.2 to T2.3) while replacing the fragile original housings with aircraft-grade aluminum and stainless steel PL mounts.
Pleasing Aberrations: Exhibits a unique, organic flare and low-contrast character that is highly sought after for period pieces and stylized commercials.
Cost: TBD
TELLINE – planning@telline.fr
R-01-14-2026
—-
Price Investigation;
NEWLIFECINE: does not have it
JUSTCINEMAGEAR : does not have it
AI says: In the global second-hand market for 2025-2026, a full 7-lens set of Cooke S2/S3 Speed Panchros rehoused by TLS (18, 25, 32, 40, 50, 75, 100mm) typically commands a price between $65,000 and $85,000 USD.
Because TLS rehousing is widely considered the gold standard for these vintage optics, they maintain high resale value and often have a multi-year waiting list for new rehousing services, which keeps used prices stable.
Current Market Pricing Breakdown
Set Configuration / Source Estimated Price Range (USD) Notes
Complete 7-Lens Set (Excellent) $72,000 – $85,000 Standard price from high-end dealers like Visual Products or New Life Cine.
Complete 7-Lens Set (Private) $65,000 – $75,000 Faster sale price; depends heavily on the “glass matching” and cosmetic condition.
“Core 6” Set (No 100mm) $45,000 – $55,000 Omitting the rare 100mm or the 18mm significantly reduces the total set value.
Individual TLS Rehoused Lens $10,000 – $13,000 Specialized focal lengths like the 18mm or 100mm often sell for a premium.
Hanse Inno Tech Celere HS Uncoated lenses are a specialized version of the standard High Speed primes, designed specifically for cinematographers seeking a more “organic” or “analogue” aesthetic. By removing the anti-reflective coatings, these lenses allow for controlled light scattering and dramatic flare characteristics that modern digital sensors often lack.
Key Features & Benefits
Vintage Flare & Halation: Without coatings, the lenses produce pronounced, stylized flares and “milky” halation around bright light sources, ideal for dream sequences or period pieces.
Lowered Contrast: These lenses deliver a softer, lower-contrast image that can take the “digital edge” off modern high-resolution sensors, creating a more flattering look for skin tones.
Maintained Mechanics: They retain the exact same physical housing as the coated versions (1050g weight, uniform size), allowing them to be mixed and matched in the same set without rebalancing gimbals.
Fast T1.5 Aperture: Unlike many true vintage uncoated lenses, these maintain a high-speed T1.5 aperture, offering modern low-light performance with a classic look.
Consistent Color Science: Despite the increased flare, the underlying glass remains color-matched to the standard Celere HS line, ensuring a cohesive look across a production.
Large Format Readiness: They fully cover VistaVision and Full Frame sensors, providing a vintage character even on the largest modern 8K sensors.
Cost TBD
TELLINE – planning@telline.fr
R-01-14-2026
——————————
price Research
Usercinemagear: Does not Have one
Newlifecine: Does not have any
AI says :
Finding a used set of Celere HS Uncoated lenses is significantly more difficult than finding the standard coated versions, as they were produced in much smaller quantities and are often held by owners specifically for their unique “look.”
On the current second-hand market, a used set of 5 Celere HS Uncoated (18.5, 25, 36, 50, 85mm) typically ranges between $16,500 and $25,000 USD.
Current Market Pricing Breakdown
Tier / Condition Estimated Price Range (USD) Notes
Private Sale (Standard) $16,500 – $19,000 Often sold by individual DPs; may show minor cosmetic wear on the housing.
Collector / Dealer Mint $21,000 – $25,000 High-demand “Uncoated” sets often command a premium over the standard set.
Rental House Liquidation $15,000 – $18,000 May have high mileage but are usually well-serviced.
Hanse Inno Tech Celere HS (High Speed) lenses are professional cine primes known for bridging the gap between high-end optical performance and practical on-set efficiency. Manufactured in Germany, they are specifically designed to cover large-format sensors (up to 8K VistaVision) while maintaining a lightweight, uniform build.
Key Features & Benefits
Fast T1.5 Aperture: Consistent high speed across the entire focal range, providing exceptional low-light performance and a shallow depth of field.
Uniform Weight and Size: Every lens in the core set (25mm to 85mm) weighs approximately 1050g and shares the same physical dimensions. This allows for instant lens swaps on gimbals and Steadicams without needing to rebalance.
Large Format Coverage: Full-frame and VistaVision compatible, ensuring the lenses are future-proofed for modern high-resolution sensors.
Vario-Mount System: Features interchangeable mounts (PL, EF, and E-mount), offering versatile compatibility with various camera systems.
Unique Optical Character: Delivers a “Leica-like” look—sharp with natural skin tones and vibrant colors—but with slightly higher contrast and smooth, rounded bokeh via an 8-blade iris.
Precision Mechanics: Includes a 250° focus rotation for accurate pulling, minimal focus breathing, and dual-sided markings (Metric/Imperial).
Rear Filter Support: Equipped with rear net holders and filter threads for creative diffusion and “analogue” look customization.
Cost: TBD
TELLINE – planning@telline.fr
R-01-14-2026
—
Newlifecine: $ 17,500 has one set
Justcinemagear: Does not have it
AI says: In the current second-hand market, a used set of 5 Celere HS Primes (18.5, 25, 36, 50, 85mm) generally sells for between $14,000 and $22,000 USD, depending on the condition, mount options included, and the seller (private vs. dealer).
While individual lenses originally retailed for approximately $4,000 (€3,600) each, bundled sets on the used market offer a significant bulk discount.
Current Market Pricing Breakdown
Condition / Source Estimated Price Range (USD) Notes
Well-Used / Private Sale $11,000 – $14,000 Often a 4-lens set; adding the 18.5mm usually bumps the price up by ~$3,000.
Excellent / Dealer Certified $17,500 – $22,500 Typically includes a flight case, multiple mounts (PL/EF/E), and a short warranty.
