Includes:
Cooke S7i 25mm
Cooke S7i 32mm
Cooke S7i 40mm
Cooke S7i 50mm
Cooke S7i 65mm
Cooke S7i 90mm macro
Cooke S7i 100mm
Cooke S7i 135mm
Features:
Prime Lens Design (various focal lengths available): Offers high-quality images and a natural look compared to zoom lenses.
Exceptional Image Quality & Sharpness: Delivers clear, detailed footage across the entire aperture range.
Large Format Coverage (Full Frame & Beyond): Covers full-frame sensors and even larger formats for expansive cinematic imagery.
Fast T2.0 Aperture (Across S7i Series): Enables superior low-light performance and shallow depth-of-field control.
Filmic Bokeh Characteristics: Creates smooth, pleasing background blur with pleasing bokeh transitions.
Durable & Weatherproof Build: Built to withstand demanding shooting conditions.
Standardized Size & Gearing: Facilitates easy lens changes and use of follow focus systems.
Cost 160000 Euros
June 5, 2024
Jarkko Liikanen
Finland
jarkko@kamerafirma.fi
+358 (0) 40 575 6686
New, Unused, Zeiss Supreme Prime 15mm T1.8 (can be purchase separately)
New, Unused, Zeiss Supreme Prime 25mm T1.5
New, Unused, Zeiss Supreme Prime 35mm T1.5
New, Unused, Zeiss Supreme Prime 50mm T1.5
New, Unused, Zeiss Supreme Prime 85mm T1.5,
New, Unused, Zeiss Supreme Prime 100mm T1.5
Custom Innerspace Case
It can also be purchase as a set of 5 lenses without the 15mm lens
The ZEISS Supreme Prime lenses are high-performance full-frame cinema primes crafted for professional filmmakers who demand cinematic quality and precision. Designed to cover large-format sensors, they offer a clean, consistent look with subtle sharpness and beautiful bokeh, ideal for high-end film, television, and commercial production.
Features
Full-Frame Coverage (up to 46.3mm image circle) – Perfect for large-format cameras.
Fast T1.5 Aperture (on most focal lengths) – Excellent low-light performance and shallow depth of field.
Cinematic Look – Smooth focus fall-off and organic rendering for a natural image.
Uniformity Across the Set – Color and contrast matched throughout all focal lengths.
Lightweight & Compact Design – Great for handheld, Steadicam, and gimbal work.
Advanced Metadata Support – LDS-2 and Cooke /i Technology for real-time lens data.
Rugged Build Quality – Engineered for durability in demanding production environments.
USD $100,000 USD
(Possible cost of the 5 lenses: Cost: $82000 USD)
April 5, 2024
Adam Rector
United States
adam@rentacamera.com
1-855-588-2882
Adam Fox In Wtasapp:
Change the price to $110k usd sell price, our cost $100k
Cooke Speed Panchro 18mm T2.2
Cooke Speed Panchro 25mm ser III T2.2 601207
Cooke Speed Panchro 32mm series II T2.3 697191
Cooke Speed Panchro 40mm series II T2.3 753762
Note: None have been rehoused
Cooke Speed Panchro: Key Features and Benefits
Classic, warm aesthetic: Sought after for its vintage look with soft focus and pleasing bokeh.
Fast aperture: Originally known for its wide aperture (f2) which was revolutionary for its time.
Modern versions offer a T2.2 maximum aperture.
Consistent color rendition: Maintains consistent color across the entire lens set.
Durable build: Known for its robust and reliable construction.
code20kd2tsiuqnilus05272024
The Zeiss Super Speed S16 MKIII 9.5mm is a rare and exceptionally coveted individual prime from the pinnacle of the legendary Zeiss Super Speed S16 lineage, delivering the exceptional T1.3 maximum aperture, outstanding optical sharpness, and refined MKIII optical character that have made the Super Speed series one of the most celebrated lens families in professional Super 16mm filmmaking history. As the widest focal length in the entire Super Speed S16 family, the 9.5mm occupies a uniquely important and irreplaceable position within the set — providing cinematographers with a dramatic ultra-wide perspective ideal for immersive environmental storytelling, expansive establishing shots, and confined interior spaces — while retaining the full fast aperture and distinctive Zeiss optical rendering that define the Super Speed series at its finest MKIII expression. Compact, lightweight, and built to ARRI PL mount standards, this lens is an outstanding and rare choice for documentary, independent film, and television productions seeking the widest and most dramatic individual Super Speed focal length available for Super 16mm camera platforms.
Key Features:
The fast T1.3 maximum aperture delivers exceptional low-light performance and a dramatically immersive wide-angle rendering, making this lens an outstanding tool for available-light shooting, dynamic handheld work, and expressive documentary cinematography.
As the widest focal length in the entire Super Speed S16 family, the 9.5mm provides a uniquely dramatic ultra-wide perspective that is unmatched within the Super Speed lineup, offering the most expansive environmental coverage and spatial immersion available in the series.
The MKIII designation represents the most refined and accomplished iteration of the Super Speed lineage, featuring the most advanced optical coatings, superior contrast rendition, and the most significantly reduced focus breathing of any Super Speed generation.
Built with a robust metal barrel construction and PL mount compatibility, this lens integrates reliably with a wide range of professional S16 cinema camera bodies including the ARRI SR3 and ARRI 416.
The rarity of the 9.5mm as an individual focal length makes it one of the most sought-after and collectible individual Super Speed primes, representing an exceptional and hard-to-find addition to any existing Super Speed S16 set.
Minimal focus breathing and smooth, well-damped focus and aperture rings make this lens highly practical for focus pullers working in fast-paced, run-and-gun, and documentary production environments.
The compact and lightweight MKIII form factor makes this lens ideally suited for handheld, Steadicam, and gimbal configurations, representing the rarest and most dramatically wide individual expression of the Super Speed S16 series ever produced.
Update March 27th 2026:
Listing name updated to reflect lens S16 status and edition (Mk.1, 2 or 3)
Updated item descriptions, SEO info.
(J)
usd 3,500 05may24 Noah Elliot Morrison US 313-444-7112 noah@noahmo.com
Summilux C 18mm
Summilux C 21mm
Summilux C 25mm
Summilux C 29mm
Summilux C 35mm
Summilux C 40mm
Summilux C 50mm
Summilux C 65mm
Summilux C 75mm
Summilux C 100mm
Includes Box With Padding
Key Features and Benefits
Fast Aperture (T1.4): Excellent low-light performance, allows for shallower depth of field and beautiful bokeh.
Superb Image Quality: Designed for professional cinematography, delivers exceptional sharpness, color rendition, and minimal distortion.
Compact and Lightweight: Smaller size compared to similar lenses makes them easier to handle and use with gimbals or drones.
Standardized PL-Mount: Compatible with a wide range of professional cinema cameras.
code440kd2tdrefssiewus05172024-S
The Owner´s Words:
Selling a few super speeds as the set was broken up!
This copy is great – Used (obviously), some wear on paint, 50 year old lens so normal usage signs to be expected. Focus is smooth and wonderful. No fungus, no scratches or chips, cleaning marks and micro dust to be expected due to age, no separation. Iris is flawless.
Front and back caps are included. Feel free to reach out with any questions. I can share some media I used this lens on if you reach out.
The Zeiss Super Speed S16 MKIII 12mm is a highly desirable individual prime from the pinnacle of the legendary Zeiss Super Speed S16 lineage, delivering the exceptional T1.3 maximum aperture, outstanding optical sharpness, and refined MKIII optical character that have made the Super Speed series one of the most celebrated lens families in professional Super 16mm filmmaking history. As one of the widest focal lengths in the Super Speed S16 family, the 12mm occupies a critically important position within the set — providing cinematographers with an expansive wide-angle perspective ideal for immersive environmental storytelling, confined interior spaces, and dynamic handheld work — while retaining the full fast aperture and distinctive Zeiss optical rendering that define the Super Speed series at its finest MKIII expression. Compact, lightweight, and built to ARRI PL mount standards, this lens is an outstanding choice for documentary, independent film, and television productions seeking one of the most versatile and essential individual Super Speed focal lengths for Super 16mm camera platforms.
Key Features:
The fast T1.3 maximum aperture delivers exceptional low-light performance and a beautifully cinematic rendering, making this lens an outstanding tool for available-light shooting, immersive handheld work, and dynamic documentary cinematography.
The 12mm focal length provides an expansive wide-angle perspective that is critically important for Super 16mm production, offering immersive environmental coverage, strong spatial context, and dynamic visual energy across a broad range of shooting scenarios.
The MKIII designation represents the most refined and accomplished iteration of the Super Speed lineage, featuring the most advanced optical coatings, superior contrast rendition, and the most significantly reduced focus breathing of any Super Speed generation.
Built with a robust metal barrel construction and PL mount compatibility, this lens integrates reliably with a wide range of professional S16 cinema camera bodies including the ARRI SR3 and ARRI 416.
The availability of the 12mm as an individual focal length makes it a highly valuable standalone acquisition or a precision addition to an existing Super Speed S16 set, filling one of the most essential wide-angle positions in the Super Speed lineup.
Minimal focus breathing and smooth, well-damped focus and aperture rings make this lens highly practical for focus pullers working in fast-paced, run-and-gun, and documentary production environments.
The compact and lightweight MKIII form factor makes this lens ideally suited for handheld, Steadicam, and gimbal configurations, representing one of the finest and most versatile individual expressions of the Super Speed S16 series ever produced.
Update March 27th 2026:
Listing name updated to reflect lens S16 status and edition (Mk.1, 2 or 3)
Updated item descriptions, SEO info.
(J)
code7kd2nosirromus05172024
Illunmina Optar 9.5mm
Illunmina Optar 12mm
Illunmina Optar 16mm
Illunmina Optar 25mm
Key Features and Benefits
Fast T1.3 Aperture: Great for low-light shooting and shallow depth of field.
Super Speed Lens: Enables capturing sharp images in low-light conditions.
S16 Format Compatibility: Works with smaller 16mm film cameras.
High Image Quality: Known for excellent color rendition, contrast, and resistance to flare.
6500 usd cost
May 17, 2024
Jani Hakli
jani.hakli@me.com
TEL: +6140 433 8540
The owner words : This lens rocks. Pairs really well with the super speeds and has a cool rainbow flare. This is one of the only other Optex original lenses. I used this lens on both my Canon C70 and Arri 416. Happy to share that footage if you reach out. It’s a fantastic versatile wide angle with far superior contrast/rendering at T/2 than the Zeiss or Elite super speed 8mm.
The Optex 8mm features a rectilinear design with minimal barrel distortion compared to a fisheye wide angle lens. With a fast T2 aperture, a 15 inch close focus, along with integrated 0.8 focus & iris gears. I had the lens collimated in Michigan a few months ago and I’m happy to put you in touch with that lens tech as well.
Front and back caps are included. This lens was used so I can’t call it “mint” but it’s darn close. Very pretty, no scuffs, obviously no issues with the glass: no scratches, no fungus, no haze, no separation, there is micro dust but honestly it’s exceptionally little for a lens of this age. You really have to search to see any micro dust. It’s fantastic.
Cost: 5000 USD
May 16, 2024
Noah Morrison
United States
noah@noahmo.com
Owner´s words : This is a phenomenal lens. It’s surprisingly clean inside for its age. Must have been the least used of a well kept set. There’s some very minimal wear and some very light cleaning marks on the exterior lenses. Normal stuff to be expected with lenses of this age. I noticed there’s a spec or two of dust on the front element in the photo and I didn’t have a blower handy. The focus and iris action is perfectly smooth from end to end. Iris blades are clean. I snagged this as I was first building my super speed set but have over collected a bit and this and some other s16 lenses have to go. I’m including the PL adapter which is pretty expensive as well as the focus and iris gears, and the front ring adapter to an 80mm outside diameter if you want to match your lens fronts to 80. The original box is included. Also front and back caps as seen in the photos. Not seen in photos, but is also included: the original focusing tabs and parts.
I haven’t used it a ton since I got it, but I did use it with an aspheron wide angle adapter quite a bit on one project. If requested I can send some stills / clips from that footage.
The Zeiss Super Speed S16 MKI 12mm is a rare and historically significant individual prime from the original and pioneering first generation of the legendary Zeiss Super Speed S16 lineage, delivering the exceptional T1.3 maximum aperture and distinctive optical character that launched the Super Speed series as one of the most influential and celebrated lens families in professional Super 16mm filmmaking history. As one of the widest focal lengths in the Super Speed S16 family, the MKI 12mm provides cinematographers with an expansive wide-angle perspective ideal for immersive environmental storytelling, confined interior spaces, and dynamic handheld work, while offering the original and unmistakably vintage Zeiss optical rendering that distinguishes the first-generation MKI from its later MKII and MKIII successors. Compact, lightweight, and built to ARRI PL mount standards, this lens is a compelling and collectible choice for documentary, independent film, and television productions seeking the authentic first-generation Super Speed optical character and the unique vintage rendering that only the original MKI generation can deliver.
Key Features:
The fast T1.3 maximum aperture delivers exceptional low-light performance and a beautifully cinematic wide-angle rendering, making this lens a highly capable tool for available-light shooting, immersive handheld work, and dynamic documentary cinematography.
The MKI designation identifies this as a first-generation Super Speed prime, offering the original and most distinctively vintage Zeiss Super Speed optical character that predates and differs meaningfully from the refined MKII and MKIII successors.
The 12mm focal length provides an expansive wide-angle perspective critically important for Super 16mm production, offering immersive environmental coverage, strong spatial context, and dynamic visual energy across a broad range of shooting scenarios.
The original MKI optical formula delivers a uniquely vintage rendering with a softer contrast signature, more characterful flare behavior, and a distinctly organic image quality that sets it apart from the more refined optical performance of later Super Speed generations.
Built with a robust metal barrel construction and PL mount compatibility, this lens integrates reliably with a wide range of professional S16 cinema camera bodies including the ARRI SR3 and ARRI 416.
The rarity of the MKI 12mm as an individual focal length makes it a particularly collectible and sought-after acquisition for cinematographers and collectors seeking the authentic first-generation Super Speed optical experience.
Minimal focus breathing and smooth, well-damped focus and aperture rings make this lens practical for focus pullers working in fast-paced, run-and-gun, and documentary production environments.
Update March 27th 2026:
Listing name updated to reflect lens S16 status and edition (Mk.1, 2 or 3)
Updated item descriptions, SEO info.
(J)
Sold
$1,500 USD
May 16, 2024
Noah Elliot Morrison
United States
noah@noahmo.com
Canon FD Rehoused by Zero Optik 20mm f2.2 ssc
Canon FD Rehoused by Zero Optik 24mm f1.6 asph
Canon FD Rehoused by Zero Optik 28mm f2.2 asph
Canon FD Rehoused by Zero Optik 35mm f2.5 ssc
Canon FD Rehoused by Zero Optik 35mm f1.6 minolta
Canon FD Rehoused by Zero Optik 55mm f1.5 asph
Canon FD Rehoused by Zero Optik 85mm f1.3 asph
Canon FD Rehoused by Zero Optik 100mm f2.1 nfd
Canon FD Rehoused by Zero Optik 135mm f2.1 nfd
Key features and benefits:
Classic Canon FD optics: Renowned for their beautiful image quality, warmth, and character.
Rehoused for modern cameras: Updated mounts (PL, LPL, EF) for compatibility with professional cinematography cameras.
Improved ergonomics: Smaller, lighter weight design compared to original FD lenses, ideal for handheld shooting and gimbals.
Standardized iris: Consistent 16-blade iris across all lenses for smoother bokeh and easier control over depth of field.
Extended focal lengths: Options beyond the original FD lineup, including some high-speed aspherical lenses.
Cost 160000 USD
May 15, 2024
US
Sergio Arguello
sergio@arguellosergio.com
+1 786 202 7757
USA
