The Cooke SP3 is a purpose-built prime lens series designed specifically for full-frame mirrorless cameras. It is based on the legendary Speed Panchro™ optical design, bringing the iconic “Cooke Look”—characterized by organic warmth, gentle focus fall-off, and high dimensionality—to modern digital sensors.
Key Features:
Focal Lengths: A comprehensive set including 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm.
Fast Aperture: Consistent T2.4 maximum aperture across the entire range for uniform exposure.
Interchangeable Mounts: User-changeable mount system supporting Sony E (fitted), Canon RF, Leica L, and Leica M.
Full-Frame Coverage: Optimized for a 43.3mm image circle, covering full-frame and Super35 sensors.
Matched Mechanics: Standardized 0.8 MOD focus and iris gears with shared positions across the set for rapid lens swaps.
Lightweight Build: Compact, anodized aluminum shells designed for drones, gimbals (like the Ronin 4D), and handheld rigs.
Benefits for Filmmakers
Emotional Rendering: Combines modern resolution with a “human” aesthetic that renders skin tones naturally and avoids the clinical sharpness of some digital lenses.
Creative Focus Control: Features a non-linear focus scale for precise adjustments at close distances and smooth, round bokeh from a 9-blade iris.
Dynamic Dimensionality: Provides a sharp center with a signature “roll-off” toward the edges, mimicking how the human eye perceives depth.
Seamless Integration: Perfectly color-matched to the Cooke Panchro/i Classic series, making them ideal “B-camera” lenses for larger productions.
Future-Proof: Capable of resolving detail for 8K sensors and beyond.
The Cooke S7/i Full Frame Plus series is a flagship lineup of spherical prime lenses designed to cover large format sensors up to 46.31mm. Known for delivering the iconic “Cooke Look®,” these lenses strike a balance between modern technical precision and a smooth, organic aesthetic.
Key Features and Benefits
Optimized Full Frame Coverage: Designed to cover sensors up to Red Weapon 8K, Arri Alexa LF, and Sony Venice (VistaVision and beyond).
The “Cooke Look®”: Offers a unique combination of sharpness, smooth contrast, and a pleasing “roundness” to the image.
Exceptional Flare Control: Engineered to minimize veiling glare and control flares even at a wide-open T2.0 aperture.
Organic Bokeh: Features a nine-leaf linear iris for smooth, natural-looking out-of-focus highlights.
Integrated /i Technology: Captures frame-by-frame metadata (focus, iris, and depth-of-field) to streamline post-production and VFX workflows.
Mechanical Precision: Uses an Academy Award-winning cam-style focus mechanism for smooth, backlash-free adjustments and expanded focus scales.
Color Consistency: Meticulously color-matched to work seamlessly with S4/i, Anamorphic/i, and Panchro/i Classic series.
Used Single Cooke S7I 180mm for Sale
Cooke S7/i 180mm T2.0 is a high-performance telephoto prime lens designed for the demanding requirements of full-frame cinematography. It delivers the legendary “Cooke Look”—characterized by smooth, organic skin tones and a gentle roll-off—while providing the technical precision needed for 8K resolution.
Full-Frame Plus Coverage: Features a 46.31mm image circle, making it compatible with large-format sensors like the RED V-RAPTOR, ARRI ALEXA Mini LF, and Sony VENICE.
Fast T2.0 Aperture: Provides exceptional low-light performance and a shallow depth of field for beautiful, cinematic bokeh.
Integrated /i Technology: Automatically records vital lens metadata (focus, iris, and depth-of-field) for every frame, significantly streamlining VFX and post-production workflows.
Precision Mechanics: Equipped with an Academy Award-winning cam-style focus mechanism and 270° of rotation for highly accurate focus pulling.
Color-Matched Performance: Specifically engineered to match the color and contrast of other Cooke series (S4/i, 5/i, and Anamorphic/i) for seamless intercutting.
Durable Build: Finished with a scratch-resistant PTFE hard anodized coating to withstand extreme environmental conditions on set.
Master Prime 16mm
Master Prime 25mm
Master Prime 35mm
Master Prime 50mm
Master Prime 75mm
Master Prime 100mm
Master Prime series is widely considered the gold standard for high-end digital and film cinematography. These lenses are engineered to provide “clinical perfection,” delivering high resolution and contrast even when shot wide open
Ultra-Fast T1.3 Aperture:3 Maintains a consistent 4$T1.3$ to 5$T22$ range across all 16 focal lengths, enabling exceptional low-light performance and a razor-thin depth of field.6
Dual Floating Elements: A patented technology that virtually eliminates “lens breathing” (the change in focal length when focusing), ensuring the frame remains stable during focus pulls.
Aspherical Optics: Greatly reduces chromatic aberration and geometric distortion, making them a preferred choice for heavy VFX and green-screen work.
T*XP Anti-Reflective Coating: Specifically formulated to suppress flares and ghosting while maintaining rich blacks and vibrant color reproduction.
Built-in Lens Data System (LDS): Automatically communicates lens metadata (focus, iris, and zoom) to the camera to streamline post-production and VFX workflows.
Consistent Ergonomics: Uniform gear positions and a standard 114mm front diameter (for most focal lengths) allow for rapid lens changes without moving matte boxes or follow-focus motors.
The Cooke S7/i 40mm T2.0 is a high-performance prime lens designed to exceed the requirements of full-frame cinema sensors, including those found in VistaVision and RED 8K systems. It delivers the legendary “Cooke Look”—characterized by sharp detail, smooth contrast, and a natural, organic bokeh—while offering an expansive 46.31mm image circle. Built with precision mechanical engineering, this lens is a staple for cinematographers seeking a versatile focal length that works equally well for wide-angle perspectives and naturalistic portraits.
Key Features:
The “Cooke Look”: Provides a warm, pleasing aesthetic with smooth roll-off and exceptional dimensionality.
Full Frame Plus Coverage: Designed to cover large-format sensors up to a 46.31mm image circle without vignetting.
Integrated /i Technology: Captures frame-by-frame metadata (focus, iris, and depth-of-field), which is essential for streamlining VFX and post-production workflows.
Fast T2.0 Aperture: Offers excellent low-light performance and shallow depth-of-field control.
Precision Focus Mechanism: Features an Academy Award-winning cam-style focus movement for smooth, backlash-free adjustments.
Matched Color Palette: Precisely color-matched with other Cooke series (S4/i, 5/i, and Anamorphic/i) for seamless intercutting.
Dual Focus Scales: Engraved with large, clear markings on both sides of the barrel to assist focus pullers in various lighting conditions.
Co-developed by ARRI and ZEISS, are a set of high-performance prime lenses widely used in professional cinema production, known for their versatility and optical excellence.
They offer one of the widest focal ranges of any 35mm prime lens set, ensuring cinematographers have a lens for virtually any cinematic requirement, from extreme wide-angle shots to tight telephoto compositions.
Key Features:
Wide Focal Range: Available in a large number of focal lengths, typically ranging from 8mm (extreme wide-angle) to 180mm (telephoto).
Fast Aperture: Feature a fast maximum aperture of T1.9 across most of the set, providing excellent low-light performance and shallow depth of field control.
Superior Optics: Designed for high image contrast, resolution, and excellent performance even at close focusing distances, with well-controlled distortion and breathing.
Super 35 Coverage: Optimized to cover the Super 35 film and sensor format, the standard for many digital cinema cameras.
Consistent Design: Maintain uniform barrel diameters, geared focus and aperture rings, and a standard PL mount for easy and quick lens changes on set.
Color Match: Optically matched in color and contrast to ARRI/ZEISS Master Prime and ARRI/ZEISS Alura Zoom lenses for seamless intercutting.
Includes:
Arri Ultra Prime 16mm
Arri Ultra Prime 25mm
Arri Ultra Prime 32mm
Arri Ultra Prime 50mm
Arri Ultra Prime 85mm
The Arri Ultra Prime set—featuring 16mm, 25mm, 32mm, 50mm, and 85mm focal lengths—delivers exceptional optical performance with consistent color, sharpness, and contrast across the range. Designed for demanding cinematic production, these lenses provide precise focus control, minimal distortion, and reliable durability. Their lightweight yet robust build makes them ideal for a wide variety of shooting environments, from handheld work to large-scale studio setups.
Key Features
Consistent look and color across all focal lengths
Exceptional sharpness and contrast
Minimal distortion and breathing
Robust, lightweight construction
Precise, smooth focus mechanics
Includes
Zeiss Compact Prime CP.2 18mm
Zeiss Compact Prime CP.2 28mm
Zeiss Compact Prime CP.2 35mm
Zeiss Compact Prime CP.2 50mm
Zeiss Compact Prime CP.2 85mm
Zeiss Compact Prime CP.2 135mm
The ZEISS Compact Prime CP.2 lenses are a professional lineup of cinema lenses designed for filmmakers who need robust build quality, consistent performance, and exceptional optical clarity across multiple focal lengths. With their interchangeable mounts and precise, cinema-grade focus and aperture rings, these lenses offer flexibility for a wide range of camera systems while maintaining ZEISS’s signature contrast, sharpness, and color fidelity. The focal lengths displayed—18mm, 28mm, 35mm, 50mm, 85mm, and 135mm—cover everything from wide establishing shots to tight close-ups, making the CP.2 set a versatile workhorse for narrative, commercial, and documentary productions.
Key Features
Interchangeable PL mount with consistent housing across focal lengths
Smooth, long-throw focus rotation ideal for follow-focus use
T-stop markings for accurate exposure control
Full-frame coverage suitable for modern cinema sensors
Robust all-metal construction for professional durability
Cooke S5/i Primes 18mm T1.4
Cooke S5/i Primes 25mm T1.4
Cooke S5/i Primes 32mm T1.4
Cooke S5/i Primes 40mm T1.4
Cooke S5/i Primes 50mm T1.4
Cooke S5/i Primes 65mm T1.4
Cooke S5/i Primes 75mm T1.4
Cooke S5/i Primes 100mm T1.4
Cooke S5/i Primes 135mm T1.4
Note: · Packed in 3 cases (2×4 lenses + 1×135mm)
Bonus: an additional case for 3 selected lenses – a convenient and secure option for those who wish to rent or transport smaller sets. Everything is safely packed and ready for production.
The Cooke S5/i Prime lenses are high-speed, modern cinema lenses designed to deliver the classic “Cooke Look” even in extreme low-light conditions. Below is a summary of their capabilities.
Fast T1.4 Aperture: The entire set features a maximum aperture of T1.4, allowing for shooting in very low light and creating an extremely shallow depth of field with beautiful subject separation.
The “Cooke Look”: Known for a sharp but smooth image that renders skin tones naturally and warmly. They provide “creamy” bokeh and a three-dimensional quality that prevents the image from looking clinically harsh.
Illuminated Focus Scale: A unique feature where the focus ring is equipped with a dimmable light, allowing focus pullers to see distance markings clearly in dark environments without external lamps.
S35 Coverage: Designed specifically to cover Super 35mm sensors (approx. 30mm image circle), optimizing performance for this standard format.
Built-in /i Technology: Equipped with Cooke’s /i Technology , which provides frame-by-frame digital metadata (focal length, aperture, focus distance, depth of field) to cameras for VFX and post-production.
Color Matching: Color-balanced to match perfectly with other Cooke series (S4/i, miniS4/i, Anamorphic/i), allowing for seamless mixing of lenses on the same production.
Cam-Style Focus Mechanism: Utilizes a cam-style design for smooth focus adjustments, with a generous 270° of rotation for precise control.
Standardized Design: Most lenses in the set (18mm–100mm) share a common 110mm front diameter for easy swapping of matte boxes and filters.
Vantage MiniHawk 40mm T1.7
Vantage MiniHawk 50mm T1.7
Vantage MiniHawk 65mm T1.7
Vantage MiniHawk 100mm T1.7
The MiniHawk Set of 4 (40mm, 50mm, 65mm, 100mm) represents a revolutionary approach to anamorphic cinematography by Vantage Film. These lenses are hybrid anamorphic optics, meaning they provide the classic anamorphic characteristics—such as oval bokeh, shallow depth of field, and unique focus fall-off—while utilizing a spherical optical path. This design allows for a remarkably compact form factor and an incredibly fast T1.7 aperture across the entire set. Unlike traditional front-anamorphic lenses, the MiniHawks exhibit zero breathing while focusing and offer significantly improved close-focus capabilities, making them ideal for tight spaces, handheld operating, and gimbal work without compromising the iconic “Hawk Look.”
Key Features:
Super-Fast T1.7 Aperture: Offers exceptional low-light performance and ultra-shallow depth of field, consistent across all four focal lengths.
Hybrid Anamorphic Optics: Delivers authentic anamorphic bokeh and flares within a spherical lens body, eliminating focus breathing entirely.
Macro-Like Close Focus: Engineered with a extremely short minimum object distance, allowing for intimate close-ups that are traditionally difficult with anamorphic glass.
Compact & Lightweight: Designed for modern production needs, these lenses are significantly smaller than standard anamorphic primes, perfect for drones and stabilizers.
Large Format Coverage: Optimized to cover modern digital sensors while maintaining a cinematic, high-contrast image with organic textures.
Standardized Mechanics: Features uniform 0.8 MOD gearing and a consistent front diameter for rapid lens changes and seamless accessory integration.
