Lomocron Anamorphic 2X 35mm
Lomocron Anamorphic 2X 50mm
Lomocron Anamorphic 2X 90mm
Lomocron Anamorphic 2X lenses are a unique re-engineered set of lenses that combine the vintage character of Lomo Square Front anamorphic optics with the updated mechanics and performance of modern cinema lenses. Created by Whitepoint Optics, these lenses are designed to retain the sought-after “Lomo look” while resolving the common issues of older, mechanically unreliable vintage lenses.
Key Features and Benefits
Unique Aesthetic: The lenses produce a distinctive, cinematic look with a 2x squeeze factor, pleasing barrel distortion, and signature blue lens flares.
Improved Performance: The re-engineering process, which uses Leica-R Summicron spherical optics as the “taking lens,” enhances resolution and contrast while reducing haze.
Modern Mechanics: The new housing provides smooth and reliable focus and iris operation, with matched gear positions across the set. This eliminates the image shift and rotation issues of the original Lomo Square Fronts.
Production-Friendly Design: The lenses have industry-standard front diameters, making them compatible with modern accessories like matte boxes, filters, and diopters.
Expanded Coverage: The lenses are designed to cover various digital cinema formats, with some focal lengths offering coverage beyond Super 35mm and nearly covering Mini LF Open Gate sensors.
TBD
Pantaleone Megna
pantaleone@moonlifefilm.com
Owner didn’t want us to delclare the price
Leica Summilux-C 18mm
Leica Summilux-C 21mm
Leica Summilux-C 25mm
Leica Summilux-C 35mm
Leica Summilux-C 40mm
Leica Summilux-C 50mm
Leica Summilux-C 75mm
Leica Summilux-C 100mm
The Leica Summilux-C Set of 8 (18mm, 21mm, 25mm, 35mm, 40mm, 50mm, 75mm, 100mm) represents the pinnacle of modern optical engineering, offering a consistent T1.4 aperture across the entire range. These lenses are celebrated for their ability to deliver high resolution and contrast while maintaining a creamy, natural focus fall-off and pleasing skin tones. Designed with a telecentric optical path, they minimize chromatic aberration and focus breathing, making them a favorite for high-end digital cinematography. Despite their large-aperture performance, Summilux-C lenses are remarkably compact and lightweight, with most focal lengths sharing a standardized 95mm front diameter and uniform gear positions for rapid lens changes on set.
Key Features:
Consistent T1.4 Aperture: Provides exceptional low-light performance and shallow depth-of-field control across all eight focal lengths.
Compact & Lightweight Design: Most lenses in the set weigh between 1.6kg and 1.8kg, making them ideal for handheld and stabilizer work.
Telecentric Optical Path: Optimized for digital sensors to ensure light hits the pixels at a straight angle, reducing edge shading and color shifts.
Standardized Mechanics: Uniform focus and iris gear positions along with a 95mm front diameter across the set for fast accessory swaps.
Exceptional Color Rendering: Precision-matched across the set for consistent color and contrast, eliminating the need for extensive grading adjustments.
Titanium Construction: Built with a high-strength titanium housing that is highly resistant to temperature changes and physical wear.
Update March 18th 2026:
Seller updated Cost from USD $150,000 to USD $120,000.
Sell Price updated from MAKE AN OFFER to USD $134,500 FOB
Updated item descriptions, SEO info & pricing.
(J)
Cost 150000 Dollars
USA – Los Angeles
Name Arseni Khachaturan
Company Pakizi Inc.
arsenikhachaturan@gmail.com
T. 3478962479
We CAN SELL in 87,500 and later deal with owner a lower cost?
Newlifecine has 11 lenses set in 168,000
JustCinemagear has one 8 LENSES set for 89,000
The Leica (Leitz) Summicron-C Set of 6 (18mm, 25mm, 35mm, 50mm, 75mm, and 100mm) is a highly versatile collection of professional cinema primes designed to provide legendary optical performance in a remarkably lightweight and compact form factor. Often referred to as the “little siblings” to the Summilux-C series, these lenses feature a consistent T2.0 aperture and a 36mm image circle, making them ideal for modern sensors beyond Super 35, such as the RED Helium and Sony VENICE. They are celebrated for their “creamy” sharpness and natural skin tone reproduction, offering a timeless, organic look with gentle focus fall-off and minimal geometric distortion. Because the lenses share identical physical lengths, 95mm front diameters, and unified gear positions, they allow for exceptionally fast lens changes on busy sets, making them a favorite for gimbal, drone, and handheld cinematography.
Key Features:
Complete 6-Lens Core Set: Includes the essential focal lengths—18mm, 25mm, 35mm, 50mm, 75mm, and 100mm—for comprehensive storytelling.
Consistent T2.0 Aperture: A fast, matching maximum aperture across the entire set ensures uniform exposure and depth of field.
Compact & Lightweight Design: Approximately 30% shorter and 20% lighter than Summilux-C lenses, optimized for stabilized rigs and drones.
Large 36mm Image Circle: Easily covers Super 35 formats and larger digital sensors like the RED Dragon 6K and ARRI Alexa Open Gate.
Unified Mechanics: All lenses feature a 95mm front diameter and matching iris/focus gear positions for rapid lens swaps without rig adjustments.
300° Focus Rotation: Features a smooth helix-style focus mechanism with expansive, easy-to-read marks on both sides of the barrel.
Authentic Color Rendition: Advanced coatings provide natural color balance and high contrast while maintaining soft, humane skin tones.
Update March 4th 2026:
Josh Flavell
hello@joshflavell.com
+61 412 345 434
Australia
Updated item descriptions, SEO info.
(J)
USD$40,000
MD
Josh Flavell
River Road Films Pty Ltd
joshflavell@me.com
+61412345434
Includes:
Zeiss Standard Speed 24mm
Zeiss Standard Speed 32mm
Zeiss Standard Speed 50mm
Zeiss Standard Speed 85mm
Features:
Classic “Vintage” Look: Renowned for their classic, filmic quality. They offer a slightly softer, lower-contrast image compared to modern lenses, which can be very flattering, especially for skin tones.
Consistent T2.1 Aperture: Most lenses in the set share a maximum aperture of T2.1 (the 180mm is T2.8), providing consistent exposure across focal lengths.
Lightweight and Compact: Known for their small size and light weight, making them excellent for handheld, gimbal, and drone work.
Reliable Color Rendition: Deliver a pleasing, neutral color palette with a cool color bias, which has made them a popular choice for decades.
Pleasing Bokeh: The older optical design and iris configuration produce a soft and unique bokeh.
Robust Build Quality: As cinema lenses, they are built to withstand the rigors of professional film production. Many have been rehoused to meet modern mechanical standards.
Used on Iconic Films: Have been the go-to lenses for countless feature films, commercials, and music videos.
Update Feb 19th 2026:
Lens set available
Pricing is flexible, according to seller
(J)
Cost: $14,800 USD
August 27, 2025
(M)
Steve Jones
United States
Email steve@digitaldk.com
Telephone 4054135588
Hawk V-lite Anamorphic PL-mount T2.2 28mm
Hawk V-lite Anamorphic PL-mount T2.2 35mm
Hawk V-lite Anamorphic PL-mount T2.2 45mm
Hawk V-lite Anamorphic PL-mount T2.2 55mm
Hawk V-lite Anamorphic PL-mount T2.2 80mm Macro
Hawk V-lite Anamorphic PL-mount T2.2 110mm
The Hawk V-lite Anamorphic T2.2 lenses are a popular series of cinema lenses known for their unique anamorphic look in a compact, lightweight design. They’re often used for handheld and Steadicam shots due to their manageable size and weight. 📸
Key Features and Benefits
Compact & Lightweight: Smaller and lighter than many other anamorphic lenses, making them ideal for a variety of camera rigs and shooting styles.
High Image Quality: Designed with a telecentric design, they offer increased definition and contrast across the entire image and minimal distortion.
Anamorphic Aesthetic: They have a 2x anamorphic squeeze factor, which produces the classic widescreen 2.40:1 aspect ratio with pleasing oval bokeh and cinematic horizontal lens flares.
Robust & User-friendly: The lenses have a durable mechanical build without electronic components, ensuring reliability on set. The focus scales are also optimized for easy reading.
Wide Focal Length Range: The set typically includes a wide range of focal lengths, including a dedicated 55mm T2.2 macro lens for extreme close-focus shots.
The cost of the set is € 460,000.
The lenses are located in Barcelona, Spain.
Anatolii Krapivin
uniquelenses.europe@gmail.com
+34681332299
www.unique-lenses.com
www.because.com.ua
Adam Said in Whatsapp: Add $50k to the asking price
Based on current exchange rates, you can get approximately 42,905 Euros for 50,000 U.S. Dollars. 08/26/2025…
so I will add 43,000 Euros mking a total price of EUROS 503,000 FOB
Arri Zeiss Ultra Prime LDS 14mm & 1.9
Arri Zeiss Ultra Prime LDS 16mm & 1.9
Arri Zeiss Ultra Prime LDS 20mm & 1.9
Arri Zeiss Ultra Prime LDS 28mm & 1.9
Arri Zeiss Ultra Prime LDS 40mm & 1.9
Arri Zeiss Ultra Prime LDS 50mm & 1.9
Arri Zeiss Ultra Prime LDS 85mm & 1.9
Arri Zeiss Ultra Prime LDS 100mm & 1.9
Arri Zeiss Ultra Prime LDS 135mm & 1.9
Case Included
ARRI/Zeiss Ultra Prime LDS lenses are a highly regarded line of cinema prime lenses known for their excellent optical performance, compact size, and integrated Lens Data System (LDS). Co-developed by ARRI and Zeiss, they are a staple in professional film and television production.
Key Features and Benefits
Exceptional Image Quality: They offer a clear, sharp image with well-controlled distortion and reduced flares, maintaining high contrast and resolution across the frame.
Lens Data System (LDS): The integrated LDS technology is a key differentiator. It provides valuable real-time metadata (like focus, iris, and zoom settings) to the camera, which streamlines on-set tasks for the focus puller and is crucial for visual effects and post-production workflows.
Versatile Focal Lengths: The series provides one of the widest focal ranges available, from extreme wide-angle to telephoto, offering great flexibility for cinematographers.
Uniform Design: The lenses have a consistent mechanical design, including uniform front diameters and gear positions, which simplifies and speeds up lens changes and allows for easy use with accessories like matte boxes.
Lightweight and Compact: Their compact and lightweight build makes them ideal for a variety of shooting scenarios, including handheld, gimbal, and Steadicam work.
Optical Match to Master Primes: They are optically and color-matched to the faster ARRI/Zeiss Master Prime series, allowing for seamless integration and consistency when mixing and matching lenses on a single project.
Cost USD $ 50,000
LeRon Minor – in Atlanta USA
Company Name Clap Slate Rentals
Email leronminordp@gmail.com
Telephone 5129058157
Newcine and justcinema do not have this set
AI says : based on available listings and market analysis, the average price for a 9-lens set is approximately $45,000 to $65,000 USD.
Bausch & Lomb Super Baltar 20mm T2.3
Bausch & Lomb Super Baltar 25mm T2.3
Bausch & Lomb Super Baltar 35mm T2.3
Bausch & Lomb Super Baltar 50mm T2.3
Bausch & Lomb Super Baltar 75mm T2.3
Bausch & Lomb Super Baltar 100mm T2.4
Bausch & Lomb Super Baltar lenses are a series of vintage cinema lenses from the 1960s, highly sought after for their unique, cinematic look. Originally designed for Mitchell camera systems, they’ve since been rehoused by companies like True Lens Services (TLS) and P+S Technik to be compatible with modern digital cinema cameras.
Key Features and Benefits
Distinct Vintage Look 🎬: They deliver a warm tone, medium to low contrast, and soft focus roll-off, creating a gentle and artistic aesthetic. This helps “take the edge off” the sharp, clean look of modern digital sensors.
Unique Lens Flares and Bokeh: They feature trademark blue, purple, and amber coatings that produce stunning and unique flares. When used wide open, they create a beautiful, consistent, and textured bokeh.
Historical Legacy 🎞️: These lenses are famously known as the “Godfather lenses,” having been used to shoot iconic films like The Godfather and The Godfather Part II. They were also used more recently on films like Rush and The Witch.
Modern Compatibility: Thanks to rehousing, they now have a smooth, reliable cam-drive focus system, PL mounts, and consistent 110mm fronts, making them easy to use with modern camera accessories and a favorite for cinematographers.
Impressive Sensor Coverage: Certain focal lengths can cover Super 35+ and even Full Frame sensors, which is exceptional for vintage lenses of their era.
Cost : To be Determined
Phillip hello@phillipkaminiak.com
PHILLIP KAMINIAK
Europe / WhatsApp +49 177 970 2150
Mexico / USA +52 55 2341 8662
WEBSITE: http://www.phillipkaminiak.com
Features:
Vintage Glass, Modern Housing: Originally Canon FD stills lenses from the 1970s, they are rehoused by True Lens Services (TLS) for modern cinematography. This gives them a robust, cine-style housing while retaining their classic optical character.
Pleasing “Vintage” Look: Known for their cinematic aesthetic, these lenses produce a soft, warm image with low contrast and beautiful, circular bokeh.
Full Frame and More: Both lenses cover full-frame sensors and can even work with some medium format cameras, offering great versatility for various camera setups.
Consistent Form Factor: The TLS rehousing standardizes key features across the lens set. This includes a consistent 110mm front diameter and matching focus and iris gear positions, making them easy to use with matte boxes and follow focus systems.
Smooth Operation: The rehousing includes a cam-driven focus system, which provides smooth, repeatable focus pulls with a wide focus throw. The new 16-blade circular iris also ensures that bokeh remains round and pleasing at any aperture.
Great for Portraits: The natural and soft rendering of skin tones makes these lenses particularly well-suited for portraiture and close-up shots.
Phillip Kaminiak
hello@phillipkaminiak.com
Europe / WhatsApp +49 177 970 2150
Mexico / USA +52 55 2341 8662
ARRI SIGNATURE PRIME 18mm
ARRI SIGNATURE PRIME 25mm
ARRI SIGNATURE PRIME 35mm
ARRI SIGNATURE PRIME 58mm
ARRI SIGNATURE PRIME 95mm
ARRI Signature Primes are a premium line of full-frame cine lenses designed to complement the ARRI Large Format camera system. Known for their timeless, organic look and exceptional optical performance, these lenses provide smooth focus fall-off, natural skin tones, and beautiful bokeh. Built with precision engineering and advanced materials, they support the LPL mount and ARRI’s LDS-2 lens data system, making them a top choice for high-end cinema productions.
Key Features and Benefits:
Full-Frame Coverage: Designed for large-format cinematography with wide image circles.
Organic Aesthetic: Soft textures, gentle highlight roll-off, and smooth bokeh.
Lightweight Magnesium Housing: Durable yet lightweight construction.
LDS-2 Lens Data System: Enables real-time lens metadata for VFX and post-production.
Wide Focal Range: 12mm to 280mm with consistent T1.8 aperture (except longest focal lengths).
Magnetic Rear Filter Holder: Allows creative customization without optical compromise.
Precise Mechanics: Ideal for manual focus pulls and professional camera setups.
Cost $ 82,000 FOB
Joab Carlos
321-663-0551
joabcrls <joabcrls@yahoo.com>
———-
Newlifecine has one in 130,000 dollars
Justcinemagear has Arri Signature Prime 5 Lens set new $117,500.00Price
Zeiss Compact Prime EF 21mm
Zeiss Compact Prime EF 35mm
Zeiss Compact Prime EF 85mm
Key Features and Benefits:
Interchangeable Mount System: The lenses feature an interchangeable mount system, allowing you to switch between different camera mounts (like Canon EF, Nikon F, PL, Sony E, and MFT) to use them with various cameras. This makes them a flexible and future-proof investment.
Full-Frame Coverage: They cover a full-frame image format (24 x 36 mm), making them compatible with a wide range of modern cameras without vignetting.
Cine Look and Quality: Known for the signature “Zeiss look”, these lenses offer high contrast, rich blacks, and saturated colors. They have a 14-blade iris that creates a smooth, round bokeh, and an advanced coating to reduce glare and flares.
Consistent Design: The lenses have a consistent front diameter (95mm for CP.3 and 114mm for CP.2) and the same focus and iris gear positions. This consistency is a major benefit for filmmakers, as it allows for quick lens changes on rigs, gimbals, or drones without needing to adjust accessories like matte boxes or follow focus systems.
Enhanced Ergonomics: They are designed with a robust cine-style housing, a long 300° focus rotation for precise focus pulls, and smooth, temperature-stable mechanics. This makes them a durable and reliable choice for professional filmmaking.
eXtended Data (XD) Technology: The CP.3 XD series includes Zeiss eXtended Data technology, which provides real-time information about lens distortion and shading. This data can simplify and speed up post-production workflows, especially for visual effects (VFX) work.
Our cost 1,350 each: 4,050 confirmed via Whastapp on 8/13/2025
David Garcia
david@gandhiequipos.com
Mi teléfono / whatsapp
5491137678825
