Olympus OM 18mm
Olympus OM 21mm
Olympus OM 24mm
Olympus OM 28mm
Olympus OM 35mm
Olympus OM 40mm
Olympus OM 50mm
Olympus OM 55mm
Olympus OM 70mm
Olympus OM 85mm
Olympus OM 90mm
Olympus OM 100mm
Olympus OM 135mm
Olympus OM 180mm
+ Zoom 35-80mm

Owner words : About this OM Set:

They are all cinevised with 0.8 gears for focus and iris, 80mm OD fronts, 77mm threads, converted to EF mount and with caps that read in both feet and metres alongside the f/stop.

Note, the lenses have not been rehoused with a common 270 degree focus throw, for example, but cinevised and at their core retain the focus throw and mechanics native to the stills lens.

The set was lovingly put together over two years with many multiple copies of each focal length purchased and returned, for the absolute best condition and to eliminate modern green/ magenta flares wherever possible, opting for mostly amber or blue flares.

This is the best set of vintage EF mount lenses for video work I have ever seen for sale, anywhere online. With a staggering 14 primes, all mostly at f/2, the Olympus OM set is the most consistent and diverse stills lens set for video work ever made.

A set of compact full frame lenses like this are an incredible asset. The fact that the 18mm can cover full frame, with an 80mm OD front, where Zero Optik requires a 114mm front, is somewhat of a miracle.

This set includes the rare 70mm Pen-F, which fills the all-too common gap between 50mm and 85mm in stills lens sets. To add to that, my 70mm is one of the only 70mm Pen-F lenses in the world that has been successfully modded for EF mount.

The focus and iris gears and common fronts were modded by OM-Labor in Germany, who guarantees the work. The caps are from Simmod in the USA. The cases were beautifully made by Case Design here in the UK to my specifications.

Three things to note: 1. The original 40mm lens’ iris rotated the front of the lens, so to prevent any iris rotation with a matte box on, a tuneable gear is added to the 40mm iris, that can be locked down and/or have its tension adjusted. 2. To get the 70mm onto an EF mount, the trade off is that a) there are no reliable distance markings, unlike the other primes, and b) the iris rotates in the opposite direction to the other primes. 3. Because the 70mm was added later to the set after much R&D, the green colouration of the Simmod cap slightly differs to the other lenses.

NOTE: if you don´t need the 30-80mm zoom lens, you can have the rest of the package at GBP 30,800 FOB

Olympus OM´s Rehoused Zero Optik 18mm t3.8
Olympus OM´s Rehoused Zero Optik 21mm t2.3
Olympus OM´s Rehoused Zero Optik 28mm t2.2
Olympus OM´s Rehoused Zero Optik 40mm t2.2
Olympus OM´s Rehoused Zero Optik 50mm t1.3
Olympus OM´s Rehoused Zero Optik 70mm t2.2
Olympus OM´s Rehoused Zero Optik 90mm t2.1 Macro

The owner words : This lens rocks. Pairs really well with the super speeds and has a cool rainbow flare.  This is one of the only other Optex original lenses. I used this lens on both my Canon C70 and Arri 416. Happy to share that footage if you reach out. It’s a fantastic versatile wide angle with far superior contrast/rendering at T/2 than the Zeiss or Elite super speed 8mm.
The Optex 8mm features a rectilinear design with minimal barrel distortion compared to a fisheye wide angle lens. With a fast T2 aperture, a 15 inch close focus, along with integrated 0.8 focus & iris gears. I had the lens collimated in Michigan a few months ago and I’m happy to put you in touch with that lens tech as well.
Front and back caps are included. This lens was used so I can’t call it “mint” but it’s darn close. Very pretty, no scuffs, obviously no issues with the glass: no scratches, no fungus, no haze, no separation, there is micro dust but honestly it’s exceptionally little for a lens of this age. You really have to search to see any micro dust. It’s fantastic.

Includes 4 lenses (10mm,14mm,24mm,75mm)

The owner words: This lens was reviewed by a lens specialist who is certified by Arri, Zeiss, Cookie.

Pairs really well with the super speeds and has a cool rainbow flare. The Optex 5.5mm (not this exact lens) was used quite a bit on “Poor Things.” This is one of the only other Optex original lenses.

Ultra-wide angle: Capture expansive landscapes, interiors, and dynamic scenes with ease.
Fast T2 aperture: Achieve stunning low-light performance and shallow depth of field.
Minimal distortion: Enjoy a rectilinear design for clean, distortion-free images.
Compact and lightweight: Ideal for handheld shooting and documentary-style filmmaking.
Affordable: Offer excellent value for a high-quality wide-angle lens.

OPTICA ELITE SPHERICAL 14mm
OPTICA ELITE SPHERICAL 18mm
OPTICA ELITE SPHERICAL 24mm
OPTICA ELITE SPHERICAL 28mm
OPTICA ELITE SPHERICAL 35mm
OPTICA ELITE SPHERICAL 50mm
OPTICA ELITE SPHERICAL 75mm
OPTICA ELITE SPHERICAL 100mm
OPTICA ELITE SPHERICAL 135mm