Hawk C Series Anamorphic 35mm
Hawk C Series Anamorphic 50mm
Hawk C Series Anamorphic 75mm
Hawk C Series Anamorphic 100mm
Hawk V Lite Anamorphics 28mm
Hawk V Lite Anamorphics 35mm
Hawk V Lite Anamorphics 45mm
Hawk V Lite Anamorphics 55mm
Hawk V Lite Anamorphics 80mm
Hawk V Lite Anamorphics 110mm
HAWK V‑LITE ANAMORPHICS
These game-changing lenses deliver the stunning image quality and legendary reliability of Hawk anamorphic glass, all in a compact package that’s easy to handle and travel with. No more lugging around heavy lenses – the V-Lites are surprisingly small, even compared to standard prime lenses.
But don’t be fooled by their size – these little powerhouses pack a punch. Their exceptional optics, robust build, and intuitive design make them a favorite among filmmakers worldwide. With a versatile range of focal lengths to choose from, you can capture your vision with stunning clarity and that signature anamorphic aesthetic, no matter what project you’re tackling.
So ditch the bulky lenses and embrace the freedom and flexibility of the Hawk V-Lite 2x anamorphics. They’re the perfect choice for cinematographers who want to create professional-looking films without sacrificing portability or ease of use.
Hawk V Lite 28mm
Hawk V Lite 35mm
Hawk V Lite 45mm
Hawk V Lite 50mm
Hawk V Lite 80mm
Hawk V Lite 110mm
Hawk Vantage One4 22mm/T1.4
Hawk Vantage One4 27mm/T1.4
Hawk Vantage One4 35mm/T1.4
Hawk Vantage One4 50mm/T1.4
Hawk Vantage One4 65mm/T1.4
Hawk Vantage One4 80mm/T1.4
Hawk Vantage One4 105mm/T1.4
Kinoptik Paris Tegea 5.7 mm T/1.8
Optika-Elite 8 mm T/1.2
Optar Illumina PL 9.5 mm T/1.3
Optar Illumina PL 12 mm T/1.3
Optar Illumina PL 16 mm T/1.3
Optar Illumina PL 25 mm T/1.3
Optar Illumina PL 50 mm T/1.3
The Optar Illumina 8mm T1.3 prime lens covers the full Super-16 aperture with room to spare. The Optar Illumina Primes are often referred to as Russia’s answer to Zeiss Super Speeds. They are very similar to Zeiss Super Speeds in regards to speed, wide open performance, size, weight, and mechanical design. There are some differences though. These lenses have a unique iris design that produces petal shaped bokeh when stopped down. Their more modern coatings give flares a more modern flavor with more greens and magentas. The Optar Illumina lenses offer one of the most modern optical designs available for Super-16mm cinematography. At one point in time, regarded to be a modern alternative to Zeiss Super Speeds these are fast lenses that can work well in available light. They were the first set of lenses specifically designed for the Super-16 format. Lens has large, clearly marked focus markings, that can be read from either side of the lens. Excellent lens with nice color contrast and nice vintage warmth. They have a slightly warmer and softer contrast look than Zeiss glass, similar to the difference between Cooke and Zeiss. These lenses have excellent color and contrast, and are very resistant to glare. – hdgear.tv
Add to the cauldron a Kinoptik Paris Tegea 5.7 mm T/1.8 and a Optika-Elite 8 mm T/1.2, and you have everything covered from 5.7 mm to 50 mm.
Illunmina Optar 9.5mm
Illunmina Optar 12mm
Illunmina Optar 16mm
Illunmina Optar 25mm
Key Features and Benefits
Fast T1.3 Aperture: Great for low-light shooting and shallow depth of field.
Super Speed Lens: Enables capturing sharp images in low-light conditions.
S16 Format Compatibility: Works with smaller 16mm film cameras.
High Image Quality: Known for excellent color rendition, contrast, and resistance to flare.
Illumina MK2 lenses video footage:
https://www.youtube.com/watch?v=vwvymINJIAo
https://vimeo.com/90732939
https://vimeo.com/64987679
Isco Spherical 43mm T2.4
Isco Spherical 58mm T2.4
Isco Spherical 85mm T2.4
Anamorphic Adapter
Key Info
Key features:
Three focal length spherical cine prime lenses
1.5x anamorphic adapter (upgrade of ISCORAMA 54)
Full frame coverage (spherical and anamorphic)
T2.4 maximum aperture
Stepless horizon adjustment
Benefits:
Capture both spherical and anamorphic footage with one lens set
Achieve the classic anamorphic look with a 1.5x squeeze factor
High-quality optics with consistent performance across focal lengths
Kinoptik Un rehoused Standard Pristine 18mm f/1.8 T2.2
Kinoptik Un rehoused Standard Pristine 28mm f/1.8 T2.2
Kinoptik Un rehoused Standard Pristine 40mm f/2 T2.4
Kinoptik Un rehoused Standard Pristine 50mm f/2 T2.5
Kinoptik Un rehoused Standard Pristine 75mm f/2 T2.5
Kinoptik Un rehoused Standard Pristine 100mm f/2 T2.5
