Deposits paid on TLS and WhitePoint rehousing (minus 15% of the rehousing price + top of queue)
The LOMO Anamorphic Set of 4 (35mm, 50mm, 80mm, 135mm) consists of legendary Soviet-era lenses revered for their distinct “vintage” character. These lenses are famous for producing the classic anamorphic look, featuring horizontal blue flares, unique oval bokeh, and a gentle fall-off in sharpness toward the edges of the frame. Because these are vintage lenses, they are typically found in two mechanical styles: the earlier “Square Front” models, which are more compact but have rotating fronts, and the later, more sought-after “Round Front” (NAS) models, which offer more stable mechanics and improved ergonomics for modern follow-focus systems.
Key Features:
Classic Anamorphic Aesthetic: Delivers iconic oval bokeh and organic horizontal flares that modern lenses often lack.
Vintage Optical Character: Offers a lower-contrast, “dreamy” look with unique personality and character-driven imperfections.
Super 35mm Coverage: Designed to cover the Super 35mm film format, making them compatible with most modern digital cinema sensors.
Fast Apertures: Typically ranges from T2.4 to T3, allowing for decent low-light performance and shallow depth of field.
Robust Mechanical Builds: While vintage, the “Round Front” versions are often rehoused or serviced to meet modern professional standards.
Standardized Front Diameters: Often modified by rental houses to include 114mm front rings for compatibility with standard matte boxes.
Cost: GBP £40,000
Sales Price: GBP £45,000 FOB
Craig Lees
cogartlit@yahoo.co.uk
+44(0)7891595912
United Kingdom
(J)
The Cooke Panchro/i Classic set (32mm, 40mm, 50mm, 100mm, 135mm, 152mm) is a modern redesign of the legendary vintage Speed Panchro optics. These lenses are engineered to provide the beloved “Cooke Look”—characterized by warm, natural skin tones and a gentle focus fall-off—while meeting the mechanical demands of contemporary digital cinematography. Unlike vintage sets that require rehousing, the Panchro/i Classics come with standardized 0.8 MOD gears, a robust PL mount, and integrated Cooke /i Technology, which captures vital lens metadata (like iris and focus position) frame-by-frame for use in post-production and VFX.
Key Features:
The Iconic “Cooke Look”: Retains the organic, soulful rendering of the original 1920s-1950s Speed Panchros with modern contrast and resolution.
Integrated /i Technology: Provides a digital interface for capturing real-time lens metadata, essential for complex visual effects and efficient editing.
Matched Color and Character: Every lens in this 6-piece set is precision-matched to ensure seamless intercutting between different focal lengths.
Modern Mechanical Design: Features standardized focus and iris gear positions across the set for rapid lens changes with wireless F/I/Z systems.
Super 35mm Coverage: Optimized for Super 35 digital sensors, offering a classic field of view that has defined cinema for decades.
Fast Apertures: Most lenses in the set offer a T2.2 to T2.8 aperture, providing excellent shallow depth-of-field control and low-light performance.
Cost: EUR 30.000
Sell Price: EUR 34.000 FOB
Wacław Mączyński
2K4K film rental
mail: waclaw@2k4k.pl
+48 789 076 844
Poland
March 17th 2026
(J)
INCLUDES:
Alexa Mini:
SN#: 25408
Hours: 3888:54
Speed Panchro Set of 5 focals:
Cooke Panchro/i 18mm T2.2
Cooke Panchro/i 25mm T2.2
Cooke Panchro/i 35mm T2.2
Cooke Panchro/i 50mm T2.2
Cooke Panchro/i 75mm T2.2
This ARRI ALEXA Mini and Cooke Speed Panchro Set of 5 bundle is a quintessential “character” kit, pairing one of the industry’s most versatile camera bodies with legendary vintage glass. The ALEXA Mini is renowned for its natural skin tones and high dynamic range, making it the benchmark for narrative and commercial production. When paired with the Cooke Speed Panchros, which have professional rehousings by Panchro/i and Les Bosher, you get the soul of 1950s cinema with the mechanical reliability required for modern sets. This 5-lens set (18mm to 75mm) offers a consistent T2.2 aperture and the famous “Cooke Look”—a warm, organic rendering with a gentle fall-off that beautifully complements the ARRI sensor’s color science.
Camera & Lens Package Key Features:
ARRI ALEXA Mini: A compact 35mm format digital camera featuring the ALEV III CMOS sensor, providing 14+ stops of dynamic range and recording up to 200fps in ProRes.
Panchro/i and Les Bosher Rehousings: Each lens in this set has been mechanically modernized with PL mounts, standardized 0.8 pitch gears, and improved focus scales while preserving the original vintage optics.
The “Cooke Look”: The lenses provide a warm, classic aesthetic with smooth bokeh and a unique flare character that adds a “dreamy” quality to digital footage.
Consistent T2.2 Aperture: Ensures uniform exposure and depth-of-field control across all five focal lengths (18, 25, 35, 50, and 75mm).
Super 35mm Coverage: Optimized for the Super 35 sensor of the ALEXA Mini, offering a field of view that has defined cinema for decades.
Production-Ready Mechanics: Modernized housings allow for easy use with wireless F/I/Z systems and standard 110mm matte boxes.
Cost: GBP £35,000
Sell Price: £GBP 39,500 FOB
Craig Lees
cogartlit@yahoo.co.uk
+44 7891595912
United Kingdom
March 17th 2026
Listing for Standalone Alexa Mini:
PENDING (03-17-26)
Listing for Standalone Cooke Panchro Set of 5:
(J)
The ARRI Master Prime series, a collaboration between ARRI and ZEISS, is widely considered the gold standard in modern cinematography. This specific 7-lens set—comprising 16, 25, 32, 50, 75, 100, and 135mm—delivers an “uncompromised” image characterized by extreme sharpness, high contrast, and a total lack of optical artifacts. These lenses are designed to perform flawlessly even at their maximum aperture, making them the preferred choice for high-end features and visual effects-heavy productions.
Key Features:
Ultra-Fast T1.3 Aperture: Delivers a consistent, bright stop across the entire set for superior low-light performance and shallow depth of field.
Zero Lens Breathing: Patented Dual Floating Elements™ ensure the image size does not shift when pulling focus.
Optically Clean: Engineered to exceed 8K resolution with virtually no geometric distortion or chromatic aberration.
Advanced T XP Coating:* Provides exceptional flare resistance and deep blacks, even in high-glare environments.
LDS Integration: Built-in Lens Data System transmits real-time metadata (focus/iris) to the camera for VFX and post-production efficiency.
Mechanical Uniformity: Standardized 114mm front diameters and gear positions allow for lightning-fast lens swaps on set.
cost: 60 000 EUR / 70 000 USD
Wacław Mączyński
waclaw@2k4k.pl
+48 789 076 844
3-17-2026
Includes:
Cooke Panchro/i 18mm T2.2
Cooke Panchro/i 25mm T2.2
Cooke Panchro/i 35mm* T2.2
Cooke Panchro/i 50mm T2.2
Cooke Panchro/i 75mm T2.2
The Cooke Panchro/i Classic series is a modern reimagining of the legendary Speed Panchro lenses from the 1920s. This set—comprising the 18mm, 25mm, 35mm, 50mm, and 75mm focal lengths—retains the beloved “Cooke Look” (warmth, gentle contrast, and painterly fall-off) while integrating contemporary mechanics and metadata technology. Designed for high-end digital cinematography, these lenses offer a vintage aesthetic paired with the reliability, color matching, and full-frame coverage required for today’s PL-mount cameras.
Key Features:
The Cooke Look®: Delivers a classic vintage aesthetic with natural skin tones and a smooth, three-dimensional depth transition that is highly flattering for portraits.
/i Technology: Built-in metadata capture for focal length, iris, and focus distance streamlines VFX and post-production workflows.
Consistent T2.2 Speed: Most lenses in the set maintain a fast T2.2 aperture, ensuring consistent exposure and depth of field across the entire focal range.
Modern Reliability: Features a scratch-resistant PTFE finish and Academy Award® winning cam-style focus movement for smooth, backlash-free operation.
Standardized Mechanics: 110mm front diameters and consistent 0.8 MOD geared rings allow for rapid lens changes without re-adjusting follow focus or matte box setups.
Full-Frame Coverage: Specifically engineered to cover large-format sensors (up to a 46.3mm image circle) while maintaining vintage character at the edges.
Compact Form Factor: The lightweight and balanced design makes this set ideal for handheld, gimbal, and Steadicam work.
Universal Color Matching: Precisely color-balanced to match other Cooke series (like the S7/i or S4/i) for seamless multi-camera integration.
Cost: GBP 22,500
Sales Price: GBP 25,500 FOB
(t)
Craig Lee
cogartlit@yahoo.co.uk
+44 7891595912
3-16-2026
The ZEISS Ultra Prime set of six lenses (16mm, 24mm, 32mm, 50mm, 85mm, and 135mm) is widely regarded as the workhorse of the professional motion picture industry, offering a perfect balance of clinical precision and cinematic character. Developed in collaboration with ARRI, these Super 35mm primes are celebrated for their exceptional sharpness, high contrast, and virtually non-existent distortion, making them a reliable choice for everything from high-budget features to detailed commercial work. Covering a versatile range from the expansive 16mm wide-angle to the compressed 135mm telephoto, this set maintains a consistent T1.9 aperture across nearly the entire range, ensuring uniform exposure and depth-of-field control throughout your production.
Key Features:
Exceptional Optical Performance: Delivers razor-sharp imagery with high contrast and impressive color saturation across the frame.
Fast T1.9 Aperture: Provides excellent low-light capability and shallow depth-of-field control (T2.4 for the 135mm).
Robust, Lightweight Design: Engineered with a compact form factor that is ideal for handheld operation, gimbals, and Steadicam work.
Consistent Color Matching: Every lens in the set is meticulously calibrated to ensure a uniform look and seamless intercutting.
Minimal Focus Breathing: Designed to keep framing stable during significant focus pulls for a more professional aesthetic.
Standardized Gear Positions: Uniform focus and iris gear placement allows for rapid lens swaps without adjusting accessories.
Wide Focal Range: A curated selection from 16mm to 135mm that covers every essential narrative perspective.
Cost: USD$35.000
Sell Price: USD $38,500 FOB
Gonzalo Rodriguez Bubis
Morocha Films
rodriguezbubisgonzalo@gmail.com
+5491150628189
Buenos Aires, Argentina
(J)
Includes:
Carl Zeiss Jena 20mm Flektogon f/2.8
Carl Zeiss Jena 35mm Flektogon f/2.4
Carl Zeiss Jena 40mm Tessar f/2.8
Carl Zeiss Jena 80mm Biometar f/2.8
Carl Zeiss Jena 135mm Sonnar f/3.5
1x Shipping Case
The Carl Zeiss Jena set is a legendary collection of East German vintage lenses renowned for their “organic” image quality and exceptional character. Originally designed for M42 and Exakta mounts, these lenses have become a staple for filmmakers and photographers looking to achieve a classic cinematic look that modern, ultra-sharp lenses often lack.
Key Features:
Organic Rendering: Produces a “gentle” sharpness that is flattering for skin tones, reducing the clinical look of digital sensors.
Close Focus Capability: The Flektogon series (20mm and 35mm) allows for unique close-up shots that few vintage lenses can match.
Distinctive Bokeh: From the smooth “Biometar” fall-off to the “Sonnar” highlights, the background blur is artistic and textured.
Full-Frame Coverage: All lenses in this set easily cover modern full-frame and even some larger-format digital sensors.
Durable Build: All-metal construction designed to last for decades, often featuring the iconic “Zebra” stripe aesthetic.
Suggested sales by AI: $3,500
cost: TBD
(t)
The System
systemus10@gmail.com
3-16-2026
The Zeiss Super Speed S16 MKII Set of 5 is a legendary collection of fast Super 16mm cinema primes representing the second and highly refined iteration of Zeiss’s iconic Super Speed lineage, delivering the exceptional T1.3 maximum aperture, outstanding optical sharpness, and consistent color matching that have made the Super Speed series one of the most trusted and celebrated lens sets in professional S16 filmmaking history. This complete five-lens set — covering focal lengths of 9.5mm, 12mm, 16mm, 25mm, and 50mm — provides cinematographers with a comprehensive range from ultra-wide through short telephoto, purpose-built for Super 16mm cameras and offering the refined optical performance and low-light capability that the MKII generation brought to the Super Speed series. Compact, lightweight, and built to ARRI PL mount standards, these lenses remain a definitive choice for documentary, independent film, and television productions demanding the classic Zeiss optical character, reliable performance, and the distinctive cinematic rendering of true Super 16mm glass.
Key Features:
Each lens in the set features a fast T1.3 maximum aperture, making them exceptionally well-suited for handheld and available-light shooting across the most demanding low-light production environments.
The MKII designation reflects a refined second-generation iteration of the Super Speed lineage, featuring improved optical coatings, enhanced contrast rendition, and reduced focus breathing compared to the original MKII predecessors.
The five focal lengths — 9.5mm, 12mm, 16mm, 25mm, and 50mm — provide a comprehensive range covering ultra-wide through short telephoto perspectives, purpose-built for Super 16mm format acquisition.
All five lenses share consistent color rendition, contrast, and optical character, ensuring seamless interchangeability and a unified cinematic look throughout an entire production.
Built with a robust metal barrel construction and PL mount compatibility, these lenses integrate reliably with a wide range of professional S16 cinema camera bodies including the ARRI SR3 and ARRI 416.
Minimal focus breathing and smooth, well-damped focus and aperture rings make them highly practical for focus pullers working in fast-paced, run-and-gun, and documentary production environments.
The compact and lightweight form factor of the MKII set makes these lenses ideally suited for handheld, Steadicam, and gimbal configurations where size and weight are critical operational considerations.
Update March 27th 2026:
Listing name updated to reflect lens S16 status and edition (Mk.1, 2 or 3)
Updated item descriptions, SEO info.
(J)
cost: $16,000
(t)
+886 928-057-3583
3-12-2026
Includes:
Arri Signature Prime 18mm T1.8
Arri Signature Prime 25mm T1.8
Arri Signature Prime 35mm T1.8
Arri Signature Prime 47mm T1.8
Arri Signature Prime 75mm T1.8
Arri Signature Prime 125mm T1.8
2x 3pcs Case
The ARRI Signature Prime represents a milestone in large-format cinematography. Designed to move beyond the clinical sharpness of modern digital lenses, this set delivers a “timeless” aesthetic characterized by organic textures and natural skin tones. Built with lightweight magnesium barrels and the high-speed LPL mount, these lenses provide a future-proof solution for high-resolution sensors while maintaining a delicate, film-like character.
Key Features:
Timeless Visual Aesthetic: Combines exceptional resolving power with warm skin tones, open shadows, and creamy bokeh for an emotionally engaging, film-like look.
Constant T1.8 Aperture: Every lens in the set shares a fast T1.8 stop, ensuring consistent exposure and shallow depth-of-field control throughout production.
Advanced LPL Mount: Optimized for large-format sensors (up to 46mm), providing superior contrast and minimal light fall-off compared to traditional mounts.
Lightweight Magnesium Housing: Machined from high-strength magnesium to be roughly 2 lb lighter than previous cinema standards, making them ideal for gimbal, handheld, and drone work.
LDS-2 Metadata System: Features high-speed absolute encoders that provide instant, precise lens data for on-set monitoring and post-production VFX.
Customizable Character: Includes a magnetic rear filter holder and compatibility with Impression V Filters, allowing you to tune the bokeh and flare characteristics without tools.
Optical Stability: A near-telecentric design ensures virtually no focus breathing and zero distortion, keeping the frame stable during complex focus pulls.
Update April 8th 2026:
Seller Hans asked to lower Cost as follows:
Cost updated from USD $85,000 to USD $70,000.
Sell Price updated from USD $90,000 FOB to USD $78,500 FOB.
(J)
cost: USD 85,000
(t)
Hans/ Lab Equipment
hlab.equipment@gmail.com
3-12-2026
The ZEISS Super Speed MK II (18mm, 25mm, 35mm, 50mm, 85mm) is a legendary set of high-speed cinema primes that has defined the aesthetic of professional cinematography for decades. Renowned for their incredible T1.3 aperture, these lenses offer peerless low-light performance and a shallow depth-of-field that produces a creamy, organic bokeh and a distinctively “filmic” texture. This second-generation set features significant mechanical improvements over the original B-Speeds, including integrated gears on both the focus and iris rings and more legible focus scales. Designed for Super 35mm sensors, the MK II series delivers a classic combination of high contrast and sharp resolution while maintaining the soulful, vintage flares and gentle focus fall-off that modern digital sensors often require to achieve a truly cinematic look.
Key Features:
Ultra-Fast T1.3 Aperture: Provides exceptional low-light capability and extreme control over depth-of-field across the entire set.
Legendary ZEISS T Coating:* Minimizes internal reflections and ghosting while producing iconic blue and magenta flares.
Compact and Lightweight Design: Ideal for handheld operating, Steadicam rigs, and modern brushless gimbals.
Consistent 80mm Front Diameters: Standardized fronts allow for rapid lens swaps without the need to adjust matte boxes or accessories.
Advanced Mechanical Housing: Features industry-standard 0.8 MOD gears and expanded focus scales for precise, repeatable pulls.
Organic Image Character: Delivers a flattering, vintage aesthetic with natural skin tones that intercuts perfectly with ZEISS Standard Speeds.
Super 35 Coverage: Optimized for S35 sensors, providing full coverage for cameras like the ARRI ALEXA Mini and RED KOMODO.
Cost: USD $44,000
Sell Price: USD $50,000 FOB
David Impelluso
onemovieonefilm@gmail.com
+1 305-984-0903
Florida, USA
March 10th 2026
(J)
