Key Features:
Classic Canon lens (1960s/70s) – once the world’s fastest production lens
Rehoused for modern cinematography use by Whitepoint Optics
Ultra-fast f/0.95 aperture for low-light shooting and shallow depth of field
Renowned for its “dreamy” image quality
Benefits:
Capture stunning low-light footage
Achieve unique bokeh effects
Own a piece of photographic history
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Arri Signature Prime Cine 18mm T1.8, LPL-Mount
Arri Signature Prime Cine 25mm T1.8, LPL-Mount
Arri Signature Prime Cine 35mm T1.8, LPL-Mount
Arri Signature Prime Cine 47mm T1.8, LPL-Mount
Arri Signature Prime Cine 75mm T1.8, LPL-Mount
Arri Signature Prime Cine 125mm T1.8, LPL-Mount
Unique Look: Warm skin tones, crisp blacks, and a smooth, dreamlike bokeh
Fast Aperture: T1.8 allows for shallow depth of field and low-light shooting
Lightweight: Machined magnesium barrels make them easy to carry
Minimal Distortion: Sharp edges and clean focus throughout the frame
Large Format Compatibility: Designed for use with large format cameras
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Zeiss Master Prime 18mm
Zeiss Master Prime 25mm
Zeiss Master Prime 35mm
Zeiss Master Prime 50mm
Zeiss Master Prime 75mm
High-speed performance: T1.3 aperture across all focal lengths allows for excellent low-light shooting and beautiful shallow depth of field.
Exceptional image quality: Delivers superior resolution, contrast, and virtually no distortion for stunning visuals.
Minimal focus shift: “Breathing” is negligible, ensuring consistent framing during focus pulls.
Reduced flare: Zeiss T*XP coating minimizes unwanted flares and ghosting.
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Selective focus control: Allows for keeping specific parts of an image sharp while blurring others, creating a miniature effect.
Correcting converging verticals: Useful in architectural photography to maintain straight lines on tall buildings.
Expanding depth of field: Can be helpful in macro photography to keep a larger subject area in focus.
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T2.1 Aperture: Bright enough for low-light shooting and offers pleasing bokeh.
Planar Design: Renowned for exceptional sharpness, high contrast, and good field flatness.
Vintage Look: Produces a distinct aesthetic sought after by some videographers.
Compact & Lightweight: Easy to handle and well-suited for handheld shooting.
NOTE : This lens is damaged and can be used for parts.
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Cooke S4 14mm-2
Cooke S4 18mm-2
Cooke S4i 25mm (LDS)
Cooke S4 40mm-2
Cooke S4i 50mm
Cooke S4 100mm-2
Cooke S4/i 135mm
Cooke S4/i 150mm
Legendary Cooke Look: Renowned for its warm tones, smooth focus roll-off, and pleasing image rendering [Cooke Look].
Consistent Performance: Both S4 and S4i lenses share color matching, ensuring seamless integration within your shot [Cooke S4, Cooke S4i].
High-Speed & Sharpness: Fast maximum apertures (T2.0 for S4i, T2.8 for Mini S4i) deliver beautiful shallow depth-of-field and excellent low-light performance.
Superb Build Quality: Renowned Cooke craftsmanship ensures rugged reliability and smooth mechanical operation.
Optional /i Technology: S4i lenses offer /i Technology for automatic lens data recording on compatible cameras.
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Cooke Panchro i Classic S35 18mm – 2.2
Cooke Panchro i Classic S35 25mm – 2.2
Cooke Panchro i Classic S35 32mm – 2.2
Cooke Panchro i Classic S35 40mm – 2.2
Cooke Panchro i Classic S35 50mm – 2.2
Cooke Panchro i Classic S35 75mm – 2.2
Cooke Panchro i Classic S35 100mm – 2.6
Includes: One case for 6 lenses and the 100mm new in its own box.
Vintage aesthetic: Offers the classic “Speed Panchro” look of the 1920s with a smooth, pleasing bokeh.
Modern performance: Delivers excellent control of flare, distortion, and spherical aberration even at wide apertures.
Color consistency: Color balanced and matched to other Cooke S8/i FF and S7/i FF lenses for seamless integration.
Built to last: Features a durable, hard-wearing scratch-resistant finish.
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Arri Ultra Prime 16mm
Arri Ultra Prime 20mm
Arri Ultra Prime 28mm
Arri Ultra Prime 32mm
Arri Ultra Prime 40mm
Arri Ultra Prime 50mm
Arri Ultra Prime 65mm
Arri Ultra Prime 85mm
Arri Ultra Prime 100mm
Arri Ultra Prime 135mm
Arri Ultra Prime 180mm
Widest focal range: Offers a vast selection of focal lengths from the Ultra Prime 8R extreme wide angle to the Ultra Prime 180mm telephoto, ensuring flexibility for any shot.
Standard speed: Delivers a T1.9 maximum aperture, balancing low-light performance with manageable depth of field control.
Lightweight: Enhances camera maneuverability and reduces rig weight for Steadicam or handheld setups.
Optically matched to Master Primes: Creates a consistent look when used alongside ARRI’s high-speed Master Prime lenses.
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152mm focal length
T3 maximum aperture
Warm, low-contrast image
Unique flare characteristics
Rehoused for modern camera compatibility (P+S likely refers to the rehousing company)
Benefits:
Classic, vintage aesthetic for video and film
Soft and pleasing bokeh
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Zeiss CP.3 15mm/T2.9
Zeiss CP.3 18mm/T2.9
Zeiss CP.3 21mm/T2.9
Zeiss CP.3 25mm/T2.9
Zeiss CP.3 28mm/T2.9
Zeiss CP.3 35mm/T2.9
Zeiss CP.3 50mm/T2.9
Zeiss CP.3 85mm/T2.9
Zeiss CP.3 100mm/T2.9
Zeiss CP.3 135mm/T2.9
High image quality: Zeiss glass elements deliver sharp, true-to-life images with minimized distortion and flaring.
Compact and lightweight: Designed for easy handling and use on gimbals or drones.
Full-frame coverage: Compatible with a wide range of full-frame cameras.
Interchangeable mount system: Adapts to various camera systems for filming flexibility.
Proven Zeiss quality: Offers the trusted clean and crisp look Zeiss lenses are known for.
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