Includes:
LOMO Standard Speed 18mm T3.1 — OKC5-18-1 — s/n 870037 (1987)
LOMO Standard Speed 22mm T2.3 — OKC3-22-1 — s/n not visible
LOMO Standard Speed 28mm T2.2 — OKC7-28-1 — s/n 830264 (1983)
LOMO Standard Speed 35mm T2.3 — OKC11-35-1 — s/n 810084 (1981)
LOMO Standard Speed 50mm T2.0 — OKC1-50-6 — s/n 790098 (1979) — clear Cyrillic markings
LOMO Standard Speed 75mm T2.2 — OKC6-75-1 — s/n 890176 (1989)
– Lenses have PL mount conversion (custom adapter, secure lock)
– 0.8 mod follow focus gears on all 6 lenses
– Unified front diameter via Kood adapter rings (matte box compatible)
– Original Peli 1500 hard case with custom-cut foam
This used set of six LOMO Standard Speed prime lenses delivers classic Soviet-era cinematic character with robust rehoused functionality for modern productions. The package includes 18mm T3.1, 22mm T2.3, 28mm T2.2, 35mm T2.3, 50mm T2.0, and 75mm T2.2 focal lengths, each featuring PL mount conversion with secure custom adapters for compatibility with contemporary cinema cameras. All lenses include 0.8 mod focus gears for seamless wireless or manual follow focus integration, plus unified front diameters using Kood adapter rings for efficient matte box workflows. Housed in an original Peli 1500 hard case with custom-cut foam, this versatile vintage lens set is ideal for narrative filmmaking, commercials, music videos, and productions seeking organic contrast, distinctive flare characteristics, and cinematic texture.
Key Features
Vintage LOMO optics deliver cinematic character with organic contrast and smooth rendering.
PL mount conversions ensure compatibility with modern professional cinema camera systems.
Unified front diameters simplify matte box setups and accessory compatibility workflows.
Integrated 0.8 mod gears support precise follow focus operation during productions.
Original Peli hard case securely protects lenses during transport and storage.
Cost: TBD (asked for pricing)
Sell price: research JCG, NLC
May 21, 2026
(M)
Stephane Marino
steph.marino@gmail.com
Nice, France
owner is TBC on lens housing so we can research pricing.
Includes:
1x ARRI/Zeiss Master Prime 16mm / T1.3 NEW
1x ARRI/Zeiss Master Prime 21mm / T1.3
1x ARRI/Zeiss Master Prime 27mm / T1.3
1x ARRI/Zeiss Master Prime 32mm / T1.3 NEW
1x ARRI/Zeiss Master Prime 40mm / T1.3
1x ARRI/Zeiss Master Prime 50mm / T1.3
1x ARRI/Zeiss Master Prime 75mm / T1.3
1x ARRI/Zeiss Master Prime 100mm / T1.3
1x ARRI/Zeiss Master Prime 150mm / T1.3 NEW
2x Eisele Case for 4x Master Prime (0000921)
1x Eisele Case for Master Prime 150mm T1.3
This premium 9-lens set of ARRI/Zeiss Master Primes represents the pinnacle of modern digital and film cinematography. Covering focal lengths from 16mm to 150mm, this cohesive set features a uniform, ultra-fast aperture of T1.3 across the entire range, delivering unparalleled low-light performance and precise depth of field control. Engineered with advanced optical technologies, Master Primes eliminate breathing and distortion while maintaining exceptional contrast, resolution, and color matching. This high-value package includes a mix of pristine and factory-new lenses, safely housed in premium Eisele flight cases.
Key Features:
Uniform T1.3 Maximum Aperture: Enables extraordinary low-light shooting and absolute consistency across focal lengths without requiring lighting adjustments during lens changes.
Zero Lens Breathing: Incorporates Dual Floating Elements mechanism to ensure that the image scale remains completely stable when shifting focus.
No Optical Distortion: Delivers straight, mathematically correct lines even at the widest focal lengths (16mm and 21mm).
Built-in LDS (Lens Data System): Electronically transmits precise lens settings, iris position, and focus distance to the camera for streamlined VFX workflows and focus pulling.
Advanced Anti-Reflex Coating: Uses specialized Carl Zeiss T* XP coating to minimize internal reflections, maximize contrast, and efficiently control flares.
Consistent Form Factor: Standardized focus and iris gear positions allow swift lens swaps without relocating follow focus motors or matte boxes.
Cost: € 89.000,00 excl. VAT
(t)
Matthias Blum
m.plum@avpro.at
+436649682790
VAT-ID: ATU15062704
Vienna, Austria
5-20-2016
Includes:
Serial No 0924
Cooke S4/i 180mm T2.0
Original Caps
Flight Case
The Cooke S4/i 180mm T2.0 is a premium, high-performance telephoto prime cinema lens designed for professional filmmaking. Engineered for Super35/APS-C format sensors, it delivers the globally acclaimed “Cooke Look”—characterized by sharp yet organic images, smooth contrast, and warm, pleasing skin tones. It incorporates advanced mechanical designs and metadata technology, making it a staple for narrative feature films, television dramas, and high-end commercial productions.
Key Features:
Fast T2.0 Maximum Aperture: Enables exceptional performance in low-light environments and delivers a highly controllable, shallow depth of field for dramatic subject separation.
Integrated/i Technology: Built-in electronic contacts continuously stream real-time lens metadata (such as exact focus distance, aperture value, and depth of field) directly to compatible cameras and accessories. This is critical for post-production workflow accuracy and modern VFX/virtual production.
Advanced Optical Engineering: Specifically designed to suppress flare, distortion, veiling glare, and spherical aberrations, ensuring image clarity even when shooting completely wide open.
Award-Winning Cam-Style Focus Mechanism: Features a large-diameter lens barrel providing a generous 320^ of smooth, backlash-free manual focus rotation. This allows focus pullers a dense layout of precise markings, especially at close distances.
Color-Matched Across the Series: Meticulously calibrated to perfectly match the color balance of all modern Cooke cinema lenses, ensuring seamless consistency across multi-camera setups or focal length changes.
Robust Cinema Architecture: Built with standard 0.8 MOD focus and iris gears alongside a scratch-resistant, hard-anodized PTFE finish to withstand rigorous on-set environmental demands.
cost: tbd
Price: 9,000 to 10k per research
(t)
Jordan Harmon
Syracuse Camera
jordan@syracusecamera.com
+13152544962
United States/Syracuse
5-20-2026
Includes:
Carl Zeiss Distagon Arriflex Standard 16mm T2.2
Carl Zeiss Distagon Arriflex Standard 24mm T2.2
Carl Zeiss Planar Arriflex Standard 32mm T2.2
Carl Zeiss Planar Arriflex Standard 50mm T2.2
Carl Zeiss Sonnar Arriflex Standard 135mm T4
Duclos Adapter Arriflex Standard to PL Mount
Pelican Case 1500
The Zeiss Arriflex Standard S35 Lens Set of 5 includes 16mm, 24mm, 32mm, 50mm, and 135mm prime lenses engineered for Super 35 film and digital cinema applications. Renowned for classic Zeiss optical rendering, these lenses deliver sharp imagery, smooth focus falloff, accurate color reproduction, and cinematic contrast across multiple focal lengths. Built with durable all-metal housings and professional cine mechanics, the set offers reliable focus and aperture control for demanding productions. This package provides versatile wide, standard, portrait, and telephoto coverage suitable for narrative filmmaking, commercials, music videos, and vintage-inspired cinematography. Compact yet production-ready, the lenses integrate seamlessly with Arriflex-compatible cinema camera systems and professional support accessories.
Key Features
Delivers classic Zeiss cinematic rendering with smooth contrast and exceptional sharpness.
Includes versatile focal lengths covering wide, standard, portrait, and telephoto cinematic applications.
Features durable all-metal housings designed for professional filmmaking production environments.
Provides consistent color reproduction across every included prime lens focal length.
Compatible with Arriflex cinema camera systems and professional production accessories seamlessly.
Cost: USD $12,000
Sell Price: USD $13,500 FOB
May 13, 2026
(M)
Javier Borrayo
javier@piafp.com
Includes:
Ultra Prime T2.0 LDS 12mm S/n: 1028
Ultra Prime T1.9 LDS 20mm S/n: 1088
Ultra Prime T1.9 LDS 24mm S/n: 1089
Ultra Prime T1.9 LDS 32mm S/n: 1087
Ultra Prime T1.9 LDS 40mm S/n: 1085
Ultra Prime T1.9 LDS 65mm S/n: 1040
Ultra Prime T1.9 LDS 85mm S/n: 1091
Ultra Prime T1.9 LDS 135mm S/n: 1086
Ultra Prime T1.9 LDS 180mm S/n: 1027
4x Fitting Cases
The Zeiss Ultra Prime LDS set is a pinnacle of cinematic optics, engineered through the legendary collaboration between ARRI and Zeiss. This comprehensive 9-lens kit—ranging from the ultra-wide 12mm to the telephoto 180mm—is renowned for its technical “perfection,” offering high contrast and exceptional sharpness across the entire frame. The integration of the Lens Data System (LDS) allows for real-time communication of lens settings to the camera, streamlining post-production and VFX workflows.
Key Features:
Lens Data System (LDS): Automatically transmits iris and focus metadata to the camera, significantly reducing the time required for lens mapping in visual effects.
Optically Matched: The entire set is color-matched and shares consistent contrast characteristics, ensuring seamless intercutting between different focal lengths.
Fast Aperture: Most lenses in the set, including the wide angles, feature a fast T1.9 maximum aperture, allowing for shallow depth of field and superior performance in low-light environments.
Robust Mechanics: Designed for professional use, these lenses feature rugged construction and standardized gear positions for quick lens changes on set.
Superior Image Control: Engineered to minimize distortion and chromatic aberration even at wide-open apertures.
cost: 50 000 USD
(t)
Yura Shafer
shafer.yuri@gmail.com
5-12-2026
Includes:
Serial No# 7440128
Zeiss Super Speed 85mm T1.3 MKIII
The Zeiss Super Speed 85mm MKIII (Planar) is a legendary high-speed cinema prime lens that has been an industry workhorse since its release in the mid-1990s. Renowned for its fast T1.3 aperture, it allows for exceptional low-light performance and a razor-thin depth of field. The MKIII is the final evolution of the Super Speed series, featuring refined housing and improved mechanics over the earlier MKII, while retaining the iconic vintage “Zeiss Look” characterized by beautiful skin tones and a unique flare.
Key Features:
Fast T1.3 Aperture: Perfect for low-light environments and creating dramatic, cinematic bokeh with shallow depth of field.
Refined Housing: Features a geared iris ring and larger, more legible focus marks compared to previous generations.
Dual Focus Scales: Engraved marks on both sides of the lens allow a camera assistant to pull focus from either side of the camera without flipping the lens.
Extended Focus Rotation: A 270° focus throw allows for incredibly precise and smooth focus pulls.
Compact & Lightweight: Small form factor (approx. 2.9 lbs) makes it ideal for handheld setups, gimbals, and drones.
Standardized Fronts: Includes a uniform 80mm front diameter across the set for easy matte box and filter compatibility.
Signature “Planar” Optics: Provides high contrast and sharpness when stopped down, but a flattering, softer “vintage” glow when shot wide open.
cost: 7,200 USD
(t)
Yee Yin Chua
yee.yin@hotmail.com
+60172859669
5-12-2026
Includes:
Arri Signature Prime 18mm T1.8
Arri Signature Prime 25mm T1.8
Arri Signature Prime 35mm T1.8
Arri Signature Prime 47mm T1.8
Arri Signature Prime 75mm T1.8
Arri Signature Prime 125mm T1.8
Case
ARRI Signature Prime Lens SetThe ARRI Signature Prime range represents a pinnacle in modern cinema optics, designed to accompany large-format sensor systems like the ALEXA 65 and ALEXA Mini LF. Unlike traditional lenses that strive for clinical sharpness, Signature Primes are engineered to deliver a “natural” look—characterized by creamy skin tones, exceptionally smooth bokeh, and a delicate focus fall-off. This set of six lenses (18mm to 125mm) provides a comprehensive focal range for high-end feature films, commercials, and television productions requiring a timeless, organic aesthetic.
Key Features:
Large-Format Coverage: Designed to cover sensors up to 46.3mm image circle, ensuring compatibility with all current professional cinema cameras.
T1.8 Aperture: A consistent, fast T-stop across the set allows for shallow depth of field and superior performance in low-light environments.
PL Mount Standard: Utilizes the Large Positive Lock (LPL) mount, which features a wider diameter and shorter flange focal distance to reduce aberrations.
Exceptional Skin Tones: Specifically tuned to render human subjects with warmth and texture without the harshness of modern “digital” lenses.
Advanced Metadata: Equipped with LDS-2 (Lens Data System), providing frame-accurate lens information for VFX and post-production workflows.
Lightweight Magnesium Build: Robust yet surprisingly light construction makes them ideal for handheld, gimbal, and drone operations.
Magnetic Rear Filter Holder: Allows for quick creative customization using various materials (like nets or vintage glass) without affecting the front of the lens.
cost: 75,000 USD
(t)
Tyson Banks
tpbanks@gmail.com
+14792159141
US/ Oklahoma city
5-12-2026
Includes:
Ultra Prime 14mm S/n: 8915691
Ultra Prime 65mm S/n: 8915719
Ultra Prime 135mm S/n: 8928255
Shipping Case
The ARRI/Zeiss Ultra Prime series is a legendary lineup of cine lenses known for their clinical precision, exceptional color matching, and robust mechanical build. This specific set—comprising the 14mm, 65mm, and 135mm—offers a comprehensive range from extreme wide-angle to telephoto, providing filmmakers with consistent performance across diverse focal lengths.
Key Features:
T1.9 Maximum Aperture: High-speed performance across the set (T1.7 for the 14mm and 65mm) allows for excellent low-light shooting and shallow depth-of-field control.
Zeiss T® Coating:* Features the iconic anti-reflective coating for superior contrast and reduced flare, maintaining deep blacks and vibrant colors.
Uniform Physical Dimensions: Shared gear positions for focus and iris allow for rapid lens changes without readjusting follow-focus motors or matte boxes.
Well-Corrected Optics: Engineered to minimize distortion and chromatic aberration, ensuring straight lines remain straight even at the 14mm wide end.
Rugged Mechanics: Built with the “ARRI Standard” durability, these lenses are designed to withstand the rigors of professional film sets and extreme environments.
Color Matching: Precise color calibration ensures a seamless look when intercutting footage between different focal lengths in the set.
Cost: 12,500 USD
(t)
Yuri Shafer
shafer.yuri@gmail.com
5-12-2026
Includes:
Ultra Prime 8R
Ultra Prime 10mm
Ultra Prime 14mm
Ultra Prime 16mm
Ultra Prime 20mm
Ultra Prime 28mm
Ultra Prime 32mm
Ultra Prime 40mm
Ultra Prime 50mm
Ultra Prime 65mm
Ultra Prime 85mm
Ultra Prime 100mm
Ultra Prime 135mm
Ultra Prime 180mm
The ARRI Ultra Prime Lens Set of 14 delivers exceptional cinematic imaging performance with renowned Zeiss-designed optics optimized for Super 35 film and digital cinema cameras. This comprehensive package includes 8R, 10, 14, 16, 20, 28, 32, 40, 50, 65, 85, 100, 135, and 180mm focal lengths, providing complete creative flexibility for productions demanding consistent color rendition, sharpness, and contrast. Featuring fast T1.9 apertures across most focal lengths, these lightweight prime lenses offer precise focus control, minimal breathing, and reliable mechanics for professional workflows. Ideal for feature films, commercials, episodic television, and high-end digital productions, the compact form factor supports handheld, Steadicam, gimbal, studio, and remote camera applications efficiently.
Key Features
Delivers exceptional cinematic sharpness with consistent color reproduction across focal lengths.
Features fast T1.9 apertures enabling superior low-light cinematic shooting performance capabilities.
Includes fourteen focal lengths supporting versatile production and comprehensive creative framing.
Lightweight housing design improves handheld, gimbal, and Steadicam operating efficiency significantly.
Precision focus mechanics provide smooth operation for professional cinema production environments consistently.
Cost: 90000 USD
May 12, 20226
(M)
Yuri Shafer
shafer.yuri@gmail.com
Includes:
Cooke S4/i 14mm S/n: 14-0978
Cooke S4/i 16mm S/n: 16-0947
Cooke S4/i 18mm S/n: 18-0953
Cooke S4/i 21mm S/n: 21-0967
Cooke S4/i 25mm S/n: 25-1002
Cooke S4/i 27mm S/n: 27-0967
Cooke S4/i 32mm S/n: 32-0987
Cooke S4/i 40mm S/n: 40-0994
Cooke S4/i 50mm S/n: 50-0935
Cooke S4/i 65mm S/n: 65-0976
Cooke S4/i 75mm S/n: 75-1012
Cooke S4/i 100mm S/n: 100-1007
Cooke S4/i 135mm S/n: 135-0961
Cooke S4/i 150mm S/n: 150-0960
Cooke S4/i 180mm S/n: 180-0994
The Cooke S4/i series is a definitive industry standard in cinematography, celebrated for producing the legendary “Cooke Look.” This comprehensive 15-lens set provides a uniform T2.0 aperture across nearly the entire range, offering a perfect balance of sharpness, warmth, and a gentle focus fall-off. These lenses are engineered to provide maximum optical performance at full aperture with exceptional control over flare, distortion, and spherical aberrations.
Key Features:
The “Cooke Look”: Renowned for a unique combination of sharpness and warmth, providing natural skin tones and a smooth, organic aesthetic.
Constant T2.0 Aperture: Provides consistent exposure and depth-of-field control across focal lengths from 14mm to 180mm.
/i Technology: Built-in metadata sensors capture critical lens data (focus, iris, and depth-of-field) for every frame, streamlining VFX and post-production workflows.
Cam-Style Focus Mechanism: Precision-engineered for smooth, accurate focus pulls without “breathing” (shifts in framing during focus).
Color-Matched Consistency: Every lens in the set is color-balanced to ensure a seamless look when switching focal lengths during a shoot.
Standardized Mechanics: Most lenses feature a common 110mm front diameter and standardized 0.8 MOD gearing for quick lens changes and compatibility with follow-focus systems.
Super35 Coverage: Optimized for the Super35 format, ensuring edge-to-edge clarity and minimal vignetting on professional cinema sensors.
cost: 135 000
(t)
Yuri Shafez
shafer.yuri@gmail.com
5-11-2026
