The Zeiss Supreme Prime family represents a pinnacle in modern cinematography, blending high-end cinematic aesthetics with the technical precision required for large-format digital sensors. This specific set of 6 (18mm, 25mm, 35mm, 50mm, 85mm, and 100mm) provides a comprehensive range of focal lengths, from ultra-wide to portrait telephoto, all designed to deliver a consistent, “organic” look across your entire production.
Key Features:
Large Format Coverage: Each lens features an image circle of 46.3mm, covering Full Frame, VistaVision, and Super 35 sensors with ease.
Speed & Consistency: Most lenses in this set (25mm through 100mm) feature a fast T1.5 aperture, with the 18mm at a matching high-speed T1.5, allowing for exceptional low-light performance.
eXtended Data Technology: Built-in metadata technology provides frame-accurate information on lens distortion and shading, significantly accelerating VFX and post-production workflows.
Standardized Ergonomics: Unified gear positions and a consistent 95mm front diameter across nearly the entire range allow for rapid lens swaps without readjusting follow-focus or matte box setups.
Compact & Lightweight: Averaging just 1.6kg (3.5 lbs), these lenses are significantly more portable than traditional cinema glass, making them ideal for gimbal, drone, or handheld work.
Cost: 9k EUR per lens
(t)
Armin Bus
armin.bus@vantagevision.hu
+36 20 965 7095
4-8-2026
Body: An exceptional Canon K35 18mm T2.8, professionally rehoused by TLS (True Lens Service). This lens combines the legendary, Academy Award-winning vintage character of 1970s glass with modern, precision mechanics.
Key Features: ARRI PL Mount, 110mm front diameter, and a cam-driven focus system for smooth, reliable pulling.
The Look: Known for its gentle fall-off, beautiful flares, and lower contrast that takes the “digital edge” off modern sensors. Full-frame coverage.
Cost 30.000 €.
Hungary
Ármin Bus
armin.bus@vantagevision.hu
Tel: +36 20 965 7095
Price investigation:
Standalone 18mm was not available
Visual Products-TLS Re-housed Canon K35 Prime (5) Lens Set (Includes 18mm, 24mm, 35mm, 55mm, 85mm)
$295,000.00 so we can calcularte that the price for one could be around 59,000 dollars.
As of April 8, 2026, $59,000 is approximately €50,549.43.
This calculation is based on an exchange rate of 1 USD = 0.85677 EUR. / R-4-8-26
Includes:
Zero Optik Canon FD SSC 20mm T3.1
Zero Optik Canon FD SSC 28mm T2.2
Zero Optik Canon FD SSC 35mm Convex T2.2
Zero Optik Canon FD SSC 55mm T1.4
Zero Optik Canon FD SSC 85mm T2.0
Zero Optik Canon FD SSC 100mm T2.9
The Zero Optik Canon FD SSC rehoused lens set is a meticulously crafted collection of vintage optics designed to deliver cinematic character with modern usability. Featuring a versatile range from ultra-wide to short telephoto, this 6-lens kit preserves the distinctive color rendering, organic contrast, and pleasing falloff that made Canon’s SSC glass legendary. Each lens has been professionally rehoused by Zero Optik, offering unified mechanics, smooth focus rotation, and industry-standard gearing, making them ideal for professional film and digital productions seeking a timeless, expressive look.
Key Features:
Full 6-lens focal range: 20mm, 28mm, 35mm, 55mm, 85mm, 100mm
Fast apertures from T1.4 to T3.1 for low-light performance
Rehoused by Zero Optik with consistent cine-style housings
Smooth, long-throw focus for precise control
Unified front diameters and gear placement for easy rigging
Classic Canon SSC coatings for warm tones and natural contrast
Convex 35mm design for unique optical character
Robust metal construction built for professional use
Cost: 60000 USD
April 8, 2026
(M)
Samir Golshan
Company Name: After Party Films LLC
Email: samir.golshan@gmail.com
Telephone: 8189667398
United States-Los Angeles
Includes:
Cooke Taylor Hobson Speed Panchro S3 18mm
Cooke Taylor Hobson Speed Panchro S3 25mm
Cooke Taylor Hobson Speed Panchro S2 32mm
Cooke Taylor Hobson Speed Panchro S2 40mm
Cooke Taylor Hobson Speed Panchro S2 50mm
Cooke Taylor Hobson Speed Panchro S2 75mm
Mint condition, serviced by TLS.
This classic Cooke Speed Panchro S3/S2 lens set delivers the renowned “Cooke Look,” characterized by warm skin tones, gentle contrast, and pleasing falloff. Covering focal lengths from 18mm to 75mm, this six-lens kit offers versatility across wide, standard, and portrait perspectives. The lenses feature vintage optical design with modern rehousing for improved durability and usability on contemporary productions. The set includes matched lenses with consistent color rendering and smooth focus mechanics, typically housed in protective flight cases. Ideal for narrative filmmaking, commercials, and high-end digital cinema, these lenses provide a compact, lightweight form factor suited for handheld, gimbal, and studio setups.
Key Features:
Delivers classic Cooke Look with warm tones and gentle contrast.
Covers versatile focal range from wide to portrait perspectives.
Rehoused design ensures durability and modern production compatibility.
Consistent color rendering across entire matched six lens set.
Compact lightweight build ideal for handheld and gimbal operation.
Cost: USD $25,000
Sell Price: USD $28,000 FOB
Rodrigo Iturralde
LA Film Boutique
+1(818)445-49-86
Los Angeles, USA
April 7th 2026
(J)
Cost from seller’s own ebay listing:
-Cooke Speed Panchro S3/S2 original lens set mint 18,25,32,40,50,75 hard to find in such great condition serviced by TLS: https://www.ebay.com/itm/257310723215
Includes travel case.
This Sigma High Speed FF 5-Lens Cine Set includes 20mm, 24mm, 35mm, 50mm, and 85mm T1.5 lenses, optimized for full-frame cinema cameras. Built for high-resolution 6K–8K capture, each lens features a 95mm front diameter, clickless iris, and 0.8 MOD gearing. The set comes in a hard-shell case, with uniform color reproduction and consistent optical characteristics across all focal lengths. Ideal for narrative, commercial, and documentary productions, these lenses deliver cinematic shallow depth of field and excellent low-light performance. Their compact, durable form factor makes them suitable for handheld, gimbal, or studio workflows without sacrificing image quality.
Key Features:
Each lens provides a fast T1.5 aperture for superior low-light performance and smooth depth-of-field transitions in cinematic workflows.
95mm front diameter and standardized gear placement allow seamless use with matte boxes and follow focus systems.
Clickless iris ring enables silent, continuous exposure adjustments while recording video on professional cinema sets.
Full-frame coverage ensures high-resolution, 6K–8K image capture with consistent color and contrast across all lenses.
Durable metal housing and ergonomic design make the lenses suitable for handheld, gimbal, or studio shooting setups.
Cost: USD $14,000
Sell Price: USD $15,750 FOB
Fausto Becatti
faustobecatti@gmail.com
+27 82 717 5347 (whatsapp)
+1 718 666 7669
Johannesburg, South Africa
April 6th 2026
(J)
The Sigma Cine Lens Set (featuring the 18-35mm, 24mm, 35mm, 50mm, and 85mm) is a professional-grade cinema kit designed to provide a seamless transition between high-speed zooms and primes. Known for their “Art” line optics, these lenses deliver high resolution (6K–8K) and a distinct, modern look characterized by sharpness and smooth bokeh.
Key Features and Benefits
Uniform T-Stops: The primes (24, 35, 50, 85mm) typically feature a fast T1.5 aperture, while the 18-35mm zoom maintains a constant T2, allowing for exceptional low-light performance and shallow depth of field.
Consistent Color Balance: All lenses are engineered to a standardized color constant, significantly reducing the time needed for color grading in post-production.
Standardized Physical Dimensions: The set features consistent gear positions for focus and iris, along with a common 95mm front diameter, allowing for quick lens swaps without readjusting matte boxes or follow-focus motors.
180° Focus Rotation: Provides high-precision manual focusing, essential for professional pulling compared to the shorter throws of still photography lenses.
Full Frame & Super 35 Compatibility: While the 18-35mm is designed for Super 35 sensors, the 24, 35, 50, and 85mm primes cover Full Frame sensors, making the set highly versatile for various camera bodies.
Durable, Weather-Sealed Build: Each lens features a 100% metal body and a dust-and-splash-resistant structure for reliable performance in harsh environments.
Cost ; TBD with Andy Van den Eynde
Company: The Picture Element
Email: andy@thepictureelement.com
Telephone: 032477299670
City: Aartselaar – Belgium
Price Investigation: Following the search of the four mandated sources, below are the current findings for the Sigma Cine Lens set.
An exact 5-lens match containing the 18-35mm zoom combined with the four specific primes (24, 35, 50, 85mm) was not found as a pre-packaged used set on these specific sites
The mostnear our set comes from New Life Cine: Sigma Cine PL Mount 6 Lens Set (20, 24, 35, 50, 85, 135mm) at 12,000 dollars , or 2k each lens.
R-04-06-2026
The Arri Zeiss Ultra 16 14mm is a high-performance Super 16 format prime lens, born from the legendary collaboration between Arri and Zeiss. Specifically engineered to meet the rigorous demands of professional 16mm cinematography, this lens offers a fast aperture of T1.3, allowing for exceptional low-light performance and a shallow depth of field rarely seen in smaller formats. It is renowned for its “big brother” look, as it was designed to optically match the characteristics of the 35mm Ultra Prime series.
Key Features:
Ultra-Fast T1.3 Aperture: Provides superior performance in low-light environments and allows for precise control over depth of field.
Optically Matched: Engineered to seamlessly intercut with Ultra Prime and Master Prime lenses, ensuring visual consistency across multi-format productions.
Minimal Distortion: Despite its wide 14mm focal length, it maintains incredible rectilinear geometry, keeping straight lines straight even at the edges of the frame.
Compact and Lightweight: Designed for agility, making it an ideal choice for handheld work, gimbals, and tight locations.
Exceptional Contrast and Resolution: Delivers the “Zeiss Look”—sharp, high-contrast images with vivid color reproduction and controlled flaring.
Robust Build Quality: Built to Arri’s exacting standards for durability in harsh filming environments, featuring clear, dual-sided focus scales.
cost: TBD sales: 12,000
(t)
Rodrigo Iturralde
rodrigo@off-hollywoodfilms.com
+1(818)445-49-86
4-6-2026
The Canon FD 14mm f/2.8 L rehoused lens is a masterpiece of vintage wide-angle engineering, now optimized for modern cinema workflows. Originally released in 1982, this lens was a pioneer for its high-degree aspherical element, which allowed for a massive 114° field of view without the barrel distortion typically found in fisheye lenses. When rehoused by companies like GL Optics, TLS, or P+S Technik, the lens is transformed from a vintage stills optic into a robust, production-ready tool that pairs beautifully with the legendary Canon K35 series.
Key Features and Benefits
True Rectilinear Perspective: Delivers an ultra-wide 114° diagonal angle of view while maintaining straight lines, making it ideal for architectural and expansive landscape shots.
Aspherical Optical Design: Features a ground and polished aspherical element that significantly reduces spherical aberrations and ensures high image quality even at its widest aperture.
Cinema-Grade Housing: Modern rehousing provides a durable PL mount, standard 0.8 MOD gears for focus and iris, and a consistent front diameter (typically 95mm or 110mm) for easy matte box use.
K35 Color Matching: The older FD coatings offer a warm, vintage character and organic flare that closely match the sought-after look of the Canon K35 cinema lenses.
Enhanced Focus Throw: Rehousing expands the focus rotation (often up to 300° or more), allowing for precise focus pulls that were impossible on the original FD helicoid.
Floating Element System: Retains the original internal “floating” mechanism to ensure sharpness and minimize distortion at close-focusing distances (approximately 8–10 inches).
Price Search:
The website currently holding the lowest numerical price for a standalone match is Gear Focus,
listing a Canon FD Optex rehoused 14mm for $7,995.00.
Cost : TBD & in Ebay he is selling in USD $ 5,500
Rodrigo Iturralde – rodrigo@off-hollywoodfilms.com
Director / Cinematographer
Independent Filmmaker /Gear guru
www.off-hollywoodfilms.com
www.lafilmboutique.com LA
www.bkfilmboutique.com NY
Phone: +1(818)445-49-86
The Zeiss Supreme Prime Radiance lenses build on the renowned Supreme Prime platform, featuring T* Blue coating for controlled, cinematic flares and enhanced color character. This set includes six focal lengths—18mm, 25mm, 35mm, 50mm, 85mm, and 135mm—delivering full-frame coverage with consistent color rendition and contrast across the range. Designed with high-speed apertures and smooth focus falloff, these lenses are ideal for narrative filmmaking, commercials, and high-end productions. The robust yet lightweight housing ensures easy handling on set, whether mounted on studio rigs or handheld configurations. The Radiance series offers a unique visual signature while maintaining Zeiss’ hallmark sharpness and precision engineering.
Key Features:
The T* Blue coating produces cinematic blue flares with strong contrast and consistent color performance.
Six focal lengths from 18mm to 135mm provide versatile coverage for wide, standard, and telephoto shooting needs.
Full-frame coverage ensures compatibility with modern cinema cameras and delivers sharp, high-resolution images.
Lightweight, compact housing allows easy use on gimbals, handheld rigs, and studio setups.
Consistent mechanics and smooth focus rotation enable precise control and efficient on-set workflow.
Cost: USD $97,500
Sell Price: USD $110,000 FOB
Dheeraj Palliyil
DARE Pictures India
dheerajpalliyil@gmail.com
+91-7736060602
Kerala, India
March 6th 2026
(J)
Includes:
Canon FD ssc 15 mm 2.8 fisheye
Canon FD ssc 20 mm 2.8
Canon FD L 24 mm 1.4
Canon FD ssc 28 mm 2
Canon FD ssc concave 35 mm 2
Canon FD ssc aspherical 55 mm 1.4
Canon FD ssc aspherical 85 mm 1.4
Canon FD ssc 100 mm 2.8
Cases
This Whitepoint Optics rehoused Canon FD lens set features eight precision-engineered lenses, fully converted into robust cinema housings for professional production use. Each lens retains the classic Canon FD optical character, known for its organic rendering, smooth falloff, and pleasing color reproduction. The rehousing provides consistent front diameters, unified gear positioning, and extended focus throws for accurate focus pulling. The set includes 15mm, 20mm, 24mm, 28mm, 35mm, 55mm, 85mm, and 100mm focal lengths, covering a wide range of shooting scenarios. Ideal for narrative filmmaking, commercials, and high-end digital cinematography, these lenses deliver vintage aesthetics with modern reliability and ergonomic design.
Cost: USD $150,000
Elias Trad
eliastrad@highspeedfilming.com
+971566966270
Dubai, UAE
April 1st 2026
(R)
