Includes:
Cooke S7/i 18mm
Cooke S7/i 21mm
Cooke S7/i 24mm
Cooke S7/i 25mm
Cooke S7/i 27mm
Cooke S7/i 32mm
Cooke S7/i 40mm
Cooke S7/i 50mm
Cooke S7/i 60mm Macro
Cooke S7/i 75mm
Cooke S7/i 100mm
Cooke S7/i 135mm
Features:
The “Cooke Look”: Renowned for their unique, organic, and flattering image rendition, often described as having a subtle warmth and smooth roll-off into bokeh. It’s highly sought after by cinematographers.
Full-Frame Plus Coverage: Designed to cover large format cinema sensors, including Full Frame, VistaVision, and beyond (up to 46.31mm image circle), ensuring compatibility with the latest high-resolution cameras.
T2.0 Aperture (mostly): Most S7/i lenses boast a fast T2.0 maximum aperture, providing excellent low-light performance and shallow depth of field for cinematic separation.
/i Technology Integration: This proprietary Cooke system embeds lens metadata directly into each frame. It provides crucial information like focus distance, aperture, depth of field, and more, streamlining post-production, VFX, and camera reports.
Color Matched: All S7/i lenses are meticulously color-matched across the entire series, and also with other modern Cooke lens lines (like Anamorphic/i, S4/i, Panchro/i Classic), ensuring seamless intercutting and consistent aesthetics.
Precise Mechanical Design: Features an Academy Award-winning cam-style focus mechanism for incredibly smooth and accurate focus pulls with a generous 270° rotation. Focus markings are clear and on both sides of the barrel.
Robust Build Quality: Hand-crafted in the UK with a durable, scratch-resistant PTFE hard anodized finish, designed to withstand demanding professional production environments.
Common Front Diameter: The majority of S7/i lenses share a common 110mm front diameter, simplifying matte box and filter changes on set.
PL Mount: Equipped with the industry-standard PL mount, ensuring compatibility with a wide range of professional cinema cameras.
To Be Determined
June 1, 2025
(Mary Ginny)
Matthew Kohnen
Dreamcatcher Filmstudios
[email protected]
310-384-6695
United States
Zeiss MKII Super Speed 18mm
Zeiss MKII Super Speed 25mm
Zeiss MKII Super Speed 35mm
Zeiss MKII Super Speed 50mm
Zeiss MKII Super Speed 85mm
The Zeiss MK2 Super Speed lenses are highly regarded vintage cinema primes known for their exceptional performance and distinctive aesthetic.
Fast Maximum Aperture: They offer a consistent and wide maximum aperture of T1.3 across the range (typically 18mm to 85mm), making them ideal for low-light shooting and achieving shallow depth of field. This puts them in a rare company for vintage lenses.
Classic Filmic Aesthetic: These lenses are known for producing a “magic” and timeless filmic look, with beautiful color rendition and a pleasing bokeh, often due to their 7-blade iris.
Compact and Lightweight Design: Their compact and relatively light build makes them well-suited for handheld and gimbal filming, providing versatility on set.
Excellent Sharpness and Minimal Distortion: Despite their vintage nature, they offer exceptional sharpness and minimal geometric distortion, even at wide focal lengths.
Robust Mechanical Design: They feature factory-integrated focus gears with a 0.8 module pitch and a 270° focus rotation for precise control, improving upon earlier versions.
Versatile Coverage: They cover beyond Super 35mm sensors, making them suitable for modern digital cameras like ARRI Alexa Mini Open Gate and Alexa 35 Open Gate, and some focal lengths even cover full-frame sensors.
Distinctive Flares: They can produce beautiful blue and magenta lens flares, adding character to the image.
Frank Shaw
his cost is 35K usd
Includes:
Mamiya Sekor C/ 645 17mm fisheye
Mamiya Sekor C/ 645 24.5mm
Mamiya Sekor C/ 645 31.5mm
Mamiya Sekor C/645 38.5mm
Mamiya Sekor C/ 645 49mm
Mamiya Sekor C/ 645 56mm
Mamiya Sekor C/ 645 77mm
Mamiya Sekor C/ 645 105mm
Speed Boosted + Case
LPL Mount, FF & VV, GL OPTICS
Features:
Multi-Coated Optics: “C” in Sekor C signifies multi-coated lenses, which help reduce flare and ghosting, and improve contrast, resolution, and color saturation, even in challenging light.
Wide Range of Focal Lengths: The series includes a diverse selection of prime lenses, from ultra-wide angles like 24mm fisheye to long telephotos like 500mm, as well as zoom and specialty lenses (e.g., shift lenses, macro lenses).
Manual Focus: These lenses are manual focus, offering precise control over sharpness.
Automatic Diaphragm: Most Sekor C lenses feature an automatic diaphragm for convenient exposure control.
Robust Build Quality: Generally well-regarded for their durable construction, often featuring metal barrels.
Versatile Applications: Suitable for a wide array of photography, including portraits, landscapes, architecture, and close-up work.
“N” Versions: Some lenses have “N” versions, which indicate updated coatings for enhanced performance, particularly in terms of flare control.
Leaf Shutter Options: Certain Sekor C lenses (like the 70mm f/2.8) have a built-in leaf shutter, allowing for flash synchronization at all shutter speeds up to 1/500 sec.
Floating System: Some wide-angle and macro lenses incorporate a floating system, where elements move during focusing to maintain high resolution across the entire field, even at close-focusing distances.
Eric said “Comprable TLS is 78K. 50’s?”
June 17, 2025
Eric D’ Amario
[email protected]
Includes:
Arri Signature Prime 21mm
Arri Signature Prime 25mm
Arri Signature Prime 35mm
Arri Signature Prime 47mm
Arri Signature Prime 75mm
Arri Signature Prime 95mm
Features:
Large-Format Coverage: Designed to cover large-format sensors, including full-frame, ensuring compatibility with modern cinema cameras like the ARRI ALEXA LF.
Organic, Timeless Look: Deliver a pleasing, natural image with warm skin tones, crisp blacks, and a subtle, artistic flair. They aim for a “natural” rather than overly sharp or sterile look.
Fast T-Stop: Most lenses in the series feature a fast T1.8 maximum aperture, allowing for shallow depth of field and excellent low-light performance.
Smooth Bokeh: Equipped with an 11-blade iris, producing exceptionally smooth and rounded out-of-focus areas.
Subtle Flares: Designed to create attractive, subtle flares without excessive veiling, adding character to the image.
Minimized Aberrations: Exhibit minimal chromatic aberration and imperceptible focus breathing, contributing to a clean and high-quality image.
Rear Filter Holder: Feature a unique magnetic rear filter holder, enabling cinematographers to easily add custom diffusion or other effects to tailor the look.
LDS-2 Lens Data System: Integrate ARRI’s next-generation LDS-2 (Lens Data System), providing precise metadata for lens control and post-production. It’s also compatible with LDS-1 and Cooke /i Technology.
Lightweight & Durable Construction: Built with magnesium housings and aluminum gear rings, making them remarkably lightweight yet robust and water-resistant.
Consistent Mechanics: Maintain a common 114mm front diameter across most of the prime set, simplifying matte box and filter use.
Extensive Focal Lengths: Available in a wide range of focal lengths, from 12mm to 280mm, offering versatility for various shooting scenarios.
Cost: $100,000 USD
Jack Barton
Jack Barton Film
Austrailia
Email: [email protected]
Telephone: +8201026161980
Includes:
Arri Signature Prime 21mm
Arri Signature Prime 25mm
Arri Signature Prime 35mm
Arri Signature Prime 47mm
Arri Signature Prime 75mm
Arri Signature Prime 95mm
Features:
Expansive Coverage: They’re designed to cover large-format sensors, including full-frame, making them ideal companions for modern cinema cameras like the ARRI ALEXA LF.
Organic, Timeless Aesthetic: Expect natural-looking images with warm skin tones, rich blacks, and a subtle artistic touch. They lean into a “natural” feel rather than being overly sharp or clinical.
Blazing Fast T-Stop: Most lenses in the series boast a T1.8 maximum aperture, which means super shallow depth of field and fantastic performance in low light.
Silky Smooth Bokeh: Thanks to an 11-blade iris, out-of-focus areas are rendered exceptionally smooth and round.
Beautiful, Subtle Flares: Designed to produce appealing, gentle flares that add character without excessive veiling.
Minimal Imperfections: They exhibit very little chromatic aberration and virtually no focus breathing, contributing to a clean, high-quality image.
Innovative Rear Filter Holder: A unique magnetic rear filter holder lets cinematographers easily add custom diffusion or other effects to fine-tune the look.
Advanced Lens Data System: Equipped with ARRI’s LDS-2 (Lens Data System), these lenses provide precise metadata for lens control and post-production. They’re also compatible with LDS-1 and Cooke /i Technology.
Lightweight Yet Robust: Built with magnesium housings and aluminum gear rings, they’re surprisingly light, durable, and water-resistant.
Consistent Mechanics: Nearly all primes in the set share a common 114mm front diameter, simplifying matte box and filter changes.
Broad Focal Length Range: Available in a wide array of focal lengths, from 12mm to 280mm, offering versatility for any shooting scenario.
Cost: $100,000 USD
THIS IS THE SECOND SET
June 26, 2025
Jack Barton
Jack Barton Film
Austrailia
Email: [email protected]
Telephone: +821026161980
Tokina Vista Lens Set of 7
Tokina Vista 18mm
Tokina Vista 25mm
Tokina Vista 35mm
Tokina Vista 50mm
Tokina Vista 85mm
Tokina Vista 105mm
Tokina Vista 135mm
Features:
Large Format Coverage: Designed with a generous 46.7mm image circle, they cover full-frame, VistaVision, and even Red Dragon 8K VV sensors, making them versatile for modern cinema cameras.
Fast T1.5 Aperture: A super-fast T1.5 maximum aperture allows for excellent low-light performance and the creation of shallow depth of field with pleasing bokeh.
Minimal Focus Breathing: Engineered to virtually eliminate focus breathing, ensuring that the angle of view remains consistent when pulling focus, crucial for professional cinematography.
High Resolution & Low Distortion: Deliver sharp, clear images with high resolution, minimal chromatic aberration, and well-controlled distortion across the frame.
Consistent Physical Design: All lenses in the Vista series share a consistent 114mm front diameter, 112mm filter thread (excluding 18mm), and identical gear positions for focus and iris rings. This streamlines lens changes and compatibility with matte boxes and follow focus systems.
Smooth, 9-Blade Iris: A 9-bladed, clickless iris provides smooth, continuous aperture adjustments and produces a beautiful, rounded bokeh.
Durable Cine-Style Housing: Built with robust, all-metal cine-style housing for long-term durability and reliability on set.
Dual-Sided Markings: Focus and iris scales are clearly marked on both sides of the lens barrel for easy readability from various camera positions.
Internal Focus: The internal focus design means the lens length doesn’t change during focusing, keeping balance and matte box setups consistent.
Wide Range of Focal Lengths: Available in a comprehensive range of focal lengths, from wide to telephoto, offering flexibility for diverse shooting scenarios.
Cost: $20,000 USD
June 19, 2025
Frank Shaw
+8615011304502
[email protected]
Includes:
B & L Super Balter TLS Rehoused 20mm T2.3 12” CF S35OpenGate Coverage
B & L Super Baltar TLS Rehoused 25mm T2.3 11” CF S35OpenGate Coverage
B & L Super Baltar TLS Rehoused 35mm T2.3 13” CF FF
B & L Super Baltar TLS Rehoused 50mm T2.3 15” CF FF
B & L Super Baltar TLS Rehoused 75mm T2.3 20” CF FF
B & L Super Baltar TLS Rehoused 100mm T2.3 3’6”CF FF
Features:
Preserved Vintage Optics: The original Bausch & Lomb Super Baltar glass is retained, delivering their signature warm tones, low contrast, soft edges, and distinctive flaring.
Modern PL Mount: Equipped with a new stainless steel PL mount, ensuring compatibility with a wide range of modern cinema cameras.
Robust Housing: Housed in high-grade aluminum alloy and stainless steel for enhanced durability and longevity on set.
Smooth Cam Focus Drive: Features a new cam form focus drive, providing incredibly smooth and precise focus pulls with a large rotation (often around 300 degrees). This design minimizes backlash and image shift.
Consistent Mechanics: Uniform 0.8 module gears on both focus and iris rings across the set, making them compatible with modern follow focus units and lens control systems.
Unified Front Diameter: Many sets are rehoused with a standard 110mm front diameter, simplifying matte box and filter changes.
Engraved Dual Scales: Clear, engraved dual focus scales (metric and imperial options) for easy readability by focus pullers.
Improved Close Focus: In some rehousing processes, the minimum object distance (MOD) is improved, allowing for closer focusing.
Optimized for Digital Sensors: While vintage, their characteristics are often praised for “taking the edge off” the sharpness of modern digital sensors, creating a more organic and pleasing image.
Iconic Cinematic Look: Known for their use in classic films like “The Godfather,” they impart a sought-after romantic and dreamy quality to footage.
Eric says “Purchased @ 82K. I would like 72+ but…”
June 17, 2025
Eric D’ Amario
[email protected]
Arri Master Prime 16mm
Arri Master Prime 18mm
Arri Master Prime 21mm
Arri Master Prime 25mm
Arri Master Prime 27mm
Arri Master Prime 32mm
Arri Master Prime 35mm
Arri Master Prime 40mm
Arri Master Prime 50mm
Arri Master Prime 65mm
Arri Master Prime 75mm
Arri Master Prime 100mm
Arri Master Prime 135mm
Arri Master Prime 150mm
The ARRI Master Prime lenses, co-developed by ARRI and Zeiss, are a highly regarded series of cinema prime lenses known for their exceptional optical performance.
Key Features and Benefits:
Unmatched Optical Performance: Delivers superior resolution, contrast, and color rendition across the entire frame, even at wide open apertures.
Extremely Fast T1.3 Aperture: Allows for excellent low-light shooting and the creation of very shallow depth of field for cinematic bokeh.
Virtually No Breathing: Patented Dual Floating Elements technology ensures minimal to no focus breathing, maintaining consistent framing during focus pulls.
Minimal Optical Distortion: Engineered for precise, high-quality images with reduced chromatic aberration, geometric distortion, and color fringing.
Reduced Flare: Advanced T*XP coating significantly minimizes reflections and flare for cleaner visuals.
Consistent Color and Contrast: Maintained across all focal lengths within the set, ensuring seamless matching.
Robust Construction: Designed for professional filmmaking with uniform placement of iris and focus gears for consistent accessory setup.
Integrated Lens Data System (LDS): Provides real-time lens metadata to compatible cameras, streamlining on-set workflow and post-production.
Wide Range of Focal Lengths: The set typically includes 16 lenses, from 12mm to 150mm, offering versatility for various shooting scenarios.
Covers Super 35 Sensors: Optimized for the Super 35 format
Cost $120,000
Danny Saldana – USA
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
Newlifecine has a set of 7 in & 119,000
Lori has one set of 14 in $ 129,000
R-06-13-2025
Arri Master Anamorphic 28mm
Arri Master Anamorphic 35mm,
Arri Master Anamorphic 40mm
Arri Master Anamorphic 50mm
Arri Master Anamorphic 60mm
Arri Master Anamorphic 75mm
Arri Master Anamorphic 100mm
Arri Master Anamorphic 135mm
& Flare Kit
The ARRI Master Anamorphic lenses are a series of high-performance prime lenses designed for professional cinema production, known for their exceptional optical quality and characteristic anamorphic look.
Pristine Image Quality: Virtually no chromatic aberration, excellent contrast, and sharpness across the entire image, even wide open.
Minimal Breathing: Very little focus breathing, ensuring stable framing during focus pulls.
Controlled Flares and Bokehs: Designed to produce pleasing, controlled anamorphic flares and a smooth, oval bokeh, characteristic of the format.
Consistent T-stop: All lenses in the series share a fast T2.3 aperture, allowing for consistent exposure and shallow depth of field.
Robust Construction: Durable and reliable build quality, suitable for demanding professional use.
Uniform Size and Weight: Many lenses in the set share similar front diameters and gear positions, simplifying lens changes and accessory rigging on set.
Cinematic Aesthetic: Delivers a classic anamorphic widescreen look with precise optical performance, ideal for high-end film and TV production.
Cost $180,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
NewlifeCine has one in 220,000
Lori does not have one
FJS has one for 255,000 euros, one for 196,000 with Flare set in 196,000 dollars
(R) 06-12-2025
Supremes Radiance 18mm
Supremes Radiance 21mm
Supremes Radiance 25mm
Supremes Radiance 29mm
Supremes Radiance 35mm
Supremes Radiance 40mm
Supremes Radiance 50mm
Supremes Radiance 65mm
Supremes Radiance 85mm
Supremes Radiance 100mm
Supremes Radiance 135mm
The ZEISS Supreme Radiance lenses are a premium line of cinema prime and zoom lenses designed to deliver a distinctive, artistic look characterized by controlled lens flares and a slightly warmer color rendition. They are built upon the foundation of the ZEISS Supreme Prime and Zoom series, offering full-frame coverage and robust cinematic performance.
Controlled Blue Flares: Engineered with a unique T* blue coating that produces consistent and beautiful blue lens flares, adding character and a “filmic” aesthetic directly in-camera.
Warm Color Rendition: Offers a slightly warmer color palette compared to standard cinema lenses, contributing to a rich and expressive image.
Gentle Sharpness with Character: Provides crisp yet organic images with smooth focus fall-off and elegant bokeh, while the flares add a unique visual signature.
Full-Frame & Beyond Coverage: Designed to cover large-format sensors, ensuring compatibility with modern cinema cameras and future-proofing productions.
Consistent Aesthetics: Maintain a cohesive look with the regular ZEISS Supreme Prime and Zoom lenses, allowing for seamless intercutting.
ZEISS eXtended Data: Incorporates advanced lens metadata for efficient post-production workflows, including lens distortion and shading data.
Robust & Ergonomic Design: Built for durability and ease of use on set, with consistent size, weight, and aperture across the series.
Cost: $120,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
New Life Cine has 1 for $ 159,500
FJS has one for 230,000
CamAleon Has 1 for €195,000.00
Lori hs one of 7 lenses for $ 115,950
