Cooke S8/i 18mm
Cooke S8/i 25mm
Cooke S8/i 32mm
Cooke S8/i 40mm
Cooke S8/i 50mm
Cooke S8/i 75mm
Cooke S8/i 100mm
Key Features and Benefits:
Exceptional Sharpness and Resolution: Designed for modern high-resolution cameras, delivering stunning detail across the entire frame.
Smooth and Creamy Bokeh: Creates beautifully soft and pleasing out-of-focus areas, adding depth and character.
Cooke Look®: Inherits the classic Cooke aesthetic with warm, natural skin tones and a gentle, organic feel.
Minimized Aberrations: Excellent control of chromatic aberration, distortion, and veiling glare for clean and accurate images.
Fast T1.4 Aperture: Allows for shallow depth of field and excellent low-light performance.
Durable and Reliable Build Quality: Engineered for demanding professional use on set.
Cooke /i Technology: Provides precise lens metadata for focus, iris, and zoom position, streamlining post-production workflows.
Consistent Color Rendition: Matches seamlessly with other Cooke lenses, ensuring color consistency across a project.
Cost: $200,000
Amanda Crane
740-815-0392
Amanda Bickmore <[email protected]>
High Optical Performance: Delivers excellent sharpness, contrast, and color rendition across the entire Super 35 frame, even at open aperture.
Fast T1.9 Aperture: Enables shooting in low light conditions and achieving shallow depth of field for a cinematic look with pleasing bokeh.
Superior Close Focus Ability: Features floating elements design, ensuring exceptional image quality even at close focusing distances (0.38m / 15″).
Minimal Focus Breathing: Maintains consistent image composition during focus pulls, providing a more polished and professional appearance.
Well-Controlled Distortion and Aberrations: Minimizes geometric distortion and chromatic aberration for clean and accurate images.
Lightweight and Compact Design: Easy to handle and ideal for various shooting setups, including gimbals and handheld rigs (weight: 1.0 kg / 2.2 lbs, length: 91mm / 3.6″).
Robust and User-Friendly: Features large, easy-to-read calibrated scales, uniform front diameter (95mm) and consistent positioning of focus and aperture rings across the Ultra Prime series for quick lens changes.
Color Matched: Designed to match seamlessly with other ARRI and Zeiss lenses, including the Master Prime series, for consistent color rendition.
PL Mount: Compatible with professional PL mount cinema cameras.
Cost USD $5,550
Nick Lange – mailto:[email protected]
Wardah Frizlar <[email protected]>
Everpost.com / (310) 837-4611
128 Maryland Street, El Segundo, CA 90245
Sell USD $7,050 FOB for a profit of 1,500 ?
newlife and lori does not have it – (r) 05/15/2025
Full-Frame Coverage: Designed for large format sensors.
Consistent T2.1 Aperture: Ensures uniform exposure across the lens set.
LPL Mount: Provides a robust and future-proof connection.
German Engineering: Renowned for quality and precision.
Warm and High-Resolution Image: Delivers a pleasing cinematic look.
Dimensional Pop: Gradual falloff draws focus to the center.
Consistent Size and Speed: Facilitates efficient workflow.
Standardized Mechanics: Uniform focus and iris ring positions.
Leica-inspired Bokeh: Creates painterly out-of-focus areas.
Cost 102 usd
China
Sam: [email protected]
(r) 05/06/2025
Cinematic large format coverage and high speed: Covers sensors from Super 35 up to full frame and beyond, with most lenses at a fast T1.5.
Consistent performance: Uniform coverage, color rendering, aperture, size, weight, and ergonomics across the entire lens family.
Versatile look and gentle sharpness: Delivers crisp images with an organic feel, ideal for various cinematic styles and pleasing for skin tones.
Aesthetic focus fall-off and elegant bokeh: Creates a smooth transition between in-focus and out-of-focus areas, adding depth to the image.
ZEISS eXtended Data technology: Provides comprehensive lens metadata for efficient workflow in post-production.
Compact and lightweight design: Offers easy and comfortable handling on set.
Standardized design: Consistent 95mm front diameter and uniform positioning of focus and iris rings for quick lens changes.
Robust and reliable: Engineered for professional use in demanding production environments.
Owner Sam CHINA
[email protected]
5 lens asking for 45k usd .
Asked for the price of a set of 7
Hi Roberto ,
Sorrry for the confusion ,
For the zeiss sp , the 7pcs lens asking for 67k usd .
Regarding the price i quote you 15k each , this is the price for arri sp, I also have one set arri sp for sale .
please let me know if you are interested. Best regards
Sam
Large Format Coverage: Compatible with sensors up to full-frame and large format (up to 46mm image circle).
Fast T1.8 Aperture: Enables shallow depth of field, creating a strong separation between the subject and background.
Signature Prime Look: Delivers warm and smooth skin tones, open shadows with crisp blacks, and soft, delicate flares.
Smooth Bokeh: Features an 11-blade iris that produces a soft and rounded out-of-focus rendering.
Minimized Aberrations: Advanced optical design minimizes chromatic aberration and distortion.
LPL Mount: Equipped with the ARRI LPL mount, which supports LDS-2 lens data for efficient workflow and high metadata rates. Compatible with PL mount lenses via an adapter.
Lightweight and Durable: Constructed with magnesium housings and aluminum gear rings, making it robust yet relatively light at approximately 3.25 kg (7.3 lbs).
Rear Filter Holder: Features a magnetic rear filter holder for easily and quickly customizing the look without affecting the lens itself.
Consistent Design: Shares a common 114mm front diameter and uniform gear positions across most of the Signature Prime range.
Minimal Focus Breathing: Designed with virtually imperceptible focus breathing, beneficial for smooth focus pulls.
owner wants : Looking for £15,500 Pound Sterling (GBP)
From: Marc Ehrenbold <[email protected]>
What is the sellling price ?…. 17,500 maybe ?
Sounds correct?
I will post it and then will edit if needed
Direct Dial: +44(0) 20 7391 2686
Aimimage Group
TriBeCa Wharf
Ground Floor Offices
22-24 St Pancras Way
London NW1 0NT
T: 020 7391 2650
icefilm.com
aimimage.com
Cooke S7i 18mm
Cooke S7i 25mm
Cooke S7i 32mm
Cooke S7i 50mm
Cooke S7i 75mm
Cooke S7i 135mm
The Cooke S7/i Full Frame Plus Primes are premium cinema lenses designed to cover full-frame and beyond (up to the RED 8K VV sensor). Developed for high-end cinematography, they deliver sharp, consistent performance while preserving the warmth and cinematic character known as the Cooke Look®.
These lenses combine precision optics with modern features like lens metadata communication for VFX and post workflows.
Cost 85,000 Dollars
Shadi AbuSharar | Filmmaker.DOP.Colorist
email. [email protected]
Mobile Dubai : +971 50 2711135 (r) 04-18-2025
Zeiss MKII Super Speed 18mm
Zeiss MKII Super Speed 25mm
Zeiss MKII Super Speed 35mm
Zeiss MKII Super Speed 50mm
Zeiss MKII Super Speed 85mm
Fast T1.3 Aperture: Enables shooting in low light conditions and achieving shallow depth of field with pleasing bokeh.
Compact and Lightweight Design: Ideal for handheld operation, gimbal setups, and situations where weight is a concern.
Vintage Look: Produces a classic aesthetic with subtle lens flares and a mild reduction in contrast, giving a more filmic quality to digital footage.
Uniform Characteristics: Consistent T1.3 aperture and 80mm front diameter across the set facilitate easy use of accessories.
Good Optical Performance: Offers good contrast and high resolution, especially when stopped down slightly (above T2.8).
PL Mount: Designed for professional cinema cameras with a PL mount.
Factory Integrated Gears: Equipped with focus and iris gears compatible with follow focus systems.
Dual Focus Scales: Features both metric and imperial focus scales for versatility.
Improved Focus Ring: The MKII version often features an improved focus ring with increased rotation (around 270°) and more detailed markings compared to earlier versions.
Super 35 Coverage: Covers Super 35 sensors and often extends to open gate on cameras like the Arri Alexa Mini, with some lenses in the set offering coverage for larger sensors in certain crop modes.
Cost price for this setr is 43K and sale price is 49K
Owner is Yang Shao in USA, said Fred on Whatsapp
(r) 04/09/2025
14mm Nikkor D T2.9
18mm Nikkor D T2.9
24mm Nikkor AI-s T2.1
28mm Nikkor AI-s T2.1
35mm Nikkor AI-s T1.5
50mm Nikkor AI-s T1.3
58mm Noct-Nikkor AI-s T1.3
85mm Nikkor AI-s T1.5
105mm Nikkor AI-s T1.9
135mm Nikkor AI-s T2.1
180mm Nikkor AI-s T2.9
Comes in 2 x Hard plastic 6 hole cases with laser cut foam inserts (GL Optics).
Manual Focus: These lenses require manual focusing by rotating the focus ring.
Aperture Ring: They have a physical aperture ring on the lens barrel that allows you to manually set the lens aperture. This is a key feature that distinguishes them from many modern Nikon lenses (G-type) that lack an aperture ring.
F Mount: They are designed for Nikon’s F mount, which has been used for decades on their SLR and DSLR cameras. AI-s lenses can be used on many Nikon cameras, including some modern DSLRs (though often with manual focus and aperture control only).
Improved Aperture Control: The “s” in AI-s indicates a further refinement in how the aperture is controlled, making them more compatible with certain Nikon camera features like programmed auto and shutter-priority exposure modes (on cameras like the Nikon FA).
Orange Minimum Aperture: A common visual cue for AI-s lenses is that the smallest aperture number on the lens (the largest f-stop number) is often marked in orange.
Many different focal lengths and maximum apertures were produced in the Nikon Nikkor AI-s series, and they are still popular today for their solid build quality, excellent optics, and manual control.
Assuming a 10% commission (8,800) we are hoping to list these on the site at $88 000 USD
Alex Fensham (he/him)
General Manager
HABIBI Film Rentals
151 Sterling Road, Studio 3,
Toronto, ON. M6R 2B2
(647) 447-6166 (r) april 2025
https://www.habibifilmrentals.com
High Image Quality: Typically offer excellent sharpness, contrast, and color rendition due to their prime (fixed focal length) design.
Large Apertures: Many 300mm primes boast wide maximum apertures (e.g., f/2.8 or f/4), allowing for shallow depth of field, excellent low-light performance, and faster shutter speeds.
Telephoto Reach: The 300mm focal length provides significant magnification, ideal for sports, wildlife, and portrait photography where distance to the subject is often necessary.
Professional-Grade Construction: Canon’s L-series 300mm lenses are known for their robust build quality, weather sealing, and durability.
Image Stabilization (IS): Many modern Canon 300mm lenses include Image Stabilization technology to reduce camera shake, allowing for sharper handheld shots at slower shutter speeds.
Fast Autofocus (USM): Often equipped with Ultrasonic Motors (USM) for quick, quiet, and accurate autofocus performance, crucial for capturing fast-moving subjects.
Optex Modifications (General Benefits):
Cine-Style Enhancements: Optex often rehouses broadcast lenses to make them suitable for cinema cameras, adding features like geared focus and iris rings for use with follow focus systems, and standardized front diameters for matte boxes.
Mount Conversion: They may convert the lens mount to different professional standards (e.g., PL mount) for compatibility with a wider range of cinema cameras.
Improved Mechanics: Rehousing can sometimes improve the overall mechanical feel and durability of the lens for demanding filmmaking environments.
can we sell this lens in USD $ 5,500 and then talk to owner Chant to get a cost price ? Fred said YES in Whatsapp on 04/02/25
Chant in Lebanon [email protected] 9611491850
14mm T2.8
20mm T2.9
24mm T1.5
28mm T2.1
35mm T2.1
45mm T1.5 (Yashica)
55mm T1.3
85mm T1.3
135mm T2.1
Comes in 2 x Hard plastic 6 hole cases with laser cut foam inserts (GL Optics)
The Canon FD GL Optics Rehoused Lenses are vintage Canon FD still photography lenses that have been meticulously rebuilt and modernized by GL Optics for professional cinema use. These lenses retain the sought-after optical characteristics of the original Canon FD glass, known for its pleasing warm tones, smooth rendering, and distinctive flares, while incorporating robust, industry-standard mechanics. Often compared to the classic Canon K35 lenses due to shared visual qualities, the FD lenses typically offer a slightly cooler and more contrasty image and are generally more accessible in price.
10% 10,300 so Cost price is USD $ 92,700 FOB
Alex Fensham (he/him)
General Manager
HABIBI Film Rentals
151 Sterling Road, Studio 3,
Toronto, ON. M6R 2B2
(647) 447-6166
https://www.habibifilmrentals.com
