Includes:
ARRI Ultra Prime 16mm
ARRI Ultra Prime 32mm
ARRI Ultra Prime 40mm
ARRI Ultra Prime 50mm
ARRI Ultra Prime 85mm
Hard case
This premium cinema lens offering features a 5-lens set of ARRI/Zeiss Ultra Primes (16mm, 32mm, 40mm, 50mm, and 85mm) marked in imperial measurements, complete with a custom hard flight case. Also available for purchase is a single Cooke Mini S4i 135mm T2.8 focal length cinema lens, complete with its own dedicated hard case. Designed for professional film and digital production, these optics deliver high-resolution image quality, standardized gear placement, and exceptional contrast control.
Key Features:
Comprehensive Focal Range: The ARRI Ultra Prime 5-lens set covers wide, standard, and telephoto focal lengths (16mm, 32mm, 40mm, 50mm, 85mm) to handle diverse shooting scenarios.
Imperial Focus Markings: Features clearly labeled imperial distance markings for precise puller control.
Cooke Mini S4i Telephoto Expansion: The 135mm T2.8 prime offers classic Cooke color matching, gentle highlight roll-off, and i/Technology metadata capability in a compact form factor.
Optics & Build: Lightweight yet durable cine construction engineered for seamless integration with wireless lens control systems and matte boxes.
Protection Included: Custom foam-lined hard flight cases are included with both listings for safe transport and field storage.
Includes:
Cooke Mini S4i 135mm T2.8
hard case.
The Cooke Mini S4/i 135mm T2.8 cine prime lens delivers the classic “Cooke Look”—warm skin tones, rich contrast, and smooth flare control—in a lighter, more compact build. Designed to cover Super 35 formats, this telephoto lens retains the optical performance of the standard S4/i series while offering integrated metadata functionality and color compatibility across all Cooke glass. Included with the lens is a custom fitted hard flight case for secure transport and protection on set.
Key Features:
Iconic Cooke Optical Performance: Provides organic image character, controlled aberrations, and consistent color matching with S4/i optics.
Integrated /i Technology: Transmits frame-by-frame focus, iris, and depth-of-field metadata directly to compatible cameras for efficient workflows and post-production VFX.
Compact & Lightweight Design: Ideal for handheld, Steadicam, or gimbal setups without compromising durable mechanical quality.
Standardized Cine Mechanics: Features 0.8 MOD focus and iris gears with calibrated markings on both sides of the barrel.
Robust Protective Transport: Ships with a heavy-duty, foam-lined hard case tailored for maximum field protection.
Includes:
Zeiss Super Speed MKII 18mm T1.3
Zeiss Super Speed MKII 25mm T1.3
Zeiss Super Speed MKII 35mm T1.3
Zeiss Super Speed MKII 50mm T1.3
Zeiss Super Speed MKII 85mm T1.3
Fitting Case
The Zeiss Super Speed MKII prime lens set (18mm, 25mm, 35mm, 50mm, and 85mm) is an iconic fixture in Super 35mm cinematography. Renowned for their ultra-fast maximum aperture of T1.3, these lenses deliver legendary low-light performance alongside a distinct organic aesthetic, soft bokeh, and rich contrast. The MKII series refined earlier designs by integrating standardized 0.8 MOD focus and iris gearing, uniform 80mm front diameters, and robust Arri PL mounts, making them an enduring choice for digital and film productions seeking classic vintage character.
Key Features:
Ultra-Fast T1.3 Aperture: Enables exceptional performance in extreme low-light environments and produces an extraordinarily shallow depth of field.
Vintage Optical Aesthetic: Delivers a distinctive cinematic look characterized by flattering skin tones, organic flare characteristics, and gentle highlight roll-off.
Uniform 80mm Front Diameters: Simplifies on-set lens swaps by allowing matte boxes and accessories to stay consistent across all focal lengths.
Integrated 0.8 Pitch Gears: Native geared rings on both the focus and iris scales allow seamless integration with modern follow focus systems and lens control motors.
Compact & Lightweight Form Factor: Small size reduces rig weight, making the set ideal for handheld operation, gimbals, or tight filming environments.
ARRI PL Mount Compatibility: Native industry-standard mount ensures seamless mounting across modern digital cinema cameras.
Includes:
ARRI Signature Prime 25mm T1.8
ARRI Signature Prime 35mm T1.8
ARRI Signature Prime 58mm T1.8
ARRI Signature Prime 75mm T1.8
The ARRI Signature Prime Set of 4 (25mm, 35mm, 58mm, and 75mm) represents state-of-the-art cinema glass designed for large-format sensors. Covering key wide-to-telephoto focal lengths, each lens features a fast T1.8 maximum aperture, uniform 114mm front diameters, and lightweight magnesium construction. They offer an organic aesthetic with warm skin tones, crisp resolution without harshness, and smooth focus roll-off.
Key Features:
Fast T1.8 Maximum Aperture: Consistent maximum speed across all four focal lengths for low-light performance and shallow depth of field.
Organic Cinematic Rendering: Delivers smooth skin tones, open shadow detail, and buttery bokeh.
Lightweight Magnesium Construction: Reduces overall rig weight compared to traditional aluminum cinema lenses.
ARRI LPL Mount & LDS-2 Data: Native Large Positive Lock mount with advanced lens metadata support for VFX and post-production.
Near-Zero Focus Breathing: Maintains consistent framing when racking focus.
Integrated Rear Filter Holder: Accepts magnetic glass filters and nets directly onto the rear element.
Includes:
ZEISS Super Speed Super16 9.5mm T1.3
ZEISS Super Speed Super16 12mm T1.3
ZEISS Super Speed Super16 16mm T1.3
ZEISS Super Speed Super16 25mm T1.3
ZEISS Super Speed Super16 50mm T1.3
The ZEISS Super Speed Super16 prime lens set (9.5mm, 12mm, 16mm, 25mm, and 50mm) is a legendary collection of cinema glass designed for Super 16mm film cameras and modern digital sensors with Super 16 cropped modes. Featuring ultra-fast maximum apertures of T1.3 (f/1.2) across the set and high-performance Carl Zeiss T* multi-coating, these lenses are renowned for delivering a classic, organic cinematic look with medium contrast, smooth fall-off, and low-light performance.
Key Features:
Ultra-Fast T1.3 Aperture: Exceptional performance in low-light environments and control over shallow depth of field.
Carl Zeiss T Coating:* Reduces internal reflections, glare, and flare while enhancing color rendering and contrast.
Virtually No Focus Breathing: Maintains consistent framing and perspective when racking focus between subjects.
Close-Focus Capabilities: Offers close-up focus distances across wide and telephoto focal lengths.
Compact and Lightweight: Easy to operate on hand-held rigs, gimbals, or vintage film camera setups.
Versatile Focal Range: Comprehensive focal length coverage from ultra-wide (9.5mm) to telephoto portrait (50mm).
Includes:
ARRI Ultra Prime 16mm T1.9
ARRI Ultra Prime 24mm T1.9
ARRI Ultra Prime 32mm T1.9
ARRI Ultra Prime 50mm T1.9
ARRI Ultra Prime 85mm T1.9
Co-engineered by ARRI and ZEISS, this 5-lens core set is the industry-standard “workhorse” kit for high-end motion picture production. It covers the Super 35 format and is universally renowned for its “clean,” high-contrast aesthetic and clinical sharpness. Delivering a fast, uniform T1.9 maximum aperture across all focal lengths, this kit provides a meticulously color-matched range spanning from wide-angle to portrait perspectives, ensuring seamless intercutting on both digital and film sensors.
Key Features:
Universal T1.9 Aperture: Offers consistent exposure settings across all focal lengths and precise control over shallow depth-of-field.
ZEISS T XP Coating:* Professional multi-layer anti-reflection coating that dramatically reduces internal reflections, ghosting, and lens flares for high-contrast images.
Floating Element Technology: Corrects image area curvature and chromatic aberrations, keeping resolution at peak levels even at extreme close-focus limits.
Compact, Matched Housings: Features standardized 95mm front diameters and uniform gear placement for rapid, hassle-free lens swaps without readjusting matte boxes or follow-focus systems.
Rigid & Lightweight Build: Perfect for stabilization rigs, gimbals, or handheld cameras because they are physically compact, have zero external focus barrel movement, and maintain predictable weight distribution.
Includes:
ARRI ZEISS Vario-Sonnar VP1 16-30mm
ARRI ZEISS Vario-Sonnar VP2 29-60mm
ARRI ZEISS Vario-Sonnar VP3 55-105mm
Individual hard flight cases for each lens
Original front and rear caps for all lenses
Available for purchase is a complete ARRI ZEISS Vario-Sonnar Variable Primes Set of 3, covering a massive focal range from 16mm to 105mm. Renowned for combining the convenience of a zoom with the uncompromising optical speed and quality of high-end prime lenses, this highly coveted trio features precise imperial markings.
Key Features:
True Prime Performance: Delivers the razor-sharp optical performance, contrast, and color matching of standard prime lenses across the entire focal range.
Fast T2.2 Aperture: Offers a consistent, bright maximum aperture of T2.2 for superb low-light performance and shallow depth-of-field control.
Seamless Focal Adjustment: Acts as a full set of prime lenses in just three housings, dramatically cutting down on lens-change times during production.
Premium Mechanical Build: Features standard cine-geared focus, iris, and focal rings compatible with standard follow-focus systems and lens motors.
Robust Protection: Includes original caps and robust, custom flight cases ensuring the optics remain secure during travel and on-set handling.
Can also be purchased as single lenses, cost is USD $3,500 per lens
Includes:
10.5mm Aspheron / Distagon T2.1
12mm Distagon + Aspheron T2.1
16mm Distagon T2.1
24mm Distagon T2.1
28mm Distagon T2.1
32mm Planar T2.1
50mm Planar T2.1
85mm Planar T2.1
135mm Planar T2.1
The ZEISS Standard Speed primes are legendary vintage cinema lenses originally designed for Arriflex film cameras. Revered for their character-rich, timeless look, this specific 9-lens set spans from ultra-wide to telephoto focal lengths. They are highly favored in modern digital cinematography as a less clinical, warmer alternative to modern, ultra-sharp lenses—giving a organic, filmic soul to high-resolution digital sensors.
Key Features:
-Consistent T2.1 Aperture: Nearly the entire set shares a fast T2.1 maximum aperture, allowing for consistent exposure, depth of field control, and seamless lens swaps on set.
-Classic Vintage Aesthetics: Delivers medium-to-soft contrast, gentle falloff, a pleasing warmth, and iconic, expressive flare characteristics.
-Compact & Lightweight Build: Their remarkably small form factor makes them perfect for handheld operation, Steadicams, drones, and gimbal setups.
-T Anti-Reflective Coating:* Features ZEISS’s famous T* coating to minimize ghosting while preserving color contrast and clarity in tough lighting environments.
-Super35 Coverage: Optimized to beautifully cover Super35 digital cinema formats.
-Robust Cine Mechanics: Typically configured with standard 0.8 pitch focus and iris gears for smooth workflow integration with modern follow-focus systems.
Includes:
Cooke Anamorphic/i Special Flare 25mm
Cooke Anamorphic/i Special Flare 32mm
Cooke Anamorphic/i Special Flare 50mm
Cooke Anamorphic/i Special Flare 75mm
Cooke Anamorphic/i Special Flare 100mm
Cooke Anamorphic/i Special Flare 135mm
The Cooke Anamorphic/i Special Flare set offers 2x squeeze optics with signature blue-toned flares and gentle oval bokeh for classic cinematic character. Spanning 25mm to 135mm, all six lenses share matched color, front diameter, and iris mechanics, complete with protective caps and dedicated transport cases. Built into rugged, /i-enabled barrels, they suit narrative features, commercials, and large-format digital cinema productions requiring distinctive, repeatable anamorphic imagery.
Key Features:
Delivers signature oval bokeh and organic lens flares.
Full-frame coverage supports large-format anamorphic cinema productions today.
Consistent color and mechanics across all focal lengths.
Rugged housings withstand demanding professional production environments worldwide.
Standardized front diameter simplifies matte box and accessories.
Includes:
ZEISS Supreme Prime 25mm T1.5
ZEISS Supreme Prime 29mm T1.5
ZEISS Supreme Prime 35mm T1.5
ZEISS Supreme Prime 50mm T1.5
ZEISS Supreme Prime 85mm T1.5
ZEISS Supreme Prime 100mm T1.5
The ZEISS Supreme Prime Set of 6 (25mm, 29mm, 35mm, 50mm, 85mm, and 100mm) represents a premium, high-speed cinema lens kit designed specifically for large-format sensor coverage (such as VistaVision, Full Frame, and Super 35). Featuring an incredibly fast maximum aperture of T1.5 across all six lenses, this set is engineered to provide an organic, versatile look with gentle sharpness, exceptional low-light performance, and smooth, elegant bokeh. The lenses feature standard ARRI PL mounts equipped with electronic contacts to support ZEISS eXtended Data (XD) technology, passing frame-accurate metadata (distortion, shading, focus, and iris values) directly to compatible cameras and post-production workflows.
Key Features:
Cinematic Large-Format Coverage: Fully covers full-frame and VistaVision sensors with an expansive 46.3 mm image circle.
Ultra-Fast T1.5 Aperture: Offers consistent high speed across the entire focal range, allowing for outstanding shallow depth-of-field and peak performance in demanding low-light environments.
Organic “Gentle Sharpness” Look: Strikes a perfect balance between crisp, modern contrast and a gentle, pleasing softness that flatters skin tones beautifully.
Unmatched Mechanical Consistency: Features a uniform front diameter of 95 mm and standardized positioning for the focus and iris gear rings (0.8 MOD), enabling rapid lens swaps without adjusting follow-focus or matte box setups.
Advanced Lens Metadata (eXtended Data): Combines standard Cooke /i technology with ZEISS-specific shading and distortion data, drastically simplifying visual effects (VFX) alignment and post-production compositing.
Minimized Lens Breathing: Excellent optical design controls focus breathing and minimizes distortion, ensuring stable framing during focus pulls.
Interchangeable Mount System: Features a robust user-interchangeable mount system allowing technicians to swap between PL, LPL, and EF mounts on the fly.
