Canon Super Canomatic 19mm – X T4
Canon Super Canomatic 25mm – X T4
Canon Super Canomatic 35mm – T2.7
Canon Super Canomatic 58mm – T1.6
Canon Super Canomatic 85mm – T2
Canon Super Canomatic 100mm – T2.2
Canon Super Canomatic 135mm – T2.2
Early Innovation with Automatic Aperture
Rehoused by Zero Optic , only set in the world. These are the grandfathers of the k35 and FD 1950-1960’s.
Key features and benefits:
Automatic diaphragm control: A pioneering feature for the time, simplifying exposure settings for photographers (especially helpful in low-light situations).
High-quality optics: Offered excellent image quality, with some lenses boasting wide apertures for beautiful bokeh and low-light performance.
R mount compatibility: Designed for Canon’s early SLR cameras, the Canonflex series.
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Arri / Zeiss Ultra Primes: 14mm T.1.9
Arri / Zeiss Ultra Primes 20mm T.1.9
Arri / Zeiss Ultra Primes 28mm T.1.9
Arri / Zeiss Ultra Primes 40mm T.1.9
Arri / Zeiss Ultra Primes 65mm T.1.9
Arri / Zeiss Ultra Primes 100mm T.1.9
Key Features & Benefits
Wide focal range: Offers a vast selection from extreme wide angle (8mm) to telephoto (180mm) for ultimate shooting flexibility.
Superior image quality: Delivers crisp, clean images with minimal distortion even at wide apertures (T1.9) thanks to the floating element design.
Color matched: Ensures consistent color rendition across the entire Ultra Prime series, as well as compatibility with ARRI Master Prime and Alura Zoom lenses.
Easy to use: Features well-calibrated scales, uniform diameters, and a robust, easy-to-service design.
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Includes:
Cooke Panchro I 18mm, T2.2, PL-Mount, metric scale
Cooke Panchro I 25mm, T2.2, PL-Mount, metric scale
Cooke Panchro I 32mm, T2.2, PL-Mount, metric scale
Cooke Panchro I 40mm, T2.2, PL-Mount, metric scale
Cooke Panchro I 50mm, T2.2, PL-Mount, metric scale
Cooke Panchro I 75mm, T2.2, PL-Mount, metric scale
Cooke Panchro I 100mm, T2.6, PL-Mount, metric scale
Features:
Classic Cooke Look: Combines the warm and organic aesthetic of vintage Cooke Speed Panchro lenses.
Superb Image Quality: Delivers exceptional detail, sharpness, and clarity.
Smooth Bokeh: Produces a pleasing and natural background blur.
Accurate Skin Tones: Renders skin tones in a flattering and realistic way.
Color Balanced: Ensures consistent and well-matched colors across the entire lens set.
Extensive Aperture Range: Offers a wide range of aperture settings (T2.2 to T22) for creative control over depth of field.
Full Frame Coverage: Accommodates larger format cinematic sensors.
Compact and Lightweight: Maintains a relatively manageable size and weight for a professional cine lens.
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Cooke Panchro Speed 1 Silver Version 28mm
Cooke Panchro Speed 1 Silver Version 35mm
Cooke Panchro Speed 1 Silver Version 40mm
Cooke Panchro Speed 1 Silver Version 70mm
IMPERIAL
Cooke Panchro Speed 1 Silver Version Series I are uncoated and rehoused versions of the Cooke Series O f2.0 OPIC lenses introduced in 1925. The Panchros were officially released in 1930. The Cooke Speed Panchro f/2.0 Series I were offered in 11 focal lengths: 24, 28, 32, 35, 40, 47, 50, 58, 75, 100 and 108 mm
The Lenses are from a very old generation, 28,35,40, 70mm, they belong to a legacy of the oldest Cooke Lenses. The lenses contain small light scratches of age between 28, 35,40mm, they have anomalies due to years, but they are still ready for a beautiful rehousing and cleaning that will maintain an incredible look. It can be said that the lenses remain in great quality compared to other S1 series. Important note: the 75mm (Back Element) contains small circular fungus of migratory moisture that affected the third lens.
Key Features & Benefits
Unique Vintage Look: Sought after for its distinct aesthetic qualities, including softer focus and pleasing halation (dreamy glow around highlights).
Historic Legacy: Descended from the iconic Cooke Speed Panchros, the first lenses used for sound films in Hollywood (1927).
Uncoated Design: Offers a distinctive, vintage character compared to modern lenses.
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Schneider Xenon Cine 18mm, T2.1, PL-Mount
Schneider Xenon Cine 25mm, T2.1, PL-Mount
Schneider Xenon Cine 35mm, T2.1, PL-Mount
Schneider Xenon Cine 50mm, T2.1, PL-Mount
Schneider Xenon Cine 75mm, T2.1, PL-Mount
Schneider Xenon Cine 100mm, T2.1, PL-Mount
Key Info
Full-frame coverage: Works with today’s full-frame cine cameras.
Fast aperture: Delivers good low-light performance and shallow depth of field.
Consistent color: Minimized color shift when changing lenses in a set.
Natural bokeh: 14-blade iris creates pleasing out-of-focus highlights.
Precise mechanics: Smooth focusing and iris control.
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Canon FD TLS Rehoused 14mm
Canon FD TLS Rehoused 20mm
Canon FD TLS Rehoused 24mm
Canon FD TLS Rehoused 35mm
Canon FD TLS Rehoused 55mm
Canon FD TLS Rehoused 85mm
Canon FD TLS Rehoused 135mm
Key features and benefits:
Vintage Canon FD glass:
Offers classic rendering and unique color palette.
Full frame coverage: Works seamlessly with modern full frame cameras.
Robust, modern housing: Improved durability and cine-style operation.
Standardized design: Consistent front ring diameter (125mm) and gear placement for easy rigging.
Circular iris: Delivers smooth, attractive bokeh at all apertures.
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Key Features:
Classic Canon lens (1960s/70s) – once the world’s fastest production lens
Rehoused for modern cinematography use by Whitepoint Optics
Ultra-fast f/0.95 aperture for low-light shooting and shallow depth of field
Renowned for its “dreamy” image quality
Benefits:
Capture stunning low-light footage
Achieve unique bokeh effects
Own a piece of photographic history
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Arri Signature Prime Cine 18mm T1.8, LPL-Mount
Arri Signature Prime Cine 25mm T1.8, LPL-Mount
Arri Signature Prime Cine 35mm T1.8, LPL-Mount
Arri Signature Prime Cine 47mm T1.8, LPL-Mount
Arri Signature Prime Cine 75mm T1.8, LPL-Mount
Arri Signature Prime Cine 125mm T1.8, LPL-Mount
Unique Look: Warm skin tones, crisp blacks, and a smooth, dreamlike bokeh
Fast Aperture: T1.8 allows for shallow depth of field and low-light shooting
Lightweight: Machined magnesium barrels make them easy to carry
Minimal Distortion: Sharp edges and clean focus throughout the frame
Large Format Compatibility: Designed for use with large format cameras
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Zeiss Master Prime 18mm
Zeiss Master Prime 25mm
Zeiss Master Prime 35mm
Zeiss Master Prime 50mm
Zeiss Master Prime 75mm
High-speed performance: T1.3 aperture across all focal lengths allows for excellent low-light shooting and beautiful shallow depth of field.
Exceptional image quality: Delivers superior resolution, contrast, and virtually no distortion for stunning visuals.
Minimal focus shift: “Breathing” is negligible, ensuring consistent framing during focus pulls.
Reduced flare: Zeiss T*XP coating minimizes unwanted flares and ghosting.
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Selective focus control: Allows for keeping specific parts of an image sharp while blurring others, creating a miniature effect.
Correcting converging verticals: Useful in architectural photography to maintain straight lines on tall buildings.
Expanding depth of field: Can be helpful in macro photography to keep a larger subject area in focus.
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