Includes
Zeiss Compact Prime CP.2 18mm
Zeiss Compact Prime CP.2 28mm
Zeiss Compact Prime CP.2 35mm
Zeiss Compact Prime CP.2 50mm
Zeiss Compact Prime CP.2 85mm
Zeiss Compact Prime CP.2 135mm
The ZEISS Compact Prime CP.2 lenses are a professional lineup of cinema lenses designed for filmmakers who need robust build quality, consistent performance, and exceptional optical clarity across multiple focal lengths. With their interchangeable mounts and precise, cinema-grade focus and aperture rings, these lenses offer flexibility for a wide range of camera systems while maintaining ZEISS’s signature contrast, sharpness, and color fidelity. The focal lengths displayed—18mm, 28mm, 35mm, 50mm, 85mm, and 135mm—cover everything from wide establishing shots to tight close-ups, making the CP.2 set a versatile workhorse for narrative, commercial, and documentary productions.
Key Features
Interchangeable PL mount with consistent housing across focal lengths
Smooth, long-throw focus rotation ideal for follow-focus use
T-stop markings for accurate exposure control
Full-frame coverage suitable for modern cinema sensors
Robust all-metal construction for professional durability
Code:
Cost To Be Determined
December 11, 2025
(M)
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Cooke S5/i Primes 18mm T1.4
Cooke S5/i Primes 25mm T1.4
Cooke S5/i Primes 32mm T1.4
Cooke S5/i Primes 40mm T1.4
Cooke S5/i Primes 50mm T1.4
Cooke S5/i Primes 65mm T1.4
Cooke S5/i Primes 75mm T1.4
Cooke S5/i Primes 100mm T1.4
Cooke S5/i Primes 135mm T1.4
Note: · Packed in 3 cases (2×4 lenses + 1×135mm)
Bonus: an additional case for 3 selected lenses – a convenient and secure option for those who wish to rent or transport smaller sets. Everything is safely packed and ready for production.
The Cooke S5/i Prime lenses are high-speed, modern cinema lenses designed to deliver the classic “Cooke Look” even in extreme low-light conditions. Below is a summary of their capabilities.
Fast T1.4 Aperture: The entire set features a maximum aperture of T1.4, allowing for shooting in very low light and creating an extremely shallow depth of field with beautiful subject separation.
The “Cooke Look”: Known for a sharp but smooth image that renders skin tones naturally and warmly. They provide “creamy” bokeh and a three-dimensional quality that prevents the image from looking clinically harsh.
Illuminated Focus Scale: A unique feature where the focus ring is equipped with a dimmable light, allowing focus pullers to see distance markings clearly in dark environments without external lamps.
S35 Coverage: Designed specifically to cover Super 35mm sensors (approx. 30mm image circle), optimizing performance for this standard format.
Built-in /i Technology: Equipped with Cooke’s /i Technology , which provides frame-by-frame digital metadata (focal length, aperture, focus distance, depth of field) to cameras for VFX and post-production.
Color Matching: Color-balanced to match perfectly with other Cooke series (S4/i, miniS4/i, Anamorphic/i), allowing for seamless mixing of lenses on the same production.
Cam-Style Focus Mechanism: Utilizes a cam-style design for smooth focus adjustments, with a generous 270° of rotation for precise control.
Standardized Design: Most lenses in the set (18mm–100mm) share a common 110mm front diameter for easy swapping of matte boxes and filters.
Cost: TBD, Owner: Stanislaw Marcinkowski
Steadicam Operator / Camera Stabilization & Optics
📞 +48 603 490 149 / 📞 +48 884 884 681
✉️ steadicam.tete@gmail.com
📍 Warsaw, Poland (working across Europe) / R-11-26-2025
New Cost: 100,000 USD FOB
Price investigation
Newlifecine.com has no one and Justcinemagear has no one either
AI says :
Average Price: Used Cooke S5/i Set of 9
The average price for a used set of 9 Cooke S5/i primes is currently between $130,000 USD and $165,000 USD.
Low End: ~$130,000 USD (Typical for older sets or private sales)
High End: ~$165,000 USD (Mint condition, broker-backed, or including accessories)
Specific Market Listings (Recent & Current)
The following are real-world data points found during the research for a 9-lens configuration (typically 18, 25, 32, 40, 50, 65, 75, 100, 135mm):
$165,000 USD: Listed by FJS International (United States). This is a premium retail price for a set in “Mint” condition.
$132,000 USD: A recently sold listing from Stogear (Hong Kong). This represents a more aggressive “street price” for a functional used set.
$120,000 – $125,000 USD (Estimated): Constructed price based on smaller sets. Sets of 8 lenses often sell for $95,000 – $100,000, while the individual 135mm T1.4 lens alone commands a price of $20,000 – $25,000 due to its size and complexity.
Vantage MiniHawk 40mm T1.7
Vantage MiniHawk 50mm T1.7
Vantage MiniHawk 65mm T1.7
Vantage MiniHawk 100mm T1.7
The MiniHawk Set of 4 (40mm, 50mm, 65mm, 100mm) represents a revolutionary approach to anamorphic cinematography by Vantage Film. These lenses are hybrid anamorphic optics, meaning they provide the classic anamorphic characteristics—such as oval bokeh, shallow depth of field, and unique focus fall-off—while utilizing a spherical optical path. This design allows for a remarkably compact form factor and an incredibly fast T1.7 aperture across the entire set. Unlike traditional front-anamorphic lenses, the MiniHawks exhibit zero breathing while focusing and offer significantly improved close-focus capabilities, making them ideal for tight spaces, handheld operating, and gimbal work without compromising the iconic “Hawk Look.”
Key Features:
Super-Fast T1.7 Aperture: Offers exceptional low-light performance and ultra-shallow depth of field, consistent across all four focal lengths.
Hybrid Anamorphic Optics: Delivers authentic anamorphic bokeh and flares within a spherical lens body, eliminating focus breathing entirely.
Macro-Like Close Focus: Engineered with a extremely short minimum object distance, allowing for intimate close-ups that are traditionally difficult with anamorphic glass.
Compact & Lightweight: Designed for modern production needs, these lenses are significantly smaller than standard anamorphic primes, perfect for drones and stabilizers.
Large Format Coverage: Optimized to cover modern digital sensors while maintaining a cinematic, high-contrast image with organic textures.
Standardized Mechanics: Features uniform 0.8 MOD gearing and a consistent front diameter for rapid lens changes and seamless accessory integration.
Update March 17th 2026:
Gabriel Bemergui
+5511940308100
Sao paulo – Brasil
Seller updated Cost and Sell price info:
Cost updated from TBD to USD $190,000
Sell Price updated from MAKE AN OFFER to USD $213,000 FOB
Updated item descriptions, SEO info, pricing and Sales code.
(J)
COST : TBD
Owner : Gabriel Mensagem – gabrielmensagem@gmail.com
Visualproducts.com doesn´t have one – NewLifeCine nor Justcinemagear has none
AI says :
The Vantage MiniHawk (also known as Hawk MHX Hybrid) is an extremely rare and specialized item on the second-hand market. Unlike the older Hawk C-Series or V-Lites, these lenses are newer and typically sold only through direct negotiation with high-end cinema lens brokers rather than on open marketplaces like eBay.
Based on current market data for Vantage optics, here is the estimated pricing and market situation for a used set of 4 lenses.
Estimated Market Price: Used MiniHawk Set of 4
Price Range: $90,000 – $115,000 USD (Note: This is an estimate based on a depreciation of ~20–30% from the new price, which is standard for high-demand modern Vantage glass.)
Estimated New Price: ~$30,000 USD per lens (approx. $120k for a set of 4).
The ARRI Signature Primes are a modern, ultra-high-end cine prime lens series designed by ARRI. They were developed to complement ARRI’s Large Format (LF) camera system, such as the ALEXA LF and Mini LF, though they are camera-independent and cover all image sensors up to a 46mm large format image circle. They are built with a unique LPL mount (Large Positive Lock), an open standard for large-format lenses. The lenses are renowned for their combination of high optical performance and a distinctively timeless, organic look that is flattering to skin tones.
Key Features:
Large Format (Full-Frame) Coverage: Covers image circles up to 46mm, maximizing the potential of large-format sensors for a distinct, immersive look.
Fast Maximum Aperture (T1.8): Most lenses in the series are T1.8, providing excellent low-light performance and achieving a very shallow depth of field.
Unique “Timeless” Look: Renders images with warm, smooth skin tones, open shadows, and exceptionally soft bokeh for a cinematic, non-clinical aesthetic.
Tuneable Rear Filter Holder: Features a magnetic rear filter holder for quick, tool-less customization (using nets, voile, etc.) of the lens’s flare and texture.
Minimal Aberrations: Engineered to have virtually no visible focus breathing or distortion, simplifying visual effects and complex focus pulls.
Lightweight and Robust Build: Constructed with magnesium alloy barrels, making them relatively light for large-format lenses, which is ideal for gimbal and handheld use.
Next-Gen Lens Data: Incorporates LDS-2 (Lens Data System) for high data rates and absolute encoders, which is crucial for modern virtual production and VFX workflows.
COST: €86,000
(T)
Isidro Parrondo
Mob: +34 627 115 765
contacto@aksmedia.es
18-11-2025
Canon K35 TLS Rehoused 18mm
Canon K35 TLS Rehoused 24mm
Canon K35 TLS Rehoused 35mm
Canon K35 TLS Rehoused 55mm
Canon K35 TLS Rehoused 85mm
The TLS Rehoused Canon K35 Set of 5 represents one of the most coveted vintage cinema lens collections available today, preserving the extraordinary optical character of Canon’s iconic K35 primes — originally manufactured in the late 1970s — within a precision-engineered modern housing by True Lens Services that makes them fully practical for contemporary professional production. This five-lens set, spanning 18mm through 85mm and featuring the rare Fast 18mm variant, delivers the warm, three-dimensional rendering, smooth focus fall-off, and distinctive flare characteristics that have made the K35 series a legendary choice on landmark Hollywood productions for decades. Rebuilt to exacting tolerances with industry-standard gear rings, consistent front diameters, and PL mount compatibility, these lenses are a premier choice for feature films, prestige television, and high-end commercials seeking irreplaceable vintage optical magic on modern large-format and Super 35 camera platforms.
Key Features:
The original Canon K35 optical formula delivers a uniquely warm, three-dimensional image quality with smooth, organic bokeh and a painterly rendering that is widely regarded as among the finest vintage cinema glass ever produced.
The inclusion of the rare Fast 18mm variant makes this set particularly exceptional, offering an ultra-wide perspective with a faster maximum aperture than the standard K35 18mm for superior low-light performance.
TLS’s meticulous rehousing process preserves the original optical elements in pristine condition while adding industry-standard 0.8M focus gear rings and consistent front diameters across all five lenses.
PL mount compatibility ensures seamless integration with a wide range of professional cinema cameras, including ARRI, RED, and Sony VENICE platforms, without the need for additional adapters.
The K35 lenses are celebrated for their distinctive, characterful flare behavior and gentle contrast rendering, producing images with a timeless cinematic quality that modern lens designs struggle to replicate.
All five lenses share consistent color rendition and optical character, ensuring a unified, cohesive visual language when interchanging focal lengths throughout a production.
The robust TLS rehousing provides the durability and tactile reliability demanded on professional sets, dramatically improving on the handling and serviceability of the original vintage barrels.
Update March 23rd 2026:
@Adam’s request, Sell price updated from USD $220,000 FOB to USD $215,000 FOB.
Updated item descriptions, SEO info.
(J)
COST: $200,000
Owner Tony Bringas
Tony Bringas
323-683-4225
Tony4fx@gmail.com abd
Cine Visuals – Rentals
rentals@cinevisuals.com
ZEISS Super Speed lenses are classic, high-performance cinema primes known for their exceptionally fast apertures (T1.3), compact build, and signature vintage look. Originally developed in the late 1970s and widely used throughout the film industry, they deliver smooth focus falloff, gentle contrast, and pleasing bokeh—making them a favorite for narrative filmmaking that aims for a warm, cinematic aesthetic.
Key Features:
Ultra-Fast Maximum Aperture (T1.3/T1.4): Provides exceptional low-light performance and shooting flexibility in dim conditions without excessive camera ISO.
Shallow Depth of Field: Allows for a pronounced cinematic look with beautiful, selective focus and bokeh (the pleasing blur of out-of-focus areas).
Compact and Lightweight Design: Ideal for demanding shooting scenarios like handheld, Steadicam, and gimbal work, offering excellent portability.
High Contrast and Vintage Aesthetic: Known for a high-contrast, slightly cool color rendition that produces a filmic look; wide-open use can add a desirable, softer “glow” to highlights.
Minimal Focus Breathing: Ensures the image framing remains relatively consistent when adjusting focus, which is highly valued in professional film work.
Consistent T-Stop: Most lenses in a set maintain a uniform T1.3 aperture, simplifying exposure consistency during lens changes.
cost: €60k
(T)
Alain Rappoport
arappoport@planipresse.com
Tél : 06 09 55 94 25
11-17-2025
Includes:
Zeiss Super Speed S16 Mk. II 9.5mm
Zeiss Super Speed S16 Mk. II 12mm
Zeiss Super Speed S16 Mk. II 16mm
Zeiss Super Speed S16 Mk. II 25mm
ZEISS SUPER SPEED S16 MKII SET OF 4: 9.5, 12, 16, 25MM
Used Zeiss Super Speed S16 MKII Set of 4: 9.5, 12, 16, 25mm for Sale
Description
The Zeiss Super Speed S16 MKII Set of 4 is a highly capable and versatile collection of fast Super 16mm cinema primes representing the refined second-generation iteration of Zeiss’s iconic Super Speed lineage, delivering the exceptional T1.3 maximum aperture, outstanding optical sharpness, and consistent color matching that have made the Super Speed series one of the most trusted and celebrated lens sets in professional S16 filmmaking history. This four-lens set — covering focal lengths of 9.5mm, 12mm, 16mm, and 25mm — provides cinematographers with a comprehensive wide-angle range purpose-built for Super 16mm cameras, covering ultra-wide through standard perspectives with the refined optical performance and low-light capability that the MKII generation brought to the Super Speed series. Compact, lightweight, and built to ARRI PL mount standards, these lenses remain a definitive choice for documentary, independent film, and television productions demanding the classic Zeiss optical character, reliable performance, and the distinctive cinematic rendering of true Super 16mm glass.
Key Features:
Each lens in the set features a fast T1.3 maximum aperture, making them exceptionally well-suited for handheld and available-light shooting across the most demanding low-light production environments.
The MKII designation reflects a refined second-generation iteration of the Super Speed lineage, featuring improved optical coatings, enhanced contrast rendition, and reduced focus breathing compared to the original Super Speed predecessors.
The four focal lengths — 9.5mm, 12mm, 16mm, and 25mm — provide a comprehensive wide-angle range covering ultra-wide through standard perspectives, purpose-built for Super 16mm format acquisition and ideal for immersive, expansive cinematography.
All four lenses share consistent color rendition, contrast, and optical character, ensuring seamless interchangeability and a unified cinematic look throughout an entire production.
Built with a robust metal barrel construction and PL mount compatibility, these lenses integrate reliably with a wide range of professional S16 cinema camera bodies including the ARRI SR3 and ARRI 416.
Minimal focus breathing and smooth, well-damped focus and aperture rings make them highly practical for focus pullers working in fast-paced, run-and-gun, and documentary production environments.
The compact and lightweight form factor of the MKII set makes these lenses ideally suited for handheld, Steadicam, and gimbal configurations where size and weight are critical operational considerations.
Update March 27th 2026:
Listing name updated to reflect lens S16 status and edition (Mk.1, 2 or 3)
Updated item descriptions, SEO info.
(J)
Cost: 8000 USD
November 14, 2025
AkFilmEquipmentBooking
(M)
My WhatsApp no. +91 98678 54710
Gmail ID akfilmequipmentboooking@gmail.com
Includes:
8 Cine Magic Lenses and what is seen in the pictures:
Cine Magic 9.8mm
Cine Magic 12mm
Cine Magic 16mm
Cine Magic 20mm
Cine Magic 24mm
Cine Magic 32mm
Cine Magic 40mm
Cine Magic 60mm
Dual Swivel Module – Mini-PL
Horizon Tracking
The CINE MAGIC REVOLUTION PACKAGE is a versatile, high-end snorkel lens system used in professional filmmaking and specialized photography, such as tabletop and food shooting. It is designed to capture unique perspectives and offer unprecedented control over the camera’s angle relative to the image horizon.
Horizon Tracking: The world’s first snorkel lens system to allow live panning of the objective lens while maintaining a level horizon (or a desired “dutched” position).
Image Rotation: Built-in optics allow for 360-degree rotation of the image in real-time for creative or corrective purposes.
Dual Swivel Module: Adds a second pan axis, allowing for even greater flexibility in aiming and movement.
Miniature/Tabletop Use: The system can achieve a full 360-degree pan within a six or seven-inch diameter, making it ideal for tight spaces and macro shots.
Versatile Mounting: Includes modules to accommodate both its own specialty Mini-PL lenses and standard PL-Mount lenses.
Comprehensive Kit: Typically includes the Base Module, Borescope, Horizon Tracker, and Dual Swivel Modules in both PL and Mini-PL configurations, along with a set of dedicated Mini-PL prime lenses (e.g., 9.8mm to 60mm).
Cost TBD
Owner: Chester Lilley <chester@creativecameracompany.co.uk>
UK – R-11/13/25
Price Investigation : The price for a full, used CINE MAGIC REVOLUTION PACKAGE (including the Base Module, Borescope, Horizon Tracker, Dual Swivel Modules, and the complete set of Mini-PL prime lenses) typically falls between:
USD $114,900
EUR €138,000 (equivalent to approximately USD $148,000, depending on the current exchange rate)
Note: This range reflects prices observed in international listings from professional equipment brokers and may not represent every transaction.
Newlifecine,com does not have one
justcinemagear.com does not have one
FJS INT has one in EUROS 138,000 FOB
Includes:
TLS Super Balter 20mm
TLS Super Balter 35mm
TLS Super Baltar 50mm
TLS Super Baltar 75mm
TLS Super Balter 152mm
The TLS Super Baltars 6-Lens Set (20mm, 25mm, 35mm, 50mm, 75mm, 152 delivers a distinctive vintage look prized by cinematographers for its organic rendering, smooth contrast, and creamy highlights. Originally crafted for classic film production, these lenses have been meticulously rehoused for modern cinema use, offering reliable mechanics, uniform focus and iris gears, and consistent performance across the set. Ideal for narrative, commercial, and music video work, the Super Baltars capture a timeless character with warm tones and gentle falloff, bringing cinematic authenticity to digital workflows.
Features:
Complete 6-lens set: 20mm, 25mm, 35mm, 50mm, 75mm, and 152mm focal lengths
Vintage optical design with rehoused modern mechanics
Smooth, cinematic contrast and natural color rendition
Uniform 0.8 mod focus and iris gears for follow-focus compatibility
Consistent front diameter across the set for easy lens changes
Ideal for achieving a classic filmic aesthetic on digital cameras
Cost: $70,000 USD FOB OBO
November 11, 2025
(M)
Kieran Wheeler
(03) 9968 5883
kieran@hummingbird-rentals.com.au
Leica r Leica R Super Speed Set Full Frame 19mm T2.8 cf 0.29 cm
Leica r Leica R Super Speed Set Full Frame 28mm T2.8 cf 0,25 cm
Leica r Leica R Super Speed Set Full Frame 35mm T1.4 cf 0,5 cm
Leica r Leica R Super Speed Set Full Frame 50mm T1.4 cf 0.5 cm
Leica r Leica R Super Speed Set Full Frame 80mm T1.4 cf 0.7 cm
Leica r Leica R Super Speed Set Full Frame 135mm T2.8 cf 1,5 cm
These lenses are vintage Leica R still-photography primes rehoused (“cine-modded”) by GL Optics for modern professional cinema use. They are highly sought after for their distinct optical character combined with cinema-standard mechanics.
Distinct Optical Character:
Benefit: Delivers a sought-after vintage look with exceptional image quality; sharp yet flattering with excellent skin tone rendering.
Feature: Known for “creamy bokeh,” beautiful flares, and a pleasing fall-off from sharp focus.
Full-Frame Coverage:
Benefit: Covers modern large-format sensors (like ARRI Alexa LF, Sony Venice, RED Raptor) without vignetting.
Feature: Rehoused optics are engineered to cover a full-frame image circle (36mm x 24mm).
Cinema-Ready Mechanics:
Benefit: Enables fast, precise, and standardized use on professional film sets.
Feature: Stainless steel PL mount, uniform 95mm front diameter, cine-standard mod 0.8 gears (consistent position for easy follow focus changes), and de-clicked aperture ring.
Improved Usability:
Benefit: Allows for accurate and smooth focus pulling.
Feature: Long 330° focus rotation (except the 19mm) and often improved closer focusing distances compared to original lenses.
Buenos Aires Argentina
Leonardo Hermo
+5491140240076
leonardo.hermo@gmail.com
Prices Investigation
AI Says : Based on current listings for used or pre-owned sets in the global film and digital video gear marketplace, the average price range for a used 6-lens GL Optics Rehoused Leica R Full Frame Set (similar to the $19, 28, 35, 50, 80, 135\text{mm}$ configuration) falls approximately between:Price Range (USD)Notes$35,000 – $50,000 USDThis range reflects recent asking prices for pre-owned GL Optics-rehoused sets with a similar lens count and Full Frame coverage.
Newlifecine does not have one
Justcinemagear does not have one
R-11-10-2025
