Atlas Mercury A 36mm
Atlas Mercury A 42mm
Atlas Mercury A 72mm
Full-Frame Coverage: Designed for full-frame sensors (36.7mm x 25.54mm) and compatible with various aspect ratios (16:9, 3:2, 4:3) with easy delivery to 2:1, 2.25:1, 2.66:1, and 2.4:1.
1.5x Anamorphic Coefficient: Provides a balance of the classic 2x Cinemascope look (oblong bokeh, barrel distortion, shallow depth of field) with a more manageable size and weight.
Vintage Geometric Personality: Offers exceptional optical performance with character, color, and clarity, featuring pleasing barrel distortion, painterly oval bokeh, and dynamic golden streak flares with near-zero chromatic aberration.
Lightweight and Compact: Approximately half the size and weight of most professional anamorphic lenses, enhancing versatility for various shooting scenarios, including handheld and gimbal work.
Professional Usability: Features an Arri PL mount compatible with professional cinema cameras and mirrorless cameras via PL adapter. It has unified focus and iris positions for quick lens changes and standardized 0.8 pitch gears and a 95mm front diameter for compatibility with standard cinema accessories.
Optimized for Film and Digital Sensors: Designed to perform exceptionally well with both traditional film and modern digital cinema cameras.
Crisp Image and Pleasing Skin Tones: Delivers sharp and resolute images while being optimized to render a variety of skin tones beautifully.
Rick Darge is Asking $20k for the lenses. And $500 for the case.
for a New Atlas Mercury A set: 36 42 72 mm
rgdfilms@gmail.com <rgdfilms@gmail.com>
(R) 03-26-2025
Canon EF CN-E Cinema Prime 14mm
Canon EF CN-E Cinema Prime 24mm
Canon EF CN-E Cinema Prime 35mm
Canon EF CN-E Cinema Prime 50mm
Canon EF CN-E Cinema Prime 85mm
High Optical Performance:
Engineered for 4K resolution and high image quality.
Consistent color balance across the lens series.
Minimal focus breathing.
Professional Build:
Robust and durable construction for demanding production environments.
Unified 114mm front diameter and standardized gear positions for efficient lens changes.
Dust and water-resistant design.
Cinematic Qualities:
11-blade aperture for smooth, beautiful bokeh.
Precise manual focus with a 300° rotation.
Designed to produce a natural, cinematic look.
EF Mount Compatibility:
Compatible with Canon’s Cinema EOS cameras and EF-mount DSLRs.
Adaptable to RF mount cameras with adaptors.
Operational advantages:
Dual focus markings.
Ability to change focus markings from imperial to metric.
Cost
In Wastsapp on 03-25-25
P: 10000 EUR for me. 2000 EUR to you as commission if you sell it for 12K.
R: Ok…but we always Mark it up a Little more because clients always ask for discounts…thanks
P: You can mark it up
Peeter Järvelaid <peeter@augustfilms.com>
producer
+372 5011711
augustfilms.com – Soo4, Tallinn, Estonia (R) 03/25/2025
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 35mm
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 50mm
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 75mm
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 100mm
Key Features and Benefits:
Classic Anamorphic Look: Delivers a vintage aesthetic with a 2x squeeze, characteristic oval bokeh, and distinct blue streak flares.
Organic Image: Offers a slightly softer, more forgiving image with medium contrast and a natural feel, avoiding a clinical sharpness.
Mirrorscope Rehousing: Modern rehousing by Mirrorscope addresses common issues of vintage lenses, providing improved mechanics for focus and matte box compatibility (non-rotating front).
Hawk C-Series Heritage: Based on the original Lomo Round Front lenses that formed the foundation of the renowned Hawk C-Series anamorphic lenses.
Versatile Focal Lengths: Typically available as a set with useful focal lengths like 35mm, 50mm, 75mm, and 100mm.
PL Mount: Features a professional PL mount for compatibility with a wide range of cinema cameras.
Enhanced Usability: Rehousing often includes standardized front diameters and improved focus mechanics for smoother operation.
Cost USD $ 85,000
Owner Nathan Thompson – Email: finance@contrastvisuals.com
Telephone: 833-268-7278 – Nashville – USA
(R) 03/25/2025
Cooke 5i 18mm
Cooke 5i 25mm
Cooke 5i 32mm
Cooke 5i 40mm
Cooke 5i 50mm
Cooke 5i 65mm
Cooke 5i 75mm
Cooke 5i 100mm
Key Features and Benefits:
Superior Optical Performance: Designed for maximum performance at full aperture (T1.4).
Exceptional control of flare, distortion, and spherical aberration.
Precise Control: Labeled index marks for detailed focus control.
Smooth cam-type focus mechanism.
Enhanced Usability: Patented, dimmable, illuminated focus ring for low-light conditions.
Consistent 110mm front diameter across the series.
/i Technology: Provides critical lens metadata for VFX and post-production.
provides information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance.
Color Matching: Color-balanced to match other Cooke lenses.
Robust Build: Durable, scratch-resistant finish.
Cost 50,0000 Proposed by us
Marcelo Prosdocimo <marcelo@locall.com.br>
the prones are : SP
11 5573-5977
POA
51 3095-3370
https://www.locall.com.br/
Cooke S4i 18mm
Cooke S4i 25mm
Cooke S4i 32mm
Cooke S4i 50mm
Cooke S4i 75mm
Cooke S4i 100mm
Includes: – 2 x 4-Hole Lens Case
“Cooke Look”:
Known for warm, natural color rendition and smooth, pleasing skin tones.
Provides a classic, cinematic aesthetic.
Optical Performance:
Excellent control of flare, distortion, veiling glare, and spherical aberrations, even at wide apertures (T2).
Consistent color matching across all focal lengths.
/i Technology:
Provides lens metadata (focus distance, aperture, etc.) to the camera, aiding in on-set and post-production workflows.
Mechanical Design:
Robust and durable construction.
Smooth, precise focus adjustments.
Modular construction for easier maintenance.
Wide Aperture:
T2 aperture, allowing great low light performance, and a shallow depth of field.
Cost $62,500
USA – Brady Romberg
bradystunt@gmail.com
503-888-7293
(R) 03-19-2025
Exceptional Image Quality: Delivers high resolution, high contrast, reduced flare, and vibrant colors.
Macro Capability: Offers a 1:1 magnification ratio for detailed close-ups.
Optical Design: Novel optical design optimized for close-up work.
Versatile Aperture: Wide T-stop range (T2.0 to T32) for precise depth of field control.
Ergonomics: Long focal length provides greater distance to the subject.
Lens Data System (LDS): Provides T-stop compensation and optional electronic exposure compensation.
Compatibility: Super Color Matched to other ARRI lenses.
SOLD – cost 17,857.14 – SOLD
owner : Nook Digital Factory Korea
Leica R Cinescope/TLS 19mm
Leica R Cinescope/TLS 24mm
Leica R Cinescope/TLS 28mm
Leica R Cinescope/TLS 35mm
Leica R Cinescope/TLS 50mm
Leica R Cinescope/TLS 80mm
Leica R Cinescope/TLS 100mm macro
Leica R Cinescope/TLS 135mm
Leica R lenses, especially when rehoused by TLS (True Lens Service) for cinema use, are popular for their ability to work with full-frame digital cinematography cameras. They are known for producing a distinct visual character with sharp resolution, good contrast, and subtly warm colors, along with a smooth bokeh.
Enhancements Through Rehousing
The rehousing process by TLS significantly improves the lenses’ functionality for modern filmmaking. This includes features like expanded focus rotation for precise focus pulling, smoother aperture control, a robust PL mount, and durable housing that eliminates backlash. The gearing is also standardized for compatibility with cinema lens control systems.
Specific Models and Coverage
Several specific Leica R lens models are being rehoused, covering a range of focal lengths from wide-angle to telephoto. These rehoused lenses are designed to cover Super 35mm and Full Frame formats, with some even capable of covering the Vista Vision sensor. They often feature improved close focus and maintain the original Leica optical quality.
Cost: Euros.: 77000 EUROS
owner Moritz Uthe
Email: hello@moritzuthe.com
Telephone: +436645878534
City: Vienna (r) 03-17-2025
Large Image Circle:Covers sensors up to ARRI ALEXA 65, offering versatility across various sensor sizes (VistaVision, Super 35).
Dimensionality:Provides a gradual focus fall-off curve, creating a sense of depth and dimensionality.
Analogue Look:Delivers a film-like aesthetic with smooth, forgiving focus and natural skin tone rendition.
Cinematic Bokeh:Features a circular iris design for a pleasing, character-rich bokeh effect.
Precision Engineering:They are built with high quality materials, and designed for professional cinema use.
Lens Mount Versatility:Available in PL mount, and also LPL mount, increasing compatability with professional cinema cameras.
COST: $57,500
Frank Shaw Hong Kong
(r) 03-17-2025
Cooke Panchro Full Frame Classic 18mm
Cooke Panchro Full Frame Classic 25mm
Cooke Panchro Full Frame Classic 32mm
Cooke Panchro Full Frame Classic 50mm
Cooke Panchro Full Frame Classic 75mm
Cooke Panchro Full Frame Classic 100mm
Classic Cooke Look: Designed to replicate the warm, organic, and flattering aesthetic of the original Cooke Speed Panchro lenses.
Full-Frame Coverage: Optimized for modern full-frame and large-format sensors, ensuring broad compatibility.
Smooth Bokeh: Delivers a pleasing and creamy out-of-focus rendering.
Controlled Flare: Offers a distinctive, yet manageable flare characteristic.
Excellent Skin Tones: Renowned for their ability to render natural and flattering skin tones.
Consistent Performance: Maintains optical consistency across the entire range of focal lengths.
Durable Build: Constructed to withstand the rigors of professional filmmaking.
High Resolution: While maintaining the classic look, they are designed to resolve high resolution images.
Im asking $69,000
From “Travis Auclair” <travisauclair@me.com>
(R) 03-10-2025
-Focal Length Range: 8mm
-T-Stop Range: T3.2-T22
-Close Focus: 10”
-PL Lens Mount
-Lens Weight: 2.4 pounds
Extreme Wide-Angle: Captures a 180-degree circular image, providing a unique, distorted perspective.
Specialized Effect: Creates a distinct “fisheye” look, ideal for artistic and immersive shots.
Fast Aperture (f/2.8): Allows for shooting in low-light conditions.
High-Quality Optics: Designed to minimize distortion and aberrations within the specific design limitations of a fisheye.
Niche Application: Primarily used for specialized photography and videography, including panoramic views, creative effects, and scientific applications.
Film use: Because of the unique perspective, used in the movie Oppenheimer to provide some very specific shots.
Cost: $6,500
Owner Scott Dawson
scott.dawson@live.com.au
+61 404739972
www.scottdawson.com.au
http://www.imdb.com/name/nm6680203/
