Contax TK & Kim Camera Rehoused 25mm f2.8,
Contax TK & Kim Camera Rehoused 28mm f2,
Contax TK & Kim Camera Rehoused 35mm f1.4,
Contax TK & Kim Camera Rehoused 50mm f1.4,
Contax TK & Kim Camera Rehoused 85mm f1.4,
Contax TK & Kim Camera Rehoused 100mm f2,
Contax TK & Kim Camera Rehoused 135mm f2
With front diameter of 100mm
The Contax TK Rehoused Set is a collection of vintage Contax Zeiss lenses that have been rehoused for modern cinema cameras.
Enhanced Image Quality: Rehousing often improves image quality and reduces optical flaws.
Modernized Functionality: Features like standardized mounts (like PL) and improved focus/iris mechanisms make them easier to use on modern cameras.
Unique Aesthetic: These lenses retain their classic character and can provide a distinctive look to footage.
Increased Versatility: Rehousing allows these lenses to be used on a wider range of cameras.
Canon FD 14mm
Canon FD S.S.C. 20mm.
Canon FD S.S.C. 28mm.
Canon FD 100mm.
Canon FD 135mm.
Canon K35 18mm T1.5 (Fast Version)
Canon K35 24mm
Canon K35 35mm
Canon K35 50mm*
Canon K35 85mm
*50mm lens can be exchanged for 55mm K35 if preferred
Note: You can purchase both sets separately
Canon FD and Canon K-35 lenses are highly regarded vintage optics, widely used in filmmaking for their unique image characteristics. Canon FD lenses, originally designed for still photography, offer a classic look with organic flares and soft contrast. Canon K-35 lenses, developed for cinema, are known for their high-speed apertures and beautiful bokeh, making them a favorite for cinematographers seeking a distinctive cinematic aesthetic. The K-35 series won an Academy Award for their optical design and are still used in high-end productions.
Features
Canon FD Lenses
Compact & Lightweight – Great for handheld and gimbal work.
Classic Film Look – Soft contrast and organic flares.
Affordable Vintage Option – Popular for budget-conscious filmmakers.
Adaptability – Can be modified for cine use (PL mount conversion available).
Canon K-35 Lenses
Fast Apertures – T1.3-T1.5 for excellent low-light performance.
Award-Winning Optics – Academy Award-winning lens design.
Smooth Focus & Bokeh – Creamy rendering with a cinematic feel.
Slightly Lower Contrast – Helps achieve a softer, more filmic image.
PL Mount Compatibility – Ready for professional cinema cameras.
Cooke S7/i Full Frame 18mm
Cooke S7/i Full Frame 25mm
Cooke S7/i Full Frame 32mm
Cooke S7/i Full Frame 40mm
Cooke S7/i Full Frame 50mm
Cooke S7/i Full Frame 75mm
Cooke S7/i Full Frame 100mm
Cooke S7/i Full Frame 135mm
Superior Image Quality: Deliver stunning sharpness, contrast, and color rendition, even at wide apertures.
“Cooke Look”: Characterized by a unique combination of warmth, subtle contrast, and smooth bokeh, creating a visually distinctive aesthetic.
Robust Construction: Built to withstand the rigors of professional filmmaking with durable materials and precise engineering.
Consistent Color Science: Meticulously color-matched across the entire S7/i line, ensuring seamless transitions between focal lengths.
i/ Technology: Enables lens data communication with compatible cameras and accessories for enhanced workflow efficiency.
Angenieux Optimo Prime Full Frame PL 18mm
Angenieux Optimo Prime Full Frame PL 24mm
Angenieux Optimo Prime Full Frame PL 32mm
Angenieux Optimo Prime Full Frame PL 50mm
Angenieux Optimo Prime Full Frame PL 75mm
Angenieux Optimo Prime Full Frame PL 100mm
Angenieux Optimo Prime Full Frame PL 135mm
Full Frame coverage
PL Mount
Fast T2 maximum aperture
Cooke /i and ARRI LDS lens metadata transmission
Replaceable iris blade unit
320° focus rotation
User-configurable bokeh
Angenieux Optimo Prime 21mm
Angenieux Optimo Prime 28mm
Angenieux Optimo Prime 40mm
Angenieux Optimo Prime 50mm
Angenieux Optimo Prime 75mm
Angenieux Optimo Prime 135mm
High-end cinema prime lenses: Designed for demanding productions with exceptional image quality.
Full-frame coverage: Compatible with various camera sensors, offering flexibility in shooting.
Fast apertures: Allow for shallow depth of field and low-light shooting.
Compact and lightweight: Easy to handle and transport.
Consistent color science: Matches the look of other Optimo lenses, ensuring a cohesive aesthetic.
Customizable optics: Integrated Optical Palette allows for unique creative expression (e.g., interchangeable irises, internal glass elements).
Zero Optik rehoused 1960s Leica Summicron M Prime 25mm T2.4
Zero Optik rehoused 1960s Leica Summicron M Prime 35mm T2.2
Zero Optik rehoused 1960s Leica Summicron M Prime 50mm T2.1
Zero Optik rehoused 1960s Leica Summicron M Prime 90mm T2.1
Zero Optik rehoused 1960s Leica Summicron M Prime 125mm T2.5
The Zero Optik 1960s Rehoused Leica Summicron M Primes are a set of legendary Leica M lenses from the 1960s, rehoused for cinema use. They are known for their exceptional image quality, including sharpness, minimal chromatic aberration, and beautiful lens flares. These lenses are highly sought-after by cinematographers for their unique aesthetic and character.
Key Features & Benefits:
Exceptional Image Quality: Sharpness, minimal chromatic aberration, beautiful lens flares.
Vintage Character: Unique aesthetic and character sought-after by cinematographers.
Rehoused for Cinema: Designed for professional filmmaking use.
Legendary Optics: Based on iconic Leica M lenses from the 1960s.
The Atlas Orion 32mm Anamorphic Prime is a high-performance cinema lens delivering the classic 2x anamorphic look. Known for its distinctive oval bokeh, horizontal flares, and immersive depth, this lens is ideal for creating a cinematic aesthetic. Designed with robust construction and modern optics, it ensures consistent performance across professional film productions.
Features:
2x Anamorphic Squeeze: Achieves the signature widescreen aspect ratio.
32mm Focal Length: Offers a wide-angle perspective perfect for dynamic compositions.
Distinctive Cinematic Look: Oval bokeh and striking horizontal flares.
Modern Optical Design: Provides sharp, detailed imagery with minimal distortion.
Compatible with Full-Frame and Super 35 Sensors: Versatility for various camera setups.
Durable Build: Engineered for professional and demanding environments.
Smooth Focus Mechanism: Ensures precision and ease of operation.
Color Consistency: Matches seamlessly with other Atlas Orion lenses.
Atlas Orion A & B Anamorphic 32/T2 mm
Atlas Orion A & B Anamorphic 40/T2 mm
Atlas Orion A & B Anamorphic 50/T2 mm
Atlas Orion A & B Anamorphic 65/T2 mm
Atlas Orion A & B Anamorphic 80/T2 mm
Atlas Orion A & B Anamorphic 100/T2 mm
Vintage Aesthetic: Recreate classic cinematic looks with signature flares and bokeh.
Modern Convenience: Designed for modern cameras with PL mounts, adaptable to other systems.
High Image Quality: Deliver sharp, detailed images with a unique anamorphic character.
Versatile Set: Covers a range of focal lengths to suit various filmmaking needs.
Angenieux Optimo Ultra 12x Full Package Kit
FF/VV = 36-435
S35 = 24-290
U35 = 26-320
Exceptional Image Quality: Delivers stunning visuals with high resolution, contrast, and minimal distortion throughout the zoom range.
Versatility: Covers a wide focal length range, making it suitable for various shooting scenarios.
Interchangeable Rear Optics: Allows for easy configuration to match different sensor sizes.
Fast Aperture: Maintains consistent aperture across the zoom range, providing excellent low-light performance.
Robust Construction: Built to withstand the demands of professional filmmaking.
Includes:
Canon K35 18mm T2.8 (Fast 18mm)
Canon K35 24mm
Canon K35 35mm
Canon K35 55mm
Canon K35 85mm
The TLS Rehoused Canon K35 Set of 5 is one of the most celebrated vintage cinema lens collections available today, preserving the extraordinary optical character of Canon’s iconic K35 primes — originally manufactured in the late 1970s — within a precision-engineered modern housing by True Lens Services that makes them fully practical for contemporary professional production. This five-lens set, spanning 18mm through 85mm, delivers the warm, three-dimensional rendering, smooth focus fall-off, and distinctive flare characteristics that have made the K35 series a legendary choice on landmark Hollywood productions for decades. Rebuilt to exacting tolerances with industry-standard gear rings, consistent front diameters, and PL mount compatibility, these lenses are a premier choice for feature films, prestige television, and high-end commercials seeking irreplaceable vintage optical magic on modern large-format and Super 35 camera platforms.
Key Features:
The original Canon K35 optical formula delivers a uniquely warm, three-dimensional image quality with smooth, organic bokeh and a painterly rendering widely regarded as among the finest vintage cinema glass ever produced.
TLS’s meticulous rehousing process preserves all original optical elements in pristine condition while adding industry-standard 0.8M focus gear rings and consistent front diameters across the entire set.
PL mount compatibility ensures seamless integration with leading professional cinema cameras, including ARRI, RED, and Sony VENICE platforms, without the need for additional adapters.
The K35 lenses are celebrated for their distinctive flare character and gentle contrast rendering, producing images with a timeless cinematic quality that contemporary lens designs are unable to replicate.
All five lenses share consistent color rendition and optical character, ensuring a unified, cohesive visual language when interchanging focal lengths throughout a production.
The robust TLS rehousing provides the durability and tactile precision demanded on professional sets, dramatically improving the handling, consistency, and serviceability of the original vintage barrels.
TLS REHOUSED CANON K35 SET OF 5: 18 (SLOW), 24,35,55,85(J) Update March 23rd 2026: Phone: +1 818.726.5213 USA Updated item descriptions, SEO info, Sales code. (J) Cost: USD $275,000 Adriaan Kirchner MD 01-15-2025 adriaankirchner@me.com
